Podcasts about workshops

2024 saw more brewery closings than openings. Uncertainty is growing around rising costs and tariffs. Production is down. Consumers are looking for more diverse offerings, including non-alcoholic. Industry associations are promising bright days ahead, while member breweries are not so sure.Tired promotions and liquid social posts aren't going to save craft. Throwing more resources and budget at the problem doesn't make it go away. Festivals and retail demos are drying up. It's time to start thinking more strategically about sales growth, starting with your marketing plan. Owners and industry experts alike are placing their bets on one simple blueprint:Design your website to help drive organic searchCreate content to build community on social mediaSchedule email campaigns for broad calls-to-actionDevelop a branded mobile app for activating individual drinkersLeverage AI for operational efficiencyThe data is available to help brewery owners and managers take a more thoughtful, deliberate approach to business growth. We'll discuss how to track marketing efforts using tools like Google Looker Studio and weekly dashboard reporting, as well as best practices for success in each channel. Presentation attendees have access to 10+ Guides with techniques to keep fans engaged and proven tools to fuel excitement around your unique story.We started Market Your Craft to help small-to-mid-sized producers quickly adapt to the changing Marketing landscape with storytelling. Because we believe every craft brand has an exciting story to share. Led by Scott Kolbe, we're a team of dreamers and doers, passionate about all things beverage with the creds to match. We've created a series of Workshops and Guides to help define your brand story and inform your Marketing efforts. To learn more or to schedule a session with one of our storytelling experts, visit marketyourcraft.com.Join us in person for CBP Connects New OrleansDecember 8–10, 2025It's never been more important to connect: https://cbpconnects.com/

Muss und kann denn wirklich alles immer perfekt sein? Oder gaukelt uns Social Media auch bei Hunde-Themen oft etwas vor? Ehrgeiz oder Bauchgefühl? Warum Jochen sich diesmal in Mattis Charakter täuscht, warum Hund nicht mit Namen rufen solltest, was der Party Lichtstrahl mit Hunden macht und ob Jochen bald von einem Jüngeren abgelöst wird und was das mit dem Old White Man der Deutschen TV-Unterhaltung zu tun hat, das erfährst Du in dieser echt lustigen, langen und lebendigen Folge. Wie läuft euer Rückruf-Training? Habt ihr Erfolge, Rückschläge oder witzige Geschichten? Schickt sie uns – gern auch mit Videos! Wir wollen sehen, wer die coolste Rückruf-Party feiert. Infos zur HOLYDOG Academy, dem Retreat für Hunde und ihre Menschen findest Du hier: https://www.holydog-academy.de Mit den besonderen Workshops in der alten Gärtnerei am Meer öffnen wir für Deinen Hund und Dich einen Raum voller Achtsamkeit, Liebe und Abenteuer. Damit Eure Bindung nicht nur spürbar sondern lebendig wird. https://www.instagram.com/jochenbendel/

Hey Friends~  Recently, I got a written message from a listener who wrote, ‘My husband is Serbian and speaks Serbian to our son. I speak English, but I don't speak Serbian well. Our little one is just 17 months and very vocal — but in my expat group, parents worry their bilingual kids might be confused. How young is too young for two languages? And how old is too old for 2 languages?”  It's such a good question — and one that so many families wonder about. In this episode, we'll look at how babies process two languages, the benefits, milestones, red flags, and what you can do - all geared for the multilingual home.    If you would like to send your question, you can email me at hello@thelanguageofplay.com or Leave a voice message here:  https://castfeedback.com/play .   I may just highlight your question on the show!  And remember, when you have the question, it means hundreds of other listeners have the same question, too!  You will help many by asking.  Always cheering you on!  Dinalynn CONTACT the Host, Dinalynn:  hello@thelanguageofplay.com   A BIG THANK YOU TO OUR SPONSOR!   Cindy Howard  Lightening Admin VA   cindy@lightningadminva.com Let Cindy help you with your inbox management, so you can focus on other things!   YOUR NEXT STEPS: Book a call to discuss your concerns:  https://calendly.com/hello-play/strategy-session FREEBIES:    5 Ways To Get Your Kids To Listen Better: https://dinalynnr.systeme.io/7ca5ce43-d436ea91 Sign up for the Newsletter:  https://dinalynnr.systeme.io/newsletter-optin 21 Days of Encouragement:  https://dinalynnr.systeme.io/1-21signup   For Workshops, Speaking Events, or Partnerships:  https://calendly.com/hello-play/discovery-session ** For Speaking Engagements, Workshops, or Parent Coaching (virtual or live), contact me at hello@thelanguageofplay.com   IF YOU LIKED THIS EPISODE, YOU WILL WANT TO LISTEN TO THESE EPISODES: 07 How Language is Learned in a Dual Language Home 08 Bilingual Kids and Speaking Delays in Multi-Language Households 38 Cheyanne Cleyman: Dual-Language Living Across Cultures in a Step Family, part 1 39 Cheyanne Cleyman: Dual-Language Living Across Cultures in a Step Family, part 2 220 What Does “A Language Rich Environment” Really Mean? 224 Did Your Child Babble? When It Begins, What It Means, And Why It Matters 227 Child Not Doing As Told? Change Their Response With Concept Words   Here are OTHER EPISODES in the ongoing SERIES: SPEECH & LANGUAGE DELAYS:  232 SERIES: Speech & Language Delays: What Parents Need to Know 233 SERIES: Speech & Language Delays: Do Boys Really Talk Later Than Girls?   236 SERIES: Speech & Language Delays:  What Is The Cause? 237 SERIES: Speech & Language Delays: “My Child Did Not “Qualify” for Speech Therapy. What Does That Mean?”  240 SERIES: Speech & Language Delays: Therapy & Intervention Options for Parents   WE'VE MADE IT EASY FOR YOU!  Love this podcast?  Let us know!  https://lovethepodcast.com/play Follow & subscribe in 1-click!  https://followthepodcast.com/play Leave a voice message!  https://castfeedback.com/play To SPONSOR The Language Of Play, schedule your call here:  https://calendly.com/hello-play/discovery-session To DONATE to The Language Of Play, Use this secure payment link: https://app.autobooks.co/pay/the-language-of-play   Recommended resources / further reading: American Speech-Language-Hearing Association (ASHA) — articles on bilingualism and SLP guidance. (Leader) “Young Children Learning Multiple Languages: Parent FAQs” (HealthyChildren.org / AAP) — practical myths vs facts. (HealthyChildren.org) Review on infant bilingual perception (Werker) and phonetic learning (Kuhl) — explains how infants separate languages. (infantstudies-psych.sites.olt.ubc.ca) Research on vocabulary measurement in bilingual infants (Byers-Heinlein et al., 2023) — useful if parents want evidence for how to track vocabulary. (PMC) Critical period / age effects review (Hartshorne et al. & reviews) — context on age and accent/nativeness. (PMC)

This week, another DJI product has landed in the studio — the brand-new DJI Osmo Action 6. Johnnie joins us live from Inter BEE in Japan, sharing his first impressions from the show and what's new on the ground. Meanwhile, there are fresh updates from ARRI and ASUS, and Nino dives into the results of a recently released IMAGO study that sparked some interesting conversations. So hit that play button and enjoy your weekly dose of cine tech!   This episode is sponsored by SIRUI — check out their new lenses at 23:44. Link to the Kickstarter Campaign: http://cined.co/SIRUI-Astra-Kickstarter Chapters and Articles in This Episode (00:00) - Intro and overview   (03:42) - Inter BEE 2025   (07:42) - FUJIFILM GFX ETERNA 55 Firmware Updates Coming Up – SDI RAW Output, MXF Playback, and More https://www.cined.com/fujifilm-gfx-eterna-55-firmware-updates-coming-up-sdi-raw-output-mxf-playback-and-more/   (10:29) - DJI Osmo Action 6 Announced – Variable Aperture, 1/1.1-Inch Sensor, 4K/120fps https://www.cined.com/dji-osmo-action-6-announced-variable-aperture-1-1-1-inch-sensor-4k-120fps/   (24:31) - DJI Osmo 360 Review and Hands-On – A Bikepacking Trip through Kyrgyzstan https://www.cined.com/dji-osmo-360-review-and-hands-on-a-bikepacking-trip-through-kyrgyzstan/   (30:06) - ARRI Film Lab Announced – Real-Time Analog Film Emulation Plugin for DaVinci Resolve, Baselight, Nuke https://www.cined.com/arri-film-lab-announced-real-time-analog-film-emulation-plugin-for-davinci-resolve-baselight-nuke/   (34:01) - ASUS ProArt 8K PA32KCX Display Announced – Raising the Bar for High-End HDR Monitoring https://www.cined.com/asus-proart-8k-pa32kcx-display-announced-raising-the-bar-for-high-end-hdr-monitoring/   (37:01) - IMAGO Study Reveals Precarious Cinematographer Working Conditions https://www.cined.com/imago-study-reveals-precarious-cinematographer-working-conditions/   (43:24) - CamerImage 2025 – Complete Guide to Workshops, Competition, and the World's Premier Cinematography Festival https://www.cined.com/camerimage-2025-complete-guide-to-workshops-competition-and-the-worlds-premier-cinematography-festival/   (47:06) - Hybrid Video Production – Ways to Make AI Part of Your Workflow https://www.cined.com/hybrid-video-production-ways-to-make-ai-part-of-your-workflow/ (48:17) - Panasonic's LUMIX Pro Service Is Ending in Europe https://www.cined.com/panasonics-lumix-pro-service-is-ending-in-europe/   (49:31) - Filmstro Premiere Pro Extension Launches – Adaptive Music Control, Real-Time Keyframing, Direct Timeline Integration https://www.cined.com/filmstro-premiere-pro-extension-launches-adaptive-music-control-real-time-keyframing-direct-timeline-integration/   We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com 

Deze aflevering wordt mede mogelijk gemaakt door Landing Partners: Experts in performance marketing voor mode- en lifestylemerken. Laat jouw merk digitaal groeien met hun strategieën. Contacteer Anthony of David voor meer info of ga naar www.landing.partners

In this Euractiv Thought Leadership Interview, Jennifer Baker sits down with Romano Hoofman, Strategic Development Director, imec & EU Chips Design Platform Coordinator and Patrick Pype, Strategic Partnerships Director, NXP, to discuss Europe's Chips Future — the strategic investments driving the continent's semiconductor industry and their real-world impact.They explore why semiconductors are essential for Europe's sovereignty and competitiveness, how strategic investments are reshaping the landscape, and what tangible results have already been achieved under the EU Chips Act. The discussion looks at:- Why chips are crucial for Europe's future and global supply chains- How the EU Chips Act aims to strengthen Europe's fabrication and design capacity Ensuring a level playing field for investment with other continents- How semiconductors contribute to clean energy and power efficiency- Supporting industrialisation and innovation through EU-level cooperation- Stimulating new startups and research collaboration to grow Europe's chip ecosystemPatrick and Romano share insights on Europe's progress so far and the next steps needed to translate research excellence into industrial success.

In this Policy Triangle, supported by Humane World for Animals, we explore how Europe can modernise its chemical testing framework as part of the upcoming revision of REACH. Policymakers are considering how to update the regulation for the first time in nearly two decades, in light of advances in non-animal safety assessments and the European Commission's forthcoming roadmap to phase out animal testing.Since then, questions have emerged about whether Europe can align regulatory frameworks with scientific innovation quickly enough to maintain global leadership. Will tools such as regulatory sandboxes, clear roadmaps and centralised validation processes enable trust and collaboration across stakeholders, or risk falling short of expectations?Experts from Humane World for Animals, Cefic and the Dutch government debate whether the EU can build a future ready system that protects people and the environment while driving innovation and competitiveness.

Send us a textWelcome to this special workshop series that will only be up for a LIMITED TIME (Till December 1st) where we're diving deep into what it really takes to start and run a virtual bookkeeping business.This is the final episode of our three-part Bookkeeping Business Workshop series, where we're diving deep into designing the business. We're talking about your ideal business, your perfect-fit clients, and we're demystifying the sales process because I know that part freaks a lot of you out.In this episode you'll hear:How to design your dream bookkeeping businessThe exact framework for identifying your perfect-fit clientMy four-step discovery call structure that makes selling feel naturalThe complete roadmap for getting your bookkeeping business up and runningResources mentioned in this episode:Get the Templates & Workbook for $27: https://www.ambitiousbookkeeper.com/offers/VhYZ8EfsGet the special code and the discount for 20% off the Bookkeeping Business Accelerator, Self-Paced before December 1st at: ttps://www.ambitiousbookkeeper.com/subscribeThanks for listening. If this episode inspired you in some way, take a screenshot of you listening on your device and post it to your Instagram stories and tag me @ambitiousbookkeeperFor more information about the Ambitious Bookkeeper Podcast or interest in our programs or mentoring visit our resources below:Visit our website: https://www.ambitiousbookkeeper.comFollow the Blog: https://www.ambitiousbookkeeper.com/blogConnect on Instagram: https://www.instagram.com/ambitiousbookkeeperConnect on Threads: https://www.threads.net/@ambitiousbookkeeperConnect on Facebook: https://www.facebook.com/serenashoupcpaThank you for your support of our show. If you haven't left a review yet it's super simple. Please go to ambitiousbookkeeper.com/podcast and leave your review.Podcast Publishing Tools we use:Editing → Sabr Media LLC: https://www.iangilliam.com/sabr-media-llcDescript: https://get.descript.com/u7lubkx09073 (affiliate link)Buzzsprout: https://www.buzzsprout.com/?referrer_id=1753696 (affiliate link)Subscribe to stay in the know about Black Friday: ambitiousbookkeeper.com/subscribeBlack Friday Sale happens November 28 - Dec 2 Get access to the Dubsado Decoded Private Podcast Series here>>

SummaryIn this episode of the Manifest More podcast, host Dawn Maynor speaks with Juliet, the owner of Bluet SUP, a paddleboarding business that has expanded from Texas to Greece. They discuss the healing power of paddleboarding, Juliet's journey from a corporate career to entrepreneurship, and her transformative experiences in Greece. The conversation touches on themes of self-discovery, community building, and the importance of recognizing red flags in life. Juliet shares her insights on living a simpler life in Greece and invites listeners to join her upcoming retreat with Dawn Maynor, emphasizing the healing and manifestation opportunities it offers.TakeawaysBluet SUP represents transformation and healing through paddleboarding.Paddleboarding helped Juliet cope with her mother's passing.The journey to Greece was a pivotal moment for Juliet.Living in Greece has allowed Juliet to rediscover herself.Healing often requires changing environments and habits.The red glitter analogy illustrates ignoring red flags in life.Community and connection are vital for healing.Self-discovery can feel selfish but is necessary for growth.The retreat offers a unique opportunity for healing and manifestation.Living in Greece promotes a healthier, simpler lifestyle.Sign up here for the RETREAT IN GREECE!You can connect more with Juliet on Facebook, Instagram, or TikTok.Welcome to another inspiring episode of the "Manifest More" podcast with your host, Dawn Maynor. In this episode, Dawn delves into the transformative power of manifesting techniques and how they can be applied to overcome challenges such as grief, depression, anxiety, and stress. Dawn's journey from her previous career to becoming a manifestation coach is a testament to the life-changing potential of these practices.OfferingsDawn offers a range of services designed to help individuals harness the power of manifestation:​1:1 Coaching: Personalized sessions to help women connect with their inner selves, prioritize emotions, and embrace their new manifested selves with love and peace.​Reiki and Sound Healing: Energy healing sessions to balance emotions and promote holistic well-being.​Workshops and Activations: Group activities that provide practical tools and techniques for effective manifestation.​Yoga and Meditation: Practices aimed at enhancing mindfulness and relaxation, aiding the manifestation process.Connect with DawnFor more information or to schedule a session, reach out to Dawn at dawn@manifestmorewithdawnmaynor.com. Join the community and explore free resources available on Instagram, YouTube, Facebook, and TikTok.Share the LoveIf you enjoyed this episode, please share it with a friend or on social media. Your support helps spread the message of peace, purpose, and passion.Thank you for tuning in! Sending you all Love and Light, and remember to Manifest More with Dawn Maynor.

