Podcasts about Fats Domino

En junio de 1976 se lanzó el cuarto álbum de los Flamin’ Groovies, que también fue el primero de la segunda etapa de esta banda con dos historias bien diferenciadas. “Shake some action” marcó un nuevo rumbo para el grupo californiano, con el fundador Cyril Jordan convertido en capitán y un joven Chris Wilson incorporado como segundo de a bordo. Juntos dieron forma a un fantástico trabajo, álbum pionero del power pop. Un disco que apenas tuvo repercusión comercial pero cuya canción principal se convirtió en auténtico himno para las siguientes generaciones.Playlist;FLAMIN’ GROOVIES “You tore me down”FLAMIN’ GROOVIES “Shake some action”FLAMIN’ GROOVIES “Misery”FLAMIN’ GROOVIES “Please please girl”FLAMIN’ GROOVIES “Yes it’s true”FLAMIN’ GROOVIES “St Louis Blues”FLAMIN’ GROOVIES “She said yeah”FLAMIN’ GROOVIES “Don’t you lie to me”CHUCK BERRY “Don’t you lie to me” (1961)FATS DOMINO “Don’t you lie to me” (1951)Versión y Original; TAMPA RED “Don’t you lie to me” (1941)FLAMIN’ GROOVIES “I’ll cry alone”FLAMIN’ GROOVIES “I saw her”FLAMIN’ GROOVIES “Teenage confidential”FLAMIN’ GROOVIES “I can’t hide”MING CITY ROCKERS “I’d like to assist you but my head is too small”LORD ROCHESTER “Tiger feet”THE NOMADS “Hangman’s walk”SEX MUSEUM “Bailaré sobre tu tumba”Escuchar audio

Send us Fan MailWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!.....The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: I Wanna Dance With Somebody by Whitney Houston (1987)Song 1: Sweet Home Alabama by Lynyrd Skynyrd (1974)Song 2: Radar Love by Golden Earring (1973)Song 3: You Shook Me All Night Long by AC/DC (1980)Song 4: Toxic by Britney Spears (2003)Song 5: Say So by Doja Cat (2019)Song 6: I Will Wait by Mumford & Sons (2012)Song 7: Barbie Girl by Aqua (1997)Song 8: Anyone by Justin Bieber (2021)Song 9: Don't Go by Yazoo (1982)Song 10: Ain't That a Shame by Fats Domino (1955)

Sintonía: "Hey, La Bas Boogie" - Fats Domino  1.- Ain´t That A Shame 2.- Blueberry Hill 3.- The Big Beat 4.- Whole Lotta Loving 5.- Shu Rah 6.- Tell Me That You Love Me 7.- I´m Walkin´ 8.- When My Dreamboat Comes Home 9.- Yes, My Darling10.- Margie11.- Careless Love12.- Did You Ever See A Dream Walking?13.- When I See You14.- Don´t Come Knockin´15.- You Done Me Wrong16.- The Fat Man17.- I´m In Love Again18.- Telling Lies19.- Boogie Woogie Baby20.- You Win Again21.- I Hear You Knocking22.- I Want To Walk You Home23.- Ain´t That Just Like A Woman?Todas las canciones extraídas del CD 1 de la compilación (3xCD) "Fats Domino: The Imperial Singles Collection" (Not Now Music, 2015)Todas las canciones interpretadas (voz y piano) por Fats DominoEscuchar audio

This week's show, after a McCartney mangling: brand new Gene, Guided By Voices, Sharp Pins, Crocodiles, Magic Castles, Black Watch, Buzzcocks, and Paul McCartney, plus Small Faces, Quicksilver Messenger Service, Ethiopians, Fats Domino, Jean Shepard, F...

Air Week: May 25-31, 2026 Imperial Records, Pt. 11 – 1957-58 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we conclude our Imperial series with part eleven, focusing on Imperial’s R&B releases from the end of 1957 and the beginning of 1958. There’s a new hit-maker in town as Imperial signs the young heartthrob, Ricky Nelson as well as other Rockabilly, Rock and Pop acts. Chudd begins to move the label away from Rhythm & Blues and that great New Orleans sound that brought the hits over the past decade. Fats is still able to chart and does so with gusto as “What Will I Tell My Heart,” “Wait & See,” “When I See You,” “Sick & Tired” and “The Big Beat” all make the charts. Ernie Freeman scores one of Imperial’s best-sellers with his cover of the Bill Justis tune, “Raunchy” and Bobby Mitchell records the first version of “I’m Gonna Be A Wheel Someday.” 1958 is a great place for us to stop as we’ve covered Imperial’s R&B heyday over the past eleven week’s on your source for the “soul that came before Rock n’ Roll,” the “Juke In The Back.”  LISTEN BELOW

#1,115 - Rockin' Dopsie Jr. Returns What can I say? If you've seen Rockin' Dopsie Jr. perform, you're going to love this interview. If you haven't seen him? You'll still love it! This is one of the best live performers Paul has ever seen. And the interview covers the whole, exciting experience that Rockin' Dopsie Jr. brings to the people! Plus, Rockin' Dopsie talks about some of the legends like Fats Domino that he's crossed paths with. He shared his memories of the late, great Jimmy Buffett. And Paul couldn't resist asking Rockin' Dopsie Jr. about recording with Bob Dylan and producer Daniel Lanois on the album Oh Mercy! Rockin' Dopsie Jr. and his band are the heart of what this show is about! Really great music, wonderful stories and tremendous heart. We hope you'll listen and it would be great to know what you think of Dopsie! Thanks!

