Podcasts about contemporary art chicago

This week. Dana's back? She and Duncan sit down with artist Wafaa Bilal and curator Bana Kattan to discuss Bilal's powerful and deeply personal mid-career retrospective at the Museum of Contemporary Art Chicago. Known for his provocative, often participatory works that grapple with war, trauma, displacement, and surveillance, Bilal has long made the body both a site of resistance and a vessel of memory. We talk through key moments in Bilal's practice—from early performance pieces like Domestic Tension to newer, installation-based works—and reflect on how his work has shifted, expanded, and endured over the past two decades. Kattan, who curated the exhibition, shares insights into the retrospective's structure and the challenges of contextualizing work that refuses easy categorization. While reminiscing, Duncan and Wafaa also talk through what it means to make art as a form of witnessing, how museums hold space for pain and politics, and why Bilal still believes in the power of beauty… (Spoiler: Duncan isn't sure, but Bana and Dana side with Wafaa.) Links & References: Wafaa Bilal's website: http://wafaabilal.com MCA Chicago Exhibition Info: https://mcachicago.org/Exhibitions/2024/Wafaa-Bilal Bana Kattan bio & curatorial work: https://mcachicago.org/About/Who-We-Are/Staff/Bana-Kattan Domestic Tension (aka “Shoot an Iraqi” project): https://wafaabilal.com/domestic-tension Book: Shoot an Iraqi: Art, Life, and Resistance Under the Gun (co-authored with Kari Lydersen) – https://www.amazon.com/Shoot-Iraqi-Life-Resistance-Under/dp/087286491X @wafaabilal on Instagram @mcachicago on Instagram

Episode No. 689 is a holiday clips episode featuring artist B. Ingrid Olson. Olson's work is included in "Descending the Staircase" at the Museum of Contemporary Art Chicago. The exhibition considers novel artistic approaches to representing the human body. The exhibition is curated by Jadine Collingwood, Associate Curator, and Jack Schneider, Assistant Curator and is on view through July 6. This episode was recorded in 2022 on the occasion of the Carpenter Center for the Visual Arts at Harvard University's presentation of two concurrent B. Ingrid Olson exhibitions, “History Mother,” and “Little Sister.” Each exhibition was on a separate floor of CCVA's building. Olson's exhibitions feature site-specific presentations that engage with doubling and mirroring, gendered forms, the interplay between photography and sculpture, and between the body and the built environment. The exhibitions were curated by Dan Byers. The week this show originally aired, the Secession in Vienna had just closed an exhibition of Olson's work titled “Elastic X.” In addition, Olson's work has previously been featured in solo presentations at the Albright-Knox Art Gallery in Buffalo, NY and at The Renaissance Society at the University of Chicago. For images please see Episode No. 566. Instagram: B. Ingrid Olson, Tyler Green.

Episode No. 688 features artist Sayre Gomez and curator Anna Katz.  Gomez is included in two of the season's major contemporary group shows: "The Living End: Painting and Other Technologies, 1970-2000," at the Museum of Contemporary Art Chicago, and "Ordinary People: Photorealism and the Work of Art since 1968" at the Museum of Contemporary Art, Los Angeles.   Gomez is a Los Angeles-based painter whose work uses hyperrealism to address current events and representation and visuality in US society.   Katz is the curator of "Ordinary People," which is at MOCA through May 4. The exhibition's fine catalogue was published by the museum and DelMonico Books. Amazon and Bookshop offer it for about $65.  "The Living End" was curated by Jamillah James, who discussed her exhibition on Episode No. 683. It is on view through March 16. The exhibition catalogue is available from the MCA for under $20. Instagram: Sayre Gomez, Anna Katz, Tyler Green.

Lakshmi Ramgopal is a musician and dancer who performs under the name Lykanthea. Her electro-mythic debut EP, Migration, received much-deserved praise from such outlets as The Chicago Tribune, Noisey, and Public Radio International's The World (and listeners will recognize its track “Hand and Eye” as The Witch Wave theme song). She's collaborated with Savage Sister on their sundrowned EP, and she's been creating and performing music via sound installations and performances for spaces such as The Chicago Museum of Contemporary Art and Chicago's Lincoln Park Conservatory. Her new project, Some Viscera, marks a shift in instrumentation, drawing more heavily on her training in South Indian classical (or Carnatic) music, as well as organic sounds from analog instruments, bird song, and lullabies. It touches on atavistic questions of motherhood and personal legacy. When performed live it is an evening-length work of sound and movement that explores childhood, nostalgia, and kinship in the Indian-American diaspora in the wake of India's independence, while questioning the boundaries of classical forms. Embracing the warmth of the sruti box, unprocessed vocals, and strings, Ramgopal's ensemble draws on a wide range of influences to create a work that is as expansive as it is intimate. Some Viscera premiered at the Museum of Contemporary Art Chicago on September 26-27, 2024, and the music of Some Viscera is now available in a standalone album.In addition to that, performing both solo and with her ensemble, Lakshmi has done site-specific, immersive shows in spaces like Chicago's Edgar Miller's Glasner Studio and Garfield Park Conservatory, and in the middle of a freshwater stream. In 2018 she showed A Half-Light Chorus, which a sound installation commissioned by Experimental Sound Studio, and In 2020 she and visual artist Nancy Davidson showed a site-specific sculpture and sound installation, at Krannert Art Museum. The museum acquired it in 2023. Lakshmi received her PhD in Classics from the University of Chicago, and she is currently Assistant Professor of History at Columbia University, with a focus on the Roman Empire. On this episode, Lakshmi discusses her sonic shift from electronic to analog, music as ancestral offering, and the reincarnating power of love.Pam also talks about the secret magic of lullabies, and responds to a listener's comment about reconciling witchcraft with one's religious upbringing.Songs featured in the episode are all from Lykanthea's new album, Some Viscera:“Bird Song”“Garuda”“The Nightingale”“Cremation”Our sponsors for this episode are Ritual + Shelter, TU·ET·AL, UBU Skills, BetterHelp, Black Phoenix Alchemy Lab, Grimsby Hollow Meadery, and Open Sea Design Co.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

Ep.226 Edra Soto (b. 1971) is a Puerto Rican-born artist, educator, and co-director of outdoor project space The Franklin. Soto instigates meaningful, relevant, and often difficult conversations surrounding socioeconomic and cultural oppression, erasure of history, and loss of cultural knowledge. Soto has presented recent solo exhibitions at Comfort Station, Chicago, IL (2024); Hyde Park Art Center, Chicago, IL (2023); Institute of Contemporary Art, San Diego, CA (2023); Museum of Contemporary Art, Chicago, IL (2018); Headlands Center for the Arts, Sausalito, CA (2017); The Arts Club of Chicago, IL (2017). Her work has been featured in notable recent group exhibitions including Widening the Lens: Photography, Ecology, and the Contemporary Landscape, Carnegie Museum of Art, Pittsburgh, PA (2024); Entre Horizontes, Museum of Contemporary Art Chicago, IL (2023); no existe un mundo poshuracán, Whitney Museum of American Art, New York, NY (2022); and Estamos Bien, La Trienal 20/21, El Museo del Barrio, New York, NY (2021). She has been awarded the Joan Mitchell Foundation Painters & Sculptors Grant; Bemis Center's Ree Kaneko Award; the US LatinX Art Forum Fellowship; and MacArthur Foundation International Connections Fund. Soto has received numerous public commissions, for Noor Riyadh, Saudi Arabia (2024); Now & There, Central Wharf Park, Boston, MA (2023); the Chicago Architecture Biennial, IL (2023); and Millenium Park in Chicago, IL (2019). Her work is in the collection of institutions including the Whitney Museum of American Art, New York; Pérez Art Museum Miami and Museum of Contemporary Art of Chicago. Photo Courtesy of Public Art Fund ~ Liz Ligon Artist https://edrasoto.com/home.html Public Art Fund https://www.publicartfund.org/exhibitions/view/edra-soto-graft/ MSU Broad Art Museum https://broadmuseum.msu.edu/events/artist-talk-edra-soto/ por la señal | by a signal at Morgan Lehman Gallery https://www.morganlehmangallery.com/exhibitions/edra-soto4 Lazos Terrenales at ICA at MECA&D Maine https://meca.edu/ica/lazos-terrenales-earthly-bonds/ La Casa de Todos at Comfort Station https://comfortstationlogansquare.org/calendar/2024/6/1/la-casa-de-todos John Michael Kohler Arts Center https://www.jmkac.org/artist/soto-edra/ Carnegie Museum of Art https://carnegieart.org/art/hillman-photography-initiative/cycle-4-widening-the-lens/ US Latinx Art Forum https://uslaf.org/member/edra-soto/ Noor Riyadh https://riyadhart.sa/en/artists/edra-soto/?_program=noor-riyadh CAB5 https://chicagoarchitecturebiennial.org/people/edra-soto/ Ree Kaneko Award https://www.e-flux.com/announcements/511285/edra-soto-winner-of-2022-ree-kaneko-award/#:~:text=Established%20in%202019%20at%205%2C000,support%20of%20its%20alumni%20community. The Art Newsletter https://www.theartnewspaper.com/2024/09/05/edra-soto-this-kind-of-architecture-lives-in-the-background TimeOut https://www.timeout.com/newyork/news/this-new-outdoor-sculpture-in-central-park-honors-the-puerto-rican-community-090624 Hyperallergic https://hyperallergic.com/946566/new-three-year-arts-series-will-center-nyc-latine-community-clemente/ El Nuevo Dia https://www.elnuevodia.com/entretenimiento/cultura/notas/el-arte-de-una-boricua-transforma-el-central-park-de-nueva-york-con-su-obra-de-rejas/ Newcity Art https://art.newcity.com/2024/08/26/central-park-state-of-mind-edra-soto-puts-the-home-in-public-art/ Chicago Reader https://chicagoreader.com/arts-culture/art-feature/everybodys-home-edra-soto/ Forbes https://www.forbes.com/sites/shelbyknick/2023/12/14/the-brilliance-of-noor-riyadh-a-city-wide-canvas-comes-to-life-again/?sh=400c0e4a6a23 New York Times https://www.nytimes.com/2023/11/28/arts/design/chicago-architecture-biennial.html Chicago Tribune https://www.chicagotribune.com/2023/11/14/3arts-awards-50k-unrestricted-grants-to-local-teaching-artists-with-next-level-awards/ Artforum https://www.artforum.com/events/susan-snodgrass-edra-soto-513802/

Episode No. 683 features artist Tala Madani and curator Jamillah James. James is the curator of "The Living End: Painting and Other Technologies, 1970-2020" at the Museum of Contemporary Art Chicago. Madani is among the 60-plus artists included in the exhibition. "The Living End" surveys the arc of painting over the last half-century with a particular focus on artists who have redefined painting by using new technologies, imaging techniques, and their own bodies. The exhibition will be on view through March 16, 2025. Jack Schneider assisted James with the show. The exhibition catalogue is available from the MCA for under $20. The Henry Art Gallery at the University of Washington is presenting "Tala Madani: Be flat," a solo exhibition featuring recent and newly commissioned work that explores the influence of symbols, language, and mark-making on power dynamics and individual agency. It was curated by Shamim M. Momin and is on view through August 17, 2025. Madani makes paintings and painting-informed animations that consider gender, political authority, and representation. Her work typically includes bald, middle-aged men in bizarre, often hilarious circumstances. She has had solo shows at museums such as the Museum of Contemporary Art, Los Angeles; Secession, Vienna; the Contemporary Art Museum St. Louis, and the Mori Art Museum, Tokyo.

Episode No. 677 features artist Andrea Carlson. As mentioned at the beginning of this week's program: Help Asheville and my friends and neighbors across the southern Appalachians! These are all local organizations helping people in western North Carolina: Southern Smoke Foundation; Asheville Food & Beverage United (also here); and Beloved Asheville. The Museum of Contemporary Art Chicago is presenting "Andrea Carlson: Shimmer on Horizons," the latest exhibition in its "Chicago Works" series. Across painting, video, sculpture, and two billboards (along Interstate 94 between Illinois and Wisconsin), "Shimmer on Horizons" presents Carlson's investigation of how landscapes are constructed both politically and culturally. The exhibition was curated by Iris Colburn and is on view through February 2, 2025. Carlson's work may also be seen in "Andrea Carlson: Future Cache" at the University of Michigan Museum of Art, which features a 40-foot-tall memorial wall that towers over visitors, commemorating the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians who were violently burned from their land in Northern Michigan on October 15, 1900. Curated by Jennifer Friess, the presentation is on view through June 2025. Carlson is also included within "Scientia Sexualis" at the Institute of Contemporary Art, Los Angeles through March 2, 2025. The exhibition, realized as part of the Getty's "PST ART: Art & Science Collide" program, centers research-driven interventions into raced and gendered assumptions that structure scientific disciplines governing our sense of the sexual body. It was curated by Jennifer Doyle and Jeanne Vaccaro. Carlson (Grand Portage Ojibwe/European descent) typically addresses land and its history by foregrounding decolonization narratives. Museums that have featured solo exhibitions of her work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago. Chicagoans: on Saturday Carlson and poet Heid E. Erdrich will be in conversation at the MCA at 2:30 pm. A program at the Center for Native Futures precedes the event. Instagram: Andrea Carlson, Tyler Green.

Episode No. 665 features curator Cathleen Chaffee and critic Elisabeth Kirsch.  Chaffee is the curator of "Marisol: A Retrospective," which is at the Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery) through January 6, 2025. The exhibition presents work Marisol, sometimes remembered as 'the forgotten star of pop art,' made between the 1950s and the early 2000s. It builds on an extraordinary collection of works that Marisol left to the Buffalo AKG Museum upon her death. The museum and DelMonico Books have published a superb catalogue. Amazon and Bookshop offer it for $40-70. Chaffee curated the exhibition with the assistance of Julia Vázquez.  Kirsch is the author of "Handmade Papers, 1980-2005," an essay in the catalogue for "Virginia Jaramillo: Principle of Equivalence," a retrospective now at the Museum of Contemporary Art Chicago. The catalogue was edited, and the exhibition curated, by Erin Dziedzic. At the MCA, where "Jaramillo" is on view through January 5, 2025, its presentation was organized by René Morales and Iris Colburn. The exhibition's middle gallery presents an extensive mini-survey of Jaramillo's paper-constructed works. Amazon and Bookshop offer the catalogue for about $50. Instagram: Cathleen Chaffee, Tyler Green.

Episode No. 658 features artists Jes Fan and Emilio Rojas. Fan's work is included in two ongoing -ennials: the 2024 Whitney Biennial, which is at the Whitney Museum of American Art, New York through August 11; and Greater Toronto Art 2024 at the Museum of Contemporary Art, Toronto through July 28. The Whitney exhibition was curated by Chrissie Iles and Meg Onli with Min Sun Jeon and Beatriz Cifuentes; GTA 2024 was organized by Ebony L. Haynes, Toleen Touq, and Kate Wong. Fan's sculptures consider the constructs of race and gender and their relationship to the intersection of biology and identity. As part of his explorations, Fan often incorporates living matter, such hormones, and fluids, such as glass, into his work. Fan's work has been exhibited at the 2022 Venice Biennale, the 2021 New Museum Triennial at the New Museum, New York, the MIT List Visual Arts Center, the Contemporary Arts Center, Cincinnati, and more. As mentioned on the program: Stills from Fan's 2023 video Palimpsest. Byung-Chul Han's book Saving Beauty. Rojas is included in "Descending the Staircase" at the Museum of Contemporary Art Chicago. The exhibition, presented across two floors of the MCA, presents ways in which artist have represented the human body. Curated by Jadine Collingwood and Jack Schneider, it is on view through August 25. Rojas works across disciplines to investigate and reveal sites of knowledge that are rich with historical narrative. His work often specifically addresses colonial histories, and the relationships between those histories and the present. Rojas' work has been exhibited at museums such as the Art Institute of Chicago and Museo Tamayo, Mexico City, and he has participated in festivals and biennials in the US, Europe, and in Asia. As mentioned on the program:  Rojas' GO BACK TO WHERE YOU CAME FROM (Santa Maria); The Columbian half dollar coined for the 1893 World's Columbian Exposition in Chicago.  Instagram: Jes Fan, Emilio Rojas, Tyler Green.

This episode we are thrilled to be talking with the Brazilian born artist Alexandre da Cunha.  Based between London and Sao Paulo, Ale has referred to his practice as ‘pointing' as opposed to ‘making'. By ‘pointing' at existing objects in plain sight, he highlights new and unexpected meanings within the objects he chooses.  Grounded in material aesthetics, Ale creates monumentally scaled sculptures and playfully constructed wall-mounted work using metamorphosed everyday and found objects. Given their renewed possibility and playing with the visual language of art historical movements such as Arte Povera and Tropicália, Ale's sculptures inspire lush potential, elevating our everyday encounters with ordinary materials to sociocultural events.   Ale's work has been widely exhibited around the world. He's had solo exhibitions at the Brighton CCA, the Royal Society of Sculptors in London, the Museum of Contemporary Art Chicago and the Centro Cultural São Paulo, Brazil - among many others.  Ale's work is included in major private and institutional collections including the ICA Boston, the Museum of Contemporary Art Chicago, the Tate, and the Museu de Arte de São Paulo, Brazil, just to name a few. Ale is represented by Thomas Dane Gallery, Galerie Luisa Strina, and James Cohan Gallery.

