Podcasts about contemporary art chicago

Episode No. 737 features curators Beverly Adams and Jamillah James. With Christophe Cherix, Adams is the co-curator of "Wilfredo Lam: When I Don't Sleep, I Dream" at the Museum of Modern Art, New York. The exhibition includes more than 130 works made between the 1920s and 1970s, making it the most extensive Lam retrospective presented in the United States. "When I Don't Sleep, I Dream" argues that Lam, a Cuban-born artist who spent much of his life in Spain, France, and Italy, was a prototypical transnational artist. It is on view in New York through April 11, 2026. The exhibition catalogue was published by MoMA; Amazon and Bookshop offer it for $60-70. Jamillah James has organized the presentation of "Yoko Ono: Music of the Mind" at the Museum of Contemporary Art Chicago. The exhibition is one of the most comprehensive presentations to date of the pioneering Fluxus artist, musician, and world peace activist. "Music of the Mind" includes over 200 works across a vast array of media, including performance footage, music and sound recording, film, photography, installation, and more. It is on view at the MCA through February 22, 2026. An exhibition catalogue was published in North America by Yale University Press. Amazon and Bookshop offer it for $38-47. Air date: December 18, 2025.

Recorded live at the CAB6 × MCA Tailgate This episode was recorded as part of the Chicago Architecture Biennial (CAB6) activation on the plaza of the Museum of Contemporary Art Chicago, where Bad at Sports staged a series of open-air interviews, community dialogues, and tailgate-style broadcasts. Artists, architects, students, and the public intersected in a shared social space designed for porous conversation. Episode 920 features Tony Lewis, whose practice has shaped Chicago's contemporary drawing discourse for more than a decade. In this conversation, Tony Lewis joins Bad at Sports for an unscripted outdoor interview on the MCA plaza during the Architecture Biennial. The discussion moves fluidly between Lewis's formative years in Chicago, the evolution of his drawing practice, his relationship to language systems (notably shorthand), and the material intelligence behind works that incorporate rubber bands, graphite, or constraint mechanisms. Lewis reflects on mentorship, studio discipline, the importance of failure and patience, and the way drawing becomes a long-term conversation with materials. He speaks candidly about the Chicago art ecosystem, the emotional dimensions of his practice, and the shifting sense of scale and intimacy in his recent work — including his Louis Bag series and large graphite constructions. The episode captures an artist thinking in real time about endurance, attention, vulnerability, and artistic friendship. ·       Drawing as a full-body practice: constraint, tension, rubber bands, architecture of line. ·       Language + shorthand: transcription, coded systems, linguistic compression. ·       Chicago as a site of artistic maturation: community, humility, seriousness. ·       Material intelligence: graphite as dust, weight, pressure, residue. ·       Patience and endurance: long timelines for developing works. ·       Professional evolution: moving from iconic early works to quieter, more intimate forms. ·       Artistic friendship and trust: collaboration, studio visits, long-running dialogues. ·       Shorthand Drawings / Gregg Shorthand–based works ·       Rubber band constructions & torn-grid drawings ·       Graphite floor drawings / powder dispersion works ·       Louis Bag series  ·       Wall-based large graphite sheets under tension NAMES DROP-ed  ·       Tony Lewis - https://massimodecarlo.com/artists/tony-lewis ·       Kevin Beasley (referenced indirectly in relation to material practice) - https://caseykaplangallery.com/artists/beasley/ ·       Nate Young - https://www.moniquemeloche.com/artists/36-nate-young/works/ ·       Theaster Gates - https://www.theastergates.com/ ·       Michelle Grabner - https://www.michellegrabner.com/ ·       Kerry James Marshall - https://jackshainman.com/artists/kerry_james_marshall ·       William Pope.L - https://www.miandn.com/artists/pope-l ·       Rodney McMillian - https://vielmetter.com/artists/rodney-mcmillian/ ·       Amanda Williams - https://awstudioart.com/home.html ·       Rashid Johnson - https://www.hauserwirth.com/artists/2830-rashid-johnson/ ·       Charles Gaines - https://www.hauserwirth.com/artists/21845-charles-gaines/ ·       Torkwase Dyson - https://www.torkwasedyson.com/ ·       Museum of Contemporary Art Chicago (MCA) - https://mcachicago.org/ ·       Chicago Architecture Biennial (CAB) - https://chicagoarchitecturebiennial.org/ ·       Shane Campbell Gallery - https://www.shanecampbellgallery.com/ ·       School of the Art Institute of Chicago (SAIC) - https://www.saic.edu/   Image Sarah Hudson

Episode No. 728 features curators Anna Lovatt and Kelly Montana, and artist/curator Pablo Helguera. Lovatt and Montana are the curators of "Lines of Resolution: Drawing at the Advent of Television and Video" at the Menil Drawing Institute, Houston. The exhibition examines the intersection of drawing, television, and video from the late 1950s into the 1980s. "Lines of Resolution" features the work of 25 artists, including Nam June Paik, Howardena Pindell, Sigmar Polke, and Joan Jonas. It is on view through February 8, 2026. A fascinating catalogue was published by the Menil. Amazon and Bookshop offer it for about $35-40. In addition to the works shown below, works discussed on the program include: Ulrike Rosenbach, Bonnet Drawing, 1972. Catherine Elwes, Two Drawings on Glass, 1978. Along with representatives from the Museum of Contemporary Art Chicago's curatorial and learning teams, Helguera is the co-curator of "Collection in Conversation with Pablo Helguera," which is at the MCA through July 5, 2026. The exhibition is the product of questions that Helguera, a New York-based artist and educator, posed to a group of 20 Chicago artists, writers, activists, and educators in the fall of 2024. It's on view through July 5, 2026. In addition to the works shown below, works discussed on the program include: Susan Philipsz, We Shall Be All, 2011.  Public Collectors, QUARANZINE: A printed space for work produced during the COVID-19 pandemic, 2020.  Instagram: Pablo Helguera, Tyler Green.

"Yoko Ono: Music of the Mind" makes its U.S. debut in Chicago this weekend at the Museum of Contemporary Art. It traces Yoko Ono's career since the 1950s and features more than 200 artworks.

"Yoko Ono: Music of the Mind" makes its U.S. debut in Chicago this weekend at the Museum of Contemporary Art. It traces Yoko Ono's career since the 1950s and features more than 200 artworks.

"Yoko Ono: Music of the Mind" makes its U.S. debut in Chicago this weekend at the Museum of Contemporary Art. It traces Yoko Ono's career since the 1950s and features more than 200 artworks.

Artspeak Radio, Wednesday, September 3, 2025, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes comedians Kacy Barta and Tay Castillo, Jennifer Hong Chief Curator Kemper Museum of Contemporary Art. KACY BARTA & TAY CASTILLO- Local comedy group Truck Noises will return to the Bird Comedy Theater for Trucktoberfest, a comedy beer festival, promising to showcase the cultural splendor of Truckovia– A country that does not exist. Trucktoberfest returns to Kansas City for a third time, turning the Bird Comedy Theater into a “carnival like” atmosphere. Promising an immersive experience, Trucktoberfest will include games, comedy, and the famous “Sausage Toss,” where the audience is invited on stage to see who can hit a target by throwing a sausage. The festivities will be hosted by Truck Noises, a comedy group voted #2 in Kansas City by The Pitch. This will be the third Trucktoberfest event Truck Noises has hosted and they promise this one will be the best one yet. Doors open at 7:30 PM for general admission. The show will start at 8:00 PM with the opening procession and the Tapping of the Keg ceremony with different comedy acts taking place throughout the theater. There will be a Dirndl contest at 9:45 with the entire event coming to a close at 10:00 with the Sausage Toss competition. Guests will be provided a passport and are encouraged to “apply for citizenship” with Truckovia by getting a stamp at the various acts within Trucktoberfest. Attendees are encouraged to wear lederhosen and dirndls. Truck Noises and The Bird Comedy theater continue to bring comedy shows that are both hilarious and refreshingly different from what is typically on stage at other comedy clubs. Tickets can be purchased via Eventbrite: https://www.eventbrite.com/e/truktoberfest-tickets-1610566340279?aff=ebdssbdestsearch Contact Info: Name: Kacy Barta Email: kacyannbarta@gmail.com Organization: Truck Noises Website: https://thebirdkc.com JESSICA HONG, Chief Curator Kemper Museum of Art- Andrea Carlson (Grand Portage Ojibwe/European descent, b. 1979; based in northern Minnesota and Chicago, IL) considers how landscapes are shaped by history, relationships, and power. Her artworks imagine places that are “everywhere and nowhere,” visualizing these shifting yet ever-present dynamics. Grounded in Anishinaabe understandings of space and time, the works in this exhibition reflect on how land carries memories of colonial expansion and violence, as well as Indigenous presence and resistance. Across painting, video, and sculpture, Carlson organizes imagined landscapes around one constant—the horizon. This line is reminiscent of her homelands on Lake Superior. It is also a significant art historical trope that artists have employed to depict territories as vast and vacant, ripe for the taking. Carlson's prismatic works are not empty: they are densely layered with an abundance of motifs, making reference to the tactics of colonialism as well as her family and peers, Ojibwe culture, and Indigenous sovereignty. Confronting ongoing histories of erasure and dispossession, Carlson proposes that what appears to be lost can be remade, reimagined, or otherwise regained. Andrea Carlson: Shimmer on Horizons is curated by Iris Colburn, Curatorial Associate at the Museum of Contemporary Art Chicago. The Kansas City presentation is organized by Jessica S. Hong, Chief Curator, Kemper Museum of Contemporary Art. Kemper Museum of Contemporary Art is located at 4420 Warwick Blvd. KCMO Wednesday 10am - 4pm Thursday 10am – 4pm Friday- Sunday 10am – 4pm Monday & Tuesday Closed www.kemperart.org

