Podcast appearances and mentions of Rick Wakeman

Rick Wakeman was onstage from the age of five and looks back with us here on a life of live performance – jazz and blues bands, the Strawbs, Yes – and ahead to this autumn's tour performing King Arthur and the Six Wives of Henry the Eighth. “I wake up every morning, throw off the duvet and – if nothing else has fallen off – have a great day!” There's more … ... how it feels when the rock press call you ‘Tomorrow's Superstar!' at the age of 24. … the contract he once had to sign that said “Mister Wakeman will wear at least one of his capes during the performance”. … seeing the Bonzos in 1965, “Viv Stanshall so paralytic he sang the entire set lying down”. … being on a packed tube to Gants Hill and suddenly realising he was on the cover of the Melody Maker he was reading. … Mrs Symes, his piano teacher, who launched his career (aged five). … his teenage band Atlantic Blues “who ended Wipe Out eight times faster than it started”. … the day his Strawbs' Hammond organ solos were applauded by the Telegraph and Times. … early piano sessions for Cat Stevens, Ralph McTell and Al Stewart. … aspects of touring that prove “financially non-viable”. … and how Wolf Hall rebooted the legend of Henry the Eighth. Plus Atomic Rooster, Charlie Chaplin, Arthur Brown, green PVC trousers and a cape collection that includes “four originals”. Buy tickets here: https://www.rwcc.com/live.php#ere2025Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Rick Wakeman was onstage from the age of five and looks back with us here on a life of live performance – jazz and blues bands, the Strawbs, Yes – and ahead to this autumn's tour performing King Arthur and the Six Wives of Henry the Eighth. “I wake up every morning, throw off the duvet and – if nothing else has fallen off – have a great day!” There's more … ... how it feels when the rock press call you ‘Tomorrow's Superstar!' at the age of 24. … the contract he once had to sign that said “Mister Wakeman will wear at least one of his capes during the performance”. … seeing the Bonzos in 1965, “Viv Stanshall so paralytic he sang the entire set lying down”. … being on a packed tube to Gants Hill and suddenly realising he was on the cover of the Melody Maker he was reading. … Mrs Symes, his piano teacher, who launched his career (aged five). … his teenage band Atlantic Blues “who ended Wipe Out eight times faster than it started”. … the day his Strawbs' Hammond organ solos were applauded by the Telegraph and Times. … early piano sessions for Cat Stevens, Ralph McTell and Al Stewart. … aspects of touring that prove “financially non-viable”. … and how Wolf Hall rebooted the legend of Henry the Eighth. Plus Atomic Rooster, Charlie Chaplin, Arthur Brown, green PVC trousers and a cape collection that includes “four originals”. Buy tickets here: https://www.rwcc.com/live.php#ere2025Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

What happened on June 8 in music history? On the June 8 edition of the Music History Today podcast, the Rolling Stones make history twice and Rick Wakeman leaves Yes. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday Resources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lines https://findahelpline.com Resources for substance abuse issues - https://988lifeline.org https://www.samhsa.gov/find-help/helplines/national-helpline

This week, I'm joined by JoE Silva, the author of The Minimoog Book and host of Athens 411, who chose the film Moog to discuss.We talk about how JoE first met Robert Moog and then went on a 14 year journey to write The Minimoog Book, Rush's Geddy Lee writing the preface to the book, the incredible stories surrounding Sun Ra as one of the first musicians to get a Minimoog, the strange era where digital synths overtook analog synths, how shy and gentle Robert Moog was, Moog's onstage work with Yes, the synth company's humble beginnings, the music industry's fear of synths replacing 'real' musicians, Kraftwerk, why live music was the most important factor for Moog making his instruments, JoE's time with Eno, the amazing early documentary footage of the Moog factory, Bernie Worrell & Rick Wakeman's outdated conversation in the film, DJ Spooky, Taco Bell's 'Island Of Electronicus, Stereolab, our top 3 synth parts of all time and more. So let's set the oscillators to the max on this week's episode of Revolutions Per Movie!JoE SILVA: https://www.athens441.org/aboutTHE BOOK: https://bjooks.com/products/the-minimoog-bookTHE FILM: https://www.youtube.com/watch?v=yRsSSjqZ1ykREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Rick Wakeman.

In which Robert goes solo, while Amy enjoys a Girls Night Out!   A discussion of Joy, Fun, Heartiness, Panaché, Joie De Vie ... Objectivism and the Lust For Life.  Being, doing, getting, having more of everything.  Also, Mount St. Helens, Halley's Comet, "No Dirty Dishes Day" (and Robert's GLO Rules), and Happy Birthday to Tina Fey, Mark Mothersbaugh, Rick Wakeman, Frank Capra, and Bertrand Russell & his Teapot!

De geweldenaar op toetsen Rick Wakeman toert de komende week door ons land, een mooie gelegenheid om in zijn oeuvre te duiken: zijn solowerk, zijn werk met Yes en Strawbs en zijn sessiewerk met grootheden als Bowie, Elton John en Lou Reed.

Gordon Giltrap MBE is a British guitar virtuoso known for his innovative fingerstyle technique and genre-blending compositions. With a career spanning over five decades, he has released numerous acclaimed albums, including the iconic Perilous Journey (1977), featuring the hit instrumental Heartsong. Giltrap's music fuses folk, rock, and classical influences, earning him a dedicated global following. A true master of the acoustic guitar, he has collaborated with top musicians and continues to inspire players worldwide with his unique style and musical storytelling.In this episode we talk about the upcoming auction of 18 of his guitars (June 10, 2025) — each holding a story from his life on stage and in the studio — and how downsizing, legacy, and creative renewal have shaped his latest chapter.We also hear about;Gordon's early days in the folk scene and friendship with Bert JanschHow Heartsong became an iconic theme and national favouriteCreating music without formal training — and why “doing it all wrong” workedThoughts on gear, tunings, and the role of the delay pedalCollaborations with Rick Wakeman, Brian May, and composer Nicholas HooperThe personal impact of losing his wife Hilary, and the music that followedWhy he's letting go of his guitars — and what he hopes comes next