Episode No. 648 features curator Dita Amory and artist Isabelle Frances McGuire. Along with Ann Dumas, Amory is the curator of "Vertigo of Color: Matisse, Derain and the Origins of Fauvism," which is at the Museum of Fine Arts, Houston through May 27. The exhibition presents works Henri Matisse and André Derain made in Collioure, a fishing village in the south of France, in the summer of 1905. The work the two men made that summer was crucial to the development of fauvism, the first significant movement of twentieth-century art. The exhibition catalogue was published by the Met. Amazon and Bookshop offer it for $42-47. McGuire's work is on view at the Museum of Contemporary Art Chicago in "Descending the Staircase." The exhibition, which considers artists' approaches to the human body, was curated by Jadine Collingwood and Jack Schneider. It is on view through August 25. McGuire is a Chicago-based artist whose work considers the body and how our understanding of it can be filtered by video games, film, animatronics, and other technologies. This is their first inclusion in a museum exhibition; they will also be on view at Artist's Space, New York, next month.

José Esparza Chong Cuy is the executive director and chief curator of Storefront for Art and Architecture, a New York-based institution that amplifies the understanding of the built environment through artistic practice. Before Storefront, José was an associate curator at the Museum of Contemporary Art Chicago and an associate curator at the Museo Jumex. In this conversation, Jarrett and José talk about the history and mission of Storefront, their year-long curatorial framework, and balancing institutionalism and experimentation. Links from this episode can be found at scratchingthesurface.fm/249-jose-esparza-chong-cuy. 
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Also in the news: Police looking for suspect who attacked man with a knife in the Loop during attempted robbery; Museum of Contemporary Art Chicago employees to unionize; Barrington looking to add crossing guards at railroad crossings and more.

Also in the news: Police looking for suspect who attacked man with a knife in the Loop during attempted robbery; Museum of Contemporary Art Chicago employees to unionize; Barrington looking to add crossing guards at railroad crossings and more.

Also in the news: Police looking for suspect who attacked man with a knife in the Loop during attempted robbery; Museum of Contemporary Art Chicago employees to unionize; Barrington looking to add crossing guards at railroad crossings and more.

Architectural Artifacts is leaving for Texas after nearly four decades in Chicago. Crain's retail reporter Ally Marotti talks with host Amy Guth about the shift.Plus: One of Chicago's largest hotels changing hands in $500 million deal, commercial-property loans coming due in U.S. jump to $929 billion, new Chicago Fed index sees more moderate gain in January retail sales, Chicago Fed chief says inflation can be a bit higher on the path to the 2% target and workers at the Museum of Contemporary Art Chicago announce union campaign.Crain's Daily Gist listeners can get 20% off a one-year Crain's Chicago Business digital subscription by visiting chicagobusiness.com/gist and using code “GIST” at checkout.

Episode No. 637 of The Modern Art Notes Podcast features curator Jamillah James and author Brent Martin.  James has organized "Faith Ringgold: American People," a retrospective of Ringgold's career as an artist and activist, at the Museum of Contemporary Art Chicago. The exhibition, which presents Ringgold as a key bridge between the Harlem Renaissance and contemporary practice, originated at the New Museum, New York, where it was curated by Massimiliano Gioni and Gary Carrion-Murayari. "Ringgold" is on view in Chicago through February 25. The outstanding catalogue was published by the New Museum and Phaidon. Amazon and Bookshop offer it for about $55-75. On the occasion of photographer and scholar Angelyn Whitmeyer's launching of the George Masa Photo Database -- an important new website that makes images of Masa's pictures available via a single point-of-access for the first time, this week's show re-airs a 2022 segment with author Brent Martin. Masa was an Asheville, North Carolina-based photographer who had a significant impact on the establishment of Great Smoky Mountains National Park and on determining the Southern route of the Appalachian Trail, the two crown jewels of the eastern United States' natural infrastructure. His work was almost lost and forgotten, in part because the region in which he worked was remote, but also due to his status as a Japanese-American immigrant at a time of intense anti-Japanese bigotry. Martin came onto the program to discuss his 2022 book "George Masa's Wild Vision," which was published by Hub City Press.  Amazon and Indiebound offer the book for around $25. For images, see Episode No. 567.

Linda-Denise Fisher-Harrell, Artistic Director of Hubbard Street Dance Chicago, joins us for our first episode of 2024! We were pumped to talk about the topic that brought Ioanna and I together ten years ago- DANCE! While a student at Julliard, 19 year-old Linda-Denise was invited to join Hubbard Street Chicago Dance by the company's founder, Lou Comte. After three seasons, she went on to become a principal dancer at Alvin Ailey! Linda-Denise returns home to Hubbard Street Dance Chicago, making her the company's first female and person of color to hold the role. Since the beginning of her tenure in 2021, she has made huge strides for the company, prioritizing diversity and inclusion, and working to broaden HSDC's reach and impact in Chicago Communities. She's also taken the company's repertoire to new heights, working with Chicago legends like Randy Duncan and Rennie Harris. She's here to chat more about the upcoming “Winter Series: Of Hope” at the Museum of Contemporary Art Chicago, which “serves as a bold beacon of promise with its mix of beloved revivals and inventive world premieres”! Plus, we tell Linda-Denise about our history teaching Zumba and play a round of rapid fire! Website and Tickets: https://www.hubbardstreetdance.com Follow Hubbard Street Dance Chicago: @hubbardstreet Follow Linda-Denise Fisher Harrell: @lindadenisefisherharrell

Episode No. 633 is a holiday weekend clips episode featuring artist Gary Simmons. The Pérez Art Museum Miami is presenting “Gary Simmons: Public Enemy,” a survey of Simmons' 35-year career. The exhibition reveals how Simmons has addressed race, class and US history in ways that have remained persistently au courant. It was curated by René Morales and Jadine Collingwood, with Jack Schneider. It's on view in Miami through April 28, 2024. The exhibition originated at the Museum of Contemporary Art Chicago. The MCA and DelMonico Books have published an outstanding catalogue. Bookshop and Amazon offer it for $56-60. For images of artworks discussed on the program, see Episode No. 613. 

Joelle Dietrick's paintings, drawings, and animations explore infrastructure, particularly housing, and its manipulation by automated, global economic systems. Her work has been shown at the Museum of Contemporary Art Jacksonville, Transitio_MX in Mexico City, TINA B Festival in Prague and Venice, Museum of Contemporary Art Chicago, MCA San Diego, Long March Space Beijing, ARC Gallery Chicago, Soho20 New York, and MPG Contemporary Boston. She has attended residencies at MacDowell, Künstlerhaus Salzburg, Anderson Ranch, the Virginia Center for the Creative Arts, Banff Centre for the Arts, and the School of the Visual Arts and received grants and fellowships from the National Endowment for the Arts, University of California, Florida State University, the Deutscher Akademischer Austauschdienst (DAAD), and Fulbright U.S. Scholar Program. Joelle completed a BFA in Painting at Penn State and an MFA in Visual Arts from the University of California, San Diego. She was born in Pennsylvania and teaches at Davidson College outside of Charlotte, North Carolina.

Her exuberance as a non-linear thinker and visionary in the brand intelligence space has always taken center stage. But Mary van de Wiel, dubbed brand psychologist and master provocateur by her corporate clients, brings 35 years of multicultural experience redefining brands and bringing emboldened thinking to organizations. As Founder, CEO and Executive Creative Director of an independent branding & design agency with offices in New York and Sydney, she steered award-winning campaigns for Fortune 500 clients. Since successfully selling her agency (on her own terms), Van launched her Brooklyn-based brand laboratory for serious play — consulting, coaching and leading her signature workshops. And right now, she's moved her practice to central Mexico where her other top creative priority is her fashion and lifestyle brand called Black Line Crazy (BLC). In her Limited Edition Collection of wearable art and homewares, each piece is based on her bold abstract paintings. The Museum of Contemporary Art CHICAGO has already purchased BLC pieces for its Design Shop. Also dedicated to helping university students identify their point of difference in an ever-changing employment landscape, she's been a guest lecturer on branding at UCLA, The University of Sydney Business School (and many others) where she loves speaking about mixing the rigor of her vast business experience and the whimsy and joy of artistic pursuits.

Episode No. 622 is a holiday clips episode that features artists Otobong Nkanga and Griselda Rosas.  Nkanga was just awarded the 2025 Nasher Prize, for "weaving together powerful works that delve into the complex, often fragile relationships between humans, the land, and its resources, touching on issues of consumption, global circulation, connectivity, and care."  This segment was taped in 2018 on the occasion of “Otobong Nkanga: To Dig a Hole That Collapses Again” at the Museum of Contemporary Art Chicago. The exhibition, a survey of her work, was curated by Omar Kholeif. For images, see Episode No. 340. Rosas' work is on view at the Berkeley Art Museum & Pacific Film Archive in "Matrix 282/Griselda Rosas: Yo te cuido." The exhibition presents Rosas' textile drawings and sculptural installations that explore themes of inheritance, colonialism, and intergenerational knowledge. The exhibition, which debuted at the Museum of Contemporary Art San Diego and which is on view in Berkeley through November 19, was curated by Anthony Graham with assistance from Jill Dawsey. This segment was taped in the spring when the MCASD presentation was on view. For images, see Episode No. 607. Instagram: Otobong Nkanga, Griselda Rosas, Tyler Green.

Episode No. 619 features artists Edra Soto and José Lerma. Soto and Lerma are among the 18 artists featured in "entre horizontes: Art and Activism Between Chicago and Puerto Rico" at the Museum of Contemporary Art Chicago. The exhibition examines the artistic genealogies and social justice movements that connect Puerto Rico with Chicago, which is home to third-largest mainland population of Puerto Ricans. "entre horizontes" was curated by Carla Acevedo-Yates with Iris Colburn. It is on view through May 5, 2024.  Edra Soto's sculpture and installations prompt viewers to reconsider cross-cultural dynamics, the legacy of colonialism, and personal responsibility. Her work has been exhibited at the Whitney Museum of American Art, New York, in the 2020-21 El Museo del Barrio, New York, triennial, at the Contemporary Art Museum St. Louis, the Bemis Center for Contemporary Arts, Omaha, the Pérez Art Museum Miami, and more. In 2023 Soto was awarded a US LatinX Art Forum fellowship. Soto also is the co-director of the outdoor project space The Franklin.  Lerma is a painter whose work blends the historical, autobiographical, art historical and mythological, often through portraits that suggest (or name) specific individuals while pointing to how much of their public personae are manufactured. Simultaneously riffing on European portraiture traditions and popular representation, his work is smart, funny, and always painterly. The Kemper Museum of Art in Kansas City, the Museum of Contemporary Art Detroit and the MCA Chicago have all presented solo exhibitions of his work. 

Episode No. 616 features artist Gary Simmons and curator Sarah L. Eckhardt. The Museum of Contemporary Art Chicago is presenting "Gary Simmons: Public Enemy," a survey of Simmons' 35-year career. The exhibition reveals how Simmons has addressed race, class and US history in ways that have remained persistently au courant. It was curated by René Morales and Jadine Collingwood, with Jack Schneider. After closing on October 1, the exhibition will be on view at the Pérez Art Museum Miami from December 5 through April 24, 2024. The MCA Chicago and DelMonico Books have published an outstanding catalogue. Bookshop and Amazon offer it for $56-60. Along with Drew Thompson, Eckhardt is the co-curator of "Benjamin Wigfall & Communications Village." It's at the Virginia Museum of Fine Arts in Richmond through September 10. The exhibition is a survey of Richmond-native Wigfall's work, and a historicization of Communications Village, the interdisciplinary artist-run project that Wigfall instigated while teaching at the State University of New York, New Paltz in the early 1970s, as the instigator of what we now call social practice. The excellent catalogue was published by the VMFA, which offers it for $40. Instagram: Gary Simmons, Tyler Green.

Jim Isermann (b. 1955, Kenosha, WI) received his Master of Fine Arts from the California Institute of the Arts and his Bachelor of Fine Arts from the University of Wisconsin-Milwaukee. Jim's work has been the subject of solo exhibitions at Camden Arts Center, London, United Kingdom; Hammer Museum, Los Angeles, CA; Institute of Contemporary Art, Philadelphia, PA; Le Magasin - Centre National d'Art Contemporain, Grenoble, France; Museum of Contemporary Art Chicago, Chicago, IL; Palm Springs Art Museum Architecture and Design Center, Palm Springs, CA; RISD Museum, Providence, RI; and the Van Abbemuseum, Eindhoven, The Netherlands, among others. He has been included in group exhibitions at numerous international institutions including the Los Angeles County Museum of Art, Los Angeles, CA; Louisiana Museum of Modern Art, Humlebæk, Denmark; Moderna Museet, Stockholm, Sweden; Musée d'Art Moderne de la Ville de Paris, Paris, France; Museum of Contemporary Art Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, Los Angeles, CA; The Museum of Modern Art, New York, NY; Royal Academy of Art, London, United Kingdom; and the Solomon R. Guggenheim Museum, New York, NY. His work is in the collections of the Art Institute of Chicago, Chicago, IL; Carnegie Museum of Art, Pittsburgh, PA; FRAC Poitou-Charentes, Angoulême, France; Los Angeles County Museum of Art, Los Angeles, CA; Museum of Contemporary Art Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, Los Angeles, CA jus to name a few. He lives and works in Palm Springs, CA.

For this episode of Randomly Selected, we sit down with Avery R. Young! We talk about everything from his origin story of growing up on the West Side of Chicago and how that shaped his career all the way to his current role as the Chicago Poet Laureate in Illinois and everything in between! An award-winning Poet, Educator, Musician, Artist, Composer and Producer, Avery R. Young's work spans the genres of music, performance, visual arts and literature. Young's work in performance, visual text, and sound design has been featured in several exhibitions and theater festivals, including the Chicago Hip Hop Theater Fest, the Museum of Contemporary Art Chicago, and the American Jazz Museum. You don't want to miss this one!

This week on Bad at Sports we're presenting more panel discussions from Minor Matters, the programming arm of Barely Fair, a 1/12th scale art fair produced by Julius Caesar at Color Club this April! First up, CURATORIAL CONFINES: Scaled Selections Within and Outside Institutions moderated by Scott Campbell (Independent Curators International) with panelists Nolan Jimbo (Marjorie Susman Curatorial Fellow at the Museum of Contemporary Art Chicago), Adia Sykes (Independent Curator) and Kate Sierzputowski (Airlock, BARELY FAIR, Julius Caesar, EXPO CHICAGO) then, SCALE AS SUPPORT: The Architecture Behind BARELY FAIR Moderated by Roland Knowlden (Future Firm) with the Directors of the fair itself, Josh Dihle, Tony Lewis, Roland Miller, and Kate Sierzputowski. Finally, in a podcast *exclusive* (sorry terrestrial radio only listeners!), STARTING SMALL: A Look at the Beginning of a Collection, moderated by Roland Miller (BARELY FAIR, Julius Caesar) with panelists Courtney Sherrer, Josh Rogers, and Megan Green Rogers.   https://www.barelyfair.com/minormatters https://www.juliuscaesarchicago.net/ https://curatorsintl.org/about/collaborators/21995-scott-vincent-campbell https://mcachicago.org/about/who-we-are/people/nolan-jimbo https://www.adiasykes.com/ http://katesierzputowski.com/ https://future-firm.org/ http://www.joshdihle.com/ https://www.blumandpoe.com/artists/tony_lewis http://www.rolandwm.com/ https://colorclub.events/  

Episode No. 604 features artist Lotus Laurie Kang and curator Apsara DiQuinzio. The Museum of Contemporary Art Chicago is presenting "Atrium Project: Lotus Laurie Kang," a large-scale installation in the MCA's two-story entrance lobby. Kang's work, Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago- ) (2018–2023), hangs from the atrium ceiling. To make it, Kang exposed to natural light lengths of light-sensitive, unfixed photographic film, resulting in colors that evoke the body and landscape. Lotus root-shaped chimes made of cast aluminum and bronze hang alongside these light-sensitive surfaces. Curated by Jack Schneider, the work will be on view through February 11, 2024. Kang's work is also at London's Chisenhale Gallery in a solo presentation titled "In Cascades." It's up through July 30. Kang's work often blends sculpture, photography and installation in address of bodies, memories, and histories change over time. Kang has been featured in exhibitions at the Hessel Museum of Art, Bard College, and in the 2021 triennial at New York's New Museum. On the second segment, DiQuinzio discusses "Adaline Kent: The Click of Authenticity," the artist's first retrospective. Kent (1900-1957), was a leading modernist sculptor whose work addressed nature and the drama of the Sierra Nevada, especially within the context of narratives promoted by the Sierra Club and the nascent second-generation environmental movement. "Kent" is at Reno's Nevada Museum of Art through September 10. The show's fine catalogue was published by Rizzoli Electa. Amazon and Bookshop offer it for about $45-60. Instagram: Lotus Laurie Kang, Apsara DiQuinzio, Tyler Green.

