Podcast appearances and mentions of lee pomeroy

***Donación Reparación de Silla de ruedas*** *** https://www.paypal.com/paypalme/ermakysevilla *** Hola amig@s, necesito de vuestra ayuda para reunir el dinero necesario para la reparación de mi silla de ruedas ya que después de 3 años las ruedas motrices 14'' 3,00-8 de mi silla de ruedas eléctrica Salsa R2.están muy gastadas y me encuentro sin poder desplazarme con normalidad. El precio de ambas es de 300€ (150 x2) (https://www.ortopediamimas.com/movilidad/repuestos-y-accesorios-movilidad/rueda-sillas-de-ruedas-electricas/5603-rueda-motriz-14-salsa-r2.html#/10206-lado-derecho).Podéis ayudarme a través de paypal con lo que buenamente podáis. Gracias. ¡40% conseguido!. ***Donación Reparación de Silla de ruedas*** *** https://www.paypal.com/paypalme/ermakysevilla *** Una persona desaparecida aparece muerta en Finsbury Park, al norte de Londres, y los investigadores descubren que el sádico asesino ya había atacado antes y había quedado impune.Lee Pomeroy es víctima de un feroz ataque con arma blanca en un tren de cercanías abarrotado. Lee recibe 18 puñaladas en 25 segundos y muere en brazos de su hijo de 14 años, con el que viajaba.

Esta semana, dedicamos una nueva sesión de Rebelión Sónica, a la legendaria banda inglesa, una de las mayores de la escena de Canterbury, Caravan. En primer lugar, revisaremos algunas canciones del nuevo álbum de la agrupación liderada históricamente por el cantante y guitarrista Pye Hastings, “It’s None Of Your Business”. El trabajo fue lanzado el 08 de octubre por el sello Madfish y muestra a la banda formada por el mencionado Hastings, Geoffrey Richardson (viola, mandolina, guitarra), Jan Schelhaas (teclados) y Mark Walker (batería), a quienes se les suman en calidad de invitados el bajista Lee Pomeroy y el flautista Jimmy Hastings. Integrado por diez nuevas composiciones, se trata del primer título de Caravan en ocho años, pues es el sucesor de “Paradise Filter” de 2013. Según Madfish, el disco presenta nueve canciones y una pista instrumental influenciadas, hasta cierto punto, por los eventos y restricciones impuestas a la sociedad durante los últimos 18 meses debido a la pandemia. El álbum se grabó, respetando las restricciones por el Covid-19, “a la antigua” entre el 24 de junio y el 4 de julio de 2021 en el Rimshot Studio, en la localidad inglesa de Bredgar. “Sentados en círculo y teniendo contacto visual, se requería una gran sala de sonido”, explica Pye Hastings. “Prefiero este método porque se pueden intercambiar ideas a medida que se graba y expresar entusiasmo cuando todo comienza a encajar”. Al final del programa, viajamos al pasado de la banda formada en Canterbury en 1968, para escucharlos con material del disco en vivo “Caravan & the New Symphonia” (1974), que documenta un show grabado el 28 de octubre de 1973 en el Teatro Royal en el área londinense de Drury Lane.