Diese Woche besprechen wir konkret, wie der Einstieg in Künstliche Intelligenz beginnt, auch wenn man kein Tech-Nerd ist. Unser Ansatz geht über persönliche Stärken und Interessen statt über KI-Angst und FOMO. Oskar erzählt aus seinen Workshops. Viele Menschen sehen nur schwer einen Anfang beim Thema KI, weil sie „bei null“ anfangen wollen statt dort, wo sie schon Expert*innen sind. Wenn jemand leidenschaftlich gern kocht, gärtnert, angelt oder designt, ist es viel einfacher, mit KI zu experimentieren. Sei es, das Weihnachtsessen zu planen, Einkaufslisten zu automatisieren, den Bepflanzungsplan im Garten zu optimieren oder sich Ideen für neue (Arbeits-)Formate zu holen. Michael berichtet, wie er KI mit seinem Stärkencoaching verbindet. Zum Beispiel bei Marken- und Purposearbeit wo ein Team den inhaltlichen Kontext einbringt und er sein Methodenwissen. Hier hilft die die KI, aus hunderten Seiten Material eine klare, stimmige Vision zu entwickeln. Entscheidend ist dabei immer der richtige Kontext, Reflexion und eigenes Denken bleiben beim Menschen. Wir sprechen darüber, wie sich stärkebasierte Ansätze aus der Psychologie auf KI übertragen lassen, warum generative Tools ohne guten Input nur generische Antworten liefern und weshalb gemischte Teams mit seniorer Expertise und junger Tech-Lust einen riesigen Vorteil haben. Unsere Take-aways: 1. Einstieg in KI klappt am besten über Stärken und Interessen. Nicht „Ich muss jetzt auch KI machen“, sondern: „Ich nutze KI dort, wo ich mich sowieso auskenne und gerne Zeit verbringe.“ Das senkt die Hemmschwelle und erhöht die Motivation. Vor allem, wenn man direkt die ungeliebten Zeiträuber mit der KI automatisiert. 2. Eine Vielfalt and Feldern, in denen Stärken und KI perfekt zusammenspielen Von Kreativ/expressiv (Kochen, Gärtnern, Design), bis hin zu Führung/Organisation (Feedback, Entscheidungen, Stärkenorientierung) Wer bei den eigenen Stärken anfängt, bekommt schnell spürbare Effekte. 3. Gute Prompts brauchen Tiefe, nicht nur Keywords. Wer KI mit ‘googeln' verwechselt und KI-Modelle mit nur wenig Kontext und vagen Aufgaben füttert, bekommt austauschbare Ergebnisse. Je genauer wir unsere Situation, Ziele und Rahmenbedingungen beschreiben, desto hilfreicher werden die Antworten, egal ob im Coaching oder in der Projektarbeit. 4. Generationale Stärken sind ein Produktivitäts-Booster Jüngere bringen Neugier, Tool-Kenntnisse und Experimentierfreude mit, Ältere liefern Kontext, Erfahrung und Qualitätsmaßstäbe. In KI-Tandems entstehen Lösungen, auf die keiner allein gekommen wäre. 5. KI übernimmt Fleißarbeit, nicht Verantwortung. Die klügste Nutzung von KI ist es, repetitive Aufgaben abzugeben und Zeit zu gewinnen für das, was uns wirklich Spaß macht. Bei uns sind es Beziehungen, Führung, Kreativität, Entscheidungen. Stärkenorientierung heißt hier nicht weniger Mensch, sondern mehr. Zum Schluss laden wir euch ein: Überlegt euch eine Stärke oder ein Interesse von euch und eine Sache, bei der euch KI morgen konkret helfen könnte. Schreibt uns eine Nachricht, teilt eure Beispiele oder Fragen und erzählt uns, wie ihr den Einstieg erlebt habt. Wenn euch die Folge gefällt, freuen wir uns über eine Bewertung, Kommentare auf der Plattform eurer Wahl und Weiterempfehlungen an Kolleg*innen, Freund*innen oder in euren Familien. Danke fürs Zuhören und bis zur nächsten Folge. #Leadership #GenZ #Führung #Stärkenorientierung #Feedbackkultur #ReverseMentoring #NewWork #KI #ZoomerMeetsBoomer

Hannah Lux is a powerhouse music video and commercial director who's created iconic visuals for Ariana Grande, Demi Lovato, Katy Perry, Doja Cat, Nicki Minaj, and Lil Wayne. But her path to the director's chair wasn't traditional. Hannah shares her 20-plus-year journey in LA—from working as a makeup artist on set to directing Lil Wayne, Drake, and Future on "Love Me," which now has over 620 million views. We dive deep into the making of Ariana Grande's "Thank U, Next," the video that broke YouTube records with 50 million views in 24 hours, and how she navigated legal clearances, celebrity cameos, and a three-day shoot while pregnant. We also talk about why communication and people management are often harder than the creative work, how to balance an artist's brand with your own vision, and what it takes to be a consistently working director.   xx CG AOP SUBSTACK

Most people try to be attractive through looks or confidence, but the real source of magnetism is developing a personal superpower — a skill or presence that allows you to connect, attune, and offer value to others from fullness, not neediness. In this episode, Rina explores how attunement, embodied skills, and conscious practices like touch, Shibari, energy work, and empathic listening can make you irresistible, deepen intimacy, and transform your relationships, community interactions, and love life.Get Access to Rina's Free meditations, Workshops, Shibari tutorials and morehttps://www.subscribepage.com/free-workshops-libraryIf you enjoy this episode, leave a 5-star rating and review the podcast on Apple Podcast and Spotify or send a DM to me on Instagram Rina TreviLet's Connect!Website: https://www.vulnerabilitycoaching.com/Instagram: https://www.instagram.com/rina_trevi/Tantric BDSM Online Course: https://underline.world/Sacred Feminine Touch Ceremony - Practitioner's Training https://www.suhai.world/Shibari Weekends - intimatelytied.com

Send us a textHow do you really know if your packaging works? If your campaign will land? If your new flavour will sell?You ask the people who matter most - your customers. Fast.In this episode of Foodpreneur with Chelsea Ford, I chat with Anna Henwood, CEO of Stickybeak, a rapid consumer testing platform that delivers feedback from your target audience within 48 hours.Anna reveals her frameworks for marketing effectiveness that help you get more product into more consumer baskets. We dig into the everyday decisions that often leave brand owners stuck at a fork in the road - campaign creative, pack design, claims, naming, flavours - the ones where a wrong move can be costly, but intel is hard to access quickly.You'll hear Anna's three game-changing frameworks and:

Bongani Bingwa chats with Mawethu Mosery, Acting General Manager of the IEC, about the 2026/27 Local Government Elections and the workshops being held across all nine provinces to guide new political parties, unrepresented groups, and first-time independent candidates on how to get on the ballot. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

In dieser Episode setzen Janine, Fabian und Andreas einen klaren Marker: 2026 wird für Datenstrategie und KI-Einsatz ein Wendepunkt – und Microsoft Fabric steht dabei im Zentrum. Fabian zeigt, welche drei strategischen Entscheidungen Unternehmen jetzt treffen müssen, um 2026 nicht den Anschluss zu verlieren: klug budgetieren, echte Use Cases definieren und eine Roadmap bauen, die Geschwindigkeit und Wertschöpfung kombiniert. Wir sprechen über realistische Projektkosten, typische Stolperfallen, warum Self-Service ohne Guidance scheitert und wie KI heute schon Dokumentation, Workshops und Datenprozesse massiv beschleunigt. Janine bringt die Perspektive aus der Data-Culture-Praxis ein und erklärt, warum Mittelständler genau jetzt den Sprung wagen sollten. Ein klarer, praxisnaher Deep-Dive für alle Unternehmen, die 2026 nicht mit dem „Power-BI-von-gestern-Setup“ dastehen wollen.

The European Union aims to reach climate neutrality by 2050, with a 55% reduction in net greenhouse gas emissions by 2030. Meeting these goals will not only require decarbonising our energy system but also fundamentally transforming industrial production.As part of its efforts to decarbonise energy-intensive industries, the European Commission is designing the legislative proposal Industrial Accelerator Act (IAA). The IAA will build on the provisions of the Net Zero Industry Act (NZIA) to speed up permitting procedures and the clean transition in these sectors while maintaining competitiveness. Part of the strategy is to create markets that drive early demand for low-carbon products in the EU. Called “Green Lead Markets”, these markets aim to create strong, policy-backed demand for products made with clean technologies, notably hydrogen-based products, in sectors like steel, fertilisers, chemicals, and transport.The goal of Green Lead Markets is to actively stimulate the market for green products through different measures and lead to cost reductions. Those include carbon footprint labels, green public procurement, and buyer obligations, supporting industrial competitiveness while reducing emissions. However, criticisms of Green Lead Markets remain, for instance on the high cost of green products. Some argue that the EU has an opportunity to become the global standard-setter for low-carbon products, but achieving this will need coordinated market strategies, investment, and regulation.Listen to this Euractiv Hybrid Conference to explore Green Lead Markets and the potential they hold for driving industrial decarbonisation across the EU. Questions to be discussed include:- What is the role of Green Lead Markets in decarbonising industries in the EU?- How can the EU ensure Green Lead Markets create lasting demand for green products? What role will the upcoming IAA play in this?- How will Green Lead Markets help Europe stay competitive?

The EU-US trade deal introduced during President Trump's administration marks a turning point for transatlantic economic relations, with direct consequences for Europe's highly integrated industrial value chains. While the agreement promises greater predictability and tariff reduction in some sectors, lingering disputes over standards, subsidies, and state support continue to create uncertainty for European exporters.In addition, the United States imposed in August 2025 new tariffs that are far higher than this 15% on a broad range of industrial products, in the context of Section 232 tariffs on steel and aluminium derivatives. About 40% of US machinery imports from the EU are now subject to a 50% tariff on the metal content of the product. Moreover, it leads to additional bureaucracy. It is impossible for companies to find out where steel was cast and aluminium melted for each part. That is why some companies have stopped exports completely to the United States. These dynamics are particularly acute in industries where global competitiveness relies on innovation, scale, and stable market access.European industrial exporters—especially manufacturers of machinery and hightech equipment—are facing increasing challenges as access to key markets like the United States and China becomes more restricted. Some stakeholders believe that Europe's current trade strategy might not be fit for purpose. Considering this, industrial policy and trade diplomacy will be central in shaping Europe's response to these challenges. These could strengthen the EU's capacity for innovation, resilience, and sustainability, ensuring that European manufacturers remain competitive despite shifting global value chains.Beyond the transatlantic relationship, the EU's ability to deepen collaboration with other global actors such as China, India, and Mercosur will be essential. These partnerships not only offer alternative growth markets for European industrial goods but also serve as testing grounds for advancing fair trade practices or sustainability standards.Listen to this Euractiv Virtual Conference to explore the implications of the recent EU-US trade deal and assess its impact on Europe's export-oriented industrial sector. Questions to be addressed include:- What is the current state of transatlantic trade in industrial goods?- What is the impact of the US tariffs on steel and aluminum derivatives and on key EU industrial sectors?- How are European machine manufacturers adapting to market pressures?- What is the role of emerging EU Free Trade Agreements (FTAs) with Mercosur, India, and other actors?- Could these FTAs compensate for losses in traditional markets like the US?

Kimia Namadchi (Curve Catch) en John Galeyn (dear digital) gingen deze zomer tijdens Fashion Fever fashion community event in gesprek over e-commerce groei, merkbeleving en wat er écht nodig is achter de schermen. Van slimme systemen tot bewuste keuzes in marketing en technologie. Deze aflevering zit vol herkenbare inzichten voor elke modeondernemer.