Air Week: May 18-24, 2026 Imperial Records, Pt. 10 – 1957 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part ten, focusing on Imperial’s R&B releases from 1957. Fats Domino continues his hit streak as both “Blue Monday” and “I’m Walkin'” top the R&B chart and “Valley of Tears” stalls at #2. These 3 singles would also crack the pop top 10! Dave Bartholomew records a cult favorite about the Signifying Monkey and produces some great sides from James “Sugarboy” Crawford, Faye Adams and Chris Kenner. Blues shouter Roy Brown returns to the charts in ’57 on Imperial with “Let The Four Winds Blow” and a cover of Buddy Knox’s Rockabilly hit, “Party Doll.” The line between R&B and Rock n’ Roll is blurred as we keep those records spinning on part ten of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Send us Fan MailWatch the recorded presentation of “The Liver Fats Domino Effect” featuring Dr. Mitchell Rothstein and Dr. Michael Koren.In this educational luncheon event, the speakers discuss how fatty liver disease can progressively worsen over time, from early fat accumulation in the liver to inflammation, fibrosis, cirrhosis, and, in severe cases, liver transplant.This presentation also explores:- Who may be at risk for fatty liver disease- The connection between liver health, obesity, and metabolic conditions- Why fatty liver disease is often called a “silent” condition- Current and emerging research treatments available in JacksonvilleWhether you are interested in liver health, clinical research, or learning more about fatty liver disease, this recorded session provides valuable insight into one of the fastest-growing liver conditions worldwide.Be a part of advancing science by participating in clinical research.Have a question for Dr. Koren? Email him at askDrKoren@MedEvidence.comListen on SpotifyListen on Apple PodcastsWatch on YouTubeShare with a friend. Rate, Review, and Subscribe to the MedEvidence! podcast to be notified when new episodes are released.Follow us on Social Media:FacebookInstagramX (Formerly Twitter)LinkedInWant to learn more? Checkout our entire library of podcasts, videos, articles and presentations at www.MedEvidence.comMusic: Storyblocks - Corporate InspiredThank you for listening!

Air Week: May 11-17, 2026 Imperial Records, Pt. 9 – 1956, Pt. 2 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part nine, focusing on Imperial’s R&B releases from the second half of 1956. Fats Domino has the biggest hit of his entire career with “Blueberry Hill,” a tune that Dave Bartholomew did not think he should record. It sold millions and millions and topped the R&B charts and landing at a whopping #2 on the pop chart. Matt The Cat presents the story behind that monumental release as well as spinning some great and seldom heard vocal group records from The Barons, The Victorials, The Dukes and The Honey Bees, a female group. We’ll also dig on some solid R&B releases from Johnny Fuller, Ernie Freeman and Gloria Jean Pitts as we keeps those records spinning on part nine of the Imperial Records Story on this week’s “Juke In The Back.” LISTEN BELOW

Air Week: May 4-10, 2026 Imperial Records, Pt. 8 – 1956, Pt. 1 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part eight, focusing on Imperial’s R&B releases from the first half of 1956. Fats Domino keeps the momentum going after breaking through to the Pop Charts in 1955 with “Ain’t It A Shame.” In early ’56, he scores with “Bo Weevil, “My Blue Heaven” and “I’m In Love Again” and will have the biggest hit of his entire career later in the year. Bobby Mitchell leaves to The Toppers to become a solo star and scores the only charting record of his entire career this year with “Try Rock and Roll.” Dave Bartholomew is behind Mitchell’s breakout record as well as 2 charting singles for Smiley Lewis the year and more great releases from The Spiders, who are now being billed at Chuck Carbo & The Spiders. Out in LA, Imperial is still making some great vocal group records with the Jewels and The Barons and Matt The Cat keeps those records spinning as he features part eight of the Imperial Records Story on this week’s “Juke In The Back.” LISTEN BELOW

Air Week: April 27-May 3, 2026 Imperial Records, Pt. 7 – 1955, Pt. 2 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part seven, focusing on Imperial’s R&B releases from the second half of 1955. Last week in the first part of 1955, Matt The Cat alluded to Fats Domino’s big crossover breakthrough and in June it happened when “Ain’t It A Shame” topped the R&B chart and crossed over to a whopping #10 on the Pop chart. It became the biggest selling R&B record of 1955 and along with Chuck Berry’s “Maybellene” helped to usher in Rock n’ Roll. Though 1955 was a strong year for Fats, Dave Bartholomew, The Spiders and Imperial’s New Orleans roster, the Los Angeles vocal groups were also making a dent with The Barons and The Jewels having a few solid releases. Blues legend Roosevelt Sykes stops by Imperial for a quick few singles, while guitarist Jimmy Nolen gives us a glimpse of his future greatness. Matt The Cat keeps those records spinning as he features part seven of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Air Week: April 20-26, 2026 Imperial Records, Pt. 6 – 1955, Pt. 2 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part six, focusing on Imperial’s R&B releases from the first half of 1955. We’re splitting 1955 up into 2 parts to really focus on this pivotal year for Imperial and the world of music in general. Rhythm & Blues was really hitting the mainstream in ’55 and beginning to get its new name, Rock ‘n Roll. Before Fats Domino crossed over later in the year, he enjoyed a few million-sellers in early ’55 with “Thinking Of Your” and “Don’t You Know.” He’d soon score one of the first true Rock n’ Roll hits a few months later with “Ain’t It A Shame.” Dave Bartholomew kept busy producing Fats’ records as well as putting out great singles from relatively unknowns like Joan Scott, The Hawks and Billy Tate. The Spiders continued to score hits in ’55 and Pee Wee Crayton was releasing some solid sides that unfortunately missed the national R&B charts. Matt The Cat keeps those records spinning as he features part six of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Today's show features music performed by Pink Anderson, Fats Domino, and Huey Piano Smith

