Podcasts about constellations

Learn more at ImmigrationLawyersToolbox.com/constellation John sits down with Patrick Carver of Constellation Marketing to talk about how immigration lawyers can build real visibility online in 2026. They cover the shift from Google-only search to AI tools like ChatGPT, Claude, and Gemini, why consistent branding and content across your website, social media, and review platforms matters more than one-off SEO hacks, and how firms can avoid the outdated, clunky websites that turn prospective clients away. Patrick also breaks down Constellation's packages for immigration firms, including a special offer for Immigration Lawyers Toolbox listeners. Timestamps: 00:00 – Opening 00:33 – Intro 00:41 – Patrick's background and how Constellation Marketing started 02:00 – Immigration as a federal practice: local vs. national marketing 04:15 – What "visibility" means online in 2026 (SEO, AI, search fracturing) 06:34 – How AI search transition is going / Google's shrinking share 09:47 – Consistency, brand-building, and avoiding marketing plateaus 11:12 – Helping attorneys who dislike being on camera or writing 14:16 – Special ILT listener packages (pricing, "business in a box") 15:03 – Importance of updated websites/branding (McDonald's/Starbucks analogy) 16:33 – Why to start marketing early (lag time for SEO/AI to kick in) 16:49 – How to reach Patrick, Constellation's track record 18:03 – Outro Spotify | iTunes | YouTube Music | YouTube   Follow eimmigration by Cerenade: Facebook | Instagram | LinkedIn Start your Business Immigration Practice! (US LAWYERS ONLY - SCREENING REQUIRED): E-2 Course EB-1A Course Get the Toolbox Magazine!  Join our community (Lawyers Only) Get Started in Immigration Law! The Marriage/Family-Based Green Card course is for you Our Website: ImmigrationLawyersToolbox.com Not legal advice. Consult with an Attorney. Attorney Advertisement. #podcaster #Lawyer #ImmigrationLawyer #Interview #Immigration #ImmigrationAttorney #USImmigration #ImmigrationLaw #ImmigrationLawyersToolbox

Disclaimer: Este podcast tiene fines exclusivamente informativos y educativos. Ninguna de las opiniones expresadas en este episodio constituye una recomendación de compra o venta de activos financieros, ni debe interpretarse como asesoramiento de inversión. Cada oyente es responsable de sus propias decisiones.

In this month's episode, John Khosravi, Esq. shares practical tips and recent case notes from his immigration law practice: catching I-130/I-485 date discrepancies before they trip up I-751 renewals, evidence tourist visa clients need for extensions, lessons from two Stokes interviews, ESTA cancellation glitches, ongoing DACA advance parole delays, the "arrest vs. detained" misrepresentation trap on DS-160s, a wave of AI-translation and AI-software outreach hitting immigration lawyers, a consular processing refusal over credit card debt/public charge, and the growing list of visa bond countries. Plus updates on the ILT magazine, the marriage green card course's new mentorship option, and sponsors eimmigration by Cerenade and Constellation. Timestamps: 00:00 – Intro 00:33 – Welcome & episode 482 kickoff 01:11 – ILT Magazine – call for contributor topics 01:35 – Sponsor message (case management software via Serenade) 02:40 – Marriage Green Card Course update 03:41 – Tip 1: I-130 vs. I-485 date mix-up on I-751 filing 05:17 – Tip 2: Tourist visa extensions – keep your travel evidence 06:37 – Tip 3: AOS interview inconsistencies (Stokes referral) 09:11 – Tip 4: ESTA cancellation glitches 09:43 – Tip 5: DACA advance parole delays 10:41 – Tip 6: RFEs over "arrested" vs. "detained" wording 12:52 – Tip 7: Translator spam & in-house AI software overload 14:23 – Immigrant visa refusal over credit card debt (public charge) 16:38 – Sponsor: Constellation (marketing/SEO) 18:17 – Growing list of visa bond countries 20:00 – Wrap-up & outro Spotify | iTunes | YouTube Music | YouTube Follow eimmigration by Cerenade: Facebook | Instagram | LinkedIn Start your Business Immigration Practice! (US LAWYERS ONLY - SCREENING REQUIRED): E-2 Course EB-1A Course Get the Toolbox Magazine!  Join our community (Lawyers Only) Get Started in Immigration Law! The Marriage/Family-Based Green Card course is for you Our Website: ImmigrationLawyersToolbox.com Not legal advice. Consult with an Attorney. Attorney Advertisement. #podcaster #Lawyer #ImmigrationLawyer #Interview #Immigration #ImmigrationAttorney #USImmigration #ImmigrationLaw #ImmigrationLawyersToolbox  

Check out our reviews of ‘Evil Dead Burn' and ‘Jackass: Best and Last.' Beforehand, we'll talk about the episodes three and four of ‘House of the Dragon' Season 3. We'll also discuss the week's top entertainment news, including trailers for 'Dune: Part III' and ‘Digger;' PlayStation will quit selling physical media in 2028; paying tribute to Sam Neill; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:43)*SPOILERS* ‘House of the Dragon' Season 3, Episodes 3-4 (56:44)*SPOILERS* ‘Jackass: Best and Last' (1:13:46)‘Evil Dead Burn' Movie Review (1:31:34)*SPOILERS* for ‘Evil Dead Burn'  (1:42:24)What Are Ya Doin'? (1:58:46)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

270 - BottleRock 2026: Penelope Road and the New Constellations In episode 270 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan is at BottleRock 2026 and speaks with Max and Koan from Penelope Road and then Josh Smith from the New Constellations. With Max and Koan from Penelope Road they discuss the band name and how it came about and they tell us about their Fender Strats and logistics of fly dates and their tour dates (and their favorite hotels). Max and Koan talk about their gear at home: guitars, amps and pedals. Max and Koan tell us about their upcoming tour with Marcus King and their ability to not have to work a day job and they tell us about their releases they have up to now. For more information on Max and Koan and Penelope Road you can check out their website: peneloperoad.com and they're active on the socials. Next up he speaks with Josh Smith from the New Constellations. He talks about life in Oregon, moving to Portland from Medford and tells us about his guitar hero's growing up, George Harrison, Mark Knopfler and John Fahey. Josh tells us about his gear early on and his gear now and he takes us through when the New Constellations play as a duo and when travel with a full band. Josh describes the bands fan base in Mexico and their upcoming festival appearance at a festival in Mexico City, Corona Capital and he tells us about playing in church growing up. Josh takes us through the business side of the band and he describes his past life in the coffee industry. To find out more about Josh and the New Constellations you can go to their website: newconstellations.band and they're also active on the socials. Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #PenelopeRoad #MaxandKoan #NewConstellations #JoshSmith #BottleRock #BottleRockFestival #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

Gugs Mhlungu chats with Mwenya Kabwe, Senior Lecturer at the Centre for Dance, Theatre & Performance studies at UCT, Theatre maker and performer, about Constellations and how the play explore its thought-provoking themes of love, loss, fate and the infinite possibilities shaped by our choices, and discuss what audiences can expect from this emotionally rich and intellectually engaging production.See omnystudio.com/listener for privacy information.

Castor, Joel, and Rory cover your Rāhine Drive while both Matthew and Harry are away! E whai ake nei: Laika Rountree joins us for Stage Direction to chat about three productions: Oranges which was on at Basement this week, Constellations at Q Theatre, and Old MacDonald's Farm at Pumphouse Theatre! Peter Lineham joins us for That's The Spirit, chatting about how the US has influenced religion over the past 250 years. And we get a sneak peak into an interview Oto from WALAO! Did with Australian hardcore punk band Speed! Whakarongo tonu mai! Thanks to The Beer Spot!

