Podcasts about Sidney Bechet

En el audio de hoy discutiremos los posibles beneficios y los riesgos del uso del ChatGPT y la IA para pedir consejo o hacer terapia.  Música: Si Tu Vois Ma Mere by Sidney Bechet; Nuages by Stephane Wrembel (Django Reinhardt) 

Playlist: Jason Marshall - Recordame / Airegin / Peggy's Blue SkylightSpike Wilner - At First Blush / ContrafactusMichael Weiss - I'll Remember April / SuddenlySam Taylor - Philly New York Junction / Without A Smile / Bye Bye Baby

Playlist: Carl Allen - They Say It's Wonderful / Put On A Happy FaceJames Danderfer - I Like You / Garden Of Weeds / Tempest Of The TimesJon Bentley - Down In The Depths / Feeling Of JazzNeil Swainson - One For Rob / Under Cover of DarknessWarren Wolf - Saturn's Child

Playlist: Jon McCaslin - Sunalta / Different MountainsMetalwood - The Past Before You / BodybeardJeff Libman - Strange Beauty / Stop Hitting YourselfOliver Gannon, Miles Black - I Remember You / I Want To Be Happy / The Nearness Of You

Playlist: Clark Gibson - Oatts Is Back / BoptudePJ Perry - Too Soon Gone / AgoraphobiaSean Fyfe - See Ya / SkylarkSpike Wilner Trio - Eronel / Lets Cool One / UMMG

Playlist: Mike Melito - Ruby My Dear / Straight StreetMiki Yamanaka - Gin / OatmealJoel Haynes - Allure / AngelJeb Patton - E Major / D Major / Prelude To A Kiss

Playlist: Kenny Wheeler - Foxy Trot / Ma / Three / WWKeith Jarrett - Straight No ChaserJoe Henderson - Waltz

Playlist: David Murray - Chazz / Portrait / Lyons / ElegyPharoah Sanders - Freedom / Yemenja / Easy / Think

Playlist: McCoy Tyner - In 'N Out / Taking Off / Isotope

Playlist: Kenny Wheeler - Foxy Trot / Ma / Three / WWKeith Jarrett - Straight No ChaserJoe Henderson - Waltz

Playlist: Benny Golson - Time Pst / Jam The Ave / OriginDavid Murray - Pastel Rhapsody / Dice / Tin Can AlleyFranco Ambrosetti - Milonga / Try Again / Silli's

Playlist: Jack DeJohnette - One for Eric / Zoot Suite / Central park / India / Journey / Riff Raff / Inflation

Playlist: John Abercrombie - Back Wood SongDave Holland - SegmentJack DeJohnette - Good BaitStandards Trio - I Hear A RhapsodyJack DeJohnette - Picture 6

Podcast Jazztime 694 – 11.11.25 Diese Sendung hat Joachim Böskens zusammengestellt. Das LIVE – Anspiel diesmal ist: „Georgia on my Mind„ – 1930 von Hoagy Carmichael komponiert. Folgende Titel sind zu hören : 1. Star Catchers – Mark Lettieri Group meets WDR Big Band 6:36 2. Kitten-fly – Ulita Knaus 4:25 3. Georgia on my mind – Archie Shepp 4:57 4. Cruisin' – Simon Oslender feat. Jakob Manz 6:33 5. Moody's Mood for Love – Georgie Fame & The Blue Flames 4:22 6. Hallelujah – Coleman Hawkins 4:01 7. Halle hallelujah – Sidney Bechet 7:01 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Playlist: Keith Jarrett - You Won't Forget MePat Metheny - Two Folk SongsEric Kloss - In A Country GardenKenny Wheeler - Deer WanCedar Walton - Lady Charlotte

Playlist: Jackie McLean - Blue FableBill Evans - Someday My PrinceBill Evans - NardisCharles Lloyd - SorceryJack DeJohnette - The Major GeneralWayne Shorter - Water BabiesCharles Lloyd - Days And Nights WaitingMiles Davis - Sanctuary