Visit our website https://psycho-killer.co for exclusive videos, photos, articles, and transcripts.In straight-laced Victorian Britain, the railway line between London and the seaside town of Brighton was a bordello on wheels. Inevitably, the secret trysts and dodgy deals conducted in its curtained carriages led to some unsavoury crimes. A series of murders on the Brighton Line shocked polite society and some remain unsolved to this day. Others saw their perpetrators sent to the gallows. Brighton's reputation as a Bohemian playground was matched only by the town's notoriety for violence. The curious characters of Grahame Green's novel Brighton Rock were typical of those Simon Ford and detective Jacques Morrell encountered on this journey through the archives.The Six O'clock Knock is a Psycho Killer production.TranscriptHello and welcome to the Six O'clock Knock, the true-crime podcast that takes a fresh look at murder I'm Jacques Morrell I served as a police officer from 1985 to 2015. my last 12 years in the job was spent exclusively dealing with homicides as a detective sergeant and I'm Simon Ford a journalist and writer I have years of experience in radio and broadcasting I still have a nose for a good story and Jacques is still keen to apply his copper's brain to cases whether solved or not that's right and this episode will focus on murder on the railway of course we touched on the railways a few episodes back didn't we the Frederick Deeming case serial swindler and bigamist with a parshan for murdering his wives yes indeed he used the opportunity to travel that steam trains and steamships gave 19th century society he travelled extensively and he used a different name in every town the Victorian era meant that travel was so much easier and quicker the railways had revolutionized transport replacing those horse-drawn stage coaches that up to then were the quickest way to get from one town to another right mass travel had arrived passengers were less conspicuous traveling in greater numbers the commute had arrived and with it the travelling criminal yeah we're looking at this subject after someone suggested a particular case known as the murder on the Brighton line but when we started digging we found two others on the same stretch of railway line between London and Brighton well as your fellow journalist the late Sir Harry Evans said keep digging the truth is down there somewhere wow it's not often I mentioned in the same breath as the late great Harry Evans so um thanks for that mate and in terms of the truth yes it certainly is so we're going to dig into all those grisly crimes and trust me they are grisly Jacques did you ever deal with any railway cases well not really because railways in the UK have their own police the British Transport Police, or BTP, we occasionally asked them for information or made inquiries relating to people moving through railway premises but to be honest we really saw BTP officers at our police stations well the British transport police force has its roots very early in the history of British policing the earliest record of railway police predates the formation of the metropolitan police usually recognized as the first modern police force in England and Wales by at least four years no one knows just how many individual railway dock and canal police forces existed in the 19th century but they probably numbered over a hundred largely unsung and in many cases unremembered I suppose a modern equivalent would be private security firms in the united states safeguarding the interests and assets of corporations these early forces combined to form the modern BTP we looked at the recent crime figures for the BTP there was a significant rise in all crimes of 12 percent in 2019 Adrian Han stock the deputy chief constable said the record number of passengers using the railways was behind the jump in crime rates which were mainly theft and anti-social behaviour Hanstock put a lot of this down to the fact that railway stations are becoming increasingly commercial environments well that's certainly true anyone familiar with some pancreas station in London will know that the original storage areas below platform level they're now a stylish shopping centre and the Victorian booking office is a bar and a restaurant the force also reported a surge in the number of vulnerable people it dealt with including through providing mental health support officers and rail staff performed 2529 life-saving interventions up 32 percent on the year before despite this there were only six homicides on the British railway network in 2018 to 19. one was the awful death of 51 year old Lee Pomeroy who was stabbed to death by a paranoid schizophrenic after an argument on a train maybe there is an argument for the BPT to be amalgamated into the regional forces to share experience and intelligence public transport will only increase in the years to come integrated management of our transport network imagine that so do criminals use the rail network as a way of getting about or do they prefer to use the roads instead well of course they use both but you know over the years I've thought about how the world has changed not just in a policing sense but how society has changed in how it moves around if I'm completely honest the core has a lot to answer for this may be just my opinion but the car has made us selfish and anti-social we treat the car as an extension of our private lives whilst it's given us choice and freedom to move around when we want to we seem to enjoy the anonymity that the car brings us and as policing has taught me the public don't like it when they're challenged do they no I suppose not we all resent being stopped by the police or getting a fixed penalty notice through the post I know I do how dare they take a photo of me driving through that red traffic light not that I make a habit of it incidentally I suppose the car has also allowed criminals to operate in even wider areas and as you say Jacques being less conspicuous you're spot on burglars are the best example dwelling house burglars usually have a rule of not [ __ ] on their own doorstep they prefer to steal from neighbouring estates or areas they were passing through they always had a problem though how to transport their ill-gotten gains now jewellery and cash is not a problem electrical goods not so easy the car changed all that not only does the car provide transport and storage they don't stand out or look out of place do they it's just another car driving on a public road privacy no interaction with the public yeah I get it I'm trying to imagine myself as a burglar and having to use public transport while carrying the contents of somebody else's house with me I've got a heavy hold all bulging with jewellery and ornaments candlesticks that sort of thing a Sony PlayStation and I'm having to plan my getaway so 10 minute walk to the station buy a ticket wait around a bit I'm restricted by the timetable several people might see me look at me heavens even speak to me that's it and the car changed all that within a couple of hours at any time of day a criminal could drive to another town commit a crime drive to a different town dispose of the goods then return home the risks of being stopped by the police you'd take your chance even if the police showed an interest in you, you could hide any evidence in the worst case scenario you could fail to stop for them and try and get away yeah I see what you mean there the car allows people to move around unnoticed at a time to suit them protected by a metal shell things were very different 140 years ago it is 1881. the telephone has not long been invented Matthew Webb has recently swung the English channel and unwittingly his image has made it onto millions of matchboxes the first Boer war has just ended in south Africa where the British got their butts kicked two years ago 75 people died in the Tay bridge railway disaster in Scotland this case is much further south almost as far south as you can get on the British mainland in Brighton on the south coast of England [Music] the London and Brighton railway opened in 1841 and it brought Brighton within the reach of day-trippers from London the population grew from around seven thousand in eighteen hundred and one to more than a hundred and twenty thousand by nineteen hundred and one in 1881 there was overcrowding and disease clean water and sanitation would desperately needed just 47 miles from London the train was popular the regular service to the capital went to Croydon and then split into two one line to London Victoria and the other to London bridge stations on the route from London included East Croydon, Three Bridges, Hayward's Heath, Willsfield, Burgess Hill, Hassocks and Preston park. It's Monday the 27th of June at 2pm Preston park is a small quiet station serving a village on the outskirts of Brighton the ticket collector watches the arrival of the train from London bridge a male passenger gets off there's something about him that draws the ticket collector's attention the man emerges from the first class compartment and steps onto the platform he seems unsteady on his feet he's not wearing a hat which is unusual nor is he wearing the collar and tie even more concerning he's covered in blood he seems distressed the collector goes to his assistants the man mumbled something about having been attacked as the train entered Merced tunnel now Merston tunnel is just south of Croydon and several stops from Preston park probably a 30 minute journey Read more: https://bit.ly/brighton-line-transcript