Air Week: April 13-19, 2026 Imperial Records, Pt. 5 – 1954 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part five, focusing on Imperial’s R&B releases from 1954. Fats Domino is still Imperial’s biggest star, but he only scores 2 charting records in ’54, while a new vocal group out of New Orleans, The Spiders, rack up 3. Their debut single, “I Didn’t Want To Do It,” establishes them as the most successful vocal group on Imperial. Pee Wee Crayton joins the roster, filling out an already stacked list of blues greats that includes T-Bone Walker. We’ll hear 14 year old future great, James Booker as Little Booker making his debut on Imperial and some great vocal group records from Bobby Mitchell & The Toppers, The Hawks and The Bees. Matt The Cat keeps those records spinning as he features part five of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

 | Artist  | Title  | Album Name  | Album Copyright  | The Boneshakers  | I Need Somebody  | Live to Be This  |   | Doug MacLeod  | The Seen And The Unseen  | Between Somewhere And Goodbye  | Burnin' Sensations  | Touchy Subjects  | Welcome to the Church of Rock and Roll  | Chuck Berry  | Little Queenie  | The Ultimate Collection cd 2  | Fats Domino  | Rockin' Chair  | Roots of Rock N' Roll Vol 7 1951  | Bill Haley & His Comets  | Rudy's Rock  | Great Rock 'n Roll Instrumentals, Vol. 1 CD 2  | Bo Diddley  | I Can Tell  | Down Home Blues, Chicago Vol 3; The Special Stuff 4-4  | Bananafish  | Casey And Hayes  | Boston Bananafish CD1  | Emanuel Casablanca  | Brooklyn Groove  | It's Getting Strange  |   | New Moon Jelly Roll Freedom Rockers  | Blues For Yesterday (Feat Charlie Musselwhite)  | New Moon Jelly Roll Freedom Rockers Vol 2  | Johnny Winter  | Sweet Papa John  | The Johnny Winter Story CD3  | Myles Goodwyn and Friends of the Blues  | (Bonus Track) Even Singing Cowboys Get The Blues  | Myles Goodwyn and Friends of the Blues 2  | Blind Willie Johnson  | God Don't Never Change  | The Complete Blind Willie Johnson (1 of 2)  | Asylum Street Spankers  | Right And Wrong  | God's Favorite Band  |   | The Old Ramblers  | Viola Lee  | Old Ramblers  |   | Khalif Wailin' Walter  | Bang (Interlude)  | Nothin' Left To Lose  |   | Long Haul Paul  | Over The Road  | Legends of the Lost Highway

Air Week: April 6-12, 2026 Imperial Records, Pt. 4 – 1953 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part four, focusing on Imperial’s R&B releases from 1953. Fats Domino dominated the Imperial roster, racking up four charting singles in ’53, one going all the way to #2 nationally. Lew Chudd sent bluesman T-Bone Walker to New Orleans to work with bandleader and producer Dave Bartholomew and record at Cosimo Matassa’s famous J&M Recording Studio, while the “unsung hero” of this series, Lil’ Son Jackson continued recording in Fort Worth, TX. We’ll hear the debut singles from Bobby Mitchell & The Toppers as well as some rare sides from Lil’ Willie Gibson, “Boogie Bill” Webb and Rose Mitchell. Matt The Cat keeps those records spinning as he features part four of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

A mix of songs relating to food! Artists include Supertramp, The B-52s, Fats Domino, Traffic, ZZ Top, Don Henley, Maroon 5, Average White Band and more!

Air Week: March 30-April 5, 2026 Imperial Records, Pt. 3 – 1951-52 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part three, focusing on the last half of 1951 and all of 1952. Due to a disagreement with Lew Chudd, Imperial was without Dave Bartholomew for most of this period, but Fats Domino kept crankin’ out the hits with producer and songwriter Al Young, including his first R&B #1, “Goin’ Home.” Lil’ Son Jackson, T-Bone Walker and Big Jay McNeely released some great records during this period and Smiley Lewis had his first charting record with “The Bells Are Ringing.” Bartholomew returned to the fold in April of ’52 and produced some scorchers from Fats, Tommy Ridgley and a beautiful, obscure single with Allen Matthews. Matt The Cat keeps those records spinning as he features part three of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Rock 'n' roll didn't just change the world—it may have awakened something.In this episode of Booked On Rock, we dive into the shadowy mythology behind the music with a look inside Rock 'N' Roll Ghosts, a chilling collection of occult-tinged tales that reimagine the origins of rock's biggest legends. These aren't traditional biographies—they're dark, supernatural stories where fame comes at a cost… and something always collects.From eerie encounters and cursed chords to deals that blur the line between ambition and the unknown, these stories ask a haunting question: what did it really take to become a rock 'n' roll legend?This episode features an interview with Mark Slade, author of Rock 'N' Roll Ghosts, as we explore the inspiration behind the book, the twisted legends within it, and why the mythology of rock music may be darker than we ever imagined.Including: Elvis encounters a demon dog from hellLittle Richard finds himself in a church full of ghostsBuddy Holly survives the plane crash (and pays for it)Fats Domino gambles his soul to lift a curseJerry Lee Lewis falls in love with an alienChuck Berry plays a mysterious chord with dire consequencesPurchase a copy of Rock 'N' Roll GhostsListen to the Rock 'N' Roll Ghosts Spotify PlaylistSubscribe to Twisted Pulp MagazineVisit ScreamingEyePress.comFollow Mark Slade:Facebook----------

Get ready to turn up the volume as Bounce FM dives head-first into the electrifying world of classic rock and roll. In this special episode, we celebrate one of the greatest eras in music history—a time when raw energy, swagger, and groundbreaking soundtracks shaped generations.We spin iconic tracks from the kings of the genre: rocking around the clock with Bill Haley and His Comets, the pioneering guitar riffs of Chuck Berry, the Queen of Rockabilly Wanda Jackson, the melodic brilliance of Buddy Holly, and the bluesy rock and roll New Orleans sound of Fats Domino. Along the way, we explore the stories, cultural impact, and unforgettable moments that made this era a revolution, not just a genre.Whether you're a lifelong fan or discovering these legends for the first time, this episode promises pure nostalgia, timeless grooves, and the true spirit of rock and roll.Rock on—and let's bounce back to where it all began.