Playlist: Francisco Mela - Chela / Parallel WorldMatt Choboter - SamskaraSven Ake Johansson - Konsum VFrancois Carrier - Lekh LekaSven Ake Johansson - Schiebe 71 [excerpt]

Playlist: Ideal Bread - Roba / BlinksSteve Lacy - Hooky / The CrustBarry Elmes - Fat CatJean Derome - Stray HornPaul Bley, Gary Burton - Ida LupinoMiles Davis - Out Of The Blue

Корейская вокалистка Malo выпустила несколько студийных альбомов, получила любовь публики и признание критиков, но считает, что это лишь половина её таланта. Истинный облик песен, которые она исполняет в клубах, невозможно должным образом передать в студийном альбоме. Её песни, которые звучат в клубах, сильно отличаются от студийных альбомов. Она смело использует скэт, импровизационную технику пения, разговор с публикой и широко развивает это посредством музыкальных идей. Она одна из немногих джазовых вокалистов в Корее, кто может контролировать и вести за собой публику не только в клубах, но и на больших фестивальных сценах.Однако передать всю прелесть живого выступления на альбоме непросто. Прежде всего, необходимо наличие сплочённой команды, способной всегда создавать идеальную гармонию, и клуба, где их звучание будет прекрасно резонировать. Кроме того, этому звучанию должен соответствовать отличный звукорежиссёр. Только тогда концертный альбом может быть завершён. Джаз-клуб Muddy, готовившийся к открытию в Кунсане, оказался лучшим местом для записи концертного альбома Мало. Запись концерта состоялась 30 и 31 мая 2024 года (за год до открытия). В ноябре 2019 года Мало дала концерт в честь закладки первого камня клуба на месте снесённого здания, где будет располагаться Muddy. Она также была первым музыкантом, выступившим на сцене перед завершением строительства и открытием клуба.Широкий диапазон программы, начиная с песен легенды раннего джаза Sidney Bechet, затем Ann Ronell, Luiz Bonfá, Henry Mancini, Antônio Carlos Jobim, Betty Carter, Chick Corea и даже Egberto Gismonti. А так же один оригинал, который завершает работу из 13 композиций.Участники группы Ли Мён Гон, Хван И Хён, Чон Ён Джун и Ли До Хон работают с Мало более 10 лет. Они настолько сроднились в своих музыкальных душах, что могут идеально понимать друг друга, просто глядя в глаза. Их диалог был более насыщенным, чем когда-либо, и публика реагировала с энтузиазмом, не теряя ни единого вздоха. Поэтому этот альбом принадлежит как музыкантам, так и зрителям. Во время выступления произошёл редкий инцидент с лопнувшей струной пианино (звук этого момента есть в треке Время любить, время плакать (Florzinha). Ни одно время в жизни не может быть идеальным. Этот альбом не исключение. Такова судьба живого выступления.СЛУШАТЬ АЛЬБОМ - https://album.link/i/1827195133Лучший трек альбома в плей-листе JAZZ по-русски 9 на AppleMusic и SpotifyПоставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor

Playlist: Paul Bley - Ida Lupino / When Will The Blues LeavePaul Bley - Duet / Play Blue / Laurent / Quiet SongPaul Bley - Ida Lupino / Lover ManMatt Choboter, Calun Builder - For Now I Know / Canary

Playlist: Sven Ake Johansson - En ValsSven Ake Johansson - 02-02Sven Ake Johansson - Born To Win / CoconutSven Ake Johansson - Joy Spring / You And The NightSven Ake Johansson - In Einum