Esta semana, en una nueva edición de Rebelión Sónica, los invitamos a escuchar parte del celebrado nuevo disco del tecladista británico Rick Wakeman (Yes), “The Red Planet”. Editado el 28 de agosto pasado por los sellos Madfish y R&D Media, el álbum inspirado en el planeta Marte, fue grabado por la banda del tecladista The English Rock Ensemble, que incluye a Dave Colquhoun en guitarra, Lee Pomeroy en bajo y Ash Soan en batería. Wakeman dijo sobre la composición del nuevo disco, que “solo tienes que mirar las fotos en la web o en los libros sobre el planeta rojo para inspirarte, los paisajes son fascinantes y los volcanes son enormes, más grandes que cualquier cosa en la tierra. Fue el tema perfecto para motivarme musicalmente”. El álbum es considerado un regreso serio de Wakeman al rock progresivo, luego de varios álbumes dedicados al piano en los últimos años, tales como “Piano Portraits” (2017), “Piano Odyssey” (2018) y “Christmas Portraits” (2019). “The Red Planet” está integrado por ocho piezas compuestas especialmente para este proyecto, y se relaciona al álbum “The Six Wives of Henry VIII” (1973), que tiene seis piezas de teclado basadas en un tema central, al igual que el nuevo trabajo. Justamente, en la parte final del programa, escuchamos música de aquel disco, como siempre, tratando de exhibir un panorama un poco más amplio de la obra de los artistas que suenan semana a semana.

