Podcast appearances and mentions of Julian Lage

En este episodio de La Montaña Rusa hemos comentado y escuchado:Julian Lage. Speak to Me (2024)WEB WEB MAX. Web Max (2021)CLÁSICO DE LA SEMANA. Larry Coryell & The Eleventh House. Live at Jazz Workshop, Boston (1975)The Bad Plus. The Bad Plus (2022)JAZZ EN ESPAÑOL. Blau Salvatge. Hiraeth (2025)High Pulp. Days in the Desert (2023)Emile Parisien Quartet. Let Them Cook (2024)Charneux - Leleux - Puma. Cinquième Saison (2025)

Today, the Spotlight shines On violinist and composer Jenny Scheinman.Jenny Scheinman grew up on California's remote Lost Coast, and now she brings us music that captures the wild beauty of her roots. Her double album All Species Parade brings together jazz and folk to create something wholly original that feels like the natural world itself.With a dream team of collaborators including Bill Frisell, Nels Cline, and Julian Lage on guitars, Jenny's violin leads us through soundscapes that honor the land, its native peoples, and all living creatures.Jenny's made a career working with everyone from Lucinda Williams to Lou Reed, but this project takes her back home to create what she calls "nature worship music" that refuses to be domesticated.(The musical excerpts heard in the interview are from Jenny Scheinman's album All Species Parade)–Dig DeeperVisit Jenny Scheinman at jennyscheinman.comPurchase Jenny Scheinman's All Species Parade from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Jenny Scheinman on Bluesky, Instagram, Facebook, and YouTubeJenny Scheinman Finds Her Mojo on Northern California's Lost Coast with ‘All Species Parade'How Jenny Scheinman's Humboldt roots influenced new musicDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On violinist and composer Jenny Scheinman.Jenny Scheinman grew up on California's remote Lost Coast, and now she brings us music that captures the wild beauty of her roots. Her double album All Species Parade brings together jazz and folk to create something wholly original that feels like the natural world itself.With a dream team of collaborators including Bill Frisell, Nels Cline, and Julian Lage on guitars, Jenny's violin leads us through soundscapes that honor the land, its native peoples, and all living creatures.Jenny's made a career working with everyone from Lucinda Williams to Lou Reed, but this project takes her back home to create what she calls "nature worship music" that refuses to be domesticated.(The musical excerpts heard in the interview are from Jenny Scheinman's album All Species Parade)–Dig DeeperVisit Jenny Scheinman at jennyscheinman.comPurchase Jenny Scheinman's All Species Parade from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Jenny Scheinman on Bluesky, Instagram, Facebook, and YouTubeJenny Scheinman Finds Her Mojo on Northern California's Lost Coast with ‘All Species Parade'How Jenny Scheinman's Humboldt roots influenced new musicDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

While we're on a brief hiatus from making all-new episodes, we thought it would be fun to compile all the moments where Paul asks his guests "What Was The First Record You Ever Bought?" and put them in a couple of "clip shows." Last week was part one, so here's part two, featuring Shannon Shaw (from Shannon & The Clams), Joey Santiago (from Pixies), Julian Lage, Steve Perry, Slash, The Heavy Heavy, Ben Folds, John Densmore (The Doors), and bass ace Tony Levin (King Crimson, John Lennon and more). The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. Record Store Day 2025 is April 12th. For the most up-to-date news about all things RSD, including The List, visit RecordStoreDay.com) Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.  

En este episodio, hemos escuchado a Melissa Aldana; Sean Michael Giddings; Berits Halsband; Julian Lage; Alexis Alonso & Jorge Pardo; Sam Butler; Harish Powar; Dennis Egberth.

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There's no disputing the influence B.B. King has had on the history of electric guitar music.With Lucille in hand—as well as other guitars—he carved out his sound by developing a signature one-of-a-kind vibrato and pick attack. His note choice, phrasing, and feel have basically become the fundamental vocabulary of electric blues. Even more than any other of his blues peers, his playing shaped blues and rock guitar. And that's not to mention his singing.So, on this episode of 100 Guitarists, we're celebrating the King. We're talking about his sound, his best records, his guitars, his showmanship, and his collabs, from an all-star jam at the 2010 Crossroads festival to, yes, even his 1988 U2 collab, “When Love Comes to Town.”In our current listening segment, we're talking about Brian John McBrearty's recent meditation-jazz release Remembering Repeating and Julian Lage's latest, Apple Music Nashville Sessions.Brought to you by Gibson Guitars: http://gibson.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

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Bria Skonberg, Shotgun Jazz Band, Delfeayo Marsalis & the Uptown Jazz Orchestra, Jazz at Lincoln Center Jazz Orchestra & Wynton Marsalis, Gonzalo Rubalcaba & Dongfeng Liu. Seamus Blake, Bryn Roberts, Lage Lund, Melissa Aldana, Nicola Miller, Ingrid Laubrock & Tom Rainey, Brulez les meubles, Calgareal, Julian Lage and Happy ApplePlaylist: Bria Skonberg - Cornet Chop SueyShotgun Jazz Band - Moonlight BayDelfeayo Marsalis & the Uptown Jazz Orchestra - Lil Liza JaneJazz at Lincoln Center Orchestra & Wynton Marsalis - White Yulan - First Flower of Spring; Yulan Mongolia - Soul of the SouthGonzalo Rubalcaba, Dongfeng Liu - Jasmine FlowerSeamus Blake, featuring Alessandro Lanzoni - En la Orilla del MundoBryn Roberts - Stevedore CosplayLage Lund - EratoMelissa Aldana - Unconscious WhispersNicola Miller - PoplarIngrid Laubrock, Tom Rainey - Arrival of NeverBrûlez les meubles - ArgentiqueCalgaréal - Points de FuiteJulian Lage - Vanishing PointsHappy Apple - White Belt Rock

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We hope you like innovative jazz-based electric guitarists, because our first episode of 2025 focuses on two of 'em.  Jeff Parker is here to talk about his recent jazz album for Nonesuch, The Way Out Of Easy, credited to Jeff Parker And The ETA IVtet. Parker talks about working with his L.A. based quartet, which features bassist Anna Butterss, drummer Jay Bellerose, and saxophone player, Josh Johnson, but we also look back at his highly musical time in the windy city of Chicago, where he first made a name for himself with groups such as Tortoise.  This episode gives us an excuse to reprise our interview with prodigious jazz guitarist Julian Lage discussing his RSD Exclusive release, Live In Los Angeles, that first ran as part of our RSD Black Friday 2024 coverage.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com) Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Siguiendo los cánones, hoy te ofrecemos un Turbo 3 diferente para este primer día de 2025: una sesión de canciones sanadoras para empezar el nuevo año con buen pie; una sesión más relajada, en la que nos dejamos mecer por la música de Julian Lage, Suki Waterhouse, Paul y Linda McCartney, Wings, Michael Kiwanuka, Eddie Vedder, Eels, Villagers, Soccer Mommy, Wilco, Nick Drake o Sam Fender, entre otros.Playlist:EELS - TimeEDDIE VEDDER - GuaranteedJULIAN LAGE - OmissionSUKI WATERHOUSE - My FunVAMPIRE WEEKEND - Harmony HallVILLAGERS - Brother HenRADIOHEAD - No SurprisesWINGS - Let 'Em InWILCO - You and INICK DRAKE - Northern SkyELLIOTT SMITH - Somebody That I Used To KnowSAM FENDER - Leave FastMAYA HAWKE - Kamikaze ComicSOCCER MOMMY - LostTOM WAITS - Downtown TrainJOHN LENNON - Hold OnMICHAEL KIWANUKA - Lowdown (Part I)JACK WHITE - A Tip from You to MeBOB DYLAN - Girl from the North Country (feat. Johnny Cash)RINGO STARR - Time On My HandsFATHER JOHN MISTY - Mental HealthGEORGE HARRISON - All Things Must PassTHE BEATLES - BlackbirdHERMANOS GUTIÉRREZ - Low SunTHE BLACK KEYS - I Forgot To Be Your LoverLEON BRIDGES - That's What I LoveMAGGIE ROGERS - So Sick Of DreamingFLEETWOOD MAC - DreamsDAISY JONES & THE SIX - Regret MeLILLIE MAE - You've Got Other Girls for ThatTHE KINKS - Sitting in My HotelPINK FLOYD - MotherLED ZEPPELIN - The Rain SongEscuchar audio

