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What makes “Billie Jean” one of the most timeless pop songs ever? Diallo Riddle and LUXXURY dive into Michael Jackson's masterpiece, unpacking its iconic (and borrowed) bassline, the innovative engineering that shaped its unmistakable sound, and how the song transformed MJ from superstar into a singular cultural force. Songs Discussed: “Billie Jean” - Michael Jackson (01:17) “C Is For Cookie (Funky Version)” - Cookie Monster (04:05) “Take On Me” - a-ha (06:34) “Pass the Dutchie” - Musical Youth (07:20) “Nightline” - Pointer Sisters (12:03) “Nightline” - Ellen Foley (12:10) “Should I Stay or Should I Go” - The Clash (12:40) “The Lady In My Life” - Michael Jackson (13:45) “The Girl Is Mine” - Michael Jackson & Paul McCartney (14:54) “Say Say Say” - Paul McCartney & Michael Jackson (15:13) “Hey Lover” - LL Cool J feat. Boyz II Men (15:57) “Wake Up” - Bill Wolfer (21:08) “State Of Independence” - Jon & Vangelis (25:52) “State Of Independence” - Donna Summer (28:01) “Only You” - Steve Monite (57:42) “Desperate Journalist In Ongoing Meaningful Review Situation” - The Cure (58:37) Learn more about your ad choices. Visit megaphone.fm/adchoices

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

2025 Show Notes addendum:   In light of the release of C1E100 (the final "non-retrospective" Ch 1), I thought it would also be good to release C2E20 (the final "non-retrospective" Ch 2) as a nice tie-in. Though my production quality has improved somewhat since late 2024, it is nowhere even remotely close to the quantum leap that is the difference between my Dec 2025 and my Jan 2017 production quality difference with C1E1. Channel 2 was a COMPLETELY different kind of show, though. Rather than being a vaguely NPR-esque mixtape-style program that was "less a podcast per se" and more "a late nite FM radio music program which just so happened to go out over the podosphere", Ch 2 was a "proper podcast" with a co-host out of Chicago and myself taking turns sharing tracks and talking about them. We wrapped the show at the end of 2024 because my co-host had been podcasting since 2009, and would be turning 50 in 2025, and so he decided at the end of 2023 that he would be retiring completely from podcasting at the end of 2024, and I didn't feel like replacing him, so we just wrapped it together. Anyway, since we referenced C2E20 and even featured a few tracks from it in C1E100, and since we're rerunning C1E1, I figured I'd rerun this too. By the way: that one upcoming Ch F one-off with Trey Johnson of NintenDomain and W.A.R.T. Radio will be in this exact format - only, obviously, a different co-host.   Anyway....enjoy! Also, this rerun will release on Christmas Eve. So, Merry Christmas to anyone who celebrates it - and a belated Happy Hannukah to anyone who celebrates it instead (I celebrate both, myself!) :-D   ------------------------------------------------------   orig show notes   Today's Broadcast is C2E20, for Theme Thursday, Oct 24th, 2024. All good things must come to an end. Today is the final “regular” (as in, “final non-retrospective” episode - and as opposed to “final all time” episode). This will be the final episode where we bring new tracks to the show, though. So it is still an ending. The theme, therefore, is ending music, on a program we're calling “...all good things…”   Track# / Track / Game / System / Composer(s) / Selected By   01) Summer Vacation - Tokyo Xanadu - Multiplatform - Takahiro Unisuga (Falcom Sound Team jdk) - Hugues Earcatcher - 00:00:00 Music - 00:00:03 Introduction - 00:05:23 Top of Show Business - 00:06:14 The Reveal of last episode's mystery themes - 00:09:44 Discussion - 00:24:38 02) Credits - Sonic 2 - Genesis - Masato Nakamura - St. John Music - 00:30:16 Discussion - 00:33:01 03) Staff Roll - Phantasy Star III - Genesis - Ippo Takeuchi - Hugues Music - 00:35:17 Discussion - 00:37:15 04) Ending - Super Castlevania IV - SNES - Masanori Adachi and/or Taro Kudo - St. John Music - 00:42:07 Discussion - 00:44:46 05) Ending - Another World - Amiga - Jean-François Freitas - Hugues Music - 00:54:53 Discussion - 00:56:27 06) Triforce Chamber - LoZ: Link to the Past - SNES - Koji Kondo Music - 01:00:40 Discussion - 01:02:09 07) The Credits Concerto - Donkey Kong Country - SNES - David Wise and/or Eveline Fischer - Hugues Music - 01:08:45 Discussion - 01:10:43 [EDITOR's NOTE: I partially confused Vangelis with fellow Greek musician, Iasos. My bad! -St. J] 08) Ground Zero - Shinobi III - Genesis - Hirofumi Murasaki, Morihiko Akiyama, and/or Masayuki Nagao - St. John Music - 01:16:19 Discussion - 01:18:38 09) Good End - Streets of Rage II - Genesis - Yuzo Koshiro and/or Motohiro Kawashima - Hugues Music - 01:34:07 Discussion - 01:36:30 10) End Credits - Mega Man 3 - NES - Yasuaki Fujita and/or Harumi Fujita - St. John Music - 01:43:56 Discussion - 01:46:14 11) Farewell and a Decision - Grandia II - PS2 / Dreamcast - Noriyuki Iwadare - Hugues Music - 01:49:38 Discussion - 01:54:26 12) Ending - Stray - Multiplatform - Jan van der Cruyssen - St. John Music - 02:01:40 Discussion - 02:05:12 13) 16th Floor - Speedrun Tower - Genesis - c: JAM / a: Hugues Johnson - Hugues Music - 02:10:48 Discussion - 02:12:38 End of Show Business - 02:22:27 Closing track Discussion - 02:29:49 Sign-off - 02:30:44 14) Ending - Super Mario World - SNES - Koji Kondo - St. John Music - 02:30:51 Outtakes - 02:34:52 BONUS - the “Composed by St. John / arranged by Jay Cook” collection “Floor It!” from the Game “X-Racer” (Hydra Development System) - 02:39:52 “In-Game Theme” from the Game “Ranquest” (Hydra Development System) - 02:41:07 Total Episode Runtime: 02:44:07 Hugues' blog can be found here:    https://huguesjohnson.com/   St. John's Mom's flute business can be found here: Website:  www.valwedgeworth.com   Facebook: https://www.facebook.com/share/g/UxpsjWw3Js5uUtLf/   Valerie's Flute Entertainment, LLC (Playing the Decades) Email: valerie@valwedgeworth.com Note: St. John called it “Val's Flute Entertainment”, instead of “Valerie's Flute Entertainment”, but it used to be called “Val's Flute”.    You can find Nerd Noise Radio on Facebook and on Twitter each @NerdNoiseRadio. There are also two Facebook Groups: Nerd Noise Radio “Easy Mode” where we just have general video game and nerd fun, or for the gearheads among you, Nerd Noise Radio “Expert Mode” where we deep dive sound hardware, composer info, and music theory.    You can find the blog at www.nerdnoiseradio.blogspot.com. Where we sometimes share additional show notes, and inside info. You can also find Nerd Noise Radio on Archive.org, where we have remixes and super bonuses only available there (such as a music-only alternative version of today's show).   Nerd Noise Radio is also a member of the Retro Junkies community, which can be found at www.theretrojunkies.com. And we are a member of the VGM Podcast Fans community on Facebook. St. John is also the admin of the Podcasters of Des Moines Facebook group, which features a number of other podcasters and great programs from the greater Des Moines area.   Thanks for listening! Join us again later this month for a very special Channel 1 (subject a surprise for now), and then again in November for a sequel Ch 1 and for our Ch 2 “Best of Season 4 retrospective” - which will be our second-to-last ever installment of Ch 2…..Delicious VGM on Noise from the Hearts of Nerds, as well as Tasty VGM and Talk on Nerd Noise Game Club…and wherever you are….Fly the N!   Cheers!