Is it time to update the constellations? On this episode, Neil deGrasse Tyson and comic co-host Matt Kirshen dive into astrophysics, folklore, and our ancient connection to the stars with astrophysicist Moiya McTier, Ph.D. Originally Aired December 6, 2022. NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here:  https://startalkmedia.com/show/cosmic-queries-astro-lore-with-moiya-mctier/ Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As the country commemorates 250 years since the Declaration of Independence, several galleries are exploring the enduring strengths of Native Americans through both traditional and contemporary works. “Paper Trails: Unfolding Indigenous Narratives” at the Museum of Contemporary Native Art in Santa Fe, N.M. aims to stretch the boundaries of the paper medium while also examining Native cultural survival in the face of colonization. “Constellations of Place” at the Center of Southwest Studies at Fort Lewis College is centered on a visual history of Native people in Colorado. And Seattle's Tidelands Gallery compiles a narrative inspired by “Lushootseed Creation Stories”. We'll talk with artists and curators about how art inserts itself into the narratives being told about the origin of America. We'll also hear about the year-long streaming Native film festival, “Everything is Connected”, developed by Vision Maker Media. This is an encore presentation so we won’t be taking calls GUESTS Alana Stone (Sičhą́ǧu Lakȟóta and Diné), curatorial specialist at Vision Maker Media Matika Wilbur (Swinomish and Tulalip), author, photographer, and CEO of Tidelands Native Art Gallery Melissa Melero-Moose (Northern Paiute), artist and co-curator of “Paper Trails: Unfolding Indigenous Narratives” Dr. Meranda Roberts (Yerington Paiute Tribe and Chicana) guest curator for “Constellations of Place” Break 1 Music: Atomic Drop [feat. Northern Cree] (song) The Halluci Nation (artist) Path of the Heel (album) Break 2 Music: Tsudadatla Tsisqwa (song) Kalyn Fay (artist) Garden (album)

Bob Zimmerman discusses Rocket Lab's acquisition of Iridium for $8 billion, signaling a trend toward vertical integration. He also covers Blue Origin's investigation into a launchpad explosion and SpaceX's Star Mind data constellation, emphasizing the importance of corporate transparency and risk-taking in the space industry. (5)11934 FSA

Check out our review of the DCU film ‘Supergirl.' Beforehand, we'll talk about the first two episodes of ‘House of the Dragon' Season 3. We'll also discuss the week's top entertainment news, including trailers for 'Werwulf' and ‘The Debut;' Google and A24 team up in a controversial A.I. deal; Donkey from 'Shrek' is getting his own movie; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:40)*SPOILERS* ‘House of the Dragon' Season 3, Episodes 1-2 (29:30)‘Supergirl' Movie Review (54:18)*SPOILERS* for ‘Supergirl' (1:12:26)What Are Ya Doin'? (1:25:47)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Hello Beautiful, I'm so grateful you're here with me.