Episode No. 602 features artist Christina Fernandez and curators Nolan Jimbo and Rachel Federman. Fernandez's work is included in the Hammer Museum, University of California, Los Angeles' post-renovation-and-expansion debut exhibition "Together in Time: Selections from the Hammer's Contemporary Collection." It's on view through August 20. The Amon Carter Museum of American Art in Fort Worth is also showing "Christina Fernandez: Multiple Exposures," a survey of Fernandez's career, through July 9. It was curated by Joanna Szupinska and Chon Noriega. A fine catalogue was published by the California Museum of Photography, University of California, Riverside, which organized the show, and the Chicano Studies Research Center, University of California, Los Angeles. Fernandez is a photographer whose work examines migration, labor, gender, and Mexican American identity. Amazon and Bookshop offer it for about $50. Jimbo is the curator of "Endless," at the Museum of Contemporary Art Chicago. The exhibition brings together art that touches upon the concept of infinity, including works by Hiroshi Sugimoto, David Lamelas, Etel Adnan, and Charles Gaines. It's on view through April 14, 2024. With Cynthia Burlingham and Jay A. Clarke, Federman is the co-curator of "Bridget Riley Drawings: From the Artist's Studio," a survey of Riley's drawing practice primarily drawn from the artist's own collection. It is on view at the Hammer through May 28 before traveling to the Art Institute of Chicago and the Morgan Library, New York. An excellent exhibition catalogue was published by Modern Art Press, London. Amazon and Bookshop offer it for about $30.

Edited highlights of our full conversation. Here's a question. What are you going to preserve? This week's guest is Madeleine Grynsztejn, Pritzker Director of the Museum of Contemporary Art Chicago. She sees society from a distinctive vantage point, through the lens of an organization that exists to generate inquiry. Her work is to encourage communities to learn from themselves and from each other. To examine our past and be intentioned about our future. Leading a creative business demands that we look ahead, vigorously, bravely and relentlessly. Where are we going, how will we know when we get there, who is joining us on the journey. We hold on to the past at great risk. Risk to our success and sometimes to our survival. But Madeleine's point frames the future through an important question. Because, while we must fight the status quo, our future is built on the pillars of our past. You can't build a monument to modern thinking on sand. You need substantive foundations and platforms. You need to bring lessons from the past forward with you, so that we don't make the same mistakes twice and so that we have something to lean on that we can trust. Which parts of the past do you need to let go of? And which parts are you going to preserve?

Here's a question. What are you going to preserve? This week's guest is Madeleine Grynsztejn, Pritzker Director of the Museum of Contemporary Art Chicago. She sees society from a distinctive vantage point, through the lens of an organization that exists to generate inquiry. Her work is to encourage communities to learn from themselves and from each other. To examine our past and be intentioned about our future. Leading a creative business demands that we look ahead, vigorously, bravely and relentlessly. Where are we going, how will we know when we get there, who is joining us on the journey. We hold on to the past at great risk. Risk to our success and sometimes to our survival. But Madeleine's point frames the future through an important question. Because, while we must fight the status quo, our future is built on the pillars of our past. You can't build a monument to modern thinking on sand. You need substantive foundations and platforms. You need to bring lessons from the past forward with you, so that we don't make the same mistakes twice and so that we have something to lean on that we can trust. Which parts of the past do you need to let go of? And which parts are you going to preserve?

© Paul Pfeiffer. Courtesy Paula Cooper Gallery, New York. Photo: Joey Trisolini Born in Honolulu in 1966, Paul Pfeiffer grew up between Hawaii and the Philippines before moving to New York in 1990 to attend Hunter College and the Whitney Independent Study Program. Pfeiffer is known for his highly sophisticated use of digital technologies and new media, and has created celebrated works of video, photography, installation and sculpture since the late 1990s. Using digital erasure, magnification, and repetition, Pfeiffer samples and retouches images or video footage from sporting events, concerts, game shows and Hollywood films to enhance their psychological effects. By drawing attention to certain aspects of visual culture and concealing others, he underlines the spectacular nature of contemporary media and its consumption. Pfeiffer's videos are often presented using unusual monitors and hybrid hardware, further emphasizing the ostracizing effect of the found footage and incorporating a crucial sculptural element to the work. Pfeiffer has had one-person exhibitions at the Whitney Museum of American Art (2001); the Museum of Contemporary Art Chicago (2003 and 2017-18); the National Gallery of Victoria, Melbourne (2005); MUSAC León, Spain (2008); the Hamburger Bahnhof, Berlin (2009) and Sammlung Goetz, Munich, Germany (2011). Pfeiffer has presented work in major international exhibitions in recent years, including the Performa Biennial and the Honolulu Biennial in 2019 and the Toronto Biennial and Seoul Mediacity Biennale in 2022. His work is in the permanent collections of the Museum of Modern Art and the Whitney Museum of American Art, New York; Inhotim Museu de Arte Contemporanea, Inhotim, Brazil; the Pinault Collection, Venice; and Kunst Werke, Berlin, among others. © Paul Pfeiffer. Courtesy Paula Cooper Gallery, New York. Photo: Steven Probert © Paul Pfeiffer. Courtesy Paula Cooper Gallery, New York. Photo: Steven Probert Paul Pfeiffer, Red Green Blue, 2022  (3 Min excerpt)   Paul Pfeiffer, Red Green Blue, 2022  (3 Min excerpt)

What is the relationship between machine learning, magic, and surprise? Tune into the Episode #17. Part II, where Jeanette Andrews, one of the most innovative illusionists in the world, talks about using the art of magic to explore the questions posed by Alan Turing of whether machines can exhibit intelligent behavior that cannot be distinguished from that of a human. About the Podcast Guest Jeanette Andrews is an artist, magician, and researcher. Andrews' work focuses on developing interactive magic and sensory illusions via performance, sculpture, installation, and audio. Over 27 years of specialized study and technical training in parlor and sleight of hand magic has now afforded her a distinct perspective on crafting experiences with nuanced psychological underpinnings, direction of attention and inattention, creating surreal visuals, and designing/building objects that function completely differently than they appear. Her research-based process centers around phenomenological philosophy, contemporary cognitive science, and physics. Her work is rooted in highlighting astonishing aspects of everyday life via moments of the seemingly impossible to create a lived phenomenology. Themes of pieces have included invisibility, impossible objects, the relationship between scent and magic, unseen communication, and how illusions can construct reality. Andrews works closely with museums and galleries to recontextualize magic within the cultural arts and explore this craft as a performance art medium. She has presented numerous commissioned works with the Museum of Contemporary Art Chicago, including her 2020 work “Invisible Museums of the Unseen,” which was later commissioned as a site-specific work for the Quebec City Biennial. Further site-specific works for numerous museums and galleries include the Elmhurst Art Museum, Birmingham Museum of Art, and International Museum of Surgical Science. Andrews is also an acclaimed speaker, presenting with the Cooper Hewitt, Chicago Ideas, Fortune 500 companies, universities, and conferences across the country. She has been an artist in residence for High Concept Labs in Chicago and The Institute for Art and Olfaction in Los Angeles.  She is currently an Affiliate of metaLab (at) Harvard and an artist in residence at CultureLAB LIC in New York City. Illusion is Andrews' life's work, and her performances have been praised by the Chicago Tribune, PBS, and the New York Times. Jeanette's references and other resources Jeanette's magic & art portfolio: https://www.jeanetteandrewsstudio.com/ Jeanette's magic performances and talks: https://www.jeanetteandrews.com/ Sleights of Mind book: http://www.sleightsofmind.com/ Science of Magic Association: https://scienceofmagicassoc.org/home Illusion of the Year: http://illusionoftheyear.com/ Thomas Griffiths paper on transformations in magic, "Revealing ontological commitments by magic": https://cocosci.princeton.edu/tom/papers/magic.pdf Jennifer Keisin Armstong (nonfiction workshops): https://jenniferkarmstrong.com/ Connect With Jeanette Andrews Jeanette's Instagram: @JeanetteAndrewsMagic   About the Podcast and Its Host The Neurocareers podcast is brought to you by The Institute of Neuroapproaches and its founder - Milena Korostenskaja, Ph.D. (Dr. K) - a neuroscience educator, neuroscience research consultant, and career coach for students and recent graduates in neuroscience and neurotechnologies: https://www.neuroapproaches.org/ You will benefit from neuroscience-based coaching if you want to... Get your projects DONE instead of procrastinating and feeling stuck. STOP feeling anxious, stressed, and overwhelmed when managing your time and responsibilities. ACHIEVE your goals and BUILD a successful career instead of failing. Get in touch with Dr. K. by sending an email: neuroapproaches@gmail.com Schedule a free consultation session with Dr. K. by following this link: https://neuroapproaches.as.me/

Innovation? Technology? Illusions? Meet and greet Jeanette Andrews - one of the most innovative illusionists in the world today! Jeanette is using modern technologies, including AIs and cognitive science principles, in her Magic shows!    Jeanette is an artist and an informal cognitive scientist recognized for hundreds of sold-out and standing-room-only performances for Fortune 500 companies, theaters, and universities, including Infiniti, Kraft, Thermo Fisher Scientific, Lyric Opera & Chicago Ideas Week.   Tune into the Episode #17. Part I. conversation with Jeanette Andrews to hear about her career path and advice on how to succeed in your chosen career.   Stay tuned for Part II of this Neurocareers podcast episode!   About the Podcast Guest Jeanette Andrews is an artist, magician, and researcher. Andrews' work focuses on developing interactive magic and sensory illusions via performance, sculpture, installation, and audio.   Over 27 years of specialized study and technical training in parlor and sleight of hand magic has now afforded her a distinct perspective on crafting experiences with nuanced psychological underpinnings, direction of attention and inattention, creating surreal visuals and designing/building objects that function completely differently than they appear.   Her research-based process centers around phenomenological philosophy, contemporary cognitive science, and physics. Her work is rooted in highlighting astonishing aspects of everyday life via moments of the seemingly impossible to create a lived phenomenology. Themes of pieces have included invisibility, impossible objects, the relationship between scent and magic, unseen communication, and how illusions can construct reality.   Andrews works closely with museums and galleries to recontextualize magic within the cultural arts and explore this craft as a performance art medium. She has presented numerous commissioned works with the Museum of Contemporary Art Chicago, including her 2020 work “Invisible Museums of the Unseen,” which was later commissioned as a site-specific work for the Quebec City Biennial. Further site-specific works for numerous museums and galleries include the Elmhurst Art Museum, Birmingham Museum of Art, and International Museum of Surgical Science.   Andrews is also an acclaimed speaker, presenting with the Cooper Hewitt, Chicago Ideas, Fortune 500 companies, universities, and conferences across the country. She has been an artist in residence for High Concept Labs in Chicago and The Institute for Art and Olfaction in Los Angeles.    She is currently an Affiliate of metaLab (at) Harvard and an artist in residence at CultureLAB LIC in New York City. Illusion is Andrews' life's work, and her performances have been praised by the Chicago Tribune, PBS, and the New York Times.   Jeanette's references and other resources Jeanette's magic & art portfolio: https://www.jeanetteandrewsstudio.com/ Jeanette's magic performances and talks: https://www.jeanetteandrews.com/ Sleights of Mind book: http://www.sleightsofmind.com/ Science of Magic Association: https://scienceofmagicassoc.org/home Illusion of the Year: http://illusionoftheyear.com/ Thomas Griffiths paper on transformations in magic, "Revealing ontological commitments by magic": https://cocosci.princeton.edu/tom/papers/magic.pdf Jennifer Keisin Armstong (nonfiction workshops): https://jenniferkarmstrong.com/   Connect With Jeanette Andrews Jeanette's Instagram: @JeanetteAndrewsMagic   About the Podcast and Its Host The Neurocareers podcast is brought to you by The Institute of Neuroapproaches and its founder - Milena Korostenskaja, Ph.D. (Dr. K) - a neuroscience educator, neuroscience research consultant, and career coach for students and recent graduates in neuroscience and neurotechnologies: https://www.neuroapproaches.org/ You will benefit from neuroscience-based coaching if you want to... Get your projects DONE instead of procrastinating and feeling stuck. STOP feeling anxious, stressed, and overwhelmed when managing your time and responsibilities. ACHIEVE your goals and BUILD a successful career instead of failing. Get in touch with Dr. K. by sending an email: neuroapproaches@gmail.com Schedule a free consultation session with Dr. K. by following this link: https://neuroapproaches.as.me/

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the course, visiting artists to the MFA Theatre Program's Grad Lab are interviewed after leading a workshop with the students. Grad Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance experiments. Kaneza Schaal is a New York City based artist working in theater, opera, and film. Schaal was named a 2021 Guggenheim Fellow, and received a 2019 United States Artists Fellowship, SOROS Art Migration and Public Space Fellowship, Joyce Award, 2018 Ford Foundation Art For Justice Bearing Witness Award, 2017 MAP Fund Award, 2016 Creative Capital Award, and was an Aetna New Voices Fellow at Hartford Stage. Her project GO FORTH, premiered at Performance Space 122 and then showed at the Genocide Memorial Amphitheater in Kigali, Rwanda; Contemporary Arts Center New Orleans; Cairo International Contemporary Theater Festival in Egypt; and at her alma mater Wesleyan University, CT. Her work JACK & showed in BAM's 2018 Next Wave Festival, Museum of Contemporary Art Chicago, and with its co-commissioners Walker Arts Center, REDCAT, On The Boards, Cincinnati Contemporary Arts Center, and Portland Institute for Contemporary Art. Schaal's piece CARTOGRAPHY premiered at The Kennedy Center and toured to The New Victory Theater, Abu Dhabi Arts Center and Playhouse Square, OH. Her dance work, MAZE, created with FLEXN NYC, premiered at The Shed. Most recently, she directed Triptych composed by Bryce Dessner with libretto by Korde Arrington Tuttle, which premiered at LA Philharmonic, The Power Center in Ann Arbor, MI, BAM Opera House and Holland Festival. Her newest original work KLII, was co-commissioned as part of the Eureka Commissions program by the Onassis Foundation and is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by Walker Art Center in partnership with Contemporary Arts Center, Cincinnati, and REDCAT. Schaal will develop and direct a number of upcoming works including SPLIT TOOTH with Tanya Tagaq (Luminato Festival, Canada), HUSH ARBOR (The Opera) with Imani Uzuri (The Momentary, AZ) and BLUE at Michigan Opera Theater. Schaal's work has also been supported by New England Foundation for The Arts, Baryshnikov Arts Center, Lower Manhattan Cultural Council, Nathan Cummings Foundation, Foundation for Contemporary Arts, FACE Foundation Contemporary Theater grant, Theater Communications Group, and a Princess Grace George C. Wolfe Award. Her work with The Wooster Group, Elevator Repair Service, Richard Maxwell/New York City Players, Claude Wampler, Jim Findlay, and Dean Moss has brought her to venues including Centre Pompidou, Royal Lyceum Theater Edinburgh, The Whitney Museum, and MoMA.

In this episode, participants return to a familiar sonic space, but why we are here and who we are with is undergoing a crisis of faith. Nothing is as it seems, and we may never come back. *Trigger Warning: This episode contains the sound of gunshots. If you would prefer to avoid this section, skip [14:48-14:56] You can find the transcript for this episode here. Last Audience: a performance podcast is created and performed by Yanira Castro with Sound Designer Erica Ricketts and Creative Producer Ariel Lembeck. Episode Collaborators: Lizbeth Roman, Performer & Composer of Agua que Vuelve with production, mixing and mastering by Rafa Rivera Amir Hall, Performer of The Satyrics Podcast Collaborators: Christopher “Unpezverde” Núñez, Accessibility Artistry April Biggs, Accessibility Artistry & Transcription Paul Knipper, Logo Design Marielys Burgos Melendez, Communicator & Digital Content Strategist Last Audience is a project of a canary torsi, a group of artists who create performance experiences together. It is inspired from a book of performance scores, Last Audience: a performance manual, made with the Museum of Contemporary Art/Chicago. This podcast was made possible by a generous MacDowell Fellowship. Follow us on instagram: @acanarytorsi Tips for optimum listening experience: It is a fiction. And like a novel… you may want to start with episode 01 before jumping into episode 02. The episodes build on one another. It is a performance. So like any performance, it invites your attention. Put on headphones and be in this sonic world with us. Take pleasure in listening. Turn off those notifications. It is participatory! You are invited to act. Be open to how the podcast moves you.

