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Episode 37: Flags Unfurled—Yes classics, solo treasures, Circa, Arc of Life, Rick Wakeman, and our Featured Album Flags by Moraz and Bruford. Includes the Whisker Shuffle, Cover Song Spotlight, and more 1. Yes – Children of Light: B. Lifeline (Keystudio)2. Yes – Heart of the Sunrise (Fragile)3. Rick Wakeman – Jane Seymour (The Six Wives of Henry VIII)4. Circa – Valley of the Windmill (Valley of the Windmill)5. Moraz–Bruford – Temples of Joy (Flags) 6. Moraz–Bruford – Flags (Flags)7. Alan Simon – The Vision (Featuring John Wetton) (Songwriter)8. Anderson Bruford Wakeman Howe – Themes / Bruford‑Levin Duet (Live at The N.E.C., Oct. 24th 1989)9. Jon Anderson – State of Independence (Change We Must)10. Moraz–Bruford – Impromptu, Too! (Flags) 11. Yes – Time and a Word (Time and a Word) 12. Steve Howe – Valley of the Rock (Homebrew)13. Yes – Ritual (Nous Sommes Du Soleil) (Tales from Topographic Oceans) 14. Moraz–Bruford – Split Seconds (Flags)15. Magellan – Don't Kill the Whale (Tales From Yesterday) [Cover Song Spotlight]16. Arc of Life – I Want to Know You Better (Arc of Life)17. Rick Wakeman – The North Plain (The Red Planet)18. Moraz–Bruford – Galatèa (Flags)
A collection of some of the best stories from our My Christmas Time Capsule episodes from Christmas's past! Part 3 features Aled Jones, Joe Wilkinson, Lisa Riley, Sanjeev Bhaskar, Anneka Rice, Griff Rhys Jones, Joe Pasquale, Rachel Paris & Marcus Brigstocke, Charlie Higson, Alex Horne, Gary Wilmot and Rick Wakeman .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.
A Yessounds Holiday Journey gathers the Yes family around the fire for a holiday journey in sound. From Jon Anderson's Three Ships to Rick Wakeman's Christmas Portraits, Chris Squire's choirs, Steve Howe's winter guitar, and festive gems from Moraz, Sherwood, Davison, and more 1 Rick Wakeman – Sussex Carol / It Came Upon a Midnight Clear2 John Wetton – Happy Christmas (War Is Over)3 Jon Anderson – Save All Your Love4 Chris Squire – Ding Dong Merrily On High5 Rick Wakeman – Hark the Herald Angels Sing6 Geoff Downes – Linus & Lucy (Charlie Brown Christmas Theme)7 Jon Anderson – Easier Said Than Done8 Steve Howe – Winter (2nd Movement from The Four Seasons)9 Rick Wakeman – The Holly & The Ivy / Mary's Boy Child10 Moya Brennan – Carol of the Bells11 Oliver Wakeman – In the Bleak Midwinter12 Rick Wakeman – Christians Awake, Salute the Happy Morn13 Jon Anderson – Give Hope14 Steve Howe – Winter15 Chris Squire – Silent Night/Night of Silence16 Patrick Moraz – Here Comes Christmas Again (Et Revoici Noël)17 Rick Wakeman – Coventry Carol / O Come, O Come, Emmanuel18 Jon Anderson – Where Were You?19 Jon Davison – Run With The Fox20 Steve Howe, Paul Sutin & Constance Demby – Polar Flight21 Rick Wakeman – O Little Town of Bethlehem22 Chris Squire – Adam Lay Y'Bounden23 Jon Anderson – The Holly and the Ivy24 Jeff Scheetz, Rodney Matthews, John Payne, Oliver Wakeman, Pete Coleman & Bob Catley – I Saw 3 Ships25 Billy Sherwood & Patrick Moraz – Wonderful Christmastime26 Jon Anderson – How It Hits You27 Rick Wakeman – O Come All Ye Faithful / Hark The Herald Angels Sing / See Amid The Winter Snow
As 1971 was coming to a close, David Bowie was going through some "Changes" -- from a Dylan-inspired singer-songwriter to the space-age rock star named Ziggy Stardust. He was broke, a new father, and in desperate need of some commercial success. So he recruited a band of musicians from Northern England, including a brilliant guitarist and arranger named Mick Ronson. And together they created an album called Hunky Dory. It laid the groundwork for his big breakthrough album to follow. But it is recognized today as one of his best-ever albums. Randy Renaud has the story behind its creation on the Chronicles of Rock.
Epic journeys, timeless songs, and Rick Wakeman's Preludes to a Century as our Featured Album. Roman, Trevor, and Lenny guide you through Yes classics, solo gems, and hidden treasures.1. Maazo Maazo – Jon Anderson (Toltec) 2. Starship Trooper – Yes (The Yes Album)3. Sun Carnival – Steve Howe (Homebrew 2)4. Al Gatto Nero – Asia (XXX)5. Prelude to a Millennium – Rick Wakeman (Preludes to a Century) 6. Seasons of Change – Rick Wakeman (Preludes to a Century)7. Youth & Age – Jon Anderson (Words/Music – Sir John Betjeman & Mike Read)8. I've Seen All Good People – Yes (Union 30 Live, Wembley Arena – June 29, 1991)9. End of an Era – Billy Sherwood (Divided By One)10. Forever More – Rick Wakeman (Preludes to a Century) 11. From the Balcony – Yes (Open Your Eyes, 1997)12. New New World – Jon Anderson (Survival & Other Stories, 2011)13. La Segunda Oración – Cielo y Tierra feat. Jon Anderson14. Coda – Tony Levin feat. Linnea Olsson (Bringing It Down to the Bass, 2014)15. 285 Fulton Street – Tony Kaye (End of Innocence, 2021) 16. Georgia – Trevor Rabin (Rio, 1981)17. Only a Dream – Rick Wakeman (Preludes to a Century)18. Skin Deep – Downes Braide Association (Skyscraper Souls, 2017)19. Mood for a Day – Steve Howe (Not Necessarily Acoustic, 1994)20. Reflections of a Winter's Day – Rick Wakeman (Preludes to a Century) 21. The Dancing Piano – Rick Wakeman (Preludes to a Century)22. Heat of the Moment – Steve Hackett (The Tokyo Tapes, 1997)23. Onward – Yes (Tormato, 1978)24. You By My Side – Chris Squire (Fish Out of Water, 1975)25. A New Dawn – Rick Wakeman (Preludes to a Century)
Episodio 7.42 de Las Cosas Que Hay Que Escuchar, en el cual nos preparamos para el fin de año mientras escuchamos la música de Carolina Durante, Il Maniscalco Maldestro, Seasick Steve, Cardiacs, Frank Zappa, Gary Numan, Suzanne Vega, Cult With No Name, Chris And Cosey, Rick Wakeman, Elio e le Storie Tese y Martinibomb. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio
On this killer episode of Talking Guitars on Johnny Beane TV, we kick things off with a cool story straight from Guitar World—then it's full speed to the workbench
Yes has been around for more than 55 years. They've made some of the world's best progressive rock music and even had some success on the pop charts. While The Wolf was living in London, he got to see Yes at Royal Albert Hall on the Close to the Edge 50 Tour which was a special night. It was there that he truly came to appreciate the talents of Jon Davison, the lead singer who is very close in age to your hosts. A friend of the late Taylor Hawkins, he does justice to classic Yes songs from throughout the catalog. After that show, The Wolf wanted to make sure he never missed his heroes again as long as Davison was fronting the band. On October 27, the boys came to his town and not only did he attend but he brought The Wolfcub, an aspiring guitar player, to see Steve Howe do his thing live. And they both loved the show (and The Wolfcub was handed an official Steve Howe guitar string!). They performed classics throughout the catalog and then after an intermission played Fragile in it's entirety straight-through, including big hits like Roundabout and Long Distance Runaround. But fan favorites like South Side of the Sky and Heart of the Sunrise really got the diehards on their feet! Steve Howe had his time in the sun on Mood for a Day and Geoff Downes had his spotlight doing the Rick Wakeman penned Cans and Brahms. Billy Sherwood showed why Chris Squire chose him to carry on his legacy, especially on The Fish and Jay Schellen kept them all in time. For those who wouldn't go because not enough original or heyday members are still in the band, we understand your argument. But this version of Yes fronted by Jon Davison delivers solid shows doing classics you love and the big screen behind them featuring Roger Dean artwork coming to life makes for a killer night out with Yes. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Rafa Panadero nos lleva de viaje por la historia del Rock&Roll. El amigo secreto se atreve con los primeros acordes de 'I Love Rock N Roll', de Joan Jett & The Blackhearts.