Pour le dernier direct de l'année, une première partie d'émission franco-québecoise en commençant par une révélation bretonne : MOUNDRAG ! Fermez les yeux et écouter ce son qui semble arriver tout droit des 70's, comme si les membres de King Crimson, ELP, Genesis et Deep Purple avait créée un super-groupe...Sauf que nous sommes en 2025 et que pour composer ce super-groupe bien ancré dans le présent, ils sont... deux ! "Deux" aussi comme le nom de leur 2ème album pour les frères Camille et Olivier GOELLAËN DUVIVIER (on avait déjà eu une idée bien enthousiaste avec le 1er opus entendu déjà dans Amarok à sa sortie). Alors d'Eux, que dire de plus pour vous convaincre d'en devenir fan ? Par exemple d'aller les écouter en live et dès ce samedi 20 décembre au VIP de St Nazaire !      Les années 70 au Québec pour les amateurs de rock progressif que nous sommes, resteront marquées par ce groupe qu'on pourrait d'ailleurs plus volontiers mettre dans la case "folk progressive", s"il fallait absolument tout classer... HARMONIUM, malgré une carrière en trois albums seulement, aura durablement marqué son époque et ce soir, nouvel hommage à son co-fondateur Serge Fiori parti cet été chercher la fameuse 5ème saison...Une histoire sans paroles mais tellement forte en émotions tirée de cet album poétiquement intitulé "Si On Avait Besoin d'Une Cinquième Saison" en 1975, mais rééditée depuis  sous le raccourci de "La 5ème saison". A écouter casqué pour  une téléportation garantie !  En France, 1989 était marqué par diverses célébrations du bicentenaire de la Révolution et c'est avec beaucoup d'audace qu'un certain Jean-Pierre Chevènement, Député-Maire de Belfort devenu Ministre sous François Mitterrand, confiait aux enfant terribles de son beau Territoire la charge de créer un spectacle ballet. Ces enfants (non pas du hasard, mais des grands noms des chanteurs à texte français et du rock anglais) se prénomment ANGE bien sur ! Alors qu'Amarok effeuille Cunégonde tout au long de la saison (je précise afin d'éviter tout procès, que Cunégonde est le nom du tout nouvel album du groupe ☺️), rien ne nous empêche de remonter dans le passé de cette prestigieuse formation avec un extrait de l'album crée pour ce bicentenaire : "Sève Qui Peut" !  Enfin pour terminer cette 1ère partie, direction le sud de  la France avec un extrait du tout nouvel album de  BOB SALIBA : "Testimony" , un album somme toute assez intimiste que l'auteur-compositeur dédie notamment à son fils mais aussi à ses proches et où le nouveau chanteur du groupe Sloane Square Band" y exprime une émotion palpable et rageuse. Une nouveauté recommandée aux amateurs de guitares qui saignent !  Poursuivant notre aventure progressive, traversons la méditerranée pour la Grèce ! Enfin sur le papier, car si APHRODITE'S CHILD est athénien, l'enregistrement de son 3ème et ultime opus "666" était réalisé à Paris, le groupe s'éloignant de la politique de persécution du régime des colonels. Évidemment censuré dans leur pays, cet album y sera remixé plus tard et cette version alternative est d'ailleurs parue l'année dernière dans une édition restaurée de ce double-album concept, l'un de mes préféré du rock progressif de cette période ! Puis les membres se sépareront pour suivre des carrières musicales dans des univers distincts comme la musique de film pour Vangelis ou la variété pour Demis Roussos.  LA représentante du Royaume Uni de cet épisode est la grande KATE BUSH avec un extrait de son 5ème album "Hounds Of Love" sorti en 1985 (qui se dispute d'ailleurs le titre du meilleur opus de l'artiste avec le précédent "The Dreaming"). Et si Dame Bush est inclassable, c'est une période ou sa musique flirt avec le rock progressif avec une utilisation intelligente des synthétiseurs car rares sont les œuvres des 80's dont les sons de claviers ont aussi bien vieillis !                     Proposant une autre ambiance mais tout aussi inclassable, l'avant-gardiste FRANK ZAPPA publiait en 1973 un album toutefois plus accessible que sa production habituelle : "Over-Nite Sensation"  avec ses Mothers Of Inventions. Une galette au son plutôt funky et au format plus ramassé, un bon moyen d'accès à l'univers incroyable de cet artiste iconoclaste et devenu culte !  Toujours en territoire américain mais enregistré en France pour boucler la boucle, de ce numéro d'Amarok, le nouvel album live de DREAM THEATER célèbre les 40 ans de la machine et bien sur les fans se sont réjouis du retour au bercail de Mike Portnoy ! Ce dernier annonce qu'un prochain album du groupe ne verrait pas le jour avant fin 2026 (c'est déjà pas mal !). En attendant, un extrait live de ce fabuleux "Quarantième, Live à Paris 2024", et je vous ai choisi un titre paru originellement sur leur 2ème opus "Images And Words"  en 1992. La semaine prochaine il parait que c'est Noël ! Pas de direct pour Amarok mais je vous concocte une playlist live rétrospective 2025 consacrée à un seul groupe, issus de différents albums des 70's sortis officiellement pour la 1ère fois cette année ainsi que des extraits de concerts de leurs membres solos également parus cette riche année pour leur maison de disque

Les places pour leur concert de juillet 2026 à Pompéi se sont vendues en deux minutes ! Une date a été rajoutée, évidemment sold out également ! MARILLION a visiblement toujours la côte et rassurez-vous d'autres dates sont programmées cet été mais il vous faudra voyager, rien à l'horizon hexagonal... Plus simplement, en allumant la radio, un extrait de leur 14ème album "Somewhere Else" dans ce numéro. Après le néo-prog, le rock progressif originel et l'album sans doute le plus prestigieux du groupe CAMEL : "The Snow Goose",  pièce instrumentale et monumentale née en 1975, nécessaire à tout bon collectionneur du genre !  Toujours instrumentale, mais après une révolution technologique, le genre s'est diversifié et modernisé, ôtant parfois ses atours purement "rock" pour des sons plus aériens, genre dont l'un des Maîtres incontestables en pleine activité à ce jour est notre ami anglais RICHARD ANTHONY BEAN. Après sa longe fresque en trois volets dédiée aux divinités de l'Olympe, le fils spirituel de Jarre et autre Vangelis    a sorti un nouvel album la semaine dernière, très différent mais toujours efficace pour qui souhaite s'évader. De bonnes conditions sont recommandables (casque, installation hifi..) pour profiter pleinement et à sa juste valeur de ce nouvel opus : "Geostrophic Pathways" à la fois moderniste et accessible. Un pur moment de lâcher prise garanti en ces temps tourmentés !  Direction les USA et plus précisément le Colorado ou en 2019 cinq anciens camarades de Lycée ont décidé de se lancer le défi de réinventer  le rock progressif (rien que ça !) et les jams bands. Ils allient notre genre adoré avec la dance et le jazz fusion, puisant leur inspiration chez Rush, Pink Floyd ou King Crimson en y ajoutant une pincée d'impro. Résultat, après un 1er album récompensé en 2023, les SQUEAKY FEET récidivent avec "Overview Effect" , véritable coup de cœur pour cette jeune formation porteuse d'espoir et que je vous recommande !  Mais la France n'est pas  en reste ! Pour citer l'une des formations inspirantes de nos jeunes amis américains, si vous appréciez King Crimson ou leurs compatriotes de Magma (qu'on retrouve à la fin de ce numéro), vous ne serez pas insensible à ARNAUD QUEVEDO & FRIENDS, formation rochelaise (mais que vous connaissez déjà si vous êtes fidèles à cette émission ce dont je ne doute pas

Ai que ve la IA! Críica teatral de l'obra «Ai! La misèria ens farà feliços», de Gabriel Calderón. Traducció de Joan Sellent. Intèrprets: Pere Arquillué, Daniela Brown, Joan Carreras i Laura Conejero. Escenografia i il·luminació: Laura Clos “Closca”. Vestuari: Adriana Parra. So: Ramon Ciércoles. Ajudanta d'escenografia: Sergi Cerdan. Cap tècnic: Pere Capell - AP7 Projectes tècnics. Regidora: Roser Puigdevall. Maquinista: Koko (Lluís Nadal). Tècnic de llums: Àngel Puertas. Tècnic de so: Marcel Ferrer. Producció executiva: Macarena García. Alumna en pràctiques: Julieta Dentone Silva (ESAD - ITB, direcció). Construcció escenografia: Taller d'escenografia Castells. Confecció vestuari: Núria Monfort. Comunicació i distribució: Bitò. Equips del Teatre Lliure. Coproducció: Teatre Lliure i Temporada Alta. Ajudanta de direcció: Martina Cabanas. Direcció: Gabriel Calderón. Teatre Lliure Gràcia, Barcelona, 4 desembre 2025. Veu: Andreu Sotorra. Música: One More Kiss, Dear. Interpetació: Vangelis. Composició: Peter Skellern i Vangelis. Àlbum: Blade Runner, 1994.

Helen and Gavin chat about The Perfect Neighbor, West End Girl, Predator: Badlands, and Die My Love and it's Week 25 of the list of Grammy Record of the Year Winners from 1983, which will be picked from Steppin Out by Joe Jackson, Ebony and Ivory by Paul McCartney and Stevie Wonder, Always on My Mind by Willie Nelson, Rosanna by Toto, and Chariots of Fire by Vangelis.