Jenny Holzer was born in 1950 in Gallipolis, Ohio. She received a BFA in printmaking and painting from Ohio University, Athens, Ohio, in 1972, and an MFA in painting from the Rhode Island School of Design, Providence, in 1977. Holzer then moved to New York and enrolled in the Independent Study Program at the Whitney Museum of American Art. That same year, she created her first text-based works, initiating an ongoing artistic investigation of language in which she presents both original and appropriated texts to deconstruct how personal and political meaning are created in Western culture's patriarchal, consumer-oriented society. For Truisms, her series comprising terse one-liners written between 1977 and '79, and Inflammatory Essays, which were composed between 1979 and '82, Holzer anonymously pasted posters of unswerving, declarative statements around New York City. Since then her text-based work has evolved in numerous mediums. In the 1980s Holzer used electronic signs to present her work in such prominent public spaces as Times Square in New York and Piccadilly Circus in London, as well as in sport stadiums. She began producing engraved marble and granite benches, initially bearing text from Under the Rock (1986), and stone sarcophagi inscribed with Laments (1988–89), a moving reflection on the devastating repercussions of the AIDS crisis. For her 1989–90 retrospective at the Solomon R. Guggenheim Museum in New York, Holzer created a site-specific LED sign that wound its way around the parapet of the Frank Lloyd Wright–designed rotunda, displaying aphorisms and declarations from all of her work to date. She represented the United States at the Venice Biennale in 1990 and was awarded the Golden Lion for her Venice Installation, where she presented a series of her writings—including Mother and Child (1990), an account of motherhood—incised on a marble floor and emanating from LED signs.Holzer has produced public memorials as well as outdoor nighttime projections, such as Arno (1996), presented on the surface of the Arno River in Florence. Her texts have also been projected on Rio de Janeiro's cityscapes and oceans (Xenon for Rio de Janeiro, 1999), on beach shores and mountainsides (For San Diego, 2007), and on building facades across the world. Most recently, Holzer has returned to her earlier practice of using declassified American government documents as a subject for her art. Silkscreened on oil-painted backgrounds, these new works denounce acts of brutality and military practices conducted during the Iraq war. Holzer has had solo exhibitions at the Kunsthalle Basel (1984); Brooklyn Museum, New York (1988); Dia Art Foundation, New York, and Solomon R. Guggenheim Museum (both 1989–90); Haus der Kunst, Munich (1993); Art Tower Mito, Japan (1994); Contemporary Arts Museum Houston (1997); Neue Nationalgalerie, Berlin (2001, 2011); Kunsthaus Bregenz, Austria (2004); MAK, Vienna (2006); Museum of Contemporary Art Chicago (2008–09; travelled to the Whitney Museum of American Art [2009], and Fondation Beyeler, Riehen, Switzerland [2009–10]); Tate Modern, London (2018–19); and the Guggenheim Museum Bilbao (2019), among other institutions. Select group exhibitions include Eating Friends, Artists Space, New York (1981); Around 1984: A Look at Art in the Eighties, MoMA PS1 (2000); and Surprise, Surprise, Institute of Contemporary Arts, London (2006). Her works have appeared in Documenta (1982, 1987); Whitney Biennial (1983, 1985); Carnegie International (1985); Sculpture Project, Münster (1987); Venice Biennale (1990, 2005, 2007, 2015); Florence Biennial (1996); Singapore Biennial (2006); and Gwangju Biennial (2012). She has been the recipient of several important awards, and in 2016 she was made an Officier of the Order of Arts and Letters by the French government. Holzer is one of the six artist-curators who made selections for Artistic License: Six Takes on the Guggenheim Collection, Solomon R. Guggenheim Museum (2019–20). She lives and works in New York.From https://www.guggenheim.org/artwork/artist/jenny-holzer. For more information about Jenny Holzer:“5 ways Jenny Holzer brought art to the streets”: https://www.tate.org.uk/art/artists/jenny-holzer-1307/5-ways-jenny-holzer-brought-art-streets“Jenny Holzer”: https://projects.jennyholzer.com“Jenny Holzer”: https://www.interviewmagazine.com/art/jenny-holzer

Nick Cave's first career retrospective Forothermore celebrates a way to mourn and to find pleasure, solace and escape. The major show is now open at the Museum of Contemporary Art Chicago and includes an eye-catching kinetic spinner, the Soundsuits collection and never-before-seen work. Reset learns more about Cave's art and what's on display at the MCA. Guest: Cassie Burke, WBEZ external editor Host: Sasha-Ann Simons Producer: Lynnea Domienik

In this debut episode, we welcome the public into a sonic, poetic world and introduce a host of characters. “A bottle into the cosmic ocean” said Carl Sagan about the Voyager's Golden Record. We feel the same about this episode. You can find the transcript for this episode here. Last Audience: a performance podcast is created and performed by Yanira Castro with Sound Designer Erica Ricketts and Creative Producer Ariel Lembeck. Episode Collaborators: NEVE, Performer & Composer of Episode 01's anthem, “Inflorescence” Stephan Moore, Composer of the music behind the choreographic action April Biggs, Accessibility Artistry & Transcription Podcast Collaborators: Christopher “Unpezverde” Núñez, Accessibility Artistry Paul Knipper, Logo Design Marielys Burgos Melendez, Communicator & Digital Content Strategist Last Audience is a project of a canary torsi, a group of artists who create performance experiences together. It is inspired from a book of performance scores, Last Audience: a performance manual, made with the Museum of Contemporary Art/Chicago. This podcast was made possible by a generous MacDowell Fellowship. Follow us on instagram: @acanarytorsi

We made this podcast to align with the 2022 U.S. primaries and midterm elections to rehearse for our collective futures. Our bodies are intelligent guides. This podcast activates them. You can find the transcript for this episode here. Last Audience: a performance podcast is created and performed by Yanira Castro with Sound Designer Erica Ricketts and Creative Producer Ariel Lembeck. Additional Collaborators: Christopher “Unpezverde” Núñez, Accessibility Artistry Paul Knipper, Logo Design Marielys Burgos Melendez, Communicator & Digital Content Strategist Last Audience is a project of a canary torsi, a group of artists who create performance experiences together. It is inspired from a book of performance scores, Last Audience: a performance manual, made with the Museum of Contemporary Art/Chicago. This podcast was made possible by a generous MacDowell Fellowship. Follow wherever you listen to podcasts. Follow us on instagram: @acanarytorsi

RIck Prol has a solo exhibition, Empty City up at at James Fuentes Gallery, 55 Delancey St, NYC, through Saturday, March 26, 2022, Prol has been a well-know artist for over 40 years with a consistent practice, His work is beautiful, engaging to look at with a dark spin. I dig into the emotional connection in Prol's life experience to find out where it came from. Rick Prol was a contemporary of all of the famous East Village Artists of that time and Rick articulates well what it felt like to live in the East Village and how genuinely dangerous is was. Also his Dad put A LOT of pressure on him! James Kalm has a great video of the opening of this show. You can see the work and feel the excitement in the room HERE. More about Rick Prol: Born: 1956, New York, NY. Cooper Union, BFA, 1980, also studied at New York Studio School, 1975-76. Currently lives and works in New York City.  Rick Prol started showing his work in 1982, during the heyday of the East Village art scene of the 1980s. The East Village scene embraced the idea of a community of experimental artists living in and thriving off of the grittiness and cultural richness of the area.  Prol quickly became an icon of the era, known for his dark yet vibrant, cartoonish descriptions of fantastical murder and mayhem in the rat-infested urban jungle. Prol's paintings incorporate various styles including Art Brut and Expressionism, laced with various art historical references and laden with sincere depictions of the urban human condition.  In addition to painting, Prol's studio practice includes work in a variety of media such as sculpture, drawing, installation and writing. Prol writes "My work is a form of self portraiture and is a kind of prophesy-voodoo, it is strongly influenced by my surroundings but only as a starting off point. My intent is for a universal message."  Termed as a "Veteran Master of Gothic Angst" by Edward Leffingwell of Art in America, March, 2004, Prol has exhibited widely over the years, as well as curated exhibitions including East Village A.S.U., 2004, at the B-Side Gallery in the East Village, in response to the exhibition East Village U.S.A. at the New Museum, in New York. Recent surveys of his work have been presented at the Ohio State University, Columbus, OH and The Hudson Valley Center for Contemporary Art, Peekskill, NY. He has presented solo exhibitions with Hal Bromm, B-Side Gallery, Willoughby Sharp, and Andrew Kreps in New York; Barbara Farber in Amsterdam; and Leeahn Gallery in South Korea; and has been included in group exhibitions at Artists Space and PS1, among others. Prol's work is included in the collections of the Museum of Modern Art, Guggenheim Museum, Stedelijk Museum, Museum of Contemporary Art Chicago, Hirschhorn Museum and Sculpture Garden, The Aldrich Contemporary Art Museum, Holocaust Museum, and Smithsonian Libraries. Follow RIck Prol on Instagram HERE: https://www.instagram.com/rickprol/

Ernesto Neto (*1964, Rio de Janeiro) lives and works in Rio de Janeiro. The artist participated in the Venice Biennale in 2001 and 2017. In recent years, his work has been the subject of solo exhibitions in public institutions including The Museum of Fine Arts, Houston (2021); Centro Cultural La Moneda, Santiago (2020); Pinacoteca de Sāo Paulo, and Museo de Arte Latinoamericano de Buenos Aires - MALBA (2019); Fondation Beyeler, in the Zurich Main station (2018); Museum of Contemporary Art Chicago (2017); Thyssen-Bornemisza Art Contemporary - TBA 21, Vienna (2015); Aspen Art Museum, Colorado, and the Guggenheim Bilbao (2014); Espace Louis Vuitton, Tokyo (2012); and Museum of Modern Art, New York (2010), The Art Museum of Nantes (2009); The Panthéon, Paris (2006); among others. Neto's work is represented in institutional collections worldwide including The Museum of Modern Art, New York; Tate, London; Solomon R. Guggenheim Museum, New York; Carnegie Museum of Art, Pittsburgh; Albright-Knox Gallery, Buffalo; Boijmans van Beuningen Museum, Rotterdam; Art Gallery of New South Wales, Sydney; Hara Museum, Tokyo; Contemporary Art Center of Inhotim, Brumadinho; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Museum of Contemporary Art, Los Angeles; and Centre Pompidou, Paris. Ultimatum at Galerie Max Hetzler 57, rue du Temple, 75004, Paris 12 March —16 April 2022 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In the second half of our conversation with Jeffrey Michael Austin, we discuss their first ever artwork, how language factors into their practice, the persistent validity of creating art objects, the way art can bring a person into the present, the magic of mirrors, and using fun as a Trojan horse. Jeffrey Michael Austin (b. 1988) is a multidisciplinary artist and musician based in Chicago. Their work has been exhibited nationally and internationally, with recent and forthcoming solo exhibitions at Chicago Art Department, Heaven Gallery Chicago, Bert Green Fine Art (Chicago) and The Luminary (St. Louis, MO). Austin also composes, performs and produces all musical scores for Growing Concerns Poetry Collective, whose performance venues include The Museum of Contemporary Art Chicago, The Art Institute of Chicago, The Steppenwolf Theatre, NPR Tiny Desk Tour and the Smart Museum of Art. Austin studied at Columbia College Chicago and the Burren College of Art in Ireland before receiving their BFA from The School of the Art Institute of Chicago in 2014. Links: TLPS: A Group NFT Exhibition at Lydian Stater Outro Music: Careful by Daisy Days

In this episode, we talk to Jeffrey Michael Austin about taking things day by day, the importance of spending time with Mother Nature, their NFT work “Everything Must Go (Help Wanted),” the idea of ownership, and the possibility of "rapid, far-reaching and unprecedented changes in all aspects of society." Jeffrey Michael Austin (b. 1988) is a multidisciplinary artist and musician based in Chicago. Their work has been exhibited nationally and internationally, with recent and forthcoming solo exhibitions at Chicago Art Department, Heaven Gallery Chicago, Bert Green Fine Art (Chicago) and The Luminary (St. Louis, MO). Austin also composes, performs and produces all musical scores for Growing Concerns Poetry Collective, whose performance venues include The Museum of Contemporary Art Chicago, The Art Institute of Chicago, The Steppenwolf Theatre, NPR Tiny Desk Tour and the Smart Museum of Art. Austin studied at Columbia College Chicago and the Burren College of Art in Ireland before receiving their BFA from The School of the Art Institute of Chicago in 2014. Links: TLPS: A Group NFT Exhibition at Lydian Stater

Here is our first full episode released on our podcast platforms! Michelle and Kathryn are back again and lucky enough to have Jeanette Andrews a magician, artist, and speaker featured on this weeks curious conversation. These 3 dive into Jeanettes extensive background and their collaborative projects within the behavior research space. Jeanette Andrews is hailed as one of the most innovative illusionists in the world today and has staged hundreds of sold-out and standing-room-only performances for Fortune 500 companies, theaters and universities including Infiniti, Kraft, Thermo Fisher Scientific, Lyric Opera & Chicago Ideas Week. She has presented commissioned and site-specific works for The Smithsonian's Cooper Hewitt, the International Museum of Surgical Science, and the Museum of Contemporary Art Chicago. ​Andrews presented her first magic performance at age four, was paid to do her first magic show at age six, began running her business that day and has never had another job since, and is now internationally recognized as a pioneer in her field. Andrews uses sensory anomalies, art and scientific anecdotes to create luxurious experiences that bridge everyday life to a special, heightened world. She loves creating experiences for audiences to engage with the impossible in fun, insightful, generous ways. Andrews is an Affiliate of Harvard's metaLAB and prior artist in residence for High Concept Labs and The Institute for Art and Olfaction. Illusion is Ms. Andrews' life's work and her performances have been praised by the Chicago Tribune, PBS and the New York Times. Jeanette Andrews Website Facebook - @SensoryIllusions Twitter - @JeanetteMagic YouTube - @JeanetteAndrewsMagic Instagram - @jeanetteandrewsmagic Be sure to give us 5 Star rating, leave a review, or subscribe to your preferred method of listening. Don't forget to also follow us on any of our social media platforms listed below Kathryn on LinkedIn Michelle on LinkedIn HCD Research Website YouTube - @HCDResearchInc. LinkedIn - @HCDResearch Twitter - @HCDNeuroscience Twitter - @HCDResearchInc Facebook - @HCDResearch Instagram - @HCDResearch MindSet is excited to have each and everyone one of you join our curious conversations! --- Send in a voice message: https://anchor.fm/mindset-hcd-research/message

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer Catherine Opie discuss Cathy's new comprehensive, survey monograph just published by Phaidon, the pivotal role a family friend played in Cathy's artistic trajectory, the impact her iconic picture Pervert had on her life and the reactions from those who first saw the work at the 1995 Whitney Biennial, including Sasha's own reaction. https://www.phaidon.com/store/photography/catherine-opie-9781838662189/ https://www.regenprojects.com/artists/catherine-opie Opie received a B.F.A. from San Francisco Art Institute in 1985, and an M.F.A. from CalArts in 1988. Solo exhibitions of her work have been organized at the Plug In Institute of Contemporary Art, Winnipeg, Canada (2020); Marciano Foundation, Los Angeles, CA (2019); Princeton University School of Architecture, Princeton, NJ (2018); Henie Onstad Kunstsenter, Oslo, Norway (2017); Nova Southeastern University Art Museum, Fort Lauderdale, FL (2017); Los Angeles County Museum of Art, Los Angeles, CA (2016); Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (2016); Hammer Museum, Los Angeles, CA (2016); Wexner Center for the Arts, Columbus, OH (2015); Long Beach Museum of Art, Long Beach, CA (2012); Socrates Sculpture Park, New York, NY (2012); Institute of Contemporary Art, Boston, MA (2011); Portland Art Museum, Portland, OR (2010); Solomon R. Guggenheim Museum, New York, NY (2008); Museum of Contemporary Art Chicago, IL (2006); Walker Art Center, Minneapolis, MN (2002); and the Saint Louis Art Museum, Saint Louis, MO (2000). Opie has received numerous awards and fellowships, including the John Simon Guggenheim Memorial Foundation Guggenheim Fellowship, Photography (2019), Aperture Foundation Award (2018), Smithsonian Archives of American Art Medal (2016), Women's Caucus for Art President's Award for Lifetime Achievement (2009). United States Artists Fellowship (2006), San Francisco Art Institute President's Award for Excellence (2006), Larry Aldrich Award (2004), and the CalArts Alpert Award in the Arts (2003). She has been a professor of fine art at the University of California, Los Angeles, since 2001 and serves on the board of directors of The Andy Warhol Foundation for the Visual Arts and the board of trustees of the Museum of Contemporary Art, Los Angeles. Find out more at https://photowork.pinecast.co

Kathryn Rodrigues talked about being a 3rd culture kid, growing up in many countries and returning to the U.S. as a teenager, but not feeling at home. I loved how she talked about the space of transition, that time in motion and trying to capture that feeling in her work. She also shone a light on the world of freelance teaching artists, balancing teaching with art-making and parenting. Kathryn talked about the structure of her teaching time before the pandemic and how she brought the city of Chicago into the classroom through field trips to art venues as well as sharing local artists, working to create equity and improve access to cultural resources. She shared the idea of curriculum development centered around local BIPOC artists, rather than including them as an exception to the white-centered curriculum. That brought up a great question we can all ask ourselves - what is at the center of your teaching? Kathryn Rodrigues is a Chicago based artist and educator. She was born in Georgia and within weeks was on the move to her family's next destination. Her family moved to 10 different locations within the next 13 years, including Brazil, Mozambique, Portugal and Germany, before finally settling in Illinois. Being raised as a “third-culture kid” left her with a deep interest in cultural identity, notions of belonging and longing, domestic life, and the natural world. She often uses both visual and symbolic systems of mapping in her work as a way to express her interior life and navigate the world around her. Her work represents an investigation of and a reflection on the collection of experiences and memories that shape her identity. Kathryn received a Bachelor of Fine Arts in Photography from the University of Illinois and a Master of Science in Art Education from the Massachusetts College of Art. She has taught courses for children and adults at the Massachusetts College of Art, National Alliance for the Mentally Ill, Museum of Contemporary Art Chicago and Marwen. Exhibition highlights include the Chicago Cultural Center, Copley Society of Art, Woman Made Gallery, Midwest Center for Photography, Spilt Milk Gallery, Open House Contemporary and ARC Gallery. Blog post with images and more links: https://www.teachingartistpodcast.com/episode-62-kathryn-rodrigues/ www.kathrynrodrigues.com @kathryn.rodrigues . . . Follow: @teachingartistpodcast @pottsart @playinspiregallery Check out the featured artists: https://www.teachingartistpodcast.com/featured-artists/ Teaching The Truth Artist Talks sign up form: https://forms.gle/Tk3VDUCo9cdCGHCW7 Apply to do an IG Takeover @teachingartistpodcast: https://forms.gle/TqurTB9wvykPDbKZ6 Support this podcast. Subscribe, leave a review, or see more ways to support here (https://www.teachingartistpodcast.com/support/). We also offer opportunities for artists! (https://www.teachingartistpodcast.com/opportunities/) --- Send in a voice message: https://anchor.fm/teachingartistpodcast/message Support this podcast: https://anchor.fm/teachingartistpodcast/support