Episode 169 Chapter 28, Moog Analog Synthesizers, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 2 from my book Electronic and Experimental music.   Playlist: CLASSIC SYNTHESIZER ROCK— FROM TAPE COMPOSITION TO SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     The Beatles, “Tomorrow Never Knows” (1966). Tape loops and Lennon's voice fed through the rotating Leslie speaker of a Hammond organ. 02:57 01:42 2.     Spooky Tooth and Pierre Henry, “Have Mercy” (1969). Featured tape composition by the French composer of musique concrète as part of a collaborative rock opera. 07:55 04:40 3.     Emerson, Lake, & Palmer, “Lucky Man” (1971). Featured the Moog Modular played by Keith Emerson; one of the first rock hits in which a Moog was the featured solo instrument. 04:39 12:34 4.     Yes, “Roundabout” (1971). Featured the Minimoog, Mellotron, Hammond Organ and other electronic keyboards played by Rick Wakeman. 08:33 17:10 5.     Elton John, “Funeral for a Friend/Love Lies Bleeding” (1973). Featured the ARP 2600 played by Dave Henschel. 11:10 25:42 6.     David Bowie, “Speed of Light” (1977). Produced by Brian Eno. Used an EMS AKS synthesizer and Eventide H910 harmonizer for the electronic effects and sounds. 02:47 36:46 7.     Gary Wright, “Touch and Gone” (1977).  Used Polymoog, Clavinet, Oberheim, and Fender-Rhodes electronic keyboards. 03:58 39:32 8.     Gary Numan, “Cars” (1979).  Early synth-rock success using electronic keyboards without guitar. Multiple Polymoog synthesizers. 03:52 43:28 9.     The Art of Noise, “(Who's Afraid Of?) The Art of Noise” (1984). Art rock devised by Anne Dudley and Trevor Horn exploring the sampling capabilities of the Fairlight CMI. 04:23 47:20 10.   Grace Jones, “Slave to the Rhythm” (1985). Featured the Synclavier programmed and played by Trevor Horn. 09:39 51:43   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Send us a message, so we know what you're thinking!Why do you like the music you do?  Is it as simple as “It's what I heard on the radio”? Or something deeper? People with elder siblings may be exposed to music earlier than first children.   Jeff had an older brother, so was exposed earlier to cool music - Beatles, Janis, Hendrix, and so on.  Mick was the eldest in his family and had to find his own taste. (No surprise considering what he listens to!) Were you bullied as a child?  Influence!  Did you share music with your friends?  Influence!  Did you have access to a good radio station?  Or print media?  Influence!! We talk about our early influences – musical & otherwise – and look at how they played a role in what we listen to today.    In Rock News, Ringo has released a country album, and Toto is touring.  Oh well, shouldn't take them long to play their 3 hits. You know Jeff's obsessed with AI, so he asked three AI brands to nominate the greatest albums of 1971.  Not much variation, really.  One day, we may ask them to understand quality, rather than sales figures, and see what they give us.    Our Album You Must Listen to Before you Die is “Blue” by Joni Mitchell - an top grade album that deserves to be here.  Mick references Atlantic Records' sampler called “Very Together” which featured “Carey” from this album, and pointed out a link between Joni Mitchell and Scottish hard rock band, Nazareth. How did YOUR tastes develop?  Drop us a line & let us know. Enjoy! References:  RAM Magazine, Rock Australia Magazine, Countdown, Molly Meldrum, 2DoubleJay, The Magus/Holger Brockman, Chris Winter, Mac Cocker, “Never Mind the Bollocks”, The Sex Pistols, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, David Bowie, “Five Years”, “Room to Move”, Chris Winter, “Starman”, “Rock'n'roll Suicide”, Birdland, Weather Report, Joe Zawinul, Brian Eno, “Another Green World”, “Zawinul Lava”, “Rock'n'Roll Animal”, Lou Reed, Steve Hunter, “Sweet Jane”, “Heroin”, “Rock'n'Roll”, Berlin, Alice Cooper, Velvet Underground, Peter Gabriel, “Car”, “Stranded”, Roxy Music, Bryan Ferry, “Song for Europe”, “Street Life”, “Psalm”, Sisters of Mercy, XTC, Nico, REM, Television, Patti Smith, “Sgt Pepper's Lonely Heart Club Band”, The Beatles, "Within You Without You”, “Tomorrow Never Knows”, Bob Dylan's Greatest Hits, Like a Rolling Stone”, Revolver, Bridge Over Troubled Water, Simon and Garfunkel, Pearl, Janis Joplin, Tapestry, Carole King, Slade Alive, Hot August Nigh”, “Goodbye Yellow Brick Road”, “Dark Side of the Moon”, “Led Zeppelin IV”, “Silk Degrees”, Box Scaggs, “Journey to the Centre of the Earth”, Rick Wakeman, “Woodstock”, “Monterey Pop”, “The Song Remains the Same”, “The Last Waltz”, The Guitar Spa, Redeye Records, John Foy, bootleg records, “His Master's Voice”, “Sheetkeeckers”, Australian electronica/dance music store, Hipgnosis, Pink Floyd, Peter Gabriel, Regurgitator, “I like your old stuff better than your new stuff", DeepSeek, ChatGPT, Google Gemini, Blue, Joni Mitchell, Henry Lewy, “Very Together”, “This Flight Tonight”, Nazareth  Episode Playlist  The first song played by 2DoubleJay - “You Just Like Me ‘Cos I'm Good in Bed” 

Welcome to Live From Progzilla Towers Edition 553. In this All Request edition, we heard music by Rush, Andrew Lloyd Webber, Dave Kerzner & Sonic Elements, Geordie Greep, Godspeed You! Black Emperor, Kayak, Marillion, Rick Wakeman, Cybotron, Wendy Carlos, Van Der Graaf Generator, Robert Fripp, King Crimson, The Cure, RPWL, Opeth, Schnauser, Wally, Tiles, The Staves & Transatlantic.