We meet Paul Pfeiffer inside his retrospective at the Museum of Contemporary Art Chicago to talk about ghosts, spectacle, and the metaphysics of sports. Known for erasing athletes from footage and turning stadiums into stages of worship, Pfeiffer opens up about boxing as performance, the haunted loop of fandom, and building media rituals in the Philippines. Also: parrots, Deion Sanders, lip sync monks, and the death of the moment.   Names dropped: Deion Sanders - https://www.instagram.com/deionsanders/?hl=en  Manny Pacquiao - mannypacquiao.ph The Bible (yes, the text) - https://thesatanictemple.com/pages/hail-satan?srsltid=AfmBOoqTwkeDSDwxOmlvVLQX8QQduw8ehfzt3sYzUMFMvJO-_ym35hOg Tom Gunning - https://cms.uchicago.edu/people/tom-gunning Joshua Oppenheimer - https://cream.ac.uk/people/josh-oppenheimer/  DJ Spooky (Paul Miller) - djspooky.com Gina Osterloh - ginaosterloh.com Museum of Contemporary Art Chicago - mcachicago.org Biennale of Sydney - biennaleofsydney.art Contemporary Art Gallery Vancouver - cagvancouver.org

Episode No. 708 features artist Paul Pfeiffer. The Museum of Contemporary Art Chicago is showing the retrospective "Paul Pfeiffer: Prologue to the Story of the Birth of Freedom." For over 25 years, Pfeiffer has investigated spectacle and mass culture, especially sport, and has found within it the power to create and extend political narratives. Included within the exhibition is only the second US presentation of Pfeiffer's landmark 2007 The Saints, an immersive sound and video installation that considers the 1966 men's World Cup final between England and West Germany that is one of the most significant works of the 21st century. "Pfeiffer" was curated by Clara Kim and Paula Kroll. The MCA presentation, which is on view through August 31, was organized by Bana Kattan with Iris Colburn. The exhibition catalogue was published by the Museum of Contemporary Art, Los Angeles, and MACK. Amazon offers it for $65. Instagram: Paul Pfeiffer, Tyler Green.

This week. Dana's back? She and Duncan sit down with artist Wafaa Bilal and curator Bana Kattan to discuss Bilal's powerful and deeply personal mid-career retrospective at the Museum of Contemporary Art Chicago. Known for his provocative, often participatory works that grapple with war, trauma, displacement, and surveillance, Bilal has long made the body both a site of resistance and a vessel of memory. We talk through key moments in Bilal's practice—from early performance pieces like Domestic Tension to newer, installation-based works—and reflect on how his work has shifted, expanded, and endured over the past two decades. Kattan, who curated the exhibition, shares insights into the retrospective's structure and the challenges of contextualizing work that refuses easy categorization. While reminiscing, Duncan and Wafaa also talk through what it means to make art as a form of witnessing, how museums hold space for pain and politics, and why Bilal still believes in the power of beauty… (Spoiler: Duncan isn't sure, but Bana and Dana side with Wafaa.) Links & References: Wafaa Bilal's website: http://wafaabilal.com MCA Chicago Exhibition Info: https://mcachicago.org/Exhibitions/2024/Wafaa-Bilal Bana Kattan bio & curatorial work: https://mcachicago.org/About/Who-We-Are/Staff/Bana-Kattan Domestic Tension (aka “Shoot an Iraqi” project): https://wafaabilal.com/domestic-tension Book: Shoot an Iraqi: Art, Life, and Resistance Under the Gun (co-authored with Kari Lydersen) – https://www.amazon.com/Shoot-Iraqi-Life-Resistance-Under/dp/087286491X @wafaabilal on Instagram @mcachicago on Instagram

Episode No. 689 is a holiday clips episode featuring artist B. Ingrid Olson. Olson's work is included in "Descending the Staircase" at the Museum of Contemporary Art Chicago. The exhibition considers novel artistic approaches to representing the human body. The exhibition is curated by Jadine Collingwood, Associate Curator, and Jack Schneider, Assistant Curator and is on view through July 6. This episode was recorded in 2022 on the occasion of the Carpenter Center for the Visual Arts at Harvard University's presentation of two concurrent B. Ingrid Olson exhibitions, “History Mother,” and “Little Sister.” Each exhibition was on a separate floor of CCVA's building. Olson's exhibitions feature site-specific presentations that engage with doubling and mirroring, gendered forms, the interplay between photography and sculpture, and between the body and the built environment. The exhibitions were curated by Dan Byers. The week this show originally aired, the Secession in Vienna had just closed an exhibition of Olson's work titled “Elastic X.” In addition, Olson's work has previously been featured in solo presentations at the Albright-Knox Art Gallery in Buffalo, NY and at The Renaissance Society at the University of Chicago. For images please see Episode No. 566. Instagram: B. Ingrid Olson, Tyler Green.

Episode No. 688 features artist Sayre Gomez and curator Anna Katz.  Gomez is included in two of the season's major contemporary group shows: "The Living End: Painting and Other Technologies, 1970-2000," at the Museum of Contemporary Art Chicago, and "Ordinary People: Photorealism and the Work of Art since 1968" at the Museum of Contemporary Art, Los Angeles.   Gomez is a Los Angeles-based painter whose work uses hyperrealism to address current events and representation and visuality in US society.   Katz is the curator of "Ordinary People," which is at MOCA through May 4. The exhibition's fine catalogue was published by the museum and DelMonico Books. Amazon and Bookshop offer it for about $65.  "The Living End" was curated by Jamillah James, who discussed her exhibition on Episode No. 683. It is on view through March 16. The exhibition catalogue is available from the MCA for under $20. Instagram: Sayre Gomez, Anna Katz, Tyler Green.

Lakshmi Ramgopal is a musician and dancer who performs under the name Lykanthea. Her electro-mythic debut EP, Migration, received much-deserved praise from such outlets as The Chicago Tribune, Noisey, and Public Radio International's The World (and listeners will recognize its track “Hand and Eye” as The Witch Wave theme song). She's collaborated with Savage Sister on their sundrowned EP, and she's been creating and performing music via sound installations and performances for spaces such as The Chicago Museum of Contemporary Art and Chicago's Lincoln Park Conservatory. Her new project, Some Viscera, marks a shift in instrumentation, drawing more heavily on her training in South Indian classical (or Carnatic) music, as well as organic sounds from analog instruments, bird song, and lullabies. It touches on atavistic questions of motherhood and personal legacy. When performed live it is an evening-length work of sound and movement that explores childhood, nostalgia, and kinship in the Indian-American diaspora in the wake of India's independence, while questioning the boundaries of classical forms. Embracing the warmth of the sruti box, unprocessed vocals, and strings, Ramgopal's ensemble draws on a wide range of influences to create a work that is as expansive as it is intimate. Some Viscera premiered at the Museum of Contemporary Art Chicago on September 26-27, 2024, and the music of Some Viscera is now available in a standalone album.In addition to that, performing both solo and with her ensemble, Lakshmi has done site-specific, immersive shows in spaces like Chicago's Edgar Miller's Glasner Studio and Garfield Park Conservatory, and in the middle of a freshwater stream. In 2018 she showed A Half-Light Chorus, which a sound installation commissioned by Experimental Sound Studio, and In 2020 she and visual artist Nancy Davidson showed a site-specific sculpture and sound installation, at Krannert Art Museum. The museum acquired it in 2023. Lakshmi received her PhD in Classics from the University of Chicago, and she is currently Assistant Professor of History at Columbia University, with a focus on the Roman Empire. On this episode, Lakshmi discusses her sonic shift from electronic to analog, music as ancestral offering, and the reincarnating power of love.Pam also talks about the secret magic of lullabies, and responds to a listener's comment about reconciling witchcraft with one's religious upbringing.Songs featured in the episode are all from Lykanthea's new album, Some Viscera:“Bird Song”“Garuda”“The Nightingale”“Cremation”Our sponsors for this episode are Ritual + Shelter, TU·ET·AL, UBU Skills, BetterHelp, Black Phoenix Alchemy Lab, Grimsby Hollow Meadery, and Open Sea Design Co.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