On today’s episode Dana and Ryan join painter Christina Quarles [in person!] to discuss her eponymous exhibition at the Museum of Contemporary Art Chicago. We talk painting (of course), and discuss pandemic cancellations and inspirations. We hope you enjoy the sound of face-to-face conversation and Christina’s giggles as much as we enjoyed recording them.  MCA Christina Quarles

UNBOSSED IS... “Paths To Success of Amazing Women in Chicago” TECH & Other ​Non-Traditional Careers - Physicians and Surgeons (37% women), Computer Programmers (21% women), Firefighters (6% women), Chefs and Head Cooks (21% women), Sheet Metal Workers (5% women), Aircraft Pilots and Flight Engineers (7% women), Contractors, Financial Traders, etc.. HUMANITIES - To interview women dedicated to the humanities (languages, literature, history, jurisprudence) and other human areas like politics, activism, non-profit, and education in Chicago EXECUTIVES - To interview the only 40/700 CTOs , female CEOs, Board Members, General Counsels and, other Female Executives in Chicago Other Unicorns - To interview other amazing women doing their thing and creating their own way in Chicago I welcome you to ask questions, participate, and join me as we explore these topics by emailing me at marina@unbossed.io or visiting www.unbossed.io Today's Episode: Interview with Angelique Power, President at the Field Foundation of Illinois Born and raised on the southside of Chicago by a white, Jewish mother who was a Chicago Public school teacher and an African American father who rose to be Sergeant in the Chicago Police force, Angelique has an intense love for this dazzlingly creative and deeply scarred city. Before joining the Field Foundation, Power was a program director at the Joyce Foundation. There she co-founded Enrich Chicago, a nonprofit-led movement designed to correct inequity and structural racism in the arts. She has directed community engagement and communications at the Museum of Contemporary Art Chicago and led community relations giving at Target Corporation. She has an MFA from the School of the Art Institute of Chicago, and a bachelor's degree in English from the University of Michigan. As President of the Field Foundation, Angelique catalyzed changes within the Field Foundation grant structure through anonymous surveys sent to nonprofit leaders, peer research, and study of Chicago's needs and gaps in investment. Staff and Board-wide racial justice training allowed Field Foundation to ensure that racial equity was a core value of the work. Through research Field created heat maps of Chicago revealing where the city has designed communities that suffer from poverty, trauma and lack investment. Learning more about the incredible power inside of these communities of color and investing in the savvy organizations located there has become a key focus for Field. Nonprofit feedback, foundation peer input, racial justice training, heat maps of Chicago; all of these pieces helped reveal a path forward to a new grant model centered around Community Empowerment through Justice, Art, and Leadership Investment. This new model opens the door to funding for neighborhoods that are too commonly divested in and aims at addressing root causes of the issues allowing every Chicagoan to thrive in this city we love. Recommendations: Updated heatmaps for mapping an equitable recovery for COVID. Here is the website: https://www.mappingcovid19equity.org/ Books: Caste (Oprah's Book Club): The Origins of Our Discontents by Isabel Wilkerson --- Support this podcast: https://anchor.fm/marina-malaguti/support

Episode 41 Sounds for Museums Sound Art to Accompany Exhibits Playlist François Baschet, Bernard Baschet, and Jacques Lasry, “Sonatine (3 Mouvements)” from Structures for Sound (1965 BAM). The exhibition 'Structures For Sound-Musical Instruments' by François and Bernard Baschet was shown at The Museum of Modern Art, New York, from October 4 to December 5, 1965. Although not heard in the exhibit, this set of compositions was co-marketed by the museum and BAM and clearly intended as a takeaway souvenir. The recordings were made in France, and released there as Les Structures Sonores Lasry-Baschet, then repackaged for the US market and exhibit. The piece was written by Jacques Lasry. Various Artists, Art By Telephone (1969 Museum Of Contemporary Art Chicago). Artists were asked to phone-in instructions for a work of art to be exhibited at Art by Telephone, held at the Museum of Contemporary Art Chicago. The museum released a recording of the phone calls and sold it at the exhibit. Here are four excerpts by John Giorno, Dick Higgins, Sol Lewitt, Richard Serra, and Jack Burnham. In total, 38 artists provided instructions that were included on the album. Audio Arts: Volume 3 No 4 Side A (1977 Audio Arts). Excerpts from a radio work by John Carson broadcast by Downtown Radio, Belfast in 1977. The program was a compilation of recordings made in June 1977 at Documenta VI, an international exhibition of contemporary art in Kassel, West Germany. We hear two excerpts, the first from artist Wolf Vostell which opens with the sound of bubbling water and the second a sound work by Achim Freyer. These audio works played in the exhibit. Other portions of the complete cassette recordings alternated between statements/interviews and sound environments/installations. Audio Arts was a magazine in continuous publication for 33 years and ran to 24 volumes, each of four issues. Various artists, from Sound (1979 Los Angeles Institute of Contemporary Art). Four of the tracks from this collection are included: Terry Fox, “Labyrinth Scored For II Cats” (1979); Jim Gordon, “Piece For Synthesizers, Computers And Other Instruments” (1979); Doug Hollis, “Aeolian Harp” (1975-76), composed 1975-76 at the San Francisco Exploratorium; Bill Fontana, “Kirribilli Wharf” (1979). Album produced for SOUND. An exhibition of sound sculpture, instrument building and acoustically tuned spaces. Los Angeles Institute of Contemporary Art July 14-August 31, 1979. P.S.I. New York, September 30-November 18, 1979. Jeff Gordon, “Everyone's An Artist” (1984). Vocal Jeff Gordon and Mug Maruyama; Programming, Graham Hawthorne; Emulators/Keyboards, Jeff Gordon. Gordon produced Revolutions Per Minute (The Art Record), a collection of audio tracks by artists released as a double LP. This track by Gordon was not included in that release but I think was used for a traveling exhibition featuring sound, The RPM Touring Exhibitions, designed by Gordon and his wife Juanita, that toured the US and Europe for over four years, including The Tate Museum in London. Laurie Anderson, “The telephone,” “The polaroid,” “The sheet,” “The wedding dress,” “The bathrobe” from La Visite Guidée (1994). Music: Laurie Anderson; Voice: Sophie Calle. Exhibition catalogue consisting of artist's book and Audio CD published in conjunction with the show held March 27- 29, 1994. The work consisted of a total of 21 short compositions. We hear five consecutive tracks from the collection. This audio was provided on a cassette for the exhibit, which visitor's played on a Sony Walkman while taking a guided tour of the Sophie Calle's exhibition Absent. Steven Vitiello. World Trade Center Recordings: Open House Bounce (1999). A recording from the 91st floor of the World Trade Center, Tower One made with contact microphones placed on the inside of the windows. This recording was only published as part of a CDR sold at an Open House Exhibition in the fall of 1999. Various recordings were made during a 6-month residency. This one in particular picked up a number of passing planes and helicopters. Various artists, Whitney Biennial 2002 (2002 Whitney Museum Of American Art). A CD was included with the 292-page hardcover catalogue "Whitney Biennial 2002" published for the same-titled exhibition at the Whitney Museum Of American Art, March 7-May 26, 2002. Four tracks are heard: Maryanne Amacher, “A Step Into It, Imagining 1001 Years Entering Ancient Rooms” (excerpt); Meredith Monk, “Eclipse,” with performers Ching Gonzalez, Katie Geissinger, Meredith Monk, Theo Bleckmann; Marina Rosenfeld, “Delusional Dub;” Tracie Morris, “Slave Sho' To Video A.k.a. Black But Beautiful.” 33 RPM: Ten Hours of Sound From France (2003 235). Exhibition companion compilation to San Francisco Museum of Modern Art, Sept. 6-14, 2003, listening room program. 33 RPM consisted of ten one-hour segments that were played on a rotating schedule at the museum during the exhibition. This was the fourth installment of an ongoing series at the museum that presented sound art scene in a variety of countries. We include the following tracks from this compilation: Kasper T. Toeplitz, “PURR#2” (2003); Jean-Claude Risset, “Resonant Sound Spaces/Filters” (2002); Mimetic, “evolution” (2003); and Lionel Marchetti, “À rebours” (1989). Jane Philbrick, "Voix/e" (2003-04 SW Harbor Songline). Installation two lightboxes, with color Duratrans (large-format backlit color transparency film), 48 x 24 x 6; two inset Alpine speakers, synthesized voice track, 9 1/2 mins. looped.; two companion LCD-screen DVDs. On view at Real Art Ways, Hartford, CT, and Consolidated Works, Seattle (2004). Audio work created by Jan Philbrick at the Center for Spoken Language Understanding, Oregon Graduate Institute. The piece consists of Philbrick's reading of the "Song of Solomon," modified and edited using voice-gendered speech synthesis to speak bride, groom, and companion parts. Marko Timlin, “Audible Light” (2017), Created by Marko Timlin, a Finnish sound artist whose work has frequently been integrated into museum installations. This installation, Audible Light, created sound directly out of light, “work inspired by Evgeny Sholpo's Variophone instrument developed in 1930.” Solo exhibition, Oksasenkatu 11 in Helsinki. Not to be confused with the 2000 museum exhibition called Audible Light at the Museum Of Modern Art, Oxford, to be featured in a future podcast. Opening montage: sounds from the recordings of Art By Telephone (1969 Museum Of Contemporary Art Chicago) and Audio Arts: Volume 3 No 4 Side A, cassette (1977 Audio Arts). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

Brian is my photographic brother from another mother. Half of my favorite instant film photography duo and an all-around awesome human. I met Brian and Mary at Polacon 3. I had no idea that day that I met someone who would become family to me. Here's a bit more about Brian in his own words.“Brian Garbrecht is an artist from Elgin, IL, who is currently an undergrad student at Northeastern Illinois University. He is working on a long term project about being an adopted person and the search for one's family and self identity, told through the mixing of original photographs, family archives, and important documents. For this project he received the Society of Photographic Education's 2020 Student Award for Innovations in Imaging. Most recently, an image from this series received 1st Runner Up in the LENS International Juried Exhibition at Perspective Gallery in Evanston, IL, curated by J. Gibran Villalobos of the Museum of Contemporary Art Chicago.Brian has been interested in photography since childhood but didn't start creating on his own till 2014 when taking a darkroom photo class. Since then, he has shot with every analog film format he could get his hands on, including Polaroids, and wet plate (tintypes), as well as mixing mediums with screen printing. In 2019 he curated an instant film exhibition titled “Before My Eyes”, featuring artists from around the world who use instant film in their work.”Follow Brian at https://www.instagram.com/theoryofbrian/Support this podcast at — https://redcircle.com/photographychat/donations

Σας καλωσορίζω στο 13o επεισόδιο της νέας σειράς των podcasts Archisearch Talks, με θεματική Women in Architecture. Eίμαι ο Βασίλης Μπαρτζώκας ιδρυτής της πλατφόρμας ARCHISEARCH.gr και της εταιρίας επικοινωνίας DESIGN AMBASSADOR H σειρά αυτή έφτασε από την πρώτη μόλις εβδομάδα στο top 10 των Ελληνικών Podcasts στο Spotify με υψηλότερη θέση την 4η ενώ παρέμεινε στο ΤΟΠ 20 για 110 ημέρες. Μπορείτε να τα ακούσετε από διάφορες πλατφόρμες όπως: -Spotify -Apple Podcasts -Breaker -Castbox -Google Podcasts -Overcast -Pocket Casts -RadioPublic -ANCHOR.FM Tα podcast γίνονται στο πλαίσιο της ενότητας Women in Architecture, η οποία ξεκίνησε το 2020 από το Archisearch.gr και την Design Ambassador. Ο διάλογος τότε εξελισσόταν μετρημένα, καθώς η ισότητα στην πράξη θεωρούνταν δεδομένη. Ωστόσο σήμερα πολλές βεβαιότητες έχουν κλονιστεί, έτσι το θέμα για την Παγκόσμια Ημέρα της Γυναίκας, το οποίο χαρακτηρίζει όλο το 2021, από τα Ηνωμένα Έθνη είναι «Women in leadership”, με στόχο τη διαμόρφωση ενός ακόμα πιο ισότιμου μέλλοντος στην μετά covid περίοδο. Το 2021 λοιπόν είναι ένα έτος που γιορτάζουμε τις επιτυχίες που μας εμπνέουν αλλά και ανακαλύπτουμε, επισημαίνουμε και επιλύουμε τα κενά που υπάρχουν. Για να μετρήσουμε επιτυχίες και να εντοπίσουμε σημεία προβληματισμου, μαζί μας σήμερα είναι η Ανθή Τζάκου από το Λονδίνο και τους BENNETΤS ASSOCIATES H Aνθή Τζάκου είναι σύμβουλος στρατηγικής Marketing και Branding στο χώρο της αρχιτεκτονικής, και παραγωγός ψηφιακής τέχνης. Έχει εργαστεί στην Αθήνα, τη Νέα Υόρκη και το Λονδίνο ως project manager σε αρχιτεκτονικούς διαγωνισμούς, καμπάνιες marketing για διεθνή έργα, στρατηγικές ανάπτυξης και επικοινωνίας για start-up και rebranding projects. Τα τελευταία 4 χρόνια διευθύνει το τμήμα Ανάπτυξης Επιχειρήσεων του αρχιτεκτονικού γραφείου Bennetts Associates με έδρα το Λονδίνο. Οι Bennetts Associates έχουν πάνω από 150 βραβεία για το σχεδιασμό θεάτρων, πανεπιστημίων και χώρων εργασίας, και θεωρούνται από τους πρωτοπόρους της βιώσιμης αρχιτεκτονικής. Το πρώτο τους έργο γραφείων στην Αθήνα βρίσκεται υπό κατασκευή. Έχει αποφοιτήσει από το Πανεπιστήμιο Θεσσαλίας με σπουδές στην αρχιτεκτονική, από τη Βartlett School of Architecture του UCL στο Λονδίνο με Masters in Graduate Architectural Design και είναι μέλος του Chartered Institute of Marketing. Από το 2017, ανήκει στη διευθύνουσα ομάδα του Knowledge Quarter στο King's Cross του Λονδίνου: έναν από τους πιο καθοριστικούς πυρήνες γνώσης στις επιστήμες, τις τέχνες, τα media και την εκπαίδευση παγκοσμίως. Η δουλειά της έχει εκτεθεί στο ΕΜΣΤ, στη Biennale της Βενετίας, στο Royal Institute of British Architects, στο Museum of Contemporary Art στο Chicago, στο ΜοΜΑ και το Storefront of Art & Architecture στη Νέα Υόρκη.