When a young guitarist with a passion for musical excellence walks into the room, you can feel the energy shift. His idols are not your typical mainstream names, but rather the likes of the innovative Blake Mills, the soulful Adrianne Lenker, and the prodigious Julian Lage. As he settles in for our interview, it's clear this will be no ordinary conversation. Noah Cole (pictured), hailing from the vibrant music scene of Sacramento, is a force to be reckoned with. Noah showcases his talents as a guitarist in various bands, including the renowned Rowan McQuire and the dynamic Nat Leftkoff, and pays it forward as a guitar instructor. His dedication to his craft is palpable. We are treated to a live performance, where he flawlessly demonstrates his fingerpicking techniques, and for the first time we are graced with his vocal abilities as a solo artist. This hour of pure musical magic will leave you wanting more. Sit back, relax, and let the words and music of Noah Cole whisk you away on a journey of sound and emotion. This is not just an interview, it's an experience. Let's dive in and discover the depth of talent and passion within this rising star. See playlist below for the  recorded music played in this episode

Músicas que son abrazos en el programa de hoy: Ludovico Einaudi y Daniel Hope; Ballaké Sissoko y Lorenzo Bianchi Hoesch; Julian Lage y Gyan Riley celebrando a John Zorn; Tigana Santana, con su nuevo disco y con Omar Sosa en el disco Iroko; Magdalena Matthey y Natalia Lafourcade; Delia Fischer con Marcio Nucci o Eugene Friesen y Pedro Lazarini, con Jaques Morelenbaum y Nina Ximenes. Cuando más es más. Life Ludovico Einaudi, Daniel Hope, I Virtuosi Italiani In A Time Lapse Kanakasi  Ballaké Sissoko, Lorenzo Bianchi Hoesch RadicantsBerceuse  Ballaké Sissoko, Lorenzo Bianchi Hoesch RadicantsOut of this nettle, danger we pluck this flower, safety     John Zorn, Julian Lage, Gyan Riley Her Melodious LayA Dancing Star  John Zorn, Julian Lage, Gyan Riley   Her Melodious LayNkongo Tiganá Santana Caçada NoturnaInner Crossing (Travessia) Omar Sosa, Tiganá Santana IrokoLlorar  Magdalena Matthey y Natalia Lafourcade LlorarWhat good is summer?  Delia Fischer, Marcio Nucci, Eugene Friesen, Budapest Scoring Orchestra What good is summer?Palhaço Pedro Lazarini, Jaques Morelenbaum, Nina Ximenes Mãos e CordasPara Sempre Pedro Lazarini, Jaques Morelenbaum, Nina Ximenes Mãos e CordasEscuchar audio

Record Store Day Black Friday is November 29, and as we ramp up to the big day we offer the first of two specials. Pt. 2 features The Edge from U2 discussing their RSD Exclusive How To Re-Assemble An Atomic Bomb. Plus, The Doors' John Densmore on the 4 LP set, The Doors: Live In Detroit. And, Jazz guitarist Julian Lage on his Live In Los Angeles EP.  For more information about Record Store Day Black Friday (November 29) visit RecordStoreDay.com The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

This episode of Across The Margin : The Podcast features an interview with acclaimed violinist and composer Jenny Scheinman. Scheinman has produced several critically acclaimed solo albums, including 12 Songs, named one of the Top Ten Albums of 2005 by The New York Times. She has played with Norah Jones, Nels Cline, Lou Reed, Ani Difranco, Aretha Franklin, Lucinda Williams, Bono, Bill Frisell, and Allison Miller. For years, Scheinman nursed the idea of a musical homage to Humboldt, in particular the area known as the Lost Coast, a remote, earthquake and mudslide-prone region of coastal northern California, where she was raised. She considered the project from many angles. That idea has come to fruition in the form of her latest album entitled All Species Parade, the focus of this episode. All Species Parade is an epic and sprawling double album with an A-list ensemble, featuring guitarists Bill Frisell, Julian Lage and Nels Cline, pianist Carmen Staaf, bassist Tony Scherr and drummer Kenny Wollesen. Though the album does evoke a sense of pastoral wonder, it also strives to capture in Jenny's words, “a charged relationship to nature, a feeling of being part of something bigger than ourselves, powerful, and fragile, and constantly changing. Something alive. With All Species Parade, I set out to musically reflect that experience of awe.” In this episode host Michael Shields and Jenny Scheinman discuss how nature, and a personal musical challenge of Jenny's regarding song length and breadth, inspired the soundscapes found on All Species Parade. They talk about the outstanding grouping of players on the album, how Jenny paid tribute to the Wiyot Tribe with the song “Jaroujiji,” what the true meaning of the song “Shutdown Stomp” actually is, and so much more. Hosted on Acast. See acast.com/privacy for more information.

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In the final installment of a three-part episode of The Bandwich Tapes, I sit down with my son, Skyler, for a heartfelt and meaningful conversation about our shared musical journeys. We continue our discussion about the many incredible musicians and bands I have been fortunate enough to play in. We also discuss meeting George Sandler and how that relationship led to us forming The Deliverymen.  We discuss my time with Across the Wide and my personal and professional love and respect for Mark Mundy & Jody Abernathy.Lastly, we discuss playing with Shaky Jane and the incredible Steve Ward.Thank you for tuning in! If you have any questions, feedback, or ideas for the show, please get in touch with me at brad@thebandwichtapes.com. And please spread the word about the show!The theme song, "Playcation," was written by Mark Mundy.

In this episode of Backstage Sonoma, host Steve Roby interviews acclaimed violinist and composer Jenny Scheinman. Jenny shares insights into her latest album, All Species Parade, which is deeply influenced by her return to the remote Lost Coast of Humboldt County. She reflects on how reconnecting with nature and rural life, especially during the pandemic, has reshaped her musical direction. The conversation also explores the challenges of balancing her artistic career with motherhood and how the isolation of 2020 led to a period of creative growth.  Jenny also discusses her long-standing collaborations with guitarists Bill Frisell, Julian Lage, and Nels Cline, highlighting how their unique styles contributed to the album's sound. The episode delves into her approach to genre-bending, improvisation, and composing music that reflects the natural world and her journey. As a special preview, Jenny shares details about her upcoming performances at Mr. Tipple's Jazz Club in San Francisco, offering fans a glimpse of what to expect from these intimate shows. Episode Highlights: - Jenny's transition from the urban landscape of New York to the rural beauty of Humboldt County. - The inspiration behind her new album All Species Parade and its connection to nature. - Collaborations with Bill Frisell, Julian Lage, and Nels Cline and their impact on the album. - Navigating the challenges of motherhood and creativity, especially during the pandemic. - Details about her upcoming performances at Mr. Tipple's Jazz Club in San Francisco. Featured Songs: - “Nocturne for 2020” - “Ornette Goes Home” Links: Jenny Scheinman Official Website Follow on Social Media: Instagram: @jennyscheinmanmusic Twitter: @JennyScheinman