Yes has been around for more than 55 years. They've made some of the world's best progressive rock music and even had some success on the pop charts. While The Wolf was living in London, he got to see Yes at Royal Albert Hall on the Close to the Edge 50 Tour which was a special night. It was there that he truly came to appreciate the talents of Jon Davison, the lead singer who is very close in age to your hosts. A friend of the late Taylor Hawkins, he does justice to classic Yes songs from throughout the catalog. After that show, The Wolf wanted to make sure he never missed his heroes again as long as Davison was fronting the band. On October 27, the boys came to his town and not only did he attend but he brought The Wolfcub, an aspiring guitar player, to see Steve Howe do his thing live. And they both loved the show (and The Wolfcub was handed an official Steve Howe guitar string!). They performed classics throughout the catalog and then after an intermission played Fragile in it's entirety straight-through, including big hits like Roundabout and Long Distance Runaround. But fan favorites like South Side of the Sky and Heart of the Sunrise really got the diehards on their feet! Steve Howe had his time in the sun on Mood for a Day and Geoff Downes had his spotlight doing the Rick Wakeman penned Cans and Brahms. Billy Sherwood showed why Chris Squire chose him to carry on his legacy, especially on The Fish and Jay Schellen kept them all in time. For those who wouldn't go because not enough original or heyday members are still in the band, we understand your argument. But this version of Yes fronted by Jon Davison delivers solid shows doing classics you love and the big screen behind them featuring Roger Dean artwork coming to life makes for a killer night out with Yes. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Text us about this show.Marc Bonilla has enjoyed one of the most comprehensive careers any musician could wish for. And after close to four decades in the business there is simply no quit in him. He is a world class guitarist, an accomplished teacher of music, a remarkable composer, and simply an appreciator of beauty in art and life. And he's a proud nerd with a deep love of things like superheroes and Star Trek. He allows what has been to inform the possibilities of what can be all the while staying very true to himself and the music he creates. We discuss it all on this very special extended episode of Into The Music. Enjoy!The following selections were provided by Marc Bonilla for use on this show with his permission."Afterburner" written and performed by Marc Bonilla℗ 1991 Reprise Records."Le Tombeau De Couperin – Prelude" performed by Marc Bonilla and Mike Keneallywritten by Maurice Ravel, arr. by Marc Bonilla℗ 2020 Marc Bonilla."Blessings" written and performed by Saville Row℗ 2014 Saville Row, under exclusive license to Varese Sarabande Records."Walking Distance" performed by the Keith Emerson Band with the Munich Radio Orchestra conducted by Maestro Terje Mikkelsenwritten and arranged by Marc Bonilla℗ 2012 Terje Mikkelsen, under exclusive license to Varese Sarabande Records, under exclusive license to Varese Sarabande Records."Marche Train" performed by CTRL+Zwritten by Marc Bonilla and Keith Emerson℗ 2020 Marc Bonilla.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...
Ever bought an album just because you should love it... only to file it under "respect, but no thanks"? This week, Andrew Culture and Dr. Sam go full chin-strokey and dive deep into the bands, albums, and entire genres that make them go, "I get it. I just don't want it." We're talking Flux of Pink Indians' sonic assaults, John Zorn's sex-jazz chaos, Minutemen's minute-long jazz-punk spasms, and yes, that unholy racket from Merzbow. Along the way we also chat about Damon Albarn's trouser-based stage antics, Janis Joplin's wardrobe malfunctions, and what happens when Rick Wakeman tries to write a stadium-rock opera about Henry VIII's wives. Seriously. It's an episode filled with love for the bold, the bizarre, and the borderline unlistenable. So grab your brandy, light your pipe, and stroke your chin in a disapproving-yet-respectful fashion. What you'll learn this episode: Why Andrew would rather chew tinfoil than listen to Merzbow again What makes Dr. Sam say "this is basically an angry Jackson Pollock painting" Who wins the battle of "I admire them, but no thanks" — Apex Twin or The Minutemen? Why Flux of Pink Indians were literally banned by the police (hint: it wasn't for being catchy) The sexy noises of John Zorn and why jazz speedrunning should be a sport Plus! Music recommendations, tangents about driving in America, dodgy cod reggae, and why you should never trust someone who plays saxophone and wears a beret.
Dan and Steven chat with keyboardist Adam Parrish! Hear about his gigs and check out his site https://adamparrishmusician.wordpress.com/ He has assisted on Rick Wakeman's crew before, has seen Rick's recent shows, and has performed with Gordon Giltrap! There's also some Yes music chat, and a fun bit of info regarding his sparkling outfit!