D and L Coffee Service Inc. presents the #1 listed “Food Radio show Philadelphia” and #1 listed “Food Radio show South Jersey”, Small Bites on Wildfire Radio returns this Sunday, February 21st at 635pm EST with a fantastic lineup! #SmallBitesRadio was named #14 out of the Top 30 Best Hospitality Shows on the planet for 2020. We are thrilled to welcome four-time Emmy award-winning director and host of Joseph Rosendo's Travelscope that is on PBS and has racked up 6 International Emmy Awards, 19 Emmy Nominations, and 50 Telly Awards! Joseph Rosendo has recently released a new book ‘Musings – The Short Happy Pursuit of Pleasure and Other Journeys'. Musings is a collection of crisp, entertaining, humorous and inspirational stories tightly written and drawn from his travel and life experiences. From travel tips and destination explorations to exotic adventures and intimate tales these stories arouse, amuse and touch the reader. Joseph is a travel connoisseur, motivational speaker Emmy award-winning director and host, travel journalist, broadcaster, Consulting Editor for DK Eyewitness Travel Guides, member of the prestigious Society of American Travel Writers SATW Society of American Travel Writers (SATW), and member of the Emmys / Television Academy. Then we will talk with Susan Herrmann Loomis an award-winning France-based author with fourteen books to her credit as well as owner of On Rue Tatin cooking schools in Louviers, Normandy and in Paris which is a cultural and hands-on culinary program to discuss her new book ‘Plat du Jour: French Dinners Made Easy' from The Countryman Press. Discover the pleasures of cooking―and eating―with this French approach to everyday meals. Featured on bistro menus and dinner tables throughout France, the plat du jour is the centerpiece of a two-course meal, a formula that Susan Loomis cleverly presents here. By pairing substantial main dishes such as Boeuf Bourguignon, Poule au Pot, and Bouillabaisse, with just the right starter, side, and/or dessert, Plat du Jour makes getting dinner on the table as easy as un, deux, trois! Blowing in from the Windy City is Chicago culinary talent Chef Xavier Vance to chat with us. Chef Vance is Chicago born and raised and has built an unparalleled reputation for style and substance in his food. Chef Xavier Vance has showcased his culinary passion, classical training and impeccable eye for detail by coordinating and catering more than 200 events in the Chicagoland area with partners including: The Peninsula Hotels, Chicago Public Schools, Navy Pier Chicago, Streeterville Chamber of Commerce, Chez Wedding & Event Venue and the Museum of Contemporary Art Chicago. Vance is leveraging his stellar reputation and loyal following to expand his footprint on Chicago's food scene. Plans for 2021 include the debut of his first restaurant which will be located on the West Side as well as other high-profile projects. Last, but certainly not least coming on Small Bites again will be the man, myth, legend, Philadelphia Food Truck Ambassador John Cohl. He has appeared on programs with some of today's biggest names in the food industry, co-hosted a podcast with Cheesesteak Icon Tony Luke Jr who is with MBB Management, and is always entertaining and informative on Last Out Media production Dining on a Dime. We can't wait to hear what he's been up to and on his mind. You say you STILL NEED MORE!!! Don't forget we still have our regular weekly segments from author, Courier-Post nightlife correspondent and The New York Times recognized blogger John Howard-Fusco for foodie news of the week, Chef Barbie Marshall who is a Chef Gordon Ramsay Hell's Kitchen Season 10 finalist and has appeared on Season 17 of FOX Hell's Kitchen #AllStars as well named Pennsylvania's most influential chef by Cooking Light will delight us with her observation of the week, highly acclaimed and respected Vegan Chef Christina Martin will delight with her ‘Healthy Bite' of week giving nourishing and wholesome advice, and a joke of the week from legendary joke teller Jackie "The Joke Man" Martling of The Howard Stern Show fame. D & L Coffee Services Inc. and Bluejeanfood.com hope you will use the TuneIn app to listen worldwide or also catch Small Bites Radio syndicated on KGTK 920AM, KITZ 1400AM, KSBN 1230AM, KBNP 1410AM, iHeartRadio, Salem Radio Network, ScyNet Radio, Stitcher Radio, PodOmatic, Indie Philly Radio, Player FM, iTunes, Pandora, and TryThisDish Radio which is the only independently owned and operated international chef-driven foodie and lifestyle radio network in the world. D & L Coffee Services has an expert staff of highly qualified, certified, and experienced office, technical, and sales personnel. D & L Coffee Services are able to provide your business, home, or special event the absolute best from the beans they sell, vendors they work with, Italian delicacies available for delivery, catering on-site for any sized affair, hands-on barista training, equipment available for purchase, and maintenance/repair services for your espresso and coffee machines. You can stop by their warehouse at 7000 HOLSTEIN AVE, SUITE 3, Philadelphia, PA 19153 during business hours or call the office at 215-365-5521 for an appointment, consultation, or any questions. #FoodRadioShowPhiladelphia #FoodRadioShowSouthJersey #TopListedHospitalityShow #BestFood #BestPod

Jeanette Andrews is hailed as one of the most innovative illusionists in the world today and she has presented commissioned and site-specific for The Smithsonian's Cooper Hewitt, the International Museum of Surgical Science, and the Museum of Contemporary Art Chicago. Andrews has staged hundreds of sold-out and standing-room-only performances for Fortune 500 companies, theaters and universities across the United States, including Infiniti, Kraft, Thermo Fisher Scientific, Lyric Opera & Chicago Ideas Week.  Her work explores how illusions construct reality and highlights astonishing aspects of everyday life via moments of the seemingly impossible. She is a prior artist in residence for High Concept Labs and The Institute for Art and Olfaction. Illusion is Ms. Andrews’ life’s work and her performances have been praised by the Chicago Tribune, PBS and the New York Times. Links: https://www.JeanetteAndrews.com IG: @JeanetteAndrewsMagic https://www.facebook.com/SensoryIllusions/

In this episode, Steve and Catherine have the distinct pleasure and honor to interview Luis Sahagun, an amazing artist who is tremendously candid in sharing how he discovered that his artmaking gave him, an undocumented at-risk youth from south of Chicago, a voice. He speaks on how he discovered that he is a creative, how he's received support for being an artist and how sometimes he recieved messages that weren't so supportive. He also shared about his earliest memories of his creative process, leaving a more lucrative design career, and how he learned that exploring and researching the images that came out of his creative process truly helped him process trauma and loss. You will learn on the tough decisions and sacrifices Luis has made to create his art and he speaks on how he teaches children that they too have a voices. Luis has been featured in New American Paintings (Issue #111), and his work was showcased at the International Exposition of Contemporary Art, the Museum of Contemporary Art Chicago, the National Museum of Mexican Art in Chicago. He has also held residencies at Arquetopia Oaxaca, Roswell New Mexico, Chicago Artist Coalition, Mana Contemporary in Miami, Michigan State University in East Lansing and the Chicago Cultural Center which featured his one-person show, BOTH EAGLE AND SERPENT. Cate White when talking about his show, THE MOUNTAINS WHISPERED AND THE CANYON SANG, says that Luis Sahagun has one of these voices that carries far and wide. His realness allows him to connect with any social group—from the hood to the hills and whatever’s in between. NOTE: This episode has a few adult wordsLuis Sahagun - Website Both Eagle and Serpent - Chicago Cultural CenterChicago Gallery News article about BOTH EAGLE AND SERPENT

Episode Forty-Three features Monique Meloche. She founded her eponymous gallery in Chicago’s West Loop in 2001 with an international roster of emerging artists working in all media. Her programming has been diverse and inclusive since its inception, and the gallery continues to be a bellwether for artistic talents early or under-recognized in their careers like Rashid Johnson, Amy Sherald, Ebony G. Patterson, Sanford Biggers and Brendan Fernandes. She has consistently presented conceptually challenging programming in Chicago and at art fairs internationally with an emphasis on institutional outreach. Canadian born Meloche holds a BA from the University of Michigan, and Masters of Art History and Theory from the School of the Art Institute of Chicago. She spent six years at the Museum of Contemporary Art Chicago as an assistant curator, then went on to direct both Rhona Hoffman and Kavi Gupta galleries before striking out on her own and will celebrate the gallery’s 20th anniversary in 2021. The Monique Meloche gallery will feature six artists during the ‘OVR: Miami Beach’, Art Basel’s upcoming Online Viewing Rooms initiative running December 2-6, 2020 Below are links to the gallery website and recent article/interview for the 6 artists. Monique Meloche http://moniquemeloche.com/ https://news.artnet.com/art-world/monique-meloche-1312325 Candida Alvarez - https://brooklynrail.org/2020/03/art/CANDIDA-ALVAREZ-with-Phong-H-Bui Sanford Biggers - https://www.contemporaryand.com/magazines/the-many-faces-of-sanford-biggers/ David Antonio Cruz - https://www.documentjournal.com/2019/10/david-antonio-cruz-the-artist-giving-lgtbq-victims-of-violence-a-place-in-art-history/ Maia Cruz Palileo - https://www.artnews.com/art-in-america/aia-reviews/maia-cruz-palileo-62676/ Ebony G. Patterson - https://news.artnet.com/exhibitions/ebony-g-patterson-nasher-museum-1805721 Cheryl Pope - https://sixtyinchesfromcenter.org/in-conversation-with-cheryl-pope/ Monique Meloche, photographed by Heidi Norton.

From the Archives. My interview with Tabita Rezaire in Johannesburg, South Africa in May 2015. I decided to re-release because our conversation seems to speak to our chaotic times. Tabita Rezaire (b.1989, Paris, France) is infinity incarnated into an agent of healing, who uses art as a means to unfold the soul. Her cross-dimensional practices envision network sciences – organic, electronic and spiritual – as healing technologies to serve the shift towards heart consciousness. Navigating digital, corporeal and ancestral memory as sites of resilience, she digs into scientific imaginaries to tackle the pervasive matrix of coloniality and the protocols of energetic misalignments that affect the songs of our body-mind-spirits. Inspired by quantum and cosmic mechanics, Tabita’s work is rooted in time-spaces where technology and spirituality intersect as fertile ground to nourish visions of connection and emancipation. Through screen interfaces and collective offerings, she reminds us to open our inner data centers to bypass western authority and download directly from source. Tabita is based in Cayenne, French Guyana. She has a Bachelor in Economics (Fr) and a Master of Research in Artist Moving Image from Central Saint Martins (Uk). Tabita is a founding member of the artist group NTU, half of the duo Malaxa, and the mother of the energy house SENEB. Tabita has shown her work internationally – Centre Pompidou, Paris; Serpentine London; MoMa NY; New Museum NY; MASP, Sao Paulo; Gropius Bau Berlin; MMOMA Moscow, Museum of Contemporary Art Chicago; ICA London; V&A London; National Gallery Denmark; The Broad LA; MoCADA NY; Tate Modern London; Museum of Modern Art Paris – and contributed to several Biennales such as the Guangzhou Triennial, Athens Biennale, Kochi Biennale (2018); Performa (2017); and Berlin Biennale (2016).

Start with just a thought about adding a little more happiness to this world, DJ Madrid Perry made it worldwide, serving his clients such as Oprah Winfrey, Jonathan Adler, PRADA, Ferrari, Louis Vuitton, Museum of Contemporary Art Chicago, and many, many more. With his believe that spiritual solution is the solution for a better world, tonight, Soul Talk with Ryan is honored to have DJ Madrid Perry as a special guest tonight! .Real meaningful conversation on meditation, mindfulness, and the application of spiritual wisdom in an uncertain world. Air date: April 18 2020 https://www.facebook.com/meditationcenterofchicago/videos/2456933101074237/

January 12 – March 5, 2015Kathleen O. Ellis Gallery and UVP EversonArtist Talk: Tuesday, January 27, 6:30pmReception: Wednesday, January 28, 5-7pmLight Work and Urban Video Project are proud to present Accumulations and Number Sixteen, concurrent exhibitions featuring the work of multidisciplinary artist Xaviera Simmons.The works within these exhibitions present an artist working with— and through— formal languages of performance, video, sculpture, photography, and social and art histories.Accumulations presents a group of photographs from Simmons’s Index/ Composition series. At first glance, the images emerge as a series of complex and abstract sculptural collages. Closer inspection reveals something else: textiles pulled taught over what appears to be a torso, with a barrage of objects hanging from the body. Fabric, a cache of photographic texture and imagery, feathers, palm fronds and other diverse materials tumble across the center of each photograph—composing an explosion referent to the sculptural within the photographic. Accumulations works to both obscure and define the formal qualities of photography by using elements of sculpture, assemblage, chance, and other methods to produce the works.Number Sixteen is an hour-long, unedited video documenting a performance produced without an audience which engages endurance, abstraction, and the energies beneath abstraction. In the video, a vocalist and performer work together in a studio space. The video’s audience becomes witness to a layered convergence: materials and texts, script and chance, sound and image, time and space, the body and its limits. Like the photographic and sculptural works in Accumulations, Number Sixteen reveals a complex network of accumulated inspirations, cultural allusions, and visceral histories.lg.ht/XavieraSimmons—Xaviera Simmons received her BFA from Bard College in 2004 after spending two years on a walking pilgrimage retracing the Trans Atlantic Slave Trade with Buddhist Monks. She completed the Whitney Museum’s Independent Study Program in Studio Art in 2005 while simultaneously completing a two-year actor-training conservatory with The Maggie Flanigan Studio. Simmons has exhibited nationally and internationally. Major exhibitions and performances include The Museum of Modern Art, NYC; MoMA PS1, NYC; The Studio Museum In Harlem, NYC; The Contemporary Arts Museum Houston, Houston, TX; The Public Art Fund, NYC; David Castillo Gallery, Miami, FL; among many others. Her works are in major museum and private collections including Deutsche Bank, UBS, The Guggenheim Museum, The Agnes Gund Art Collection, The Museum of Contemporary Art Chicago, The Studio Museum in Harlem, MOCA Miami, and The Perez Art Museum, Miami.davidcastillogallery.com/xaviera-simmons—Special thanks to Marcia Dupratmarciaduprat.comSpecial thanks to Daylight Blue Mediadaylightblue.comLight Worklightwork.orgUrban Video Projecturbanvideoproject.comMusic: "Vela Vela" by Blue Dot Sessionssessions.blue See acast.com/privacy for privacy and opt-out information.

Jason Lazarus: Too Hard to Keep (Syracuse)April 4 – May 31, 2013Kathleen O. Ellis Gallery at Light WorkGallery Talk: Thursday, April 4, 5pmReception: Thursday, April 4, 5-7pm—In 2010 Chicago-based artist Jason Lazarus initiated a growing archive of photos deemed “too hard to keep.” T.H.T.K. (Too Hard to Keep) is a place for photographs, photo-objects, and even digital files to exist when they are too difficult to hold on to, yet too meaningful to destroy. Participants have dictated whether the photographs submitted to the archive may be shown freely with other pieces of the archive, or if they are only to be displayed face down, adding to the charged significance of each object. Out of this expanding collection site-specific installations occur. With T.H.T.K. (Syracuse) Lazarus shares a slice of the larger archive alongside anonymous local submissions in a carefully considered installation at Light Work.lg.ht/10taTHO—Jason Lazarus is a Chicago-based artist, curator, writer, and educator who received his MFA in Photography from Columbia College Chicago in 2003. Lazarus has actively exhibited around the country and abroad while teaching photography at Columbia College and the School of the Art Institute of Chicago. Selected exhibition highlights include Black Is, Black Aint at the Renaissance Society, Chicago, IL; Image Search at PPOW Gallery, New York, NY; On the Scene at the Art Institute of Chicago, Chicago, IL; and solo exhibitions at Andrew Rafacz Gallery, Chicago, IL; the Museum of Contemporary Art, Chicago, IL; Kaune, Sudendorf, Cologne, Germany; and D3 Projects, Los Angeles, CA. Notable honors include the John Gutmann Photography Fellowship, 2010; an Illinois Arts Council Fellowship award, 2009; the Richard H. Driehaus Foundation Award, Emerging Artist, 2008; and the Emerging Artist Artadia Grant, 2006. His work can be found in the collections of the Art Institute of Chicago, the Museum of Contemporary Art Chicago, the Milwaukee Museum of Art, and the Bank of America LaSalle Photography collection, among many others. Lazarus is represented by Andrew Rafacz Gallery, Chicago, IL.jasonlazarus.com—Interested in submitting to the T.H.T.K. archive?Drop off your print anonymously in the drop box located at Light Work prior to and during the length of the exhibition. If you are not local, you can submit to the artist directly by following the instructions at toohardtokeep.blogspot.com—Special thanks to Azhar Chougleyouforgotmyname.comSpecial thanks to Daylight Blue Mediadaylightblue.comLight Worklightwork.orgMusic: "Vela Vela" by Blue Dot Sessionssessions.blue See acast.com/privacy for privacy and opt-out information.

Jamal Cyrus (born 1973, Houston, TX) received his BFA from the University of Houston in 2004 and his MFA from the University of Pennsylvania in 2008. In 2005 he attended the Skowhegan School of Painting and Sculpture, and in 2010 he was an Artist in Residence at Artpace San Antonio. Cyrus has won several awards, including the Driskell Prize, awarded by the High Museum of Art, Atlanta, GA; a BMW Art Journy; the Louis Comfort Tiffany Foundation Award; the Artadia Houston Award, and the Smithsonian Artist Research Fellowship. He has participated in national and international exhibitions, including Direct Message: Art, Language and Power at the Museum of Contemporary Art, Chicago, IL (2019); The Freedom Principle: Experiments in Art and Music, 1965 – Now, Museum of Contemporary Art Chicago, Chicago, IL (traveled to ICA Philadelphia, 2016); Arresting Patterns, ArtSpace, New Haven, CT (traveled to the African American Museum in Philadelphia, 2016); two exhibitions at the Studio Museum, Harlem (both 2013); the Contemporary Arts Museum, Houston (2012); the New Museum, New York (2011); The Kitchen, New York (2009); the Museum of London Docklands, London (2009); and The Office Baroque Gallery, Antwerp (2007). In 2006 Cyrus was included in Day for Night, the 2006 Whitney Biennial at the Whitney Museum of American Art.Cyrus is also a member of the artist collective Otabenga Jones and Associates. As a member of the collective, Cyrus has exhibited at Lawndale Art Center, Houston (2014), Project Row Houses, Houston (2014), the High Museum of Art, Atlanta (2008), the Smithsonian National Museum of African American History and Culture, Washington, DC (2008), the California African American Museum, Los Angeles (2008), the Menil Collection, Houston (2007), the 2006 Whitney Biennial, and Clementine Gallery, New York (2006). Cyrus’s and Otabenga Jones's work has been reviewed in Artlies, The Houston Chronicle, Houston Magazine, and The New York Times. Cyrus participated in the New Orleans triennial, Prospect.4, with Otabanga Jones.Jamal Cyrus lives and works in Houston, TX.https://inmangallery.com/index.htmlhttps://inmangallery.com/artists/cyrus_jamal/bio.htmlhttps://twitter.com/photogsofcolorhttps://www.instagram.com/photogsofcolor/?hl=enhttps://fulbright.uark.edu/departments/art/https://www.photographersofcolor.org/