How do you write about the most painful experiences of your life without being overwhelmed by them? How can timed writing and a braided story help you untangle your hardest stories? With Nicole Walker. In the intro, Self-Publishing Pop Up Books [Self-Publishing with ALLi]; New in KU [BookBub]; The solar sail theory of indie publishing [ProductiveIndieFictionWriter]; Bones of the Deep; Selfie Awards Shortlist 2026. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Nicole Walker is a nonfiction author, essayist, poet, and editor, as well as a creative writing teacher. Her latest book is Writing the Hard Stuff: Turning Difficult Subjects into Meaningful Prose. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why writing helps us understand “the puzzles of the universe” — and when to trust that intuition The braided essay: alternating between trauma and an everyday obsession to unlock the hard stuff How two-minute timed writing lets you go deep and then safely step back Rooting pain in the body, using the senses, scene, and dialogue instead of words like “trauma” Truth in memoir, big T versus little t, and the emerging genre of speculative nonfiction What actually sells books: pairing up on book tour and getting readers back out into the world You can find Nicole and NikWalk.com. Transcript of the interview with Nicole Walker Jo: Nicole Walker is a nonfiction author, essayist, poet, and editor, as well as a creative writing teacher. Her latest book is Writing the Hard Stuff: Turning Difficult Subjects into Meaningful Prose. So welcome to the show, Nicole. Nicole: Hi, Joanna. It's so nice to be here. Jo: I've lots to talk about, but first up— Tell us a bit more about you and your journey into writing and publishing. Nicole: I was always a writer. As all writers say, I've been writing since I was five. I kept little journals and things like that, and I was on the high school literary magazine. I was an English major in college, but that was always tempered with some serious commitment to the sciences, to English literature, to German, to Spanish. I had a wide variety of interests, but there was always something that tugged at me about writing that made me feel like, this is where I feel most at home. This is the way I like to understand the puzzles of the universe. This is how I make sense of the world—through writing. So even though I got my BA in English at Reed College in Portland, Oregon, I stuck around Portland for a few years because I loved it. I worked for various non-profits, and that was great. At some point I said, “I really want to take this seriously.” So I went ahead and applied to graduate school, and ended up in the University of Utah's PhD programme, where I stayed for eight very lovely years. I always recommend to my own students: never graduate. Stay in graduate school forever, because it's such a beautiful place where people support your writing. You have professors who support it, but more importantly, you have your cohort. To this day, I have so many great friends. You make a lot of friends if you stick around for eight years. That sort of community-building is, I think, the other part of why I became a writer. Writing by myself is obviously a lonely business, and there's a lot of internal struggle that happens with that. I have found a literary community, both at the University of Utah and then growing from there, serving as president of the NonfictioNOW Conference, teaching my own graduate students, serving as the series editor for Crux, the imprint at the University of Georgia Press. I feel like my world has expanded because of my writing. So that's been a true gift. Jo: Oh, I love that. I love that you said you understand the puzzles of the universe through writing, and that this tugged at you. Could talk about that a bit more? Because a lot of listeners, I think, sometimes mistrust that feeling. They think, “Oh, maybe I shouldn't necessarily lean into that intuition.” It feels like you leaned very strongly into an intuition that this was the way. Nicole: Yes, and this book in particular, Writing the Hard Stuff, takes that to heart. I think about writing the hard stuff as writing all kinds of tricky things—things that are really hard to communicate. The book begins revolving around personal trauma. Things that happened in my childhood, as well as difficult subjects that happen to us when we're growing up. It also includes things like environmental issues and political issues: things that are really hard to talk about, that are philosophically difficult to express, that can be controversial, and that you can put people off by talking about. One of the goals of the book—one of my own philosophies—is that by looking deeply into the knotted ball of string that is a kind of trauma or a kind of difficulty, and beginning to pull those strings out, that's where you start to not only make meaning out of what happened to you, or what this particular problem is, but those strings themselves become connections. I talk about Donna Haraway's book Staying with the Trouble. It's primarily about how we can overcome our political differences regarding climate change, and one of her examples is to change the way we think about narrative. In Western thought, we often think there's a beginning, a middle, and an end, and she brings up the Navajo game that we all know as cat's cradle. So if you think of that ball of knots—your trauma, your difficult subject—you start pulling out the strings, and then you start playing with it. With cat's cradle, you make one design with your hands, and then a friend pulls it around and turns it into another design. To me, that's how reading and writing work. We share, and we build on each other's ideas, but we're always connected by those strings. So if you have this difficult subject and you're shying away from it, you're losing, I think, some of the opportunity to make connections and to make sense of what that nest of string sitting in your stomach actually is. Jo: I love that metaphor. I think it's brilliant. I've never heard it described that way, and I think it's fantastic. What's interesting is that some people don't have a mind's eye—I know several listeners who don't. So while in my mind I'm picturing the ball of string and then the cat's cradle, some people won't be able to do that, which is also fascinating in terms of how people's brains work. In terms of how you'd recommend people think about it: this ball of string that we want to turn into a design like a cat's cradle is a total mess. So where do we even start? How do we know where to start pulling on the threads? Because it might just feel like it's out of control. Nicole: Oh, I deeply appreciate both the idea that some people don't have that mind's eye, or just think differently. We all have different ways of imagining what we call our trauma, this nest of problems, this ball of string. Of course a metaphor does oversimplify in some ways. I say, “Well, you just take one of the ends of the string and start pulling.” But practically, what does that really mean to do? There are a couple of things I suggest in the book and offer at workshops. One is an exercise I call writing the braided essay. I ask the writer to sit down and think about a scene that was difficult in their life—something that had a lot of tension, that they're really still struggling with, that they don't love thinking about. I'm going to ask them to go there for just a couple of minutes. Then there's the other side of the braided essay: I ask them to think about something completely different, completely off-topic. Perhaps a walk they took in the aspen grove, or what they were making for dinner last night, or perhaps they're deeply invested in the networks of the blood in the human body—anything they're fascinated and obsessed with. I say, “Okay, I want you to write about your difficult subject for two minutes, but then I'm going to give you a break, and you're going to pop over and talk about how you spent all day weeding your garden, and yet there are still weeds.” Then I'm going to ask people to go back and talk about their difficult subject, and then go back and talk about their obsession with weeds. They write about each of these things for two minutes. What happens—which I think is a pretty compelling experiment, from my point of view and from theirs—is that they write back and forth, and they're able to take a break from the hard thing. They're also tempted to go back to it once they've had that break in their research. The other thing that happens—and, you know, every book in nonfiction has to have a colon, so of course it's called Writing the Hard Stuff: Turning Difficult Subjects into Meaningful Prose—is that by going back and forth, you'll see the connections these writers make. They make connections with word choice, with verbs, with colours and different kinds of imagery. They start to make meaning between those two ideas. What happens to the writer then—and to me, when I'm doing it—is that I now have something that is constructed. So it's not just this knot in my stomach. It's not just my interest in research. Now I've put these things together, and then I get to play. We get to the cat's cradle part of the metaphor, where I really start thinking about craft issues. Why did I happen to bring these two ideas together? What might they have in common? What does it mean that I'm telling the story of my parents' divorce and my personal trauma, and in the research part I'm talking about weeds? Well, maybe I felt in the weeds. You come up with some sort of overarching understanding of why you chose that research story, and it lets you go deeper into that personal trauma, now with some of the techniques of craft, which I think help shield you from some of the trauma and pain of that original hard story. Jo: Again, I really love that idea. Do you also think the timed writing actually helps people go deep and then withdraw a bit, which psychologically may help them write about these difficult subjects? People are like, “I need to sit down for two hours and write about this deeply traumatic thing,” which of course feels like it's going to be too hard. So perhaps that two-minute process actually releases people from that. Nicole: Oh, absolutely. What a great way to think about it. It is prohibitive to sit down and think, “Okay, I'm going to go into the worst thing that ever happened to me and sit with it for two hours.” Going back and forth, you create energy and tension. But also, nobody wants to sit with something by themselves for two hours. If you think of research as your companion—”I'm coming in there with you, buddy”—you have something to rely on, this other side of the story, and it gives you that space. The timed writing, the two minutes, two minutes, two minutes, also reminds you that you don't have to write for two hours straight any day. I have a goal where I write 500 words a day, which is mostly true, unless I'm really in the weeds. We'll use two metaphors today: we'll use string, and now we'll be using weeds. But when I'm really in the weeds teaching, or going around the country talking about books, I really do write 500 words a day. I often try not to write too much more, because sometimes it loses freshness, and it can be overwhelming. So I really appreciate you saying that having that timed writing is important, but also that having that balance of deep emotional investigation with this more cerebral, informational crutch can really help you get into the subject and go deeper. Jo: Yes, and perhaps it anchors the writing in something concrete. Because with memoir particularly—having also written one—it can be too easy to lean on big words like “pain” or “trauma,” but that's actually meaningless in a book. So why is it so important to be specific and concrete in our writing in order to convey these bigger topics? Nicole: I think we know our own trauma. We know how it feels in our bodies, and we've been living with it for a long time. So it's pretty hard to communicate it to others. Why does it matter to other people? Of course it matters to you, but how are you going to convey the breadth of that trouble with words that aren't rooted in the physical world? The nice thing about rooting things in the physical world is that every one of us has a body. We have different bodies, but we share that in common. So it's the old trope of using your senses first. What did it feel like? If you can't think of what part of your body it particularly hurts in, you have the availability of metaphor to describe how that might have felt. You have the opportunity to create scene. This is particularly difficult for memoir writers, I think, because we imagine it's the fiction folks who have to use dialogue, who have to have a setting, who have to put their bodies in a place. Thatt's one of my mantras when I teach: we need to be able to see where you are. We need to see what is physically happening, how the interactions work. Dialogue, I think, is one of the best ways to literally get your body on the page—and to get your other characters, or subjects, on the page—because to speak, you have to have a body. Once you start having dialogue, you can picture the way the speaker's face moves, the way they cross their legs. You can even picture the colour of the paint behind them, or the kind of chair they're sitting in. So dialogue is one of the first ways you can say, “All right, I must have a scene here.” I can't go on just telling people, “It was so traumatic. I suffered so much. It was terrible. I felt so much pain.” You can say that sometimes, that's totally fair, but you have to pair it with that physical, concrete imagery, so other people can begin to understand what it felt like for you in your body, so they can feel it in their body. Jo: Interesting that you bring up dialogue because one of the issues with memoir is—I've had people compare it to truth with a small “t” and truth with a big “T.” So you're telling some kind of big truth about your life. If you're writing dialogue about something that actually happened to you, in memory, it's very unlikely that it actually happened in that way, so it's not necessarily small-“t” true. So on a practical note, what are your thoughts and tips on truth. How do we tell our own story even if others don't see it that way? Nicole: This is a subject I'm deeply invested in right now. When I first started teaching creative nonfiction, it was at the height of the John D'Agata and David Shields questions. What is truth? Big T, little t? What am I obligated to do as a creative nonfiction writer? I had a great friend, Angie Truong, who came to teach one of my classes, and she said, “Nonfiction is a pretty big spectrum. You have journalism on one end, and then you have the lyric essay on the other end.” You imagine the lyric essay is full of metaphors and things like that, so you can approach truth. You're saying, “This is what it felt like. This is what it seemed like.” Check out my newest favourite thing. It's called speculative nonfiction, and I use a little bit of this in my book How to Plant a Billion Trees, which Writing the Hard Stuff is somewhat based on. I wrote them in tandem, which was a very strange and interesting and fun thing to do. But in How to Plant a Billion Trees I use this thing called speculative nonfiction, which goes even further along the spectrum, past the lyric essay, to this opportunity to use language like “perhaps,” “maybe,” “I imagined.” So I have sections in my book where I can't remember the dialogue exactly, but I know that the dialogue in some sense matters—that what might have been said will do much more to convey what was happening than my exposition over the matter. By using those turns of phrase, you're alerting your reader: “Dear reader, this definitely is not exactly what happened, but this is how I recall it.” Then you're being not only honest to the story and honest to your reader, but you're also conveying the feeling and the mood of the event—that other kind of truth that memoir is really trying to get at. It was like this for me, which is why I think this way now. It's a fledgling genre. I just read a book by Laraine Herring called A Constellation of Ghosts: A Speculative Memoir with Ravens. It's brilliant. It's an amazing book that pairs her actual colonoscopy and discovery of colon cancer with the story of her dad, who has passed already and comes back as a raven and helps her through it. So you're pulling on some of the tools of fiction, which creative nonfiction already has been doing. But it does so in this bright and, I feel, incredibly ethical way. You're alerting your reader, “My dad is not really a raven.” But you're also saying, “Oh my gosh, I sensed he was with me. I sensed every time a raven approached that I had somebody's hand on my shoulder.” That, to me, has been a lot of fun—a much more imaginative way of creating some of those scenes than doing something like, “Well, I don't remember the dialogue.” Or, even worse—and we know people have been unethical in their approach—recreating the dialogue as if they'd had a tape recorder with them when they were 17 years old. Jo: Mm. Nicole: So I offer that as an option to your listeners, as something to experiment with. Allow yourself to have that imaginative opportunity to show the reader what it might have been like. Jo: I love that. It's interesting, you talk there about the spectrum of nonfiction, which is ridiculously big, as is fiction. Obviously these are very big. But I wonder if we do get hemmed in by genre. I love the idea of a speculative memoir. I'm going to have to go read that book because I can't even imagine what that really means. I feel hemmed in by my expectations of a memoir. But then, from a business and marketing perspective—because we're all trying to sell our books— Do we risk not meeting the expectations of a reader of a genre that way? Nicole: Right. One of the good and bad things about my literary career is that I've spanned a lot of genres. My PhD is actually in poetry. Nobody expects the full truth from poetry. One of my poetry professors once said she wrote this really sad poem about her father's death, and the audience was moved, and then her real father stood up and said, “Good job, daughter.” And someone in the audience was just shocked: “You just read a poem about your dead dad, and here he is!” We have absolute expectations of genre, and expectations of truth, in everything we read. If you label it fiction, you're kind of off the hook—even though, of course, fiction uses so many elements of nonfiction: so much research, so much information, so much personal memory to create those fantastic landscapes. So when I think about how one sells one's memoir, I do think you also have to acknowledge what you expect your audience to be. With Laraine Herring's A Constellation of Ghosts, by putting “colon, a speculative memoir,” you're alerting your reader to that possibility. And because it's a pretty far-out way of thinking right now, it probably does curtail some of the sales. On the other hand, think of memoirs that are written for celebrities, and how many of them are ghostwritten—or written with other people, where the ghostwriter's not even part of the thing—but it comes across as the most legit of all memoirs, because it's a celebrity and we know them. We associate their lives with their story, and their story must therefore be true. So I think, with all levels of creative nonfiction, it's incumbent upon the writer to suggest right off the bat what kind of nonfiction they're reading. Are they reading journalism? Are they reading lyric essays? Are they reading speculative nonfiction? I think a lot, too—as an editor for a literary series for nonfiction books—about what I look for in memoir. It's something that takes the personal story and connects it into the larger conversation. Even if the larger conversation is directly about what the main subject is about, to me it's still about the crux of the matter. Why does your story make an impact on the world in this bigger way? How do you let the world inform your story? How does your past and your trauma, or your difficulties, connect to a larger world? Jo: Mm. Nicole: To me, that's something some memoirs are capable of doing. Some memoirs are truly invested only in that personal story, which I think is totally legitimate too, because I love learning how people think. I love understanding. This is just how my brain works. But in terms of sales? I don't know. Again, as the series editor and as the seller of my own books, I think you can't determine it in advance. So you should probably write what you want to write, what feels right to you, using as many craft techniques as you can hone. But the market, to me, feels very non-negotiable. You never know exactly how things are going to turn out. So I deeply believe: write the best, most well-crafted book you can, and I do think your readers will find you. Jo: We'll come back to marketing in a minute, but just returning to your own writing practice. I've got your book page up in front of me, and you've written all kinds of things: your essays, your memoirs, some fiction, and some poetry, as you mentioned. So I wondered: when you're researching something, or you've got a feeling about wanting to write, how do you choose the type of book you turn it into—or a poem, or an essay? Or do you pitch it as some kind of external work, or turn it into a workshop? How do you turn an idea into what it will eventually be? Nicole: I love that question because it's somewhat of a mystery to me, but I think I'm getting close to understanding. It really is in those first few words, that first sentence, that I think, “Okay, I know which direction this is going.” For example, the other day I woke up in the morning and thought, “All right, I'm writing this poem about how man took over for God, and that's how the planet ended up being such a mess.” So I started writing it, and it was pretty lyrical at the beginning. But then I started making full sentences, and explaining things a little bit more, and I thought, “Okay, this is not a poem. It's going to be an essay.” When I start writing fiction, I pull on something a little further, a little more distant from my experience, and then I pull it back into something more character-driven. For example, in a novel I'm writing, I begin with this whole story about McDonald's and ravens, and then I pull it back into the character. If I were to diagram the sentences between a poem, the nonfiction, and the fiction, I think I'd see fundamental differences between the three. Jo: Do you work on multiple projects at the same time, or once you commit to something, is that what you finish? Personally, I have lots of little things happening, and then a moment comes and I commit to a book, and I won't stop until I've finished that book—the rest will have to wait. It's that decision moment. How does it work for you? Nicole: My process is pretty similar to yours. I have a number of ongoing projects, percolating here and there. Some days I'll think, “All right, today feels like a fiction day.” But for the most part, you're absolutely right. There's a bunch of little things I'm writing, or things I'm dabbling in, but once there's a critical mass—which I'd say is around 20,000 words or something—I'm all in, and I've got to focus on this project. Even though I think I can do whatever multitasking, really it's important to try to maintain some sort of through-line in whatever project I'm working on. If I do that with too many projects, I lose that through-line. I also worry sometimes that the projects start to sound too similar. So say I'm writing a nonfiction collection and a novel—if I go back and forth every other day, those sentence differences I'm talking about might start to collapse, and they become too similar. Then what the heck would I be writing? I don't even know. Jo: It's interesting because you span academic publishing and, I guess, trade publishing—whatever you want to call it—where more non-academics read books. I'm just finishing up a master's myself at the moment, and writing academic stuff is completely different to writing my other books. So when you're deciding on these books, are you aiming for a specific publication market—as in, you want an academic publisher, or you want a trade publisher? How do you think about publishing in the process? Nicole: As much as I once really wanted to find some ground as a scholarly and academic writer—and I really do love to write reviews of other people's books, and Writing the Hard Stuff is a textbook that relies tremendously on so many other people's books. That is really important to me because that goes back to how one both creates and thanks one's community for creating the literary world we live in—I feel like there's a smaller audience for that sort of academic writing. But it's something we should do. As generous as you are here, for example, reaching out to other people about other people's books is probably the kindest thing you can do. So I hope to continue to take time to do that and make it part of my repertoire. It's not as fun, I'd say, as the imaginative elements of writing creative nonfiction, or fiction, or poetry. That's when I really love to groove and get into that mode of, “Oh, the words are coming. Oh, I never thought about it that way.” With academic writing, I feel I sometimes write in a slightly more stilted voice. My friend Ander Monson, who teaches at the University of Arizona, has done a really great job of writing—whether it's his personal essays or his critical essays—where he maintains the same voice. He doesn't move into that super-formal academic speak. He'll literally say things like, “You know,” or, “That's a banger of a sentence,” in the middle of an academic essay, and I really admire him for that. I feel like maybe if academic writing were more receptive to people writing in their unique voices, then maybe more people would read it. Jo: Yes. One of the pieces of feedback on one of my earlier essays in my master's year was around my sentence structure—that it would be far more appropriate in a novel than in an academic essay. I was saying to my husband, “I can't believe this, but I'm just going to have to change my style.” It's very interesting. We're almost out of time, and I also wanted to ask you: you have a recent blog post on how to try to get your forthcoming book attention in 4,231 simple steps, which made me laugh. We all find book marketing a challenge, so what have you found works best for you? I should tell the listeners—there are not 4,000 steps in your blog post. Although I think people would want them. Nicole: Exactly. I stopped at 72, but I can go on. That was sort of the pre-publishing process. There have been so many great things that have happened, but a lot of them have been driven by me. I have a publicist, but he works on a lot of other books, and I have a marketing person at Bloomsbury. They have to juggle a lot. The only person who is really, really, really committed to your book is you. So I've written companion essays. I haven't had any luck publishing them, which hasn't been true in the past, so I wonder what's going on there. I'll write something for the Huffington Post or Newsweek that's tangentially related to my book. I also might just write too much in essay voice instead of popular-magazine voice. As we were just talking about, academic voice versus novelistic voice. So that might be part of the problem too. Reaching out to people who might invite me onto podcasts has been really rewarding, and very, very kind. I think the best thing I did was to put myself on book tour and to pair myself with someone in that community. I've gone on book tour before by myself, and there have been occasions where there were two to three people in the audience, which can be really disheartening. The problem wasn't so much the bookstore's fault or my book's fault—it's just that if you go to a bookstore in a town where nobody knows you, they're not going to put a lot of effort into making the date happen, unless you're super famous. So what I did was find somebody in a community—a friend of mine—who would go with me and be part of the conversation. Even if their book was a couple of years old, we'd still go and have a conversation about each of our books. This has worked tremendously well. People will come to see their friend, and then they'll be introduced to you, and they'll ask you questions and buy your book. You create new connections and new friends thanks to that friend and that place. So that's my number one recommendation for how to get the word out in the world. I also did all the social media stuff. It doesn't work as well as it used to. It's kind of a strange time. But because of my suggestion about going to bookstores with people you know… I think we're coming out of our COVID time, where we got so used to doing everything on our computers and just staying in our electronic universe. People are hungry to get out. So one thing I want to do, and haven't done yet, is throw a big party. Go to weird places where you don't even do readings—you just offer people snacks and a glass of wine and say, “Hey, here's a book if you want to buy it.” To have these more informal gatherings that bring people together because I do think there's a hankering for people to get out into the world again. Jo: And just on that—you've got these two books coming at the same time: How to Plant a Billion Trees, which is the memoir, and Writing the Hard Stuff, the how-to book for writers. When you do these events, are you choosing one or the other depending on the audience? Or are you selling both at the same time? Because they're obviously very different. Nicole: Yes, I'm definitely selling both at the same time. Although I probably push How to Plant a Billion Trees first, because most of the people I'm pairing with are also writers of nonfiction or memoir. The other thing is, I can talk about How to Plant a Billion Trees, and if people have a really deep question about, “Well, how did you write this section?” I can say, “Well, if you refer to this book, Writing the Hard Stuff, you'll see.” So it's an easier segue. I think people aren't used to going to book events for craft books. But in the interview world—where people are reviewing books or interviewing me—Writing the Hard Stuff has definitely been the primary book I've been approached to speak about because people really do want techniques. So it depends on the context as to which book gets the spotlight, but it's been really fun to be able to talk about both in tandem. I don't know if they're competing against each other or supporting each other. That's my hope, that people think, “Oh, I read this one book, I might as well read the other one.” But that's asking a lot of people, to buy two books, so I try not to overstate that hope. Jo: They are very different, and I love the idea of doing that. Absolutely. So where can people find you and your books online? Nicole: You can find me at my Substack, which is substack.nikwalk.com—N-I-K-W-A-L-K. Or my website, which is the same: nikwalk.com. I might just start going as Nik Walk in the world, so people can find me more easily. I also really love to support Bloomsbury. They have really good deals, especially on the audiobook for How to Plant a Billion Trees, and they also have good deals if you buy both books, you get free shipping. So Bloomsbury is probably the number one place to get the books, but of course they're also available on Bookshop.org and Amazon.com, and on Amazon in the UK as well. Jo: Brilliant. Well, thanks so much for your time, Nicole. That was great. Nicole: Oh, it was so fun to talk with you, Joanna. Thank you again so much for this opportunity.The post Writing The Hard Stuff: Turning Difficult Subjects Into Meaningful Prose With Nicole Walker first appeared on The Creative Penn.