Esta semana, en una nueva edición de Rebelión Sónica, los invitamos a escuchar parte del celebrado nuevo disco del tecladista británico Rick Wakeman (Yes), “The Red Planet”. Editado el 28 de agosto pasado por los sellos Madfish y R&D Media, el álbum inspirado en el planeta Marte, fue grabado por la banda del tecladista The English Rock Ensemble, que incluye a Dave Colquhoun en guitarra, Lee Pomeroy en bajo y Ash Soan en batería. Wakeman dijo sobre la composición del nuevo disco, que “solo tienes que mirar las fotos en la web o en los libros sobre el planeta rojo para inspirarte, los paisajes son fascinantes y los volcanes son enormes, más grandes que cualquier cosa en la tierra. Fue el tema perfecto para motivarme musicalmente”. El álbum es considerado un regreso serio de Wakeman al rock progresivo, luego de varios álbumes dedicados al piano en los últimos años, tales como “Piano Portraits” (2017), “Piano Odyssey” (2018) y “Christmas Portraits” (2019). “The Red Planet” está integrado por ocho piezas compuestas especialmente para este proyecto, y se relaciona al álbum “The Six Wives of Henry VIII” (1973), que tiene seis piezas de teclado basadas en un tema central, al igual que el nuevo trabajo. Justamente, en la parte final del programa, escuchamos música de aquel disco, como siempre, tratando de exhibir un panorama un poco más amplio de la obra de los artistas que suenan semana a semana.

汉娜·阿伦特：shorturl.at/sEV58 人的境况：https://book.douban.com/subject/3431988/ 00:00:00 片头 00:01:30 节目介绍 00:04:30 为什么要关注阿伦特 00:11:30 阿伦特对积极生活的三种划分：劳动，工作，行动 00:38:50 阿伦特对人的本质和人的处境的区分 00:46:27 中场休息 00:48:00 消费主义如何压制行动：什么是行动的公共性 00:52:18 行动是为了获得名誉和不朽 00:56:15 什么是行动的不可控性 01:01:05 行动不可控，是因为它无法被「目标—手段」的方式界定 01:21:30 行动的不可控为「意义」留下了空间 音乐来自 audionetwork 1. On My Way by [Paul Michael Harris] 2. Mid Town Blues by [Ray Davies] 3. Bluesy Ole Boys by [John Etheridge] 4. Blue Ice by [John Etheridge] 5. Floating Away by [David Michael]&[Lee Pomeroy] 6. Play Me A Torch Song by [Ray Davies] 7. Old Time Blues by [Christian Marsac] 8. Blue Tuesday by [John Etheridge] 9. Finding Calm by [Barrie Gledden]