My monthly 101 Dimensions program includes nearly two hours of progressive electronic and ambient music from Sverre Knut Johansen, Edgar Froese, Vangelis, Redshift, and Michael Stearns & Ron Sunsinger!    

Jon Anderson Special Part 2We continue our deep dive into Jon Anderson's solo catalog, rare collaborations, and live bootlegs. This episode features tracks with Tangerine Dream, Béla Fleck, Marco Sabiu, and Vangelis plus live cuts from ABWH, Band Geeks, and Yes featuring ARW. Includes selections from Olias of Sunhillow, Invention of Knowledge, The Living Tree, and more.1.“Birdsonging” – Jon Anderson (From Me To You, 2008) (Intro Bed)2.“Family Circle” – Jon Anderson & Matt Malley (Single, 2015)3.“Knowledge” – Anderson/Stolt (Invention of Knowledge, 2016)4.“It's About Time” – Tadamitsu Saito (It's About Time, 2023)5.Vocal Demo – Jon Anderson (Slate Digital VMS Demo, 2016)6.“Loved By The Sun” – Jon Anderson with Tangerine Dream (Legend: Original Motion Picture Soundtrack, 1985)7.“Heaven Sent” – Robin Crow (Let It Glow, 1995)8.“Orchasm” – The Spaces Between featuring Jon Anderson (Let's Leave It At This For Now…, 2023)9.“Limitless Lives” – Jon Anderson & Marco Sabiu (Single, 2022)10.“The Friends of Mr. Cairo” – Jon & Vangelis (Live 1982 Convention Hall 8.6.82 [Bootleg])11.“Changes” – Yes featuring Jon Anderson, Trevor Rabin & Rick Wakeman (Live at the Apollo, 2018)12.“Birthright” – Anderson Bruford Wakeman Howe (Live at the N.E.C., Oct. 24th 1989)13.“Richard” – Jon Anderson (Live From La La Land, 2007)14.“Perpetual Change” – Jon Anderson & The Band Geeks (Live – Perpetual Change, 2023)15.“Morning Star” – Anderson/Wakeman (The Living Tree, 2010)16.“The Meeting” – Anderson/Wakeman (The Living Tree In Concert Part One, 2011)17.“Prelude to Dawn” – Dennis Haklar (Lizard's Tale, 2012)18.“Cage of Freedom” – Jon Anderson (Metropolis: Original Motion Picture Soundtrack, 1984)19.“Time And A Word / Soon” – Jon Anderson (The Mother's Day Concert, 2006)20.“Flight of the Moorglade” – Jon Anderson (Olias of Sunhillow, 1976)21.“A Moment So Close” – Béla Fleck & The Flecktones (Outbound, 2000)22.“Garden of Senses” – Jon & Vangelis (Page of Life, 1991)23.“A-DE-O” (Alternate) – Jon Anderson (Pasadena 1993 [Bootleg])

Repasamos y comentamos los soundtracks qué realizó el músico griego Vangelis.

In this episode of the Mr. Beacon Podcast, José Cantera from the IOTA Foundation explains how IOTA's distributed ledger technology is transforming global supply chains. We discuss the Tangle, the Twin project in Africa and the UK, and Europe's Digital Product Passport, showing how open-source, energy-efficient infrastructure is building trust, transparency, and sustainability across industries — turning blockchain theory into real-world impact.Jose' Favorite Songs:“It's The End Of The World” by R.E.M.: https://www.youtube.com/watch?v=Z0GFRcFm-aY“Chariots Of Fire” by Vangelis: https://www.youtube.com/watch?v=8a-HfNE3EIo“Philadelphia” by Bruce Springsteen: https://www.youtube.com/watch?v=4z2DtNW79sQMister Beacon is hosted by Steve Statler, CEO of ambientChat.ai — Using AI to connect people with places and things with an app that puts you in control of YOUR data.Our sponsor is Identiv https://www.identiv.com, whose IoT solutions create digital identities for physical objects, enhancing global connectivity for businesses, people, and the planet. We are also sponsored by Blecon http://www.blecon.net. Blecon enables physical products to communicate with cloud applications using Bluetooth Low Energy. Hosted on Acast. See acast.com/privacy for more information.

Imagine-toi à Chamonix, un soir de fin d'été. Les montagnes sont encore baignées de lumière. La musique de Vangelis s'apprête à retentir. Autour de toi, des centaines de coureurs venus du monde entier, le regard tourné vers les sommets. Et au milieu d'eux, Vincent Charbonnier, un coureur amateur, papa de deux enfants, passionné de trail, membre de la communauté Patreon du podcast À CÔTÉ DE MES POMPES. À 40 ans, Vincent s'est offert un cadeau un peu particulier : l'UTMB, la course mythique autour du Mont-Blanc. Pas pour la gloire. Pas pour le chrono. Mais pour vivre une aventure humaine, une expérience de dépassement, une parenthèse de vie partagée avec sa famille. Dans cet épisode, il revient sur son parcours, ses années d'apprentissage, sa préparation millimétrée, mais aussi les doutes, les sacrifices et la fierté de franchir cette ligne d'arrivée tant rêvée. Un épisode sincère et plein de passion… Bienvenue dans cette immersion au cœur d'un des plus grands rendez-vous de la planète trail, à travers les yeux d'un coureur amateur devenu finisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Yessounds 026: Imagination UnleashedThis time we explore Rick Wakeman's “A Gallery of the Imagination”. Also, songs from Trevor Rabin, Jon & Vangelis, Steve Howe, Shaw/Blades and more.  1 Myo Maya – Jon Anderson2 Release, Release – Yes (Tormato)3 Rise and Fall – Patrick Moraz (The Story of I)4 The Only Thing She Needs – UK (Danger Money)5 Hidden Depths – Rick Wakeman (A Gallery of the Imagination)6 Cuban Carnival – Rick Wakeman (A Gallery of the Imagination)7 Louisiana Blues – Paul Rodgers (feat. Trevor Rabin)8 Perpetual Change – Yes (Live from Yessongs)9 Nature of the Sea – Steve Howe (Beginnings)10 A Mirage in the Clouds – Rick Wakeman (A Gallery of the Imagination)Whisker Shuffle11 Red Light Ahead – Conspiracy (Sherwood & Squire)12 Meadow Rag – Steve Howe (Homebrew)13 Some Are Born – Jon Anderson (Song of Seven)14 Catherine Howard – Rick Wakeman (Six Wives of Henry VIII)15 Sludge – Trevor Rabin (Live in LA)16 Your Move – Shaw-Blades (Influence)17 State of Independence – Jon & Vangelis (The Friends of Mr. Cairo)18 Does It Really Happen? – Yes (Drama)19 Loving Sea – Steve Hackett (Wolflight)20 The Enchanter – Oliver Wakeman (The 3 Ages of Magick)21 The Dinner Party – Rick Wakeman (A Gallery of the Imagination)22 As The Night Falls… and Continues – Peter Banks

¿Debe España pedir perdón por la conquista de América? La pregunta, que reaparece cada cierto tiempo, parte muchas veces de una visión simplificada y sesgada de la historia. Se olvida que el encuentro entre ambos mundos no fue un acto de simple dominación, sino el inicio de una transformación profunda que dio lugar a una nueva civilización: la hispana. Durante aquellos siglos se fundaron universidades, hospitales y ciudades; se difundió una lengua común y se desarrolló un mestizaje cultural y humano único en el mundo. Juzgar aquellos hechos con los valores actuales es injusto y anacrónico, pues el Imperio español actuó dentro de las lógicas de su tiempo, igual que el resto de potencias europeas. España no tiene que pedir perdón por la Hispanidad, porque no se trata de un crimen, sino de una historia compartida, con luces y sombras, que hoy nos une a ambos lados del Atlántico. La polémica sobre el “perdón” responde más a la vieja Leyenda Negra, construida por los enemigos de España, que a la realidad de los hechos. En lugar de alimentar culpas artificiales, conviene reconocer la herencia común, valorar lo que nos une y afrontar el pasado con madurez. La hispanidad no es motivo de arrepentimiento, sino de reflexión y orgullo histórico. Para hablar de todo esto y mucho más, hoy contamos de nuevo, con Úrsula Camba, doctora en historia por la Universidad de México, asesora en medios audiovisuales y autora de varios libros, como el que hoy vamos a tener por referencia, titulado Disculparse o no esa es la cuestión. Música: BSO 1492 La conquista del Paraiso. Vangelis