Dizzy Gillespie didn't hand his name to just anyone. Karl Latham played in the Dizzy Gillespie Alumni All-Stars. Then he played in the Dizzy Gillespie Afro-Latin Experience alongside Paquito D'Rivera. Two different bands carrying one legend's name, and Karl had a chair in both.We recorded this conversation back in February 2022. It's been sitting on the Broadway Drumming 101 YouTube channel for a while. Now the audio is finally out everywhere you listen — Apple Podcasts, Spotify, wherever you get your shows. A lot has changed for Karl since we sat down, including new Broadway credits that weren't on his resume yet when we hit record.Karl's career doesn't sit in one lane. He's played with Claudio Roditi, Slide Hampton, Clark Terry, Jon Faddis, and Cyrus Chestnut. He's logged time with Edgar Winter and Johnny Winter. He was music director for The Shirelles. He's worked with Mark Egan's UNIT1, the Bernie Worrell Orchestra, and a long list of players most drummers only get to study, not stand next to.His Broadway sub list reads the same way. Hamilton. Beautiful: The Carole King Musical. Ain't Too Proud. Bring It On. Two Strangers. Five different shows, five different chairs, all earned the same way every sub gig gets earned: somebody trusted him enough to make the call.Karl leads his own projects too. He co-leads Big Fun(k) with Don Braden. He co-led Constellations, the group that picked up a nomination for the 2016 BMW Welt Jazz Award. As a leader, he's released Dancing Spirits, Resonance, and two volumes of Living Standards — the second one bringing in Wolfgang Lackerschmid, Mark Egan, Henry Hey, Mitch Stein, and Roger Squitero.And he never stopped teaching. Karl is the current Co-Chair of the Percussive Arts Society Education Committee. He's adjunct faculty at four schools: Drew University, County College of Morris, Raritan Valley Community College, and Blair Academy. Touring, recording, subbing on Broadway, and teaching at four schools. Most people pick one career. Karl runs four in parallel.Karl is an endorsing artist for Yamaha Drums, Paiste Cymbals, ProMark Drumsticks, Evans Drumheads, Big Fat Snare, AEA Microphones, Radial Engineering, Heil Sound, ProLogix Percussion, and RME.Press play. And if this episode gives you something, leave us a five-star review wherever you listen. It takes thirty seconds and it means a lot to the show.If you're serious about your own path in this industry, pick up Broadway Bound and Beyond at broadwayboundbook.com. Signed copies at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

