Podcasts about eaglemont

On this episode, Lauren is joined by the brilliant Eaglemont, the jangle rock project of Melbourne's Bridg Jessop.After launching the project in 2018, Eaglemont has quickly made a name for herself in the Australian music scene, demonstrating an impressive ability to combine clever wit and genuine heart within her lyrics, encased within a perfectly cool, distortion-heavy sound.In August this year, she released her brilliant debut album 'Party Boy'. Produced by Jonathon Tooke (Cry Club) and mixed by Oscar Dawson (Holy Holy), Eaglemont lays themselves bare across all twelve tracks on the record.This podcast is recorded on the lands of the Wurundjeri people of the Kulin nation. I pay my respects to the traditional custodians of this country and elders past, present.... -Find Eaglemont on Instagram-Follow LP: Uncovered on Instagram

Eaglemont talks about her single 'Party Boy', her upcoming album and performing on Like A Version.Jarryn Phegan from Eastbound Buzz chats their latest single 'It Gets Better', touring Western Australia and new band members.Gemma Dunsmore from This Space Is Ours discusses their latest single 'A House Of Flames', upgrading their live show and songwritingFollow Eaglemont on IG, FB & Tik-TokFollow Eastbound Buzz on IG, FB & Tik-TokFollow This Space Is Ours on IG, FB & Tik-Tok Visit Be Groovy Or Leave to discover the best in new musicFollow Life on Music & Be Groovy Or Leave on IG, FB & Tik-Tok

152! This week Brad and Adam had the absolute pleasure of having a textbook chinwag with Naarm Indie-Rock artist Bridge AKA Eaglemont! The self-described lesbian Bruce Springsteen chose records from two of the best songwriters from the US - Phoebe Bridgers' 2017 debut 'Stranger in the Alps' and Ethel Cain's hair-raising 'Preacher's Daughter'. Be sure to listen to these amazing records as well as Eaglemont's latest single 'Vodka Pineapple'. Catch Bridge in Capital cities this week, touring with Cry Club while your at it! ALL THINGS EAGLEMONT: https://linktr.ee/eaglemontbridgeUse code ROYALE10 for 10% off at Rudderless Records! Link: https://www.rudderlessrecords.com.auFollow Record Royale on Instagram: https://www.instagram.com/recordroyale/

In the late 19th century, impressionism swept through the art world. In Australia, a group of young artists embraced the new movement - they would meet in artist's camps and paint en plein air. Among them was a young Arthur Streeton who would in due course become one of Australia's most loved and respected artists.   Wayne Tunnicliffe has curated an outstanding retrospective of Streeton’s work. Wayne is Head Curator of Australian art at the Art Gallery of NSW, and the retrospective gathers together over 150 of Streeton’s works, some not seen in public in over 100 years. This is Streeton as he has never been seen before. Wayne had the idea for the exhibition when he was curatorial adviser to an exhibition of Australian impressionists at the National Gallery in London. It was clear to him that Streeton stood out as the most significant landscape painter in the group. It makes sense that this retrospective is held at the Art Gallery of NSW. Not only does the Gallery have the largest collection of Streetons anywhere in the world, but they started buying his work in 1890 when he was an emerging artist at only 23 years of age.  In this episode we explore Streeton's life: his early years, his meeting some of the key figures in Australian art, his experience of life in London and during WWI, and his later years back in Australia. We also dig deep into a couple of the works with Wayne providing some fascinating insights. To hear the interview press 'play' beneath the above feature photo. You can see images of the works we talk about below. Streeton opens at the Art Gallery of NSW on 7 November 2020 and runs until 14 February 2021. To purchase tickets to the exhibition click here. https://youtu.be/JRvUErfm87Y Video excerpt from the podcast interview with Wayne Tunnicliffe on the forthcoming exhibition 'Streeton'. Here we talk about the iconic painting 'Fire's On' from the AGNSW's collection. To hear the full audio podcast episode (and more about this painting) click on the 'play' button under the feature photo at the top of this page. 'Golden Summer, Eaglemont', 1889, oil on canvas, 81.3 x 152.6cmNational Gallery of Australia, Canberra, purchased 1995 ‘Still glides the stream, and shall for ever glide’ 1890, oil on canvas, later mounted on hardboard, 82.6 x 153 cm Art Gallery of New South Wales, Sydney, purchased 1890 Photo: Jenni Carter, AGNSW 'Spring', 1890, oil on canvas on plywood, 81.4 x 152.6cmNational Gallery of Victoria, Melbourne, Gift of Mrs Margery Pierce, 1978 'Fire's on', 1891, oil on canvas 225.5 x 164 cm, Art Gallery of New South Wales Purchased 1893 Photo: Jenni Carter, AGNSW 'From McMahon's Point - fare one penny' 1890 oil on canvas 117.7 x 97.5 cm National Gallery of Australia, Canberra Purchased 1972 ‘The purple noon’s transparent might’ 1896 oil on canvas, 123 x 123 cm National Gallery of Victoria, Melbourne, purchased 1896 33-2 Photo: National Gallery of Victoria, Melbourne 'The Grand Canal' 1908 oil on canvas, 93 x 169 cm Collection of Susan Clarke, Victoria Photo: Glen Watson Arthur Streeton 'Balloons on fire' 1918 oil on canvas 63.4 × 76.2 cm National Gallery of Victoria, Melbourne Gilbee Bequest, 1918 Photo: National Gallery of Victoria, Melbourne