Candyman and Cultural Contradictions: Grateful Dead's Egypt AdventureIn this episode of the Deadhead Cannabis Show, host Larry Mishkin highlights two key topics: a favorite Grateful Dead show and his recent experiences at Goose concerts. First, Larry talks about an iconic Grateful Dead concert that took place on September 16, 1978, at the Sun et Lumiere Theater in Giza, Egypt, near the pyramids and the Sphinx. This event is special not just for its unique location but also for featuring collaborations with Egyptian musician Hamza El Din, who joined the Dead for a jam session. The Egypt shows are remembered for their blend of American rock and ancient Egyptian culture, marking a historic moment in music history.Larry also reflects on the song "Candyman" by the Grateful Dead, exploring its themes of melancholy and contradiction within the counterculture of the 1960s. He discusses how the song portrays a sympathetic yet flawed character, and how it resonates with the complex dynamics of that era, blending elements of peace, revolution, and criminality.Switching gears, Larry shares his recent experiences attending two Goose concerts in Chicago. He highlights Goose's cover of Bob Seger's "Hollywood Nights" and talks about the band's growing popularity. Larry attended the concerts with family and friends and praises the outdoor venue in Chicago, noting its impressive atmosphere and the city's skyline as a backdrop. He fondly recalls his connections to Bob Seger's music from his youth and marvels at how younger bands like Goose continue to bring classic rock into their performances.   Grateful DeadSeptember 16, 1978  (46 years ago)Son Et Lumiere Theater (aka Sphinx Theatre)Giza, EgyptGrateful Dead Live at Sphinx Theatre on 1978-09-16 : Free Borrow & Streaming : Internet Archive Giza (/ˈɡiːzə/; sometimes spelled Gizah, Gizeh, Geeza, Jiza; Arabic: الجيزة, romanized: al-Jīzah, pronounced [ald͡ʒiːzah], Egyptian Arabic: الجيزةel-Gīza[elˈgiːzæ])[3] is the third-largest city in Egypt by area after Cairo and Alexandria; and fourth-largest city in Africa by population after Kinshasa, Lagos, and Cairo. It is the capital of Giza Governorate with a total population of 4,872,448 in the 2017 census.[4] It is located on the west bank of the Nile opposite central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than 30 km (18.64 mi) north of Memphis (Men-nefer, today the village of Mit Rahina), which was the capital city of the unified Egyptian state during the reign of pharaoh Narmer, roughly 3100 BC. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, among which are the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old Kingdom. Son et lumière (French pronunciation: [sɔ̃n e lymjɛʁ] (French, lit. "sound and light")), or a sound and light show, is a form of nighttime entertainment that is usually presented in an outdoor venue of historic significance.[1] Special lighting effects are projected onto the façade of a building or ruin and synchronized with recorded or live narration and music to dramatize the history of the place.[1] The invention of the concept is credited to Paul Robert-Houdin, who was the curator of the Château de Chambord in France, which hosted the world's first son et lumière in 1952.[1] Another was established in the early 1960s at the site of the Great Pyramid of Giza in Egypt. One of the Seven Wonders of the Ancient World and a star attraction in Egypt, the pyramids of Giza offer a completely different experience at night, when lasers, lights, and visual projections bring their history to life. Here's how to visit the pyramids after dark. The sound and light show at Giza takes place every night for 55 minutes by the Great Sphinx of king Kephren, it is a laser show with history narration of your own language.  Kyle FitzgeraldThe National Standing under a total lunar eclipse at the foot of ancient power by the Great Pyramid, the Grateful Dead were concluding the final show of their three-night run at the Sound and Light Theatre in Giza in 1978.His hair in pigtails, guitarist Jerry Garcia wove the outro of the percussive Nubian composition Olin Arageed into an extended opening of Fire on the Mountain. “There were Bedouins out on the desert dancing … It was amazing, it really was amazing,” Garcia said in a 1979 radio interview. The September 14-16 shows in Giza were the ultimate experiment for the American band – the first to play at the pyramids – known for pushing music beyond the realms of imagination. And just as the Grateful Dead were playing in the centre of ancient Egypt, a landmark peace treaty was being brokered in the US that would reshape geopolitics in the Middle East. For as the Grateful Dead arrived in Egypt as cultural ambassadors, on the other side of the world US president Jimmy Carter had gathered his Egyptian counterpart Anwar Sadat and Israeli prime minister Menachem Begin to broker the Camp David Accords that led to an Egyptian-Israeli peace settlement. “No show that they have ever done has the international significance of their three performances in Egypt,” said Richard Loren, the Grateful Dead's manager from 1974-1981. “When we left the stage on the last show, everybody was high on acid, and the first news that came on: They signed the Camp David agreement. Sadat, Begin and Carter signed the agreement in Camp David. This happened during those three days.” Loren, who produced the shows, credited his friendship with Jefferson Airplane vocalist Marty Balin, who had a keen interest in Egypt, for developing his own fascination with the country. “The lead singer for Jefferson Airplane is the seed that resulted in the Grateful Dead playing in Egypt,” he said. Loren recalled riding a camel around the pyramid site during a three-week visit in 1975. To his right were the pyramids. In front of him, the Sphinx. “And I look down and I see a stage, and a light bulb went off in my head immediately. The Grateful Dead ought to play in Egypt,” he said. Loren, associate Alan Trist and Grateful Dead bass player Phil Lesh formed a scouting committee that would be responsible for liaising with American and Egyptian officials, Secret Service members and Egyptian first lady Jehan Sadat to allow the Grateful Dead to play in front of the pyramids. After the mission to the proposed site, meetings in Washington and Egypt, discussions with government officials and a party for the consulate, the band still needed to convince officials the purpose of the show was to make music – not money. And so the Dead paid their own expenses and offered to donate all the proceeds.Half would be donated to the Faith and Hope Society – the Sadats' favourite charity – and the other to Egypt's Department of Antiquities. “It was a sales pitch by the three of us – Alan, Richard and Phil,” Loren said. A telegram was sent on March 21, 1978, confirming the Grateful Dead would perform two open-air shows at the Sound and Light in front of the Great Pyramid and Sphinx. They would go on to play three shows. Describing the planning, bassist Phil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]Rather than ship all of the required sound reinforcement equipment from the United States, the PA and a 24-track, mobile studio recording truck were borrowed from the Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of the Great Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater". The final night's performance coincided with a total lunar eclipse. Drummer Bill Kreutzmann played with a cast, having broken his wrist while horseback riding. The King's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mix acoustical echo.[12] Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are the Bedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14] The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album, Shakedown Street.   INTRO:                     Candyman                                    Track #3                                    2:54 – 4:50 From Songfacts:  the American Beauty album is infused with sadness. Jerry Garcia's mother was still seriously injured and her still fate uncertain following an automotive accident, while Phil Lesh was still grieving his father's passing. The melancholic aura comes through in "Candyman" as much as any other song on the album.The effect of the melodic sadness on the song's context is interesting, to say the least. It makes everything about the candyman character in the song seem sympathetic, when the lyrics suggest that he is anything but. Dead lyricist Robert Hunter said he certainly didn't resonate with the character's penchant for violence (more on that below).The Random House Historical Dictionary of American Slang defines the term "candyman" primarily as a drug dealer and secondarily as a man who is lucky in general and lucky with women in particular. The latter version seems to fit better with the song, as the character announces his arrival to all the women in town and tells them they ought to open their windows (presumably to let him in). While there's no evidence to suggest that Hunter was getting at anything too deep with the song, "Candyman" does provide an interesting perspective on the contradictions of the 1960s counterculture. Mixed in with all the peaceniks and flowers were hard-drug pushers, violent revolutionaries, and common criminals. By 1970, this stew had long since become so mixed-up that its attendant parts could no longer be cleanly extracted from each other. The fact that American Beauty came out in the midst of the Manson Family "hippie cult killings" trial says just about all that needs to be said about the complicated reality that had arisen out of the 1960s counterculture.Beyond all that, though, the outlaw song that romanticizes criminality is a long-held and cherished tradition in American music. With American Beauty, Jerry Garcia wanted the Dead to do something like "California country western," where they focused more on the singing than on the instrumentation.  So the sang Hunter's lyrics: Good mornin', Mr. BensonI see you're doin' wellIf I had me a shotgunI'd blow you straight to HellThis is an oddly violent line for a song by the Grateful Dead, who sought to embody the '60s peace-and-love ethos about as sincerely and stubbornly as any act to come out of the era. It always got a raucous applause from the audience, too, which seems equally incongruous with the Deadhead culture.Hunter was bothered by the cheers. In an interview published in Goin' Down the Road by Blair Jackson (p. 119), he brings this phenomenon up when asked if any of his songs has been widely misinterpreted. He mentions that he had first witnessed an audience's enthusiastic response to violence while watching the 1975 dystopian film Rollerball and "couldn't believe" the cheers.Hunter tells Jackson that he hopes fans know that the perspective in "Candyman" is from a character and not from himself. He stresses the same separation between himself and the womanizer in "Jack Straw." As far as the Mr. Benson in "Candyman," David Dodd in the Annotated Grateful Dead Lyrics makes a great case for that being Sheriff Benson from Leadbelly's "Midnight Special" (who may very well have been based on a real sheriff). If true, this might place "Candyman" in Houston, Texas (though Hunter might not have had anything so specific in mind). Almost always a first set song.  Often featured in acoustic sets, back in the day. This version features this awesome Garcia solo that we were listing to.  Maybe he was inspired by the pyramids or whatever magical spirits might have come out from within to see this American band the Grateful Dead.  Hopefully, it made those spirits grateful themselves. Played:  273First:  April 3, 1970 at Armory Fieldhouse, Cincinnati, OH, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA  SHOW No. 1:         Hamza El Din                                    Track #10                                    7:30 – 9:00 Hamza El Din (Arabicحمزة علاء الدين) (July 10, 1929 – May 22, 2006) was an Egyptian Nubian composer, oudplayer, tar player, and vocalist. He was born in southern Egypt and was an internationally known musician of his native region Nubia, situated on both sides of the Egypt–Sudan border. After musical studies in Cairo, he lived and studied in Italy, Japan and the United States. El Din collaborated with a wide variety of musical performers, including Sandy Bull, the Kronos Quartet and the Grateful Dead. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States. In 1963, El Din shared an apartment in the San Francisco Bay Area with folk musician Sandy Bull. Following his appearance at the Newport Folk Festival in 1964, he recorded two albums for Vanguard Records, released 1964–65. His 1971 recording Escalay: The Water Wheel, published by Nonesuch Records and produced by Mickey Hart, has been recognized as one of the first world music recordings to gain wide release in the West, and was claimed as an influence by some American minimalist composers, such as Steve Reich and Terry Riley, as well as by Grateful Dead percussionist Mickey Hart.[1] He also performed with the Grateful Dead, most famously during their Egypt concerts of 1978. During these three shows, Hamza El Din, performed as a guest and played his composition "Ollin Arageed" He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead.  After Egypt, hamza el din played with the dead in the U.S. On October 21st, back in 1978, the Grateful Dead were in the midst of wrapping up a fiery five-night run at San Francisco's Winterland Ballroom. This string of shows was particularly special for the band, as they marked the first shows played by the Dead following their now-legendary performances near the Great Pyramid of Giza in Egypt a month prior. n an effort to bring their experiences in Northern Africa home with them to share with their fans, the Dead's '78 Winterland run saw sit-ins by Egyptian percussionist, singer, and oud player Hamza El Din. On October 21st, El Din opened the show solo, offering his divine percussion before the Grateful Dead slowly emerged to join him for an ecstatic rendition of “Ollin Arageed”, a number based off a Nubian wedding tune, before embarking on a soaring half-acoustic, half-electric jam, that we will get to on the other side of Music News: MUSIC NEWS: Lead in music:                  Goose — "Hollywood Nights" (Bob Seger) — Fiddler's Green — 6/8/24 (youtube.com)                  0:00 – 1:10             Goose covering Bob Seeger and the Silver Bullet Band's Hollywood Nights, this version from earlier this year but Goose did play it Friday night in Chicago at the Salt Shed's Festival stage outside along the Chicago river with the Skyline in the background. Very impressive. "Hollywood Nights" is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. Seger said "The chorus just came into my head; I was driving around in the Hollywood Hills, and I started singing 'Hollywood nights/Hollywood hills/Above all the lights/Hollywood nights.' I went back to my rented house, and there was a Time with Cheryl Tiegs on the cover...I said 'Let's write a song about a guy from the Midwest who runs into someone like this and gets caught up in the whole bizarro thing.'" [1] Seger also said that "Hollywood Nights" was the closest he has had to a song coming to him in a dream, similar to how Keith Richards described the riff to "(I Can't Get No) Satisfaction" coming to him in a dream. Robert Clark Seger (/ˈsiːɡər/SEE-gər; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums. A roots rock musician with a classic raspy, powerful voice, Seger is known for his songs concerning love, women, and blue-collar themes, and is one of the best-known artists of the heartland rock genre. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. Which leads us to: Goose plays three nights in Chicago: Wednesday, Thursday and Friday night at the Salt Shed.  I caught the Thursday and Friday show.  Went with my wife on Thursday and hung out with good friends John and Marnie, her brothers Rick and Joel, Stephan and others.  Friday with my son Daniel and good buddy Kevin who got us rock star parking and even more impressively killer seats dead center at the bottom of the grandstands in the back of the floor, a few feet off the floor and dead center so we could see everything, hear everything and have a place to sit and rest for a few minutes when needed. I have to say, I've now seen Goose five times and enjoy them more and more.  Great musical jams, great light show, lots of good energy from the band and the fans.  Rick Mitoratando is a first class guitartist and singer, Peter Anspach on keyboard and guitar and vocals, Jeff Arevalo, percussionist, Trevor Weekz on bass and newcomer, Cotter Ellis on drums, replacing original drummer, Ben Askind. Began playing in 2014 in Wilton Connecticut so this is their 10 year and they are just getting stronger.  They really love what they do and its shows in their live performances. Great set lists in Chicago: Thursday night they were joined on stage by Julian Lage, a jazz composer and guitarist for the last two songs of the first set, A Western Sun and Turned Clouds. If you have not yet seen Goose you need to see Goose.  Soon.  Jane's Addiction Concert Ends Abruptly After Perry Farrell Punches Dave Navarro Onstage 3.     Jane's Addiction Offer ‘Heartfelt Apology' for Fight, Cancel Sunday's Show Phish announce 3 night run in Albany Oct. 25 – 27 to benefit Divided Sky Foundation A residential program for people recovering from drug and alcohol abuse. The Divided Sky Foundation, a 46-bed nonprofit recovery center spearheaded by Phish frontman Trey Anastasio, will be an abstinence-based, nonmedical residence, one of the first ofits kind in Vermont. The Divided Sky Foundation is a charitable nonprofit founded by Anastasio; it purchased the Ludlow location to create a substance-use disorder treatment center back in 2021.  Anastasio, Phish's lead guitarist and vocalist, has dealt publicly with his own drug and alcohol use and later sobriety, a journey that brought him under the supervision of drug court in Washington County, New York, in the mid-2000s. There, he met Gulde, who worked in the court system at the time, and the two have stayed friends since.  Together, Gulde and Anastasio used their personal experiences with treatment facilities to implement a vision for the Ludlow space, she said.   Very cool organization, deserves everyone's support.  Trey turned it around which is why he is now 5 years older than Jerry was when he died in 1995 and Trey and Phish are just getting stronger and stronger. SHOW No. 2:         Ollin Arageed                                    Track #11                                    13:10 – 14:42 Musical composition written by Hamza El-Din.  He and members of the Abu Simbel School of Luxor choir opened the shows with his composition Olin Arageed on nights one and two, and opened set two of night three with the song as well.  Joined on stage by the band.  Fun, different and a shout out to the locals. The Dead played it a few more times with Hamza and then retired it for good.  SHOW No. 3:         Fire On The Mountain                                    Track #12                                    13:00 – end                                     INTO                                     Iko Iko                                    Track #13                                    0:00 – 1:37 This transition is one of my all time Dead favorites.  Out of a stand alone Fire (no Scarlet lead in) into a sublime and spacey Iko Iko.  Another perfect combination for the pyramids, sphinx and full lunar eclipse.A great reason to listen to this show and these two tunes. MJ NEWS: MJ Lead in Song            Still Blazin by Wiz Khalifa:  Still Blazin (feat. Alborosie) (youtube.com)                                                                        0:00 – 0:45 We talked all about Wiz Khalifa on last week's episode after I saw him headline the Miracle in Mundelein a week ago.  But did not have a chance to feature any of his tunes last week.  This one is a natural for our show. This song is from Kush & Orange Juice (stylized as Kush and OJ) is the eighth mixtape by American rapper Wiz Khalifa. It was released on April 14, 2010, by Taylor Gang Records and Rostrum Records. Kush & Orange Juice gained notoriety after its official release by making it the number-one trending topic on both Google and Twitter.[1] On the same day, a link to the mixtape was posted for download on Wiz's Twitter.[2] The hashtag#kushandorangejuice became the number-six trending topic on the microblogging service after its release and remained on the top trending items on Twitter for three days.[  1.                   Nixon Admitted Marijuana Is ‘Not Particularly Dangerous' In Newly Discovered Recording2.                  Marijuana Use By Older Americans Has Nearly Doubled In The Last Three Years, AARP-Backed Study Shows3.                  Medical Marijuana Helps People With Arthritis And Other Rheumatic Conditions Reduce Use Of Opioids And Other Medications, Study Shows4.                  U.S. Marijuana Consumers Have Spent More Than $4.1 Billion On Pre-Rolled Joints In The Past Year And A Half, Industry Report Finds   SHOW No. 4:         Sunrise                                    Track #162:08 – 3:37             Grateful dead song written, music and lyrics by Donna Jean Godchaux.  Released on Terrapin Station album, July 27, 1977             There are two accounts of the origins of this song, both of which may be true. One is that it is about Rolling Thunder, the Indian Shaman, conducting a ceremony (which certainly fits with many of the lyrics). The other is that it was written by Donna in memory of Rex Jackson, one of the Grateful Dead's crew (after whom the Rex Foundation is named). The song is about a Native American medicine man named Rolling Thunder, who spent a lot of time with the Dead."'Sunrise' is about sunrise services we attended and what Rolling Thunder would do," Godchaux said on the Songfacts Podcast. "It's very literal actually. Rolling Thunder would conduct a sunrise service, so that's how that came about."Donna Jean Godchaux wrote this song on piano after Jerry Garcia asked her to write a song for the Terrapin Station album. She said it just flowed out of her - music and lyrics - and was one of the easiest songs she ever wrote.The drumming at the end of the song was played by a real medicine man. "We cut it in Los Angeles, and he came and brought the medicine drum, so what you hear on the end is the real deal," Godchaux told Songfacts. "It was like a sanctuary in that studio when he was playing that. It was very heavy." It was played regularly by the Grateful Dead in 1977 and 1978 (Donna left the band in early 1979).This version is the last time the band ever played it. Played:  30 timesFirst:  May 1, 1977 at The Palladium, New York, NY, USALast:  September 16, 1978 at the Pyramids, Giza Egypt                                   OUTRO:                   Shakedown Street                                    Track #17                                    3:07 – 4:35                                   Title track from Shakedown Street album November 8, 1978 One of Jerry's best numbers.  A great tune that can open a show, open the second set, occasionally played as an encore, but not here.  It is dropped into the middle of the second set as the lead in to Drums.  This is only the second time the song is played by the band. Played:  164 timesFirst:  August 31, 1978 at Red Rocks Amphitheatre, Morrison, CO, USALast:  July 9, 1995 at Soldier Field, Chicago, IL – opened the second set, the final set of music ever performed by the band.  Shout outs:             Karen Shmerling's birthday                       This week my beautiful granddaughter, Ruby, is coming to town to visit.  Can't wait to see her and her parents.  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Meshell Ndegeocello, Bill Frisell, Julian Lage, Charlie Ballantine, Dun-Dun Band, Colin Fisher, Eric Chenaux, Parade, Jessica Ackerley, Nick Fraser & John Kameel Farah, Lina Allemano's Ohrenschmaus, Dead Leaf Butterfly, and Peter Van Huffel's CALLISTOPlaylist: Meshell Ndegeocello - TravelBill Frisell - Beautiful DreamerJulian Lage - Speak to MeCharlie Ballantine - Strange IdeaDun-Dun Band - No. 7 (Nilan)Colin Fisher - Luminous LightEric Chenaux Trio - Delights of My LifeParade, featuring Stefan Hegerat, Chris Pruden, Laura Swankey - Frozen PortraitJessica Ackerley - Conclusion: In Four Micro PartsJohn Kameel Farah and Nick Fraser - TwigsLina Allemano's Ohrenschmaus - SideswipeDead Leaf Butterfly, featuring Els Vandeweyer, Lucia Martinez, Lina Allemano, Maike Hilbig - Not the End of the WorldPeter Van Huffel's CALLISTO, featuring Peter Van Huffel, Lina Allemano, Antonis Anissegos, Joe Hertenstein - Meandering Demons