Ouverture d'émission par un hommage, encore...Cette fois, c'est John Lodge, le bassiste des MOODY BLUES qui s'en est allé tutoyer les étoiles ce 10 octobre, il avait 82 ans. S'il n'en était pas membre fondateur, il était très vite devenu un élément essentiel suite à un changement de personnel deux ans seulement après la création du groupe qu'il rejoindra avec Justin Hayward en 1966. La musique classique s'invitera dans les compositions et arrangements de Moody Blues, direction les routes de ce qu'on appellera plus tard... le rock progressif. Extrait dans ce numéro de l'album "To Our Children's Children's Children" paru en 1969 et un titre fort à propos et composé notamment par John... Puisque nous sommes dans les légendes de sa Majesté, un certain PAUL MCCARTNEY, certes le Grand Maca ne fait pas spécialement dans le rock prog, mais c'est un touche à tout, et c'est en réécoutant cette semaine son album "Chaos And Creation In The Backyard" (l'un de mes préférés ! ) que j'ai eu envie de partager un extrait avec vous et j'ai choisi un titre somme toute, pas complètement hors de propos ici... Un (petit) YES, pour se faire plaisir avec un extrait de l'album "TORMATO" paru en 1978, dont la pochette n'est pas (pour la 2ème fois consécutive) attribuée à Roger Dean mais à Hipgnosis, célèbre collectif de graphistes anglais avec le fameux Storm Thorgerson. Mais le rendu n'était pas à la hauteur des attentes du groupe, puisque la légende veut que son claviériste Rick Wakeman mécontent du visuel proposé, lui jettera une tomate (sur le visuel, pas sur Storm ! ) L'album qui devait s'intituler "Yes Tor", deviendra un mix de "Tor" et de "Tomato" (tomate) et la pochette conservera le graphisme original gratifié de la solanacée écrasée...Yes qui par ailleurs est en pleine tournée américaine pour célébrer l'album "Fragile" et dont son vétéran, le guitariste Steve Howe, s'apprête à publier un EP vinyle en tirage très limité (qui devrait toutefois sortir sur les plateformes) consacré à Bob Dylan... En parlant d'Hipgnosis, on associe forcément ce nom à PINK FLOYD dont la quasi intégralité du catalogue est signé de cette boite mythique ! Et quand deux mythes se rencontrent : un visuel parfait pour représenter l'absence, thème d'un album majeur (voire pour beaucoup le meilleur) du Floyd, on obtient "Wish You Were Here". Vous le savez, depuis la fin de saison dernière on revient sur cet album dans l'ordre des morceaux. Depuis la rentrée nous en sommes à la face B et dans ce numéro c'est au tour de la chanson-titre d'être mise à l'honneur. Fans du groupe préparez vous à mettre la main à la poche, depuis que Sony s'est offert le catalogue des anciens de Cambridge, ils doivent chercher à rentabiliser leur investissement ! Bref, une nouvelle édition spéciale 50 ans paraîtra le 12 décembre prochain sous différent formats (CD, digital, LP, Blu-ray, coffret) avec des démos et versions inédites (en plus des quelques unes déjà parues dans la réédition de 2011) et un bootleg live à Los Angeles de 1975 restauré et remixé par un certain... Steven Wilson... Je parlais de musique classique intégrée au rock des Moody Blues, ce qui fut la même tendance chez leurs collègues du BARCLAY JAMES HARVEST qu'on réecoute toujours avec beaucoup de plaisir, ici avec un extrait de leur 2ème opus "Once Again" ce qui nous amène à l'année 1971... Pour limiter ce vertige temporel, quelques anglais contemporains mais également talentueux comme NICK FLETCHER considéré par un certain Steve Hackett (Genesis) comme le meilleur guitariste rock/jazz du Royaume de Sa Majesté, rien que ça ! Il faut dire que Nick nous entraine dans une fusion efficace, ici autour d'un concept à propos de "La Persona", théorie du psychiatre suisse, Carl Jung selon laquelle un individu présente un visage social au monde pour donner une certaine impression et cacher sa vraie nature, ce qui donne pour titre à cet album concept :"The Mask Of Sanity". C'est tout nouveau et fort recommandé par votre serviteur (qui fait de la radio pour éviter de mettre un masque ! ) Il n'y a pas que les anglais dans la vie ! La Pologne par exemple nous gratifie de belles formations rock prog que vous pouvez parfois entendre dans cette émission ! Ainsi PINN DROPP qui vient de publier son 4ème album (après un EP numérique à leur débuts en 2017). "For The Love Of Drama" est le titre de cette galette toute chaude, et là encore c'est un régal pour les cages à miel ! Et puis l'Italie, avec RANESTRANE, ce groupe formé en 1998, inspiré par leurs aînée Goblin ou PFM mais aussi par les cousins britanniques Genesis ou Marillion... Marillion dont deux représentants (le guitariste Steve Rothery et le chanteur Steve Hogarth) ont ramené leurs talents sur l'album inspiré de Stanley Kubrick et son "2001, L'Odyssée de L'Espace". Ici extrait du 1er volet de la trilogie consacrée à l'œuvre Kubrickienne : "A Space Odyssey Vol.1", paru en 2018 avec la guitare de Mr Rothery sur le titre diffusé ce soir... En France, nous ne sommes pas en reste avec deux générations dans ce numéro. Celle de ANGE, avec un 2ème extrait du tout nouvel album fort réussi "Cunégonde", album qui sera entièrement présenté au cours de la saison ! Pendant ce temps là, le groupe poursuit sa tournée "Quitter la Meute", vérifiez les dates près de chez vous. Pour notre belle région, il faudra attendre le 13 février 2026 (Tours) ou le mois de mars pour la Bretagne mais on en reparlera d'ici là ! Enfin, l'espoir de voir briller le rock progressif français passe aussi par la jeune génération et je mise notamment beaucoup sur "PLEDGE OF HEALING" dont "One Step Closer" le 1er album a fait les belles soirées d'Amarok en 2023. Fondé par Claire et Cyril, le projet ne peut et ne doit pas en rester là ! La bonne nouvelle c'est que le groupe est entré en résidence et semble avoir du boulot sur la planche...Tant mieux, je ne sais pas vous mais j'espère et rêve de connaître une suite discographique à l'aventure.... Thierry Joigny Chaque jeudi, à 20h Suivez Amarok sur Facebook également sur Instagram
We review Rick Wakeman's latest piano album, Melancholia! In Rick's own words, "Though often misunderstood as mere sadness, melancholia - as Wakeman himself notes - is more textured, more intricate. It is a temperament as much as a mood: sensitive, thoughtful, loyal, creatively driven, deeply analytical, and quietly steadfast. That richer definition lies at the heart of this album. These compositions are neither bleak nor morose. They are generous in spirit, filled with moments of light and resolve, reflecting a mind that has learned to make peace with melancholy - not to escape it, but to transmute it." Hear what we have to say about the album! And you can see the places to purchase it at https://www.rwcc.com/product.php?int_titleID=206
Yessounds 026: Imagination UnleashedThis time we explore Rick Wakeman's “A Gallery of the Imagination”. Also, songs from Trevor Rabin, Jon & Vangelis, Steve Howe, Shaw/Blades and more. 1 Myo Maya – Jon Anderson2 Release, Release – Yes (Tormato)3 Rise and Fall – Patrick Moraz (The Story of I)4 The Only Thing She Needs – UK (Danger Money)5 Hidden Depths – Rick Wakeman (A Gallery of the Imagination)6 Cuban Carnival – Rick Wakeman (A Gallery of the Imagination)7 Louisiana Blues – Paul Rodgers (feat. Trevor Rabin)8 Perpetual Change – Yes (Live from Yessongs)9 Nature of the Sea – Steve Howe (Beginnings)10 A Mirage in the Clouds – Rick Wakeman (A Gallery of the Imagination)Whisker Shuffle11 Red Light Ahead – Conspiracy (Sherwood & Squire)12 Meadow Rag – Steve Howe (Homebrew)13 Some Are Born – Jon Anderson (Song of Seven)14 Catherine Howard – Rick Wakeman (Six Wives of Henry VIII)15 Sludge – Trevor Rabin (Live in LA)16 Your Move – Shaw-Blades (Influence)17 State of Independence – Jon & Vangelis (The Friends of Mr. Cairo)18 Does It Really Happen? – Yes (Drama)19 Loving Sea – Steve Hackett (Wolflight)20 The Enchanter – Oliver Wakeman (The 3 Ages of Magick)21 The Dinner Party – Rick Wakeman (A Gallery of the Imagination)22 As The Night Falls… and Continues – Peter Banks
"Viaje al centro de la Tierra" (1974) - Rick Wakeman
WBCQ/The Planet airdate - 2/8/25 Welcome to Fluxedo Junction, I'm Scott Kuchler. Each episode we bring you the best music of all genres from throughout the world, and this week we'll be speaking with legendary drummer Liberty Devitto. Widely known as the drummer for the Billy Joel band from 1976 through 1993, Liberty has also played with many of the most influential musicians in the world, including Paul McCartney, Carly Simon, Stevie Nicks, Rick Wakeman, and Meat Loaf. He's most recently been active with two different bands - The Lords Of 52nd Street, featuring other members of the classic era Billy Joel band Richie Cannata and Russell Jacobs, and the Slim Kings featuring bassist Andy Attanasio and vocalist/guitarist Michael Sackler-Berner. His book: "Liberty - Life, Billy and the Pursuit of Happiness" is available at all major booksellers and web services.
Send us a text In this episode, we dive into Drama (1980), one of the most surprising and divisive albums in the Yes catalog. With Jon Anderson and Rick Wakeman gone, the band recruited Trevor Horn and Geoff Downes of The Buggles, reshaping the group's sound for a new decade. We explore the bold risks Yes took during this turbulent lineup shift, the mix of progressive rock tradition with fresh new wave energy, and the album's long-lasting legacy among fans. From the thunderous opener “Machine Messiah” to the radio-friendly “Into the Lens,” we break down what makes Drama a fascinating turning point in Yes's history. Support the showBrowse the 33/24 Archives: Check out the backroom! Follow us: Instagram Facebook Watch us on YouTube!