durée : 00:42:44 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Les œuvres pour orchestre de la compositrice espagnole Raquel García Tomás sont mises à l'honneur par le Barcelona Symphony Orchestra et son chef Ludovic Morlot. En ouverture d'émission, deux pièces pour piano introspectives interprétées par François Mardirossian. - équipe : Lionel Quantin, Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Savage introduces his concept "constellation of happiness." He encourages listeners to focus on the fleeting moments of joy life offers despite the suffering and struggles of everyday life. He criticizes the media and modern society for undermining fathers. He urges men to pass joyful memories to their children. He then recounts overcoming youthful despair without medication by finding respite in music and Lin Yutang's "The Importance of Living." Savage emphasizes ancestors, free will, and returning to the religion of one's grandparents. He concludes with themes from his book "God, Faith, and Reason" and reminds us to respect the father's sacred role in creating and protecting life.

Check out our review of Pixar's ‘Toy Story 5.' Beforehand, we'll discuss the week's top entertainment news, including trailers for 'Shrek 5' and Disney's ‘Hexed;' Luca Guadagnino's ‘Artificial' struggles to find a distributor; Jim Carrey in talks to return as the live-action Grinch; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:16)‘Toy Story 5' Movie Review (35:53)*SPOILERS* for ‘Toy Story 5' (49:02)What Are Ya Doin'? (1:06:48)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

SoCo begins making his own mythology as he waits for morning. But will the Liminal Lands let him have peace and quiet?I now have a Patreon!!!! patreon.com/liminallands Please consider becoming a Patron, where you get amazing benefits like ad-free episodes, access to blooper reels, and even co-producer credit (If you're into that sort of thing).Check out my Ko-Fi if you wanna just donate once: www.ko-fi.com/theliminallands any and all donations are greatly appreciatedThe website for the show is https://theliminallands.wixsite.com/the-liminal-lands. Please consider giving it a visit. You can find information about the show, a shop, information about us, all the things that you want in a website!If you like this show, please consider leaving a like or a review on your favorite podcast listening app, or telling others about this podcast. Anything like that will help my small podcast grow.I just want to say thank you to everyone that has followed along so far. Please feel free to contact me, either on social media (Twitter handle @theliminallands, Facebook theliminallands, or follow this link to my discord: https://discord.gg/nW35bGthmb ) or email me directly at theliminallands@gmail.com. If you like what I'm doing, or heck, dislike what I'm doing here, I'd love to hear from you. This has been a huge project for me, and I would honestly like your feedback, constructive criticism, ideas, etc. Even if you hate it, I could get some valuable information from you to make my project better. So feel free to bend my ear!

durée : 00:08:21 - Le 6/9 de l'été - par : Daphné Bürki - Saype, artiste de Land Art, connu pour ses œuvres visibles depuis le ciel, installe actuellement une création à Giverny. Il expose son usage de matériaux biodégradables et sa vision du monde. Il présentera aussi ses œuvres à la galerie Danysz à Paris pour “Constellations” du 4 juillet au 1er août. - équipe : Perrine Malinge, Alexandre Gilardi, Mathilde Khlat, Amélie Stadelmann, Alexandra Brouillet, Cléa Journault Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