Starship Trooper? Produced by Jeffrey Crecelius, Wayne Hall, Preston Frazier and Bill Govier It's a fantastic time for current and former members of Yes. Here's another example - the new prog album by Rick Wakeman and the English Rock Ensemble - The Red Planet. We spoke to Lee Pomeroy recently who plays bass on the record and this week we are listening to the music. If you've heard the album, do let us know what you think in the comments below. In what way is this album progressive rock?How does this music compare with Rick's older material?Is it an enjoyable album? Listen to the episode and let us know what you think! Join us as a Patron! If you would like to support the Yes Music Podcast financially and also have access to exclusive activity and opportunities, there is a special page you can use to sign up and 2020 is the time to join us: Become a Patron! Bag yourself a fabulous piece of YMP history before it's too late... https://youtu.be/Q1mok26t1oo Why not get yourself one of these? Head over to the YMP Emporium. While you're there, pre-order a YMP Trivia Card Game and other lovely items! https://youtu.be/3dix0FL7SQE Show notes and links: https://www.youtube.com/playlist?list=PLCad6KXNI4CIPhCtcJ6y45yfllApqXznc Rick's website page abut the album: https://www.rwcc.com/notices/theredplanet.php Link to Steve Howe Official store pre-orders: https://SteveHowe.lnk.to/D2CPR Link to Amazon pre-orders: https://SteveHowe.lnk.to/LoveIsPR YMP Patrons: Producers: Jeffrey Crecelius Preston Frazier Bill Govier and Wayne Hall Patrons: Aaron SteelmanDave OwenMark James LangPaul TomeiJoost MaglevDavid HeydenMartin KjellbergPaul WilsonBob MartilottaLindMichael O'ConnorWilliam HayesBrian SullivanDavid PannellMiguel FalcãoLobate ScarpChris BandiniDavid WatkinsonNeal KaforeyRachel HadawayCraig EstenesDemPaul HailesMark 'Zarkol' BaggsDoug CurranRobert NasirFergus CubbageScott ColomboFred BarringerScott SmithGeoff BailieSimon BarrowGeoffrey MasonStephen LambeGuy R DeRomeSteve DillHenrik AntonssonSteve PerryHogne Bø PettersenSteve RodeIanNBSteve ScottJamie McQuinnSteven RoehrKen FullerTerence SadlerMichael HanderhanTim StannardJimTodd DudleyJohn CowanTony HandleyJohn HoldenJoseph CottrellJohn ParryKeith HoisingtonJohn ThomsonBarry Gorsky Robert and David Please subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything: Subscribe on AndroidListen on Stitcher Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

Produced by Jeffrey Crecelius, Wayne Hall, Preston Frazier and Bill Govier This week we were delighted to welcome extraordinary bassist, Lee Pomeroy, back onto the podcast. As part of Rick Wakeman's English Rock Ensemble, Lee has been involved in the creation of a wonderful prog album, The Red Planet. Although the release date has been hit by lockdown, as you will hear, Lee explains that it will be well worth the wait and is very excited about this return to Rick's progressive roots. How was this record put together in lockdown?Is it really progressive rock?How much was Lee involved in the writing of bass parts? Listen to the episode and let us know what you think! Join us as a Patron! If you would like to support the Yes Music Podcast financially and also have access to exclusive activity and opportunities, there is a special page you can use to sign up and 2020 is the time to join us: Become a Patron! Bag yourself a fabulous piece of YMP history before it's too late... Why not get yourself one of these? Head over to the YMP Emporium via the link on the menu. While you're there, pre-order a YMP Trivia Card Game and other lovely items! https://youtu.be/3dix0FL7SQE Show notes and links: The Red Planet on Rick Wakeman's site https://youtu.be/0sHecyFs00U https://youtu.be/oHlB5Z-JO-M Roger Dean's live painting: https://www.rogerdean.com/news/ YMP Patrons: Producers: Jeffrey Crecelius Preston Frazier Bill Govier and Wayne Hall Patrons: Aaron SteelmanDave OwenMark James LangPaul TomeiJoost MaglevDavid HeydenMartin KjellbergPaul WilsonBob MartilottaLindMichael O'ConnorPeter HearndenBrian SullivanDavid PannellMiguel FalcãoLobate ScarpChris BandiniDavid WatkinsonNeal KaforeyRachel HadawayCraig EstenesDemPaul HailesMark 'Zarkol' BaggsDoug CurranRobert NasirFergus CubbageScott ColomboFred BarringerScott SmithGeoff BailieSimon BarrowGeoffrey MasonStephen LambeGuy R DeRomeSteve DillHenrik AntonssonSteve PerryHogne Bø PettersenSteve RodeIanNBSteve ScottJamie McQuinnSteven RoehrKen FullerTerence SadlerMichael HanderhanTim StannardJimTodd DudleyJohn CowanTony HandleyJohn HoldenJoseph CottrellJohn ParryKeith HoisingtonJohn ThomsonWilliam HayesBarry Gorsky Robert and David Please subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything: Subscribe on AndroidListen on Stitcher Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