SUNESIS regresa para llevarnos más allá con "Destinations", un LP que materializa su universo sonoro en un vinilo de edición limitada. En esta conversación, exploramos cómo nace la idea de lanzar un formato físico en la era digital, impulsada por una tienda de ciencia ficción en Barcelona. Descubrimos la cuidadosa curaduría de tracks que narran un viaje espacial, los sonidos que homenajean a Vangelis, y la experiencia inmersiva que incluye tarjetas con realidad aumentada para visualizar planetas de Star Trek, Dune y Alien. Una oda al retrofuturismo, el diseño 3D y la escucha activa, que celebra 5 años de viajes siderales sonoros.https://sunesis.bandcamp.com/album/destinationshttps://ampwall.com/a/sunesishttps://open.spotify.com/intl-es/album/2XnujlNcTuR2c5MFgfSymchttps://www.youtube.com/watch?v=Q23Vtky_KTMhttps://www.instagram.com/sunesismusic/https://www.facebook.com/SunesisMusichttps://www.tiktok.com/@sunesis_musicLas tarjetas de realidad aumentada hechas por -From Outer Space- TheScifiNerds https://www.etsy.com/es/shop/TheSciFiNerds y Realidad Aumentada hecha por GreetingsEarthlings!  https://greetingsearthlings.net/ 

In our latest tribute, Janet, John, (and Pen) celebrate the life and career of a revered Greek musician and composure who found success  across many different genres... Vangelis! His career began in rock bands,  where with Aphrodite's Child he helped create the album 666, which would become a progressive-pyschadelic rock classic. He continued to find success in the music industry before transitioning to scoring films with Charitos of Fire in 1981, for which he would win Best Original Score at the Academy Awards. His career was launched to new heights and would continue making music for classic moves movies such as Blade Runner (1982), Missing (1983), Antarctica (1983), The Bounty (1984), 1492: Conquest of Paradise (1992), and Alexander (2004). His career in music spanned over 50 years, making him one of the most important figures in modern film music.  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

Per festeggiare la puntata 300 direttamente dai bastioni di Orione è arrivato Edoardo Saccone per parlare di "Blade Runner" pietra miliare della fantascienza al cinema e nel finale due parole anche sul sequel diretto da Denis Villeneuve "Blade Runner 2049".E dopo la puntata non perderti il bellissimo episodio dedicato alla musiche del film realizzate da Vangelis dal podcast "Cinescore le musiche nel cinema"SPOTIFY: https://open.spotify.com/episode/3vopKvxhu1OoI72w6rUwVi?si=04d3a64d6c004486APPLE PODCAST:https://podcasts.apple.com/it/podcast/cinescore-le-musiche-nel-cinema/id1706628481?i=1000629683660

Enfin, ANGE nous présente sa dernière œuvre ! Longtemps annoncée, sorties reportées, elle a su se faire désirer mais cela en valait la peine ! Je vous parle de Cunégonde, ma nouvelle amie ! Je n'ai de cesse de la faire tournoyer sur ma platine CD ! Je vous le dis : pour moi l'un des meilleurs opus du groupe et ce n'est pas seulement l'émotion de la nouveauté car j'ai eu l'honneur de faire connaissance avec la Belle cet été avant sa sortie officielle. Alors j'avoue être complètement envouté par ses qualité musicales, la voix puissante et émouvante de Tristan Décamps (devenu principal chanteur), les textes et (encore la voix sur quelques pépites) de Christian Décamps, les arrangements inspirés des musiciens, la production particulièrement qualitative de Benoit Cazzulini (également batteur de la formation). Bref, quant on aime on ne compte pas alors évidemment, Cunégonde nous tiendra compagnie durant cette saison ! Pour le direct de ce soir : "Un Diamant Dans Le Cœur" (oui je sais être généreux

De Vagginadis a Vangelis. De Papakanellos a Escobar ou de Gustavão a Jardeu: os nomes que fazem parte do nosso futebol!

Nos conectamos con Nueva York para adentrarnos en el arte de Liam Canet Leiva, un compositor que transforma el caos de la ciudad en paisajes sonoros épicos. En esta charla, Liam nos revela cómo creó "The Icy Tundras", un EP que nació como un escape mental a las gélidas planicies de la Antártida, Islandia y la Patagonia. Hablamos de la intuición detrás de elegir un sonido, de la influencia de gigantes como Vangelis y Trent Reznor, y del desafío de construir una identidad sonora como un camaleón en la industria del cine. https://open.spotify.com/intl-es/artist/28J1IlTRPKgJAXs3Rtazirhttps://www.youtube.com/channel/UC_3McRYWmn9jRANBt9jjrQAhttps://www.instagram.com/liamcanet/https://www.tiktok.com/@liam.canet

Tiempos de Radio, tu podcast de música favorito, presenta a Kokkinià, banda progresiva y pesada de Nikea, Atenas, Grecia, que ha sabido forjar un sonido fuera de lo convencional. Conformada por Savvas (batería), Dimitris (bajo), Marinos (guitarra) y Vangelis (voz), la agrupación debutó con fuerza en 2022 con el sencillo Tromos/Thyella y más tarde sorprendió con Arboreal, hasta consolidar su identidad en su esperado primer álbum: The Last Are Lost From the List. En esta entrevista exclusiva conocerás cómo fue el proceso creativo de este trabajo, su evolución desde los primeros ensayos hasta la colaboración con el sello francés BITUME, y cómo su música busca expandirse más allá de Grecia para inspirar a nuevas audiencias en todo el mundo . 🎧 Una conversación profunda sobre música, pasión y sueños cumplidos. ¡No te pierdas esta entrevista que conecta Grecia y Latinoamérica en un mismo escenario sonoro! Bandas invitadas: Baba Yaga de Argentina y Luna Cáustica de Colombia. #TiemposDeRadio #podcast #entrevista #música #rock #Kokkinia #Grecia #BabaYaga #LunaCáustica 🎶 Suscríbete, comparte y comenta, y recuerda, todo en exceso es malo, excepto el rock 🤘. Si quieres participar en la siguiente edición, apresúrate y contáctanos en 👇 linktr.ee/TiemposdeRadio El único requisito es tu entusiasmo. Tiempos de Radio es un podcast transmitido desde Lima - Perú 🇵🇪 para Hispanoamérica Radio en Ecuador 🇪🇨, Metal Rock Station en Puerto Rico 🇵🇷, Radio Krimen online y Radio Dada, ambas en Argentina 🇦🇷, Rock Live Radio en Costa Rica 🇨🇷, Perfecta Radio en Cincinnati - Ohio, USA 🇺🇸 y para Tiembla Radio en Móstoles, España 🇪🇸. Dirección, producción y conducción: Luis Antonio Varela Bohórquez. Copyright de grabación: Todos los derechos de la música utilizada en este podcast pertenecen a los autores, compositores o intérpretes.T7 E23: El Flacotirador vuelve a Tiempos de Radio, trayectoria, riffs y rock urbano desde Girona Tiempos de Radio, tu podcast de música favorito, presenta el regreso de El Flacotirador a nuestros micrófonos. Tras brillar en nuestro especial de rock español, el rockero urbano de Girona profundiza aquí en su carrera, comparte anécdotas crudas del camino y desvela las raíces de su inconfundible sonido callejero. Ajusta tus audífonos, sube el volumen y acompáñanos en esta charla sin filtros. ¡el rock se vive mejor en Tiempos de Radio! Bandas invitadas: Space Traffic de Italia, Wildchains de Portugal, Ido de España/Argentina, Felipe Azócar de Chile, y Clara Plath de España. #TiemposDeRadio #podcast #entrevista #música #rock #ElFlacotirador #SpaceTraffic #Wildchains #Ido #FelipeAzócar #ClaraPlath 🎶 Suscríbete, comparte y comenta, y recuerda, todo en exceso es malo, excepto el rock 🤘. Si quieres participar en la siguiente edición, apresúrate y contáctanos en 👇 linktr.ee/TiemposdeRadio El único requisito es tu entusiasmo. Tiempos de Radio es un podcast transmitido desde Lima - Perú 🇵🇪 para Hispanoamérica Radio en Ecuador 🇪🇨, Metal Rock Station en Puerto Rico 🇵🇷, Radio Krimen online y Radio Dada, ambas en Argentina 🇦🇷, Rock Live Radio en Costa Rica 🇨🇷 y para Perfecta Radio en Cincinnati - Ohio, USA 🇺🇸. Dirección, producción y conducción: Luis Antonio Varela Bohórquez. Copyright de grabación: Todos los derechos de la música utilizada en este podcast pertenecen a los autores, compositores o intérpretes.