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durée : 00:08:21 - Les interviews d'Inter - par : Daphné Bürki - Saype, artiste de Land Art, connu pour ses œuvres visibles depuis le ciel, installe actuellement une création à Giverny. Il expose son usage de matériaux biodégradables et sa vision du monde. Il présentera aussi ses œuvres à la galerie Danysz à Paris pour “Constellations” du 4 juillet au 1er août. - équipe : Perrine Malinge, Alexandre Gilardi, Mathilde Khlat, Amélie Stadelmann, Alexandra Brouillet, Cléa Journault Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

From Orion and the Summer Triangle to Indigenous sky traditions, this episode explores how constellations became tools for navigation, storytelling, and understanding the night sky.   "ASTROMAN: the Dark Sky Guardian" is a podcast channel that aims to explore popular science in multiple disciplines and research on interdisciplinary approaches, such as sustainability, dark-sky protection, astrophotography, space exploration, astronomy innovation, inclusive science communication, and STEAM Education by integrating science and arts.   Exodus CL Sit, also known as the ASTROMAN, is a transmedia astronomy educator, popular science author, STEAM educator, and science communicator in Hong Kong. He is recently the National Astronomy Education Coordinator (Chair of Hong Kong, China) of the International Astronomical Union and President of Starrix. He was also an International Committee Member of the Dark Sky International, regularly organizing public lectures at the Hong Kong Space Museum and the Hong Kong Science Museum. He was also the author of a popular science book "Decoding the Starry Night: A Guide to Stargazing and Astrophotography".   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

On the June 19 episode of Friday LIVE, we're broadcasting from the Nebraska Public Media Radio Studio. Tune in to hear lively conversations about: Nebraska author Lisa Knopp's book "Ravelings" (1:10); Homestead National Historical Park's Homestead Days (7:57); Constellation Studios' new expansion and the grand opening event being held there (17:46); Nebraska Chautauqua's Weaving a Nation event in Hastings (27:20); and Fontenelle Forest's upcoming Beetles in the Wetlands community science day (47:14) There will also be more poetry from Eleanor Reeds (42:25)

Preview for Later Today: Bob Zimmerman evaluates the space race between SpaceX and Jeff Bezos's Blue Origin. He highlights Blue Origin's struggle to match Starlink's satellite constellation and identifies emerging competitors like Rocket Lab in the growing industry.

Check out our review of Steven Spielberg's ‘Disclosure Day.' Beforehand, we'll discuss the week's top entertainment news, including trailers for ‘The Social Reckoning,' and ‘Whalefall;' another ‘Jump Street' movie is in the works; Ridley Scott is making an' adaptation of ‘Treasure Island;' and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:24)‘Disclosure Day' Movie Review (30:24)*SPOILERS* for ‘Disclosure Day' (54:21)What Are Ya Doin'? (1:23:05)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Show Notes Episode 527: When You're Here, You're Family This week Host Dave Bledsoe was kicked out of Sunrise of Mountain Lakes in Parsippany New Jersey for recruiting the old ladies to join his “Hippie Sex Cult”. (Again) On the show this week introduce the man mostly responsible for destroying the feel good vibe of the 1960s: Charles Manson. Along the way we discover Dave's crippling fear of commitment is rooted in reality.  Then we dive right into the backstory of No Name Maddox. (You know him better as “Charlie”) We meet his incredibly bad mother, follow Charlie in and out of “reform” schools that seemed not about “reforming” kids at all. We chill with Charlie's mentors in prison, from Danny Trejo to “Creepy” Karpus.   From there we walk the streets of Haight Ashbury with Charlie as he quickly realized this Summer of Love thing will work for him! Then we head to Hollywood for the frankly astonishing story of how a tiny career criminal mixed and mingled with the glitteratti of Tinsel Town. (He knew Grandpa Munster!) Finally, we see how Charlie didn't become a rock star so he became the leader of a murder cult. Our Sponsor this week is Spahn Movie Ranch Family Fun Tours, fun for ALL kinds of families.  We open with CBS news reporting local crime and close with the Constellations, who are family. Show Theme: Hypnostate Prelude to Common Sense The Show on Bluesky: https://bsky.app/profile/whatthehellpodcast.bsky.social The Show on Facebook: https://www.facebook.com/whatthehellpodcast/ The Show on Youtube:  https://www.youtube.com/channel/UCjxP5ywpZ-O7qu_MFkLXQUQ The Show on Instagram: https://www.instagram.com/whatthehellwereyouthinkingpod/ Our Discord Server: https://discord.gg/kHmmrjptrq Our Website: https://www.whatthehellpodcast.com Patreon:  https://www.patreon.com/Whatthehellpodcast The Show Line: 347 687 9601 Closing Music: https://youtu.be/E3TM-sbqITk?si=jjiZ2vM2vSxkolD0 Buy Our Stuff: https://www.seltzerkings.com/shop Citations Needed: Charles Manson – Hoosier Juvenile Delinquent https://weeklyview.net/2015/01/22/charles-manson-hoosier-juvenile-delinquent/ Danny Trejo Says Charles Manson Once Hypnotized Him in Jail https://www.mediaite.com/media/entertainment/danny-trejo-says-charles-manson-once-hypnotized-him-in-jail/ How Did Charles Manson's Early Years In Prison Shape Him? https://www.oxygen.com/manson-the-women/crime-time/how-charles-manson-prison-time-shaped-mcneil-island Charles Manson was not an artist worth indulging https://theoutline.com/post/2510/charles-manson-was-not-an-artist-worth-indulging Pimpology: The 48 Rules of the Game https://www.google.com/books/edition/Pimpology/bC07OG_8KcAC?hl=en&gbpv=1&printsec=frontcover Wikipedia: The Manson Family https://en.wikipedia.org/wiki/Manson_Family#Confirmed_members_and_associates Doris Day's son Terry Melcher was ‘very paranoid' after Manson murders, pal reveals in book https://www.foxnews.com/entertainment/doris-day-terry-melcher-charles-manson-bill-cassara-book You Must Remember This Season 4: Charles Manson Hollywood https://podcasts.apple.com/us/podcast/you-must-remember-this/id858124601 Learn more about your ad choices. Visit podcastchoices.com/adchoices

From Orion and the Summer Triangle to Indigenous sky traditions, this episode explores how constellations became tools for navigation, storytelling, and understanding the night sky.   "ASTROMAN: the Dark Sky Guardian" is a podcast channel that aims to explore popular science in multiple disciplines and research on interdisciplinary approaches, such as sustainability, dark-sky protection, astrophotography, space exploration, astronomy innovation, inclusive science communication, and STEAM Education by integrating science and arts.   Exodus CL Sit, also known as the ASTROMAN, is a transmedia astronomy educator, popular science author, STEAM educator, and science communicator in Hong Kong. He is recently the National Astronomy Education Coordinator (Chair of Hong Kong, China) of the International Astronomical Union and President of Starrix. He was also an International Committee Member of the Dark Sky International, regularly organizing public lectures at the Hong Kong Space Museum and the Hong Kong Science Museum. He was also the author of a popular science book "Decoding the Starry Night: A Guide to Stargazing and Astrophotography".   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

In episode fifty, Erik G. Larsson and Emil Björnson leave Earth to take a closer look at the new advancements in satellite communications. Constellations with thousands of low-Earth-orbit satellites are now orbiting the sky to deliver fast Internet connectivity to infrastructure, homes, and maybe even directly to 6G mobile phones. How can we reach such distant satellites, and how do the satellite constellations connect back to Earth? What are the intended use cases? How can the massive Doppler effect be overcome? What is the role of multi-antenna technology? All the answers are provided in this massive episode. To learn more about Distributed MIMO in space, we recommend the paper https://arxiv.org/pdf/2603.12914 The Swedish SMART 6GSAT research center has the website https://cos.eecs.kth.seMusic: On the Verge by Joseph McDade. Visit Erik's website https://liu.se/en/employee/erila39 and Emil's website https://ebjornson.com/

Bob Zimmerman tracks the transition to commercial space, noting that private companies like Vast are leading the race to build stations to replace the aging ISS. He discusses Amazon's struggle to launch its satellite constellation due to rocket delays, contrasted with SpaceX's efficiency. Zimmerman also reports on a milestone for SpaceX, as a single Falcon 9 booster successfully completed a record 35th flight. (15)192022

Today's Song of the Day is “Hot Blooded” from New Constellations' album It Comes in Waves, out now.