Ep.226 Edra Soto (b. 1971) is a Puerto Rican-born artist, educator, and co-director of outdoor project space The Franklin. Soto instigates meaningful, relevant, and often difficult conversations surrounding socioeconomic and cultural oppression, erasure of history, and loss of cultural knowledge. Soto has presented recent solo exhibitions at Comfort Station, Chicago, IL (2024); Hyde Park Art Center, Chicago, IL (2023); Institute of Contemporary Art, San Diego, CA (2023); Museum of Contemporary Art, Chicago, IL (2018); Headlands Center for the Arts, Sausalito, CA (2017); The Arts Club of Chicago, IL (2017). Her work has been featured in notable recent group exhibitions including Widening the Lens: Photography, Ecology, and the Contemporary Landscape, Carnegie Museum of Art, Pittsburgh, PA (2024); Entre Horizontes, Museum of Contemporary Art Chicago, IL (2023); no existe un mundo poshuracán, Whitney Museum of American Art, New York, NY (2022); and Estamos Bien, La Trienal 20/21, El Museo del Barrio, New York, NY (2021). She has been awarded the Joan Mitchell Foundation Painters & Sculptors Grant; Bemis Center's Ree Kaneko Award; the US LatinX Art Forum Fellowship; and MacArthur Foundation International Connections Fund. Soto has received numerous public commissions, for Noor Riyadh, Saudi Arabia (2024); Now & There, Central Wharf Park, Boston, MA (2023); the Chicago Architecture Biennial, IL (2023); and Millenium Park in Chicago, IL (2019). Her work is in the collection of institutions including the Whitney Museum of American Art, New York; Pérez Art Museum Miami and Museum of Contemporary Art of Chicago. Photo Courtesy of Public Art Fund ~ Liz Ligon Artist https://edrasoto.com/home.html Public Art Fund https://www.publicartfund.org/exhibitions/view/edra-soto-graft/ MSU Broad Art Museum https://broadmuseum.msu.edu/events/artist-talk-edra-soto/ por la señal | by a signal at Morgan Lehman Gallery https://www.morganlehmangallery.com/exhibitions/edra-soto4 Lazos Terrenales at ICA at MECA&D Maine https://meca.edu/ica/lazos-terrenales-earthly-bonds/ La Casa de Todos at Comfort Station https://comfortstationlogansquare.org/calendar/2024/6/1/la-casa-de-todos John Michael Kohler Arts Center https://www.jmkac.org/artist/soto-edra/ Carnegie Museum of Art https://carnegieart.org/art/hillman-photography-initiative/cycle-4-widening-the-lens/ US Latinx Art Forum https://uslaf.org/member/edra-soto/ Noor Riyadh https://riyadhart.sa/en/artists/edra-soto/?_program=noor-riyadh CAB5 https://chicagoarchitecturebiennial.org/people/edra-soto/ Ree Kaneko Award https://www.e-flux.com/announcements/511285/edra-soto-winner-of-2022-ree-kaneko-award/#:~:text=Established%20in%202019%20at%205%2C000,support%20of%20its%20alumni%20community. The Art Newsletter https://www.theartnewspaper.com/2024/09/05/edra-soto-this-kind-of-architecture-lives-in-the-background TimeOut https://www.timeout.com/newyork/news/this-new-outdoor-sculpture-in-central-park-honors-the-puerto-rican-community-090624 Hyperallergic https://hyperallergic.com/946566/new-three-year-arts-series-will-center-nyc-latine-community-clemente/ El Nuevo Dia https://www.elnuevodia.com/entretenimiento/cultura/notas/el-arte-de-una-boricua-transforma-el-central-park-de-nueva-york-con-su-obra-de-rejas/ Newcity Art https://art.newcity.com/2024/08/26/central-park-state-of-mind-edra-soto-puts-the-home-in-public-art/ Chicago Reader https://chicagoreader.com/arts-culture/art-feature/everybodys-home-edra-soto/ Forbes https://www.forbes.com/sites/shelbyknick/2023/12/14/the-brilliance-of-noor-riyadh-a-city-wide-canvas-comes-to-life-again/?sh=400c0e4a6a23 New York Times https://www.nytimes.com/2023/11/28/arts/design/chicago-architecture-biennial.html Chicago Tribune https://www.chicagotribune.com/2023/11/14/3arts-awards-50k-unrestricted-grants-to-local-teaching-artists-with-next-level-awards/ Artforum https://www.artforum.com/events/susan-snodgrass-edra-soto-513802/

Episode No. 683 features artist Tala Madani and curator Jamillah James. James is the curator of "The Living End: Painting and Other Technologies, 1970-2020" at the Museum of Contemporary Art Chicago. Madani is among the 60-plus artists included in the exhibition. "The Living End" surveys the arc of painting over the last half-century with a particular focus on artists who have redefined painting by using new technologies, imaging techniques, and their own bodies. The exhibition will be on view through March 16, 2025. Jack Schneider assisted James with the show. The exhibition catalogue is available from the MCA for under $20. The Henry Art Gallery at the University of Washington is presenting "Tala Madani: Be flat," a solo exhibition featuring recent and newly commissioned work that explores the influence of symbols, language, and mark-making on power dynamics and individual agency. It was curated by Shamim M. Momin and is on view through August 17, 2025. Madani makes paintings and painting-informed animations that consider gender, political authority, and representation. Her work typically includes bald, middle-aged men in bizarre, often hilarious circumstances. She has had solo shows at museums such as the Museum of Contemporary Art, Los Angeles; Secession, Vienna; the Contemporary Art Museum St. Louis, and the Mori Art Museum, Tokyo.

Episode No. 677 features artist Andrea Carlson. As mentioned at the beginning of this week's program: Help Asheville and my friends and neighbors across the southern Appalachians! These are all local organizations helping people in western North Carolina: Southern Smoke Foundation; Asheville Food & Beverage United (also here); and Beloved Asheville. The Museum of Contemporary Art Chicago is presenting "Andrea Carlson: Shimmer on Horizons," the latest exhibition in its "Chicago Works" series. Across painting, video, sculpture, and two billboards (along Interstate 94 between Illinois and Wisconsin), "Shimmer on Horizons" presents Carlson's investigation of how landscapes are constructed both politically and culturally. The exhibition was curated by Iris Colburn and is on view through February 2, 2025. Carlson's work may also be seen in "Andrea Carlson: Future Cache" at the University of Michigan Museum of Art, which features a 40-foot-tall memorial wall that towers over visitors, commemorating the Cheboiganing (Burt Lake) Band of Ottawa and Chippewa Indians who were violently burned from their land in Northern Michigan on October 15, 1900. Curated by Jennifer Friess, the presentation is on view through June 2025. Carlson is also included within "Scientia Sexualis" at the Institute of Contemporary Art, Los Angeles through March 2, 2025. The exhibition, realized as part of the Getty's "PST ART: Art & Science Collide" program, centers research-driven interventions into raced and gendered assumptions that structure scientific disciplines governing our sense of the sexual body. It was curated by Jennifer Doyle and Jeanne Vaccaro. Carlson (Grand Portage Ojibwe/European descent) typically addresses land and its history by foregrounding decolonization narratives. Museums that have featured solo exhibitions of her work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago. Chicagoans: on Saturday Carlson and poet Heid E. Erdrich will be in conversation at the MCA at 2:30 pm. A program at the Center for Native Futures precedes the event. Instagram: Andrea Carlson, Tyler Green.