In this episode of F-Stop Collaborate and Listen, host Matt Payne talks with Marc Muench and Sara Linssen, co-owners of Muench Workshops, about what it takes to create world-class photography workshops. They dive into the backstory of Muench Workshops, sharing how it all began with a desire to offer immersive, learning-focused experiences rather than conventional tours. The conversation covers the evolving landscape of travel, the importance of ethical practices, and how they balance growth with maintaining quality. Sara discusses the business challenges behind the scenes, and Marc reflects on the value of sharing authentic experiences to inspire both creativity and environmental stewardship. They also touch on building a positive team culture, the role of local guides, and what it means to truly delight participants. The episode is packed with practical advice for aspiring workshop leaders and anyone interested in elevating their own photography journey. Resources: Muench Workshops Muench Workshops Social Media: Instagram TikTok Leave No Trace F-Stop Collaborate and Listen Patreon If you have any questions about the workshops, email the Muench Workshops team Stay up to date: Muench Workshops Mailing List Signup Matt Payne's Upcoming Workshops

Send us a textWelcome to this special workshop series that will only be up for a LIMITED TIME (Till December 1st) where we're diving deep into what it really takes to start and run a virtual bookkeeping business.In this episode, we pull apart accounting tech stacks so you know what you need and what would be nice to have.In this episode you'll hear:Complete accounting stack breakdownThe business stack that'll scaleWhat you actually need to startSolutions to common tech issuesResources mentioned in this episode:Get the Templates & Workbook for $27: https://www.ambitiousbookkeeper.com/offers/VhYZ8EfsStart your free trial of Xero: https://xero5440.partnerlinks.io/xirpf8p1xkozAccountants & Bookkeepers: become a Xero partner: https://xeroamericas.partnerlinks.io/79afz10exu7dAlyssa Lang's Kickoff With Asana: https://serenashoup.krtra.com/t/41Ux6YmOFQYfQuickBooks Online: https://www.referquickbooks.com/s/Serena4Relay Bank: https://relayfi.com?referralcode=ShoupCPAGusto Payroll: https://gusto.com:/partners/i/serena591Dubsado: https://www.dubsado.com/?c=shoupcpaCanva: https://www.canva.com/join/relish-scale-floristicClockify: https://clockify.me/?fpr=qyebl2Google Workspace: https://referworkspace.app.goo.gl/Xo4GKajabi: https://app.kajabi.com/r/SLFEMUL4/t/uiptq7nuDouble (Formerly known as Keeper): https://keeper.app/?via=serenaOpenPhone: https://openph.one/referral/XA0kFFRThanks for listening. If this episode inspired you in some way, take a screenshot of you listening on your device and post it to your Instagram stories and tag me @ambitiousbookkeeperFor more information about the Ambitious Bookkeeper Podcast or interest in our programs or mentoring visit our resources below:Visit our website: https://www.ambitiousbookkeeper.comFollow the Blog: https://www.ambitiousbookkeeper.com/blogConnect on Instagram: https://www.instagram.com/ambitiousbookkeeperConnect on Threads: https://www.threads.net/@ambitiousbookkeeperConnect on Facebook: https://www.facebook.com/serenashoupcpaThank you for your support of our show. If you haven't left a review yet it's super simple. Please go to ambitiousbookkeeper.com/podcast and leave your review.Subscribe to stay in the know about Black Friday: ambitiousbookkeeper.com/subscribeBlack Friday Sale happens November 28 - Dec 2 Get access to the Dubsado Decoded Private Podcast Series here>>

In this episode of the Free to Be Mindful Podcast, Vanessa De Jesus Guzman unpacks the guilt moms silently carry during the holiday season - especially the cultural guilt, emotional pressure, and endless “I shoulds” that make this time of year heavier than it looks online. Recorded in real time during a week filled with sick kids, canceled plans, and dropped responsibilities, Vanessa shares a relatable story that highlights how quickly guilt takes over, even when we're doing our best.This conversation helps moms understand why guilt shows up, where it comes from, and how to shift from obligation to values in order to create a holiday season that feels lighter, calmer, and more aligned with what truly matters.EPISODE DESCRIPTION • Understand the three layers of the “guilt sandwich” moms unconsciously carry during the holidays. • Explore the cultural and generational expectations that intensify holiday overwhelm. • Identify the “shoulding” language that fuels mom guilt without us realizing it. • Learn three simple tools to interrupt guilt spirals with self-awareness and compassion. • Hear personal stories that show what it looks like to choose capacity over pressure. • Discover how gratitude and grounded choices can transform the way your holidays feel.TUNE IN TO LEARN • Why holiday guilt feels so heavy for moms • How to tell the difference between values and obligation • What cultural expectations add to your emotional load • The signs of guilt-driven decision-making • Three tools to break the guilt cycle • How to honor your capacity during the busiest season • Ways gratitude can shift holiday overwhelm into presenceDOWNLOAD THE FREE GUIDE: Making Spirits Bright: A free reflection guide to help you reconnect with joy and presence  https://www.freetobemindful.com/makingspiritsbrightSend us a textSupport the show120 COPING SKILLShttps://www.freetobemindful.com/podcast-120copingskills 1:1 PRIVATE COACHING FOR MOMS https://www.amigamoms.com/ WATCH THE PODCAST ON YOUTUBE:https://www.youtube.com/@counselorvdejesus GET THE MUSE HEADBAND AT A DISCOUNT!https://choosemuse.com/freetobemindfulUse this link to get 15% off your total when you purchase the amazing brain sensing headband that tells you when you're in a meditative state and guides you to improve your practice.LET'S STAY CONNECTED

Folge 382: Wenn dein Nervensystem dauerhaft überlastet ist, sendet dein Körper ganz klare Signale – doch viele von uns deuten sie falsch oder nehmen sie gar nicht wahr. In dieser Folge spreche ich darüber, woran du erkennst, dass dein Nervensystem völlig überfordert ist – und was du tun kannst, um wieder mehr in deine Mitte zu finden. Vielleicht erkennst du dich wieder: Du schläfst schlecht, bist ständig gereizt oder kämpfst mit diffusen Beschwerden wie Rückenschmerzen, Kopf- oder Nackendruck, Schwindel oder Herzstolpern. Auch Stimmungsschwankungen, flache Atmung oder ständige Alarmbereitschaft können ein Zeichen sein, dass dein System längst im roten Bereich läuft. In dieser Folge erfährst du:

Dive in and explore Talk Cosmos, Sunday 16 NOVEMBER 2025, 1-2 p.m. PST, when the Archetypal Symbols panel explores the “28° Scorpio New Moon”. Mercury conjuncts the Sun and Moon all at 28 degrees creating a grand water trine with Jupiter and Saturn. Luminaries only travel in direct motion in the sky. However, the other three planets are all retrograde. The cosmos energies seek to refocus on deep emotional concerns, and find some kind of new footing in the ever-turning changes. Jupiter at 25° Cancer holds still as it slowed to retrograde on the 11th and stays at that degree for the New Moon. Jupiter and Saturn never get exactly trine to the minute during their emotional, intuitive visit in their respective water signs. But ‘close enough for jazz' as the saying goes! Within a few minutes, flowing harmoniously to support our taking a deep emotional inquiry putting the pieces together during this period for an energetic retake. The 28°12' Scorpio New Moon cosmic energies peak on 20 November at 1:47 a.m. EDT (Washington DC) and 6:47:01 a.m. UT (Greenwich, UK). The Archetypal Symbols panel synthesizes astrology, numerology, tarot, Jyotish Nakshatra, and Sabian Symbols—a mystical imagery set serving as a unique tool for personal exploration and astrological insight. Catch new episodes weekly through YouTube, Facebook, radio, and podcast platforms. Be sure to stay connected and subscribe to TalkCosmos.com to connect with the latest content. ELIZABETH (LIZ) MUSCHETT: Professional Astrologer, Intuitive, Numerology, Tarotist, Counselor; International Teacher & Tutor; Workshops; Lecturer; Author & Blogger. YouTube.com/@ElizabethLizMuschett episodes. Past board member of WSAA. Sacred Healing Counselor; International Reiki Master & Teacher. Provides nurturing in-depth individual and couples consultations. https://www.ALightPath.com Email: liz@alightpath.com JUSTIN CROCKETT ELZIE: An Archetypal Jyotish Astrologer, Teacher, Spiritualist Evidential Medium, Yoga & Meditation Teacher, Buddhist, and Author. Speaking at 2026 UAC. Justin specializes in Predictive/Electional, and Karmic Astrology. He combines Western Ancient Astrology and Modern Psychological Astrology with Eastern Jyotish Astrology providing in-depth analysis of Natal charts, Synastry (couples charts), Draconic Charts, Progressions, Transits and Planetary Returns. Justin does Astrological research into arcane Astrological concepts, focusing on the mystical/occult side of Astrology. YouTube.com/@Astrologicalyogi Email: justin.elzie@gmail.com | https://www.JustinCrockettElzie.com SUE ROSE MINAHAN: Evolutionary Astrologer & Consultant, Workshops, Lecturer, Talk Host, Writer. Vibrational Astrology student. Dwarf Planet Astrology graduate & tutor. Kepler Astrology Toastmasters charter member (KAT); Wine Country Speakers member. Associate of Fine Arts Music Degree; Certificate of Fine Arts in Jazz. Founder of Talk Cosmos insightful conversations awaken heart and soul consciousness. Talk Cosmos 2025 Season 8 on Talk Cosmos YouTube Channel, Facebook, Radio, Podcasts. https://www.TalkCosmos.com email: info@talkcosmos.com #talkcosmos #sueminahan #elizabethlizmuschett #justincrockettelzie #uranusingemini #astrologypodcast #podcasting #sabiansymbols#alightpathmuschett #numerology #tarot #nakshatra #vedic #neptuneinaries #kknw #astrology #podcast #sueroseminahan #archetypalsymbols #jupiterincancer #saturninaries #alightpath #astroweather #lunarcycle #moonenergy #newmoonritual #libravibes #celestial #astroinsights #zodiaclife #astrowisdom #cosmicguidance #astroguidance #empowermentjourney #newmoonmagic #newmoonintentions #archetypalsymbols #astrologicalyogi #justinelzie #saturnneptune #scorpionewmoon #scorpioseason #retrograde #mercuryretrograde #jupitertrinesaturn #jupiterretrograde #saturnpisces #scorpionewmoon

Berufserfahrung neu gedacht: So machst du LinkedIn zum Schaufenster deiner Selbstständigkeit   Wenn du selbstständig bist oder als Unternehmer unterwegs, dann bringt dich der klassische Lebenslauf auf LinkedIn nicht weiter. Denn du suchst keine neue Anstellung – du suchst Kunden, Partner und Sichtbarkeit. Genau hier liegt der Denkfehler, den viele machen: Sie nutzen LinkedIn wie ein Bewerbungstool. Dabei steckt darin viel mehr Potenzial. In dieser Episode zeige ich dir, wie du deine Berufserfahrung neu denken und LinkedIn zum Schaufenster deines Business machen kannst – inklusive einem smarten Hack, den du sofort umsetzen kannst. Torsten Körting auf LinkedIn: LinkedIn - https://www.linkedin.com/in/torstenkoerting/   Deine Angebote gehören in die Berufserfahrung Was viele Selbstständige übersehen: Deine Leistungen und Programme, ob Coaching, Workshops, Beratungen oder digitale Produkte… sind dein Business. Und genau die gehören in den Bereich "Berufserfahrung" auf LinkedIn. Nicht als Bullet Point in deinem Profil, sondern als einzelne Unternehmensseiten. So präsentierst du deine Angebote professionell, sichtbar und suchmaschinenrelevant. Und du schaffst Vertrauen, weil Besucher sofort sehen, was du tust und wie du helfen kannst. Der LinkedIn-Hack: Produkte als Unternehmen anlegen Der Schlüssel: Du legst für jedes deiner Produkte eine eigene Unternehmensseite auf LinkedIn an. Egal ob deine Masterclass, dein Inner Circle oder dein Coaching-Programm, alles bekommt seinen Platz. Und plötzlich wird aus deiner Berufserfahrung eine visuelle, strukturierte Darstellung deines unternehmerischen Portfolios. Der Clou: Du kannst dich selbst bei diesen Seiten als Teilzeit-Angestellter eintragen… so wirkt dein Profil professionell, aktiv und auf dein aktuelles Business ausgerichtet. Mit KI zur perfekten Beschreibung in zwei Minuten Der große Hebel liegt in der Kombination mit KI. Denn die Unternehmensseiten brauchen knackige Beschreibungen und genau da hilft dir ein smarter Prompt. Was früher stundenlanges Texten bedeutete, erledigst du jetzt in wenigen Minuten. Du gibst der KI die wichtigsten Infos, bekommst einen Textvorschlag und passt ihn nur noch an. Ergebnis: Hochwertiger Content, der dein Angebot auf den Punkt bringt und gleichzeitig SEO-Wirkung entfaltet. Fazit: Sichtbarkeit beginnt mit der richtigen Darstellung Wenn du willst, dass Menschen verstehen, was du heute machst, musst du es ihnen zeigen… klar, konkret und professionell. LinkedIn ist nicht nur ein Karrierenetzwerk, sondern eine Bühne für dein Business. Nutze deine Berufserfahrung nicht als Lebenslauf der Vergangenheit, sondern als digitales Schaufenster deiner unternehmerischen Zukunft. Am besten legst du direkt los – Montagabend gibt's im KI Café die Schritt-für-Schritt-Anleitung dazu. Let's go.   Noch mehr von den Koertings ...  Das KI-Café ... jede Woche Mittwoch (>350 Teilnehmer) von 08:30 bis 10:00 Uhr ... online via Zoom .. kostenlos und nicht umsonstJede Woche Mittwoch um 08:30 Uhr öffnet das KI-Café seine Online-Pforten ... wir lösen KI-Anwendungsfälle live auf der Bühne ... moderieren Expertenpanel zu speziellen Themen (bspw. KI im Recruiting ... KI in der Qualitätssicherung ... KI im Projektmanagement ... und vieles mehr) ... ordnen die neuen Entwicklungen in der KI-Welt ein und geben einen Ausblick ... und laden Experten ein für spezielle Themen ... und gehen auch mal in die Tiefe und durchdringen bestimmte Bereiche ganz konkret ... alles für dein Weiterkommen. Melde dich kostenfrei an ... www.koerting-institute.com/ki-cafe/   Mit jedem Prompt ein WOW! ... für Selbstständige und Unternehmer Ein klarer Leitfaden für Unternehmer, Selbstständige und Entscheider, die Künstliche Intelligenz nicht nur verstehen, sondern wirksam einsetzen wollen. Dieses Buch zeigt dir, wie du relevante KI-Anwendungsfälle erkennst und die KI als echten Sparringspartner nutzt, um diese Realität werden zu lassen. Praxisnah, mit echten Beispielen und vollständig umsetzungsorientiert. Das Buch ist ein Geschenk, nur Versandkosten von 9,95 € fallen an. Perfekt für Anfänger und Fortgeschrittene, die mit KI ihr Potenzial ausschöpfen möchten. Das Buch in deinen Briefkasten ... https://koerting-institute.com/shop/buch-mit-jedem-prompt-ein-wow/   Die KI-Lounge ... unsere Community für den Einstieg in die KI (>2800 Mitglieder) Die KI-Lounge ist eine Community für alle, die mehr über generative KI erfahren und anwenden möchten. Mitglieder erhalten exklusive monatliche KI-Updates, Experten-Interviews, Vorträge des KI-Speaker-Slams, KI-Café-Aufzeichnungen und einen 3-stündigen ChatGPT-Kurs. Tausche dich mit über 2800 KI-Enthusiasten aus, stelle Fragen und starte durch. Initiiert von Torsten & Birgit Koerting, bietet die KI-Lounge Orientierung und Inspiration für den Einstieg in die KI-Revolution. Hier findet der Austausch statt ... www.koerting-institute.com/ki-lounge/   Starte mit uns in die 1:1 Zusammenarbeit Wenn du direkt mit uns arbeiten und KI in deinem Business integrieren möchtest, buche dir einen Termin für ein persönliches Gespräch. Gemeinsam finden wir Antworten auf deine Fragen und finden heraus, wie wir dich unterstützen können. Klicke hier, um einen Termin zu buchen und deine Fragen zu klären. Buche dir jetzt deinen Termin mit uns ... www.koerting-institute.com/termin/   Weitere Impulse im Netflix Stil ... Wenn du auf der Suche nach weiteren spannenden Impulsen für deine Selbstständigkeit bist, dann gehe jetzt auf unsere Impulseseite und lass die zahlreichen spannenden Impulse auf dich wirken. Inspiration pur ... www.koerting-institute.com/impulse/   Die Koertings auf die Ohren ... Wenn dir diese Podcastfolge gefallen hat, dann höre dir jetzt noch weitere informative und spannende Folgen an ... über 440 Folgen findest du hier ... www.koerting-institute.com/podcast/   Wir freuen uns darauf, dich auf deinem Weg zu begleiten!  