Stoked to have hosted the second live edition of the podcast at Some Velvet Morning in Melbourne. I was joined by three super talented artists—Nat Vazer, Eaglemont & Alexander Biggs—each of whom performed a couple of songs after an on stage chat with me. Biggsy even let us share an unreleased track!Shout out to Guy Fatelou not only on sound for the evening, but also for mastering the recording for me to share.Intro & outro music is 'Lo Drone' by Atalein For information regarding your data privacy, visit Acast.com/privacy See acast.com/privacy for privacy and opt-out information.

Jordan is joined by the lovely Bridge, AKA, Eaglemont, an incredible Melbourne based singer/songwriter. Bridge was in to chat about her brand new single, Heteronormative Nightmare, what it was like going to your year 12 […] http://media.rawvoice.com/joy_homophonics/p/joy.org.au/homophonics/wp-content/uploads/sites/432/2019/12/Homophonics-02-12-2019.mp3 Podcast: Play in new window | Download (Duration: 50:38 — 69.5MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post Eaglemont appeared first on Homophonics.

We've been discussing it for a good few months, but I was finally able to pin down Hannah Blackburn to chat Juice Webster, Eaglemont, Freya Josephine Hollick, Alexander Biggs, Chitra & Feelds.Catch Hannah launching her single 'Tiny Car' live in Melbourne.Listen back to our live recording, featuring Feelds' performance of 'Full Grown'.Intro music is 'Crash Pad' by Atalein Outro is 'Tiny Car' by Hannah Blackburn For information regarding your data privacy, visit Acast.com/privacy See acast.com/privacy for privacy and opt-out information.

To celebrate 50 regular episodes of Australian Jams, I've put together a suuuuper long episode featuring some of my favourite songs/chats from past episodes. Listen out for;Gena Rose Bruce, Zac Abroms, Rya Park, Miks Everitt, Odette, Zoe A'dore, Wolfjay, HANDSOME, Georgia Cooke, Eaglemont, Angie McMahon, Feelds, Alexander Biggs, Sabrina Robertson, Milwaukee Banks, Bec Goring, Lloyd Perris, Becki Whitton & Cry Club.Featuring Music from;Hannah Blackburn, Camp Cope, Rya Park, Odette, Xavier Dunn, Montaigne, HANDSOME, King IV, Kira Puru, Angie McMahon, Kilns, RAT!Hammock, Alex Lahey, Milwaukee Banks, Chela, Banoffee, Pist Idiots, Seavera & Alice Ivy.Intro & outro music is 'Crash Pad' by Atalein For information regarding your data privacy, visit... See acast.com/privacy for privacy and opt-out information.

Eaglemont on the back of the release of their Single Hound, went on tour with Ceres and while in South Australia had a chat with radionotes. The singer/songwriter shared thoughts on their music and even revealed an important role they had in High School. Also, From The Archives a scratchy recording found from the mid-90s with The Earthmen who once supported INXS. Show Notes: https://radionotespodcast.com/episodes/eaglemont/ 

I had a chat to the excellent Eaglemont about killer new tracks from Eilish Gilligan, Kira Puru, Porpoise Spit, Montaigne, David M Western and Boy & Bear.Catch Eaglemont with Porpoise Spit in Kyneton and Ballarat.Intro music is 'Coffee' by RKDAOutro music is 'Hound' by Eaglemont For information regarding your data privacy, visit Acast.com/privacy See acast.com/privacy for privacy and opt-out information.