WBCQ/The Planet airdate - 2/8/25 Welcome to Fluxedo Junction, I'm Scott Kuchler. Each episode we bring you the best music of all genres from throughout the world, and this week we'll be speaking with legendary drummer Liberty Devitto. Widely known as the drummer for the Billy Joel band from 1976 through 1993, Liberty has also played with many of the most influential musicians in the world, including Paul McCartney, Carly Simon, Stevie Nicks, Rick Wakeman, and Meat Loaf. He's most recently been active with two different bands - The Lords Of 52nd Street, featuring other members of the classic era Billy Joel band Richie Cannata and Russell Jacobs, and the Slim Kings featuring bassist Andy Attanasio and vocalist/guitarist Michael Sackler-Berner. His book: "Liberty - Life, Billy and the Pursuit of Happiness" is available at all major booksellers and web services.

Steven is back with another Yesshift News Desk Edition talking about recent announcements of the Close to the Edge Super Deluxe Edition, the debut of Rick Wakeman's new podcast, performance events going on including those of Trading Boundaries, and more!

Thinking of Stevie Winwood, after hearing a Rick Wakeman interview.

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Mark was back this week and we welcomed YMP listener and Patron Jon Pickles onto the show to talk about the time he was a 'tea boy' at Trident Studios in London. You'll need to listen to the interview to hear all about it but Trident was the world-renowned studio where, amongst unnumbered highlights of rock music, Yes recorded overdubs for their first album, Queen recorded their first two albums and The Beatles recorded Let It Be and other seminal songs. Listen out for stories about Rick Wakeman, Bill Bruford, Trevor Horn and many more! A screenshot from the video below showing Trident Studios - note the control room above and the Bechstein Grand piano used by Rick Wakeman, Paul McCartney etc. What did Jon have to do as a 'tea boy'? Who did he meet and work with? What was it like being in Soho in those days? Let us know if you agree with us! Yes fans outside Trident Studios during Dave Watkinson's Yes 50th Anniversary Convention in 2018 https://youtu.be/c3OHmZ-5HQM?si=HcYFzRfl0b-wynRr https://youtu.be/rBX2n5HqQeg?si=YgquYin7Bvr22HRH I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

With over 30 minutes of unheard chat here is a re-edited and extended version of our interview with Rick Wakeman!Rick Wakeman is best known for playing keyboards in the progressive rock band Yes. He played piano on David Bowie's Life On Mars and Space Oddity and on Cat Stevens' Morning Has Broken. He's released over 90 solo albums and in 2017, he was inducted into the Rock and Roll Hall of Fame. He's also an author, producer and television presenter.Rick Wakeman is our guest in episode 459 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Ever wondered what Rick Wakeman is best known for? What David Bowie songs he played on? Or what he's up to today? Tune in now to find out answers to these questions and lots more .... Rick Wakeman is a pioneering English keyboardist, composer, and producer celebrated for his virtuosity and innovation in progressive rock and beyond. Born in London, Rick showed prodigious talent from an early age, studying piano and honing his craft at the Royal College of Music. His career began as a sought-after session musician, working with icons like David Bowie—creating the unforgettable piano part for "Life on Mars?"—and Cat Stevens, where his contributions to hits like "Morning Has Broken" showcased his melodic brilliance. In 1971, Rick joined the progressive rock band Yes, bringing a new dimension to their sound with his mastery of keyboards and synthesizers. His work on albums like Fragile, Close to the Edge, and the ambitious Tales from Topographic Oceans are heralded as some of the finest in the genre. His use of cutting-edge equipment and his larger-than-life stage persona, often featuring capes and elaborate setups, became trademarks of the band's success during the '70s. Parallel to his tenure with Yes, Rick launched a groundbreaking solo career. His debut album, The Six Wives of Henry VIII, was a daring instrumental concept piece blending rock, classical, and historical themes. This was followed by Journey to the Centre of the Earth, a symphonic rock masterpiece recorded with a full orchestra and choir, and The Myths and Legends of King Arthur and the Knights of the Round Table, which featured lavish live performances on ice. Rick's career has been marked by constant reinvention. After leaving and rejoining Yes multiple times, he expanded his repertoire with a diverse array of solo projects, film and TV scores, and collaborations with artists like Black Sabbath, Lou Reed, and Elton John. His music transcends genres, blending rock, classical, jazz, and even comedic elements, reflecting his eclectic influences and creative restlessness. Beyond music, Rick has become a beloved figure in the entertainment world, known for his sharp wit and engaging personality. He has appeared on television shows, hosted radio programs, and written books, further endearing himself to fans worldwide. Despite health challenges, including heart issues and a diabetes diagnosis, Wakeman remains an active performer, continuing to tour and record new material. Rick Wakeman's contributions to music are vast and enduring, influencing countless musicians and redefining what keyboards can achieve in rock. From his seminal work with Yes to his genre-defying solo projects, Wakeman's career is a testament to innovation, passion, and the boundless possibilities of music.

Mike asks some of our guests from the past year (plus a few clips from our original Christmas episodes from 4 years ago) for something to put in a Christmas Time Capsule! Featuring Jason Manford, Stephen Fry, Arthur Smith, Maria McErlane, Rick Wakeman, Sonali Shah, Lauren Pattison, John O'Farrell, Ellie White, Andy Hamilton, Karl Howman, Aneka Rice, Tony Hawks, Michelle Brasier, Toby Hadoke and Professor Sophie Scott.Warning: Possible grown up chat about Father Christmas!Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

Yes had achieved chart success in the U.S. beginning with their third LP, The Yes Album. Original keyboard player Tony Kaye would be let go after that album, with former Strawbs keyboard player Rick Wakeman joining in mid-1971. Both the albums Fragile and Close to the Edge would be considered both fan and critical favorites, with a successful tour a triple-album live album and concert film in Yessongs. However, during that tour drummer Bill Bruford left for King Crimson and was replaced by Alan White, and Jon Anderson and Steve Howe began working on new music that would become one of the band's most controversial albums - Tales from Topographic Oceans.