Air Week: March 23-29, 2026 Imperial Records, Pt. 2 – 1950-51 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part two, focusing on the 78s released during the 2nd half of 1950 and into the first half of ’51. Fats, Smiley and Jewel are back, but with the departure of Bartholomew over an argument in late ’50, Imperial turns to more down-home blues recordings. We’ll dig on some stellar records from accomplished bluesmen: Country Jim, Smokey Hogg, Mercy Dee and Lil’ Son Jackson. The future Guitar Slim made his very first records for Imperial before topping the charts in ’54 for Specialty with “The Things That I Used To Do.” Child actor and future music producer H.B. Barnum made his musical debut on shellac with Chudd and Imperial in 1950 and blues icons T-Bone Walker and Big Joe Turner recorded some fine sides for the label as well. Matt The Cat keeps those records spinning as he features part two of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Today's show features music performed by Fats Waller, Fats Domino, and B.B. King

Air Week: March 16-22, 2026 Imperial Records, Pt. 1 – 1947-50 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we begin a series looking at the huge impact that Imperial Records had on R&B during the late 1940s into the mid-1950s. In part 1, Matt The Cat will showcase Imperial’s earliest R&B releases from 1947-1950. We’ll see how the boogie woogie stylings of Dick Lewis, “Poison” Gardner, Charlie “Boogie Woogie” Davis and Lloyd Glenn gave way to the New Orleans blues of Tommy Ridgley, Jewel King, Smiley Lewis and Fats Domino, who would become the biggest artist ever on the Imperial label. It’s Imperial Records, part 1 on this week’s “Juke In The Back.” LISTEN BELOW

669. Part 2. We continue Women's History Month by concluding our conversation with Marcelle Bienvenu. Whe is an author working on the history of Creole cooking. Marcelle Bienvenu's highly anticipated new release of her timeless classic, Who's Your Mama, Are You Catholic, and Can You Make A Roux? is a treasure trove of over two hundred recipes, revised with a Foreword by Emeril Lagasse and sumptuous color photography capturing the essence of every season. Marcelle is a cookbook author and food writer who has been preparing Cajun and Creole dishes since the 1960s. She has written on Creole/Cajun Cooking for The Times Picayune, Time-Life Books, and has been featured in Garden & Gun, Food & Wine, Saveur, Southern Living, Redbook, The New York Times, Louisiana Life, and Acadiana Profile. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Meghan F. McDonald.'NOLA: An Interactive Street Performing Experience.'     Before embarking on my street performing tour of the U.S., one aspect I said I would investigate on the road was how influencial setting is for creating music.     Admittedly, this question was buried under piles of other questions that surfaced during my earlier stops, D.C., Nashville, Asheville and Atlanta. But that changed once I arrived in New Orleans.     Music and culture ' especially along Royal Street ' ooze from NOLA's pores, pumping through its streets as if the heart of all music can be found somewhere within the veins of the French Quarter. It is New Orleans, after all, that mothered music greats ranging from Louis Armstrong and Fats Domino to Lil Wayne. And that variety is not accidental ' it's part of NOLA's appeal.     On one street you may walk into an impromptu jazz ensemble performance, complete with an upright bass, saxophone player and a singer throwing out some hot scats. Five blocks down, you could stumble upon a high-energy brass group filled with trumpets, trombones and a tuba. Not to mention the multiple solo acts scattered throughout NOLA's streets at all hours of the day and night.     One factor that makes NOLA an ideal street performing city is the layout. The Quarter's tight streets, filled with sheltered sidewalks due to the vast amounts of layered decks, create a rich acoustic experience for buskers. The sound stays contained from having a ceiling of sorts, which then bounces off the parallel building in full circle. This week in Louisiana history. March 13, 1815. Gen. Andrew Jackson declares the end of martial law in New Orleans at the end of War of 1812. This week in New Orleans history. The City Park property was famous as a dueling ground long before it was a park ' more Affaires d'honneur were fought in New Orleans than in any other American city. They resulted from serious affronts, petty insults, or deliberate confrontations for the sole purpose of displaying fencing skills. Weapons of choice included swords, sabers, pistols, rifles, even bare hands. During the 1800s a series of duels were fought between fencing masters ' the most famous, Spaniard Pepe Llula was known as a duelist who met any man with any weapon. Times-Democrat on March 13, 1892, reported, "Between 1834 and 1844 scarcely a day passed without duels being fought at the Oaks'. Dueling had been outlawed two years before under the death penalty (if a death resulted) but it was seldom enforced.  This week in Louisiana. Black Bayou Lake National Wildlife Refuge 480 Richland Place Monroe, LA 71203 Open daily from sunrise to sunset Website: fws.gov/refuge/black-bayou-lake Email: blackbayoulake@fws.gov Phone: (318) 387‑1114 March is one of the best months to visit Black Bayou Lake, with mild temperatures, active wildlife, and early spring blooms along the trails and boardwalks: Boardwalk Trail: A scenic walk over the cypress‑studded lake, ideal for birdwatching and photography. Visitor Center & Nature Exhibits: Located in a restored plantation house with hands‑on displays. Wildlife Viewing: Frequent sightings of herons, egrets, turtles, and alligators in their natural habitat. Postcards from Louisiana. Sporty's Brass Band. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Today's show features music performed by Lloyd Price and Fats Domino

Send a textDr. Michael Koren joins Kevin Geddings to discuss the Fatty's Liver's Domino Effect; the concept that a fatty liver can cascade into serious liver problems, including a need for a liver transplant. The duo also discusses the FibroScan, a non-invasive test to assess the level of fatty liver for at-risk individuals. They finish by talking about the importance of early diagnosis to stop the domino effect before it gets out of control.Be a part of advancing science by participating in clinical research.Have a question for Dr. Koren? Email him at askDrKoren@MedEvidence.comListen on SpotifyListen on Apple PodcastsWatch on YouTubeShare with a friend. Rate, Review, and Subscribe to the MedEvidence! podcast to be notified when new episodes are released.Follow us on Social Media:FacebookInstagramX (Formerly Twitter)LinkedInWant to learn more? Checkout our entire library of podcasts, videos, articles and presentations at www.MedEvidence.comMusic: Storyblocks - Corporate InspiredThank you for listening!

