Podcasts about mind over mirrors

There is no justice without Jesus. Jonathan Tremaine Thomas shares incredible stories of his activism – from standing between police and protestors, releasing peace into new environments and bringing renewal to systems. As founder and CEO of https://civilrighteousness.org (Civil Righteousness), he is a prophetic voice of holiness, truth and love that we all need to hear. Scarlett, https://open.spotify.com/show/7LkIjX7SC9LitUHpCoF95w?si=7b3ddc132950482e (Mind Over Mirrors podcast host), also shares her 2022 goals in the Link Up! The post https://wearetearfund.org/article/ep-60-holy-activism-with-jonathan-tremaine-thomas/ (Ep 60 – Holy activism with Jonathan Tremaine Thomas) appeared first on https://wearetearfund.org (We Are Tearfund).

One more week of travel and we're back! Tonight's edition features new recordings from Andrew Weathers, Mind Over Mirrors, Ian Hawgood + Wil Bolton, Cities and Memory, Norman Westberg, Forest Walker, Soda Lite and much more! Enjoying the show? Please support BFF.FM with a donation. Check out the full archives on the website.

  Welcome to the April edition of the Aquarium Drunkard podcast, coming in from West of the Rockies. On this program, we explore the late night radio theater of the late Art Bell. The Coast to Coast AM host passed away on Friday, April 13th, and we’ve spent the days since exploring his classic archives. Aquarium Drunkard founder Justin Gage and co-host Jason P. Woodbury sat down to reflect on Bell’s singular voice, dedication to chronicling the unknown, and status as a purveyor of genuine American weirdness. Also on the show, guitarist Nels Cline joins us to discuss his new quartet, the Nels Cline 4, and “Imperfect 10” from the combo’s new Blue Note Records LP, Currents, Constellations. Maybe you know his playing with Wilco, but here he focuses on the notion of “jazz fusion,” which he’s been exploring since the late ‘80s. And we begin the podcast with a discussion with Jaime Fennelly of Mind Over Mirrors. The synthesist and composer just released a masterpiece called Bellowing Sun. It’s cosmic in scope but rooted in the earthy reflections of naturalist writers like Henry Beston, whose 1928 book, The Outermost House: A Year of Life on the Great Beach of Cape Cod, served as a guidepost for the new album. Earlier this month, the album debuted alongside a multi-media installation at the Museum of Contemporary Art Chicago featuring a light sculpture modeled after an enormous drum. The suggestions — of biorhythms and universal patterns — are in keeping with Mind Over Mirrors’ space-folk. Though Mind Over Mirrors began as a solo project, it’s very much a group effort now, featuring Janet Bean of Freakwater and Eleventh Dream Day, Jon Mueller of Volcano Choir, and Jim Becker of Califone. The band’s latest, Bellowing Sun, arrives in conjunction with a multi-media installation at the Museum of Contemporary Art Chicago featuring an ambitious light sculpture. One of the marvelous things about Mind Over Mirrors is the way the group’s music feels both spacey and earthy. On the new album, which is at turns ecstatic, spooky, and revelatory, Fennelly and company the band maximize that ability, putting the idea of our planet as a cosmic vehicle into context. “I think about [the cosmos] in relation to my own music as being otherworldly, but I also think of it as being grounded, in the way that the Earth is cosmic,” Fennelly says. “It’s not just about the area beyond us or outside of us, in kind of an exploratory sense as well.” On his new album with the Nels Cline 4, Currents, Constellations, guitarist and composer Nels Cline reigns in the conceptual mood music of his previous Blue Note Records release, Lovers, in favor of tight, spiky interplay with guitarist Julian Lage, bassist Scott Colley, and drummer Tom Rainey. It’s a record fueled by Cline’s energy, incorporating avant-garde, rock, and blues influences. It is, for lack of a better term, jazz fusion music, which explains why Cline’s initial title for “Imperfect 10” was “Jazz Fusion Composition.” “I definitely chose that term to bother people, particularly people who think they’re cooler than ‘jazz fusion,'” Cline says. “Basically, it’s a meaningless term. It’s a combination of basically whatever. It doesn’t have to mean a combination of jazz and rock and classical and funk…it doesn’t mean the same thing from one person to another, and that’s why it’s a fun word to use. It’s basically a meaningless word that bothers people, which I find linguistically fascinating, but it also, stylistically, does kind of define me.” If you’ve ever been the sort of person content to sit around the radio late at night or scan the airwaves on a long drive through the middle of nowhere, there’s a good chance you’ve experienced the strange radio theater of Art Bell’s Coast to Coast AM. Since Bell passed away earlier this month and since his passing, we’ve been tuned into his archives. Here, we reflect on the impact and legacy of Bell’s pioneering program. “Coast to Coast AM felt like this secret handshake between people,” AD’s Justin Gage says. “Not unlike when you find a record or something that means a lot to you, that might be a little esoteric or obscure. Coast to Coast AM definitely kind of felt like that in the late ’90s, early 2000s.” Thanks for listening to the Transmissions podcast. Support by subscribing to the Aquarium Drunkard podcast on Apple Podcasts,  Spotify, Stitcher, Mixcloud, Tune In, or via the RSS feed. Please rate and review the show, or even better, share it directly with friends. Collage image by Michael J. Hentz. Dig into the podcast archives, which include interviews with Laraaji, Tim Heidecker, Eileen Myles, Daniel Lanois, Hiss Golden Messenger, Ryley Walker, Eleanor Friedberger, Idris Ackamoor, and many more.