Welcome to the Weekly Vlog! Josh explains why he's exceptionally tired this week due to a packed schedule. He discusses attending and speaking at two conferences on AI for legal professionals, preparing for upcoming court appearances, and his thoughts on the book he's reading, '33 Strategies of War' by Robert Green.  Josh also shares plans to hold a webinar on building custom GPTs for legal professionals. Tune in to get all the details! Never miss an update on his journey by joining his substack here: https://joshschachnow.substack.com/ 00:00 Introduction and Episode Overview 00:25 Why I'm Exhausted This Week 01:19 Presenting at Two Major Events 02:08 Upcoming Court Appearances 03:19 AI in Legal Practice 07:07 Future Webinar on Custom GPTs 09:32 Current Book Review: 33 Strategies of War 11:30 Conclusion and Sign-Off Why I'm Exhausted: Busy Week Recap & AI Workshops for Lawyers

Dive in and explore Talk Cosmos, Sunday 16 NOVEMBER 2025, 1-2 p.m. PST, when the Archetypal Symbols panel explores the “28° Scorpio New Moon”.Mercury conjuncts the Sun and Moon all at 28 degrees creating a grand water trine with Jupiter and Saturn. Luminaries only travel in direct motion in the sky. However, the other three planets are all retrograde. The cosmos energies seek to refocus on deep emotional concerns, and find some kind of new footing in the ever-turning changes.Jupiter at 25° Cancer holds still as it slowed to retrograde on the 11th and stays at that degree for the New Moon. Jupiter and Saturn never get exactly trine to the minute during their emotional, intuitive visit in their respective water signs. But ‘close enough for jazz' as the saying goes! Within a few minutes, flowing harmoniously to support our taking a deep emotional inquiry putting the pieces together during this period for an energetic retake.The 28°12' Scorpio New Moon cosmic energies peak on 20 November at 1:47 a.m. EDT (Washington DC) and 6:47:01 a.m. UT (Greenwich, UK). The Archetypal Symbols panel synthesizes astrology, numerology, tarot, Jyotish Nakshatra, and Sabian Symbols—a mystical imagery set serving as a unique tool for personal exploration and astrological insight.Catch new episodes weekly through YouTube, Facebook, radio, and podcast platforms. Be sure to stay connected and subscribe to TalkCosmos.com to connect with the latest content.ELIZABETH (LIZ) MUSCHETT: Professional Astrologer, Intuitive, Numerology, Tarotist, Counselor; International Teacher & Tutor; Workshops; Lecturer; Author & Blogger. YouTube.com/@ElizabethLizMuschett episodes. Past board member of WSAA. Sacred Healing Counselor; International Reiki Master & Teacher. Provides nurturing in-depth individual and couples consultations. https://www.ALightPath.com Email: liz@alightpath.comJUSTIN CROCKETT ELZIE: An Archetypal Jyotish Astrologer, Teacher, Spiritualist Evidential Medium, Yoga & Meditation Teacher, Buddhist, and Author. Speaking at 2026 UAC. Justin specializes in Predictive/Electional, and Karmic Astrology. He combines Western Ancient Astrology and Modern Psychological Astrology with Eastern Jyotish Astrology providing in-depth analysis of Natal charts, Synastry (couples charts), Draconic Charts, Progressions, Transits and Planetary Returns. Justin does Astrological research into arcane Astrological concepts, focusing on the mystical/occult side of Astrology. YouTube.com/@Astrologicalyogi Email: justin.elzie@gmail.com | https://www.JustinCrockettElzie.com SUE ROSE MINAHAN: Evolutionary Astrologer & Consultant, Workshops, Lecturer, Talk Host, Writer. Vibrational Astrology student. Dwarf Planet Astrology graduate & tutor. Kepler Astrology Toastmasters charter member (KAT); Wine Country Speakers member. Associate of Fine Arts Music Degree; Certificate of Fine Arts in Jazz. Founder of Talk Cosmos insightful conversations awaken heart and soul consciousness. Talk Cosmos 2025 Season 8 on Talk Cosmos YouTube Channel, Facebook, Radio, Podcasts. https://www.TalkCosmos.com email: info@talkcosmos.com#talkcosmos #sueminahan #elizabethlizmuschett #justincrockettelzie #uranusingemini #astrologypodcast #podcasting #sabiansymbols#alightpathmuschett #numerology #tarot #nakshatra #vedic #neptuneinaries #kknw #astrology #podcast #sueroseminahan #archetypalsymbols #jupiterincancer #saturninaries #alightpath #astroweather #lunarcycle #moonenergy #newmoonritual #libravibes #celestial #astroinsights #zodiaclife #astrowisdom #cosmicguidance #astroguidance #empowermentjourney #newmoonmagic #newmoonintentions #archetypalsymbols #astrologicalyogi #justinelzie #saturnneptune #scorpionewmoon #scorpioseason #retrograde #mercuryretrograde #jupitertrinesaturn #jupiterretrograde #saturnpisces #scorpionewmoonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tony Award and Olivier Award-winning Jak Malone joins host Joel Crump for another edition of "Broadway Time at Carmine's". About Jak: Jak Malone is an Olivier Award-winning actor from Merseyside. He won the 2024 Olivier Award for Best Supporting Actor in a Musical, playing Hester in Operation Mincemeat at the Fortune Theatre. Further stage credits include: Sondheim on Sondheim (Alexandra Palace Theatre); Spies Are Forever (Gillian Lynne Theatre); Operation Mincemeat (Riverside Studios / Southwark Playhouse / New Diorama Theatre) and A Clockwork Orange (Everyman Theatre, Liverpool). Workshops include: Benny & Joon (Larry Hirchhorn); Grayson: The Musical (National Theatre). Training: BA Acting, LIPA. When Jak is not performing he's an avid fan of horror movies, nail varnish and The Muppets. "Broadway Time at Carmine's" features Broadway stars over lunch in engaging conversations at the iconic Carmine's Times Square eatery. For more, visit www.BWayTime.com, and follow:

Hey Friends~  Today is the next in the SERIES: Speech & Language Delays, and  we're diving into therapy and intervention options for parents - and looking closely at two main groups of kids. 1) The first group includes children who have been tested and qualify for speech therapy, but the help available just doesn't feel like enough. and 2) The second group is often the largest - and sometimes the most frustrated. Maybe your child was tested but didn't score low enough to qualify, or maybe you've never pursued testing, yet you know they're struggling. You might be homeschooling, caring for a very young child, or waiting because others have said, “Let's just give it time,” yet, deep down, you feel something more is needed.  If that resonates with you, you're not alone, this episode is here to guide and encourage you. For parents in both groups, we'll explore 6 practical, parent-led approaches to help your child make real progress, whether you're working alongside a therapist or leading the learning yourself. I'm so glad you're here! Always cheering you on!  Dinalynn   A BIG THANK YOU TO OUR SPONSOR!   Cindy Howard  Lightening Admin VA   cindy@lightningadminva.com Let Cindy help with the paperwork, so you can focus on the heart work!    YOUR NEXT STEPS: Book a call to discuss working together:  https://calendly.com/hello-play/strategy-session FREEBIES:    5 Ways To Get Your Kids To Listen Better: https://dinalynnr.systeme.io/7ca5ce43-d436ea91 Sign up for the Newsletter:  https://dinalynnr.systeme.io/newsletter-optin 21 Days of Encouragement:  https://dinalynnr.systeme.io/1-21signup   For Workshops, Speaking Events, or Partnerships:  https://calendly.com/hello-play/discovery-session ** For Speaking Engagements, Workshops, or Parent Coaching (virtual or live), contact me at hello@thelanguageofplay.com   Here are OTHER EPISODES in the ongoing SERIES: SPEECH & LANGUAGE DELAYS:  232 SERIES: Speech & Language Delays: What Parents Need to Know 233 SERIES: Speech & Language Delays: Do Boys Really Talk Later Than Girls?   236 SERIES: Speech & Language Delays:  What Is The Cause? 237 SERIES: Speech & Language Delays: “My Child Did Not “Qualify” for Speech Therapy. What Does That Mean?”    WE'VE MADE IT EASY FOR YOU!  Love this podcast?  Let us know!  https://lovethepodcast.com/play Follow & subscribe in 1-click!  https://followthepodcast.com/play Leave a voice message!  https://castfeedback.com/play To SPONSOR The Language Of Play, schedule your call here:  https://calendly.com/hello-play/discovery-session To DONATE to The Language Of Play, Use this secure payment link: https://app.autobooks.co/pay/the-language-of-play

This week, we're looking through our history to ground ourselves in a turbulent present. Tune in for our discussion of Septima Poinsette Clark, the Charleston-born educator and activist Martin Luther King Jr. once called “the mother of the movement.” Her story bridges the segregated classrooms of the early 20th century and the civil rights movement's front lines. Through the establishment of hundreds of citizenship schools across the U.S., she helped thousands of Black Americans gain the literacy skills necessary to vote, transforming communities. We also consider her complex legacy as a woman who challenged not only racism but also sexism within social movements that she helped to shape.02:24 Septima Poinsette Clark: Family History & Educational Empowerment06:00 Teaching in segregated South Carolina and the fight for equal pay09:00 Adult Literacy & Citizenship12:20 Poll Taxes, Literacy Tests, and the Politics of Reconstruction14:00 Workshops at the Highlander Folk School16:00 Citizenship Schools and the Southern Christian Leadership Conference21:40 Septima Poinsette's Civil Rights Activism: Legacy and LessonsFor a full list of episode sources and resources, visit our website.

Send us a textWelcome to this special workshop series that will only be up for a LIMITED TIME (Till December 1st) where we're diving deep into what it really takes to start and run a virtual bookkeeping business.In this first session, we talked about imposter syndrome, limiting beliefs that hold us back, and the big scary topics everyone's whispering about: AI and market saturation.In this episode you'll hear:The truth about AI and your bookkeeping careerWhy market saturation is a mythThe difference between bookkeeping and accountingHow to flip the script on your limiting beliefsResources mentioned in this episode:Get the Templates & Workbook for $27: https://www.ambitiousbookkeeper.com/offers/VhYZ8EfsStart your free trial of Xero: https://xero5440.partnerlinks.io/xirpf8p1xkozAccountants & Bookkeepers: become a Xero partner: https://xeroamericas.partnerlinks.io/79afz10exu7dThanks for listening. If this episode inspired you in some way, take a screenshot of you listening on your device and post it to your Instagram stories and tag me @ambitiousbookkeeperFor more information about the Ambitious Bookkeeper Podcast or interest in our programs or mentoring visit our resources below:Visit our website: https://www.ambitiousbookkeeper.comFollow the Blog: https://www.ambitiousbookkeeper.com/blogConnect on Instagram: https://www.instagram.com/ambitiousbookkeeperConnect on Threads: https://www.threads.net/@ambitiousbookkeeperConnect on Facebook: https://www.facebook.com/serenashoupcpaThank you for your support of our show. If you haven't left a review yet it's super simple. Please go to ambitiousbookkeeper.com/podcast and leave your review.Podcast Publishing Tools we use:Editing → Sabr Media LLC: https://www.iangilliam.com/sabr-media-llcDescript: https://get.descript.com/u7lubkx09073 (affiliate link)Buzzsprout: https://www.buzzsprout.com/?referrer_id=1753696 (affiliate link)Subscribe to stay in the know about Black Friday: ambitiousbookkeeper.com/subscribeBlack Friday Sale happens November 28 - Dec 2 Get access to the Dubsado Decoded Private Podcast Series here>>