Tormato! Produced by Jeffrey Crecelius, Wayne Hall, Preston Frazier and Bill Govier Tormato, undeniably the greatest Yes album ;-) celebrated 40 years recently. So this week, Mark and I listen again to the much-maligned record to try and find out what everyone else seems to hate. We also dedicate our 2 pence to the 1978 'classic'. Was the production really that bad? Are there any aspects people who don't listen are missing out on? Are there any decent songs? Listen to the episode then let us know what you think! Yes50Fanconvention.com is now live! Become a YMP Patron: If you would like to support the Yes Music Podcast, there is a Patreon page where you can sign up. The iOS and Android YMP apps are no longer available unless you have an old version still on your device. Mark's Tormato Friday Music Vinyl photos:   DBA (Downes Braide Association) Perform Debut live show at Trading Boundaries on 28th Sept & Announce release of Remixed version of Suburban Ghosts DBA - Skyscraper Souls Geoff Downes and Chris Braide 26th September 2018: DBA (Downes Braide Association) perform their first ever live show at Trading Boundaries on Friday 28th September, with a special showcase for their latest album Skyscraper Souls. The evening is sponsored by Prog Magazine.   DBA is the musical collaboration between the legendary Geoff Downes and Chris Braide who joined forces as the result of their close friendship and passion for music. Bass player Andy Hodge, who worked on the Skyscraper Souls album will be joining DBA on the night. Other guests at Trading Boundaries will include David Longdon (Big Big Train) and David Colquhoun (Francis Dunnery, Go West). Barney Ashton Bullock (poet, songwriter; Andy Bell; Marc Almond) will be doing the narrative on the night. DBA also announce the release of a remixed version of their critically acclaimed 2015 album Suburban Ghosts 2018 on 30th November. The album features new musicians and is remixed by Chris Braide and mastered by Mike Pietrini. Joining original band members Chris Braide (vocals, programming, piano, bass guitar, electric guitar, keyboards) and Geoff Downes – (programming, piano and keyboards) on the remix are: Patrick Howley - electric guitar, Dave Gregory - slide guitar, Lee Pomeroy - bass guitar, Andy Hodge - bass guitar and on Drums - Ash Soan. Wherever musical history is made, Geoff Downes is there. From the first video ever shown on MTV, The Buggles’ Video Killed the Radio Star, Geoff continues to gain acclaim and break musical ground. He is a founding member of Asia whose album of the same name was the biggest selling in the world in 1982. Together with vocalist/bassist, the late John Wetton, they propelled the band’s global success. With the legendary YES, Geoff joined for the critically acclaimed album ‘Drama’ in 1980 and then re-joined for ‘Fly From Here’ in 2011. He continues to tour with both YES and Asia. Christopher Braide is a multi-instrumentalist, Ivor Novello award-winning songwriter and producer who is based in Los Angeles. He is known for his outstanding work with Sia, Lana Del Rey, Beyoncé, Christina Aguilera, Marc Almond, David Guetta and many more. GQ magazine named him one of the most successful and influential men in the music industry under 40, and he continues to work with A-listers on both sides of the Atlantic. DBA is a labour of love for both Downes and Braide and together they form a unique combination. They have produced three critically acclaimed albums with ‘Skyscraper Souls’ being their most ambitious yet, it features the talents not only of the principals but also guest stars Marc Almond, Kate Pierson (B-52s), Andy Partridge (XTC), Ash Soan (The Voice) and David Longdon (Big Big Train). Chris Braide states: “Working with Geoff on the Skyscraper Souls album and its two predecessors has reacquainted me with the kind of music I love. Epic and euphoric.