Mark Addison Smith is a New York-based artist whose design specialization is typographic storytelling that allows illustrative text to convey a visual narrative through printed matter, artist’s books, and site installations. His work is included within the Brooklyn Museum Artists’ Books Collection, Center for Book Arts, Getty Research Institute, Guggenheim Museum Library and Archives, Joan Flasch Artists’ Books Collection, Kinsey Institute , Leslie-Lohman Museum of Gay and Lesbian Art, The Metropolitan Museum of Art Thomas J. Watson Library, MoMA Franklin Furnace Artists’ Books Collection, Museum of Contemporary Art Chicago, ONE National Gay and Lesbian Archives, Smithsonian American Art and Portrait Gallery Library Artists’ Books Collection, Tate Library and Archives, V&A Museum National Art Library, Whitney Museum Frances Mulhall Achilles Library, and Yale Special Collections. Solo exhibitions include The Bakery (Atlanta) and Center on Halsted (Chicago). Chapter publications include Diversity and Design: Understanding Hidden Consequences (Routledge) and Queering Translation, Translating the Queer: Theory, Practice, Activism (Routledge). He holds a Master of Fine Arts in Visual Communication from the School of the Art Institute of Chicago and is an Associate Professor in the Art Department at The City College of New York. All images courtesy of the artist Fagget Fucker (sic) Gay Alphabet Documentation photograph, 5x7-inch digital print of bathroom stall intervention, in which queer letterforms generated from found graffiti were arranged to read: “let’s face it, we’re all queer,” and were placed on top of source hate-speech in a Midwestern truck stop men’s bathroom stall, 2007. February 2, 2017: We have reenergized our Twitter account (from the daily You Look Like The Right Type archive) Drawing using India ink pen on Bristol board, 7x11-inch, incorporating direct-quote dialogue from February 2, 2017 and drawn on the same day. We Have Re-Energized Our Twitter Account Limited-edition artist’s book, 6 x 9 x 1 inches, 128 pages, foil-stamped linen cloth on hardback case-bound cover, offset-printed interior pages with Smyth-sewn signatures, featuring 108 drawings sourced in verbatim fragments from the daily You Look Like The Right Type overheard conversation archive and spanning 10 years, 2018 printing. February 23, 2018: This is for Victor Hugo. (from the dailyYou Look Like The Right Type archive) Drawing using India ink pen on Bristol board, 7x11-inch, incorporating direct-quote dialogue from February 23, 2018 and drawn on the same day. November 24, 2018: You spend a lot of time judging yourself through other people’s eyes (from the daily You Look Like The Right Type archive) Drawing using India ink pen on Bristol board, 7x11-inch, incorporating direct-quote dialogue from November 24, 2018 and drawn on the same day. 00:00 - Introduction 00:39 - Mark Addison Smith 02:36 - Hide - Caracol 06:01 - Relationship of Language and Queer - Related Issues 10:36 - The Queer Writing on the Bathroom Wall 26:37 - Disembodied Language 37:43 - Wknd Frnds - The F16’s 41:13 - Outro 41:35 - Finish

The "MCA" is the latest shoe release for Off-White x Nike, this time coming in coordination with Virgil Abloh's “career retrospective” at Museum of Contemporary Art Chicago. But at this point, Adam and Diego wonder if he's pushed that relationship to the limit and if they'll stop making shoes together soon or if there's still more to come? They discuss the past, present, and future of the relationship between the two brands.

THE SEEN, in collaboration with the University Club of Chicago, present the Chicago Art Critics Forum: Salon Review. Now in its eighth edition, Salon Review convenes a live panel of contemporary artists, critics, and curators to discuss exhibitions currently on display in Chicago. Centered upon the thematic of the documentation and exhibition of alternative histories, critics will discuss Gregg Bordowtiz: I Wanna Be Well at the Art Institute of Chicago, Jonathas De Andrade’s works at the Museum of Contemporary Art Chicago, and Deana Lawson & Dru Donovan at Rhona Hoffman Gallery. Panelists | Jordan Martins, Jameson Paige, and Amarie Gipson. Moderated by Ruslana Lichtzier.

Introduction by Amy Rosenblum Martín, Independent Curator and Educator, Guggenheim DIS (est. 2010) is a New York-based collective composed of Lauren Boyle, Solomon Chase, Marco Roso, and David Toro. Its cultural interventions are manifest across a range of media and platforms, from site-specific museum and gallery exhibitions to ongoing online projects. In 2018 the collective transitioned platforms from an online magazine, dismagazine.com, to a video streaming edutainment platform, dis.art, narrowing in on the future of education and entertainment. DIS Magazine (2010-2017); DISimages (2013), DISown (2014), Curators of the 9th Berlin Biennale for Contemporary Art, The Present in Drag (2016); DIS.art (2018–); Exhibited and organized shows at the de Young Museum, San Francisco; La Casa Encendida, Madrid; Plug In Institute of Contemporary Art, Winnipeg; Baltimore Museum of Art; and Project Native Informant, London. DIS has also been included in group exhibitions at MoMA PS1, Museum of Modern Art, and the New Museum all in New York; and Musée d’Art Moderne de la Ville de Paris; ICA Boston; Museum of Contemporary Art Chicago; and Kunsthal Charlottenborg, Copenhagen, among others. The material presented by DIS today is the result of a change in attitude towards the present and aims to meet the demands of contemporary social, political, and economic complexity at eye level. Introducer Amy Rosenblum Martín is a bilingual (English/Spanish) curator of contemporary art, committed to equity and community engagement. Formerly a staff curator at the Pérez Art Museum Miami (when it was MAM) and The Bronx Museum, she has also organized exhibitions, written and/or lectured independently for la Colección Patricia Phelps de Cisneros, MoMA, The Metropolitan, MACBA in Barcelona, the Reina Sofía, and Kunsthaus Bregenz as well as the Sugar Hill Children’s Museum. Her 20 years of interdepartmental museum work include 10 years at the Guggenheim. Rosenblum Martín’s expertise is in Latin America, focusing on transhistorical connections among Buenos Aires, Montevideo, Rio de Janeiro, São Paulo, Caracas, Havana, Miami, and New York. She has worked with Janine Antoni, Lothar Baumgarten, Guy Ben-Ner, Janet Cardiff, Eloísa Cartonera, Consuelo Castañeda, Lygia Clark, Willie Cole, Jeannette Ehlers, Teresita Fernández, Naomi Fisher, Marlon Griffith, Lucio Fontana, Dara Friedman, Luis Gispert, Felix Gonzalez-Torres, Adler Guerrier, Ann Hamilton, Quisqueya Henríquez, Leslie Hewitt, Nadia Huggins, Deborah Jack, Seydou Keita, Gyula Kosice, Matthieu Laurette, Miguel Luciano, Gordon Matta-Clark, Ana Mendieta, Antoni Miralda, Marisa Morán Jahn, Glexis Novoa, Hélio Oiticica, Dennis Oppenheim, Nam June Paik, Manuel Piña, Miguel Angel Ríos, Bert Rodriguez, Marco Roso, Nancy Rubins, George Sánchez-Calderón, Beatriz Santiago Muñoz, Tomás Saraceno, Karin Schneider, Regina Silveira, Lorna Simpson, Valeska Soares, Javier Tellez, Joaquín Torres García, and Fred Wilson, among many other remarkable artists.

The Renaissance Society is a contemporary art space that has a very strong character when it comes to architectural design. Artist David Maljković describes it as a “monumental space that is one dimensional with a really particular condition of light.” The vinyl floors are so present—not concrete or plastic—they are tactile. Known for his collaborative approach to curation and attention to details, Maljković worked with Renaissance Society curator Karsten Lund for the exhibit “Also on View,” to select works that complement the space. The Weekly’s Manisha AR, sat down with both artist and curator to go behind the scenes of the exhibit and talk about the ways in which the space inspired the show. You can read the review of the show here: https://southsideweekly.com/look-dont-touch-david-maljkovic-renaissance-society/ Croatian-born David Maljković has lived in many cities in Europe. He currently lives and works in Zagreb, Croatia. He has presented solo exhibitions at Palais de Tokyo in Paris; Van Abbe museum, Eindhoven; Bergen Kunsthall, Norway; BALTIC Centre for Contemporary Art, UK; Museo Reina Sofía, Madrid; MoMA PS1, New York; and several other museums and galleries. His work has been included in prominent group exhibitions around the world such as the 56th Biennale di Venezia, 29th Sao Paulo Biennial, and two of the Istanbul Biennials, among many others. Chicago-based curator Karsten Lund has been with the Renaissance Society for the past three years and curated multiple shows in the space. Prior, he worked as a Curatorial Assistant at the Museum of Contemporary Art Chicago and as a Research Fellow and Guest Curator with the Museum of Photography. “Also on View” is open until April 7, 2019. There will be an exhibition walk-through with curator Karsten Lund, at 3pm on Saturday April 6th. For more information visit http://renaissancesociety.org. Music heard during this episode is “Ambient Documentary Build Up #02” by tyops (CC BY 3.0). For more news, visit www.southsideweekly.com.

Michele Lancione (University of Sheffield), Rhoda Rosen (School of the Art Institute in Chicago) and Billy McGuinness (Museum of Contemporary Art Chicago) in conversation on challenging communities to engage homelessness through collaborative art praxis.

This week batted sports presents a panel on making and being presented at Hauser and Wirth by our partners BFAMFAPhD. Step 1: Modes of Critique What modes of critique might foster racial equity in studio art classes at the college level? Friday 1/18 from 6-8pm Billie Lee and Anthony Romero of the Retooling Critique Working Group Respondent: Eloise Sherrid, filmmaker, The Room of Silence Modes of Critique   What modes of critique might foster racial equity in studio art classes at the college level?   Friday 1/18 from 6-8pm Billie Lee and Anthony Romero of the Retooling Critique Working Group Respondent: Eloise Sherrid, filmmaker, The Room of Silence   Billie Lee is an artist, educator, and writer working at the intersection of art, pedagogy, and social change. She holds a BFA from the Rhode Island School of Design, an MFA from Yale University, and is a doctoral candidate at the University of Hawai‘i at Mānoa in American Studies. She has held positions at the Queens Museum, the Yale University Art Gallery, Doris Duke Foundation for Islamic Art, University of New Haven, University of Hawai‘i at Mānoa, and is currently an Assistant Professor of Art History at Hartford Art School.   Anthony Romero is an artist, writer, and organizer committed to documenting and supporting artists and communities of color. Recent projects include the book-length essay The Social Practice That Is Race, written with Dan S. Wang and published by Wooden Leg Press, Buenos Dias, Chicago!, a multi-year performance project commissioned by the Museum of Contemporary Art Chicago and produced in collaboration with Mexico City based performance collective, Teatro Linea de Sombra. He is a co-founder of the Latinx Artists Retreat and is currently a Professor of the Practice at The School of the Museum of Fine Arts at Tufts University.   Judith Leemann is an artist, educator, and writer whose practice focuses on translating operations through and across distinct arenas of practice. A long-standing collaboration with the Boston-based Design Studio for Social Intervention grounds much of this thinking. Leemann is Associate Professor of Fine Arts 3D/Fibers at the Massachusetts College of Art and Design and holds an M.F.A. in Fiber and Material Studies from the School of the Art Institute of Chicago. Her writings have been included in the anthologies Beyond Critique (Bloomsbury, 2017), Collaboration Through Craft (Bloomsbury, 2013), and The Object of Labor: Art, Cloth, and Cultural Production (School of the Art Institute of Chicago and MIT Press 2007). Her current pedagogical research is anchored by the Retooling Critique working group she first convened in 2017 to take up the question of studio critique’s relation to educational equity.   The Retooling Critique Working Group is organized by Judith Leemann and was initially funded by a Massachusetts College of Art and Design President's Curriculum Development Grant.   Eloise Sherrid is a filmmaker and multimedia artist based in NYC. Her short viral documentary, "The Room of Silence," (2016) commissioned by Black Artists and Designers (BAAD), a student community and safe space for marginalized students and their allies at Rhode Island School of Design, exposed racial inequity in the critique practices institutions for arts education, and has screened as a discussion tool at universities around the world.   Step 2:  Artist-Run Spaces How do artists create contexts for encounters with their projects that are aligned with their goals? Friday 2/1 from 6-8pm Linda Goode-Bryant, Heather Dewey-Hagborg, and Salome Asega   Upcoming Event: Building Cooperatives What if the organization of labor was integral to your project? Friday 2/22 from 6-8pm Members of Meerkat Filmmakers Collective and Friends of Light RSVP https://www.eventbrite.com/e/making-and-being-building-cooperatives-tickets-54313881281?aff=ebdssbdestsearch   http://bfamfaphd.com/ Making and Being is a multi-platform pedagogical project that offers practices of contemplation, collaboration, and circulation in the visual arts. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi. Bio BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States. The work of the collective is to bring people together to analyze and reimagine relationships of power in the arts. BFAMFAPhD received critical acclaim for Artists Report Back (2014), which was presented as the 50th anniversary keynote at the National Endowment for the Arts and was exhibited at the Brooklyn Museum, the Museum of Art and Design, Gallery 400 in Chicago, Cornell University, and the Cleveland Institute of Art. Their work has been reviewed in The Atlantic, the New York Times, the Washington Post, the New Yorker, Andrew Sullivan’s The Dish, WNYC, and Hyperallergic, and they have been supported by residencies and fellowships at the Queens Museum, Triangle Arts Association, NEWINC and PROJECT THIRD at Pratt Institute. BFAMFAPhD members Susan Jahoda and Caroline Woolard are now working on Making and Being, a multi-platform pedagogical project which offers practices of collaboration, contemplation, and social-ecological analysis for visual artists.