Happy Tuesday! Today is 11/11, a series of numbers that many see as a symbol of spiritual awakening, synchronicity, and alignment with the universe. I'm not too superstitious about these things, but when I catch it, it brings a smile to my face. Is it divine intervention or coincidence? And does it matter? In thinking about alignment, it feels very apropos to be sharing this particular conversation today with self-described nerdy fangirls Adamma and Adanne Ebo, the identical twin powerhouse behind the indie breakout film Honk for Jesus. Save Your Soul. We met making this film back in 2021—I remember we were in prep when the Ebos were about to turn 30. The incredible ascension they've experienced over these last five years is the epitome of alignment and synchronicity. Shortly after wrapping Honk, Adamma was tapped to direct her first television episode on Donald Glover's Atlanta—the kind of opportunity that only comes when talent meets the right moment. Timing really is everything, and while their success is absolutely the product of talent, hard work, and vision, there's also been a beautiful alignment of opportunities, relationships, and moments that propelled them forward. Call it luck, call it the universe conspiring—either way, their story is inspiring. From their days at Spelman College to making their feature debut with Honk for Jesus. Save Your Soul, they've blazed their own path in this industry. Honk premiered to critical acclaim at Sundance in 2022 and sold to Focus Features. The film stars Sterling K. Brown—who was also on the podcast this season with wonderful stories about working with the Ebos—and the incomparable Regina Hall, who delivers a masterclass performance as the first lady of a Southern megachurch. Since then, they've written and produced on some of the buzziest shows in recent TV: Peacock's Poker Face, Amazon's Mr. & Mrs. Smith, and Swarm. They're now a sought-after creative duo with an overall deal at Sony Television. Today we're diving into how they protected their artistic vision as first-time filmmakers, why confidence matters more than experience, and how their twin relationship became their secret weapon in Hollywood. xx cg   AOP SUBSTACK

Send us a textWill Patino is a landscape photographer extraordinaire and excellent photography teacher. In this conversation, the New Zealand–based landscape photographer shares oh-so-many valuable tips for nature photography. During our time together, he breaks down his Four Pillars of Landscape Photography (location, composition, light, and processing) into a field-ready mindset, how he uses balance for composition vs. solely following compositional rules, how he reliably shoots handheld at 1/8s without a tripod, and the simple local-dodge/burn workflow he uses to keep post-processing effective and artistic. We also get into topics like flow state when photographing, why he only edits on small screens, intentional motion blur, and the his sage advice to budding photographers.Lots of excellent pieces of advice in this fun conversation!Will Patino on YouTube: https://www.youtube.com/@WilliamPatinoPhotographyWill Patino on Instagram: https://www.instagram.com/williampatino_photography/ Workshops & Gallery:  https://williampatino.com/ || William Patino PhotographySponsors & PromosArtStorefronts.com — Mention The Wild Photographer for a free website build (approx. $2,000 value). See an example layout at shop.courtwhelan.com.Court's Websites Check out Court's photo portfolio here: shop.courtwhelan.com Sign up for Court's photo, conservation and travel blog at www.courtwhelan.com Follow Court on YouTube (@courtwhelan) for more photography tips View Court's personal and recommended camera gear Sponsors and Promo Codes: ArtStorefronts.com - Mention this podcast for free photo website design. LensRentals.com - WildPhoto15 for 15% off ShimodaDesigns.com - Whelan10 for 10% off Arthelper.Ai - Mention this podcast for a 6 month free trial of Pro Version AG1 - Daily (and Travel) Nutrition (use link for free travel packs and other goodies)

Send us a textBuilding one successful food brand is hard enough. But what if you could leverage your existing production to create multiple brands that serve different markets and price points?In this episode of Foodpreneur with Chelsea Ford, I chat with sisters and co-founders Michelle Blyth and Justine Curtis from Cremorne Street Bakers, Balmain Baking Co., and cookï. Over eight years, they've built a wholesale baking business that now operates across three distinct brands - each serving different customers, channels, and price points.Their retail journey escalated when Coles Local called them out of the blue after a category manager's mum spotted their products in Melbourne cafes. They had no retail presence, no barcodes, and no retail ready packaging - but they said yes and figured it out.Today, their business spans foodservice (including Starbucks), Coles Local, independent retail, petrol & convenience, and direct-to-consumer.Listen today and learn: 

Every scroll, every sparkle, every “perfect” photo tells us that holiday joy means having it all together. But what if the real magic of the season isn't found in doing more, it's found in being present?In this installment of The Anti-Overwhelm Holiday Series, licensed therapist, educator, and mom coach Vanessa De Jesus Guzman, LPC, NCC unpacks The Myth of the Perfect Holiday Mom. She shares honest stories, relatable humor, and practical ways to step away from comparison and step back into connection. Whether you're the “half-homemade holiday mom” or the one whose tree goes up in October, this episode will help you find more peace and less pressure.EPISODE DESCRIPTIONHow perfectionism hides behind “holiday spirit” and what it really costs momsWhy genuine joy has nothing to do with perfect photos or matching pajamasThe power of reframing perfection as presenceHow to quiet comparison culture and reclaim your peaceSmall, connection-based traditions that make the season more meaningfulTUNE IN TO LEARN4 Mindful Shifts to Ease Holiday OverwhelmRecognize the pressure disguised as “holiday spirit.”Reframe perfection into presence.Challenge comparison culture.Replace performance with connection.How to check in with yourself, even if your cards are already mailed and your house really does stay white.Gentle ways to bring calm, laughter, and light back into your holidays.TAKEAWAY MESSAGEThe holidays aren't about doing more; they're about feeling more connection, more peace, more you. When we trade performance for presence, we create moments that actually fill us up instead of draining us.Download your free reflection guide “Making Spirits Bright: Reflections for a More Meaningful Holiday” to help you slow down, savor small joys, and reconnect with what matters most: 

Die SP hat neu mit drei von fünf Sitzen die Mehrheit in der Kantonsregierung im Jura. Raphaël Ciocchi und Valentin Zuber haben zusammen mit der Bisherigen Rosalie Beuret Siess beim zweiten Wahlgang für den Linksrutsch gesorgt. Weitere Themen: An der Jugendsession im Bundeshaus treffen sich jedes Jahr 200 Jugendliche und junge Erwachsene um ihre Anliegen zu diskutieren und politische Forderungen zu formulieren. Nach vier intensiven Tagen mit Workshops und Gespächen übergeben sie ihre ausformulierten Vorstösse am Sonntag Aben an Nationalratspräsidentin Maja Riniker. Medikamente und Therapien wirken bei Frauen und Männern oft unterschiedlich. Solche geschlechterspezifischen Unterschiede sichtbar machen, das will die Gendermedizin. Lange galt diese als Nischenthema, doch nun interessieren sich plötzlich weite Kreise dafür.