Join Dave Stroud for a look at a fascinating, if somewhat cringey, slice of music history, where white cover versions of black R&B nuggets were whitewashed across the pop charts in the 1950s. While the ‘cover version' was a standard industry practice, so were the ‘sanitized' versions of R&B hits by black artists that made them more ‘palatable' for white radio audiences, spotlighting white artists while the original creators stayed in the shadows. It's certainly something that could be the topic of numerous Deeper Roots episodes but we'll limit our scope to a two hour exploration, measuring the original against the cover. On one side of the house we'll hear from Fats Domino (a popular source for the practic), Big Joe Turner, The Moonglows and a handful of others. The other side of the house has the names of Pat Boone, Art Mooney, The Fontane Sisters and others among the dubious roster ‘favorites'. Radio and media helped to democratize the landscape but today's parallels with the frothing ‘look over thereness' of right wing hate is unmistakable and hard to ignore. It was George Santayana who observed that “those who do not learn from history, are bound to repeat it.“

This week I am joined by the one and only Kid Congo Powers of The Gun Club, The Cramps, Nick Cave & The Bad Seeds, and Juanita & Juan (to just scratch the surface of his incredible career), who picked the iconic 1956 rock n' roll comedy classic The Girl Can't Help It!!!We discuss Kid running the Ramones fan club, sleeping outside for tickets, recording and performing as Juanita and Juan with his bandmate Alice Bag, his first time playing guitar with Lydia Lunch, faking your way through music, Jeffrey Lee Pierce taking acting classes at the Lee Strasberg studio, lying to get The Gun Club's first show with The Blasters, Kid playing his first show after only a month of having a guitar in his hands, joining The Cramps and recording Psychedelic Jungle with them, The Gun Club's The Las Vegas Story and unlocking the intro to 'Walking With The Beast', William Burroughs and cut-up technique, the art of collaboration, making blobs of sound, Kid discovering The Girl Can't Help It with the help of The Screamers, the Nuggets comp, cheapo rock n' roll exploitation films like Carnival Rock & Rock Baby Rock It, the power of Deluxe color used in the film, John Waters' obsessions and tributes to The Girl Can't Help It, the mystique, power and performance of Jayne Mansfield, the newly formed concept of the teenager when this film came out, Lady In A Cage, director Frank Tashlin and his animation roots, Julie London, Little Richard's incredible performance (while seeming to stare out into space), the weird lesser-known bands in this film, The Chuckles in the film standing next to legends like Fats Domino, the dragging up of Jayne Mansfield, Jayne's legendary home- The Pink Palace- and its wall-to-ceiling carpeting, mob ties in the rock world, Kid seeing legends like Yma Sumac and Eartha Kitt perform, confronting the audience and so much more!So let's throw another jukebox out the window in this week's episode of Revolutions Per Movie!!! KID CONGO POWERS: officialkidcongopowers.com/@kidcongopowersjuanitajuan.bandcamp.com/album/jungle-cruiseREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods that I send out to you. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

National Pistachio Day with entertainment from 2009. Today in history: the first World Trade Center bombing, RADAR demonstrated for the first time, and Napoleon leaves exile on Elba.Featured birthdays include William “Buffalo Bill” Cody, William Fawley, Jackie Gleason, Tony Randall, Fats Domino, Johnny Cash, Mitch Ryder, Michael Bolton, and Nate Ruess. Judge Joseph Wapner passed away on this date.Music lineup:• Intro: God Did Good – Dianna Corcoran   https://diannacorcoran.com/    • I'm a Nut (Pistachio Song) – Brittani Taylor• Crack a Bottle – Eminem• Old Enough to Know Better – Wade Hayes• Livery Stable Blues – Original Dixieland Jazz Band• Birthdays: In Da Club – 50 Cent     https://www.50cent.com/• Blueberry Hill – Fats Domino• The Fat Man – Fats Domino• Ring of Fire – Johnny Cash• Devil With a Blue Dress On – Mitch Ryder• Love Me Tonight – Blackjack• When a Man Loves a Woman – Michael Bolton• We Are Young – FUNExit - Walmart Special - Royal Wade Kimes    http://www.thegentlemanoutlaw.com/History & Factoids about today webpagecooolmedia.com

If you're the kind of person who wonders things like how creators and money people get together to make the financial sausage for TV shows, or maybe the kind who likes to listen to seminal and random music, or, you know, hear about word meanings and origins, or perhaps you're just the kind of listener who enjoys a chat, this is the place and we are the people for you! Episode 209 covers those bases and more, so click on the link and pull up a chair in our world.Links: Shed Dogs; MIPCOM CANNES; the role of a television producer; Lene Lovich; Chubby Checker; The Twist; Fats Domino; Gino Vanelli, and his album Storm at Sunup and hit Wild Horses; The Grocer's Wife.Theme music is Escaping like Indiana Jones by Komiku, by permission.

My guest, Eddie Ray, is truly a giant, a pioneer in the music industry. He started working at Decca Records in 1943, he worked with such diverse at from R & B giant Fats Domino to teen idol Ricky Nelson to Country Star Slim Whitman. He become Chairman of the US Copyright Royalty Tribunal, appointed by President Ronald Reagan. He was Vice Chairman/ Operation Director of the NC Music hall of Fame. A wonder Video. Mr Ray is join by Logan Westbrooks, Hiliary Johnson, Deborah McPhatter and Michael FrisbyProduced, directed, written and hosted by Stephen E Davis. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Listing Joe Boyd’s most significant accomplishments as a producer, label owner, and music historian is a tall order. A short list of artists he’s worked with includes Nick Drake (heard here), Pink Floyd, Fairport Convention, Sandy Denny, Richard Thompson, The Incredible String Band, R.E.M., Vashti Bunyan, Billy Bragg, and 10,000 Maniacs. Additionally, he was the founder of Hannibal Records, the label responsible for bringing the term “world music” into the lexicon, as well as serving as a music producer for Warner Bros., where he collaborated with Stanley Kubrick on the soundtrack of A Clockwork Orange and 1972’s Deliverance. His most recent work is as the author of White Bicycles: Making Music in the 1960s, as well as And the Roots of Rhythm Remain: A Journey Through Global Music, which came out in 2024. On this episode, hear how songs by Fats Domino, Fairport Convention, and Carlos Gardel shaped his sensibilities. Boyd will be a part of this year’s Big Ears Festival taking place in Knoxville, TN in March of 2026.See omnystudio.com/listener for privacy information.