You know how rewarding it can be to approach a menu leaving the most delicious treats for last? Well that is how we like to approach our daily search for new music, selecting great tunes for our weekly programming, but saving for later the very best of them, so that twice a year we can organize retrospective on the best of the best. Here are some of these delicious sonic treats. The playlist features Julian Lage [pictured]; Janel & Anthony; Grégoire Maret, Romain Collin; Larry Goldings, John Sneider; Natalie Cressman, Ian Faquini; Wayne Horvitz, Bill Frisell; and Julie Sassoon. Detailed playlist at https://spinitron.com/RFB/pl/19220195/Mondo-Jazz [up to "To Be"] Happy listening! Photo credit: Alysse Gakfjen

Abrimos con nuestra portada, el descubrimiento de la estupenda voz de la vocalista armenia Astghik Martirosyan que en el 2023 presentó Distance. La guitarra de Julian Lage suena de nuevo en La Montaña Rusa, esta vez con Squint, álbum publicado en 2021. Nuestro Clásico de la Semana fue la tuba de Ray Draper que junto a su Quintet firmó el clásico Tuba Sounds en 1957. Desde Italia escuchamos de nuevo al contrabajista Dario Piccioni con Caffé Tevere, de 2022. Aunque parezca mentira, hacía ya unos cuantos programas que no escuchábamos la música de John Zorn y sin que sirva de precedente, hoy volvemos a su universo de la mano de sus Bagatelles, estas del 2022 y el volumen 14, con el trompetista Peter Evans. Descubriremos la música de la vocalista y pianista lituana Liva Dumpe que este 2024 ha publicado Talskatis. Y cerarremos con el pianista alemana Julie Sassoon y su Quartet, con el estupendo Voyages de 2021.