EPISODE 123: Larry Fast is best known for his series of pioneering electronic music albums recorded under the project name SYNERGY. He is also recognized for his decade of work with Peter Gabriel, playing synthesizer on recordings and tours, and rounding out the production team on many of Peter's albums. During his career Larry has worked as an electronic music composer/arranger and producer contributing to numerous platinum-selling recordings with world-renown artists. Performers as diverse as Nektar, Bonnie Tyler, Foreigner, Hall & Oates,  Annie Haslam (Renaissance), The Strawbs, Meat Loaf, Barbra Streisand, and many others have called on Larry's electronic production talents. Larry's media experience stems from decades of projects for companies such as Disney, XM Satellite Radio and Tribune Broadcasting, and contributing to documentary and feature film projects. Larry is co-producer and co-writing historian for the documentary film Saving The Great Swamp airing on PBS about a conflict more than 50 years ago seeking to stop construction of a massive jetport. With a degree in history from Lafayette College plus additional studies in architecture and engineering technology, Larry has been appointed to several government historic preservation positions. As a technology history specialist, Larry serves on the board of the Thomas Edison National Historic Park and EMEAPP.org. His developments in infrared audio technology have earned him several patents.  http://synergy-emusic.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week Mark and I consider the conflicting aspects of Rick Wakeman's musical character. We have both chosen one piece of sublime and one piece of ridiculous Wakeman playing on a Yes record or on a live recording. What will we choose? Listen on to find out and then supply your own examples via the comments below. What were Rick Wakeman's best contributions to Yes? What did he do that was more 'questionable'? How should he be rated? Let us know if you agree with us! https://youtu.be/G42-qaPxZK0?si=daGcg5PYWpcESR74 https://youtu.be/LUvKrSPTHLU?si=H6zoiRBtbBDvhXss https://youtu.be/gka_km9gb5c?si=ykd-JsP5SFPCUuYz https://youtu.be/mueQyzjSu2U?si=LryLhgY76c6wi8Ti Check out the progress on my other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRomeMark Slater Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes

After a long hiatus, SCORED TO DEATH RADIO is back with another brand-new episode exhibiting and celebrating the film score work of composers who are primarily known for their work in rock music called ROCKSTARS AT THE MOVIES PART 2. Host J. Blake Fichera guides listeners through a curated playlist of music highlighting cinematic genres that range from horror and epic fantasy adventure to teen comedy and critically acclaimed drama—featuring music from Rick Wakeman and Stuart Copeland, as well as rock guitar Gods Eddie Van Halen, Jimmy Page, Robbie Robertson, and Mark Knopfler. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

This week I reflect on a Rick Wakeman (of Yes) interview on the State of the Music Industry. I swear a tiny bit based on some comments from the Spotify CEO about AI music, and I actually found 5 songs that didn't suck this week! To check out this week's songs on your platform of choice head to Songs That Don't Suck Connect with Songs That Don't Suck ~ ⁠⁠Instagram⁠ | Threads | Facebook | TikTok | BlueSky2024 Songs That Don't Suck || 2023 Songs That Don't Suck

Let the children lose it, let the children use it, and let all the children join in for Strong Songs!Kirk tackles a pair of classics by the great David Bowie: 1969's melancholy "Space Oddity" and 1972's triumphant "Starman." What goes up, as they say, must come down.Written by: David BowieAlbums: David Bowie (1969), The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)Listen/Buy Bowie: Apple Music | Amazon | SpotifyListen/Buy Ziggy: Apple Music | Amazon | SpotifyALSO FEATURED:Audio of the 1969 Apollo 11 moon landing, courtesy NASA"A Day in the Life" by Lennon-McCartney, 1967A cool Guardian interview with Rick Wakeman about playing Mellotron on Space OddityOUTRO SOLOIST: Carlos "Insaneintherainmusic" EieineCarlos Eienie is a prolific multi-instrumentalist and YouTube creator who's done some extremely fun jazz arrangements of great video game music, among other things. You can find him on most social media as some variant of @insaneintherainmusic, and on his website at https://www.insaneintherainmusic.com/.----LINKS-----RECAST RECOMMENDATION: "Duck Ankles" by David Sanborn from Taking Off, 1975SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------OCTOBER 2024 WHOLE-NOTE PATRONSElizabeth CulverMeryl AllisonRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyOCTOBER 2024 HALF-NOTE PATRONSLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans and Nonbinary Choral EnsembleKevin MarceloMatt CSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyRandal VegterRobert Granatdave malloyAlan MaassNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Angela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro FieldNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Steven talks about his vinyl copy of the new Rick Wakeman release, Yessonata, a piano album containing Yes and King Arthur medleys! Have you listened to it? Did you get to see it performed live? --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

This is a re-release of our original episode #311 on 9/4/23: Connecting with David Cousins of The Strawbs for this episode was a different experience for both of the Imbalanced Brothers. Ray was a fan of the band from the 1970s, when Markus was still a younger kid! So they each approached this interview, and the new album, differently. The result is a very exciting take on a classic band making their way back up the UK charts with The Magic Of It All, how they got there, as well as how South Africa now, and then, became central to the project. Dave shares some incredible stuff for guitar and banjo players regarding tunings, tells tales of Sandy Denny and Rick Wakeman, and capped the visit by revealing that a collaboration with members of Wu-Tang Clan is in motion. Find out more about The Strawbs, their new album, and more on their web site! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a re-release of our original episode #311 on 9/4/23: Connecting with David Cousins of The Strawbs for this episode was a different experience for both of the Imbalanced Brothers. Ray was a fan of the band from the 1970s, when Markus was still a younger kid! So they each approached this interview, and the new album, differently. The result is a very exciting take on a classic band making their way back up the UK charts with The Magic Of It All, how they got there, as well as how South Africa now, and then, became central to the project. Dave shares some incredible stuff for guitar and banjo players regarding tunings, tells tales of Sandy Denny and Rick Wakeman, and capped the visit by revealing that a collaboration with members of Wu-Tang Clan is in motion. Find out more about The Strawbs, their new album, and more on their web site! Learn more about your ad choices. Visit megaphone.fm/adchoices

Double T Mornings is the morning show on 96.7 The Eagle in Rockford, Illinois. Not only does Double T play Rockford's favorite Classic Rock each day, he's also joined by many fascinating guests including music legends, comedians, pro athletes, and his own stable of experts on random subjects. Plus, it's a local show, so he's all in for Rockford.