Another free form musical delight is ready and waiting for your ears this coming Friday morning. We dig into some mid-century nuggets from the country genre with Red Foley and Ernest Tubb as well as Merle Haggard, Asleep at the Wheel and Joe Ely. That, of course, hardly covers the two hours. There's also some hot rhythms from NRBQ, Daddy Cleanhead, Slim Harpo, Fats Domino and the sweet and brassy sounds from Billie Holiday, Johnny Mercer, and Babs Gonzales. Our new year won't make promises but our hopes are all we've got, remembering that hate will never win if you don't let it. There's been wars fought for much less. 

Gurdip & Justin kick off 2026 with an exploration of the many songs written by iconic rock and roll songwriting/producing duo Jerry Leiber and Mike Stoller that were recorded by Elvis, and ultimately provide their Top 5 lists of their personal favorites. From Hound Dog to Jailhouse Rock, Trouble to Bossa Nova Baby and beyond, it's all discussed in here - as well as a light overview of their careers, songs and productions before and after working with Elvis. The guys also catch up on several weeks of listener emails, break down the new "Wearin' That Night Life Look" remix from the upcoming soundtrack of Baz Luhrmann's EPiC, and of course dig into two Songs of the Week. Gurdip celebrates the New Year by telling us the history behind "Auld Lang Syne" which Elvis performed in concert twice in the 1970s during New Year's Eve shows, then Justin finds his thrill on "Blueberry Hill," the 1940s hit that was revived by rock legend Fats Domino in 1956 and subsequently covered by Elvis on the "Loving You" album and occasionally brought into his setlist during the 1970s. We highly recommend the compilation "Elvis Sings Leiber & Stoller" which is available on digital storefronts (with added "Three Corn Patches" which was missing from the original physical release), "Hound Dog: The Leiber & Stoller Autobiography" and Ace Records' wonderfully curated compilation series "The Leiber & Stoller Story" bringing together a mix of well-known and lesser-heard songs written and produced by the two musical partners. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Send us a textHere in Episode 248 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses to talk about music from 1955!We cover Elvis, Little Richard and Fats Domino to name only a few.We also cover Kiss Alive, Coal Mines, Back To The Future and The Running Man!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

Today's show features music performed by Fats Domino and Hank Ballard

Indiana Avenue played an important role in the development of rock and roll. Artists like Chuck Berry, Little Richard and Fats Domino played their first Indiana concerts on the Avenue, and Naptown artists like the Ink Spots, and Leroy Carr influenced the development of rock and roll. But very few Hoosiers are aware of the Avenue's important rock and roll history. This week on Echoes of Indiana Avenue, we'll pay tribute to the early rock and roll heroes of Naptown, including music from Roosevelt Johnson, Toni Cavanaugh, Lois Blaine, Thurston Harris, Tiny Brown, Bobby Lewis and more.

Today's show features music performed by Louis Armstrong and Fats Domino

Send us a textNew Orleans' own Cowboy Mouth—the self-described “southern gospel revival without the religion”—are bringing their high-energy rock ‘n' roll celebration back to St. Louis this Saturday, November 8th, for a one-night-only show at the Old Rock House. The stop marks part of their Cover Yo' Azz album tour and coincides with their 35th anniversary—a milestone for one of America's most enduring and electrifying live bands. Tickets available here.For those who've never witnessed the frenzy firsthand, Cake Magazine captured it best:“On a bad night they will blow the roof off the place. On a good night Cowboy Mouth will save your soul.”Frontman Fred LeBlanc, along with John Thomas Griffith, Brian “Bruiser” Broussard, and Frank Grocholski, have built their reputation not just on loud guitars and big choruses—but on turning every show into a life-affirming party that leaves the audience breathless and grinning. And this weekend's St. Louis stop promises exactly that.A New Album, 11 Years in the MakingEarlier this year, Cowboy Mouth dropped their first album of newly recorded material in over a decade—Cover Yo' Azz, a rowdy and reverent collection of cover songs that honors some of rock's most influential artists. The ten-track record reimagines tunes by R.E.M., The Who, Queen, Frank Sinatra, Cher, The Replacements, Fats Domino, and even Hootie & the Blowfish, featuring a guest appearance by Hootie's Mark Bryan on guitar.The band breathes New Orleans grit and charm into each song, turning classics like “The Real Me” (The Who) and “Can't Hardly Wait” (The Replacements) into punchy, modern rock anthems. The album is available now on Spotify and SoundCloud.Critics have been quick to applaud the band's approach. Mystic Sons praised it as “a joyride dressed in ripped denim,” while York Calling called the album “charismatic, soulful, and expertly performed.” Americana Highways perhaps said it best:“Performed with expertise, finesse, and style... the album summed up is a hoot.”Fred LeBlanc Joins The Tippy Jo ShowAhead of the St. Louis concert, Cowboy Mouth's larger-than-life frontman Fred LeBlanc joined Tippy on The Tippy Jo Show, part of The Barn Media's podcast lineup. The conversation dove deep into the band's legacy, their Louisiana roots, and Fred's signature onstage energy that transforms every Cowboy Mouth performance into something between a rock concert and a revival meeting.True to form, Fred's humor and humanity shone through the interview—equal parts laughter, storytelling, and that unmistakable “let it go” spirit that has powered Cowboy Mouth since their debut album Are You With Me? in 1992.www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn

Jerome presents historical rock, roots and blues events that occurred in the month of November in years gone by. Podcast includes, in order of appearance, tracks by Jerry Lee Lewis, Slim Harpo, Fats Domino, Johnnie Ray, John Lennon, The Who, Rolling Stones, The Band, Milli Vanilli, Link Ray, Robert Johnson, Kokomo Arnold, Mississippi John Hurt, Big Joe Turner, Sharon Jones, Billie Forrester, Carl Perkins, Tampa Red, Bill Haley, Johnny Horton, Eva Cassidy , Sonny Boy Williamson, John Lee Hooker, Carey Bell, Joe Hill Louis, Sylvester Weaver, Howlin Wolf, Nick Drake, Jimi Hendrix Experience, Cream, Pink Floyd. Size: 130 MB (136,790,330 bytes) Duration: 1:11:19