Duncan catches up with two of the members of BFAMFAPhD for a chat about the upcoming event series, which for those of you in NYC starts friday with MAKING & BEING.   Conversations about Art & Pedagogy co-presented by BFAMFAPhD & Pioneer Works, hosted by Hauser & Wirth, with media partners Bad at Sports and Eyebeam.   image credit... BFAMFAPhD, Making and Being Card Game, print version, 2016-2018, photograph by Emilio Martinez Poppe. Full details below... ____________________________   Hauser & Wirth   BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States.   Pioneer Works is a cultural center dedicated to experimentation, education, and production across disciplines.   Contemporary art talk without the ego, Bad at Sports is the Midwest's largest independent contemporary art podcast and blog. Eyebeam is a platform for artists to engage society’s relationship with technology.   Access info:   The event is free and open to the public. RSVP is required through www.hauserwirth.com/events.   The entrance to Hauser & Wirth Publishers Bookshop is at the ground floor and accessible by wheelchair. The bathroom is all-gender. This event is low light, meaning there is ample lighting but fluorescent overhead lighting is not in use. A variety of seating options are available including: folding plastic chairs and wooden chairs, some with cushions.   This event begins at 6 PM and ends at 8 PM but attendees are welcome to come late, leave early, and intermittently come and go as they please. Water, tea, coffee, beer and wine will be available for purchase. The event will be audio recorded. We ask that if you do have questions or comments after the event for the presenters that you speak into the microphone. If you are unable to attend, audio recordings of the events will be posted on Bad at Sports Podcast after the event.   Parking in the vicinity is free after 6 PM. The closest MTA subway station is 23rd and 8th Ave off the C and E. This station is not wheelchair accessible. The closest wheelchair accessible stations are 1/2/3/A/C/E 34th Street-Penn Station and the 14 St A/C/E station with an elevator at northwest corner of 14th Street and Eighth Avenue. ____________________________ "While knowledge and skills are necessary, they are insufficient for skillful practice and for transformation of the self that is integral to achieving such practice.” - Gloria Dall’Alba BFAMFAPhD presents a series of conversations that ask: What ways of making and being do we want to experience in art classes? The series places artists and educators in intimate conversation about forms of critique, cooperatives, artist-run spaces, healing, and the death of projects. If art making is a lifelong practice of seeking knowledge and producing art in relationship to that knowledge, why wouldn’t students learn to identify and intervene in the systems that they see around them? Why wouldn't we teach students about the political economies of art education and art circulation? Why wouldn’t we invite students to actively fight for the (art) infrastructure they want, and to see it implemented?   The series will culminate in the launch of Making and Being, a multi-platform pedagogical project that offers practices of collaboration, contemplation, and social-ecological analysis for visual artists. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi.   ____________________________   SCHEDULE ____________________________ Modes of Critique   What modes of critique might foster racial equity in studio art classes at the college level?   Friday 1/18 from 6-8pm Billie Lee and Anthony Romero of the Retooling Critique Working Group Respondent: Eloise Sherrid, filmmaker, The Room of Silence   Billie Lee is an artist, educator, and writer working at the intersection of art, pedagogy, and social change. She holds a BFA from the Rhode Island School of Design, an MFA from Yale University, and is a doctoral candidate at the University of Hawai‘i at Mānoa in American Studies. She has held positions at the Queens Museum, the Yale University Art Gallery, Doris Duke Foundation for Islamic Art, University of New Haven, University of Hawai‘i at Mānoa, and is currently an Assistant Professor of Art History at Hartford Art School.   Anthony Romero is an artist, writer, and organizer committed to documenting and supporting artists and communities of color. Recent projects include the book-length essay The Social Practice That Is Race, written with Dan S. Wang and published by Wooden Leg Press, Buenos Dias, Chicago!, a multi-year performance project commissioned by the Museum of Contemporary Art Chicago and produced in collaboration with Mexico City based performance collective, Teatro Linea de Sombra. He is a co-founder of the Latinx Artists Retreat and is currently a Professor of the Practice at The School of the Museum of Fine Arts at Tufts University.   Judith Leemann is an artist, educator, and writer whose practice focuses on translating operations through and across distinct arenas of practice. A long-standing collaboration with the Boston-based Design Studio for Social Intervention grounds much of this thinking. Leemann is Associate Professor of Fine Arts 3D/Fibers at the Massachusetts College of Art and Design and holds an M.F.A. in Fiber and Material Studies from the School of the Art Institute of Chicago. Her writings have been included in the anthologies Beyond Critique (Bloomsbury, 2017), Collaboration Through Craft (Bloomsbury, 2013), and The Object of Labor: Art, Cloth, and Cultural Production (School of the Art Institute of Chicago and MIT Press 2007). Her current pedagogical research is anchored by the Retooling Critique working group she first convened in 2017 to take up the question of studio critique’s relation to educational equity.   The Retooling Critique Working Group is organized by Judith Leemann and was initially funded by a Massachusetts College of Art and Design President's Curriculum Development Grant.   Eloise Sherrid is a filmmaker and multimedia artist based in NYC. Her short viral documentary, "The Room of Silence," (2016) commissioned by Black Artists and Designers (BAAD), a student community and safe space for marginalized students and their allies at Rhode Island School of Design, exposed racial inequity in the critique practices institutions for arts education, and has screened as a discussion tool at universities around the world.   __________________________   Artist-Run Spaces   How do artists create contexts for encounters with their projects that are aligned with their goals?   Friday 2/1 from 6-8pm Linda Goode-Bryant, Heather Dewey-Hagborg, and Salome Asega   Linda Goode-Bryant is the Founder and President of Active Citizen Project and Project EATS. She developed Active Citizen Project while filming the 2004 Presidential Elections and developed Project EATS during the 2008 Global Food Crisis. She is also the Founder and Director of Just Above Midtown, Inc. (JAM), a New York City non-profit artists space. Linda believes art is as organic as food and life, that it is a conversation anyone can enter. She has a Masters of Business Administration from Columbia University and a Bachelor of Arts Degree in painting from Spelman College and is the recipient of a Guggenheim Fellowship and a Peabody Award.   Heather Dewey-Hagborg is a transdisciplinary artist who is interested in art as research and critical practice. Heather has shown work internationally at events and venues including the World Economic Forum, the Shenzhen Urbanism and Architecture Biennale and PS1 MOMA. Her work is held in public collections of the Centre Pompidou, the Victoria and Albert Museum, and the New York Historical Society, and has been widely discussed in the media, from the New York Times to Art Forum. Heather is also a co-founder of REFRESH, an inclusive and politically engaged collaborative platform at the intersection of Art, Science, and Technology.   Salome Asega is an artist and researcher based in New York. She is the Technology Fellow in the Ford Foundation's Creativity and Free Expression program area, and a director of POWRPLNT, a digital art collaboratory in Bushwick. Salome has participated in residencies and fellowships with Eyebeam, New Museum, The Laundromat Project, and Recess Art. She has exhibited and given presentations at the 11th Shanghai Biennale, Performa, EYEO, and the Brooklyn Museum. Salome received her MFA from Parsons at The New School in Design and Technology where she also teaches.   ____________________________   Building Cooperatives   What if the organization of labor was integral to your project?   Friday 2/22 from 6-8pm Members of Meerkat Filmmakers Collective and Friends of Light   Meerkat Media Collective is an artistic community that shares resources and skills to incubate individual and shared creative work. We are committed to a collaborative, consensus-based process that values diverse experience and expertise. We support the creation of thoughtful and provocative stories that reflect a complex world. Our work has been broadcast on HBO, PBS, and many other networks, and screened at festivals worldwide, including Sundance, Tribeca, Rotterdam and CPH:Dox. Founded as an informal arts collective in 2005 we have grown to include a cooperatively-owned production company and a collective of artists in residence.   Friends of Light develops and produces jackets woven to form for each client.  We partner with small-scale fiber producers to source our materials, and with spinners to develop our yarns.    We construct our own looms to create pattern pieces that have complete woven edges (selvages) and therefore do not need to be cut. The design emerges from the materials and from methods developed to weave two dimensional cloth into three dimensional form. Each jacket is the expression of the collective knowledge of the people involved in its creation. Our business is structured as a worker cooperative and organized around cooperative principles and values. Friends of light founding members are Mae Colburn, Pascale Gatzen, Jessi Highet and Nadia Yaron.   ____________________________   Healing and Care (OFFSITE EVENT)   How do artists ensure that their individual and collective needs are met in order to dream, practice, work on, and return to their projects each day?   Thursday 2/28 from 6-8pm Adaku Utah and Taraneh Fazeli NOTE this event will be held at 151 West 30th Street  # Suite 403, New York, NY 10001   Adaku Utah was raised in Nigeria armed with the legacy of a long line of freedom fighters, farmers, and healers. Adaku harnesses her seasoned powers as a liberation educator,healer, and performance ritual artist as an act of love to her community. Alongside Harriet Tubman, she is the co-founder and co-director of Harriet's Apothecary, an intergenerational healing collective led by Black Cis Women, Queer and Trans healers, artists, health professionals, activists and ancestors. For over 12 years, her work has centered in movements for radical social change, with a focus on gender, reproductive, race, and healing justice. Currently she is the Movement Building Leadership Manager with the National Network for Abortion Funds. She is also a teaching fellow with BOLD (Black Organizing for Leadership and Dignity) and Generative Somatics.   Taraneh Fazeli is a curator from New York. Her multi-phased traveling exhibition “Sick Time, Sleepy Time, Crip Time: Against Capitalism’s Temporal Bullying” deals with the politics of health. It showcases the work of artists and groups who examine the temporalities of illness and disability, the effect of life/work balances on wellbeing, and alternative structures of support via radical kinship and forms of care. The impetus to explore illness as a by-product of societal structures while also using cultural production as a potential place to re-imagine care was her own chronic illnesses. She is a member of Canaries, a support group for people with autoimmune diseases and other chronic conditions.   ____________________________   When Projects Depart   What practices might we develop to honor the departure of a project?  For example, where do materials go when they are no longer of use, value, or interest?   Thursday 3/14 from 6-8pm Millet Israeli and Lindsay Tunkl   Millet Israeli is a psychotherapist who focuses on the varied human experience of loss.  She works with individuals and families struggling with grief, illness, end of life issues, anticipatory loss, and ambiguous loss.  Her approach integrates family systems theory, cognitive restructuring, mindfulness, and trauma informed care. Millet enjoys creating and exploring photography and poetry, and both inform her work with her clients. Millet holds a BA in psychology from Princeton, a JD from Harvard Law School, an MSW from NYU and is certified in bioethics through Montefiore. She sits on an Institutional Review Board for Human Subjects Research at Weill Cornell.   Lindsay Tunkl is a conceptual artist and writer using performance, sculpture, language, and one-on-one encounters to explore subjects such as the apocalypse, heartbreak, space travel, and death. Tunkl received an MFA in Fine art and an MA in Visual + Critical Studies from CCA in San Francisco (2017) and a BFA from CalArts In Los Angeles (2010). Her work has been shown at the Hammer Museum, LA, Southern Exposure, SF, and The Center For Contemporary Art, Santa Fe. She is the creator of Pre Apocalypse Counseling and the author of the book When You Die You Will Not Be Scared To Die.   ____________________________   Group Agreements   What group agreements are necessary in gatherings that occur at residencies, galleries, and cultural institutions today?   Friday 4/19 from 6-8pm Sarah Workneh, Laurel Ptak, and Danielle Jackson   Sarah Workneh has been Co-Director at Skowhegan for nine years leading the educational program and related programs in NY throughout the year, and oversees facilities on campus. Previously, Sarah worked at Ox-Bow School of Art as Associate Director. She has served as a speaker in a wide variety of conferences and schools. She has played an active role in the programmatic planning and vision of peer organizations, most recently with the African American Museum of Philadelphia. She is a member of the Somerset Cultural Planning Commission's Advisory Council (ME); serves on the board of the Colby College Museum of Art.   Laurel Ptak is a curator of contemporary art based in New York City. She is currently Executive Director & Curator of Art in General. She has previously held diverse roles at non-profit art institutions in the US and internationally, including the Guggenheim Museum (New York), MoMA PS. 1 Contemporary Art Center (New York), Museo Tamayo (Mexico City), Tensta Konsthall (Stockholm) and Triangle (New York). Ptak has organized countless exhibitions, public programs, residencies and publications together with artists, collectives, thinkers and curators. Her projects have garnered numerous awards, fellowships, and press for their engagement with timely issues, tireless originality, and commitment to rigorous artistic dialogue.   Danielle Jackson is a critic, researcher, and arts administrator. She is currently a visiting scholar at NYU’s Center for Experimental Humanities.  As the co-founder and former co-director of the Bronx Documentary Center, a photography gallery and educational space, she helped conceive, develop and implement the organization’s mission and programs.  Her writing and reporting has appeared in artnet and Artsy. She has taught at the Museum of Modern Art, International Center of Photography, Parsons, and Stanford in New York, where she currently leads classes on photography and urban studies.   ____________________________ Open Meeting for Arts Educators and Teaching Artists   How might arts educators gather together to develop, share, and practice pedagogies that foster collective skills and values?   Friday 5/17 from 6-8pm Facilitators: Members of the Pedagogy Group   The Pedagogy Group is a group of educators, cultural workers, and political organizers who resist the individualist, market-driven subjectivities produced by mainstream art education. Together, they develop and practice pedagogies that foster collective skills and values. Activities include sharing syllabi, investigating political economies of education, and connecting classrooms to social movements.Their efforts are guided by accountability to specific struggles and by critical reflection on our social subjectivities and political commitments.   ____________________________   Book Launch: Making and Being: A Guide to Embodiment, Collaboration and Circulation in the Visual Arts   What ways of making and being do we want to experience in art classes?   Friday 10/25 from 6-8pm Stacey Salazar in dialog with Caroline Woolard, Susan Jahoda, and Emilio Martinez Poppe of BFAMFAPhD   Stacey Salazar is an art education scholar whose research on teaching and learning in studio art and design in secondary and postsecondary settings has appeared in Studies in Art Education, Visual Arts Research, and Art Education Journal. In 2015 her research was honored with the National Art Education Association Manuel Barkan Award. She holds a Doctorate of Education in Art and Art Education from Columbia University Teachers College and currently serves as Associate Dean of Graduate Studies at the Maryland Institute College of Art, where she was a 2013 recipient of the Trustee Fellowship for Excellence in Teaching.   BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States. The work of the collective is to bring people together to analyze and reimagine relationships of power in the arts. Susan Jahoda is a Professor in Studio Arts at the University of Amherst, MA; Emilio Martinez Poppe is the Program Manager at Fourth Arts Block (FABnyc) in New York, NY; Caroline Woolard is an Assistant Professor of Sculpture at The University of Hartford, CT. Supporting this series at Hauser and Wirth for Making and Being are BFAMFAPhD collective members Agnes Szanyi, a Doctoral Student at The New School for Social Research in New York, NY and Vicky Virgin, a Research Associate at The Center for Economic Opportunity in New York, NY. Making and Being is a multi-platform pedagogical project that offers practices of collaboration, contemplation, and social-ecological analysis for visual artists. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi.

Polly Apfelbaum is an artist living and working in NYC. In 2018, Polly had solo exhibitions at the Belvedere 21 in Vienna, Austria and Ikon Gallery in Birmingham, UK, which travels to the Kemper Museum of Contemporary Art, Kansas City, MO, in 2019. She has exhibited widely since the 1980s, including one-person exhibitions at the National Museum of Women in the Arts, Washington, DC, the Otis College of Art and Design, Los Angeles, CA at Bepart in Waregem, Belgium, the Worcester Art Museum in Worcester, MA, the lumber room in Portland, OR and at the Mumbai Art Room, Mumbai, India. A major mid-career survey of her work opened in 2003 at the Institute for Contemporary Art in Philadelphia, PA, and traveled to the Kemper Museum of Contemporary Art, Kansas City, MO, and Contemporary Arts Center, Cincinnati, OH, both in 2004. Her work has been featured in numerous group exhibitions including Pattern and Decoration, Ornament as Promise, Ludwig Forum for Internationale Kunst in Aachen, Germany , An Irruption of the Rainbow at the Los Angeles County Museum of Art, Wall to Wall at MOCA Cleveland in Cleveland, OH, Pretty Raw: After and Around Helen Frankenthaler at the Rose Art Museum, , Three Graces at the Everson Museum of Art in Syracuse, NY,  Pathmakers: Women in Art, Craft and Design, Midcentury and Today at the Museum of Art and Design in New York , AMERICANA: Formalizing Craft at the Perez Art Museum in Miami, FL, Regarding Warhol: Sixty Artists, Fifty Years at the Metropolitan Museum of Art in New York, amongst many, many others. 

Polly’s work is in numerous permanent collections including the Albright-Knox Art Gallery, Buffalo, NY; Blanton Museum of Art, Austin, TX; Brooklyn Museum, New York; Carnegie Museum of Art, Pittsburgh; Dallas Museum of Art; Everson Museum of Art, Syracuse, NY; Los Angeles County Museum of Art; Museum of Contemporary Art Chicago; The Museum of Modern of Art, New York; Pennsylvania Academy of Fine Arts, Philadelphia, PA; Pérez Art Museum Miami; Philadelphia Museum of Art; Princeton University Art Museum, Princeton, NJ; Tang Teaching Museum, Saratoga Springs, NY; and Whitney Museum of American Art, New York. She was the recipient of a Pollock-Krasner Foundation Grant in 1987, a Guggenheim Fellowship in 1993, an Artist's Fellowship from the New York Foundation for the Arts in 1995, an Anonymous Was a Woman Award in 1998, a Richard Diebenkorn Fellowship in 1999, a Joan Mitchell Fellowship in 1999, an Academy Award from the American Academy of Arts and Letters in 2002, and the Rome Prize in 2012. Brian stopped by Polly’s loft in lower Manhattan where she’s lived and worked for the last 40 years for a talk about early influence, the Pennsylvania Dutch, Philadelphia funk, craft, design, endless drive and so much more.

The first major survey show of the 75-year-old artist Howardena Pindell opened earlier this year at the Museum of Contemporary Art Chicago and is now on show at the Virginia Museum of Fine Arts (“Howardena Pindell: What Remains To Be Seen” until 25 November). Pindell was one of the first black curators at the Museum of Modern Art and a cofounder of pioneering feminist gallery A.I.R. She worked in a mainly abstract style until an almost-fatal car accident in 1979 caused a shift in her art, which became more political and personal.    In the late 1980s, Pindell began researching the demographics of artists represented in New York museums and commercial galleries, presenting her findings in a 1987 paper called Statistics, Testimony and Supporting Documentation and then in a follow-up paper Commentary and Update of Gallery and Museum Statistics 1986-1997. In many ways, this work was a precursor to the research In Other Words recently published with artnet News, so we invited Pindell onto the show to talk about what—if anything—has changed. Transcript: http://www.artagencypartners.com/transcript-howardena-pindell/ “In Other Words” is a presentation of AAP and Sotheby's, produced by Audiation.fm.

The first major survey show of the 75-year-old artist Howardena Pindell opened earlier this year at the Museum of Contemporary Art Chicago and is now on show at the Virginia Museum of Fine Arts (“Howardena Pindell: What Remains To Be Seen” until 25 November). Pindell was one of the first black curators at the Museum of Modern Art and a cofounder of pioneering feminist gallery A.I.R. She worked in a mainly abstract style until an almost-fatal car accident in 1979 caused a shift in her art, which became more political and personal.    In the late 1980s, Pindell began researching the demographics of artists represented in New York museums and commercial galleries, presenting her findings in a 1987 paper called Statistics, Testimony and Supporting Documentation and then in a follow-up paper Commentary and Update of Gallery and Museum Statistics 1986-1997. In many ways, this work was a precursor to the research In Other Words recently published with artnet News, so we invited Pindell onto the show to talk about what—if anything—has changed. Transcript: http://www.artagencypartners.com/transcript-howardena-pindell/ “In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.

Episode Note:Two guests:Corinna Berndthttps://corinnaberndt.netKat Kohlerhttp://katkohler.comFrom Corinna:Robert Smithson: Time CrystalsJuly 21 - September 22, 2018at Monash University Museum of Arthttps://www.monash.edu/mumaFrom Kat:Museum of Contemporary Art Chicagohttps://www.mcachicago.orgRIFT: Particulate Matterat Testing Groundshttp://www.testing-grounds.com.au/project-archive/Host note:This is the 1st episode of the 2nd season of Three Bellybuttons. I was so pleased to have Corinna and Kat take off the new season and share their recent thoughts and experiences in the art.In this episode, Corinna spoke about her experiences of visiting a current exhibition: Robert Smithson's exhibition 'Time Crystal' at Month University Museums of Art. Whereas, Kat proposed a discussion about the collaboration between curators and artists.I appreciate the openness and honesty Kat and Corinna gave to this episode. I hope you, listeners, would enjoy this episode and find it inspiring and informative. Also, I might need to apology to amount of taking that I did in this episode. Kat was so good at her job as a curator - proposing questions. Please follow Kat and Corinna if you are interested in their projects.Three Bellybuttons Podcast has its Instagram account now!!! Please follow us @ThreeBellybuttonsPodcast.Or check out Three Bellybutton blog: https://threebellybuttonspodcast.blogspot.comMini hamburger biscuits Kat brought to the recording.a complimentary dinner served after the recording.