Podcast appearances and mentions of Daniel Lanois

Quarta puntata dedicata ai grandi produttori, da Don Was a Aaron Dessner passando per Daniel Lanois e Mark Ronson. Nel nostro "reparto Carne Fresca", andiamo alla scoperta di Colonne, di cui ascoltiamo "Tutto A Posto".Playlist:The Rolling Stones - "Like A Rolling Stone" (Live)Bob Dylan - "Political World"Amy Winehouse - "Tears Dry On Their Own"The National - "I'll Still Destroy You"Colonne - "Tutto A Posto"

Comienza el día con el turista musical, que ha vuelto de las alcantarillas de Madrid tras salvar a su primo de Pennywise, el protagonista de la película 'It'. Durante ese acontecimiento y para proteger al niño de la violencia del payaso, han escuchado 'So payaso' de Extremoduro. Después, nuestro compañero Gustavo Iglesias ha hecho un repaso por la trayectoria del productor Daniel Lanois, que ha trabajado en el nuevo disco de los Arcade Fire: 'Pink Elephant'. A las ocho conocemos la actualidad y una nueva expresión desde Écija: 'perro muerto'. Estrenamos el nuevo tema de Ona Mafalda, 'Sedated', y desvelamos el porqué de la ausencia de Necko Vidal. Por último, el dúo The Low Flying Panic Attack presenta su disco 'Everything you left unsaid'.Escuchar audio

Si te han estado criticando durante meses y ahora te alaban, sospecha. Si antes todo lo hacías mal y ahora no es culpa tuya, sospecha. Lo mismo los elogios que te dedican no son tales elogios. Tal vez esos elogios son en realidad palos para otros. Dios te libre del día de las alabanzas. Min. 01 Seg. 45 – Intro Min. 07 Seg. 26 – Todos suben de audiencia menos uno Min. 13 Seg. 34 – Los silbidos miden la grandeza de un club Min. 19 Seg. 00 – Si hablan de él es que no está entre los elegidos Min. 24 Seg. 38 – Nadie sabe si estás preparado o no Min. 29 Seg. 27 – Antes de llegar ya hay problemas que resolver Min. 34 Seg. 57 – Una noticia y su contraria, así siempre se acierta Min. 41 Seg. 26 – Ensalzado por una temporada buena en un equipo menor Min. 46 Seg. 52 – Si escucha lo que se dice, no sale de casa Min. 52 Seg. 15 – Si antes te daban y ahora te elogian es que estás muerto Min. 60 Seg. 23 – Se quiere ir adonde no se quería ir Min. 64 Seg. 41 – Despedida Alice Cooper - Poison (Clisson 24/06/2022) The Life And Songs Of Emmylou Harris (Washington 10-01-2015) Daniel Lanois & Emmylou Harris - Blackhawk Conor Oberst, Shawn Colvin & Patty Griffin - The Pearl Patty Griffin - Prayer In Open D Lucinda Williams - Hickory Wind Mavis Staples - Will The Circle Be Un broken Holly Williams & Chris Coleman - Orphan Girl Rodney Crowell - You're Still On My Mind Steve Earle - Sin City Mary Chapin Carpenter & Vince Gill - All The Roadrunning Kris Kristofferson - Loving Her Was Easier Than Anything I'll Ever Do Again Lee Ann Womack - Born To Run Vince Gill - Together Again Emmylou Harris - Boulder To Birmingham