Welcome to Yessounds Episode 024. This episode's packed with deep cuts, solo gems, and a Featured Album that paints in candlelight: From Brush & Stone by Gordon Giltrap & Rick Wakeman. We've also got a Whisker Shuffle curated by Lenny himself, a Cover Song Spotlight, and a few poetic detours along the way.Track list:1.  (Intro) If A Picture – Oliver Wakeman  2.  Turn of the Century – Yes  3.  The Chagall Duet – Jon Anderson  4.  Sketches in the Sun – GTR  5.  The Savannah Bird – Gordon Giltrap & Rick Wakeman  (Featured Album)  6.  The Thinker – Gordon Giltrap  (Featured Album)  7.  Closer to the Sky – Tarja feat. Trevor Rabin  8.  And You and I – Yes  9.  Change We Must – Jon Anderson  10.  The Kiss – Gordon Giltrap & Rick Wakeman  11.  Mood for a Day – Steve Morse  12.  A for Aria – AndersonPonty Band  13.  Shoot High Aim Low – Yes  14.  Nine Voices (Longwalker) – Yes  15.  We Agree – Yes  16.  She Said Maybe... – Steve Hackett  17.  Free (Some Would Say) – Jon Anderson  18.  Rick Wakeman's Intros – ABWH  19.  Lure of the Wild – Wakeman with Wakeman  20.  The Death of Chatterton – Gordon Giltrap & Rick Wakeman  21.  Picasso – Yes  22.  Page of Life – Jon & Vangelis  23.  Soon – Yes  24.  The Light of the World – Gordon Giltrap & Rick Wakeman  

The first three weeks of the Premier League season have already brought more ups and downs than most - just another normal time at a perfectly normal football club. In our Football Terrorists show: Edu takes a spin on the Wheel of Misfortune A penny for the thoughts of Nuno, Vangelis and Omari Thoughts on the Europa League, Elliot Anderson, tactics and tribulations Plus Jeremy Davies' Sketch and Ukrainian football expert Andrew Todos on Oleksandr Zinchenko Hosted by Rich Ferraro with Tom Newton, Steven Toplis, Baz and The Maradona Of The Midlands. We'll be back later in this week with our report on Forest's first WSL2 match and a trip to Yatesy's Espresso Bar. Subscribe to 1865: The ORIGINAL Nottingham Forest Podcast via your podcast provider, and please leave a review, as it helps other Forest supporters find our content: ⁠⁠⁠⁠⁠Apple⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠. Join us on ⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠. 1865: The Nottingham Forest Podcast is part of the ⁠⁠⁠⁠⁠Sports Social Network⁠⁠⁠⁠⁠, and partnered with ⁠⁠⁠⁠⁠FanHub⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

    This mix started via a Spotify playlist with the same name - "You're in an 80s Film Driving at Night." I really liked the synth vibes so I created my own folder at home and began collecting tracks. The mix has a great retro vibe even though many of the tracks are from the last 10 years. But, of course, I had to include some cuts from the time period with songs from Tangerine Dream, John Carpenter & Vangelis. Hop in your Delorean and head back to the 1980s for some retro electronic goodness. Cheers!   T R A C K L I S T : 00:00   All India Radio - Rust (Solo Electronique 1984 2017) 02:47   Tangerine Dream - Dr. Destructo (Thief 1981) 05:45   Sinoia Caves - 1983 Main Theme (Beyond the Black Rainbow 2014) 08:15   Emmx - The Nation (The Nation 2022) 11:00   A.L.I.S.O.N - Subtract (Signal Flow 2019) 15:45   John Carpenter - He's Still Alive/Romero (Escape From New York 2005) 17:55   Harold Faltermeyer - Logo-Bakersfield (The Running Man 1987)  20:50   Baldocaster - Map to the Stars (Part II) (Solare 2019) 22:25   Tangerine Dream - Love on a Real Train (Risky Business 1984) 26:00   Volkor X - Outlaws (Heart Wired, Pt. 1 2019) 31:51   Baldocaster - Shadow Figures (Memorie 2022) 36:17   John Carpenter - Night (John Carpenter's Lost Themes 2015) 39:45   Vangelis - Blade Runner(End Titles) (Blade Runner 1994) 44:08   Cliff Martinez - Bride of Deluxe (Drive 2011) 46:47   Disasterpeace - Detroit (It Follows 2015) 47:52   Inhmost - Gravity(feat. Nashira) (Dragbacks on Dockweiler State Beach 2015) 53:16   Tangerine Dream - Beach Scene (Thief 1981) 59:11   end

In this episode, I sit down with Vangelis (an investor from Greece) to unpack his first year of investing.We talk about:Why money is taboo and how the 1999 stock market crash still shapes how people see investing today.From grandparents teaching him delayed gratification to saving for years to buy his first PS3 and how those habits set the stage for his future.How Vangelis moved from saving → gambling in crypto → finally building a disciplined ETF-based portfolio.Why training in the gym and investing share the same formula: discipline, patience, and avoiding shortcuts.His story proves that even if you grow up in a culture where money isn't talked about, you can rewrite the script.What did you think of the episode? Let us know!Support the show

• David returns as their first repeat guest to share the wild story of how he fought to get his company back after selling just 15 percent to a partner whose lawyer secretly worked against him in what sounds like a business nightmare straight out of a thriller movie• The heartbreaking loss of Speed the retired cop who was Davids right hand man at the shop in 2020 changed everything and forced them to completely rethink how they operate and train people since some folks are just irreplaceable legends• Moving a machine shop from Atlanta to Vegas involves lag bolting heavy equipment directly to rental truck floors and using forklifts to pull 7500 pound machining centers off trailers in the most terrifying way possible while praying nothing drops in the parking lot• Woodworking used to be an affordable hobby where you could get decent plywood at Home Depot but now young people are priced out unless they have serious cash or are trying to make it their career which has shifted Gearharts customer base• The battle between branding irons and laser marking comes down to authentic human touch versus sterile factory perfection with David arguing that people crave something with actual soul and character instead of mass produced Amazon cutting board vibes• Customer service involves lots of graphics fixing since people send everything from napkin drawings to low resolution photos while trying to balance being helpful without being condescending about basic design mistakes• Quick fire questions reveal David wanted to be a hobo as a kid and actually rode freight trains plus he would teleport to South America and wants a Vangelis soundtrack for his life• The demographic conversation gets real about how materials and costs have changed so dramatically that casual hobby woodworking is basically dead for most young people who also have limited space• Safety glasses everywhere is the golden rule after David got a hot brass chip to the eyelid and realized he was doing safety squints like an idiot so now he bought 96 pairs and scattered them around the shop like guitar picks• Family chaos provides the perfect soundtrack with crying children in the background proving that even successful business owners are just trying to survive parenthood while running companies and moving heavy machinery

This month's 101 Dimensions offering includes nearly two hours of electronic/ambient/progressive music by Harmonia, Matt Baber, Silicon Psychosis, Vangelis, and Time Being!

Kenny and Mark head back into the shadows of Hollywood noir and portraiture on this slinky gem that opens the deluxe edition of Rebel Heart. Topics include the M Experience, the fucking GRILLZ, nom de plumes, Art of Noise, Vangelis, champagne and big cigars, remembering “Justify My Love”, sex tapes, a license to chill, and the Madonna song that everyone walks down the wedding aisle to. Plus an inevitable conversation about Mark and Kenny's personal best nights (with a cameo from Broadway legend Betty Buckley). Pay with love.

In this weeks Quantum we look at Muslim dogs, British Afghans; Masterchef; the Cold Play concert reveal;  Banning British flags in Brirish schools; Sandi Peggi and the madness of NHS Fife; Israel, Syria and the Druze;  the MP Rachel MAskell; Ricky Gervais on God; Baptisms in Bournemouth; Chariots of Fire; and the Final Word -  Acts 2.  with music from Patti Page, Capercaillie, Coldplay, Steely Dan; Vangelis and Van Morrison. 

Father Francis, Vangelis, Bishop Barron, In Time, Rush Limbaugh, conclusionBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-true-conservative--2039343/support.