YES feat. ARW Live! Produced by Jeffrey Crecelius, Wayne Hall, Preston Frazier and Bill Govier We're back with an in-depth review of Yes Featuring ARW's live new album. There are several different audio and video versions and it looks and sounds great! How does this collection sound and look? Do we miss Howe? Can we hear Lee Pomeroy's bass? Listen to the episode then let us know what you think! Yes50Fanconvention.com is now live! Become a YMP Patron: If you would like to support the Yes Music Podcast, there is a Patreon page where you can sign up. The iOS and Android YMP apps are no longer available unless you have an old version still on your device. Show notes and links Get your Yes 50th Anniversary free pass here Join the 50th Anniversary Facebook group here YMP patrons: Jeffrey Crecelius | Preston Frazier | Bill Govier | Wayne Hall | ... Robert Nasir | Joseph Cottrell | Michael O'Connor | Paul Tomei | Geoffrey Mason | Lobate Scarp | Fergus Cubbage | Steve Dill | Steve Scott | Peter Hearnden | Steven Reay |  ... Paul Wilson | Jamie McQuinn | Miguel Falcão | Ken Fuller | David Pannell | Brian Sullivan | Joost Doesburg | Jeremy North | Tim Stannard | David Watkinson | Steve Roehr | Geoff Baillie | William Hayes | Terence Sadler | Neal Kaforey | Simon Barrow | Dave Owen | John Cowan | ... Robert Please subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything. You can subscribe with an RSS reader, with iTunes, with the iOS Podcasts app, via email updates, via www.stitcher.com on Spreaker.com or via Tunein.com. Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

ABWH in all its wonderful variety Produced by Robert Nasir, Jeffrey Crecelius, Wayne Hall, Preston Frazier and Bill Govier Depending on your point of view, this week we take a detour from Yes - or not. It's time to look at Anderson Bruford Wakeman Howe and the singles from that self-titled album. There are plenty of variations to consider and we also have time to think a bit about Lee Pomeroy and ARW as well. Is this Yes? Does it matter? What were the singles like? Listen to the episode then let us know what you think! Yes50Fanconvention.com is now live! Geoff Bailie's New Yes Show! Geoff Bailie's brand new Yes show! https://progreport.com/radio/ Live at 7pm UK and 10am Eastern Time on Fridays! Then, get it on iTunes/Apple Podcasts. Become a YMP Patron: If you would like to support the Yes Music Podcast, there is a Patreon page where you can sign up. The iOS and Android YMP apps are no longer available unless you have an old version still on your device. Show notes and links https://www.youtube.com/watch?v=4YNGYS75TPQ https://www.youtube.com/watch?v=DowtwkiIBwQ https://www.youtube.com/watch?v=ZA8MIOU2E8k https://www.youtube.com/watch?v=P_rTzsGGVyk https://www.youtube.com/watch?v=Q7rILyFhqwc https://www.youtube.com/watch?v=zixdrSEQwuA Get your Yes 50th Anniversary free pass here Join the 50th Anniversary Facebook group here YMP patrons: Robert Nasir | Jeffrey Crecelius | Preston Frazier | Bill Govier | Wayne Hall | ... Joseph Cottrell | Michael O'Connor | Paul Tomei | Geoffrey Mason | Lobate Scarp | Fergus Cubbage | Steve Dill | Steve Scott ... Paul Wilson | Jamie McQuinn | Miguel Falcão | Ken Fuller | David Pannell | Brian Sullivan | Joost Doesburg | Jeremy North | Tim Stannard | David Watkinson | Steve Roehr | Geoff Baillie | William Hayes | Terence Sadler | Neal Kaforey | Simon Barrow | Dave Owen | ... Robert Please subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything. You can subscribe with an RSS reader, with iTunes, with the iOS Podcasts app, via email updates, via www.stitcher.com on Spreaker.com or via Tunein.com. Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

Joe and Paul discuss their second Yes featuring ARW show in as many nights. Topics include parking in Trenton, the ARW Fun Competition, Lee Pomeroy (with greatest apologies), Jon's joy in performing and Jon's chimes.