STANDAR SEMANAL.-BLUE MONK.-VINILOS MITICOS DEL JAZZ.-.John Coltrane - My Favorite Things (1961) .-JAZZACTUALIDAD.-JOSE PEREZ VARGASS.-ALIENACION-ACUSTICO My Favorite Things es un álbum de estudio delmúsico de jazz John Coltrane . Se lanzó en marzo de 1961 con Atlantic Records . Fue el primer álbum en el que Coltrane tocó el saxofón soprano . Una versión editada de la canción principal se convirtió en un sencillo exitoso que ganó popularidad en la radio en 1961. El disco se convirtió en un gran éxito comercial. En marzo de 1960, durante una gira por Europa, Miles Davis compró un saxofón soprano para Coltrane. Si bien el instrumento se había usado en los inicios del jazz (en particular, por Sidney Bechet ), en la década de 1950 se había vuelto poco común, con la excepción de Steve Lacy . Intrigado por sus capacidades, Coltrane comenzó a tocarlo en sus conciertos de verano. Tras dejar la banda de Davis, Coltrane, para sus primeras actuaciones regulares en la Jazz Gallery de Nueva York en el verano de 1960, formó la primera versión del John Coltrane Quartet. La formación se conformó en otoño con McCoy Tyner al piano, Steve Davis al bajo y Elvin Jones a la batería. Las sesiones de la semana anterior a Halloween en Atlantic Studios dieron como resultado el tema "Village Blues" para Coltrane Jazz y la totalidad de este álbum, junto con los temas que Atlantic posteriormente ensambló para Coltrane Plays the Blues (1962) y Coltrane's Sound (1964). Según la biografía de Lewis Porter , Coltrane describió " My Favorite Things " como "mi pieza favorita de todas las que he grabado". La canción principal es una versión modal de la canción de Rodgers y Hammerstein "My Favorite Things" de Sonrisas y Lágrimas . La melodía se escucha numerosas veces, pero en lugar de tocar solos sobre los cambios de acordes escritos , tanto Tyner como Coltrane interpretan solos extendidos sobre vamps de los dos acordes tónicos , Mi menor y Mi mayor (mientras que el original resuelve en Sol mayor ), [ 9 ] tocados en compás de vals . En el documental El mundo según John Coltrane , el narrador Ed Wheeler comenta el impacto que la popularidad de esta canción tuvo en la carrera de Coltrane: En 1960, Coltrane dejó a Miles [Davis] y formó su propio cuarteto para explorar más a fondo la interpretación modal, las direcciones más libres y la creciente influencia india. Transformaron "My Favorite Things", la alegre canción populista de 'Sonrisas y Lágrimas', en una hipnótica danza derviche oriental . La grabación fue un éxito y se convirtió en la canción más solicitada de Coltrane, además de ser un puente hacia una amplia aceptación del público. El álbum también es notable por el arreglo de Coltrane del estándar de George Gershwin " But Not for Me ", que muestra los cambios de técnica de Coltrane , como se escucha en " Giant Steps " y " Countdown ". El 3 de marzo de 1998, Rhino Records reeditó My Favorite Things como parte de su serie Atlantic 50th Anniversary Jazz Gallery. Se incluyeron como bonus tracks ambas caras del sencillo "My Favorite Things", publicado como Atlantic 5012 en 1961. Alienación" es un álbum doble del músico chileno-argentino José Pérez Vargas, lanzado en 2025, que presenta versiones acústicas y eléctricas de sus composiciones, explorando la desconexión social y emocional desde una perspectiva poética y musical, y que fue concebido como un desafío artístico para mostrar la multiplicidad del ser y la transformación de las obras. Detalles del álbum: Formato: Es un álbum doble con dos facetas de las mismas composiciones. Concepto: La idea es mostrar cómo las piezas musicales mutan al cambiar el contexto sonoro, la instrumentación y los climas, reflejando la multiplicidad de la identidad humana y la tensión entre diferentes versiones de uno mismo. Temas: El álbum es una reflexión profunda sobre la desconexión emocional, social y artística de nuestra época, convirtiendo circunstancias vitales y significativas en un paisaje musical. Estilo: A pesar de su enfoque en el jazz, que Pérez Vargas define como libertad, el disco también aborda la alienación desde un punto de vista poético y artístico. Contexto y producción: Músicos: El álbum cuenta con la colaboración de músicos locales como Carlos Michelini, Matías Formica, Lucio Balduini, entre otros. Proceso: Fue un proceso de composición largo, personal y desafiante para el artista, quien buscaba una conexión y diálogo con otros músicos y estéticas. Instrumentación: La versión eléctrica destaca el uso del bajo eléctrico, el instrumento principal de Pérez Vargas, mientras que la versión acústica permite una atmósfera más íntima y orgánica, adaptada al contrabajo. Información adicional: "Alienación" es el segundo álbum de José Pérez Vargas, quien se ha consolidado como un artista versátil y comprometido con la exploración musical. El álbum fue grabado por Mariano Miguez en el estudio Ideo, y se editó como parte de la discografía de la sello Microscopi.