Episode No. 665 features curator Cathleen Chaffee and critic Elisabeth Kirsch.  Chaffee is the curator of "Marisol: A Retrospective," which is at the Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery) through January 6, 2025. The exhibition presents work Marisol, sometimes remembered as 'the forgotten star of pop art,' made between the 1950s and the early 2000s. It builds on an extraordinary collection of works that Marisol left to the Buffalo AKG Museum upon her death. The museum and DelMonico Books have published a superb catalogue. Amazon and Bookshop offer it for $40-70. Chaffee curated the exhibition with the assistance of Julia Vázquez.  Kirsch is the author of "Handmade Papers, 1980-2005," an essay in the catalogue for "Virginia Jaramillo: Principle of Equivalence," a retrospective now at the Museum of Contemporary Art Chicago. The catalogue was edited, and the exhibition curated, by Erin Dziedzic. At the MCA, where "Jaramillo" is on view through January 5, 2025, its presentation was organized by René Morales and Iris Colburn. The exhibition's middle gallery presents an extensive mini-survey of Jaramillo's paper-constructed works. Amazon and Bookshop offer the catalogue for about $50. Instagram: Cathleen Chaffee, Tyler Green.

Episode No. 658 features artists Jes Fan and Emilio Rojas. Fan's work is included in two ongoing -ennials: the 2024 Whitney Biennial, which is at the Whitney Museum of American Art, New York through August 11; and Greater Toronto Art 2024 at the Museum of Contemporary Art, Toronto through July 28. The Whitney exhibition was curated by Chrissie Iles and Meg Onli with Min Sun Jeon and Beatriz Cifuentes; GTA 2024 was organized by Ebony L. Haynes, Toleen Touq, and Kate Wong. Fan's sculptures consider the constructs of race and gender and their relationship to the intersection of biology and identity. As part of his explorations, Fan often incorporates living matter, such hormones, and fluids, such as glass, into his work. Fan's work has been exhibited at the 2022 Venice Biennale, the 2021 New Museum Triennial at the New Museum, New York, the MIT List Visual Arts Center, the Contemporary Arts Center, Cincinnati, and more. As mentioned on the program: Stills from Fan's 2023 video Palimpsest. Byung-Chul Han's book Saving Beauty. Rojas is included in "Descending the Staircase" at the Museum of Contemporary Art Chicago. The exhibition, presented across two floors of the MCA, presents ways in which artist have represented the human body. Curated by Jadine Collingwood and Jack Schneider, it is on view through August 25. Rojas works across disciplines to investigate and reveal sites of knowledge that are rich with historical narrative. His work often specifically addresses colonial histories, and the relationships between those histories and the present. Rojas' work has been exhibited at museums such as the Art Institute of Chicago and Museo Tamayo, Mexico City, and he has participated in festivals and biennials in the US, Europe, and in Asia. As mentioned on the program:  Rojas' GO BACK TO WHERE YOU CAME FROM (Santa Maria); The Columbian half dollar coined for the 1893 World's Columbian Exposition in Chicago.  Instagram: Jes Fan, Emilio Rojas, Tyler Green.

This episode we are thrilled to be talking with the Brazilian born artist Alexandre da Cunha.  Based between London and Sao Paulo, Ale has referred to his practice as ‘pointing' as opposed to ‘making'. By ‘pointing' at existing objects in plain sight, he highlights new and unexpected meanings within the objects he chooses.  Grounded in material aesthetics, Ale creates monumentally scaled sculptures and playfully constructed wall-mounted work using metamorphosed everyday and found objects. Given their renewed possibility and playing with the visual language of art historical movements such as Arte Povera and Tropicália, Ale's sculptures inspire lush potential, elevating our everyday encounters with ordinary materials to sociocultural events.   Ale's work has been widely exhibited around the world. He's had solo exhibitions at the Brighton CCA, the Royal Society of Sculptors in London, the Museum of Contemporary Art Chicago and the Centro Cultural São Paulo, Brazil - among many others.  Ale's work is included in major private and institutional collections including the ICA Boston, the Museum of Contemporary Art Chicago, the Tate, and the Museu de Arte de São Paulo, Brazil, just to name a few. Ale is represented by Thomas Dane Gallery, Galerie Luisa Strina, and James Cohan Gallery.

Episode No. 648 features curator Dita Amory and artist Isabelle Frances McGuire. Along with Ann Dumas, Amory is the curator of "Vertigo of Color: Matisse, Derain and the Origins of Fauvism," which is at the Museum of Fine Arts, Houston through May 27. The exhibition presents works Henri Matisse and André Derain made in Collioure, a fishing village in the south of France, in the summer of 1905. The work the two men made that summer was crucial to the development of fauvism, the first significant movement of twentieth-century art. The exhibition catalogue was published by the Met. Amazon and Bookshop offer it for $42-47. McGuire's work is on view at the Museum of Contemporary Art Chicago in "Descending the Staircase." The exhibition, which considers artists' approaches to the human body, was curated by Jadine Collingwood and Jack Schneider. It is on view through August 25. McGuire is a Chicago-based artist whose work considers the body and how our understanding of it can be filtered by video games, film, animatronics, and other technologies. This is their first inclusion in a museum exhibition; they will also be on view at Artist's Space, New York, next month.

José Esparza Chong Cuy is the executive director and chief curator of Storefront for Art and Architecture, a New York-based institution that amplifies the understanding of the built environment through artistic practice. Before Storefront, José was an associate curator at the Museum of Contemporary Art Chicago and an associate curator at the Museo Jumex. In this conversation, Jarrett and José talk about the history and mission of Storefront, their year-long curatorial framework, and balancing institutionalism and experimentation. Links from this episode can be found at scratchingthesurface.fm/249-jose-esparza-chong-cuy. 
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Also in the news: Police looking for suspect who attacked man with a knife in the Loop during attempted robbery; Museum of Contemporary Art Chicago employees to unionize; Barrington looking to add crossing guards at railroad crossings and more.

Also in the news: Police looking for suspect who attacked man with a knife in the Loop during attempted robbery; Museum of Contemporary Art Chicago employees to unionize; Barrington looking to add crossing guards at railroad crossings and more.

Also in the news: Police looking for suspect who attacked man with a knife in the Loop during attempted robbery; Museum of Contemporary Art Chicago employees to unionize; Barrington looking to add crossing guards at railroad crossings and more.

Architectural Artifacts is leaving for Texas after nearly four decades in Chicago. Crain's retail reporter Ally Marotti talks with host Amy Guth about the shift.Plus: One of Chicago's largest hotels changing hands in $500 million deal, commercial-property loans coming due in U.S. jump to $929 billion, new Chicago Fed index sees more moderate gain in January retail sales, Chicago Fed chief says inflation can be a bit higher on the path to the 2% target and workers at the Museum of Contemporary Art Chicago announce union campaign.Crain's Daily Gist listeners can get 20% off a one-year Crain's Chicago Business digital subscription by visiting chicagobusiness.com/gist and using code “GIST” at checkout.

Episode No. 637 of The Modern Art Notes Podcast features curator Jamillah James and author Brent Martin.  James has organized "Faith Ringgold: American People," a retrospective of Ringgold's career as an artist and activist, at the Museum of Contemporary Art Chicago. The exhibition, which presents Ringgold as a key bridge between the Harlem Renaissance and contemporary practice, originated at the New Museum, New York, where it was curated by Massimiliano Gioni and Gary Carrion-Murayari. "Ringgold" is on view in Chicago through February 25. The outstanding catalogue was published by the New Museum and Phaidon. Amazon and Bookshop offer it for about $55-75. On the occasion of photographer and scholar Angelyn Whitmeyer's launching of the George Masa Photo Database -- an important new website that makes images of Masa's pictures available via a single point-of-access for the first time, this week's show re-airs a 2022 segment with author Brent Martin. Masa was an Asheville, North Carolina-based photographer who had a significant impact on the establishment of Great Smoky Mountains National Park and on determining the Southern route of the Appalachian Trail, the two crown jewels of the eastern United States' natural infrastructure. His work was almost lost and forgotten, in part because the region in which he worked was remote, but also due to his status as a Japanese-American immigrant at a time of intense anti-Japanese bigotry. Martin came onto the program to discuss his 2022 book "George Masa's Wild Vision," which was published by Hub City Press.  Amazon and Indiebound offer the book for around $25. For images, see Episode No. 567.