In this segment of The Mark Reardon Show, Mark is joined by Rick Wakeman, the legendary keyboardist from YES. They discuss his upcoming October 20th "Final One Man Solo Tour" at The Sheldon.

In hour 3 of The Mark Reardon Show, Mark and Ethan are joined by Cardinals Writer Bernie Miklasz. Miklasz discusses the next steps for the Cardinals following a press conference which announced that Chaim Bloom would take over as the next President of Baseball Operations after 2025, the potential trading of superstars, and the unnecessary hatred for Oliver Marmol, and more. Mark is then joined by Rick Wakeman, the legendary keyboardist from YES. They discuss his upcoming October 20th "Final One Man Solo Tour" at The Sheldon. They wrap up the show with the Audio Cut of the Day.

In hour 1 of The Mark Reardon Show, Mark is joined by by the Reardon Roundtable which includes Jane Dueker, Steve Butz, and Jean Evans. They discuss the governments lack of aid for Hurricane Helene victims, their own thoughts on the Vice Presidential debate, and unarmed ambassadors working to keep downtown St. Louis safe. Is it productive, necessary, beneficial? In hour 2 of The Mark Reardon Show, Sue hosts, "Sue's News" where she discusses some of the latest trending stories including the new moon earth has, eating crayons, and more. They're then joined by Paul Hall with Common Guy's Film Reviews. He discusses some of the trending movies in theaters including Joker 2, White Bird: A Wonder Story, The Outrun, and more. He is then joined by KSDK Sports Director Frank Cusumano. Frank previews #9 Mizzou's upcoming game at College Station against #25 Texas A&M. He then discusses the likeliness of the Cardinals trading superstars including Nolan Arenado, Willson Contreras, and Sonny Gray. In hour 3 of The Mark Reardon Show, Mark and Ethan are joined by Cardinals Writer Bernie Miklasz. Miklasz discusses the next steps for the Cardinals following a press conference which announced that Chaim Bloom would take over as the next President of Baseball Operations after 2025, the potential trading of superstars, and the unnecessary hatred for Oliver Marmol, and more. Mark is then joined by Rick Wakeman, the legendary keyboardist from YES. They discuss his upcoming October 20th "Final One Man Solo Tour" at The Sheldon. They wrap up the show with the Audio Cut of the Day.

Max Foizey interviews musician Rick Wakeman about his current tour and his collaborations with Yes, David Bowie, and Lou Reed, and Max reviews the new movies His Three Daughters and The Wild Robot.

Keyboard maestro and prog rock musician Rick Wakeman and concert violinist Fenella Humphreys are today's studio guests with Anna Phoebe and Jeffrey Boakye. In the penultimate episode of the current series, they take us from a Bach favourite via an Ella Fitzgerald and Louis Armstrong classic before hopping on a train to Moldova for some lively Eurovision action.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:1st movement of Concerto for Two Violins in D Minor by Bach A Futuristic Auntyquarian by Gryphon Your Woman by White Town Summertime by Ella Fitzgerald & Louis Armstrong Trenulețul (Eurovision 2022) by Zdob și ZdubOther music in this episode:Would You...? by Touch and Go Bapaalaay by Esukolaal Concerto for 2 Violins in D Minor by Anne-Sophie Mutter Concerto for 2 Violins in D Minor by Yehudi Menuhin My Woman by Lew Stone and the Monseigneur Band Love Again by Dua Lipa

End of an Era: Rick Wakeman On His FInal Solo Tour full 524 Tue, 17 Sep 2024 12:07:14 +0000 xoaHCe3lZK9E7xRPIDO6oA0UjgZkuKyp The Rocker Morning Show End of an Era: Rick Wakeman On His FInal Solo Tour The Rocker Morning Show with Meatball and Mark airs weekday mornings on Kalamazoo's Rock Station 107.7 WRKR. 2021

In Production: Tales from Topographic OceansListening guide Sign up to the e-newsletter updates for exclusive access to the PRESALE! TormatoBook.com Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Before we start, I'd like to thank everyone who has taken part in the Presale for my new book, the Tales from Topographic Oceans Listening Guide. It's gone really well and I can now afford to commission book covers, pay for production costs and licences for essential photographs and so on. The Presale is still open to those who have signed up to the e-newsletter over at tormatobook.com and to all YMP Patrons. If you are yet to sign up for the e-newsletter, you'll receive a message telling you how to access the presale as soon as you subscribe. Remember that the presale is the only way to purchase signed copies of the forthcoming book and you'll also receive an exclusive mini-pack of book-based memorabilia. What could be better? So make sure you don't miss the opportunity to be the proud owner of those fine extras. Finally, almost all the Executive Producer slots have been snapped up. At time of recording this episode there are just 7 remaining so if you'd like to see your name printed towards the front of the Tales book as an official Executive Producer, you'd better get in quickly. This week, Mark and I were going to talk about our favourite pieces of Yes-related equipment but unfortunately Mark was unavailable in the end due to an emergency situation with his dog, Shadow. So, instead, here is a chapter of the audiobook version of my book, Yes - The Tormato Story that deals with one of the pieces of Yes kit I probably would have mentioned anyway - Rick Wakeman's Birotron. Incidentally, the audiobook is still available from Audible, Spotify and other fine purveyors of that digital format. As one kind review said about my first foray into authorship which, incidentally, he believes is, “presented as a teenage fan essay”, the audio version is delivered with what he calls a, “clipped late night Radio 2 circa 1990 style”. Hopefully that won't put you off too much. What was the world's rarest instrument? How was Rick Wakeman involved with it? How does Chris Dale all this? Let us know if you agree with us! There are only 100 of these packs available, so buy yours now! (Opens in a new window) Check out the progress on my other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRome Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite.