Playlist: Woody Shaw - Time Is RightJudi Singh - Up And DownJames Pett - BB Trio/SoloSven Ake Johansson - Fries / Ruhig / RascheSven Ake Johansson - 1, 2, 3

Playlist: Woody Shaw, Judi Singh - Time Is Right / WhyKronos Quartet - Outer Space IncorporatedMary Halvorson - Full / Carved / EventSidney Bechet, Martial Solal - All the Things / All Of MeJulia Andersson - 5 to 8

SIDNEY BECHET: “Sidney Bechet Quintet” – New York, June 8, 1939Summertime Sidney Bechet (sop) Meade Lux Lewis (p) Teddy Bunn (g) Johnny Williams (b) Sidney Catlett (d) “& His Blue Note Jazzmen” – New York, December 20, 1944St. Louis blues, Jazz me blues, Blue horizonSidney DeParis (tp) Vic Dickenson (tb) Sidney Bechet (cl,sop) Art Hodes (p) Pops Foster (b) Manzie Johnson (d) MEADE LUX LEWIS: Chicago, November 21, 1935 Honky Tonk Train Blues (1935) Meade Lux Lewis (p) Red Callender (b) Jo Jones (d) “Club Hangover”, San Francisco, July 10, 1954 Spooney Sam Meade Lux Lewis (p) Smokey Stover (d) “Cat House Piano” – Los Angeles, January 16, 1955 Dragon blues Meade Lux Lewis (p) Red Callender (b) Jo Jones (d) VIC DICKENSON: “Vic Dickenson Septet, Vol. Continue reading Puro Jazz 26 de agosto, 2025 at PuroJazz.

SIDNEY BECHET: “Sidney Bechet Quintet” – New York, June 8, 1939Summertime Sidney Bechet (sop) Meade Lux Lewis (p) Teddy Bunn (g) Johnny Williams (b) Sidney Catlett (d) “& His Blue Note Jazzmen” – New York, December 20, 1944St. Louis blues, Jazz me blues, Blue horizonSidney DeParis (tp) Vic Dickenson (tb) Sidney Bechet (cl,sop) Art Hodes (p) Pops Foster (b) Manzie Johnson (d) MEADE LUX LEWIS: Chicago, November 21, 1935 Honky Tonk Train Blues (1935) Meade Lux Lewis (p) Red Callender (b) Jo Jones (d) “Club Hangover”, San Francisco, July 10, 1954 Spooney Sam Meade Lux Lewis (p) Smokey Stover (d) “Cat House Piano” – Los Angeles, January 16, 1955 Dragon blues Meade Lux Lewis (p) Red Callender (b) Jo Jones (d) VIC DICKENSON: “Vic Dickenson Septet, Vol. Continue reading Puro Jazz 26 de agosto, 2025 at PuroJazz.

Playlist: Susanne Abbuehl - AIR / Since Feeling / Ida Lupino / Vashkar / Mane Na / Sing MeSheila Jordan - Art Deco / The Bird / Prelude / Someone / Inchworm / Lazy Afternoon

Musicians include: Louis Armstrong, Jelly Roll Morton, Mahalia Jackson, Lonnie Johnson, Louis Prima, Sidney Bechet and Blanche Thomas. 