Check out our review of ‘Masters of the Universe.' Beforehand, we'll discuss the week's top entertainment news, including trailers for ‘Onslaught,' ‘How to Rob a Bank,' and ‘The End of Oak Street;' Kane Parsons is already developing a sequel to ‘Backrooms;' reacting to news from the PlayStation State of Play, Xbox Games Showcase, and Summer Games Fest; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:44)‘Masters of the Universe' Movie Review (40:17)*SPOILERS* for ‘Masters of the Universe' (55:20)What Are Ya Doin'? (1:10:32)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Live at the Space Symposium, Constellations spoke with Colonel Eddie Gutierrez who discussed rapid capability delivery, near peer readiness and the importance of integrating operators, acquirers and industry partners to shorten development cycles. He highlights the need for adaptable Guardians, improved targeting and resilient global EW operations, emphasizing that owning the spectrum is critical for joint force success. The conversation underscores how unified vision, reduced process barriers and mission-focused collaboration enable the Space Force to field effective EW systems faster than ever.

Your tuned into Indigenous in Music with Larry K, and this week, joining us, we're honored to welcome Ayden Gray, the artist behind Sinematic. His debut album Metamorphosis is out, written, composed, and produced entirely on his own. He is currently featured in our current issue of the SAY Magazine. Read all about Sinematic at our place on the web at www.indigenousinmusicandarts.org/past-shows/sinematic Also enjoy music from Sinematic, First Floor Highway, Donita Large, Xit, Curtis Clear Sky and the Constellations, Mano Negra, Kind of Sea, iskwe, Physics, The Bloodshots, Dj Bitman, Logan Staats, western medicine show, Shawnee Kish, Melody McArthur, Liv Wade, Puddy Waters, OPLIAM, Wamptronica, Chantil Dukart, Campo, Kinky The Northstars, J.A.M. RematriNation and much more. Visit us at www.indigenousinmusicandarts.org to explore our programs, celebrate culture, and connect with powerful voices shaping our communities. Step inside Two Buffalo Studios, browse our SAY Magazine Library, and meet the incredible Artists and Entrepreneurs who are making an impact today.

Live from our Cork studio, Rick chats to Cork native, Victoria Kinnefick about poems inspired by her home. Al Dalton discusses his production of Constellations, and Áine Ní Laoghaire talks about her feature HouseWork. Plus, music from Pa Sheehy.

Andrea Bajani reads his story “Constellation,” which was translated, from the Italian, by Geoffrey Brock, and appeared in the June 15, 2026, issue of the magazine. Bajani is a winner of the Bagutta Prize and the Strega Prize, among other awards, and the author of ten books of fiction, including “If You Kept a Record of Sins” and “Every Promise.” His most recent novel, “The Anniversary,” from which this story was adapted, is being translated into more than two dozen languages, and will be published in English in August. Learn about your ad choices: dovetail.prx.org/ad-choices

SpaceTime Series 29 Episode 67 *Are we in a cosmic void after all? It's an hypothesis which has been around for decades and refuses to go away: Are we in a cosmic void? *New study confirms a black hole that formed before its galaxy Astronomers using the Webb Space Telescope have identified a supermassive black hole in the early universe that formed before its host galaxy. *Another win for SpaceX over Boeing NASA has just awarded SpaceX six more crew transfer missions to the International Space Station because Boeing still can't certify its Starliner spacecraft as safe for human operation. *SkyWatch June The June Solstice, the constellation Sagittarius, and the Taurids meteor shower are among the highlights of the June night skies on Sky watch.   Our Guests This Week: NASA Administrator Jared Isaacman NASA Associate Administrator Lori Glaze NASA Moon Base executive Carlos García-Galán   And our regular guests: Alex Zaharov-Reutt from techadvice.life Tim Mendham from Australian Skeptics And Senior science writer and Sky and Telescope magazine contributor Jonathan Nally  

The  Moose on The Loose helps Canadians to invest with more conviction so they can enjoy their retirement. Today, we talk about Constellation Software (CSU) It's all about dividend growth investing! Subscribe to the best free dividend investing newsletter: https://thedividendguyblog.com/newsletter Get the 20 income products guide for retirees: https://retirementloop.ca/income/

Check out our review of ‘Backrooms.' We'll also review season two of ‘Beef' on Netflix. Beforehand, we'll discuss the week's top entertainment news, including trailers for ‘Primetime' and ‘In the Hand of Dante;' Zack Snyder is remaking ‘Escape from New York;' Danny Boyle gives an update on the next '28 Years Later;' and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:39)*SPOILERS* for ‘Beef' Season 2 (23:30)‘Backrooms' Movie Review (46:53)*SPOILERS* for ‘Backrooms' (1:03:00)What Are Ya Doin'? (1:26:15)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

John Maytham is joined by actor Mark Elderkin to unpack the production, the complexity of the characters, and what it takes to perform a play that constantly reimagines itself in front of a live audience. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Episode No. 760 features curators Marko Daniel and Elsa Smithgall, and curator Rachel Vogel. With Matthew Gale and Dolors Rodríguez Roig, Daniel and Smithgall are the co-curators of "Miró and the United States" at the Phillips Collection, Washington, DC. The exhibition explores the exchanges between Joan Miró and the mid-twentieth-century US art scene. Not only did Miró have retrospectives at the Museum of Modern Art, New York in 1941 and 1959, but he traveled to the US seven times between 1947 and 1968, when he made a point of seeing US art and visiting US artists. The exhibition at the Phillips is on view through July 5. The Phillips and the Fundació Joan Miró have published a catalogue; the Phillips offers it for $65. As discussed on the program: Alexander Calder, Calder's Circus, 1926-31; "High Wire: Calder's Circus at 100" at the Whitney Museum of American Art, New York; Joan Miró's Constellations, 1940-41; Joan Miró, Blue Triptych, 1961; and "Miró Mural," exhibition at the Museum of Modern Art, New York, 1948; Vogel is the curator of "Parasol Press: Breaking New Ground," a survey of Parasol Press' 1970-2014 output at the Addison Art Gallery, Andover, Mass. Robert Feldman's Parasol Press came to significance by working with minimalist and conceptualist artist such as Dorothea Rockburne, Sylvia Plimack Mangold, Sol LeWitt, Chuck Close, and more. The exhibition is on view through July 31. Instagram: Rachel Vogel, Tyler Green. Air date: May 28, 2026.

SUMMARY DEL SHOW Futuros ligeramente en verde tras nuevos récords en $SPX y Nasdaq, con el mercado todavía montado en infraestructura AI, pero con el crudo alto y la geopolítica marcando el pulso. $MU lidera el rally por memoria para AI y contagia a $WDC, $STX y $SNDK, mientras fondos rotan desde software hacia semis según Goldman. $NVDA anuncia expansión grande en Taiwán con el campus Constellation y $IREN firma $1.6B con $DELL para Blackwell en Texas, reforzando que el ciclo de data centers sigue acelerando.