Welcome to The 80's Montage!  Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. Email: Samantha@planet80s.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, RateYou can join to for only $2 a month https://www.patreon.com/the80smontagepodcastThe Seaford Hotel - Rewind 80s Band :  Seaford Saturday, 31 May 2025 https://bit.ly/3CtD20rLinks: David London - Samantha (from The Musical Movie :Can't Stop The Music,1980)https://youtu.be/p22QF70mKfQ?si=73Jhn63FIo0AikIfSolo 1984https://youtu.be/N_1nZZrv8aU?si=DexCctAcLgCCADv4Vangelis - Chariots Of Firehttps://youtu.be/8a-HfNE3EIo?si=D5nWVTM6Wn5PqU8cMalcolm Blight's 1976 Massive Torphttps://youtu.be/MyppV6iYojQ?si=cpLDTiT_mVgcOPxbNorth Melbourne theme songhttps://youtu.be/BKKwnwgMosw?si=-CA558518XbZYjlSEddie Murphy impersonates James Brownhttps://youtu.be/hLVmw81qDSA?si=BX3pRbCCRUMW0vH-Ray Parker Jr. - The Other Womanhttps://youtu.be/8fCipql58x0?si=gz65YhLhbJDhDKy9Queen - I Want to Break Free https://youtu.be/WUOtCLOXgm8?si=CP5CGn8YH4TROmo2The Cannonball Run The Most Bad Ass Sheriff in Missourihttps://youtu.be/fP8_l1K-U_A?si=GEjN_x9jCbqC-a4rMotörhead – Killed By Death https://youtu.be/LZ5fIKmn1ok?si=VMT5VWXOBIYkTkdrPrince - U Got The Look (Official Music Video)https://youtu.be/_jCuroTbqBI?si=RhIBrR7Cwwa0puOLFrank Zappa, Moon Zappa - Valley Girlhttps://youtu.be/R5Q1yVLSR3I?si=9oAsdhbQyGbwiUe5Mortein Fly & Mozzie Zapper (unknown year)https://youtu.be/VioQ8CK_oV0?si=fT7HF-WB9ykAXvH3Spinal Tap - Derek Smalls Airport Securityhttps://youtu.be/dAargSCXQaQ?si=cAFM96vvAlg2ta7yDaryl Hall & John Oates - Out Of Touch https://youtu.be/D00M2KZH1J0?si=FBxrN1cNDMjLkGZ1Thanks For Listening!The 80's Montage Podcast

On this episode we dive deep into the musical history of one of Italy's most fascinating and forward-thinking bands - Krisma (or Chrisma as they were originally known). This husband and wife duo from Milan created music that was light years ahead of its time, with their 1977 album "Chinese Restaurant" laying the groundwork for sounds that wouldn't become mainstream until decades later. We explore how this band went from Italian pop stardom to experimental post-punk pioneers, working with the likes of Hans Zimmer and Vangelis along the way. We chat about their various musical reinventions, that time Maurizio allegedly cut his finger off on stage (or did he?), and how their track "Miami" sounds remarkably like Radiohead's Kid A... except it was released 23 years earlier! From performing with The Beatles to mingling in Andy Warhol's circle, Krisma's story is as fascinating as their music is innovative. So grab a cuppa, settle in, and let us introduce you to your new favourite obscure band. If you enjoy this episode, please consider supporting us on Patreon: https://patreon.com/unsungpod 00:00 Introduction to the Unsung Podcast 00:37 Meet the Hosts and Album Introduction 04:55 Band Background: Chrisma's Origins 12:45 Album Analysis: Chinese Restaurant 13:02 Listener's Insight: Fario Tte's Perspective 15:18 Maurizio's Punk Rock Commitment 17:51 Album Analysis: Hibernation 23:02 Album Analysis: Cathode Mamma 29:20 Technological Innovations and Clandestine Anticipation 36:06 Discovering a Hidden Gem 37:44 The Band's Move to New York 38:26 Exploring the Back Catalog 45:44 The Controversial 2008 Tour 49:52 Why Chinese Restaurant is an Unsung Classic 01:01:02 Final Thoughts and Conclusion

Vangelis Stykas is the co-founder and CTO at Atropos. In this episode, he joins host David Braue to discuss vulnerabilities uncovered in rooftop solar panels, the potential impact this could have on Europe's power grid, and more. • For more on cybersecurity, visit us at https://cybersecurityventures.com

This week is the seventh volume of our deep dive into the trippy and groovy beginnings of the heavy stuff! Cut your lava lamp on, gaze at that blacklight poster through the haze of smoke, and join your favorite rock n' roll grave robbers as they dig deep into the core of 70s Acid Rock n' Proto Metal crypt to unearth some obscure bands that helped influence and mold what would become known as Heavy Metal. What is it that we do here at InObscuria? Well, we exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This particular episode is planted firmly in the: LOST category, as all of these recordings occurred between 1970 – 1976. As always, our hope is that we turn you on to something new in a genre and decade that you may have thought you already knew everything there was to know.Songs this week include:Agnes Strange - “Messin' Around” from Strange Flavour (1975)Socrates Drank The Conium - “Death Is Going To Die” from On The Wings (1973)Piraña - “Thinking Of You” from Pirana II (1972)Zior - “I Really Do” from Zior (1971)November - “Ganska Långt Från Sergel” from 2:a November (1971)The Power Of Zeus - “It Couldn't Be Me” from The Gospel According To Zeus (1970)Wicked Lester - “She” from Wicked Lester (1972)El Ritual documentary in Spanish on YouTube from 2022 https://youtu.be/K1xz6R9nH3k?si=Gd6I90SC19ZkOLWmPlease subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

  Another electronic gem from Erwin Broers. He has become my go to guy for berlin-school music and I'm totally here for it. I've said many times that I like hosting guest mixes from artists and listeners because I always discover new music. And this set is a perfect example - other than Ron Boots, every artist in this mix is new to me.   Here's what Erwin has to say about this mix: "The theme this time is "Electronic Gems From The Lowlands", the lowlands being Belgium and the Netherlands. Both countries are neighbours of Germany, where Electronic Music took off in the early 1970s. It was therefore inevitable that many local progressive artists became fascinated by synthesizers and inspired by this new genre known as "Kosmische Musik" (cosmic music). Influence of Tangerine Dream and Klaus Schulze is obvious, but there's also a hint at prog rock and a few tracks come close to melodic synth pop similar to Vangelis and Jean Michel Jarre." Thanks for a great set, Erwin! Cheers!   T R A C K L I S T : 00:00:00   PeRu - Out Of Time (Constellations, 1981) 00:09:01   Pillion - Enigmas (Enigmas, 1980) 00:22:36   Par Example - Flarepath (Pharos, 1989) 00:31:57   Patrick Kosmos - Mindscapes part 1, 2nd movement (Mindscapes, 1987) 00:41:00   Johan Timman - Trip Into The Body (Trip Into The Body, 1981) 00:46:31   Walter Christian Rothe - Solitude (Solitude, 1982) 00:50:34   Ton Scherpenzeel - Heart Of The Universe (Heart Of The Universe, 1984) 00:58:02   Frank Van Bogaert - A Picture of You (Closer, 2004) 01:01:45   Ron Boots & John Kerr - Oceans Of Emotions (Offshore Islands, 1990) 01:15:11   end

So, so much of our early work has disappeared from the internet. If you're GenX or a Millennial, and you grew up with home video, it's a good chance you heard music performed by Vangelis, master of synthesized scores. Here's our memorial take on the guy. Hang in there, new stuff is coming. Written by Ethan Ireland & Andy Slack Performed by Andre Luc Martinez & Zacharia Berks Mixed & Mastered by Ethan Ireland Music track: "Heart of Night" and "Alien Ruins" courtesy of Karl Casey @ White Bat Audio LEGAL NOTICE: This is a work of parody and should not be construed as making statements or allegations of fact.

La nanotecnóloga y divulgadora Anna Morales nos habla sobre la relación entre la ciencia y la música de Vangelis

La nanotecnóloga y divulgadora Anna Morales nos habla sobre la relación entre la ciencia y la música de Vangelis

MONSTER PARTY HAS A SONG IN ITS HEART.  NOW WE'LL NEVER GET IT BACK IN ITS JAR! JAMES GONIS, SHAWN SHERIDAN, LARRY STROTHE, and MATT WEINHOLD, get their toes a tappin' for this monstrous music festival of an episode. Follow the bouncing ball as we present… SOUNDTRACKS: THE SONGS!!! Soundtracks are usually remembered for the emotion-evoking melodies that gracefully punctuate the moments of a film. There are many masters of this remarkable craft: Jerry Goldsmith, John Williams, Tangerine Dream, Vangelis, John Barry, Lalo Schifrin, Goblin, John Carpenter, Bernard Herrmann, and countless others that only James Gonis could remember. But occasionally, plopped in the middle of all this symphonic pageantry, is an actual song with lyrics that makes us wish for a Karaoke bar strictly for nerds. Get ready for a sinister sing-a-long as we chart the hits from campy sci-fi favorites like The Blob and The Green Slime, bawdy beach films, 70's and 80's horror classics, genre TV shows, classic kaiju films, the world of James Bond, Star Trek and Star Wars, an odd sampling of Jerry Lewis films, and sooooo much more! Helping us DJ this shindig of shocks is a friend of the show, who was our last in-studio guest before COVID 19 screwed everything up. He's a soundtrack journalist, editor, genre columnist, podcaster, and supervises soundtrack temp tracks for many films. He's also a really great actor! Please welcome back… DANIEL SCHWEIGER! (FILM MUSIC LIVE, ON THE SCORE, FANGORIA, CINEFANTASTIQUE, HORROR FAN, THE NEW YORK REVIEW OF RECORDS, FILM SCORE MONTHLY, BUBBA HO-TEP, PHANTASM RAVAGER, HAPPY HORROR DAYS, BLOODY BLOODY BIBLE CAMP, PACIFIC BREEZE, HE'S FOR THE STREETS) THIS EPISODE IS SO CATCHY, IT MIGHT JUST RAISE DICK CLARK FROM THE DEAD! HE IS DEAD, RIGHT?