Episode 130 Recent Finds for the Electronic Music Archives Playlist   Time Track Time Start Introduction –Thom Holmes 04:18 00:00 Esplendor Geometrico, “Estación Katowice” and “Signos De Energía” from Kosmos Kino (1987 Discos Esplendor Geometrico). Percussion, Drum Machine, Vocals, Gabriel Riaza; Synthesizer, Drum Machine, Vocals, Noises, Arturo Lanz. Industrial music from Spain. 10:08 04:42 KG, “My Magic Guitar,””Harry Escaped!,” “Die Sauberen Flöten,” “À L'enterrement De Kraftwerk,” “Fish And Chips Sugar Free,” “The Shotgun Gallery Drum School,” “The End Of The World” from Baraka (1997 Antimatière). French industrial band. Limited to 300 copies. Comes in a plain white cardboard cover with die-cut hole on center front. Back cover has two stamps: "ANTIMATIERE" and "MARRAKECH WVIII". 11:55 14:46 Mystic Moods Orchestra, “The Look of Love” from The Mystic Moods Of Love (1968 Philips). Lushly weird arrangements with a silky vocal chorus and environmental sounds recorded by Brad Miller. This record came before the Mystic Moods Orchestra used a Moog synthesizer. Originally included a fragrance card affixed to the cover with the writing "A Romantic Fragrance has been added to this album to enhance your Mystic Moods of Love" (actual capitalization). 03:30 26:37 Chris and Cosey, “Re-education Thru Labour” from Trance (1982 Rough Trade). Composed and Acoustic And Electronic Instrumentation by Chris Carter and Cosey Fanni Tutti. 07:07 30:06 Chris and Cosey, “Put Yourself In Los Angeles” from Heartbeat (1981 Rough Trade). Produced, composed and Acoustic And Electronic Instrumentation by Chris Carter and Cosey Fanni Tutti. Synth, Cornet, Casio MT30, Tapes, Vocals, Cosey F. Tutti; Synth, Electronic Drums, Guitar, Casio MT30, Taped Voices, Vocals, Chris Carter. 03:37 37:09 Skyliner Flight 35, side A, from Skyliner Flight 35 (Authentic Plane Sounds) (1952 Columbia). Directed by Hecky Krasno, Text by Leo Paris. 78 RPM. "Ride with the pilot as he flies a 4-engine Constellation from New York to California." Part of a series of children's records from Columbia. 03:25 40:56 Reynold Weidenaar, side A, tracks 1-5, “Neptune Two-Step #1,” “Neptune Two-Step #2,” “Neptune Two-Step #3,” “Computer Clip-Clop,” “Cosmic Capers” from Electronic Effects (1968 A Sam Fox Production). Composed by Reynold Weidenaar. Historically significant recording of the early Moog Modular Synthesizer by this collaborator of Moog, student Reynold Weidenaar. Around this time (1967-68), Weidenaar edited the journal that originated with Bob Moog, the short-lived Electronic Music Review. This recording was made in the electronic music studio of R.A. Moog Co. studio in Trumansburg, New York. Not many recordings were made there. It was distributed by a company specializing in broadcast library music, Sam Fox Productions. You can hear the raw power and versatility of the Moog Modular components in these short compositions. 03:19 44:22 Reynold Weidenaar, side B, tracks 1-5, “Milky Wail #5,” “Milky Wail #6,” “Milky Wail #7,” “Venus Exposed,” “Cosmic Crackle #1” from Electronic Effects (1968 A Sam Fox Production). Composed by Reynold Weidenaar. 04:13 47:40 Ralph Lundsten, The Paradise of Heroes” from Paradissymfonin (1980 Harvest). Produced, composed, Synthesizer, Keyboards, Arranged By, Voice, Effects, Ralph Lundsten; Choir, Annelie Sköld, Annica Risberg, Kai Kjäll-Andersson, Kerstin Bagge, Liza Öhman-Kling; Conductor, Lars Bagge; Drums, Peter Sundell; Electric Guitar, Electric Bass, Georg Wadenius; Flute, Keyboards, Björn J:Son Lindh; Harp, Gloria Lundell, Marie Eriksson; Keyboards, Wlodek Gulgowski; Pipe Organ, Birgit Lindkvist; Percussion, Björn Liljequist, Pétur Östlund; Percussion, Arranged By, Gunnar Lundqvist. Mr. Lundsten was a little like the Rick Wakeman of Sweden. He worked in his private studio and produced many thematic compostions and over 40 albums in his long career in music. 05:46 51:52 Hiroshi Yoshimura, “Time Forest” from Soundscape 1: Surround (1986 Misawa Home). Composed, arranged, and performed by, Hiroshi Yoshimura. Hiroshi Yoshimura was a Japanese musician and composer, a pioneer of Japanese ongaku or environnemental music. Interestingly, this music was originally commissioned by a home builder to provide music to complement their newly built homes. Yoshimura described his music as being transparent, adding “Not all interiors are visual by nature; music as interior is none other than the interior of the heart.” 10:38 57:36 Mamman Sani, “Dangay Kotyo” from Taaritt (2022 Sahel Sounds). Recorded 1985 to 1988 at Studio Samira in Niamey, Niger and Studio Kham Mai in Paris, France. This wonderful music was not released until recently. Composed, recorded by, Crumar Bit 99 v, Yamaha RX5 synthesizer, Roland TR-505 Drum Machine, Mammane Sani Abdoulaye. Sani is an early pioneer of synth music in Niger. Sani found unlikely fame in Denmark, regularly appearing in the playlist of Copenhagen bars. "In Niger we have sweet melodies. When the music is good, it's a positive vibration. When someone can cry because of a melody, there is something humane in them. If you are stressed, you can take this music like a tablet. It's music to cool down. It's not music for dancing, but maybe it can make you dream." 04:11 01:08:11   Opening background music: Unknown Artist, side A, Ambient Battle Samples: Phase One: Enter The Stargate Manifold...(2003    The Crypticon Media Cartel). Produced, Controlled & Bankrolled by AL9000 Motherbrain (Alexandre Delmaere). From A side label : "These sounds are of intergalactic sonic property and available for any manipulations and outputs you so desire. Welcome to the Crypticon Media Cartel 2003. Original transmissions from sector 9.41 of Sirius-V during the last sonic cruise of the outer rings." Essentially, this is a list of electronic sound effects to be sampled and played by DJs. (15:05) Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Mark and I had a lot of fun talking about a remarkable video suggested by Rachel Hadaway this week. From a BBC programme called Sounding Out, it features live show footage and interviews with the band from 1971, shortly after Rick Wakeman joined. It's full of period charm, as they say, and thankfully available on YouTube now. You might want to watch it before listening to Mark and me banging on about it - or you might not. If you do, there's a video embedded in the show notes below. https://youtu.be/sr9j5pbKHGA?si=XBIfp51Dz8sh3nUT How does the band sound? What is the venue like? What did each band member say in their interview? Let us know if you agree with us! Gonzo Multimedia DVD of the BBC Sounding Out programme There are only 100 of these packs available, so buy yours now! (Opens in a new window) Check out the progress on my other podcast - https://anthem52.com/ In Production: Tales from Topographic OceansListening guide Sign up to the e-newsletter updates! TormatoBook.com Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRome Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