Get ready for an inspiring journey through untold stories of brilliance and creativity! In this episode, we dive deep into two incredible narratives that shine a light on overlooked pioneers who have transformed our understanding of science and music. First up, we meet Katie Hafner, the powerhouse behind the Lost Women of Science podcast and Middle Grade Novel. She's on a mission to uncover the remarkable stories of women scientists who have been systematically erased from history. Imagine brilliant minds whose groundbreaking work was stolen, ignored, or simply forgotten. From Dora Richardson, who synthesized the life-saving breast cancer drug tamoxifen, to Katie's own grandmother who researched premature infant blindness, these women are finally getting the recognition they deserve. Then, we switch gears to D A Royster's heartwarming tale of "Happy Music," a vibrant celebration of New Orleans jazz history. Through the eyes of a young girl, we explore the legendary Club Desire - a groundbreaking venue started by Dana's grandfather in the 1940s. This was no ordinary music club - it was a cultural landmark where legends like Fats Domino and Ella Fitzgerald got their start, breaking racial barriers one musical note at a time. Both stories share a powerful message: creativity, innovation, and passion know no boundaries. Whether you're a science enthusiast, music lover, or just someone who appreciates incredible human stories, this episode will inspire you to look beyond the surface and celebrate the unsung heroes who have shaped our world. Want to learn more? Check out "Lost Women of Science" and "Happy Music" - two books that prove extraordinary stories are waiting to be discovered. Don't miss this chance to be inspired, educated, and moved by the incredible journeys of remarkable women who refused to be forgotten. Click here to visit our website – www.ReadingWithYourKids.com Follow Us On Social Media Facebook - https://www.facebook.com/readingwithyourkids Instagram - https://www.instagram.com/readingwithyourkids/ X - https://x.com/jedliemagic LinkedIn - https://www.linkedin.com/company/reading-with-your-kids-podcast/ Please consider leaving a review of this episode and the podcast on whatever app you are listening on, it really helps!  

649. This week we chat with Leah Payne about her book, God Gave Rock and Roll To You: A History of Contemporary Christian Music. We focus especially on the role of the family of Jimmy Swaggart, Jerry Lee Lewis, and Mickey Gilley in the history of Rock and Roll. Her book chronicles the confluence of evangelical, Pentecostal, and charismatic networks through the lens of Contemporary Christian Music, or CCM. The book indexes American evangelicalism's political and social aspirations as seen through its cultural intermediaries: the youth group leaders, non-profit groups, industry executives, and parents who contributed to what was morally permissible and economically profitable in CCM.  Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in the Louisiana Anthology. H. P. Lovecraft. "The Call of Cthulhu." "In a natural glade of the swamp stood a grassy island of perhaps an acre's extent, clear of trees and tolerably dry. On this now leaped and twisted a more indescribable horde of human abnormality than any but a Sime or an Angarola could paint. Void of clothing, this hybrid spawn were braying, bellowing, and writhing about a monstrous ring-shaped bonfire; in the centre of which, revealed by occasional rifts in the curtain of flame, stood a great granite monolith some eight feet in height; on top of which, incongruous in its diminutiveness, rested the noxious carven statuette." This week in Louisiana history. October 25, 1769. Bloody" O'Reilly executes rebels who ousted Ulloa to hang but no hangman, they were shot instead. This week in New Orleans history. Earl Cyril Palmer born in New Orleans and raised in the Tremé (October 25, 1924 – September 19, 2008) was an American rock & roll and rhythm and blues drummer, and member of the Rock and Roll Hall of Fame. Palmer played on many recording sessions, including Little Richard's first several albums and Tom Waits' 1978 album Blue Valentine. playing on New Orleans recording sessions, including Fats Domino's "The Fat Man", "I'm Walkin" (and all the rest of Domino's hits), "Tipitina" by Professor Longhair, "Tutti Frutti" by Little Richard (and most of Richard's hits), "Lawdy Miss Clawdy" by Lloyd Price, and "I Hear You Knockin'" by Smiley Lewis. This week in Louisiana. Halloween in New Orleans Website     If you thought that Halloween was just a night for the kids to go trick or treating with their parents in tow, you need to think again. Here in New Orleans, like everything else, it's different.     Halloween, Crescent City-style, is second only to Mardi Gras for wild and crazy, dressing-up-in-costume kind of fun and it isn't just for kids, either. Adults get to join the fun and craziness as well. In fact, there are a few events that are much more fun for the grown-ups than for the little ones! You can go on our haunted tours, visit our voodoo shops, our costume shops, our street parties, and we even have events for the kids! Postcards from Louisiana. Delfeyo Marsalis at Snug Harbor. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

NOPD enters the dawn of a new era with consent decree ending; Jourdan Blue in the house! Up-and-coming AGT singer continues tradition of "blue-eyed soul;" FQ businesses left in the dark amid massively disruptive road work; John Lodge, rest in power, loved New Orleans and Fats Domino; Scoot's found a new best friend and it's a chatbot

Moody Blues singer John Lodge has passed away at 82 - we remember one of the most charming answers he gave Scoot in response to a question about his musical heroes