For one of our first episodes back in 2018 (S1E3), we discussed 'Hunky Dory' by David Bowie with then co-host Barry Stock. Honestly, though, for our first 20 episodes or so we were still finding our way and weren't even playing any music clips at that point. So when this week's guest, musician David J (Bauhaus, Love and Rockets), suggested taking on Bowie's fourth studio album, we couldn't resist revisiting this stone cold classic with such a thoughtful, well-informed guest. Essential listening! Songs discussed in this episode: Changes (David Bowie cover) - The Muffs/Robyn Hitchcock/Shawn Mullins/Cybernauts/Bananarama; Bela Lugosi's Dead - Bauhaus; No New Tale To Tell - Love and Rockets; Mambo Sun - T Rex; 10538 Overture - Electric Light Orchestra; The Shape Of Things To Come - Slade; You Can Get It If You Really Want - Desmond Dekker; Ziggy Stardust, Starman, Changes - David Bowie; Sheep (Pink Floyd cover) - Arthur Brown, Rick Wakeman, Jan Akkerman, David J., Carmine Appice; Oh! You Pretty Things - David Bowie; Oh! You Pretty Things - Peter Noone; The Bewlay Brothers, Eight Line Poem - David Bowie; My Way - Frank Sinatra; Life On Mars - David Bowie; Judy Teen - Steve Harley & Cockney Rebel; Kooks - David Bowie; This Guy's In Love With You - Burt Bacharach; Exquisite Corpse - Bauhaus; Quicksand - David Bowie; An Old Fashioned Love Song - Paul Williams; Fill Your Heart, Andy Warhol, Song For Bob Dylan - David Bowie; Ziggy Stardust (David Bowie cover) - Bauhaus; Waiting For The Man - The Velvet Underground; Amsterdam (Live, Olympia 1964) - Jacques Brel; Queen Bitch, The Bewlay Brothers - David Bowie; Oh No! Not Another Songwriter! - David J
Welcome to Yessounds Episode 024. This episode's packed with deep cuts, solo gems, and a Featured Album that paints in candlelight: From Brush & Stone by Gordon Giltrap & Rick Wakeman. We've also got a Whisker Shuffle curated by Lenny himself, a Cover Song Spotlight, and a few poetic detours along the way.Track list:1. (Intro) If A Picture – Oliver Wakeman 2. Turn of the Century – Yes 3. The Chagall Duet – Jon Anderson 4. Sketches in the Sun – GTR 5. The Savannah Bird – Gordon Giltrap & Rick Wakeman (Featured Album) 6. The Thinker – Gordon Giltrap (Featured Album) 7. Closer to the Sky – Tarja feat. Trevor Rabin 8. And You and I – Yes 9. Change We Must – Jon Anderson 10. The Kiss – Gordon Giltrap & Rick Wakeman 11. Mood for a Day – Steve Morse 12. A for Aria – AndersonPonty Band 13. Shoot High Aim Low – Yes 14. Nine Voices (Longwalker) – Yes 15. We Agree – Yes 16. She Said Maybe... – Steve Hackett 17. Free (Some Would Say) – Jon Anderson 18. Rick Wakeman's Intros – ABWH 19. Lure of the Wild – Wakeman with Wakeman 20. The Death of Chatterton – Gordon Giltrap & Rick Wakeman 21. Picasso – Yes 22. Page of Life – Jon & Vangelis 23. Soon – Yes 24. The Light of the World – Gordon Giltrap & Rick Wakeman
If you ever go to a big wrestling show, you'll likely find a commemorative T-shirt for sale that says "I Was There." It's just another way of proving that you attended the event, beyond all the photos and videos you probably took on your phone. Live show experiences are the topic of this very episode. Andrew is joined by first-time guest Tyler Forness (The Good, The Bad, & The Hungee) to play songs by artists they have seen live and reminiscence about any memories they have from those concerts. Artists include Mötley Crüe, Black Sabbath, Dream Theater, Yes feat. Jon Anderson, Trevor Rabin, & Rick Wakeman, Taylor Swift, The Heavy, Echo & the Bunnymen, Ludacris, and many more. No need to fork over 50 dollars to the guy at the merch stand, this episode is free and fun!Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrew / @therealfornoTwitter: @therealfornoTyler's football coverage: atozsports.com/author/tyler-fornessTyler's Minnesota Vikings podcast: https://www.youtube.com/playlist?list=PLMGPRoBO8c1joHchLToxiKThbD58SDY-jAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights … … Rick Wakeman in full cape attire at Manchester Free Trade Hall in '76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen. … how Leeds' goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical', about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn't sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn't like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights … … Rick Wakeman in full cape attire at Manchester Free Trade Hall in '76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen. … how Leeds' goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical', about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn't sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn't like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights … … Rick Wakeman in full cape attire at Manchester Free Trade Hall in '76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen. … how Leeds' goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical', about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn't sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn't like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Matt and Rob Interview legendary drummer Liberty DeVitto We talk about his 2020 book "Liberty, Life, Billy & the Pursuit of Happiness" Liberty helped sell over 150 million albums with a band that Phil Rubin named "the Lords of 52nd Street" with Billy Joel at the lead. **** We talk about: THE FIRST TIME LIBERTY MET BILLY JOEL WHAT IT WAS LIKE TO MEET PAUL MCCARTNEY AND RECORD WITH HIM THE SONGS "SCENES FROM AN ITALIAN RESTAURANT" AND "ONLY THE GOOD DIE YOUNG" THE SONG LIBERTY DIDN'T LIKE TO PLAY THE UNIQUE SOUNDS USED FOR "PRELUDE / ANGRY YOUNG MAN" AND "STILETTO" THE 911 BENEFIT, VISITING GROUND ZERO THE RECOVERY SQUAD (Liberty has been sober for over 20 years!) THE SLIM KINGS (LIBERTY'S CURRENT BAND) AND MORE! (AND THINGS THAT ARE NOT IN LIBERTY'S BOOK) **** Matt and Rob grew up listening to Billy Joel so it was a great honor for us to talk to someone who was in the middle of it all back in the 70s/80s. The good, the bad and the ugly of it all. We tried to keep it positive. Liberty is such a humble, funny and sweet person it was a great time for us all. **** Liberatori "Liberty" DeVitto is an American rock drummer. He is best known for his work as a drummer for singer-songwriter Billy Joel's recording and touring band. He has also been a session drummer on recordings for other artists, including Paul McCartney, Carly Simon, Phoebe Snow, Karen Carpenter, Stevie Nicks, Rick Wakeman, Bob James, Meat Loaf, and more. He is credited as a drummer on records that have sold a combined total of 150 million units worldwide. In 2020, Liberty released his first book, an autobiography, Liberty—Life, Billy, and the Pursuit of Happiness (pictured below). He then began exploring other literary journeys and released his first children's storybook, Love, Santa Clause—A humble-hearted Christmas story. There is much more to come as Liberty is working on an entire book series as we speak. **** Check out Liberty's website where you can order his book: LIBERTY, LIFE, BILLY & THE PURSUIT OF HAPPINESS www.libertydevitto.com also check out the SLIM KINGS website at www.slimkings.com - new album in the works coming in September! Expect us to interview Liberty again. **** COPYRIGHT CLAIM: the SLIM KINGS songs "Truth Be Told", "The Rock You Need" and "Raw" used with permission from Liberty DeVitto **** KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic Help support our Podcast by purchasing some cool merch: https://www.teepublic.com/user/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews. Just search "know good music" Please follow / subscribe & review Follow our Instagram & Facebook pages for info on upcoming podcasts and sometimes extra content
Rick Wakeman's infamous prog rock ballet was captured on video tape, and thank God. While the majority of incidents have been edited out--one skater losing her top, another unable to pull the sword from the stone, still another being a knight who has to fall on his own sword due to a lack of choreography--there's still plenty of baffling choices being backed here by Wakemans' attempt at a modern rock show about the legendary Once and Future King. This is a preview of the latest episode of our series Hollywood Avalon. To hear the entire episode, join the Mary Versus the Movies patreon for $3/month to hear this and the entire series Hollywood Avalon: https://www.patreon.com/maryvsmovies.