"Los ingleses se hicieron hippies para volver al bosque del rey Arturo, y a los conjuros de Merlín, el mago. Basta con ver las pintas que llevaba Rick Wakeman. Como todo a lo que pertenezco, vi antes las cometas por televisión que en la vida real"

Send us a Text Message.Richard Leibowitz grew up in the Hudson Valley of New York to a father who listened to pre-1960s jazz and a mother who was more into folk music. Neither held much sway for young Richard, so he set out on his own and like a million other kids his age, KISS was the starting point for his music obsessions. Before working at Tower Records, Richard started working for Musicland while in college. Talking to a former bandmate who had signed on with Tower, Richard applied for and got the position of Store Artist in the Nanuet Store. Richard eventually moved up to the position of Record Sales Manager, a position he held both in Nanuet and in Carle Place. But Richard's time at Tower was something of a mixed bag. He got to attend one of the Tower Annual Conferences but what he remembers most is getting busted by Stan Goman for not attending a mandatory Human Resources meeting because he was hungover. He held the position of Record Sales Manager, but when he applied for that position in other, larger stores he didn't land those gigs. He eventually left the company, sick of 3-hour commutes and all that came with it. But thinking back on it, Richard met some. pretty cool people. He met Neil Young in a zombie-like state from smoking David Crosby's weed. He had lunch with the classic YES lineup complete with Rick Wakeman bowing down to him and other Tower employees. And do you want to know the connection a white guy from the suburbs has to Biggie and Tupac? You'll have to listen to this week's episode to find out. 

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Brad Birzer. Brad is the Russell Amos Kirk Chair in American Studies and Professor of History at Hillsdale College. He is also the co-founder of and Senior Contributor at The Imaginative Conservative, and the author of a number of books, including Neil Peart: Cultural (Re)Percussions. Find him online at bradbirzer.com or @bradleybirzer on Twitter.Brad's Music Pick: YesTell the moon dog, tell the march hare! We take you close to the edge of the south side of the sky this week as we discuss the early adventures of Britain's answer to all the questions raised by hippies during the Seventies, the New Age of Atlantic: Yes. Yes were one of the pillars of British progressive rock music, but also (perhaps surprisingly) a major commercial success in America long before their peers. They were also a truly singular band during their lengthy heyday; the band underwent endless lineup changes as personalities clashed and artistic visions ran amok, and yet they have always sounded like themselves and nobody else successfully has.Starting with local janitor Jon Anderson on countertenor vocals, Pete Banks on Hendrixian guitar, Tony Kaye on groovy late-Sixties B3 organ, fussily precise jazz drummer Bill Bruford keeping time, and Chris Squire playing a bass so aggressive it intimidates people into crossing to the other side of the street, Yes exploded out of London's club-gigging scene after drawing inspiration from watching a newly born King Crimson play the circuit. Their early style mixed originals -- first halting, then increasingly assured -- with spectacularly imaginative covers of everything from West Side Story to Buffalo Springfield and Simon & Garfunkel. But as Banks was jettisoned for Steve Howe, and then Tony Kaye traded in for Rick Wakeman, Yes ascended from a series of records beginning with The Yes Album and Fragile (1971) to superstardom, with all that entailed: sidelong songs, triple live albums, and extended soaks in the topographic oceans. All set to some of the most inscrutable lyrics but gorgeous music written during the decade.So turn on your lava lamp and get ready to call over valleys of endless seas as you and I climb crossing the shape of the morning -- it's time to sink into a elevated musical fantasy world created by Yes during this, the first part of their career. We take the story up through Tales from Topographic Oceans (1973); next time around, we'll get a relayer to go for the one without too much drama, but for now click play and enjoy the sound of perpetual change. 

Liberty DeVittoBorn and raised in New York City, USA… Liberty's drumming journey began at the tender age of 14, when he was first inspired to play after watching the now world famous Ed Sullivan performance by the Beatles back  in 1964… He never looked back since then, eventually working his way up the ranks to that coveted hot seat with Billy Joel, forming a fruitful musical bond that would span decades and bring along many hit albums along the way.Liberty is In addition to his work with Joel, DeVitto has also been an active session musician working with other big acts such as Paul McCartney, Mick Jagger, Roger Daltrey, Carly Simon, Phoebe Snow, Karen Carpenter, Stevie Nicks, Rick Wakeman, Bob James, Meat Loaf and many, many more.Liberty is currently playing with a multitude of artists both live and in the studio, with The Lords of 52nd St and Slim Kings among others.The country artist Liberty refers to in the end is Faith Hill when he mentions the song "This Kiss"https://www.eventbrite.com/e/the-lords-of-52nd-streetthe-original-billy-joel-band-tickets-860599344807?aff=oddtdtcreatorhttps://www.libertydrums.com/pages/artist-liberty-devittohttps://www.facebook.com/profile.php?id=100057593854157https://www.instagram.com/liberty_devitto/

Join us as we celebrate the birthdays of Bill Bruford, Rick Wakeman, and Jay Schellen (all in one go given our schedules) and talk about stuff related to them, including news of the upcoming Fragile and King Crimson USA rereleases coming from Burning Shed, the Songs from Tsongas concert turning 20 this week, and Mirror to the Sky turning a year old! --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Hvað er progg? Arnar leiðir okkur í mikla sannleika um 22 mínútna löng trommusóló, óskiljanlega texta um hinstu rök tilverunnar og þau 457 hljómborð sem Rick Wakeman notaði með Yes.