"Looking for You" by Josefin Ohrn and The Liberation from Mirage; "Teenage Lightning 2005" by coil from The Ape of Naples; "Deeper Politics" by Grails from Chalice Hymnal; "Gray Clearer" by Mind Over Mirrors from Undying Color; "Geometric Narrative" by Cuticle from Mind Holding Pattern; "Geen Contact Peer" by Betonkust and Palmbomen II from Center Parcs; "Win in the Flat World" by Lorenzo Senni from Persona; "Maps on the Floor" by Clay Rendering from Snowthorn; "Si Fly" by Letherette from Where Have All the People Gone; "Time We Have" by Steve Hauschildt from Strands; "Ruins" by Arash Moori from Heterodyne.

"Looking for You" by Josefin Ohrn and The Liberation from Mirage; "Teenage Lightning 2005" by coil from The Ape of Naples; "Deeper Politics" by Grails from Chalice Hymnal; "Gray Clearer" by Mind Over Mirrors from Undying Color; "Geometric Narrative" by Cuticle from Mind Holding Pattern; "Geen Contact Peer" by Betonkust and Palmbomen II from Center Parcs; "Win in the Flat World" by Lorenzo Senni from Persona; "Maps on the Floor" by Clay Rendering from Snowthorn; "Si Fly" by Letherette from Where Have All the People Gone; "Time We Have" by Steve Hauschildt from Strands; "Ruins" by Arash Moori from Heterodyne.

"Life Can Be Pain" by The Audible Doctor from The Spread; "Race to the Lake" by Wax Stag from II; "Gas Effect (Taking Care of the World)" by Mumuy from TV Was My Daddy; "Metamorphosis" by Pinkshinyultrablast from Everything Else Matters; "At the End of Spring" by Jefre Cantu-Ledesma from A Year with 13 Moons; "Abyss (JG Thirlwell Remix)" by John Carpenter from the deluxe edition of Lost Themes; "Infected" by HELLO AGAIN from 24ever; "Strange(r) Work" by Mind Over Mirrors from The Voice Calling; "White Noise - Dys" by John T. Gast from Excerpts; "2010fx86" by Antoni Maiovvi from Avrokosm; "Pulse Point" by Noveller from Fantastic Planet; "Maidenhair Spleenwort" by Eternal Tapestry from Wild Strawberries

"Life Can Be Pain" by The Audible Doctor from The Spread; "Race to the Lake" by Wax Stag from II; "Gas Effect (Taking Care of the World)" by Mumuy from TV Was My Daddy; "Metamorphosis" by Pinkshinyultrablast from Everything Else Matters; "At the End of Spring" by Jefre Cantu-Ledesma from A Year with 13 Moons; "Abyss (JG Thirlwell Remix)" by John Carpenter from the deluxe edition of Lost Themes; "Infected" by HELLO AGAIN from 24ever; "Strange(r) Work" by Mind Over Mirrors from The Voice Calling; "White Noise - Dys" by John T. Gast from Excerpts; "2010fx86" by Antoni Maiovvi from Avrokosm; "Pulse Point" by Noveller from Fantastic Planet; "Maidenhair Spleenwort" by Eternal Tapestry from Wild Strawberries