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Margaret Glaspy joins me on the show this week. Her album from last year “Echo The DIamond” was one of my favorite records of the year. Margaret started out as a fiddle player, and played pretty seriously around California as a youngster before dedicating herself to the guitar and eventually going to Berklee for a short time to study. She played around Boston and then moved to New York where she found her way into the creative music scene in Brooklyn in the mid 2000's. She started making EP's and then full-legth albums in around 2016. I first heard her “Emotions and Math” LP and was really intrigued by her approach to writing, and especially how she seemed to build intricate, angular guitar parts that would weave through her songs. “Devotion” came next in 2020, and then “Echo The Diamond” in 2023. On “Echo”, her songwriting is incredible, her guitar playing is intense and jagged, the band is stellar (she's working with Chris Morrissey who has played with Andrew Bird and Ben Kweller, and David King, the drummer for The Bad Plus). It's a co-production with her husband, Julian Lage, and Margaret has also produced several of Julian's recent releases. She just released a solo acoustic record called “The Sun Doesn't Think” and we talk about all of these projects here today.Check out all of Margaret's amazing music and find out where she's playing over at margaretglaspy.com - Enjoy my conversation with Margaret Glaspy!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to Aquarium Drunkard Transmissions, our weekly series of illuminating interviews and contextual conversations. This week on the show, guitarist and composer Julian Lage.  A child prodigy in his youth, Lage has commanded attention for decades for his guitar prowess—he performed at the GRAMMYs at the tender age of 12—and he's accompanied a truly staggering roster of artists over the years, including John Zorn, Nels Cline, Bill Frisell, Yoko Ono, Gary Burton, and more. But on his latest album, the Blue Note release Speak To Me, Lage often presents himself as something of a singer/songwriter—minus the singing, that is. Joined by a five-piece band and producer Joe Henry, Lage careens from jittery free jazz to classic West Coast pop, maintaining a careful flow that feels generous but considered, diverse but not haphazard.   This week on Transmissions, he discusses connecting to his musical center, cutting himself some slack, and how Henry helped him know when songs were "done enough." Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Jeff Tweedy of Wilco joins us for a wide ranging conversation about Solid Sound, his books, and his Jim O'Rourke side project Loose Fur.

Incoming transmission. On this episode of our weekly podcast, singer/songwriter Leyla McCalla joins us to discuss the new sonic terrain of her latest album, Sun Without The Heat. Though her earlier work with groups like the Carolina Chocolate Drops and on her own was often classified as Americana, this album finds her shifting into a blurrier, more dynamic zone, where Afrobeat, Tropicalismo, post-rock, and sleek funk all share space. Inspired by Afrofuturistic ecological writings, the natural world, and her own experiences, it's a record that showcases an artist stepping into a new position, that of an interpreter of alternate sonic histories, an art-pop imagineer casting brand new shapes.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard Join us next week for a conversation with guitarist Julian Lage.

durée : 00:58:38 - La part du lion - par : Nathalie Piolé -

For better or worse,  imagine yourself a fly on the wall. Casually conversatin' about affairs of the heart (literally), staying in touch with the ones you love (and not waiting for a podcast),more understudy drama, Julian Lage, Martha Washington, Kendrick Lamar, Staten Island, and featuring a couple of musical revelations by Adrianne Lenker and Friko.Layin' back loooong distance with love and the like.Growing Up Naked theme composed, arranged and performed by Isaac DellMusic:Real House composed and performed by Adianne Lenker, from the album Bright FutureWhere We've Been composed and performed by Friko, from the album                                             Where We've Been, Where We Go From HereDry Your Eyes composed and performed by The Streets from the album                                 A Grand Don't Come For Free

JULIAN LAGE SPEAK TO ME c. 2023Hymnal, Northern shuffle (1,2), South mountain (2), Nothing happens hereLevon Henry (cl-1) Kris Davis (p-2) Patrick Warren (keyboards) Julian Lage (g,comp) Jorge Roeder (b) Dave King (d) BILLY LESTER FROM SCRATCH New York, May 17 & 18, 2018Indiana, Body and soul, I surrender dearBilly Lester (p) Rufus Reid (b) Matt Wilson (d) THE GERRY MULLIGAN QUARTET WHAT IS THERE TO SAY New York, December 1958 & January 1959News from Newport, News from Blueport, Utter chaosArt Farmer (tp) Gerry Mulligan (bar) Bill Crow (b) Dave Bailey (d) Continue reading Puro Jazz 22 abril 2024 at PuroJazz.

I talk with Grammy award-winning guitarist and singer Chris “Critter” Eldridge. A regular collaborator of Julian Lage's, Critter has lent his talents to Paul Simon, Justin Timberlake, T-Bone Burnett, Fiona Apple, The War and Treaty and more. We discuss the necessity of discomfort as a prerequisite for growth, and how raising a daughter has opened up new insights about failure and its role in personal development. We also got into some bluegrass stuff, discussing the Murder Ballad in traditional music and whether the time has come to retire it. I have a pretty strong opinion on this. Lastly I sat in with the gifted guitarist on a few songs - his arrangement of Little Sadie, and then we just let one rip with a tune we got from a Norman Blake record - Walking Cane Blues.

Julian Lage's latest album--possibly his best to date--opens a playlist of recent releases spanning many styles and cultural influences. The playlist also features Adam Levy, Larry Grenadier, Joey Baron; Julieta Eugenio; Hugues Mayot; Amirtha Kidambi; Daniel Herskedal; Matthew Sheens Detailed playlist at https://spinitron.com/RFB/pl/18746259/Mondo-Jazz [from "76" to "Written in the Dark: Part I, II, III"]. Happy listening! Photo credit: Alexx Duvall

Als Julian Lage mit fünf Gitarre zu spielen beginnt, ist das der Beginn einer wundervollen Freundschaft. Mit zwölf beginnt er aufzutreten, heute gehört er, noch keine 40, zu den wichtigsten Gitarristen der Gegenwart.  Ein Gitarrenmärchen, das bestimmt mit Lages stupendem Talent und der grossen Beharrlichkeit zu tun hat - aber auch mit liebenden Eltern und grossartigen Mentoren wie Gary Burton oder Jim Hall. So wird aus dem kleinen Gitarrenprinzen kein König Midas, der alles vergoldet und darüber verzweifeln muss, sondern ein Gärtner, der sorgfältig sät und mit viel Respekt erntet. Warum das nicht zuletzt im Umgang mit einer neurologischen Muskelerkrankung wichtig ist, und wie sich Julian Lage unterscheidet von den allermeisten virtuosen Gitarrenwunder, das diskutiert der Gitarrist Philipp Schaufelberger in der Jazz Collection mit Jodok Hess. Die gespielten Titel / Interpret:innen (Album | Label) Walkin' in Music / Gary Burton (Next Generation | Concord) Lil' Darling / Julian Lage (Sounding Point | Universal) Autumn Leaves / Julian Lage (Gladwell | Emarcy) Where or When / Julian Lage (World's Fair | Modern Lore Records) Earth Science / Julian Lage (Modern Lore | Mack Avenue Records) In Heaven / Juian Lage (Love Hurts | Mack Avenue Records) Boo's Blues / Julian Lage (Squint | Blue Note) Mantra / Julian Lage (The Layers | Blue Note) Vanishing Point / Julian Lage (Speak to Me | Blue Note)