Tremendous apologies to Lee Pomeroy for this episode. In my defense I had had a VERY rough travel day to get to this show! :) This first installment in the Special Concert Series sees Paul and Joe begin their journey to experience Yes featuring ARW in three cities on three consecutive nights. The group covers the show in Reading PA on Sept 29 complete with clips from the show.

Produced by Preston Frazier, Bill Govier, Wayne Hall and Michel Arsenault. Mark went to see ARW in concert this week and he also managed to meet up with Lou Molino and Lee Pomeroy! He recorded some audio with Lee and  gives us his view of the show. In a complementary event, I received my Yes Active CD-ROM which is wonderful! What was the ARW concert like? How were Lou and Lee? What is the Yes Active CD-ROM like? Listen to the episode then let us know what you think! Become a YMP Patron! If you would like to support the Yes Music Podcast, there is a new Patreon page where you can sign up. The new iOS YMP app! Download it here. The new Android YMP app! Download it here. Mark's photos: Kevin's CD-ROM photos: Show notes and links Get your Yes 50th Anniversary free pass here Join the 50th Anniversary Facebook group here Rabinesque YesWest article including a section on the Yes Active CD-ROM https://www.youtube.com/watch?v=VmFuK-tdRpk https://youtu.be/3KDVuDb0Q20 Team Rock story about Baetrix Players Beatrix Players on Spotify Beatrix Players website YMP patrons: Preston Frazier | Bill Govier | Wayne Hall | Michel Arsenault ... Joseph Cottrell | Jeffrey Crecelius | Michael O'Connor | Paul Tomei | Geoffrey Mason | Lobate Scarp | Fergus Cubbage ... Paul Wilson | Jamie McQuinn | Miguel Falcão | Ken Fuller | David Pannell | Brian Sullivan | Joost Doesburg | Jeremy North | Tim Stannard | David Watkinson | Steve Roehr | Geoff Baillie | William Hayes ... Robert Please subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything. You can subscribe with an RSS reader, with iTunes, with the iOS Podcasts app, via email updates, via www.stitcher.com on Spreaker.com or via Tunein.com. Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org

Lee Pomeroy Produced by Preston Frazier, David Gordon, Bill Govier, Wayne Hall and Michel Arsenault. What a treat it was to welcome Lee Pomeroy, bassist with ARW amongst many other bands and projects, onto the show. We had a brilliant time talking to him and we hope you also enjoy listening to it. Mark reviews Time And A Word as well as taking the plunge with a new segment all about his passion for things technical in recorded Yes music. Enjoy! What's it like playing with Rick Wakeman? How important is it to honour Chris Squire's bass lines? Why do you play your bass upside down? Listen to the episode then let us know what you think! Become a YMP Patron! If you would like to support the Yes Music Podcast, there is a new Patreon page where you can sign up. YMP patrons: Preston Frazier | David Gordon | Bill Govier | Wayne Hall | Michel Arsenault ... Joseph Cottrell | Jeffrey Crecelius | Michael O'Connor | Paul Tomei | Julio Scissors | Geoffrey Mason | Lobate Scarp ... Paul Wilson | Jamie McQuinn | Miguel Falcão | Ken Fuller | David Pannell | Brian Sullivan | Joost Doesburg | Jeremy North | Tim Stannard | David Watkinson | Steve Roehr | Geoff Baillie | William Hayes ... Robert You can pre-order the box set here:  https://Vangelis.lnk.to/Delectus Vangelis Website: http://www.elsew.com https://www.facebook.com/VangelisOfficial/ Mark's vinyl review photos: Show notes and links The new iOS YMP app! Download it here. Close to the Edge analysis by Greg Dietz (pdf) Please subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything. You can subscribe with an RSS reader, with iTunes, with the iOS Podcasts app, via email updates, via www.stitcher.com on Spreaker.com or via Tunein.com. Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from the following two creative commons sources: thanvannispen and archive.org