Playlist: Francois Bourassa - I Dropped The Radio / Check / DishesYves Leveille - Erosion / Manifest / SohoJean-Christophe Beney - White Sherbrooke / October / Eviv Burgroz

Playlist: Horace Tapscott - Ruby My Dear / As A Child / Sandy & NilesHenry Threadgill - Lying EyesJoachim Kuhn, Michael Woolny - Hexentanz / Seawalk

Playlist: Chet Baker, Paul Bley - Pent Up HouseLee Konitz, Gil Evans - Orange Was The ColorMerlin Factor - Gentlest One I know / She Never has A WindowPaul Plimley - Touch Of OrisasKenny Clarke - Bohemia After Dark

Playlist: Chet Baker, Paul Bley - Pent Up HouseLee Konitz, Gil Evans - Orange Was The ColorMerlin Factor - Gentlest One I know / She Never has A WindowPaul Plimley - Touch Of OrisasKenny Clarke - Bohemia After Dark

Playlist: Horace Tapscott - Ruby My Dear / As A Child / Sandy & NilesHenry Threadgill - Lying EyesJoachim Kuhn, Michael Woolny - Hexentanz / Seawalk

Playlist: Francois Bourassa - I Dropped The Radio / Check / DishesYves Leveille - Erosion / Manifest / SohoJean-Christophe Beney - White Sherbrooke / October / Eviv Burgroz

Playlist: Normand Guilbeault - Orange Was The Color / Don't Be Afraid / What LoveJean Derome - Stray Horn / G Jam Blues / Super 8Anne Bisson - In The Wee Small Hours

Playlist: Clifford Brown - De Dah / Wail BaitClifford Brown - Daaoud / Joy SpringClifford Brown - Parisian Thoroughfare / Jordu / Stompin'Karl Roth - Everybody Wants To Be A Cat / It Don't Mean A ThingJohnny Summers, Tommy Banks - Blues In The Night

Playlist: Coleman Hawkins, Ben Webster - Blues For YolandePaul Bley, Chet Baker - You Go To My Head / Skidaddlin'

Nothing but shellac and vinyl from the Blue Note jazz label. Lou Donaldson-Rev. Moses-Blue Note 45 (Release Year: 1967) Thelonius Monk-‘Round About Midnight-Blue Note 78 (1947) Herbie Hancock-Maiden Voyage-The Best of Herbie Hancock LP (1971) John Hardee's Swingtet-Blue Skies-Blue Note 78 (1946) Cannonball Adderley-Bangoon-Blue Note: Alts ‘N Outs LP (2025) Sidney Bechet's Blue Note Jazz […]