Marco Testoni"Come si ascolta un film?"Guida all'ascolto per inconsapevoli spettatori di colonne sonoreEdizioni Efestowww.edizioniefesto.itMarco Testoni – compositore, music supervisor e didatta – ci conduce alla scoperta della più invisibile e misteriosa delle forme d'arte: la colonna sonora. Una guida che rispondendo a una semplice domanda rovescia il senso dell'esperienza cinematografica, uno spettacolo che dovrebbe essere goduto appieno non solo con la vista ma anche l'udito. Come si ascolta un film? è un libro che con naturalezza e levità vuole raccontare la musica per cinema liberandoci dal ruolo di ascoltatori inconsapevoli. Una storia che parte dalle rumorose sale del cinema muto fino ad arrivare alle soluzioni musicali più tecnologiche dei nostri giorni. Dal mickey mousing al sound design, da Bernard Herrmann, Ennio Morricone, John Williams, Vangelis, Ryuichi Sakamoto, Hans Zimmer e Johann Johannsson passando per il post rock, l'elettronica, il minimalismo e tutti gli altri protagonisti che nel giro di cento anni hanno descritto l'evoluzione di un linguaggio musicale popolare divenuto universale.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Mel Gibson, Mutiny on the Bounty, and historical accuracy take center stage in this episode of Hugging the Cactus: A Mel Gibson Podcast. Join us as we dive into the 1984 film The Bounty, directed by Roger Donaldson, featuring an all-star cast including Anthony Hopkins, Daniel Day-Lewis, Liam Neeson, and Laurence Olivier. We explore the real-life mutiny that inspired this cinematic retelling, the troubled production history (including developmental hell, budget woes, and Mel Gibson's bar fights), and how it stacks up against earlier versions like the 1935 Clark Gable classic and the 1962 Marlon Brando film. From Robert Bolt's screenplay to Vangelis' soundtrack and Arthur Ibbetson's cinematography, we unpack why this historically accurate take didn't resonate with audiences or awards, despite its stunning visuals and epic scope. Was it the lack of a sequel, bad timing, or simply an unremakeable classic? Stick around for the full story of Fletcher Christian, Lieutenant Bligh, and a ship that changed naval history forever.

Laura and Xhafer wonder if Cylons dream of electric sheep. Laura wants everyone to listen to Vangelis and chill. Xhafer can't pack bond with Roombas. It's the first movie break of the BSG season featuring Edward James Olmos in Blade Runner.

This is part of a series about overlooked movies from 2005. ***Referenced media:“Pirates of the Caribbean: Dead Man's Chest” (Gore Verbinski, 2006)“Shaft” (Gordon Parks, 1971)“Thelma” (Josh Margolin, 2024)“Looper” (Rian Johnson, 2012)“Star Wars: Episode VIII – The Last Jedi” (Rian Johnson, 2017)“Blade Runner” (Ridley Scott, 1982)“Sin City” (Robert Rodriguez and Frank Miller 2005)“The Greatest Show on Earth” (Cecil B. DeMille, 1952)“Bugsy Malone” (Alan Parker, 1976)“The Big Sleep” (Howard Hawks, 1946)“A Clockwork Orange” (Stanley Kubrick, 1971)“Witness” (Peter Weir, 1985)“Knives Out” (Rian Johnson, 2019)“Glass Onion: A Knives Out Mystery” (Rian Johnson, 2022)“The Shining” (Stanley Kubrick, 1980)“Wages of Fear” (Henri-Georges Clouzot, 1953)“Sorcerer” (William Friedkin, 1977)“High School Confidential!” (Jack Arnold, 1958)Audio quotation:“Brick” (Rian Johnson, 2005), including “Emily's Theme” by Nathan Johnson, https://www.youtube.com/playlist?list=PL-uEelZadhAUjORNgSynf4dEnFeJ2qgpd“Blade Runner” (Ridley Scott, 1982, including “Main Titles” by Vangelis, https://www.youtube.com/playlist?list=PL3ABE2FBA2900C03E“Sin City” (Robert Rodriguez and Frank Miller, 2005), https://www.youtube.com/watch?v=PRtz8JQw01A“Fight On” (Milo Sweet, 1922), https://www.youtube.com/watch?v=PX1YxF8ClgE“The Greatest Show on Earth” (Cecil B. DeMille, 1952), including “Prelue (March” by Victor Young“Police Siren Sound Effect” by SoundEffectsFactory, https://www.youtube.com/watch?v=HKieGUH9pzg“High School Confidential!” (Jack Arnold, 1958), including “High School Confidential” by Jerry Lee Lewis and Ron Hargrave, https://www.youtube.com/watch?v=9xx3RmTNHbE

Twenty years ago, Two-time Oscar winner Oliver Stone (Platoon, JFK, Wall Street) finally had the opportunity to direct the grand-scale historical epic which he and several of his directing peers (Scorsese, Kubrick) had been trying to helm for decades.....the story of Alexander the Great who once lead a MASSIVE Macedonian Empire which at one point comprised around half of the land mass in the Eastern Hemisphere during ancient times.  He lived one hell of a life conquering much of the ancient world and here he is played by Colin Farrell (In Bruges, The Banshees of Inisherin, The Penguin) whose casting DID raise some eyebrows at the time of release....especially given that he portrayed this character with his heavy Irish accent.  And beyond that, Oscar-winner Angelina Jolie (Girl Interrupted, Salt, Mr. & Mrs. Smith) was cast as his mother Olympias....even though she was only one year older than Farrell at the time.  Beyond that, the stellar cast also includes Val Kilmer, Rosario Dawson, Anthony Hopkins, and the late, great Christopher Plummer among several others.  Also co-written by Oliver Stone, this would also be THE last big budget film he would helm as the $150 million production was not only a commercial flop but also destroyed by critics at the time of release.And yet....a few years later, Stone was able to release his own extended "Director's Cut" on DVD (and eventually Blu-Ray) which is considered by many (himself included) to be a far superior version of this story as it includes 40 additional minutes of footage including some extended action sequences.  So in reviewing THAT version of this film, let's find out if Alexander DID in fact live up to his title. ;) Host & Editor: Geoff GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Enjoy this week's episode with Greek DJ & Producer G.PAL. George Pallikaris originally hails from Thessaloniki, one of the largest cities in northern Greece. George was first introduced to music at a very young age. By the age of 4 he was already training to play the piano. Although he was studying the likes of Jean Michelle Jarre and Vangelis he was also composing music on his first synthesizer. Known for his elegance at the decks, G.Pal continued exploring different sounds, genres, always delivering the best. Now its time for Redolent, where he released along Elias Kazais his last EP “Slipping Away”, with D.-Formation's remix. Enjoy this Afro Melodic Journey with G.PAL including his last release Slipping Away on Redolent! N/A This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

For entrerenuer two things can make or break your business - understanding money, and timing.Van Kanjilis  had both.In this episode of The Expansive Podcast, Erik Kruger welcomes Vangelis Kyriazis, co-founder and CEO of SIFT Analytics. They cover a range of topics from Van's start in the tech industry, from accountain to entrepreneur, how udnerstanding money can make or break a start up; the role of Covid bringing South Africa onto the International Stage, and Syfts incredible journey from start up to Xero's Number 1 feature.Xero and Syft are revolutionising what financial manegment looks like in 2024 and beyond. Syft's powerful analytics and Xero's comprehensive accounting capabilities help users stay on top of financial health, making these tools a must-have for those serious about growth and financial clarity.Whether you're an aspiring entrepreneur or a seasoned business owner, this episode offers invaluable insights on navigating the evolving business landscape and harnessing technology to enhance your impact. Hello! Please like and subscribe to our channel and leave us a comment! We love hearing from our listeners and we thank you for being apart of our community! Socials:Instagram: @theexpansivepodcastX: @theexpansivepodLinkedin: The Expansive PodcastTik Tok: theexpansivepodcast