Linda-Denise Fisher-Harrell, Artistic Director of Hubbard Street Dance Chicago, joins us for our first episode of 2024! We were pumped to talk about the topic that brought Ioanna and I together ten years ago- DANCE! While a student at Julliard, 19 year-old Linda-Denise was invited to join Hubbard Street Chicago Dance by the company's founder, Lou Comte. After three seasons, she went on to become a principal dancer at Alvin Ailey! Linda-Denise returns home to Hubbard Street Dance Chicago, making her the company's first female and person of color to hold the role. Since the beginning of her tenure in 2021, she has made huge strides for the company, prioritizing diversity and inclusion, and working to broaden HSDC's reach and impact in Chicago Communities. She's also taken the company's repertoire to new heights, working with Chicago legends like Randy Duncan and Rennie Harris. She's here to chat more about the upcoming “Winter Series: Of Hope” at the Museum of Contemporary Art Chicago, which “serves as a bold beacon of promise with its mix of beloved revivals and inventive world premieres”! Plus, we tell Linda-Denise about our history teaching Zumba and play a round of rapid fire! Website and Tickets: https://www.hubbardstreetdance.com Follow Hubbard Street Dance Chicago: @hubbardstreet Follow Linda-Denise Fisher Harrell: @lindadenisefisherharrell

Episode No. 633 is a holiday weekend clips episode featuring artist Gary Simmons. The Pérez Art Museum Miami is presenting “Gary Simmons: Public Enemy,” a survey of Simmons' 35-year career. The exhibition reveals how Simmons has addressed race, class and US history in ways that have remained persistently au courant. It was curated by René Morales and Jadine Collingwood, with Jack Schneider. It's on view in Miami through April 28, 2024. The exhibition originated at the Museum of Contemporary Art Chicago. The MCA and DelMonico Books have published an outstanding catalogue. Bookshop and Amazon offer it for $56-60. For images of artworks discussed on the program, see Episode No. 613. 

Joelle Dietrick's paintings, drawings, and animations explore infrastructure, particularly housing, and its manipulation by automated, global economic systems. Her work has been shown at the Museum of Contemporary Art Jacksonville, Transitio_MX in Mexico City, TINA B Festival in Prague and Venice, Museum of Contemporary Art Chicago, MCA San Diego, Long March Space Beijing, ARC Gallery Chicago, Soho20 New York, and MPG Contemporary Boston. She has attended residencies at MacDowell, Künstlerhaus Salzburg, Anderson Ranch, the Virginia Center for the Creative Arts, Banff Centre for the Arts, and the School of the Visual Arts and received grants and fellowships from the National Endowment for the Arts, University of California, Florida State University, the Deutscher Akademischer Austauschdienst (DAAD), and Fulbright U.S. Scholar Program. Joelle completed a BFA in Painting at Penn State and an MFA in Visual Arts from the University of California, San Diego. She was born in Pennsylvania and teaches at Davidson College outside of Charlotte, North Carolina.

Her exuberance as a non-linear thinker and visionary in the brand intelligence space has always taken center stage. But Mary van de Wiel, dubbed brand psychologist and master provocateur by her corporate clients, brings 35 years of multicultural experience redefining brands and bringing emboldened thinking to organizations. As Founder, CEO and Executive Creative Director of an independent branding & design agency with offices in New York and Sydney, she steered award-winning campaigns for Fortune 500 clients. Since successfully selling her agency (on her own terms), Van launched her Brooklyn-based brand laboratory for serious play — consulting, coaching and leading her signature workshops. And right now, she's moved her practice to central Mexico where her other top creative priority is her fashion and lifestyle brand called Black Line Crazy (BLC). In her Limited Edition Collection of wearable art and homewares, each piece is based on her bold abstract paintings. The Museum of Contemporary Art CHICAGO has already purchased BLC pieces for its Design Shop. Also dedicated to helping university students identify their point of difference in an ever-changing employment landscape, she's been a guest lecturer on branding at UCLA, The University of Sydney Business School (and many others) where she loves speaking about mixing the rigor of her vast business experience and the whimsy and joy of artistic pursuits.

Episode No. 622 is a holiday clips episode that features artists Otobong Nkanga and Griselda Rosas.  Nkanga was just awarded the 2025 Nasher Prize, for "weaving together powerful works that delve into the complex, often fragile relationships between humans, the land, and its resources, touching on issues of consumption, global circulation, connectivity, and care."  This segment was taped in 2018 on the occasion of “Otobong Nkanga: To Dig a Hole That Collapses Again” at the Museum of Contemporary Art Chicago. The exhibition, a survey of her work, was curated by Omar Kholeif. For images, see Episode No. 340. Rosas' work is on view at the Berkeley Art Museum & Pacific Film Archive in "Matrix 282/Griselda Rosas: Yo te cuido." The exhibition presents Rosas' textile drawings and sculptural installations that explore themes of inheritance, colonialism, and intergenerational knowledge. The exhibition, which debuted at the Museum of Contemporary Art San Diego and which is on view in Berkeley through November 19, was curated by Anthony Graham with assistance from Jill Dawsey. This segment was taped in the spring when the MCASD presentation was on view. For images, see Episode No. 607. Instagram: Otobong Nkanga, Griselda Rosas, Tyler Green.

Episode No. 619 features artists Edra Soto and José Lerma. Soto and Lerma are among the 18 artists featured in "entre horizontes: Art and Activism Between Chicago and Puerto Rico" at the Museum of Contemporary Art Chicago. The exhibition examines the artistic genealogies and social justice movements that connect Puerto Rico with Chicago, which is home to third-largest mainland population of Puerto Ricans. "entre horizontes" was curated by Carla Acevedo-Yates with Iris Colburn. It is on view through May 5, 2024.  Edra Soto's sculpture and installations prompt viewers to reconsider cross-cultural dynamics, the legacy of colonialism, and personal responsibility. Her work has been exhibited at the Whitney Museum of American Art, New York, in the 2020-21 El Museo del Barrio, New York, triennial, at the Contemporary Art Museum St. Louis, the Bemis Center for Contemporary Arts, Omaha, the Pérez Art Museum Miami, and more. In 2023 Soto was awarded a US LatinX Art Forum fellowship. Soto also is the co-director of the outdoor project space The Franklin.  Lerma is a painter whose work blends the historical, autobiographical, art historical and mythological, often through portraits that suggest (or name) specific individuals while pointing to how much of their public personae are manufactured. Simultaneously riffing on European portraiture traditions and popular representation, his work is smart, funny, and always painterly. The Kemper Museum of Art in Kansas City, the Museum of Contemporary Art Detroit and the MCA Chicago have all presented solo exhibitions of his work. 

Episode No. 616 features artist Gary Simmons and curator Sarah L. Eckhardt. The Museum of Contemporary Art Chicago is presenting "Gary Simmons: Public Enemy," a survey of Simmons' 35-year career. The exhibition reveals how Simmons has addressed race, class and US history in ways that have remained persistently au courant. It was curated by René Morales and Jadine Collingwood, with Jack Schneider. After closing on October 1, the exhibition will be on view at the Pérez Art Museum Miami from December 5 through April 24, 2024. The MCA Chicago and DelMonico Books have published an outstanding catalogue. Bookshop and Amazon offer it for $56-60. Along with Drew Thompson, Eckhardt is the co-curator of "Benjamin Wigfall & Communications Village." It's at the Virginia Museum of Fine Arts in Richmond through September 10. The exhibition is a survey of Richmond-native Wigfall's work, and a historicization of Communications Village, the interdisciplinary artist-run project that Wigfall instigated while teaching at the State University of New York, New Paltz in the early 1970s, as the instigator of what we now call social practice. The excellent catalogue was published by the VMFA, which offers it for $40. Instagram: Gary Simmons, Tyler Green.