Composiciones con cualidades narrativas, que nos cuentan historias únicas. De Lang Lang y la magia de Debussy, a Julian Lage y su música "íntima en el tono y amplia en la intención". Un jazz-gospel-blues-rural, que continuamos con las evocadoras composiciones de otros guitarristas, como Salinas, Amaia Miranda o Carlos Coronado.I. En bateau (Andantino) + II. Cortège (Moderato)+ III. Menuet (Moderato) Petite Suite (Debussy)VII. In paradisum Réquiem, Op. 48 (Fauré, Arr. Naoumoff para piano)Lakmé: Flower Duet (Léo Delibes, Arr. Naoumoff para piano) Lang Lang Saint-SaënsSuite del Tiempo Ausente: IV. Cristalino       Horacio Salinas Fragments of a dream: John C. Williams, Paco Peña, Inti-IllimaniHymnal + Serenade + As It Were + Speak to me      Julian Lage Speak to meEpitafio de Seikilos + Mientras viva brillas+ Será mejor       Amaia Miranda Mientras vivas brillaTema de amor + Ànima Carlos Coronado Flamenco MediterráneoEscuchar audio

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 14th March 2024 Artist - Track - Album - Year Simon Lasky    The Outsiders    For the Dreamers    2023 PSA    Don't Look Down    PSA    2024 Kersten Stevens    Fantasy (Intro)    Queen Rising    2023 Kersten Stevens    Fantasy    Queen Rising    2023 Richard Niles    Dreamer Awake    Adventures for Cello and Piano    2024 Pat Bianchi    Cryin' Blues    Three    2024 Caeser Frazier    King of Leonne    Live at Jazzcup    2023 Brandon Goldberg Trio    Circles    Live at Dizzy's    2024 Wolff Clark Dorsey    Nardis    A Letter to Bill Evans    2024 Greg Murphy    The Cure    You Remind Me    2024 Gastón Reggio    Crossing the Appalachians    Michigan    2024 Mark Egan    Big Sky    Cross Currents    2024 Remy Le Boeuf's Assembly of Shadows    Heartland Radio    Heartland Radio    2024 Ada Rovatti    Red August    The Hidden World of Piloo    2023 Daggerboard    Certified Clockwork    Escapement    2024 Will Régnier    Entre les lignes    Traces    2024 Julian Lage    Vanishing Points    Speak to Me    2024 Neal Alger    If Only for a Moment    Old Souls    2024 Alon Farber Hagiga with Dave Douglas    Spring Ahead    The Magician: Live in Jerusalem    2024 Scott Marshall    Solitude No. 1: What Would Eddie Do    The Solitude Suite    2024 Satoko Fujii Tokyo Trio    Gentle Slope    Jet Black    2024 The post The Creative Source (#CreativeSource) – 14th March 2024 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Rhett and Zach are joined on this episode of Dipped In Tone by soft-spoken jazz guitar master Julian Lage. After Zach shares some last-minute production headaches with Mythos' new Herculean Deluxe, Lage sits in for fascinating, spirited dive into how he thinks about tone, composition, and his new record, Speak To Me.The gang unpacks just about every aspect of Lage's playing and sound. They touch on Lage's relationships with his amps and dynamics (“I have to get overstimulated by an amplifier,” says Lage) and get the details on his Collings signature model—plus, of course, what ‘good' or ‘bad' guitar sounds mean. “No sound is empirically good or bad,” says Lage. “It's just how it fits into the narrative.”Did you know that Lage gets to know his guitars by doing direct into his DAW, and that effects pedals kinda terrify him? He doesn't like transcribing, either—he's got a unique take on studying Robben Ford solos. Listen in to find out why, and hear about the best guitar lesson his father ever taught him.Head to http://stewmac.com/dippedintone for 10% off your order!Subscribe, like, and leave us a commentSign up on our mailing list: http://eepurl.com/iaCee5Support us on Patreon for access to our discord server and other perks! https://www.patreon.com/dippedintoneMERCH: https://teespring.com/stores/dipped-in-toneFollow us on Instagram: https://instagram.com/dippedintone Dipped in Tone is:Rhett Shull https://www.rhettshull.com/Zach Broyles / Mythos Pedals https://mythospedals.comPremier Guitar https://www.premierguitar.com/

In this episode I'm talking with Utah-based songwriter and US Army vet Andrew Wiscombe. A former Army Sniper turned Berklee trained award-winning songwriter, Andrew's ability to clothe stories, words, and emotions in American roots music has received great praise from fans and critics alike. He has drawn many comparisons to some of the great contemporary songwriters/poets of our time. Wiscombe has shared the stage with the likes of Ray Wylie Hubbard, .38 Special, Mary Gauthier, Julian Lage, Dorothy, The Lil Smokies, Micky and the Motorcars and many others. Whether singing through the eyes of a child, the hands of a hard-working family man (he is a dedicated husband and father of three boys) or through the scope of his sniper rifle, Andrew has a story to share that will resonate with the most human parts of the listener.to get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing listIf you find this stuff useful leave me a review on Spotify or Apple PodcastsShoot me a question to cover in the upcoming episodes by emailing ben@thebluesguitarshow.comBecome a plus member now: https://www.buzzsprout.com/950998/subscribe Download the Triad Method: https://thebluesguitarshow.com/the-triad-method/Support the show

Episode Notes To support this podcast you can follow me on Patreon where there is a bunch of video content and tabs available! My guest this week on the podcast is Ethan Sherman. Hailed by no less than Julian Lage as “a shining light of our community”, guitarist & composer Ethan Sherman moves between a wide variety of musical worlds with uncommon ease and a deeply personal sound.  As a bandleader and collaborator, he's quietly been building a singular body of work orbiting the acoustic music community for many years. His latest release “Indoor Vistas” is a pandemic-fueled surrealist take on the modern stringband; Bluegrass Unlimited called it “first-class picking” and it's been played on radio shows from Atlanta to Australia. As a sideman, he has toured with artists like Americana icons The Wailin' Jennys and 5-time Grammy winner Michael Bublé. In addition, he's recorded and performed around his home of Los Angeles with artists as diverse as Nels Cline, Harrison Whitford, Sean & Sara Watkins, Patrick Shiroishi, Lou Roy, Johanna Samuels, Lulu Simon, and Ed Helms. He is also a committed educator, co-authoring (with Adam Levy) String Theories: Tips, Challenges & Reflections for the Lifelong Guitarist. Purchase his new album Passages HERE! Songs featured in this episode: “Cribbage in the Dark” by Ethan Sherman (Passages) “Cup and Porch” by Ethan Sherman (Indoor Vistas) The Glendale Gallop by Ethan Sherman (Passages) “Blue Moose” by Ethan Sherman (Passages) “The Architect” by Ethan Sherman (Passages) “Lake Aire” by Ethan Sherman (Passages) Get your tickets for the Charleston Bluegrass Festival Here!! As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Acoustic Disc Peghead Nation promo code mandolinbeer Northfiled Mandolins Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer

This week, guitarist Julian Lage returns to the Fretboard Journal Podcast to talk to us all about his new, Joe Henry-produced album, 'Speak to Me' (Blue Note). We talk about working with Henry, the 'Speak to Me' band (including Levon Henry), Lage's writing process, his favorite practice hacks, the gear he used, and so much more. We pack a lot into 36 minutes. Subscribe to the Fretboard Journal print edition: https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription Register for our 2024 Fretboard Summit in Chicago (Aug 23-25): https://fretboardsummit.org/ This week's show is sponsored by: StewMac: https://stewmac.sjv.io/R5jvRR (Affiliate link) Mike & Mike's Guitar Bar: https://mmguitarbar.com Izotope: https://www.izotope.com (Use the code FRET10 to save 10%) Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout).