Husky voice, Friday night whiskey, and a mountain of cheese from the book launch. In this episode I lift the lid on what really happens inside a print judging room. The rotation of five from a pool of seven. Silent scoring so no one nudges anyone else. How a challenge works, what the chair actually does, and why we start with impact, dive through craft, then finish on impact again to see what survives. Layout over composition, light as the whole game, and a final re-rank that flattens time drift so the right image actually wins. If you enjoy a peek behind the curtain, you will like this one. You can grab a signed copy of the new Mastering Portrait Photography at masteringportraitphotography.com and yes, I will scribble in it. If you already have the book, a quick Amazon review helps more than you know. Fancy sharpening your craft in person? Check the workshops page for new dates and come play with light at the studio.  The book: https://masteringportraitphotography.com/resource/signed-copy-mastering-portrait-photography-new-edition/ Workshops: https://masteringportraitphotography.com/workshops-and-mentoring/   Transcript [00:00:00]  Hey, one and all. How are you doing? Now? I'll be honest, I still have the remnants of a cold, and if you can hear that in my voice, I do apologize, I suppose you could call it slightly bluesy, but you can definitely hear that I'm ever so slightly husky. It's Friday night, it's eight 30, and I was, I've been waiting a week to record this podcast, hoping my voice would clear it hasn't, and so I've taken the opportunity having a glass of whiskey and just cracking on. So if you like the sound of a slightly bluesy voice, that's great. If you don't, I'm really sorry, but whichever, which way I'm Paul. And this is the Mastering Portrait Photography podcast. So it's been a busy month or two. You can always tell when it's busy [00:01:00] 'cause the podcasts. Get, don't really get delivered in quite the pace I would like. However, it really has been a busy couple of weeks the past few. Let me, I'm gonna draw your attention to it. The past couple of weeks, we've, there's a ton of stuff going on around us for a moment. I was up in Preston. I've been up in Preston twice over the past couple of weeks. The first one was working as a qualifications judge for the BIPP, the British Institute Professional photographers. Um. Which I love judging. I love judging. It's exhausting, but I love it. And that was qualifications, panels. Then last week was the launch. Of the updated edition of Mastering Portrait Photography, the book, which is where it all started, where Sarah Plata and I published this book that seems to have been incredibly popular. 50,000 copies translated from English into four other languages. Chinese, Korean, German. And Italian, do not ask me, do not ask me the logic on why the book is in those [00:02:00] particular languages. To be fair, we only found out about the Chinese and Korean when we were trying to get some marketing material together to talk about the new book Nobody had told us. I'm not even sure the publisher knew, to be honest. Uh, but we have found copies. We have a Chinese copy here in the studio. I'm still trying to get a Korean version. So if you are listening to this. Podcast in Korea. Please tell me how to get hold of a version in Korean because we'd love to complete the set. There's, in fact, there's two Italian versions. We knew about that. There's a German version we knew about that hardback version. It's great. It's really beautiful. Very I, like I, I don't live in Germany and I don't like to stereotyping entire nation, but the quality of the book is incredible. It's absolutely rock solid, properly engineered. Love it. We have a Chinese version here but the Korean version still alludes us. However, this week the new version, mastering portrait photography is out. And as you know, I, Sarah interviewed me for the podcast last week to talk about it. Well, it's out. We've had our launch party, uh, we invited everybody who [00:03:00] has featured in the book who, everybody, every picture in the book that we asked the person in it to come to the studio for a soiree. And it was brilliant. I've never seen so much cheese in all my life, and by I don't mean my speech, I mean actual cheese. We had a pile of it, still eating it. So it's been a week and I'm still eating the cheese. I dunno quite how, well, quite by how much we vacated, but probably by several kilos. Which I'm enjoying thoroughly. I've put on so much weight this week, it's unreal, but I'm enjoying the cheese. And then on Sunday we had an open day where we had set the studio out with some pictures from the book and some notes of the different people. Who featured and what I might do, actually, I'd, I wonder if I can do a visual podcast. I might do a visual podcast where I talk about those images, at some point on the website, on masteringportraitportraitphotography.com. I will do the story and the BTS and the production of every single image that's in the book, but it's gonna take me some [00:04:00] time. There's nearly 200 images in there. Um, and every one of them, bar one is a new image or is, is. It is, it is a new image in the book, and it has been taken in the 10 years or the decades subsequent to the first book, all bar one. Feel free to email me. Email me the image you think it might be. You'll probably guess it, but it's it's definitely in there. Um, and so it's been really busy. And then at the beginning of this week, I spent two days up in Preston again, judging again, but this time it was for the British Institute of Professional Photographers print Masters competition. Ah, what, what a joy. Six other judges and me, a chair of judges. Print handlers, the organizers. Ah, I mean, I've seen so many incredible images over those 48 hours, and in this podcast I want to talk a bit about how we do it, why we do it, what it feels like to do it, [00:05:00] because I'm not sure everybody understands that it's it, it's not stressful, but we do as judges, feel the pressure. We know that we are representing, on the one hand, the association as the arbiters of the quality of the curators of these competitions, but also we feel the pressure of the authors because we are there too. We also enter competitions and we really, really hope the judges pay attention, really investigate and interrogate the images that we've entered. And when, when you enter competitions, that heightens the pressure to do a good job for the authors who you are judging. So in this podcast, I'm gonna talk through some of the aspects of that. Forgive me if it sounds like I'm answering questions. It's because I wrote myself some questions. I wrote some [00:06:00] questions down to, how I structures the podcast usually, uh, the podcast rambles along, but this one I actually set out with a structure to it, so forgive me if it sounds like I'm answering questions. It's 'cause I'm answering my own questions. What does it feel like? How do you do it? Et cetera, et cetera. Anyway, I hope it's useful. Enjoy. And it gives you an insight into what it's like to be a competition judge. Okay. As you walk into the judging room. For me at least, it's mostly a sense of excitement. There's a degree of apprehension. There's a degree of tension, but mostly there's an adrenaline rush. Knowing that we're about to sit and view, assess, score these incredible images from photographers all over the world, and let's remember that every photographer when they enter a print competition, which is what I'm talking about primarily here. Every photographer [00:07:00] believes that print that category that year, could win. Nobody enters an image thinking that it doesn't stand a chance. Now you might do that modest thing of, I don't know, you know? Oh no, I don't. I I just chance my arm. No one enters a print they don't think has a chance of doing well. That just doesn't happen. It's too expensive. It takes too much time. And as judges. We are acutely aware of that. So when you walk into the room, lots of things are going in your on, in your heads. Primarily, you know, you are there to do a job. You are there to perform a task. You are going to put your analytical head on and assess a few hundred images over the next 48 hours. But as you walk in, there's a whole series of things. You, you are gonna assess the room. You see that your fellow judges, you're gonna see the print handlers. You're going to see the chair, you're gonna see the people [00:08:00] from whichever association it is who are organizing it, who or who have organized it. You'll see stacks of prints ready to be assessed. There's a whole series of things that happen. A lot of hugging. It's really lovely. This year the panel of judges, uh, had some people in it I haven't seen for quite a few years, and it was beyond lovely to see them. So there's all of that, but you, there's this underlying tension you are about to do. One of the things you love doing more than anything else in as part of your job. So there's the excitement of it and the joy of it, but there's always this gentle underlying tone of gravitas of just how serious it is. What we are doing. So there will be plenty of laughter, plenty of joy, but you never really take your eye off the task in hand. And that's how it feels as you go to take your seats on the judging [00:09:00] panel. So the most important thing, I think, anyway, and I was chair of qualifications and awards for the BIPP for a number of years, is that the whole room, everybody there is acting as a team. If you are not gonna pull as a team, it doesn't work. So there has to be safety, there has to be structure. There has to be a process and all of these things come together to provide a framework in which you assess and create the necessary scores and results for the association, for the photographers, for the contestants. So you take your seats, and typically in a room, there are gonna be five judges at any one time assessing an image. It's typically five. I've seen it done other ways, but a panel of judges is typically five. The reason we have five is at no point do all of the judges agree. [00:10:00] We'll go through this later in more detail, but the idea is that you have enough judges that you can have contention, you can have. Disagreements, but as a panel of judges, you'll come up with a score. So you'll have five judges sitting assessing an image at any one time. To the side of the room, there'll be two more judges typically. Usually we have a pool of seven, five judges working, two judges sitting out every 10 prints or 10 minutes or whatever the chair decides. They'll we'll rotate along one, so we'll all move along one seat and one of the spare judges will come in and sit on the end and one of the existing judges will step off. And we do that all day, just rotating along so that everybody judges, broadly speaking, the same number of images. Now, of course there is a degree of specialism in the room. If a panel has been well selected, there'll be specialists in each of the categories, but you can't have, let's say there's 15 categories. You [00:11:00] can't have five specialist judges per category. That's simply impractical. Um, you know, having, what's that, 75 judges in a room, just so that you can get through the 15 categories is. A logistics task, a cost. Even just having a room that big, full of judges doesn't work. So every judge is expected to be reasonably multi-talented, even if you don't shoot, for instance, landscapes. You have to have a working knowledge of what's required of a great landscape. Because our job as a panel isn't that each of us will spot all of the same characteristics in an image, all of the same defects, all of the same qualities. Each judge has been picked to bring their own. Sort of viewpoint, if you like, to the image. Some judges are super technical, some judges, it's all about the atmosphere. Some judges, it's all about the printing and there's every bit of image production is [00:12:00] covered by each of the individual specialisms of the judges. And so while there is a degree of specialism, there will be a landscape. Specialist in the room or someone who works in landscape, there will be plenty of portrait photographers, wedding photographers, commercial photographers. The idea is from those seven, we can cover all of those bases. So we have seven judges all at fellowship level, all highly skilled, all experienced. And then there's the chair. Now the chair's role is not to affect the actual score. The chair's role is to make sure the judges have considered everything that they should be considering. That's the Chair's job, is to make sure the judges stay fresh, keep an eye on the scores, keep an eye on the throughput. Make sure that every image and every author are given a. The time and consideration that they are due. What do I mean by that? Well, I just mean the photographers spent a lot of time and effort and [00:13:00] finance putting this print in front of us, and so it's really important that we as judges give it due consideration. The chair, that's their role is to make sure that's what really happens. So the process is pretty simple, really. We will take our seats as a panel of judges and when we are settled. The chair will ask for the print, one of the print handlers. There's normally a couple of print handlers in the room, one to put the image on, one to take the image off. The print handler will take the first image or the next image off the pile and place it in front of us on the light box. They will then check the print to make sure there's no visible or obvious dust marks, um, or anything, and give with an air blower or with the back of a a handling glove, or very gently take any dust spots away. They will then step back. Now, the way the judges are set, there are five seats in a gentle arc, usually around the light [00:14:00] box. The outer two judges, judges one and five will step into the light box and examine or interrogate the print carefully. They will take as much time as they need to ascertain what they believe the score for that image should be. They will then take their seats. The next two judges in, so let's say Judge two and four, they will step in to interrogate the print and do exactly the same thing. When they're ready, they'll step back and sit down. And then the middle judge, the final judge in seat three, they will step up and interrogate the print. And the reason we do it that way is that everybody gets to see the print thoroughly. Everybody gets to spend enough time. Examining the print. And at that point, when we all sit down, we all enter our scores onto whatever the system is we're using either using iPads or keypads. There's all sorts of ways of doing it, but what's really important is we do all of this in total silence and we don't really do it because we need to be able to [00:15:00] concentrate. Though that has happened, sort of distracting noises can play havoc. Um, we really do it so that we are not influencing any other judge. So there's no, oh, this is rubbish, or, oh, this is amazing. Or any of this stuff, because the idea is that each judge will come to their own independent score. We enter them, and then there's a process as to what happens next. So that's the process. If at some point a single judge when the image appears, says, I can't judge this for whatever reason, usually it's because they've seen the image before. I mean, there's one this week where I hadn't directly influenced the image. But the author had shown me how they'd done it, so they'd stepped me through the Photoshopping, the construction, the shooting, everything about the image. I knew the image really well, and so when the image appeared on the light box, I knew while I could judge it, it wasn't fair to the author or to the other [00:16:00] competitors that I should. So I raised my hand, checked in with the chair, chair, asked me what I wanted. I said, I need to step off this. I'm too familiar with the work for me to give this a cold read, an objective read. So I if, if possible, if there's another judge, could they just step in and score this one image for me? And that means it's fair for all of the contestants. So that's that bit of process when we come to our score. Let's assume the score's fine. Let's assume, I dunno, it gets an 82, which is usually a merit or a bronze, whatever the system is. The chair will log that, she'll say that image scored 82, which is the average of all five of us. She'll then check in with the scores and the panel of judges. He or she rather, uh, they, so they will look at us and go, are you all happy with that result? That's really important. Are you all happy? Would that result? Because that's the opportunity as judges for one of us, if we're not comfortable that the image is scored where we think it probably should. And [00:17:00] remember with five of you, if the score isn't what you think, you could be the one who's not got your eye in or you haven't spotted something, it might well be you, but it's your job as a judge to make sure if there's any doubt in your mind about the scoring of an image that. You ask for it to be assessed again, for there to be discussion for the team to do its job because it might be that the other members of the panel haven't seen something that you have or you haven't seen something that they have, that both of those can be true. So it's really important that you have a process and you have a strict process. And this is how it works. So the chair will say you are happy. One of the judges may say. No, I'm not happy or may say I would like to challenge that or may simply say, I think this warrants a discussion. I'm gonna start it off. And then there's a process for doing that. [00:18:00] So the judge who raises the challenge will start the dialogue and they'll start in whichever direction it is that they think the scoring is not quite right. They will start the dialogue that way. So let's say the score, the judge who's raising a challenge says the score feels a little low. What happens then is raise a challenge and that judge will discuss the image or talk to the image in a way that is positive and trying to raise the score. And they're gonna do that by drawing attention to the qualities that they feel the image has, that maybe they're worried the other judges haven't seen when they're done, the next judge depends, depending on the chair and how you do it. The next judge will take their turn and he goes all the way around with every judge having their say. And then it comes back to the originating judge who has the right of a rebuttal, which simply means to answer back. So depending on how the [00:19:00] dialogue has gone it may be that you say thank you to all of the judges. I'm glad you saw my point. It would be great if we could give this the score that I think this deserves. Similarly, you occasionally, and I did do one of these where I raised a challenge, um, where I felt an image hadn't scored, or the judges hadn't seen something that maybe I had seen in the image, and then very quickly realized that four judges had seen a defect that I hadn't. And so my challenge, it was not, it's never a waste of a challenge. It's never ever a waste because it's really important that every image is given the consideration it deserves. But at the end of the challenge that I raised, the scoring stayed exactly the same. I stayed, I said thank you to all of the judges for showing me some stuff that I hadn't noticed. And then we moved on. More often than not, the scores move as the judges say, oh, do you know what, you're right, there is something in this. Or, no, you're right. We've overinflated this because we saw things, but we missed these technical defects. It's those kinds of conversations. So that's a, a chair, that's a, a judge's [00:20:00] challenge. Yeah, this process also kicks in if there's a very wide score difference between the judge's scores, same process, but this time there's no rebuttal. Every judge simply gives their view starting with the highest judge and then working anywhere on the panel. Um, and then there's a rare one, which does happen which is a chair's challenge, and the chair has the right in, at least in the competitions that I judge, the chair has the right to say to the panel of judges. Could you just give this another consideration? I think there might be things you've missed or that feels like you're getting a little bit steady in your scoring. 'cause they, the chair of course, has got a log of all the scores and can see whether, you know, you're settling into like a 78, 79 or one judge is constantly outta kilter. The chair can see everything and so your job as the chair is to just, okay guys, listen, I think this image that you've just assessed. Possibly there's some things one way or the [00:21:00] other that you might need to take into consideration. It doesn't feel like you have. I'd like you to discuss this image and then just do a rescore. So those are the, those are the mechanisms. So in the room you've got five judges plus two judges who are there ready to step in when required either on the rotation or when someone recuses themself and steps out. Usually two print handlers and then usually there's at least one person or maybe more from the association, just doing things like making sure things are outta their boxes, that the scores are recorded on the back of the prints, they go back into boxes, there's no damage because these prints are worth quite a lot of money. And so, there's usually quite a few people in the room, but it's all done in silence and it's all done to this beautiful process of making sure it's organized, it's clear it's transparent, and we're working as one team to assess each image and give it the score that it deserves. so when the print arrives on the box. It has impact. Now, whether you like it or not, [00:22:00] whether you understand it or not, whether you can define it or not, the print has an impact. You're gonna see it, you're gonna react to it. How do you react to it? Is it visceral? Does your heart rate climb? Do you. Do you explore it? Do you want to explore it? Does it tell a clear story? And now is when you are judging a competition, typically the association or the organization who are running the competition will have a clear set of criteria. I mean, broadly speaking, things like lighting, posing layout or composition storytelling. Graphic design, print quality, if it's a print competition. These are the kinds of things that, um, we look for. And they're listed out in the competition guides that the entrant, the author will have known those when they submitted their print. And the judges know them when we're assessing them, so they're kind of coherent. Whatever it is that the, the entrance were told, that's what we're judging [00:23:00] to the most important. Is the emotional connection or the impact? It's typically called visual impact or just impact. What's really important about that is that it's very obvious, I think, to break images down into these constructed elements like complimentary colors or tonal range or centers of interest, but they don't really do anything except create. Your emotional reaction to the picture. Now, we do use language around these to assess the image, but what we're actually looking for is emotional impact. Pictures tell stories. Stories invoke emotions. It's the emotions we're really looking for. But the trick when you are judging is you start with the initial impact. Then you go in and you in real tiny detail, look at the image. Explore it, interrogate it, [00:24:00] enjoy it, maybe don't enjoy it. And you look at it in all of the different categories or different areas, criteria that you are, that the judges that the organization have set out. And then really, although it never gets listed twice, it should do, impact should also be listed as the last thing you look at as well. Because here's the process. You look at the image. There's an impact. You then in detail investigate, interrogate, enjoy the image. And then at the very end you ask yourself, what impact does it still have? And that's really important because the difference between those two gives you an idea of how much or how well the image is scoring in all of the other areas. If an image has massive impact when you, let's put 'em on the light box, and then you explore it and you [00:25:00] enjoy it, and you look at it under the light, and then at the end of it you're still feeling the same thing you did when it came on the light box, that's a pretty good indicator that all the criteria were met. If on the other hand, as you've explored the image, you've realized. There are errors in the production, or you can see Photoshopping problems or blown highlights or blocked blacks, or things are blurred where they should be sharp or you name it. It's these kinds of things. You know, the printing has got banding in the sky, which is a defect. You see dust spots from a camera sensor. These gradually whittle away your impact score because you go back to the end and you ask, what impact does the image now have? And I've heard judges use terms like at the end of the process, I thought that was gonna be amazing when it first arrived on the light box. I just loved the look of it from a distance, but when I stepped in, there were just too many things that [00:26:00] weren't quite right. And at the end of it, I just felt some would, sometimes I've heard the word disappointed you. So that's certainly how I feel. When an image has this beautiful impact and the hair stand up on the back of your neck and you just think, I cannot wait to step in and explore this image in detail. 