Podcasts about i iv v

Here's a tune that has touched the hearts and minds of more than a hundred years' worth of Flood heroes.At the very start of the 20th century, it was one of the best-loved numbers in the repertoire of jazz legend Buddy Bolden down in the hot, dark streets of New Orleans.A couple decades later up in Memphis, W.C. Handy co-opted it, copyrighting a variation after he heard an old guy singing it in a railroad station.It was one of the first songs waxxed when the recording revolution began in the 1920s. Bessie Smith and a kid named Louis Armstrong had a huge hit with it in 1925.After that, it was recorded by … well, by everybody from Lula Jackson and Lonnie Johnson to Jack Teagarden and The Mills Brothers, from Kid Ory and Baby Dodds to Bunk Johnson and George Lewis.Country versions were done by The Texas Rangers, The Dixie Ramblers and by Riley Puckett, blues versions by Big Joe Turner and Josh White, straight-up jazz takes by Sidney Bechet and Billie Holiday, early rock and pop renditions by Fats Domino and Elvis Presley, Ray Charles and Nat “King” Cole, earnest folk treatments by Jean Ritchie and Pete Seeger, Joan Baez and Dave Van Ronk.The Song's OriginsThe origins of “Careless Love” are obscure indeed, though it is thought to be essentially British, re-made in America with new stylistic influences. In the US, for instance, folklorist Vance Randolph collected a version in 1948 that he was told was learned in 1880.In Father of the Blues, W.C. Handy's 1941 autobiography, the composer acknowledged that the song he copyrighted as “Loveless Love” was “based on the ‘Careless Love' melody that I had played first in Bessemer (Ala.) in 1892 and that has since become popular all over the South.”Meanwhile, uh, What About the Murders? ...Handy's autobiography also introduced a curious twist when a notorious double-murder case glommed onto the “Careless Love” story.While living in Henderson, Ky., with his new wife, Elizabeth, “I was told that the words of ‘Careless Love' were based on a tragedy in a local family,” Hardy wrote, “and one night a gentleman of that city's tobacco-planter aristocracy requested our band to play and sing this folk melody.”The tragedy in question was the April 1895 shooting death of one Archibald Dixon Brown, who happened to be the 32-year-old son of Kentucky Gov. John Young Brown. Newspapers across the country reported the scandal, how the jealous husband of Archie's 28-year-old lover, Nellie Gordon, caught the two of them in a bedroom in a disreputable neighborhood in Louisville and shot each of them to death. Fulton Gordon was captured by police several blocks away, where he confessed to the murders. Soon balladeers were hard at work, singing the news.Our Take on the Tune“Man, I love those chords you found!” Joe Dobbs used to say whenever The Flood played “Careless Love.” It's true that the country version of the song Joe grew up hearing — with its simple I-IV-V structure — made for a pretty boring tune to solo on. That's why when The Flood started doing the tune a couple of decades ago, Charlie Bowen dug around to find what Joe like to call “those Nawlins chords,” the changes favored by early jazz bands when they performed the song.And since then, each iteration of the band over the years has found lots of space for ad-libbing in those roomy chords inherited from the song's sweet Dixieland roots. Just listen, for instance, to all the ideas that Sam St. Clair, Danny Cox and Randy Hamilton come up with in this latest rendition from last week's rehearsal.The FakebookOh, and by the way, if you'd like to pick along on this or other songs in The Flood catalog, visit the band's Fakebook section on its website.There you'll find chord charts for dozens of tunes in The Flood songbag, along with links to the band's renditions over the years. Click here to check it out. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

 Direct DownloadFor this advanced level episode, Bing brings in the looper pedal to demonstrate the layering of parts for “Black Mountain Rag” on mountain dulcimer.n dulcimer, Bing conducts an intermediate-level episode that focuses on using a capo, playing chops and countermelody, plus a neat trick for playing the I-IV-V and vi chords in three different keys. Bing Futch is endorsed by Folkcraft Instruments, V-Picks and Zither Stands.Enjoy "Dulcimerica"? Consider supporting the program by becoming a patron!

 Direct DownloadContinuing a study of playing in the jam with mountain dulcimer, Bing conducts an intermediate-level episode that focuses on using a capo, playing chops and countermelody, plus a neat trick for playing the I-IV-V and vi chords in three different keys. Bing Futch is endorsed by Folkcraft Instruments, V-Picks and Zither Stands.Enjoy "Dulcimerica"? Consider supporting the program by becoming a patron!

 Direct DownloadPart three of a study on chord progressions, Bing talks about and demonstrates intervals for emotional power. Harmony-building and an intro to voice-leading segue into a look at the ii-iii-vi minor chords and how to mix them in with the I-IV-V major chords. Bing Futch is endorsed by Folkcraft Instruments, V-Picks and Zither Stands.Enjoy "Dulcimerica"? Consider supporting the program by becoming a patron!

 Direct DownloadFor the second part of multi-part series, Bing recaps some of the basics behind chord progressions and chord-building, focusing on the key of D in DAD tuning while also showing some neat tricks on finding the root, 3rd and 5th of chords. Then, through a number of popular songs, he shows how the I-IV-V progression can be worked. Bing Futch is endorsed by Folkcraft Instruments, V-Picks and Zither Stands.Enjoy "Dulcimerica"? Consider supporting the program by becoming a patron!

 Direct DownloadBing kicks off a multi-part series of episodes on chord progressions with an introduction to the theory behind key signatures, scales and chord-building. Also, some variations on the I-IV-V progression are demonstrated on mountain dulcimer. Download the "12 Major Keys" PDF at: https://www.patreon.com/posts/54295043 Bing Futch is endorsed by Folkcraft Instruments, V-Picks and Zither Stands.Enjoy "Dulcimerica"? Consider supporting the program by becoming a patron!