Jim Isermann (b. 1955, Kenosha, WI) received his Master of Fine Arts from the California Institute of the Arts and his Bachelor of Fine Arts from the University of Wisconsin-Milwaukee. Jim's work has been the subject of solo exhibitions at Camden Arts Center, London, United Kingdom; Hammer Museum, Los Angeles, CA; Institute of Contemporary Art, Philadelphia, PA; Le Magasin - Centre National d'Art Contemporain, Grenoble, France; Museum of Contemporary Art Chicago, Chicago, IL; Palm Springs Art Museum Architecture and Design Center, Palm Springs, CA; RISD Museum, Providence, RI; and the Van Abbemuseum, Eindhoven, The Netherlands, among others. He has been included in group exhibitions at numerous international institutions including the Los Angeles County Museum of Art, Los Angeles, CA; Louisiana Museum of Modern Art, Humlebæk, Denmark; Moderna Museet, Stockholm, Sweden; Musée d'Art Moderne de la Ville de Paris, Paris, France; Museum of Contemporary Art Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, Los Angeles, CA; The Museum of Modern Art, New York, NY; Royal Academy of Art, London, United Kingdom; and the Solomon R. Guggenheim Museum, New York, NY. His work is in the collections of the Art Institute of Chicago, Chicago, IL; Carnegie Museum of Art, Pittsburgh, PA; FRAC Poitou-Charentes, Angoulême, France; Los Angeles County Museum of Art, Los Angeles, CA; Museum of Contemporary Art Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, Los Angeles, CA jus to name a few. He lives and works in Palm Springs, CA.

For this episode of Randomly Selected, we sit down with Avery R. Young! We talk about everything from his origin story of growing up on the West Side of Chicago and how that shaped his career all the way to his current role as the Chicago Poet Laureate in Illinois and everything in between! An award-winning Poet, Educator, Musician, Artist, Composer and Producer, Avery R. Young's work spans the genres of music, performance, visual arts and literature. Young's work in performance, visual text, and sound design has been featured in several exhibitions and theater festivals, including the Chicago Hip Hop Theater Fest, the Museum of Contemporary Art Chicago, and the American Jazz Museum. You don't want to miss this one!

This week on Bad at Sports we're presenting more panel discussions from Minor Matters, the programming arm of Barely Fair, a 1/12th scale art fair produced by Julius Caesar at Color Club this April! First up, CURATORIAL CONFINES: Scaled Selections Within and Outside Institutions moderated by Scott Campbell (Independent Curators International) with panelists Nolan Jimbo (Marjorie Susman Curatorial Fellow at the Museum of Contemporary Art Chicago), Adia Sykes (Independent Curator) and Kate Sierzputowski (Airlock, BARELY FAIR, Julius Caesar, EXPO CHICAGO) then, SCALE AS SUPPORT: The Architecture Behind BARELY FAIR Moderated by Roland Knowlden (Future Firm) with the Directors of the fair itself, Josh Dihle, Tony Lewis, Roland Miller, and Kate Sierzputowski. Finally, in a podcast *exclusive* (sorry terrestrial radio only listeners!), STARTING SMALL: A Look at the Beginning of a Collection, moderated by Roland Miller (BARELY FAIR, Julius Caesar) with panelists Courtney Sherrer, Josh Rogers, and Megan Green Rogers.   https://www.barelyfair.com/minormatters https://www.juliuscaesarchicago.net/ https://curatorsintl.org/about/collaborators/21995-scott-vincent-campbell https://mcachicago.org/about/who-we-are/people/nolan-jimbo https://www.adiasykes.com/ http://katesierzputowski.com/ https://future-firm.org/ http://www.joshdihle.com/ https://www.blumandpoe.com/artists/tony_lewis http://www.rolandwm.com/ https://colorclub.events/  

Episode No. 604 features artist Lotus Laurie Kang and curator Apsara DiQuinzio. The Museum of Contemporary Art Chicago is presenting "Atrium Project: Lotus Laurie Kang," a large-scale installation in the MCA's two-story entrance lobby. Kang's work, Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago- ) (2018–2023), hangs from the atrium ceiling. To make it, Kang exposed to natural light lengths of light-sensitive, unfixed photographic film, resulting in colors that evoke the body and landscape. Lotus root-shaped chimes made of cast aluminum and bronze hang alongside these light-sensitive surfaces. Curated by Jack Schneider, the work will be on view through February 11, 2024. Kang's work is also at London's Chisenhale Gallery in a solo presentation titled "In Cascades." It's up through July 30. Kang's work often blends sculpture, photography and installation in address of bodies, memories, and histories change over time. Kang has been featured in exhibitions at the Hessel Museum of Art, Bard College, and in the 2021 triennial at New York's New Museum. On the second segment, DiQuinzio discusses "Adaline Kent: The Click of Authenticity," the artist's first retrospective. Kent (1900-1957), was a leading modernist sculptor whose work addressed nature and the drama of the Sierra Nevada, especially within the context of narratives promoted by the Sierra Club and the nascent second-generation environmental movement. "Kent" is at Reno's Nevada Museum of Art through September 10. The show's fine catalogue was published by Rizzoli Electa. Amazon and Bookshop offer it for about $45-60. Instagram: Lotus Laurie Kang, Apsara DiQuinzio, Tyler Green.

Episode No. 602 features artist Christina Fernandez and curators Nolan Jimbo and Rachel Federman. Fernandez's work is included in the Hammer Museum, University of California, Los Angeles' post-renovation-and-expansion debut exhibition "Together in Time: Selections from the Hammer's Contemporary Collection." It's on view through August 20. The Amon Carter Museum of American Art in Fort Worth is also showing "Christina Fernandez: Multiple Exposures," a survey of Fernandez's career, through July 9. It was curated by Joanna Szupinska and Chon Noriega. A fine catalogue was published by the California Museum of Photography, University of California, Riverside, which organized the show, and the Chicano Studies Research Center, University of California, Los Angeles. Fernandez is a photographer whose work examines migration, labor, gender, and Mexican American identity. Amazon and Bookshop offer it for about $50. Jimbo is the curator of "Endless," at the Museum of Contemporary Art Chicago. The exhibition brings together art that touches upon the concept of infinity, including works by Hiroshi Sugimoto, David Lamelas, Etel Adnan, and Charles Gaines. It's on view through April 14, 2024. With Cynthia Burlingham and Jay A. Clarke, Federman is the co-curator of "Bridget Riley Drawings: From the Artist's Studio," a survey of Riley's drawing practice primarily drawn from the artist's own collection. It is on view at the Hammer through May 28 before traveling to the Art Institute of Chicago and the Morgan Library, New York. An excellent exhibition catalogue was published by Modern Art Press, London. Amazon and Bookshop offer it for about $30.

Edited highlights of our full conversation. Here's a question. What are you going to preserve? This week's guest is Madeleine Grynsztejn, Pritzker Director of the Museum of Contemporary Art Chicago. She sees society from a distinctive vantage point, through the lens of an organization that exists to generate inquiry. Her work is to encourage communities to learn from themselves and from each other. To examine our past and be intentioned about our future. Leading a creative business demands that we look ahead, vigorously, bravely and relentlessly. Where are we going, how will we know when we get there, who is joining us on the journey. We hold on to the past at great risk. Risk to our success and sometimes to our survival. But Madeleine's point frames the future through an important question. Because, while we must fight the status quo, our future is built on the pillars of our past. You can't build a monument to modern thinking on sand. You need substantive foundations and platforms. You need to bring lessons from the past forward with you, so that we don't make the same mistakes twice and so that we have something to lean on that we can trust. Which parts of the past do you need to let go of? And which parts are you going to preserve?

Here's a question. What are you going to preserve? This week's guest is Madeleine Grynsztejn, Pritzker Director of the Museum of Contemporary Art Chicago. She sees society from a distinctive vantage point, through the lens of an organization that exists to generate inquiry. Her work is to encourage communities to learn from themselves and from each other. To examine our past and be intentioned about our future. Leading a creative business demands that we look ahead, vigorously, bravely and relentlessly. Where are we going, how will we know when we get there, who is joining us on the journey. We hold on to the past at great risk. Risk to our success and sometimes to our survival. But Madeleine's point frames the future through an important question. Because, while we must fight the status quo, our future is built on the pillars of our past. You can't build a monument to modern thinking on sand. You need substantive foundations and platforms. You need to bring lessons from the past forward with you, so that we don't make the same mistakes twice and so that we have something to lean on that we can trust. Which parts of the past do you need to let go of? And which parts are you going to preserve?