In this episode of LEGENDS: Podcast by All Day Vinyl, host Scott Dudelson sits down with legendary guitarist Steve Howe of YES to explore the timeless impact of the classic 1971 YES album, "Fragile." Known for his masterful blend of acoustic and electric guitar playing, Steve shares in-depth insights on the album's creation, lasting influence and his preparation to perform the record live on tour in 2025. Listeners will be taken on a journey through the album's unique sound, characterized by clarity and innovation, and learn about the collaborative dynamics that brought tracks like "Roundabout" and "Heart of the Sunrise" to life. Steve reveals how the addition of keyboardist Rick Wakeman contributed to the album's distinctiveness and the bold artistic choices that made "Fragile" stand out. Further enriching the conversation, Steve recounts his experiences touring with iconic musicians like Delaney and Bonnie & Friends (Eric Clapton and George Harrison), and reflects on Yes's evolution as a band. From the album's striking Roger Dean cover art to the solo pieces that highlighted each band member's individual artistry, this episode offers a comprehensive look at the music and moments that defined "Fragile." Beginning in October 2025, Steve and YES will be touring and performing the album in it's entirety. Check www.yesworld.com for all tour dates If you enjoy this episode please follow, like and rate. You can check us out on YouTube and Instagram @alldayvinyl Special thanks to the team @ SROPR for this episode.
Most casual Yes fans aren't familiar with their 1980 release Drama. After 8 years of gold and platinum releases, Drama failed to sell as well as its 70s prog counterparts like Close To The Edge or Fragile. When they went to the south of France to record in late 1979, it was the most celebrated Yes lineup of Jon Anderson (vocals), Chris Squire (Bass), Steve Howe (guitars), Rick Wakeman (keyboards) and Alan White (drums), Coming off two solid efforts in Going For The One and Tormato, there was strong interest in the band, especially in America where they'd prebooked a tour including 3 sold out shows at Madison Square Garden. However, factions took over and cracks were exposed in the harmony of the band. Howe, White and Squire would come later and bring producer Roy Thomas Baker with them. Those four would dismiss the airy and ethereal efforts of Wakeman and Anderson in favor of their own heavy and proggy riffs. After Alan White injured himself roller skating with Richard Branson (as one does), the retreated back to England but Anderson and Wakeman had had enough and they left the band. Under the same management of Brian Lane and using the same studios were The Buggles, Geoff Downes (Keyboards) and Trevor Horn (vocals) vehicle for their worldwide hit Video Killed The Radio Star. Chris Squire invited them in to help write some songs but really, he wanted them in the band. Though Trevor Horn was reluctant to try to replicate Jon Anderson's high pitched vocals, they eventually joined and recorded Drama. Critics said it sounded remarkably like Yes, maybe more than they expected. But while Trevor's vocals aren't an exact match of Anderson's, they do hit that high register and the work by the musicians of Yes is off the charts strong. Tempus Fugit is a quintessential Yes song and Run Through The Light gives Trevor something closer to his own range while Geoff modernizes Yes' sound. Many Yes fans decided that no Anderson and No Wakeman meant No Thanks. But Drama has aged well and even the Roger Dean cover, which was never a big favorite of The Wolf compared to most all he did with Yes and Asia, is something that grows on you. This is a hidden gem in the Yes catalog, one that The Wolf includes among his favorite Yes albums. Give it a chance, see if you agree. * And if you can get the 2004 remaster do so - it sounds great and has lots of bonus tracks including some from the Anderson/Wakeman sessions. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius This week Mark and I had all sorts of fun thinking about whether there are any short Yes epics - or if this idea is even possible. We set ourselves the restriction of only choosing Yes songs less than 6mins in duration so can you guess what we came up with and how we justified our choices? It was sad to hear that Ozzy Osbourne died this week, only a few weeks after performing his last ever concert with his Black Sabbath bandmates. I can't say I was a dedicated fan of Ozzy or Sabbath but my introduction to heavy metal was when a friend of mine took me up to his room in a slightly creepy Victorian mansion and played me the self-titled album by the Birmingham band. How appropriate the setting was. I also learned to play Paranoid on the drums when I was a teenager and my younger son taught my daughter, when she was a toddler, to sing the alphabet to the riff from War Pigs. My elder son was a true fan so he was upset when we heard the news. As you know if you've read the new Tales book or get your information from many other sources like Matthew Paine on Facebook, Rick Wakeman was a huge fan of Ozzy who he met at Morgan Studios while Yes were recording Tales. He ended up playing keys on 2 songs on Sabbath Bloody Sabbath which was being recorded over the road in another Morgan studio at the time. Eventually, Ozzy returned the favour by singing on Rick's "The Return to the Center of the Earth", as pointed out by Paul Graf also on Facebook. Our own Doug Curran interviewed Ozzy for his radio show in 1981 so do make a point of reading his reflections on that on the YMP Facebook discussion group Rest in Peace Ozzy. https://www.quora.com/What-makes-epic-songs-epic https://youtu.be/YGsq3ya1-8Y?si=_4zjczWxt3grbwzH https://youtu.be/UF2P_qgi7YA?si=n9Vbim5fGeLPjfEN https://youtu.be/63nZud3Xu1Y?si=Y0PMEIxL5dxYXNHS https://youtu.be/CBtZ8exhRPQ?si=rt0xacK2W8SeZXl4 https://youtu.be/8-hJFoSgXfM?si=OTCdWuAB7U2zg-1- https://youtu.be/qEUkRRLe6vQ?si=SwOTImHn3DIXFIYe Yes - The Tormato Story & Tales from Topographic Oceans - Yes Album Listening Guide Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron!