Source d’influence énorme pour de nombreuses rockeuses et de nombreux rockeurs. D'un point de vue technique, sur la forme, le blues repose sur trois éléments : un rythme souvent ternaire syncopé, l'harmonie en I-IV-V et la mélodie qui utilise les notes bleues. Sur le fond, le blues se caractérise souvent par une humeur teintée d'une certaine langueur ou mélancolie. Ce blues a été transformé, réarrangé, réadapté mais la racine est toujours bien là, le blues est omniprésent, on en parle avec l'influence de Willie Dixon et de Howlin Wolf sur les Doors, Eric Burdon et Iggy Pop. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent une anecdote sur le rock chaque matin dans le Morning Club à 6h30. Rediffusion à 13h30 dans Lunch Around The Clock sur Classic 21, la Radio Rock n' Pop.

Source d’influence énorme pour de nombreuses rockeuses et de nombreux rockeurs. D'un point de vue technique, sur la forme, le blues repose sur trois éléments : un rythme souvent ternaire syncopé, l'harmonie en I-IV-V et la mélodie qui utilise les notes bleues. Sur le fond, le blues se caractérise souvent par une humeur teintée d'une certaine langueur ou mélancolie. Ce blues a été transformé, réarrangé, réadapté mais la racine est toujours bien là, le blues est omniprésent, on en parle avec l'influence de Willie Dixon et de Howlin Wolf sur les Doors, Eric Burdon et Iggy Pop. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent une anecdote sur le rock chaque matin dans le Morning Club à 6h30. Rediffusion à 13h30 dans Lunch Around The Clock sur Classic 21, la Radio Rock n' Pop.

Dans ce podcast, je vous montre comment travailler efficacement votre indépendance rythmique des 2 mains avec l'enchainement de 3 accords qui formeront la cadence complète du I / IV / V L'article Astuce pour gérer l'indépendance des 2 mains est apparu en premier sur Marina Graf.

Today we're talking with Dave Carlton and Chris Anderson, two of the three creators of HookTheory - one of our favourite music-learning websites and one that can transform the way you understand melodies and harmony in the music you love. Ryan Miyakawa, the third team member, couldn’t be with us today but we’re hoping to have him on the show for a followup episode in future. HookTheory is one of a handful of websites that we are constantly recommending to people who are learning music and looking for easier ways to understand music theory. We’ve been continually impressed with their approach and the quality of the teaching they provide, and it was a real delight to immerse ourselves in the two HookTheory books last year. HookTheory is a new way of visualising notes and chords in music, as well as a very different and far more effective and interesting way of teaching core music theory concepts in songwriting.   In this conversation we talk about:   • The quite different musical backgrounds that the three HookTheory creators have and what they found a shared passion for that led to creating HookTheory together • What makes HookTheory different and why that might matter to you • Whether or not interactive tools like HookPad which make it easy to write music with computer assistance are removing the need for learning music theory yourself   If you’ve never been to HookTheory.com, we know this conversation will inspire you to go dive in, and if you’ve seen HookTheory in action, you’ll enjoy this peek behind the scenes of where such a cool project came from and what’s in store for the future.   Subscribe For Future Episodes! Apple Podcasts | Android | Stitcher | RSS   Full Show Notes and Transcript: Episode 040   Links and Resources • HookTheory.com • Previous interview with Dave: an introduction to hook theory • The I-IV-V progression • The Kodály Method • The benefits of solfege   Enjoying the show? Please consider rating and reviewing it! Click here to rate and review

Chords sometimes referred to with numbers, and chord progressions as a series of numbers, such as I-IV-V or 1-4-5. Find out what these numbers mean, how to build chords on any note in any key, and how you can use this to write unforgettable songs!   Subscribe For Future Episodes! Apple Podcasts | Android | Stitcher | RSS   Full Show Notes and Transcript: Episode 033   Links and Resources Turning Ordinary People into Musicians, with Casey McCann(interview) Note2Self: "I Love This!", with Lisa McCormick(interview) Making Ear Training Fun, with Steve Myers(interview) Finding the Notes Yourself, with Sara Campbell (interview) Seriously Enjoyable Music Learning, with Shelle Soelberg(interview) A Toolbox of Musical Understanding, with Scott Sharp(interview) I-IV-V Chords in Major Keys The vi-IV-I-V chord progression The Circle of Fifths Podcast Episode: The Power of Solfa   Enjoying the show? Please consider rating and reviewing it! Click here to rate and review

If a Nashville studio ace - a guy who's played on albums by Garth Brooks, Randy Travis, the Judds and others - gave you inside tip on how to play effective session acoustic guitar, would you listen? Well, then, listen. Casstevens stresses the percussive attack and the "high, ringing stuff," and trying to break the constant Travis-style mold. To put these ideas into motion, here's a twangin' I-IV-V,16-bar sequence. This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U. Get more videos, notation and tab for this guitar lesson on TrueFire TV (http://truefiretv.com)

A master of many blues styles, Duke Robillard garners particular acclaim for his jump and swing playing. When he recently performed at a San Francisco music festival, Andy Ellis seized the opportunity to take a lesson in uptown blues. Robillard's music is full of jazzy turnarounds and sneaky substitutions, so he was asked to explain how he transforms a typical I-IV-V, 12-bar progression into something with more harmonic pizzazz. Tab, notation and Power Tab files available at http://truefire.com/list.html?store=audio_lessons&item=2143 (log-in to access streaming audio and files