'cause I tell you one thing, most authors don't own a light box. When you see a print on a beautiful light box, the, there's something about the quality. The way the print ESS is you actually get to see what a print should look like. So when you step in, you are really excited to see it. And if at the end of that process you're slightly disappointed because you found defects in the printing or problems with the focusing or Photoshop or whatever it is. You really are genuinely disappointed. So that's how you approach it. You approach it from this standpoint of a very emotional, a very emotional connection with the image to start with, and then you break [00:27:00] it down into its elements, whatever those elements are for the competition. And then at the end, you ask yourself really, does it still have the impact? I thought it would because if it does, well, in that case, it's done really, really well. one of the things that's really interesting about judging images is we, we draw out, we write out all of these criteria and. Every image has them really. I mean, well, I say that of course every image doesn't have them. If you are, if you're thinking about landscape or a picture of a shampoo bottle, it doesn't have posing, for instance, if that's one of your criteria. But typically there's a standard set of criteria and every image has them layout, color uh, photographic technique, et cetera. So if we look at let's say composition, let's talk about composition. Personally, I like to use the term layout rather than composition because it [00:28:00] feels a little bit more like a verb. You lay the image out, you have all of the bits, you lay them out. I like that because when we are teaching photography when we say to someone, right, what are all of the bits that you have in front of you? How are you gonna lay them out? It feels a lot more, to me, at least more logical than saying, how are you gonna compose the image? Because it allows. I think it allows the photographer to think in terms of each individual component rather than just the whole frame. So we are looking for how the image is constructed. Remember that every photographer really should think about an image. As telling a story, what's the story that you want somebody else? Somebody that you've never met. In this case a judge, but it could be a client or it could just be somebody where your work is being exhibited on a wall. What do you want them to look at? What do you want them to see? Where do you want that eye to go? And there are lots of tricks to [00:29:00] this, and one of them is layout or composition. So we've got through the initial impact, boom. And the excitement. And then you start to think, is the image balanced? I like to think of an image having a center of gravity. Some photographers will use center of interest, which is a slightly different thing, but I think an image has a center of gravity. The component parts of the image create balance. So you can have things right down in the edges of the frame, but you need something to balance it like a seesaw. You can't just. Throw in, throw parts of the puzzle around the frame. So you are looking for where do they land? And of course, as photographers, we talk about thirds, golden ratios, golden spirals, all of these terms. But what we are really looking for is does the image have a natural flow? Does it feel like everything's where it should be? Does your eye go to the bit that the author probably wanted you to look at? Have they been effective in their [00:30:00] storytelling? And by storytelling, I don't necessarily mean storytelling as in photojournalism or narrative rich photography. What I mean is what did they want you to see, and then did you go and see it? Separation? Is the background blurred? And let's say the, the subject is sharp. That's a typical device for making sure you look at the subject. Is the color of the background muted in a way that draws your attention? Again to whatever it is in the foreground. So layouts one of those tools. So we work our way around it and try and figure out does the positioning of all of the elements of the image does their positioning add or distract from the story? We think that author was trying to tell. Let's remember that it's not the judge's job to understand the story. It's the author's job to tell the story in a way that the judges can get it. Too often, you know, when I, when I've judged [00:31:00] a competition, someone will come and find me afterwards and say, did you understand what that was about? I was trying to say this, and it's like, well, I didn't see that, but that's not my fault. You know, it's, it's down to you to lead me pictorially to. Whatever it is you're trying to show. Same with all judges, all viewers, clients. It doesn't really matter. It's the author's job, not the judges. So at the end of that, you then move on to whatever's the next criteria. So you know, you assess these things bit by bit, and by the way, every judge will do it in a slightly different order. There'll be written down in an order. But each judge would approach it in a different manner. For me, typically it's about emotional connection more than anything else, it's about the emotion. I love that genuine, authentic connection of a person in the image. To me, the viewer. I will always go there if, if it's a portrait or a wedding or fashion image, if there's a person in it or a dog, I suppose, [00:32:00] then I will look for that authenticity, that, that visceral, it feels like they're looking at me or I'm having a dialogue with them. That's my particular hot button, but every judge has their room and that's how you approach it. So when it comes to a photograph in the end, you don't really have anything other than light when you think about it, right? That's, you pick up a camera, it's got a sensor, it's got film, it's got a lens on the front, and a shutter stopping light coming, or it goes through the lens, but the, the shutter stops it hitting a sensor. And at some point you commit light to be recorded. And it's the light that describes the image. There's nothing else. It's not something you can touch or hear, it's just light. And of course light is everything. I think, I think the term pho photography or photograph is a mix of a couple of words, and it's a relatively recent idea. I think [00:33:00] it was Victorian and it's, isn't it light and art photographic or photograph, um. So that's what it is. It's capturing light and creating a reaction from it. So the quality of light is possibly the most important thing. There is too much of it, and you're gonna have blown highlights, nasty white patches on your prints, too little of it. You're gonna have no detail in the shadows and a lot of noise or grain, whether it's film or whether it's off your sensor. And then there's the shape of the light. The color of the light, and it doesn't really matter whether it's portrait, wedding, landscape, product, avant garde, it's light that defines things. It's light that can break an image. So with portraiture, for instance, we tend to talk about. Sculpting or dimensionality of light. We tend to talk about the shape of the subject. We talk about flattering light. We talk about hard and soft light, and all of these things [00:34:00] mean something. This isn't the podcast to talk about those in detail, but that's what we're looking for. We are looking for has the light created a sense of shape, a sense of wonder, a sense of narrative. Does the lighting draw your eye towards the subject? And when you get to the subject, is it clear that the lighting is effective and by effective, usually as a portrait photographer anyway. I mean flattering. But you might be doing something with light that's counterintuitive, that's making the subject not flattered. That's maybe it's for a thriller style thing, or maybe it's dark and moody. Harsh, as long as in tune with the story as we are seeing it, then the lighting is assessed in that vein. So we've seen some incredible beauty shots over the past couple of days where the lighting sculpted the face. It had damaged ality, but it was soft. There were no hard shadows, there were no [00:35:00] blown highlights. The skin, it was clear that the texture of the skin, the light, it caught the texture. So we knew exactly what that would be. It had. Captured the shape. So the way the gens or shadows ripple around a body or a face tell you its shape. They haven't destroyed the shape. It's it's catch shape, but it hasn't unnecessarily sculpted scars or birthmarks or spots, you know? And that's how lighting works. So you look for this quality, you look for control, you look for the author, knowing what they're doing. With landscapes, typically it's, it is very rare, in my opinion, for a landscape. To get a good score if it isn't shot at one end of the day or the other. Why? Well, typically, at those points of the day, the light from the sun is almost horizontal. It rakes across the frame, and you get a certain quality to the way the shadows are thrown. The way the [00:36:00] light, sculpts hills, buildings, clouds, leaves, trees, the way it skips off water, whether it's at the beginning of the day or the end of the day. It's quite unusual though we do see them for an amazing photograph of escape to be taken at midday. But you can see how it could be if you have the sun directly overhead, because that has a quality all of its own. And you know, if when an author has gone to the effort of being in the right place to shoot vertical shadows with a direct overhead son, well maybe that's so deliberate that the, the judges will completely appreciate that and understand the story. So it's looking for these things and working out. Has the lighting been effective in telling the story? We think the author was trying to tell? Lighting is at the heart of it. So when we've been through every criteria, whatever they are, lighting, composition, color, narrative, et cetera, et cetera, et cetera, [00:37:00] we've assessed every image, hundreds of them. We've had challenges, we've had conversations. We have a big pile of prints that have made it over the line. To whatever is your particular association scoring, whether it's merit or bronze or whatever. The puzzle isn't quite complete at that stage because there is of course, a slight problem and that problem is time. So if you imagine judging a section of images might take a couple of hours to do 70 prints, 60, 70 prints might take longer than that. In fact, it might take the best part of an afternoon. During that time. There's every chance the scores will wander. And the most obvious time is if a category spans something like a lunch break. We try to make sure categories don't do that. We try to complete categories before going for a break. We always try to be continuous, but [00:38:00] you've still got fatigue. You've got the judges rotating. So all of these things are going on. It sometimes it depends what images come up in what order could conceivably affect the scoring. For instance there's an image that came up this year where I think probably I was the judge that felt the strongest about it. There was something about this particular image that needed talking about, and so when it came up and it was scores that I raised a challenge and my heart rate, the minute the print hit the stand, my heart rate climbed through the roof. It was. Something about it that just connected with me. And then when I explored the image on the lights, on the light box, to me, there was very little that was technically holding it back. There were a couple of bits, but nothing that I felt warranted a lower score. And so I raised a [00:39:00] challenge. I said my point, I went through it in detail. I asked the other judges to consider it. From my viewpoint, they gave their views as to why they hadn't. But each of them understood where I was coming from and unlike the challenge I talked about earlier where no one changed their mind on this one, they did on this one. They also saw things that I saw when we went through it. But at the end of the process, the image was got a higher score, which is great, but. I didn't feel that I could judge the next image fairly because whatever came in, my heart rate was still battering along after seeing this one particular image. And that happens sometimes. It's not common, but I felt I needed to step off the panel before the next image came up. Which I did in work, working with the chair and the team. I stepped off for a couple of prints before stepping back on [00:40:00] just to let my eye settle and let myself get back into the right zone. But during the day, the zone changes. The way you change your perception of the images, as the images come through is so imperceptible, imperceivable, imperceptible. One of those two words is so tiny that you don't notice if there's a slight drift. And so there's every opportunity for an image to score a couple of points lower or a couple of points higher than it possibly could have done. If it had been seen at another point in the day. Maybe it had been, maybe if the image was seen after a series of not so strong images, maybe it would get a higher score. Or of course, the other way round. Maybe after seeing a series of really, really powerful, impactful images that came up, maybe it scored be slightly diminished. Both of those can be true. And so it's really important that we redress that any possible imbalance and every competition I've ever done has a final round. And the [00:41:00] way this is done is that we take the highest scoring images, top five, top 10, depending on the competition, and we line them up. And all of the judges now, not just the judges who are the five on the panel, all seven judges. Get an opportunity to bring each image back onto a light box if they wish, if they haven't seen them already. Because remember, some of those images may not have been assessed by the, well. It cannot have been assessed by all seven of the judges, so there's always gonna be at least two judges who haven't seen that image or seeing it for the first time as a judge. So we bring them back, we look at them, and then we rank them using one of numerous voting mechanisms where we all vote on what we think are the best images and gradually whittle it down until we're left with a ranked order for that category. We have a winner, a second, a third, a fourth, sometimes all the way down to 10 in order, depending on the competition. And that's the fairest way of doing it, because it means, okay, during the judging, [00:42:00] that image got, I dunno, 87. But when we now baseline it against a couple of images that got 90 something, when we now look at it, we realize that that image probably should have got a 90 as well. We're not gonna rescore it, the score stands, but what we are gonna do is put it up into there and vote on it as to whether it actually, even though it got slightly lower, score, is the winning image for the category. And every competition does something similar just to redress any fluctuations to, to flatten out time. It takes time outta the equation because now for that category, all seven judges are judging the winner at the same time, and that's really important. We do that for all the categories, and then at the end of that process, we bring back all of the category winners and we vote on which one of those. Wins the competition. Now, not every competition has an overall winner, but for the one we've just done for the print masters, for the BIPP print masters, there is an overall winner. And so we set them all out [00:43:00] and we vote collectively as a winner on the winner. And then, oh, we rank them 1, 2, 3, 4, or whatever. Um, really we're only picking a winner, but we also have to have some safety nets because what happens if for instance. Somebody unearths a problem with an image. And this has happened, sadly, this has happened a couple of times in my career where a photographer has entered an image that's not compliant with the rules but hasn't declared it. And it's always heartbreaking when it does happen, but we have to have a backup. So we always rank one, two, and three. So that's some backups, and that's the process. That's how we finish everything off. We have finished, we've got all the categories judged, the category winners judged, and then the overall one, two, and three sorted as well. at the end of the process? I can't speak for every judge. I can speak for me, I feel, I think three things. Exhaustion. It's really hard to spend 48 hours or longer [00:44:00] assessing images one by one, by one by one, and making sure that you are present and paying attention to every detail of every image. And you're not doing an author or an image a disservice. You pay each image or you give each image, you pay each image the due attention it deserves. I feel exhilaration. There's something energizing about assessing images like this. I know it's hard to explain, but there's something in the process of being alongside some of the best photographers that you've ever met, some photographers that you admire more than any others, not just as photographers, but as human beings. The nicest people, the smartest people, the most experienced people, the most eloquent people. There's something in that. So there's this [00:45:00] exhilaration. You are exhausted, but there's an exhilaration to it. And then finally, and I don't know if every photographer feels this or every judge feels this, I do. Which is massively insecure, I think. Can't think of the right words for it. There must be one. But I come away, much like when you've been out on the beers and you worry about all the things you've said, it's the same process. There was that image I didn't give enough credit for. There was this image I was too generous on. There were the things I said in a challenge when it gets a little bit argumentative or challenging. 'cause the clues in the title, you know, maybe I pushed too hard, maybe I didn't push hard enough. There are images you've seen that you wished you'd taken and you feel like. I'm not good enough. There's an insecurity to it too, and those are the three things I think as you leave the room, it's truly [00:46:00] energizing. Paradoxically, it's truly exhausting, but it's also a little bit of a head mush in that you do tend to come, or I do tend to come away a little bit insecure about. All the things that have gone on over the two days prior, and I've done this a long time. I've been judging for, I dunno, 15, 16, 17 years. And I've got used to those feelings. I've got used to coming away worrying. I'm used to the sense of being an underachiever, I suppose, and it's a wonderful , set of emotions that I bring home. And every time I judge. I feel better for it. I feel more creative. I feel more driven. I feel more determined. I feel like my eyes have been opened to genres [00:47:00] of photography, for types of imagery, for styles of posing or studio work that I've never necessarily considered, and I absolutely adore it every single second. So at the end of that, I really hope I've described or created a picture of what it's like to be a judge for this one. I haven't tried to explain the things we saw that as photographers as authors, you should think about when you are entering. I'm gonna do that in a separate podcast. I've done so many of those, but this one was specifically like, what does it feel like to be a judge? Why do we do it? I mean, we do it for a million reasons. Mostly we do it because people helped us and it's our turn to help them. But every photographer has a different reason for doing it. It's the most joyful process. It's the most inspiring process and I hope you've got a little bit of that from the podcast. So [00:48:00] on that happy note, I'm gonna wrap up and I'm gonna go and finish my glass of whiskey which I'm quite excited about if I'm honest. 'cause I did, it's been sitting here beside me for an hour and I haven't drunk any of it. I do hope you're all doing well. I know winter is sort of clattering towards us and the evenings are getting darker, at least for my listeners in the north and the hemisphere. Don't forget. If you want more information on portrait photography or our workshops we've announced all of the upcoming dates or the next set of upcoming dates. Please head across to mastering portrait photography.com and go to the workshop section. I love our workshops and we've met so many. Just lovely people who've come to our studio. And we've loved being alongside them, talking with them, hopefully giving a bit of inspiration, certainly taking a little bit of inspiration, if I'm honest, because everyone turns up with ideas and conversations. Uh, we would love to see you there. The workshops are all are all there on the website and the workshop section. You can also, if you wish, buy a signed copy of the book from mastering portrait photography.com. Again, just go to the [00:49:00] shop and you'll see it there on the top. Amazon has them for sale too. It is great. Amazon typically sells them for less than we do, but we have a fixed price. We have to buy them from the wholesaler at a particular price, whereas Amazon can buy many, many more than we can, so they get a better deal if I'm honest. However, if you want my paw print in there, then you can order it from us and it's supports a photographer and it's really lovely to hear from you. When you do, uh, one thing, I'd love to ask anyone who has bought the updated edition of the book, if you are an Amazon customer. Please could you go on to amazon.com and leave us a review? It's really powerful when you do that, as long as it's a good review. If it's a rubbish review, just email me and tell me what I could have done differently, and I'll email you back and tell you, tell you why I didn't. But if it's a half decent review, a nice review. Please head over to Amazon. Look for mastering portrait photography, the new version of the book, and leave us a review. It's really important particularly in the first couple of [00:50:00] weeks that it's been on sale. Uh, it would be really, really helpful if you did that. And on that happy note, I wish you all well. I've grabbed my glass of whiskey and I'm gonna wrap up and whatever else you do. Until next time, be kind to yourself. Take care.   