Bruce Sunpie Barnes is a bandleader who plays accordion and harmonica for Sunpie and the Louisiana Sunspots. The band travels around the world playing what he calls Afro-Louisiana music: a fusion of zydeco, blues, Creole funk, gospel and tunes from Africa and the Caribbean.But Sunpie also has a parallel career as a naturalist. He spent 32 years working for the National Park Service, much of it in Barataria Preserve, a vast expanse of  wetlands, bottomland hardwood forests, and palmetto groves. The Preserve, part of Jean Lafitte National Park, has 200 bird species and is 85 percent water.As a young man, Sunpie kept one foot in each world. By day, he surveyed plants and animals and led hikes and canoe trips. At night, he frequented the numerous New Orleans bars that offered live music. He befriended some of the greats, including rock-and-roll pioneer Fats Domino, who would sometimes call him late at night and invite him to hang out at the hardware store in nearby Chalmette.“He would go through the hardware store, not buy a single thing, just take two hours and walk through it,” Sunpie recalls. “But before he went, he would put on a gigantic pot of red beans and rice or something like that. And it would cook for three or four hours. And he'd come back, play piano, drink a few beers, and just hang out all day.” Sunpie used his sick days for what he calls “those Fats Domino moments.”Later Sunpie became a ranger at New Orleans Jazz National Historical Park, which is based in the French Quarter and offers musical and educational programming.In both arenas, Sunpie is a conservationist. “I don't have a separation in me as a person between trying to sustain coastal wetlands, trying to sustain fisheries, trying to sustain culture,” he says. “I might be on a few too many boards right now, but I'm on them because it's around the passion of preservation, around the natural world and around cultural things.”For example, he is Big Chief of the Northside Skull and Bone Gang, a New Orleans tradition that dates back to 1819. Early on Mardi Gras morning, the skeleton gang travels door-to-door in the historically Black Tremé neighborhood, waking residents with calls of “You next!” They bring a reminder of mortality and a message denouncing violence and drugs.“It came out of enslaved African males trying to say on Carnival Day, Mardi Gras Day, that I'm actually a human,” he says. “And I'm going to self-validate and show you who I am.”Thanks for listening to A Peace of My Mind's podcast. For photos, videos, and additional content, visit our website and follow us on Instagram.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Ain't That a Shame by Fats Domino (1955)Song 1: Satanic Blues by Original Dixieland Jazz Band (1919)Song 2: Baby Rattle Snake by Gabor Szabo (1976)Song 3: Soul of a Man by Beck (2008)Song 4: Funky Donkey by Bernard Purdie (1967)Song 5: Rattlesnake by Rubblebucket (2024)Song 6: Stoned Soul Picnic by Laura Nyro (1968)Song 7: Blow to the Head by Lightning Bolt (2019)Song 8: Rattlesnake by King Gizzard & the Lizard Wizard (2016)Song 9: Soul Drifter by Lindsey Buckingham (1992)Song 10: Sambalero by Luiz Bonfa (1959)

Today's show features music performed by Fats Domino and Stevie Ray Vaughn

This week on Dem Vinyl Boyz, we throw on the toga, spike the punch, and crank up the chaos with the unforgettable soundtrack to National Lampoon’s Animal House (1978). One of the most iconic comedy films of all time, Animal House didn’t just redefine the college party movie—it also delivered a killer blend of ‘50s and ‘60s rock ’n’ roll that’s still blasting at frat houses today. The soundtrack features classics from Otis Day & The Knights (“Shout” and “Shama Lama Ding Dong”), Sam Cooke, Fats Domino, and the Kingsmen's raucous “Louie Louie,” all tied together by the chaotic, high-energy spirit of the Delta Tau Chi fraternity. Whether you're reliving your wild college days or hearing these tracks for the first time on wax, this episode is a nostalgic, riotous ride through a soundtrack that’s just as legendary as the film itself. And don’t forget: this episode kicks off our 8-week Soundtrack Summer series—spotlighting the most iconic movie soundtracks ever pressed to vinyl.

RUNDOWN Mitch and Hotshot kick off Episode 338 with a chaotic Father's Day recap involving mini-golf madness, stroller gridlock, and a player with a walker clogging the first tee. Hotshot goes MIA for eight hours and doesn't even play. Mitch follows with two public floggings: one for crediting “The Twist” to Fats Domino, the other for dusting off a 2013 John Olerud story like it was breaking news. His fastball? Missing. Hotshot? Happy to point that out. Dave Grosby returns to talk about his health battles, a rough ketamine treatment, and the overlooked value of opioids for pain relief. He still finds time to make a bold Mariners playoff case. Brady Henderson checks in from Seahawks camp to explain why Mike Macdonald's version of Seattle looks more united and less ego-driven. He breaks down Sam Darnold's grip on QB1, the Jalen Milroe development arc, and why 2024 already feels different. Finally, Brady Farkas flies solo at the Mariners No-Table. Seattle sweeps Cleveland, JP Crawford stays hot, and Julio keeps hitting — but not with much muscle. They break down rotation depth, bullpen leaks, and trade bait like Gino Suarez and Josh Naylor. The playoff math is still murky, but the hunt continues.   GUESTS Dave Grosby | Former Seattle Radio Host Brady Henderson | ESPN Seahawks Insider Brady Farkas | Host, Refuse to Lose Podcast   TABLE OF CONTENTS 0:00 | Miniature golf debacle on Father's Day. Hotshot disappears for 8 hours and Mitch suspects a lie. 6:00 | Mitch's Mea Culpas: Two big errors from Episode 337: Fats Domino vs. Chubby Checker, and a 12-year-old news story passed off as new. 8:15 | Tupac's Birthday & Mitch's Vegas Memory: Tupac's 54th birthday sparks a story about Mitch being in the same building the night Tupac was shot. Plus: Dunbar High and NBA trivia. 19:21 | Mitch recaps his radio reunion with Puck, Stretch, and Sandmeyer before diving into Randy Johnson's brutally awkward jersey-retirement tour, where nostalgia gives way to grievances. 41:32 | Guest: Dave Grosby, Dave talks candidly about his chronic pain treatment, the psychedelic failure of ketamine, and why opioids get a bad rap. Then shifts into Mariners mode with playoff predictions and trade speculation. 1:02:40 | Guest: Brady Henderson, Insight from Seahawks OTAs and minicamps. Brady explains the cultural shift under Mike Macdonald and evaluates the team's offseason vibe, quarterback depth, and drama-free roster. 1:30:26 | Guest: Mariners No-Table with Brady Farkas, A Cleveland sweep breathes life into the Mariners' season. JP Crawford is on fire, the bullpen looks steadier, but Julio's big-hit drought continues. Trade deadline names like Gino Suarez and Josh Naylor emerge, and the AL West race tightens. 1:59:55 | Other Stuff Segment; From fake testicles on the field to Shohei Ohtani's return to the mound, Mitch and Hotshot unpack a wild week of sports absurdity, awkward trades, record-breaking comebacks, heart attack scares, and viral sibling drama—all before diving into baseball's biggest merch stars and RIPs to legends.