  Another stellar guest mix comes our way courtesy of loyal listener, Erwin Broers. He asked if I was interested in a mix of  electronic music from Innovative Communication, the label founded by Klaus Schulze in the late 70s. Yes, please! Here's what Erwin says about this fantastic mix: "I was in my teens when I got in touch with Electronic Music by means of well-known artists such as Jean-Michel Jarre, Kraftwerk and Vangelis. Searching for more similar music in the local library, I came across an LP with on its sleeve just a mysterious picture of a huge radio telescope. The album was Robert Schroeder's "Galaxie Cygnus-A" ! Liner notes on the back of the sleeve explained that the music was commissioned by the Austrian Broadcasting Service (ÖRF) and performed live at the 1982 ARS Electronica Festival in Linz, Austria. The idea behind the project consisted of capturing sound waves coming from the Cygnus-A galaxy with the help of the Effelsberg 100 meter radio telescope, the largest fully steerable radio telescope in the world at that time. Schroeder used those sound waves as basis and inspiration, and created a magical soundtrack for stargazing and floating in outer space. Needless to say, I was blown away by this album, and from then on I fanatically sought out other releases on the Innovative Communication label, which - by the way - was founded in 1978 by the late Klaus Schulze, one of the godfathers of Electronic Music. To honour my memory of that exciting period, I chose to start this label retrospective with the first two tracks of this special album - including some of the white noise straight from space ! The mix is rather heterogeneous and gives a good impression of the kind of EM that was published on IC in its heydays, ie. the 80s. From the early 90s the label quickly became more commercial edging towards mellow new age and average electro-acoustic instrumental fusion (aka NAM)." Thanks, Erwin, for this trip back in time. Cheers!   T R A C K L I S T : 00:00    Robert Schroeder - Galaxie Cygnus-A Part 1 & 2 (Galaxie Cygnus-A, 1982) 12:18    Klaus Schulze - Silent Running (excerpt) (Trancefer, 1981) 20:36    Peak - Nightmist (Ebondàzzar, 1982) 26:52    P'Cock - The Prophet (The Prophet, 1980) 32:45    Peter Seiler - Serengeti (Sensitive Touch, 1987) 37:51    Mind Over Matter - Paradise: 1st. Movement: Being One (Air) (The Colours Of  Life, 1988) 44:25    G.E.N.E. - Taste Of Dawn (Life Is A Melody, 1988) 50:39    Software - Syn-Code-Z: 1st. Movement: Code-Ocean (Syn-Code, 1987) 56:51    Patrick Kosmos - Airgasm (Cosmic Resonance, 1991) 66:33    end

Today's Broadcast is C2E20, for Theme Thursday, Oct 24th, 2024. All good things must come to an end. Today is the final “regular” (as in, “final non-retrospective” episode - and as opposed to “final all time” episode). This will be the final episode where we bring new tracks to the show, though. So it is still an ending. The theme, therefore, is ending music, on a program we're calling “...all good things…”   Track# / Track / Game / System / Composer(s) / Selected By   01) Summer Vacation - Tokyo Xanadu - Multiplatform - Takahiro Unisuga (Falcom Sound Team jdk) - Hugues Earcatcher - 00:00:00 Music - 00:00:03 Introduction - 00:05:23 Top of Show Business - 00:06:14 The Reveal of last episode's mystery themes - 00:09:44 Discussion - 00:24:38 02) Credits - Sonic 2 - Genesis - Masato Nakamura - St. John Music - 00:30:16 Discussion - 00:33:01 03) Staff Roll - Phantasy Star III - Genesis - Ippo Takeuchi - Hugues Music - 00:35:17 Discussion - 00:37:15 04) Ending - Super Castlevania IV - SNES - Masanori Adachi and/or Taro Kudo - St. John Music - 00:42:07 Discussion - 00:44:46 05) Ending - Another World - Amiga - Jean-François Freitas - Hugues Music - 00:54:53 Discussion - 00:56:27 06) Triforce Chamber - LoZ: Link to the Past - SNES - Koji Kondo Music - 01:00:40 Discussion - 01:02:09 07) The Credits Concerto - Donkey Kong Country - SNES - David Wise and/or Eveline Fischer - Hugues Music - 01:08:45 Discussion - 01:10:43 [EDITOR's NOTE: I partially confused Vangelis with fellow Greek musician, Iasos. My bad! -St. J] 08) Ground Zero - Shinobi III - Genesis - Hirofumi Murasaki, Morihiko Akiyama, and/or Masayuki Nagao - St. John Music - 01:16:19 Discussion - 01:18:38 09) Good End - Streets of Rage II - Genesis - Yuzo Koshiro and/or Motohiro Kawashima - Hugues Music - 01:34:07 Discussion - 01:36:30 10) End Credits - Mega Man 3 - NES - Yasuaki Fujita and/or Harumi Fujita - St. John Music - 01:43:56 Discussion - 01:46:14 11) Farewell and a Decision - Grandia II - PS2 / Dreamcast - Noriyuki Iwadare - Hugues Music - 01:49:38 Discussion - 01:54:26 12) Ending - Stray - Multiplatform - Jan van der Cruyssen - St. John Music - 02:01:40 Discussion - 02:05:12 13) 16th Floor - Speedrun Tower - Genesis - c: JAM / a: Hugues Johnson - Hugues Music - 02:10:48 Discussion - 02:12:38 End of Show Business - 02:22:27 Closing track Discussion - 02:29:49 Sign-off - 02:30:44 14) Ending - Super Mario World - SNES - Koji Kondo - St. John Music - 02:30:51 Outtakes - 02:34:52 BONUS - the “Composed by St. John / arranged by Jay Cook” collection“Floor It!” from the Game “X-Racer” (Hydra Development System) - 02:39:52 “In-Game Theme” from the Game “Ranquest” (Hydra Development System) - 02:41:07 Total Episode Runtime: 02:44:07 Hugues' blog can be found here:    https://huguesjohnson.com/   St. John's Mom's flute business can be found here: Website:  www.valwedgeworth.com   Facebook: https://www.facebook.com/share/g/UxpsjWw3Js5uUtLf/   Valerie's Flute Entertainment, LLC (Playing the Decades) Email: valerie@valwedgeworth.com Note: St. John called it “Val's Flute Entertainment”, instead of “Valerie's Flute Entertainment”, but it used to be called “Val's Flute”.    You can find Nerd Noise Radio on Facebook and on Twitter each @NerdNoiseRadio. There are also two Facebook Groups: Nerd Noise Radio “Easy Mode” where we just have general video game and nerd fun, or for the gearheads among you, Nerd Noise Radio “Expert Mode” where we deep dive sound hardware, composer info, and music theory.    You can find the blog at www.nerdnoiseradio.blogspot.com. Where we sometimes share additional show notes, and inside info. You can also find Nerd Noise Radio on Archive.org, where we have remixes and super bonuses only available there (such as a music-only alternative version of today's show).   Nerd Noise Radio is also a member of the Retro Junkies community, which can be found at www.theretrojunkies.com. And we are a member of the VGM Podcast Fans community on Facebook. St. John is also the admin of the Podcasters of Des Moines Facebook group, which features a number of other podcasters and great programs from the greater Des Moines area.   Thanks for listening! Join us again later this month for a very special Channel 1 (subject a surprise for now), and then again in November for a sequel Ch 1 and for our Ch 2 “Best of Season 4 retrospective” - which will be our second-to-last ever installment of Ch 2…..Delicious VGM on Noise from the Hearts of Nerds, as well as Tasty VGM and Talk on Nerd Noise Game Club…and wherever you are….Fly the N!   Cheers!

Un inizio illusorio con un netto 2-0. Poi, in un minuto, Italia in dieci , il Belgio accorcia le distanze e, alla fine, fa 2-2. Gli Azzurri restano comunque il testa al girone di Nations League con 7 punti . Ne parliamo con Mister Gianni De Biasi.Con Franco Vanni di Repubblica il punto su quanto sta accadendo nell'indagine sulle curve di Milan e Inter, con Inzaghi e Zanetti ascoltati in Procura come persone informate dei fatti. Inghilterra 1, Grecia 2: dal Vangelis secondo Pavlidis. Partiamo da questo storico risultato dei greci a Wembley per un recap internazionale insieme a Filippo Maria Ricci.Infine, ci colleghiamo con Mister Genta e Roberto Lacorte di Cetilar Racing dalla pista di Road Atlanta, in Georgia, per il gran finale del campionato IMSA con la Petit Le Mans.

Welcome to Live From Progzilla Towers Edition 537. In this edition we heard music by Bobbie Dazzle, Headspace, King Crimson, Yes, Lee Abraham, Hawkwind, Ott, Poisoned Electrick Head, O.R.K, Tigran Hamasyan, Propaganda, Vangelis, Quartet Diminished, Gong, Saga, Tusmørke, Pendragon, Ali Ferguson & Public Service Broadcasting.