durée : 00:59:21 - Le doux refuge - par : Nathalie Piolé -

Our guest today is writer  Ralph Dartford who works for the National Literacy Trust and is the poetry editor of literary journal Northern Gravy.   Ralph kindly made the journey from Bradford to the Lockwood residence in Sheffield, and we settled down in my living room with mugs of tea and a plate of biscuits, surrounded by books and looked down upon by at least three pictures of Larkin. Ralph also co-organises the fantastic Louder Than Words festival that takes place in Manchester every autumn, and is a celebration of writing about music. They gather together amazing writers, broadcasters and musicians to discuss, explore and debate all things music and music industry related.  I hope we will continue to see Ralph at more PLS events.Larkin poems mentioned:The Whitsun Weddings, Dockery and Son, Mr Bleaney, For Sidney Bechet, High Windows, Cut Grass, To The Sea, MCMXIV, Here, BroadcastAll What Jazz: A Record Diary 1961-1971 (1985) by Philip LarkinThe Oxford Book of Twentieth Century English Verse - ed.  Philip Larkin (1973) I am happy to see Mr. Larkin's taste in poetry and my own are in agreement ... I congratulate him most warmly on his achievement. - W. H. Auden, The GuardianPoets/writers/musicians mentioned by RalphKae Tempest, Joelle Taylor, Ted Hughes, Seamus Heaney, Vicky Foster, Steve Ely, Chris Jones, Ian Parks, John Betjeman, John Cooper Clarke, John Hegley, Simon Armitage, Carol Ann Duffy, Michael Stewart, Blake Morrison, Count Basie, John Coltrane, Sidney Bechet, Alan Bennett, Stewart Lee, David Quantick, Ray Davis, Blur,  Van Morrison,  Hang Clouds, Evelyn Glennie, Kingsley Amis, Andrea Dunbar, Helen MortOther references:Adlestrop (1914) by Edward Thomas https://www.edwardthomaspoetryplaces.com/post/adlestropArthur Scargill:  “Arthur Scargill, the miners' leader and socialist, once told The Sunday Times, ‘My father still reads the dictionary every day. He says your life depends on your power to master words.” Martin H. Manser, The Penguin Writer's ManualBob Monkhouse https://www.theguardian.com/news/2003/dec/30/guardianobituaries.artsobituariesLongbarrow Press https://longbarrowpress.com/Valley Press https://www.valleypressuk.com/Kes (1968) by Barry HinesRalph is Poetry Editor for Northern Gravy https://northerngravy.com/Ralph reads Geese and England's Dreaming from House Anthems  https://www.valleypressuk.com/shop/p/house-anthemsGareth Southgate https://www.bbc.co.uk/news/uk-england-london-57816651 Simon Armitage Larkin Revisited Radio 4 https://www.bbc.co.uk/sounds/brand/m0019yy2Nick Cave- Honorary Vice President for the Philip Larkin Society- Desert Island Discs https://www.bbc.co.uk/programmes/m0027cglLyn's English teacher 1982-1989 https://petercochran.wordpress.com/remembering-peter/The Ted Hughes Network https://research.hud.ac.uk/institutes-centres/tedhughes/James Underwood https://www.bloomsbury.com/uk/early-larkin-9781350197121/Albums mentioned:OK Computer (1997) by Radiohead , Sergeant Pepper's Lonely Hearts Club Band (1967) and The White Album (1968) by The Beatles, Park Life (1994) by BlurSummertime in England by Van Morrison https://www.vice.com/en/article/summertime-in-england-a-monologue-on-van-morrison/Events:https://louderthanwordsfest.com/"My Friend Monica": Remembering Philip Larkin's Partner Monica JonesSat 22 Mar 2025 4:00 PM - 5:00 PM Ken Edwards Lecture Theatre 2, University of Leicester, LE1 7RHhttps://www.tickettailor.com/events/literaryleicester/1538331A celebration marking 70 years of Philip Larkin's 'The Less Deceived'For World Poetry Dayhttps://www.eventbrite.com/e/a-celebration-marking-70-years-of-philip-larkins-the-less-deceived-tickets-1235639173029?aff=oddtdtcreatorProduced by Lyn Lockwood and Gavin HoggPlease email Lyn at ⁠plsdeputychair@gmail.com ⁠ with any questions or commentsPLS Membership, events, merchandise and information: philiplarkin.com

Featuring: Baby Dodds, Zutty Singleton, Sid Catlett, Viola Smith, Sidney Bechet, Louis Armstrong, James P. Johnson, Pee Wee Russell; Songs include: Spooky Drums, China Boy, Sugar Foot Strut, I Found a New Baby, Moppin' and Boppin', Rose Room, Mop Mop, Steak Face.