© Paul Pfeiffer. Courtesy Paula Cooper Gallery, New York. Photo: Joey Trisolini Born in Honolulu in 1966, Paul Pfeiffer grew up between Hawaii and the Philippines before moving to New York in 1990 to attend Hunter College and the Whitney Independent Study Program. Pfeiffer is known for his highly sophisticated use of digital technologies and new media, and has created celebrated works of video, photography, installation and sculpture since the late 1990s. Using digital erasure, magnification, and repetition, Pfeiffer samples and retouches images or video footage from sporting events, concerts, game shows and Hollywood films to enhance their psychological effects. By drawing attention to certain aspects of visual culture and concealing others, he underlines the spectacular nature of contemporary media and its consumption. Pfeiffer's videos are often presented using unusual monitors and hybrid hardware, further emphasizing the ostracizing effect of the found footage and incorporating a crucial sculptural element to the work. Pfeiffer has had one-person exhibitions at the Whitney Museum of American Art (2001); the Museum of Contemporary Art Chicago (2003 and 2017-18); the National Gallery of Victoria, Melbourne (2005); MUSAC León, Spain (2008); the Hamburger Bahnhof, Berlin (2009) and Sammlung Goetz, Munich, Germany (2011). Pfeiffer has presented work in major international exhibitions in recent years, including the Performa Biennial and the Honolulu Biennial in 2019 and the Toronto Biennial and Seoul Mediacity Biennale in 2022. His work is in the permanent collections of the Museum of Modern Art and the Whitney Museum of American Art, New York; Inhotim Museu de Arte Contemporanea, Inhotim, Brazil; the Pinault Collection, Venice; and Kunst Werke, Berlin, among others. © Paul Pfeiffer. Courtesy Paula Cooper Gallery, New York. Photo: Steven Probert © Paul Pfeiffer. Courtesy Paula Cooper Gallery, New York. Photo: Steven Probert Paul Pfeiffer, Red Green Blue, 2022  (3 Min excerpt)   Paul Pfeiffer, Red Green Blue, 2022  (3 Min excerpt)

What is the relationship between machine learning, magic, and surprise? Tune into the Episode #17. Part II, where Jeanette Andrews, one of the most innovative illusionists in the world, talks about using the art of magic to explore the questions posed by Alan Turing of whether machines can exhibit intelligent behavior that cannot be distinguished from that of a human. About the Podcast Guest Jeanette Andrews is an artist, magician, and researcher. Andrews' work focuses on developing interactive magic and sensory illusions via performance, sculpture, installation, and audio. Over 27 years of specialized study and technical training in parlor and sleight of hand magic has now afforded her a distinct perspective on crafting experiences with nuanced psychological underpinnings, direction of attention and inattention, creating surreal visuals, and designing/building objects that function completely differently than they appear. Her research-based process centers around phenomenological philosophy, contemporary cognitive science, and physics. Her work is rooted in highlighting astonishing aspects of everyday life via moments of the seemingly impossible to create a lived phenomenology. Themes of pieces have included invisibility, impossible objects, the relationship between scent and magic, unseen communication, and how illusions can construct reality. Andrews works closely with museums and galleries to recontextualize magic within the cultural arts and explore this craft as a performance art medium. She has presented numerous commissioned works with the Museum of Contemporary Art Chicago, including her 2020 work “Invisible Museums of the Unseen,” which was later commissioned as a site-specific work for the Quebec City Biennial. Further site-specific works for numerous museums and galleries include the Elmhurst Art Museum, Birmingham Museum of Art, and International Museum of Surgical Science. Andrews is also an acclaimed speaker, presenting with the Cooper Hewitt, Chicago Ideas, Fortune 500 companies, universities, and conferences across the country. She has been an artist in residence for High Concept Labs in Chicago and The Institute for Art and Olfaction in Los Angeles.  She is currently an Affiliate of metaLab (at) Harvard and an artist in residence at CultureLAB LIC in New York City. Illusion is Andrews' life's work, and her performances have been praised by the Chicago Tribune, PBS, and the New York Times. Jeanette's references and other resources Jeanette's magic & art portfolio: https://www.jeanetteandrewsstudio.com/ Jeanette's magic performances and talks: https://www.jeanetteandrews.com/ Sleights of Mind book: http://www.sleightsofmind.com/ Science of Magic Association: https://scienceofmagicassoc.org/home Illusion of the Year: http://illusionoftheyear.com/ Thomas Griffiths paper on transformations in magic, "Revealing ontological commitments by magic": https://cocosci.princeton.edu/tom/papers/magic.pdf Jennifer Keisin Armstong (nonfiction workshops): https://jenniferkarmstrong.com/ Connect With Jeanette Andrews Jeanette's Instagram: @JeanetteAndrewsMagic   About the Podcast and Its Host The Neurocareers podcast is brought to you by The Institute of Neuroapproaches and its founder - Milena Korostenskaja, Ph.D. (Dr. K) - a neuroscience educator, neuroscience research consultant, and career coach for students and recent graduates in neuroscience and neurotechnologies: https://www.neuroapproaches.org/ You will benefit from neuroscience-based coaching if you want to... Get your projects DONE instead of procrastinating and feeling stuck. STOP feeling anxious, stressed, and overwhelmed when managing your time and responsibilities. ACHIEVE your goals and BUILD a successful career instead of failing. Get in touch with Dr. K. by sending an email: neuroapproaches@gmail.com Schedule a free consultation session with Dr. K. by following this link: https://neuroapproaches.as.me/

In this episode, participants return to a familiar sonic space, but why we are here and who we are with is undergoing a crisis of faith. Nothing is as it seems, and we may never come back. *Trigger Warning: This episode contains the sound of gunshots. If you would prefer to avoid this section, skip [14:48-14:56] You can find the transcript for this episode here. Last Audience: a performance podcast is created and performed by Yanira Castro with Sound Designer Erica Ricketts and Creative Producer Ariel Lembeck. Episode Collaborators: Lizbeth Roman, Performer & Composer of Agua que Vuelve with production, mixing and mastering by Rafa Rivera Amir Hall, Performer of The Satyrics Podcast Collaborators: Christopher “Unpezverde” Núñez, Accessibility Artistry April Biggs, Accessibility Artistry & Transcription Paul Knipper, Logo Design Marielys Burgos Melendez, Communicator & Digital Content Strategist Last Audience is a project of a canary torsi, a group of artists who create performance experiences together. It is inspired from a book of performance scores, Last Audience: a performance manual, made with the Museum of Contemporary Art/Chicago. This podcast was made possible by a generous MacDowell Fellowship. Follow us on instagram: @acanarytorsi Tips for optimum listening experience: It is a fiction. And like a novel… you may want to start with episode 01 before jumping into episode 02. The episodes build on one another. It is a performance. So like any performance, it invites your attention. Put on headphones and be in this sonic world with us. Take pleasure in listening. Turn off those notifications. It is participatory! You are invited to act. Be open to how the podcast moves you.

Jenny Holzer was born in 1950 in Gallipolis, Ohio. She received a BFA in printmaking and painting from Ohio University, Athens, Ohio, in 1972, and an MFA in painting from the Rhode Island School of Design, Providence, in 1977. Holzer then moved to New York and enrolled in the Independent Study Program at the Whitney Museum of American Art. That same year, she created her first text-based works, initiating an ongoing artistic investigation of language in which she presents both original and appropriated texts to deconstruct how personal and political meaning are created in Western culture's patriarchal, consumer-oriented society. For Truisms, her series comprising terse one-liners written between 1977 and '79, and Inflammatory Essays, which were composed between 1979 and '82, Holzer anonymously pasted posters of unswerving, declarative statements around New York City. Since then her text-based work has evolved in numerous mediums. In the 1980s Holzer used electronic signs to present her work in such prominent public spaces as Times Square in New York and Piccadilly Circus in London, as well as in sport stadiums. She began producing engraved marble and granite benches, initially bearing text from Under the Rock (1986), and stone sarcophagi inscribed with Laments (1988–89), a moving reflection on the devastating repercussions of the AIDS crisis. For her 1989–90 retrospective at the Solomon R. Guggenheim Museum in New York, Holzer created a site-specific LED sign that wound its way around the parapet of the Frank Lloyd Wright–designed rotunda, displaying aphorisms and declarations from all of her work to date. She represented the United States at the Venice Biennale in 1990 and was awarded the Golden Lion for her Venice Installation, where she presented a series of her writings—including Mother and Child (1990), an account of motherhood—incised on a marble floor and emanating from LED signs.Holzer has produced public memorials as well as outdoor nighttime projections, such as Arno (1996), presented on the surface of the Arno River in Florence. Her texts have also been projected on Rio de Janeiro's cityscapes and oceans (Xenon for Rio de Janeiro, 1999), on beach shores and mountainsides (For San Diego, 2007), and on building facades across the world. Most recently, Holzer has returned to her earlier practice of using declassified American government documents as a subject for her art. Silkscreened on oil-painted backgrounds, these new works denounce acts of brutality and military practices conducted during the Iraq war. Holzer has had solo exhibitions at the Kunsthalle Basel (1984); Brooklyn Museum, New York (1988); Dia Art Foundation, New York, and Solomon R. Guggenheim Museum (both 1989–90); Haus der Kunst, Munich (1993); Art Tower Mito, Japan (1994); Contemporary Arts Museum Houston (1997); Neue Nationalgalerie, Berlin (2001, 2011); Kunsthaus Bregenz, Austria (2004); MAK, Vienna (2006); Museum of Contemporary Art Chicago (2008–09; travelled to the Whitney Museum of American Art [2009], and Fondation Beyeler, Riehen, Switzerland [2009–10]); Tate Modern, London (2018–19); and the Guggenheim Museum Bilbao (2019), among other institutions. Select group exhibitions include Eating Friends, Artists Space, New York (1981); Around 1984: A Look at Art in the Eighties, MoMA PS1 (2000); and Surprise, Surprise, Institute of Contemporary Arts, London (2006). Her works have appeared in Documenta (1982, 1987); Whitney Biennial (1983, 1985); Carnegie International (1985); Sculpture Project, Münster (1987); Venice Biennale (1990, 2005, 2007, 2015); Florence Biennial (1996); Singapore Biennial (2006); and Gwangju Biennial (2012). She has been the recipient of several important awards, and in 2016 she was made an Officier of the Order of Arts and Letters by the French government. Holzer is one of the six artist-curators who made selections for Artistic License: Six Takes on the Guggenheim Collection, Solomon R. Guggenheim Museum (2019–20). She lives and works in New York.From https://www.guggenheim.org/artwork/artist/jenny-holzer. For more information about Jenny Holzer:“5 ways Jenny Holzer brought art to the streets”: https://www.tate.org.uk/art/artists/jenny-holzer-1307/5-ways-jenny-holzer-brought-art-streets“Jenny Holzer”: https://projects.jennyholzer.com“Jenny Holzer”: https://www.interviewmagazine.com/art/jenny-holzer