Most casual Yes fans aren't familiar with their 1980 release Drama. After 8 years of gold and platinum releases, Drama failed to sell as well as its 70s prog counterparts like Close To The Edge or Fragile. When they went to the south of France to record in late 1979, it was the most celebrated Yes lineup of Jon Anderson (vocals), Chris Squire (Bass), Steve Howe (guitars), Rick Wakeman (keyboards) and Alan White (drums), Coming off two solid efforts in Going For The One and Tormato, there was strong interest in the band, especially in America where they'd prebooked a tour including 3 sold out shows at Madison Square Garden. However, factions took over and cracks were exposed in the harmony of the band. Howe, White and Squire would come later and bring producer Roy Thomas Baker with them. Those four would dismiss the airy and ethereal efforts of Wakeman and Anderson in favor of their own heavy and proggy riffs. After Alan White injured himself roller skating with Richard Branson (as one does), the retreated back to England but Anderson and Wakeman had had enough and they left the band. Under the same management of Brian Lane and using the same studios were The Buggles, Geoff Downes (Keyboards) and Trevor Horn (vocals) vehicle for their worldwide hit Video Killed The Radio Star. Chris Squire invited them in to help write some songs but really, he wanted them in the band. Though Trevor Horn was reluctant to try to replicate Jon Anderson's high pitched vocals, they eventually joined and recorded Drama. Critics said it sounded remarkably like Yes, maybe more than they expected. But while Trevor's vocals aren't an exact match of Anderson's, they do hit that high register and the work by the musicians of Yes is off the charts strong. Tempus Fugit is a quintessential Yes song and Run Through The Light gives Trevor something closer to his own range while Geoff modernizes Yes' sound. Many Yes fans decided that no Anderson and No Wakeman meant No Thanks. But Drama has aged well and even the Roger Dean cover, which was never a big favorite of The Wolf compared to most all he did with Yes and Asia, is something that grows on you. This is a hidden gem in the Yes catalog, one that The Wolf includes among his favorite Yes albums. Give it a chance, see if you agree. * And if you can get the 2004 remaster do so - it sounds great and has lots of bonus tracks including some from the Anderson/Wakeman sessions. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Although this album was the fourth Elton John studio album, it was also the third album released in 1971. John had released a film soundtrack album and a live album previously in the year. Madman Across the Water is a more progressive album than his previous outings, containing nine tracks with all but the final track exceeding four minutes. Elton John also had Yes keyboardist Rick Wakeman sit in on the sessions for two of the tracks, playing Hammond organ. Although it went to number 8 on the US Billboard 200 chart, it did not do as well in his native UK. The mediocre results in England may be partly explained by the song lengths not fitting nicely into the 3-minute span typical of singles. Nevertheless, the album contains two singles which would prove to be amongst John's greatest hits. Contemporary critics had mixed reactions to the prog rock bent of the album, with some finding the lyrics confusing and the album as a whole too deep for new fans. As with much of the discography of music icons like Elton John, reviews would trend more positive over time. Madman Across the Water finds Elton John on the cusp of his ascent to superstardom, when his next several albums would trend towards a glam rock approach and would start regularly topping the charts.Original host Brian Dickhute returns to "What the Riff" studios to help us finish off our podcast series focusing on the Months from 1965 to 1995. Tiny DancerThe lead off track takes its inspiration from two places. Generally, it is inspired by the spirit of the women Bernie Taupin met in California, and how their styles contrasted with those in the U.K at the time. More specifically it references Maxine Feibelman, who really was the "seamstress for the band," and supported John's elaborate stage costume style. Feibelman and Taupin were married in March 1971, with Elton John serving as best man.LevonThe first single from the album tells the story of Levon, a man who is successful in the family business, but trapped in his lifestyle. "Levon wears his war wound like a crown." This symphonic piece uses a backing orchestra written, arranged, and conducted by Paul Buckmaster. Madman Across the WaterThe title track to the album was originally supposed to be a track on John's previous studio album, but it was rearranged for this album. The lyrics are about a man in a coastal mental institution who doesn't know if he belongs there or not. Many have speculated that Taupin wrote this about then President Richard Nixon, speculation to which Taupin responds, "That is genius. I could never have thought of that."Indian SunsetThe story about an American Indian warrior on the verge of defeat was inspired by Frederic Remington painting and/or a visit that Bernie Taupin paid to a reservation. John has stated that the song is not a protest song, but a story. The opening acapella verse sets the wistful tone of the rest of the song. ENTERTAINMENT TRACK:Main theme from the children's television series “Electric Company""Hey you guys!" This children's educational show debuted in 1971. STAFF PICKS:Uncle Albert/Admiral Halsey by Paul and Linda McCartneyBruce begins the staff picks with a song from "Ram," the only album attributed to Paul and Linda McCartney. It reached number 1 on the Billboard Hot 100 in September 1971, making it the first post-Beatles McCartney single to top the US charts. It is actually a compilation of several song fragments assembled by engineer Eirik Wangberg. The lyric "hands across the water/heads across the sky" refers to Linda and Paul being American and British.Rain Dance by the Guess WhoRob brings us a song penned by Burton Cummings and Kurt Winter which was the lead-off track from the Guess Who's eighth studio album, "So Long, Bannatyne." Randy Bachman had departed the band by this time. Many of the lyrics reference landmarks or businesses in their native Winnipeg, Canada. You Say It by Al GreenWayne's staff pick is a fusion of funk and soul off Al Green's third studio album. Green got his start at the age of nine in a gospel quartet. The lyrics from this song discuss the difficulties a guy has in picking up the phone to call his girl. Al Green became a minister in 1976 and returned to gospel music in the mid-80's.I'd Love to Change the World by Ten Years AfterLynch features a song that is the sole top-40 single from the British blues rock group in the U.S., peaking at number 40 on the Billboard Hot 100. The lyrics express the frustration of the counter culture movement in wanting to change the world, but realizing that solutions are harder to reach than thought.Gypsys, Tramps and Thieves by CherBrian finishes out the episode with a story from Cher. The lyrics are told from the perspective of a Gypsy girl born to a dancer in a traveling show. When she is 16, she becomes pregnant from a young stranger who runs off, leaving her to raise a baby girl in the same situation as her mother raised her. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
Guitarist Gordon Giltrap joins us for an interview about his EP Starfield, which you can get here: https://www.giltrap.co.uk/cds/f/CDs/6230/ Yes fans may also know Giltrap collaborated with Rick Wakeman on their 2010 album From Brush & Stone, as well as with Oliver Wakeman on 2013's Ravens & Lullabies, even performing together on what was later released as From a Stage.
We celebrate four years of Yesshift! You'll hear them zoom through multiple topics: reminiscing about the podcast, giving a nod to the late percussionist Luis Jardim (who worked with Trevor Horn), our copies of Prog Magazine 160 (the one honoring Chris Squire), Yes' 2000 Masterworks Tour, the CD and DVD contents of Yes - The Early Broadcasts, Rick Wakeman's comments on the Rock & Roll Hall of Fame Induction back in 2017, a little bit about Ozzy Osbourne's farewell concert where Adam Wakeman performed, clarification on reports of new King Crimson material, and what reviews and interviews you can expect next from this podcast!
Scottish pop-rock legend David Paton is one of the most quietly influential musicians of the past fifty years. Born and raised in Edinburgh, David made his mark as the founder, lead singer, bassist, and chief songwriter for the 70s pop band Pilot — the group behind the timeless hits “Magic” and “January.” These catchy, melodic tracks flew up the UK Singles Charts in 1974 and 1975, cementing Pilot's place in the classic pop-rock hall of fame.Pilot began when David, fresh from playing in local Scottish bands and even a short stint with the Bay City Rollers, teamed up with the late Billy Lyall, a fellow ex-Bay City Roller and brilliant keyboardist. With guitarist Ian Bairnson and drummer Stuart Tosh, Pilot quickly gained attention for their crisp harmonies, soaring hooks, and the polish of producer Alan Parsons, who helped shape their signature studio sound.At their peak, Pilot was more than a one-hit wonder. Their debut album From the Album of the Same Name (1974) and the follow-up Second Flight (1975) gave pop fans not just “Magic” but the No.1 UK single “January,” a song that topped the charts for three weeks. The band's unique blend of soft rock, glam pop, and radio-friendly hooks made them stand out in a crowded 70s scene.Though lineup changes and industry missteps led to Pilot's split by 1977, their legacy has endured. David Paton, the creative force behind the hits, went on to carve out an impressive career as a vocalist, bassist, and songwriter for other iconic acts. He played a vital role in The Alan Parsons Project, lending his vocals and bass to albums like Tales of Mystery and Imagination and I Robot, and fronted the progressive rock band Camel, where his vocals on “Heroes” from The Single Factor still mesmerise fans today.David's talents didn't stop there. As a sought-after session musician, he played bass on Elton John's hit “Nikita” and toured with Elton, worked alongside Kate Bush, Rick Wakeman, Jimmy Page, and even folk legends like Phil Cunningham and Dick Gaughan. His solo work reflects his Scottish roots too — with hauntingly beautiful arrangements of traditional songs by Robert Burns and Sir Walter Scott.Still writing, recording, and performing, David's latest album, Communication (2024), shows that his knack for melody and emotional connection is as strong as ever. His autobiography, Magic: The David Paton Story, gives fans an honest, often funny look behind the curtain — from Pilot's dizzying success to the reality of life as an unsung rock hero.If you love timeless pop hooks, Scottish rock history, and the real story behind a band that gave us one of the catchiest songs ever written, dive deeper into the world of David Paton and Pilot — and experience the Magic for yourself.I know you'll enjoy the story of David Paton and relish the contribution he's made with his music.