Episode 151 Chapter 12, The History of Audio Recording Technology. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast.   Playlist: THE HISTORY OF AUDIO RECORDING TECHNOLOGY   Time Track Time Start Introduction –Thom Holmes 01:30 00:00 1.     Leon Scott “Au Clair de la Lune” (1860). Phonautograph. One of about 50 recordings made around 1860 by Édouard-Léon Scott de Martinville's on his invention, the Phonautograph that were digitally restored in 2008 by the First Sounds collaborative. These were created using the Lawrence Berkeley National Laboratory's virtual stylus technology, which sought to track the wavy lines scratched on soot-covered paper as though they were standard record grooves. 00:20 01:38 2.     Alice J. Shaw, an improvised whistling performance (1888) from an Edison Records cylinder recording. 02:13 01:58 3.     George J. Gaskin, “Drill Ye Terriers Drill” (1896) from an E. Berliner's Gramophone shellac disc. 01:24 04:10 4.     Sousa's Band, “Happy Days In Dixie” (1897) from an E. Berliner's Gramophone shellac disc. 01:43 05:36 5.     Emperor Franz Joseph, short message recorded on Valdemar Poulsen's Telegraphone (1900). Early magnetic wire recording. Recording made without microphone. 00:09 07:18 6.     Sousa's Band, “The Mosquito Parade” (1904) from Columbia Records shellac disc. Note the higher fidelity of the instruments compared to earlier recordings on disc, recorded without electrical microphones but optimizing the use of acoustic horns for sound intake. 02:54 07:28 7.     Noble Sissle (vocals) and Eubie Blake (piano), medley of popular songs (1923). Recording using onto an early sound film using the Phonofilm process invented by Lee de Forest. 06:51 10:22 8.     Paul Whiteman And His Concert Orchestra, “Rhapsody In Blue” (1924) from an RCA Victor shellac disc. This is an acoustically recorded version of this piece, without the benefit of vacuum tube amplification or electrical microphones. Compare to the 1927 version (next), also by Whiteman, produced using electrical recording. 09:06 17:12 9.     Paul Whiteman And His Concert Orchestra, “Rhapsody In Blue” (1927) from RCA Victor, His Master's Voice shellac disc. An electrical recording using vacuum tube amplification and electrical microphones. 08:59 26:30 10.   Paul Hindemith, “Trickaufnahme” (excerpt) (1930), an experiment in turntablism using turntable discs to both record, mix, and playback the result. 00:58 35:28 11.   BBC, “Pieces of Tape” excerpt of a program (1933) produced by editing together segments recorded previously using the Blattnerphonesteel tape recorded that used a magnetic process. This was the first audio recording assembled using tape editing. A dozen years prior to the available of magnetic tape, edits made to steel tape had to be made by spot welding. 05:29 36:28 12.   Sidney Bechet, “Blues of Bechet” (1941) from an RCA Victor shellac disc. An early example of overdubbing/multitracking. Bechet played every instrument on this track, including the piano, clarinet and soprano saxophone. Each instrument was recorded onto a new master disc and mixed on another disc to create the final recording. 01:57 41:56   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

BARNEY BIGARD “SEXTET” New York, January 5, 1945Can't help lovin' that man, Please don't talk about me when I'm gone, Sweet Marijuana Brown (jt vcl), Blues for Art's sakeJoe Thomas (tp) Barney Bigard (cl) Joe Thomas (ts,vcl) Art Tatum (p) Billy Taylor, Sr. (b) Stan Levey (d) CLIFF JACKSON -“BLACK & WHITE STOMPERS” New York, March 4, 1944Quiet please, Squeeze me, If I could be with you (one hour tonight), Weary bluesPee Wee Russell (cl) Cliff Jackson (p) Bob Casey (b) Jack “The Bear” Parker (d) CLIFF JACKSON – “VILLAGE CATS” New York, December 21, 1944You've got me walkin' and talkin' to myself (gs vcl), Quiet please, Cliff's boogie blues (1) Jeepers creepersSidney DeParis (tp) Wilbur DeParis (tb) Sidney Bechet (cl,sop) Gene Sedric (ts,cl-1,vcl) Cliff Jackson (p) Everett Barksdale (g) Wellman Braud (b) Eddie Dougherty (d) GEORGE WETTLING “JAZZ TRIO” New York, June 30, 1944China boy, Some of these days, Everybody loves my baby, That's a plentyMezz Mezzrow (cl) Gene Schroeder (p) George Wettling (d) Continue reading Puro Jazz 14 de enero, 2025 at PuroJazz.

durée : 01:00:56 - Sidney Bechet, Thelonious Monk, Live in Paris - par : Nicolas Pommaret - Deux musiciens légendaires à Paris.