Episode 239 Experts Doug Lemov, Colleen Driggs, and Erica Woolway join Melissa & Lori to tackle one of the biggest questions in teaching today: What happened to reading whole books in school? From the pull of digital distractions to the rise of skill-focused instruction, they explore why diving into full texts matters more than ever. You'll hear inspiring ideas for making books come alive in the classroom, the magic of read-alouds, and the power of close reading. Plus, each guest reveals their favorite book to teach. Reading entire books ignites curiosity, builds stamina, and so much more.ResourcesThe Teach Like A Champion Guide to the Science of Reading (book)Teach Like A Champion (Website - Resources, Workshops, Blogs, & More!)Close Reading: Uncover Deeper Meaning (blog)The Indispensable Power of [Full] Books  (blog)Melissa & Lori Podcast Knowledge & Comprehension (Daniel Willingham & Barbara Davidson) We answer your questions about teaching reading in The Literacy 50-A Q&A Handbook for Teachers: Real-World Answers to Questions About Reading That Keep You Up at Night.Grab free resources and episode alerts! Sign up for our email list at literacypodcast.com.Join our community on Facebook, and follow us on Instagram, Facebook, & Twitter.

Hey Friends~ Have you ever wondered what Montessori is and how it is different from traditional education? In this episode, we dive deep into a description of what Montessori is, where this educational model came from,  how language and communication is naturally promoted within the structure, and the benefits of Montessori with  Marsha Familaro Enright, a Montessori expert. So if you have ever been curious about Montessori, this is just the episode for you!  Always cheering you on!  ~ Dinalynn CONTACT the Host, Dinalynn:  hello@thelanguageofplay.com   ABOUT THE GUEST:   Marsha Familaro Enright is an education entrepreneur, developmental psychology expert, and founder of Reliance College and The Great Connections Seminars. With over 30 years of experience in Montessori and higher education, she helps parents and educators cultivate critical thinking, confidence, and authentic independence in children and young adults. CONTACT THE GUEST:   reliancecollege.org  https://www.linkedin.com/in/marsha-familaro-enright-8a973b/ A BIG THANK YOU TO THE SPONSOR OF THIS EPISODE!   Cindy Howard  Lightening Admin VA   cindy@lightningadminva.com   YOUR NEXT STEPS: 5 Ways To Get Your Kids To Listen Better: https://dinalynnr.systeme.io/7ca5ce43-d436ea91 Sign up for the Newsletter:  https://dinalynnr.systeme.io/newsletter-optin 21 Days of Encouragement:  https://dinalynnr.systeme.io/1-21signup To discuss working together:  https://calendly.com/hello-play/strategy-session For Workshops, Speaking Events, or Partnerships:  https://calendly.com/hello-play/discovery-session ** For Speaking Engagements, Workshops, or Parent Coaching (virtual or live), contact me at hello@thelanguageofplay.com   OTHER EPISODES YOU WILL LIKE:   145 Katja Lany: How Montessori caused her to know her inner child and reparent herself 149 Triggered By Your Child's Behavior? Gayle Weill Helps You Be Your Best Self! 155 Does Your Language Build Courage In Your Child? Here Are 12 Examples of Courage-Building Phrases! 160 Michael Hingston: Develop Your Child's Gifts! Whether Or Not A Disability Is Present   Benefitting From this Podcast?  Let us know!  https://lovethepodcast.com/play Never miss a show! Follow & subscribe in 1-click:  https://followthepodcast.com/play Easier to talk? Leave a voice message!  https://castfeedback.com/play To SPONSOR The Language Of Play, schedule your call here:  https://calendly.com/hello-play/discovery-session To DONATE to The Language Of Play, Use this secure payment link: https://app.autobooks.co/pay/the-language-of-play

Unser heutiger Gast kennt das Verbrechen nicht nur aus Akten – sondern aus eigener Erfahrung. Er war ein junger Mann mit großen Träumen – und einem gefährlichen Ego. Drogen, Gewalt, Macht. Was als Rebellion begann, endete in Haft. Zehn Jahre hinter Gittern. Heute ist Maximilian Pollux ein anderer Mensch – Autor, Podcaster, und Mentor. Er gründete den Verein „Sicht-Waisen“ und gibt Workshops an Schulen, in Jugendeinrichtungen und in Gefängnissen. Mit Giuseppe Di Grazia von stern Crime spricht Pollux über Schuld, Verantwortung und die zerstörerische Kraft des Narzissmus. In seinem neuen Buch „Gefährliches Ego – Wenn Narzissmus tödlich endet“ zeigt er, wie das Streben nach Bewunderung und Kontrolle nicht nur Leben zerstören – sondern auch töten kann. +++Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.html +++Wir verarbeiten im Zusammenhang mit dem Angebot unserer Podcasts Daten. Wenn Sie der automatischen Übermittlung der Daten widersprechen wollen, klicken Sie hier: https://datenschutz.ad-alliance.de/podcast.html+++ https://www.rtl.de/cms/service/footer-navigation/impressum.html +++Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Send us a textYou've got a great product, decent packaging, and maybe even a few stockists. But here's the problem: your product is moving off the shelf. You're spending all your energy chasing new listings while your existing stockists are losing confidence. This is the wake-up call you need.In this episode of Foodpreneur with Chelsea Ford, I'm breaking down why so many CPG brands focus on the wrong metric.I share real examples from brands that are crushing it. You'll hear about brands like Bippy Chili moving 30-40 units per week, Ammazza Pizza doing 2,000 units in a single week, and Mingle Seasoning achieving a 350% sales uplift for three months after one collaboration.These results aren't accidents. They're the outcome of strategic marketing at every stage of the funnel.Listen today and walk away knowing: 

In this milestone solo, I get honest about 400 episodes of creating, growing into a new interviewing style, why "longevity for women" feels truer than "biohacking," building a member community, launching a Costa Rica retreat, and taking my family on a four-country health-scouting trip. Listen if you want practical momentum: to see how tiny daily health choices compound, hear the real behind-the-scenes of a women-first wellness brand, and get early insight on the show's rebrand and upcoming retreats/community. I TALK ABOUT:  00:30 - Gratitude + why this solo milestone matters 04:20 - Tech evolution: Zencastr → Zoom → Riverside and YouTube 06:35 - Cadence, hosting on Libsyn, and rethinking ads baked into episodes 08:40 - Showing up > perfection: How repetition improved interviewing confidence 09:30 - Ditching rigid scripts for organic, critical-thinking conversations (and better guest feedback) 14:25 - Why micro-habits matter: "Every glass of mineral water counts" 18:45 - Pitching "intimidating" dream guests and realizing they're human too 20:20 - Motherhood perspective shifts: Canceling when childcare falls through, protecting energy 25:40 - The 2026 move: From "biohacking" (how) to "longevity" (why) in women's health 32:45 - The new private member community and guest mini-pods that answer your questions 35:30 - My Costa Rica retreat: Workshops, breathwork, IVs—and optional exosomes/stem cells at the spa 39:15 - Our four-month family trip: Panama → Nicaragua → Costa Rica → Mexico—scouting healthy living spots RESOURCES: Trying to conceive? Join my Baby Steps Course to optimize your fertility with biohacking. Free gift: Download my hormone-balancing, fertility-boosting chocolate recipe. Explore my luxury retreats and wellness events for women. Shop my faves: Check out my Amazon storefront for wellness essentials. LET'S CONNECT: Instagram, TikTok, Facebook Shop my favorite health products Listen on Spotify, Apple Podcasts, YouTube Music

In this first episode of The Anti-Overwhelm Holiday Series, host Vanessa De Jesus Guzman, licensed therapist and mom coach, pulls back the tinsel to talk about the truth many won't say out loud: moms don't get a holiday season… we run it.From meal planning and gift shopping to managing family expectations and keeping the “magic” alive, the invisible load moms carry this time of year is real — and exhausting. Vanessa explores the cultural layers behind that pressure, why it's not your fault, and how you can soften the load without losing the traditions you love.This is the conversation every mom needs before the holiday rush starts.TUNE IN TO LEARNWhy the “holiday magic” we celebrate often comes at moms' expenseHow culture and family expectations add pressure to “do it all”The difference between meaningful traditions and draining obligationsFive small shifts to protect your peace this seasonSimple, mindful ways to set boundaries with love — and without guiltTAKEAWAY MESSAGEYou don't need to do it all to make the season meaningful. As we move into the holidays, choose peace over perfection, rest over rush, and presence over pressure. The holidays don't need a hero, they just need you, whole, rested, and present.Send us a textSupport the show120 COPING SKILLShttps://www.freetobemindful.com/podcast-120copingskills 1:1 PRIVATE COACHING FOR MOMS https://www.amigamoms.com/ WATCH THE PODCAST ON YOUTUBE:https://www.youtube.com/@counselorvdejesus GET THE MUSE HEADBAND AT A DISCOUNT!https://choosemuse.com/freetobemindfulUse this link to get 15% off your total when you purchase the amazing brain sensing headband that tells you when you're in a meditative state and guides you to improve your practice.LET'S STAY CONNECTED

TREY'S MARRIAGE RESOURCES:https://strongermarriageworkshops.com/Welcome/HONEST ASSESSMENT OF THE CHRISTIAN MAN IN THE CHURCH OVER LAST DECADE?HOW CAN WE GET THE ATTENTION OF MEN WHO ARE COMFORTABLE AND SPIRITUALLY PASSIVE?MARRIAGE REWIND BEST ADVICE YOU NEVER GOT? WHAT DO YOU WISH: WOULD'VE DONE MORE OF? LESS OF? GOTTEN BETTER AT SOONER, ROLE OF GOD'S WORD : THEN AND NOW DID EITHER OF YOU BRING BAGGAGE INTO THE MARRIAGE? ADVICE FOR WHEN HOW ADDRESS IT?CONFLICT RESOLUTIONEARNING FORGIVENESS & TRUSTMEN IN MARRIAGEWHAT DO WE STRUGGLE MOST WITH?NON-PHYSICAL INTIMACY: WAYS TO CREATEWHAT WIFE WOULD SAY YOU DO BEST AS A COMMUNICATOR? EMPATHY BASED LISTENING, APOLOGIZING, ETC?“CHRISTIAN” MEN WHO DON'T LIVE AS GODLY HUSBANDS ?NEVER TOO LATEADVICE FOR 30-40 YEAR MARRIAGES WHO STILL HAVE TENSION IN COMMUNICATION OR CAN'T RESOLVE CONFLICT PEACEFULLY finish sentence “ IT'S NEVER TOO LATE TO….” “YOUR MARRIAGE CAN HEAL IF….” “THE KEY TO BEING A BETTER LISTENER IS ….” “THE BEST WAY TO DETERMINE IF MEETING NEEDS IS….” “THE BEST WAY TO HAVE A THRIVING MARRIAGE IN RETIREMENT IS…..”FUTURE OF MINISTRY WORKSHOPS 2026 EXCITING COLLABS? EXPANSION OR ADD ONS TO THE MODEL? PRAYER FOR MARRIAGES?

Hey Friends~  Have you ever felt like your child is struggling, but not “enough” to qualify for help? They're bright, they're trying, but school still feels like a battle… What if the problem isn't your child… but the system?  For decades, schools have measured every kid against one “ideal learner” or “the norm.”   But what happens when your child's amazing brain learns differently? When your child struggles in school, the first instinct is often tutoring.  What if the issue isn't the lesson - it's the learning process itself?  Today, we're unpacking  what educational therapy is and how it can change that story. So, if you've ever thought, “I know my child can do it, but something's missing,” this conversation is for you! Always cheering you on!  Dinalynn CONTACT the Host, Dinalynn:  hello@thelanguageofplay.com   ABOUT THE GUEST:   Dr. Pirayesh holds a Bachelor's degree in Neuroscience and Education from the University of Pittsburgh and a Master's degree in Developmental Psychology from Columbia University where her work focused primarily on children's development of mathematical thinking and cognitive neuroscience. She has worked as a learning specialist and educational therapist in private practice for over a decade.  While the emphasis of her work is on remediating learning disabilities in a one-on-one setting, she is also a sought after speaker and community advocate for children and families around learning rights. She works with children grades 1-12 and covers a wide range of learning difficulties including dyslexia, ADHD, and spectrum disorders. In 2020, Dr. Pirayesh launched The Difference is Not Deficit Project to help promote the importance of seeing learning disability as a social justice issue. In addition to her private practice and advocacy work, Dr. Pirayesh is also adjunct faculty at Pepperdine University and is involved with a number of service organizations including The Association of Educational Therapists.   CONTACT THE GUEST:   drbibi@oneofonekids.org https://www.oneofonekids.org/contact/ Flowchart for either tutor or educational therapist HERE NEW BOOK by Dr. Bibi: Difference Is Not Deficit: A Community Vision for Special Education   A BIG THANK YOU TO THE SPONSOR OF THIS EPISODE!   Cindy Howard  Lightening Admin VA   cindy@lightningadminva.com   YOUR NEXT STEPS: 5 Ways To Get Your Kids To Listen Better: https://dinalynnr.systeme.io/7ca5ce43-d436ea91 Sign up for the Newsletter:  https://dinalynnr.systeme.io/newsletter-optin 21 Days of Encouragement:  https://dinalynnr.systeme.io/1-21signup To discuss working together:  https://calendly.com/hello-play/strategy-session For Workshops, Speaking Events, or Partnerships:  https://calendly.com/hello-play/discovery-session ** For Speaking Engagements, Workshops, or Parent Coaching (virtual or live), contact me at hello@thelanguageofplay.com   OTHER EPISODES YOU WILL LIKE:  237 SERIES: Speech & Language Delays: “My Child Did Not “Qualify” for Speech Therapy. What Does That Mean?” 167 Danielle Lindner: Does An Auditory Processing Difficulty Impact Your Child's Ability To Read? 179 Lois Letchford: Dyslexia? Put Away What Is Not Working And Make Learning Fun 215 Suzanne Culberg: Downplayed and Dismissed? Seeking Help For Your Child 230 Daniela Feldhausen: Speech Sounds and Reading Are Linked. Fun Ways Parents and Educators Can Help   REVIEW, SHARE, FOLLOW, SUBSCRIBE, MESSAGE....  all of it Benefitting From this Podcast?  Let us know!  https://lovethepodcast.com/play Never miss a show! Follow & subscribe in 1-click:  https://followthepodcast.com/play Easier to talk? Leave a voice message:  https://castfeedback.com/play To SPONSOR The Language Of Play, schedule your call here:  https://calendly.com/hello-play/discovery-session To DONATE to The Language Of Play, Use this secure payment link: https://app.autobooks.co/pay/the-language-of-play