Rick Wakeman was onstage from the age of five and looks back with us here on a life of live performance – jazz and blues bands, the Strawbs, Yes – and ahead to this autumn's tour performing King Arthur and the Six Wives of Henry the Eighth. “I wake up every morning, throw off the duvet and – if nothing else has fallen off – have a great day!” There's more … ... how it feels when the rock press call you ‘Tomorrow's Superstar!' at the age of 24. … the contract he once had to sign that said “Mister Wakeman will wear at least one of his capes during the performance”. … seeing the Bonzos in 1965, “Viv Stanshall so paralytic he sang the entire set lying down”. … being on a packed tube to Gants Hill and suddenly realising he was on the cover of the Melody Maker he was reading. … Mrs Symes, his piano teacher, who launched his career (aged five). … his teenage band Atlantic Blues “who ended Wipe Out eight times faster than it started”. … the day his Strawbs' Hammond organ solos were applauded by the Telegraph and Times. … early piano sessions for Cat Stevens, Ralph McTell and Al Stewart. … aspects of touring that prove “financially non-viable”. … and how Wolf Hall rebooted the legend of Henry the Eighth. Plus Atomic Rooster, Charlie Chaplin, Arthur Brown, green PVC trousers and a cape collection that includes “four originals”. Buy tickets here: https://www.rwcc.com/live.php#ere2025Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Rick Wakeman was onstage from the age of five and looks back with us here on a life of live performance – jazz and blues bands, the Strawbs, Yes – and ahead to this autumn's tour performing King Arthur and the Six Wives of Henry the Eighth. “I wake up every morning, throw off the duvet and – if nothing else has fallen off – have a great day!” There's more … ... how it feels when the rock press call you ‘Tomorrow's Superstar!' at the age of 24. … the contract he once had to sign that said “Mister Wakeman will wear at least one of his capes during the performance”. … seeing the Bonzos in 1965, “Viv Stanshall so paralytic he sang the entire set lying down”. … being on a packed tube to Gants Hill and suddenly realising he was on the cover of the Melody Maker he was reading. … Mrs Symes, his piano teacher, who launched his career (aged five). … his teenage band Atlantic Blues “who ended Wipe Out eight times faster than it started”. … the day his Strawbs' Hammond organ solos were applauded by the Telegraph and Times. … early piano sessions for Cat Stevens, Ralph McTell and Al Stewart. … aspects of touring that prove “financially non-viable”. … and how Wolf Hall rebooted the legend of Henry the Eighth. Plus Atomic Rooster, Charlie Chaplin, Arthur Brown, green PVC trousers and a cape collection that includes “four originals”. Buy tickets here: https://www.rwcc.com/live.php#ere2025Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Rick Wakeman was onstage from the age of five and looks back with us here on a life of live performance – jazz and blues bands, the Strawbs, Yes – and ahead to this autumn's tour performing King Arthur and the Six Wives of Henry the Eighth. “I wake up every morning, throw off the duvet and – if nothing else has fallen off – have a great day!” There's more … ... how it feels when the rock press call you ‘Tomorrow's Superstar!' at the age of 24. … the contract he once had to sign that said “Mister Wakeman will wear at least one of his capes during the performance”. … seeing the Bonzos in 1965, “Viv Stanshall so paralytic he sang the entire set lying down”. … being on a packed tube to Gants Hill and suddenly realising he was on the cover of the Melody Maker he was reading. … Mrs Symes, his piano teacher, who launched his career (aged five). … his teenage band Atlantic Blues “who ended Wipe Out eight times faster than it started”. … the day his Strawbs' Hammond organ solos were applauded by the Telegraph and Times. … early piano sessions for Cat Stevens, Ralph McTell and Al Stewart. … aspects of touring that prove “financially non-viable”. … and how Wolf Hall rebooted the legend of Henry the Eighth. Plus Atomic Rooster, Charlie Chaplin, Arthur Brown, green PVC trousers and a cape collection that includes “four originals”. Buy tickets here: https://www.rwcc.com/live.php#ere2025Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
What happened on June 8 in music history? On the June 8 edition of the Music History Today podcast, the Rolling Stones make history twice and Rick Wakeman leaves Yes. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday Resources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lines https://findahelpline.com Resources for substance abuse issues - https://988lifeline.org https://www.samhsa.gov/find-help/helplines/national-helpline
This week, I'm joined by JoE Silva, the author of The Minimoog Book and host of Athens 411, who chose the film Moog to discuss.We talk about how JoE first met Robert Moog and then went on a 14 year journey to write The Minimoog Book, Rush's Geddy Lee writing the preface to the book, the incredible stories surrounding Sun Ra as one of the first musicians to get a Minimoog, the strange era where digital synths overtook analog synths, how shy and gentle Robert Moog was, Moog's onstage work with Yes, the synth company's humble beginnings, the music industry's fear of synths replacing 'real' musicians, Kraftwerk, why live music was the most important factor for Moog making his instruments, JoE's time with Eno, the amazing early documentary footage of the Moog factory, Bernie Worrell & Rick Wakeman's outdated conversation in the film, DJ Spooky, Taco Bell's 'Island Of Electronicus, Stereolab, our top 3 synth parts of all time and more. So let's set the oscillators to the max on this week's episode of Revolutions Per Movie!JoE SILVA: https://www.athens441.org/aboutTHE BOOK: https://bjooks.com/products/the-minimoog-bookTHE FILM: https://www.youtube.com/watch?v=yRsSSjqZ1ykREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
In which Robert goes solo, while Amy enjoys a Girls Night Out! A discussion of Joy, Fun, Heartiness, Panaché, Joie De Vie ... Objectivism and the Lust For Life. Being, doing, getting, having more of everything. Also, Mount St. Helens, Halley's Comet, "No Dirty Dishes Day" (and Robert's GLO Rules), and Happy Birthday to Tina Fey, Mark Mothersbaugh, Rick Wakeman, Frank Capra, and Bertrand Russell & his Teapot!