Nick Cave's first career retrospective Forothermore celebrates a way to mourn and to find pleasure, solace and escape. The major show is now open at the Museum of Contemporary Art Chicago and includes an eye-catching kinetic spinner, the Soundsuits collection and never-before-seen work. Reset learns more about Cave's art and what's on display at the MCA. Guest: Cassie Burke, WBEZ external editor Host: Sasha-Ann Simons Producer: Lynnea Domienik

In this debut episode, we welcome the public into a sonic, poetic world and introduce a host of characters. “A bottle into the cosmic ocean” said Carl Sagan about the Voyager's Golden Record. We feel the same about this episode. You can find the transcript for this episode here. Last Audience: a performance podcast is created and performed by Yanira Castro with Sound Designer Erica Ricketts and Creative Producer Ariel Lembeck. Episode Collaborators: NEVE, Performer & Composer of Episode 01's anthem, “Inflorescence” Stephan Moore, Composer of the music behind the choreographic action April Biggs, Accessibility Artistry & Transcription Podcast Collaborators: Christopher “Unpezverde” Núñez, Accessibility Artistry Paul Knipper, Logo Design Marielys Burgos Melendez, Communicator & Digital Content Strategist Last Audience is a project of a canary torsi, a group of artists who create performance experiences together. It is inspired from a book of performance scores, Last Audience: a performance manual, made with the Museum of Contemporary Art/Chicago. This podcast was made possible by a generous MacDowell Fellowship. Follow us on instagram: @acanarytorsi

We made this podcast to align with the 2022 U.S. primaries and midterm elections to rehearse for our collective futures. Our bodies are intelligent guides. This podcast activates them. You can find the transcript for this episode here. Last Audience: a performance podcast is created and performed by Yanira Castro with Sound Designer Erica Ricketts and Creative Producer Ariel Lembeck. Additional Collaborators: Christopher “Unpezverde” Núñez, Accessibility Artistry Paul Knipper, Logo Design Marielys Burgos Melendez, Communicator & Digital Content Strategist Last Audience is a project of a canary torsi, a group of artists who create performance experiences together. It is inspired from a book of performance scores, Last Audience: a performance manual, made with the Museum of Contemporary Art/Chicago. This podcast was made possible by a generous MacDowell Fellowship. Follow wherever you listen to podcasts. Follow us on instagram: @acanarytorsi

In the second half of our conversation with Jeffrey Michael Austin, we discuss their first ever artwork, how language factors into their practice, the persistent validity of creating art objects, the way art can bring a person into the present, the magic of mirrors, and using fun as a Trojan horse. Jeffrey Michael Austin (b. 1988) is a multidisciplinary artist and musician based in Chicago. Their work has been exhibited nationally and internationally, with recent and forthcoming solo exhibitions at Chicago Art Department, Heaven Gallery Chicago, Bert Green Fine Art (Chicago) and The Luminary (St. Louis, MO). Austin also composes, performs and produces all musical scores for Growing Concerns Poetry Collective, whose performance venues include The Museum of Contemporary Art Chicago, The Art Institute of Chicago, The Steppenwolf Theatre, NPR Tiny Desk Tour and the Smart Museum of Art. Austin studied at Columbia College Chicago and the Burren College of Art in Ireland before receiving their BFA from The School of the Art Institute of Chicago in 2014. Links: TLPS: A Group NFT Exhibition at Lydian Stater Outro Music: Careful by Daisy Days

In this episode, we talk to Jeffrey Michael Austin about taking things day by day, the importance of spending time with Mother Nature, their NFT work “Everything Must Go (Help Wanted),” the idea of ownership, and the possibility of "rapid, far-reaching and unprecedented changes in all aspects of society." Jeffrey Michael Austin (b. 1988) is a multidisciplinary artist and musician based in Chicago. Their work has been exhibited nationally and internationally, with recent and forthcoming solo exhibitions at Chicago Art Department, Heaven Gallery Chicago, Bert Green Fine Art (Chicago) and The Luminary (St. Louis, MO). Austin also composes, performs and produces all musical scores for Growing Concerns Poetry Collective, whose performance venues include The Museum of Contemporary Art Chicago, The Art Institute of Chicago, The Steppenwolf Theatre, NPR Tiny Desk Tour and the Smart Museum of Art. Austin studied at Columbia College Chicago and the Burren College of Art in Ireland before receiving their BFA from The School of the Art Institute of Chicago in 2014. Links: TLPS: A Group NFT Exhibition at Lydian Stater

Here is our first full episode released on our podcast platforms! Michelle and Kathryn are back again and lucky enough to have Jeanette Andrews a magician, artist, and speaker featured on this weeks curious conversation. These 3 dive into Jeanettes extensive background and their collaborative projects within the behavior research space. Jeanette Andrews is hailed as one of the most innovative illusionists in the world today and has staged hundreds of sold-out and standing-room-only performances for Fortune 500 companies, theaters and universities including Infiniti, Kraft, Thermo Fisher Scientific, Lyric Opera & Chicago Ideas Week. She has presented commissioned and site-specific works for The Smithsonian's Cooper Hewitt, the International Museum of Surgical Science, and the Museum of Contemporary Art Chicago. ​Andrews presented her first magic performance at age four, was paid to do her first magic show at age six, began running her business that day and has never had another job since, and is now internationally recognized as a pioneer in her field. Andrews uses sensory anomalies, art and scientific anecdotes to create luxurious experiences that bridge everyday life to a special, heightened world. She loves creating experiences for audiences to engage with the impossible in fun, insightful, generous ways. Andrews is an Affiliate of Harvard's metaLAB and prior artist in residence for High Concept Labs and The Institute for Art and Olfaction. Illusion is Ms. Andrews' life's work and her performances have been praised by the Chicago Tribune, PBS and the New York Times. Jeanette Andrews Website Facebook - @SensoryIllusions Twitter - @JeanetteMagic YouTube - @JeanetteAndrewsMagic Instagram - @jeanetteandrewsmagic Be sure to give us 5 Star rating, leave a review, or subscribe to your preferred method of listening. Don't forget to also follow us on any of our social media platforms listed below Kathryn on LinkedIn Michelle on LinkedIn HCD Research Website YouTube - @HCDResearchInc. LinkedIn - @HCDResearch Twitter - @HCDNeuroscience Twitter - @HCDResearchInc Facebook - @HCDResearch Instagram - @HCDResearch MindSet is excited to have each and everyone one of you join our curious conversations! --- Send in a voice message: https://anchor.fm/mindset-hcd-research/message