Eaglemont joined Dinah & Sarah in the Local Roots studio for this week’s Jam Session. She also premiered some fantastic new tracks not yet released! Each week we bring in an independent artist to perform […] http://media.rawvoice.com/joy_localroots/p/joy.org.au/localroots/wp-content/uploads/sites/400/2019/07/Eaglemont.mp3 Podcast: Play in new window | Download (Duration: 42:58 — 39.3MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | Spotify | RSS The post Live Jam Session with Eaglemont appeared first on Local Roots.

Before he jets off to study overseas, I had presenter of The Modern Age Paul Waxman on to talk about his favourite recent releases including Eaglemont, Tamara & The Dreams, Creature Fear, Kilns, Alpine, Paul Kelly & Dan Sultan.Intro & Outro music is 'Coffee' by RKDA. For information regarding your data privacy, visit Acast.com/privacy See acast.com/privacy for privacy and opt-out information.

The secret to success that everybody knows but can’t do: Finding the part of you that wants to be a success and nurturing it. Anthony Noack says it can be a hard thing to take yourself back to motivation, you just have to force yourself to do something. Playwrite, producer and filmmaker Anthony Noack works for Melbourne International Comedy Festival. He is an assistant producer at RAW Comedy and Festival Club. As a playwright and producer, his plays Brighter Whiter and The Gift premiered at the Melbourne Comedy Festival, and Banana Republic made its premier at the Melbourne Fringe Festival. His novella, Eaglemont, was published through Ginninderra Press and his award-winning short film, Twenty Five Cents, premiered at the St Kilda Film Festival in 2007. Anthony says you just have to do small little things to start to create that movement, and then all of a sudden you find yourself working. Love the show? Subscribe, rate, review, and share! Here’s How » Join the I’m Not Joking community today: petermcgraw,.org Peter McGraw Twitter Peter McGraw LinkedIn

Reg from Eaglemont phones in, Dion floats several new ideas, and Tony again calls master filmmaker William Friedkin.

In 1914 the Griffins, minted from the firmament of the Prairie School, were newly arrived in Australia and ready to test their ideas in that rarest of all architectural laboratories, a grand urban design scheme for a new and entirely planned city. But their lofty ideals were to dissipate rapidly: their design for Canberra, which won the 1911 international competition, would meet vicious opposition and never be fully realised. Instead they conjured up Newman College and the Capitol Theatre, estates at Castlecrag and Eaglemont, the towns of Leeton and Griffith, and a construction system known as Knitlock, eventually following their aesthetic and spiritual sensibilities to Lucknow, India. Listen to Sir Jonathan Mills and Philip Goad for this conversation, one that promised to cover the legacy of the Griffins, a name etched in our capital and national consciousness.

Arthur Streeton (Australia 1867–1943), Golden summer, Eaglemont 1889. Oil on canvas, 81.3 x 152.6 cm. Purchased 1995.

Both Roberts and Condor painted the breathtaking view from Eaglemont Hill across the Yarra Valley to the Dandenongs but Streeton made it his own in magnificent blue and gold panoramas.

The selector’s hut (Whelan on the log) is an iconic image of the ‘pioneering spirit’ that underpinned Australian nationalist attitudes of the late nineteenth century. Although most Australians lived in coastal cities and towns, it was the bush that was used as a symbol of Australian sentiment. In The selector’s hut (Whelan on the log) Arthur Streeton depicted these iconic elements of the land. The ‘blue and gold’ of sky and earth are encapsulated by the great scale of the sky, the golden grass and shimmering light, a slender silhouetted gum tree and a bush pioneer. By 1888 a railway had been constructed between Melbourne and the suburban fringe at Heidelberg. Towards the end of that year Streeton had set up ‘camp’ in an old house on Eaglemont estate, which was located close to Heidelberg at Mount Eagle. Mr C. M. Davies, part owner of the estate, had offered the house to the artist.1 Early in 1889 Streeton was joined by Charles Conder and Tom Roberts. The camp provided the perfect working environment–a reasonably isolated bush location that was still close to the city. Streeton found much inspiration in the area, nicknaming Eaglemont ‘our hill of gold’. Jack Whelan was the caretaker and farmer of the Eaglemont estate and shared the house with the artists over the summer of 1888–89. In The selector’s hut (Whelan on the log) Streeton has presented Whelan as a bush selector–a type of pioneering ‘hero’ who farmed the large properties of landowners. 1 Terence Lane, ‘Painting on the hill of gold: Heidelberg 1888–90’, in Terence Lane (ed.), Australian impressionism, Melbourne: National Gallery of Victoria, 2007, p. 123.