"L a d d e r s" by Odd Nosdam from Trish; "Boring Angel" by Oneohtrix Point Never from R Plus Seven; The title track from The Art of Memory by Brandon Nickell; "Crystals" by Clams Casino from the Grand Theft Audio V soundtrack; "We Failed" by t y l e r e t t e r s and the northern information movement from senescence; "Radom" by Raining Leaf from Gemini; "Plucked from the Ground, Towards the Sun" by Huerco S from Colonial Powers; "SSP" by Drew Price's Bermuda Triangle from Friends and Family; "Reconsider" by WMD from Melancholy; "The Fence" by Mind Over Mirrors from When the Rest Are Up At Four; "Mirrored Palms" by Helm from Silencer; "Orlok" by Anna Meredith from Jet Black Raider

"L a d d e r s" by Odd Nosdam from Trish; "Boring Angel" by Oneohtrix Point Never from R Plus Seven; The title track from The Art of Memory by Brandon Nickell; "Crystals" by Clams Casino from the Grand Theft Audio V soundtrack; "We Failed" by t y l e r e t t e r s and the northern information movement from senescence; "Radom" by Raining Leaf from Gemini; "Plucked from the Ground, Towards the Sun" by Huerco S from Colonial Powers; "SSP" by Drew Price's Bermuda Triangle from Friends and Family; "Reconsider" by WMD from Melancholy; "The Fence" by Mind Over Mirrors from When the Rest Are Up At Four; "Mirrored Palms" by Helm from Silencer; "Orlok" by Anna Meredith from Jet Black Raider

"100 Birds" from the self titled album by Ulaan Markhor; "Bruises" by Dusted from Total Dust; "Forged Letter" by Horrid Red from Banquet in Blue; "Yatton" by Beak> from >>; "Albite Breath" by Marielle V Jakobsons from Glass Canyon; "Opium Den/Fade to Blue" by Blues Control from Valley Tangents; "Warm Pulse" by Nguzunguzu from the album of the same name; "Video Arkade" by Com Truise from In Decay; "Dealow" by Old Apparatus from Derren; "The Fall (original mix)" by Clams Casino from Instrumental Mixtape 2; The title track from Wink with Both Eyes by Blanche Blanche Blanche; "Mountain Convalescence" by Mind Over Mirrors from High and Upon.

"100 Birds" from the self titled album by Ulaan Markhor; "Bruises" by Dusted from Total Dust; "Forged Letter" by Horrid Red from Banquet in Blue; "Yatton" by Beak> from >>; "Albite Breath" by Marielle V Jakobsons from Glass Canyon; "Opium Den/Fade to Blue" by Blues Control from Valley Tangents; "Warm Pulse" by Nguzunguzu from the album of the same name; "Video Arkade" by Com Truise from In Decay; "Dealow" by Old Apparatus from Derren; "The Fall (original mix)" by Clams Casino from Instrumental Mixtape 2; The title track from Wink with Both Eyes by Blanche Blanche Blanche; "Mountain Convalescence" by Mind Over Mirrors from High and Upon.

"Suburbia" by James Annesley from Virtual Proximity 2; "The Man Who Fell from Grace from the Sea" by William Bowers from Soundtracks #; Fleeting Dreams" by the Caretaker, released on the web as an outtake; "Night Landing" by The Men from Leave Home; "GBYE" by Machinedrum from Room(s); "Sleeping with the TV On" by Black Zone Myth Chant from The Straight Cassette; "Hoorn of Plenty" by Solyst from his self titled album; "I Want to Get High But I Don't Want Brain Damage" by the Flaming Lips and Lightning Bolt from their collaborative EP; "Askion Kataskion Lix Tetrax Damnameneus Aision"by Beemask from Elegy for Beach Friday; "Gorilla" by Clams Casino from Rain Forest; "Remember How Cold It Was (Part 1)" by Nothing People from Soft Crash; "Barely Spun" by Mind Over Mirrors from The Voice Rolling

"Suburbia" by James Annesley from Virtual Proximity 2; "The Man Who Fell from Grace from the Sea" by William Bowers from Soundtracks #; Fleeting Dreams" by the Caretaker, released on the web as an outtake; "Night Landing" by The Men from Leave Home; "GBYE" by Machinedrum from Room(s); "Sleeping with the TV On" by Black Zone Myth Chant from The Straight Cassette; "Hoorn of Plenty" by Solyst from his self titled album; "I Want to Get High But I Don't Want Brain Damage" by the Flaming Lips and Lightning Bolt from their collaborative EP; "Askion Kataskion Lix Tetrax Damnameneus Aision"by Beemask from Elegy for Beach Friday; "Gorilla" by Clams Casino from Rain Forest; "Remember How Cold It Was (Part 1)" by Nothing People from Soft Crash; "Barely Spun" by Mind Over Mirrors from The Voice Rolling