Joining the Music History Project podcast team for a special episode dedicated to the band Yes with our guest longtime musician, arranger and our friend Mr. Bill Kilpatrick! Together we will explore the incredible talents of those in the band we have interviewed over the years including Jon Anderson, Bill Bruford, Rick Wakeman and Trevor Rabin!

It's always fun when Annie Haslam stops by to visit on the podcast! This week, The Imbalanced Boys get some news about a new release! Keep up on details on the Renaissance web site! They also discuss Annie's upcoming show, opening for Rick Wakeman on his final solo tour on 3/23/24! Of course there's always some Renaissance history to discuss, including the band's history with Hipgnosis! Philly legends Larry Magid and Ed Sciaky both are part of this episode, as well! An adventure to Carl Perkins' place, a painting for Dolly, meeting Joan Baez, and her 5 Favorite Women Singers Of The 1970s! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's always fun when Annie Haslam stops by to visit on the podcast! This week, The Imbalanced Boys get some news about a new release! Keep up on details on the Renaissance web site! They also discuss Annie's upcoming show, opening for Rick Wakeman on his final solo tour on 3/23/24! Of course there's always some Renaissance history to discuss, including the band's history with Hipgnosis! Philly legends Larry Magid and Ed Sciaky both are part of this episode, as well! An adventure to Carl Perkins' place, a painting for Dolly, meeting Joan Baez, and her 5 Favorite Women Singers Of The 1970s! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Denny as he shares a comprehensive look at the early years of the #1 progressive rock band, taken from his extensive collection of vintage audio. You'll hear Chris Squire, Jon Anderson, Rick Wakeman, Tony Kaye, Peter Banks, Bill Bruford, Alan White, Steve Howe, Trevor Rabin, Patrick Moraz, Geoff Downes, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Happy New Year to you. I hope you had a great time whatever you were celebrating in mid-winter or mid-summer or something else depending on where you are on the globe. This week, Mark and I return to the second part of our discussion around why Rick Wakeman wanted Larry Fast to help him out on Tales from Topographic Oceans. We listened to Electronic Realizations For Rock Orchestra by Synergy on which Larry played everything. Stay tuned to hear what we thought of the album from 1975. What does this record sound like from the vantage point of 2024? Does the basic technology make it sound old? Why did Rick want Larry? Let us know if you agree with us! Check out the progress on my other podcast - https://anthem52.com/ https://youtube.com/playlist?list=PLs8j5-e0DCE-c3eA2yNzCwRVOwYTbsbON&si=nxhtkTzsSU_U0hon https://www.youtube.com/watch?v=kGawFItqmh0 https://www.youtube.com/watch?v=LR1EAFQVUL8 Synergy FAQs: https://synergy-emusic.com/erro.html Support the Fundraiser! Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Alan Begg Michael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRomeAaron Steelman Become a Patron! Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I'll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week Mark and I are once again indebted to Doug Curran for setting us off to find out more about keyboard innovator Larry Fast and his Tales from Topographic Oceans connections. As you will hear, Larry was involved in the sound of the keyboards on Tales, something I did not realise until Doug posted a happy birthday message to Larry on the YMP Facebook Discussion Group last week. How much did you know about Larry's connections with Rick Wakeman? Let us know in the comments below. How did Larry and Rick meet? What was it about Larry that Rick likes? What is the Tales from Topographic Oceans link? Let us know if you agree with us! Larry Fast & Patrick Moraz at ProgStock, Oct. 2023 - photo from Doug Curran Doug with Larry Fast @NEARfest 2002 https://youtube.com/playlist?list=PLs8j5-e0DCE-c3eA2yNzCwRVOwYTbsbON&si=nxhtkTzsSU_U0hon Support the Fundraiser! Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Alan Begg Michael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRomeAaron Steelman Become a Patron! Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I'll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

LOADS of fun on this Adam Wakeman (Rick's son) Interview: cool stories about working with Ozzy, Black Sabbath, Annie Lennox, Travis, Atomic Kitten, Headspace… the brilliant genesis of Jazz Sabbath, dark days during the Pandemic, getting into music licensing and starting ThePerfectMusicLibrary.com, 6 ways to get your music accepted by music libraries, running as a catharsis, happiest moments of his life, most important lesson his dad Rick Wakeman taught him, parenting, valuing his time and more fun stuff. Really cool and very open convo! Discover How to Get Your Music Licensed & Placed in TV, Movies, Video Games & Streaming Services: https://MusicReboot.com Support this show: https://www.everyonelovesguitar.com/support Adam Wakeman's been the keyboardist and rhythm guitarist for Ozzy Osbourne & Black Sabbath band since 2003. He's a founding member of the prog rock band Headspace & the jazz rock band Jazz Sabbath. He also plays keyboards and guitar for Black Sabbath and has toured or recorded with Annie Lennox, Travis, the Company of Snakes, Strawbs, Will Young, Victoria Beckham, Atomic Kitten, and Martin Barre (Jethro Tull). Adam owns a production music library, called The Perfect Music Library, which creates and licenses music for film, television & other media. The company has placed music across most major TV networks in the UK, including the BBC, ITV and Sky. Subscribe & Website:  https://www.everyonelovesguitar.com/subscribe Cool Guitar & Music T-Shirts, ELG Merch!: https://www.GuitarMerch.com