Gordon Giltrap MBE is a British guitar virtuoso known for his innovative fingerstyle technique and genre-blending compositions. With a career spanning over five decades, he has released numerous acclaimed albums, including the iconic Perilous Journey (1977), featuring the hit instrumental Heartsong. Giltrap's music fuses folk, rock, and classical influences, earning him a dedicated global following. A true master of the acoustic guitar, he has collaborated with top musicians and continues to inspire players worldwide with his unique style and musical storytelling.In this episode we talk about the upcoming auction of 18 of his guitars (June 10, 2025) — each holding a story from his life on stage and in the studio — and how downsizing, legacy, and creative renewal have shaped his latest chapter.We also hear about;Gordon's early days in the folk scene and friendship with Bert JanschHow Heartsong became an iconic theme and national favouriteCreating music without formal training — and why “doing it all wrong” workedThoughts on gear, tunings, and the role of the delay pedalCollaborations with Rick Wakeman, Brian May, and composer Nicholas HooperThe personal impact of losing his wife Hilary, and the music that followedWhy he's letting go of his guitars — and what he hopes comes next
Episode 169 Chapter 28, Moog Analog Synthesizers, Part 2. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 2 from my book Electronic and Experimental music. Playlist: CLASSIC SYNTHESIZER ROCK— FROM TAPE COMPOSITION TO SYNTHESIZERS Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1. The Beatles, “Tomorrow Never Knows” (1966). Tape loops and Lennon's voice fed through the rotating Leslie speaker of a Hammond organ. 02:57 01:42 2. Spooky Tooth and Pierre Henry, “Have Mercy” (1969). Featured tape composition by the French composer of musique concrète as part of a collaborative rock opera. 07:55 04:40 3. Emerson, Lake, & Palmer, “Lucky Man” (1971). Featured the Moog Modular played by Keith Emerson; one of the first rock hits in which a Moog was the featured solo instrument. 04:39 12:34 4. Yes, “Roundabout” (1971). Featured the Minimoog, Mellotron, Hammond Organ and other electronic keyboards played by Rick Wakeman. 08:33 17:10 5. Elton John, “Funeral for a Friend/Love Lies Bleeding” (1973). Featured the ARP 2600 played by Dave Henschel. 11:10 25:42 6. David Bowie, “Speed of Light” (1977). Produced by Brian Eno. Used an EMS AKS synthesizer and Eventide H910 harmonizer for the electronic effects and sounds. 02:47 36:46 7. Gary Wright, “Touch and Gone” (1977). Used Polymoog, Clavinet, Oberheim, and Fender-Rhodes electronic keyboards. 03:58 39:32 8. Gary Numan, “Cars” (1979). Early synth-rock success using electronic keyboards without guitar. Multiple Polymoog synthesizers. 03:52 43:28 9. The Art of Noise, “(Who's Afraid Of?) The Art of Noise” (1984). Art rock devised by Anne Dudley and Trevor Horn exploring the sampling capabilities of the Fairlight CMI. 04:23 47:20 10. Grace Jones, “Slave to the Rhythm” (1985). Featured the Synclavier programmed and played by Trevor Horn. 09:39 51:43 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Welcome to Live From Progzilla Towers Edition 553. In this All Request edition, we heard music by Rush, Andrew Lloyd Webber, Dave Kerzner & Sonic Elements, Geordie Greep, Godspeed You! Black Emperor, Kayak, Marillion, Rick Wakeman, Cybotron, Wendy Carlos, Van Der Graaf Generator, Robert Fripp, King Crimson, The Cure, RPWL, Opeth, Schnauser, Wally, Tiles, The Staves & Transatlantic.
Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Mark was back this week and we welcomed YMP listener and Patron Jon Pickles onto the show to talk about the time he was a 'tea boy' at Trident Studios in London. You'll need to listen to the interview to hear all about it but Trident was the world-renowned studio where, amongst unnumbered highlights of rock music, Yes recorded overdubs for their first album, Queen recorded their first two albums and The Beatles recorded Let It Be and other seminal songs. Listen out for stories about Rick Wakeman, Bill Bruford, Trevor Horn and many more! A screenshot from the video below showing Trident Studios - note the control room above and the Bechstein Grand piano used by Rick Wakeman, Paul McCartney etc. What did Jon have to do as a 'tea boy'? Who did he meet and work with? What was it like being in Soho in those days? Let us know if you agree with us! Yes fans outside Trident Studios during Dave Watkinson's Yes 50th Anniversary Convention in 2018 https://youtu.be/c3OHmZ-5HQM?si=HcYFzRfl0b-wynRr https://youtu.be/rBX2n5HqQeg?si=YgquYin7Bvr22HRH I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.
With over 30 minutes of unheard chat here is a re-edited and extended version of our interview with Rick Wakeman!Rick Wakeman is best known for playing keyboards in the progressive rock band Yes. He played piano on David Bowie's Life On Mars and Space Oddity and on Cat Stevens' Morning Has Broken. He's released over 90 solo albums and in 2017, he was inducted into the Rock and Roll Hall of Fame. He's also an author, producer and television presenter.Rick Wakeman is our guest in episode 459 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.
EPISODE 123: Larry Fast is best known for his series of pioneering electronic music albums recorded under the project name SYNERGY. He is also recognized for his decade of work with Peter Gabriel, playing synthesizer on recordings and tours, and rounding out the production team on many of Peter's albums. During his career Larry has worked as an electronic music composer/arranger and producer contributing to numerous platinum-selling recordings with world-renown artists. Performers as diverse as Nektar, Bonnie Tyler, Foreigner, Hall & Oates, Annie Haslam (Renaissance), The Strawbs, Meat Loaf, Barbra Streisand, and many others have called on Larry's electronic production talents. Larry's media experience stems from decades of projects for companies such as Disney, XM Satellite Radio and Tribune Broadcasting, and contributing to documentary and feature film projects. Larry is co-producer and co-writing historian for the documentary film Saving The Great Swamp airing on PBS about a conflict more than 50 years ago seeking to stop construction of a massive jetport. With a degree in history from Lafayette College plus additional studies in architecture and engineering technology, Larry has been appointed to several government historic preservation positions. As a technology history specialist, Larry serves on the board of the Thomas Edison National Historic Park and EMEAPP.org. His developments in infrared audio technology have earned him several patents. http://synergy-emusic.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!
Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week Mark and I consider the conflicting aspects of Rick Wakeman's musical character. We have both chosen one piece of sublime and one piece of ridiculous Wakeman playing on a Yes record or on a live recording. What will we choose? Listen on to find out and then supply your own examples via the comments below. What were Rick Wakeman's best contributions to Yes? What did he do that was more 'questionable'? How should he be rated? Let us know if you agree with us! https://youtu.be/G42-qaPxZK0?si=daGcg5PYWpcESR74 https://youtu.be/LUvKrSPTHLU?si=H6zoiRBtbBDvhXss https://youtu.be/gka_km9gb5c?si=ykd-JsP5SFPCUuYz https://youtu.be/mueQyzjSu2U?si=LryLhgY76c6wi8Ti Check out the progress on my other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRomeMark Slater Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
After a long hiatus, SCORED TO DEATH RADIO is back with another brand-new episode exhibiting and celebrating the film score work of composers who are primarily known for their work in rock music called ROCKSTARS AT THE MOVIES PART 2. Host J. Blake Fichera guides listeners through a curated playlist of music highlighting cinematic genres that range from horror and epic fantasy adventure to teen comedy and critically acclaimed drama—featuring music from Rick Wakeman and Stuart Copeland, as well as rock guitar Gods Eddie Van Halen, Jimmy Page, Robbie Robertson, and Mark Knopfler. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Randall Derchan, Angela Rabatin, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Carl Wonders, Lee Wileman, Nathan Blumenfeld, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
Let the children lose it, let the children use it, and let all the children join in for Strong Songs!Kirk tackles a pair of classics by the great David Bowie: 1969's melancholy "Space Oddity" and 1972's triumphant "Starman." What goes up, as they say, must come down.Written by: David BowieAlbums: David Bowie (1969), The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)Listen/Buy Bowie: Apple Music | Amazon | SpotifyListen/Buy Ziggy: Apple Music | Amazon | SpotifyALSO FEATURED:Audio of the 1969 Apollo 11 moon landing, courtesy NASA"A Day in the Life" by Lennon-McCartney, 1967A cool Guardian interview with Rick Wakeman about playing Mellotron on Space OddityOUTRO SOLOIST: Carlos "Insaneintherainmusic" EieineCarlos Eienie is a prolific multi-instrumentalist and YouTube creator who's done some extremely fun jazz arrangements of great video game music, among other things. You can find him on most social media as some variant of @insaneintherainmusic, and on his website at https://www.insaneintherainmusic.com/.----LINKS-----RECAST RECOMMENDATION: "Duck Ankles" by David Sanborn from Taking Off, 1975SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------OCTOBER 2024 WHOLE-NOTE PATRONSElizabeth CulverMeryl AllisonRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyOCTOBER 2024 HALF-NOTE PATRONSLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans and Nonbinary Choral EnsembleKevin MarceloMatt CSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyRandal VegterRobert Granatdave malloyAlan MaassNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Angela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro FieldNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo
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