New Constellations is a Portland, Oregon based band. I chatted with them about pursuing music full time, making their debut record, how their creative relationship has evolved, songwriting, live show, and more. It Come In Waves releases on 5/15/26. To keep up with New Constellations and the podcast, please check out the links below!https://newconstellations.band---------------------------------------------------Thank you to DistroKid for sponsoring this episode of the podcast. Use the link below to receive 30% off your first year of DistroKid services.https://distrokid.com/?c=cable---------------------------------------------------INSTAGRAM:@newconstellationsmusic@dancablepresents@distrokidEmail: dancablepresents@gmail.comSpotify Playlists:https://open.spotify.com/user/54u8tkp1mevtd0i3cz79qbp8l?si=-4NT4PWPSlSowoXQkJhlkAApple Playlists:https://music.apple.com/us/playlist/dcp-april-2022/pl.u-EdAVRqdsXqWdRJVenmo: Dan-Cable-Presents

Check out our review of ‘The Mandalorian & Grogu.' We'll also review the series finale of ‘The Boys' titled “Blood and Bone.” Beforehand, we'll discuss the week's top entertainment news, including trailers for ‘Her Private Hell' and ‘Vought Rising'; the ‘Michael' sequel is happening after all; Quinta Brunson is making a Betty Book film; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:47)*SPOILERS* for ‘The Boys' Season 5 Episode 8 (28:14)‘The Mandalorian & Grogu' Movie Review (54:53)*SPOILERS* for ‘The Mandalorian & Grogu' (1:16:47)What Are Ya Doin'? (1:39:51)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Welcome back to this special live edition of Truth, Lies & Work, the award-winning workplace podcast where behavioural science meets workplace culture. This week, Al, Leanne and Associate Producer Georgia, are joined by three exceptional experts to explore a straightforward but powerful question: what does the military do differently when it comes to leadership, and what can businesses actually learn from it? Most organisations say leadership matters, but many are just guessing. We promote based on length of service, confuse being "in charge" with being a leader, and create cultures where capable people are too afraid to speak up. The military, however, has spent decades perfecting the art of building instant trust and providing the clarity needed for independent action.

In this episode, Simon and Dan cover a wide mix of macro updates, Canadian corporate earnings, and AI-related investment themes. They start by discussing the latest Canadian inflation data, where headline CPI surprisingly slowed despite a volatile energy environment. The hosts also weigh the broader macroeconomic impact of surging bond yields—highlighting the climb in both U.S. and Canadian yields—and explain how these moves directly pressure household disposable income via upcoming fixed-rate mortgage renewals. The conversation then shifts to corporate earnings, starting with Constellation Software's strong quarter, record M&A spending, and whether AI poses a structural threat to the software sector. They also touch on Atkins Réalis (formerly SNC-Lavalin), reviewing its massive nuclear opportunities, unique Candu technology moat, and a new partnership with Nvidia to develop nuclear-powered AI factories. They wrap up by analyzing Canadian Tire's sluggish retail top-line growth, exploring a large sequential decline in Sport Chek store locations and elevated credit card delinquencies that signal a stretched consumer. Finally, the hosts highlight key industrial earnings from Applied Materials and Finning International, which are both capitalizing on the massive infrastructure and data center build-outs fueling the global AI boom. Tickers of stocks discussed: CSU.TO, ATRL.TO, WSP.TO, CTC-A.TO, DOL, AMAT, ASML, FTT, TIH Subscribe to Our New Youtube Channel! Check out our portfolio by going to Jointci.com Our Website Canadian Investor Podcast Network Twitter: @cdn_investing Simon’s twitter: @Fiat_Iceberg Braden’s twitter: @BradoCapital Dan’s Twitter: @stocktrades_ca Want to learn more about Real Estate Investing? Check out the Canadian Real Estate Investor Podcast! Apple Podcast - The Canadian Real Estate Investor Spotify - The Canadian Real Estate Investor Web player - The Canadian Real Estate Investor Asset Allocation ETFs | BMO Global Asset Management Sign up for Fiscal.ai for free to get easy access to global stock coverage and powerful AI investing tools. Register for EQ Bank, the seamless digital banking experience with better rates and no nonsense.See omnystudio.com/listener for privacy information.

Check out our review of ‘Obsession'. We'll also review the penultimate episode of the final season of ‘The Boys' titled “The Frenchman, the Female, and the Man Called Mother's Milk”. Beforehand, we'll discuss the week's top entertainment news, including trailers for ‘Wildwoods' and ‘Hope'; Sam Raimi is remaking a famous ventriloquist classic; Peter Jackson to return to narrative filmmaking with a ‘Tintin' adaptation; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:32)*SPOILERS* for ‘The Boys' Season 5 Episode 7 (20:11)‘Obsession' Movie Review (47:54)*SPOILERS* for ‘Obsession' (1:10:39)What Are Ya Doin'? (1:40:29)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Live at SATshow 2026, Constellations is joined by Blane Boynton, SVP of Product Management and Development at SES, Andrew Cavalier, Senior Analyst at ABI Research and Greg Quiggle, SVP of Product Management at Kratos to unpack how satellite industry players are weaving 5G NTN into their long-term strategies. Listen to find out how competitive pressure is accelerating ground system transformation and how early implementations point towards commercial readiness.

Most law firms don't have a lead problem - they have a tracking, intake, and conversion problem. The Lawyer Stories Podcast Episode 267 features Camila Parodi, Director of Advertising at Constellation Marketing. Camila works closely with law firms on advertising strategy, lead quality, intake performance, ROI tracking, and the systems that ultimately determine whether marketing dollars actually translate into signed cases and long-term growth. In this conversation, we discuss the hidden places law firm advertising budgets quietly leak, why cost per signed case matters more than vanity metrics, and how marketing, intake, and data tracking all need to work together to build a scalable modern law firm. We also explore the evolving role of AI, smarter decision-making through data, and why many firms are still making growth decisions without fully understanding what's actually driving results. Great conversation with Camila about the future of legal marketing and operational growth. This episode is also sponsored by Grow or Die with John Morgan. June 9–10 at the Wynn Encore in Las Vegas — no fluff, no theory. Use code STORIES20: https://events.themorganconnection.com/growordiewithjohnmorgan/lawyerstories This episode presented by CallRail Integrated into your case management system, CallRail helps you: Capture every call - even after hours Spot high-value leads instantly Respond faster Get the insights you need to bring in bigger cases Join over 3,000 law firms using CallRail to follow up faster, land bigger cases, and drive growth for your firm. Start your free trial at https://www.callrail.com/legal-services?utm_medium=influencer&utm_source=lawyer-stories  

New Constellations is a Portland, Oregon based band. I chatted with them about pursuing music full time, making their debut record, how their creative relationship has evolved, songwriting, live show, and more. It Come In Waves releases on 5/15/26. To keep up with New Constellations and the podcast, please check out the links below!https://newconstellations.band---------------------------------------------------Thank you to DistroKid for sponsoring this episode of the podcast. Use the link below to receive 30% off your first year of DistroKid services.https://distrokid.com/?c=cable---------------------------------------------------INSTAGRAM:@newconstellationsmusic@dancablepresents@distrokidEmail: dancablepresents@gmail.comSpotify Playlists:https://open.spotify.com/user/54u8tkp1mevtd0i3cz79qbp8l?si=-4NT4PWPSlSowoXQkJhlkAApple Playlists:https://music.apple.com/us/playlist/dcp-april-2022/pl.u-EdAVRqdsXqWdRJVenmo: Dan-Cable-Presents

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Political correspondents Sam Sokol and Ariela Karmel join host Jessica Steinberg for today's episode. The opposition parties are shaping up ahead of the upcoming elections, as Sokol and Karmel discuss the familiar and new political figures and the jockeying among parties to maximize votes. Karmel also reports on a new Druze political party, the first time the community has formed one in decades, following their deep sense of frustration with the government. As the Knesset returns to its first session after a prolonged break, Sokol and Karmel discuss the expected legislative blitz, including proposed laws to split the role of the attorney general, a controversial proposed political probe into October 7, restricting Israel’s broadcast media landscape, as well as the military exemption service law for the ultra-Orthodox. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: Former Shin Bet chief Yoram Cohen joins Eisenkot’s Yashar party After joining Yashar, ex-head of Shin Bet says Smotrich a ‘legitimate’ partner, but not Ben Gvir Amid speculation of merger, Eisenkot and Liberman say they’re ‘deepening cooperation’ Golan: Zionist opposition must partner with Arab party Ra’am to topple government Yisrael Beytenu, said to eye merger with Eisenkot, adds hostages’ brother to ranks Contentious proposals dominate planned legislative blitz as Knesset readies to resume PM said to ask Haredim to again shelve draft exemption bill — this time until after election Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by Ari Schlacht. IMAGE: ToI political correspondents Ariela Karmel and Sam Sokol join host Jessica Steinberg on today's Daily Briefing podcast. (ToI)See omnystudio.com/listener for privacy information.