In this episode, come along with Eduardo and Kevin as they embark on a bit of a jazz odyssey. Discussions of new music from guitar virtuoso Julian Lage, the manic and masterful funk of LA's Knower, Brazilian pianist Amarao Freitas' latest sonic excursion, and more. PLUS we're world premiering “Down By The Lake” the first single from Kevin's upcoming album The Lake, because we can..------We're able to bring you great conversations like this and more because of your generous support. Please consider making a one time gift or a recurring donation today!SUPPORTSupport this show http://supporter.acast.com/discologist. Hosted on Acast. See acast.com/privacy for more information.

Ann Powers and Sheldon Pearce discuss Faye Webster's Underdressed at the Symphony and a handful of the week's other brand new albums on which a musician's personality seems to be embodied by their voice — even when the music is completely instrumental. Featured albums:1. Faye Webster, Underdressed at the Symphony2. ScHoolboy Q, Blue Lips3. Julian Lage, Speak To Me4. Sheer Mag, Playing FavoritesOther notable releases for March 1:Paula Cole, LoJacob Collier, Djesse Vol. 4Everything Everything, MountainheadNils Frahm, DayHannah Frances, Keeper of the ShepherdBen Frost, Scope NeglectLiam Gallagher & John Squire, Liam Gallagher & John SquireAlbert Hammond, Body of WorkJahari Massamba Unit, Karriem Riggins & Madlib, YHWH is LOVEKaiser Chiefs, Kaiser Chiefs' Easy Eighth AlbumLang Lang, Saint-SaënsMannequin Pussy, I Got HeavenMinistry, HOPIUMFORTHEMASSESPissed Jeans, Half DivorcedThat Mexican OT, Texas TechnicianUranium Club, Infants Under the BulbYard Act, Where's My Utopia?De La Soul, 3 Feet High and Rising (35th Anniversary Edition)Linda Smith, Nothing Else Matters and So I Liked Spring (reissues)Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

durée : 00:59:27 - Julian Lage - par : Alex Dutilh - Le guitariste Julian Lage, nommé aux Grammy Awards pour son dernier disque Blue Note, “The Layers”, propose avec “Speak To Me” son œuvre peut-être la plus ambitieuse à ce jour.

Today, the Spotlight shines On Grammy-winning pianist and composer Kris Davis.Kris joined us in the wake of the September 2023 release of her album Live at the Village Vanguard, out on her own Pyroclastic Records label.Live at the Village Vanguard is the second release from her band Diatom Ribbons, an adventurous quintet featuring drummer Terri Lyne Carrington, turntablist and electronic musician Val Jeanty, bassist Trevor Dunn – and new addition guitarist Julian Lage.In addition to talking about that band and album, Kris guides us through her musical path and development while hipping us to her important work at the Berklee Institute of Jazz and Gender Justice.(all musical excerpts heard in the interview are taken from Live at the Village Vanguard by Kris Davis and Diatom Ribbons)------------------Dig DeeperListen to Live at the Village Vanguard by Kris Davis and Diatom Ribbons on Bandcamp or your streaming platform of choiceVisit Kris Davis at krisdavis.netVisit Pyroclastic Records at pyroclasticrecords.comFollow Kris Davis on Instagram, Facebook, and Twitter (X) and Pyroclastic Records on Instagram, Facebook, and Twitter (X).Kris Davis Is A Powerhouse and A PolymathKris Davis, a Pianist Fighting for Fringe MusicBerklee Institute of Jazz and Gender JusticeBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Cory Wong sits down with indie-rock bandleader Margaret Glaspy for an in-depth dialogue on artistry, celebrity, and the wisdom of Bruce Lee.Glaspy shares how she cut her latest record, Echo The Diamond, live off the floor, with most of the “homework” happening beforehand and studio performances happening in-the-moment. “It really felt like air blew through the studio and then the record was made,” she says. “What you're hearing is mostly what happening.” The songs are like photographs of a particular moment, rather than an essential, unchanging thing; Glaspy says she values the “dying art” of taking risks in music.Glaspy runs down how she and husband Julian Lage work on each other's projects, and highlights one of their key criteria in assessing performances: are you your best guitar player right now? “Would you hire yourself or fire yourself?” poses Glaspy.The conversation turns to Glaspy's rig on the record—she played through a Magic Amps rendition of a black-panel Fender Princeton, plus a Fender Champ combo—before revealing that these days, she's bypassing her tuner pedal and letting the audience hear the process between songs. “Let's not hide what's needed to make this actually go,” she laughs.Wong and Glaspy swap notes on Bruce Lee's winning combo of talent and work ethic (and how one of his quotes inspired Glaspy's record) before finishing with a fascinating philosophical dissection of artistry, pop culture, and celebrity. “The business of celebrity intertwines them in a way that's hard to escape,” says Glaspy, who sees a clash between surface-level fantasy and bone-deep darkness in pop culture.Tune in to the episode to learn all the gems from Echo The Diamond.Listen to the full episode here: https://bit.ly/WongNotesGet 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywongVisit Margaret Glaspy: https://margaretglaspy.com/Hit us up: wongnotes@premierguitar.comVisit Cory: https://www.corywongmusic.comVisit Premier Guitar: http://premierguitar.comTwitter:

Julian Lage is truly a guitarist like no other. He's insanely creative, prolific, has unbelievable technical facility, but also plays with incredible taste, tone and restraint. He grew up around the bay area of California and was a child prodigy who started getting noticed when he was just a little tyke. There's even a movie about him from that time called “Jules At Eight” (when he was eight!), and he played at the Grammys when he was 12, which is where Gary Burton, the incredible vibraphone player heard him, and asked him to join his band. Julian played with Burton for the better part of a decade, but also spent time playing and collaborating with John Zorn, Nels Cline, Dave Douglas, Charles Lloyd, as well as David Grisman and Chris Eldridge from over in the bluegrass world. He's been releasing solo albums since 2009, and over the last year released a full-length album that is absolutley spectacular called “View With A Room”, and then some songs that were essentially out-takes from that album but took on a life of their own came out more recently, and that's a beautiful new EP called “The Layers”. He has this incredible trio now that I think is one of the great American ensembles - Jorge Roeder is an incredible bassist and Dave King is the drummer, who some will know from the Bad Plus. Julian is an incredible talent, and very thoughtful human and musician and we had a great conversation about all these aspects of his career, nerded out on guitars, and got deep into music! Keep up with what Julian is up to over at: julianlage.com Be sure to listen to the Accompanying Songs Playlist which contains some of the artist's work, plus many of the songs we discuss on the show:Playlist on Spotify / Playlist on Apple MusicIf you enjoyed this episode, please consider supporting the show with a donation or Patreon subscriptionThe show's website can be found at www.makersandshakerspodcast.comYour fearless host, Steve Dawson can be found at www.stevedawson.ca Become a member at https://plus.acast.com/s/mmasspodcast. Hosted on Acast. See acast.com/privacy for more information.