Découvrez l'histoire incroyable d'une salle emblématique. En octobre 1955, Sidney Bechet marque l'histoire de l'Olympia avec un concert gratuit célébrant son disque d'or, le premier pour un jazzman. Cet événement attire 5000 fans, provoquant des émeutes et causant des dégâts matériels importants. Sous la direction visionnaire de Bruno Coquatrix, l'Olympia devient un reflet des courants artistiques de l'époque, accueillant des figures comme Lionel Hampton et Joséphine Baker. Cette dernière laisse également sa trace avec des moments iconiques, comme son passage au bar Marilyn. Ce lieu mythique, espace privé pour artistes et producteurs, reste une institution légendaire de la salle. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

SIDNEY BECHET New York, June 8, 1939SummertimeSidney Bechet (sop) Meade Lux Lewis (p) Teddy Bunn (g) Johnny Williams (b) Sidney Catlett (d) SIDNEY BECHET New York, June 8, 1939Blues for Tommy Ladnier, Pounding heart bluesFrankie Newton (tp) J.C. Higginbotham (tb) Sidney Bechet (sop-1,cl-2) Meade Lux Lewis (p) Teddy Bunn (g) Johnny Williams (b) Sidney Catlett (d) SIDNEY BECHET New York, March 27, 1940Lonesome blues, Dear old southland, Bechet's steady rider, Saturday night blues Sidney Bechet (cl,sop) Teddy Bunn (g) Pops Foster (b) Sidney Catlett (d) SIDNEY BECHET New York, December 20, 1944St. Continue reading Puro Jazz 19 de noviembre, 2024 at PuroJazz.

Several 1940's sessions recorded in New Orleans featuring players who had been active since the first decades of the 20th Century - Kid Rena (with Jim Robinson, Alphonse Picou, Big Eye Louis Nelson, Willie Santiago, Albert Glenny and Joe Rena), The New Orleans Pioneers (with Peter Bocage, Picou, Nelson, Sidney Bechet on piano, Walter Decou, Pops Foster, Louis Keppard and Paul Barbarin) and Wooden Joe Nicholas (with Robinson, Louis Nelson, Albert Burbank, Joe Petit, Lawrence Marrero, Johnny St. Cyr, Austin Young, Baby Dodds, Cie Frazier, Albert Jiles, Slow Drag Pavageau and others) --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

On tonight's show: Bunny Berigan (Kay Little vocals), Somebody Else Is Taking My Place Jelly Roll Morton's Red Hot Peppers, Grandpa's Spells King Cole Trio, I Don't Know Why (I Just Do) Don Ewell  with Sidney Bechet, Careless Love Earl Bostic, What, No Pearls Duke Ellington (Ray Nance vocals), Tulip or Turnip Duke Ellington with Ella Fitzgerald, Perdido Sarah Vaughan, They Can't Take That Away From Me Gerry Mulligan, Good Bait Dizzy Gillespie & His Orchestra, Manteca Dinah Washington, Time After Time Henry Mancini, The Pink Panther Theme Boots Randolph, Crazy Rhythm Eddie Jefferson, Sister Sadie Claude Bolling, Begin The Beguine Tony Bennett, Steppin' Out With My Baby Ennio Morricone, The Crave The Spencer Wyatt Big Band, Blue Note Boogie

Great and little-recorded clarinetist from the earliest days of the 20th Century in New Orleans . . Big Eye Louis was one of the busiest of the first generation of jazz players and exerted considerable influence on Sidney Bechet and Jimmy Noone, among others. Here are some of his very few recordings with Kid Rena's Delta Jazz Band in 1940 (with Alphonse Picou, Jim Robinson and others), John Reid's New Orleans Pioneers in 1944 (with Picou, Peter Bocage, Walter Decou, Pops Foster and Bechet on piano), Wooden Joe Nicholas' Band in 1949 (with Louis Nelson and Louis Keppard) and his own groups in 1949 (with Charlie Love, Louis Nelson, Louis Gallaud, Ernest Rogers and Johnny St. Cyr) --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support