    It's World Piano Day! I've made several mixes over the years for Piano Day and each time I wonder if I'll find enough tracks for an interesting mix. And every year it comes together and surprises me with how much I like the finished set. This mix starts with a tune everyone should be familiar with - Eno's Music For Airports 1/2. This recording is by Bruce Brubaker from his fine EP - Eno Piano 2. To make things interesting I played two tracks from it simultaneously and I think it worked pretty well.  While collecting tracks for the mix I was happy to find a piano album from Daniel Lanois. It's from 2022 and I had no idea it existed. I'm a big fan of the Necks so I was also excited to use one of their tracks for the first time. At least I think I've never used their music in a mix before.  LINKS TO ALL THE MUSIC USED IN THIS MIX: https://bruce-brubaker.bandcamp.com/album/eno-piano-2 https://whitelabrecs.bandcamp.com/album/quiet-rooms https://jonhopkins.bandcamp.com/album/ritual https://tapelooporchestra.bandcamp.com/album/psalm019-sabbat-de-voix https://lawrenceenglish.bandcamp.com/album/even-the-horizon-knows-its-bounds https://thehumblebee.bandcamp.com/album/the-trembling-line https://h-mo.bandcamp.com/album/bark-up-the-spirit-tree https://gallerysix.bandcamp.com/album/distance https://latencyrecordings.bandcamp.com/album/latency-alla-villa-medici-ii https://thenecksau.bandcamp.com/album/bleed https://www.amazon.com/Player-Piano-Daniel-Lanois/dp/B0B7BYVZJK https://benlukasboysen.bandcamp.com/album/falling-into-place-original-score https://modernarecords.bandcamp.com/album/the-shoe-factory https://sine-music.bandcamp.com/album/dreamscapes https://www.amazon.com/Nature-Daylight-Piano-Version/dp/B0DKX181VJ   I hope you enjoy this latest installment in celebration of the piano. Cheers!   T R A C K L I S T : 00:00   Bruce Brubaker - Music For Airports 1/2 and 1/2 (Bows Version) played simultaneously (Eno Piano 2 2024) 06:28   Polaroid Notes - Invitation To A Ghost Seance (Quiet Rooms 2024) 10:53   Jon Hopkins - part viii - nothing is lost (Ritual 2024) 14:40   Tape Loop Orchestra - Voix Figées (PSALM019: Sabbat De Voix 2025) 20:10   Lawrence English - ETHKIBIII (Even The Horizon Knows Its Bounds 2025) 25:10   civic hall - II (the trembling line 2024) 28:12   H-M O - Full Circle (Bark up the Spirit Tree 2024) 33:12   Gallery Six & Lorenz Weber - Dialogue 1 (Distance 2024) 36:19   Duval Timothy - Go Without (Latency alla Villa Medici II 2024) 41:32   The Necks - Bleed (Bleed 2024) 46:25   Daniel Lanois - Sunday Asylum (Player, Piano 2022) 49:15   Ben Lukas Boysen - Prologue (Music for Falling Into Place OST 2024) 51:36   Oliver Patrice Weder - Into Pieces (The Shoe Factory 2024) 54:15   Thomas Lemmer - In The Glow Of Midnight (Dreamscapes 2025) 56:27   Max Richter - On the Nature of Daylight(Piano Ver.)(The Blue Notebooks 20 Year Edition 2025) 62:23   end

Ian chats with Benjamin Booker about the delights of downtown Los Angeles, meeting Daniel Lanois, not meeting Neil Young, getting way too high at a Bob Dylan concert, his excellent new record LOWER, and much more. LISTEN TO LOWER CATCH BENJAMIN ON TOUR NEXT MONTH

Maggie speaks with Willie Nelson's youngest son Micah Nelson also known as "Particle Kid" about his latest collaboration with his Father. Willie's 76th studio album and 153rd album overall as he celebrates his 91st year.  Willie Nelson is now in his 7th decade as a songwriter, performer and recording artist, but one of his most underrated talents is song interpretation. Over his career he has tackled songs from across the world of music, making each his own. Willie turns his gaze to a collection of songs by rock legends, idiosyncratic singer songwriters, alt-rock heroes, and indie folk artists. The result is a gorgeously cohesive rumination on loss, love, and world-weary hope, perfectly complemented by spare and spooky musical production. Lovingly curated and produced by his son Micah Nelson, Last Leaf On The Tree finds Willie covering songs from moody indie rock (Beck), psych alt-pop (The Flaming Lips) and punk-informed folk (Sunny War, Micah's Particle Kid) to thought-provoking soul jazz (Nina Simone) and lesser-known gems from legends like Tom Waits, Neil Young, Keith Richards, and Warren Zevon. In addition, the album features new takes on one of Willie's oldest songs (“The Ghost” from 1962) plus a new one penned with Micah (“The Color Of Sound”) that joins Willie's collection of Zen-soaked classics. In addition to producing, Micah Nelson plays many of the instruments and even designed the album cover. He is joined by a host of celebrated musicians plus guest spots from legendary producer and musician Daniel Lanois, John Densmore of The Doors and harmonica master Mickey Raphael, who has played alongside Willie for over 50 years.Source: https://legacyrecordings.medium.com/willie-nelson-the-last-leaf-on-the-tree-d94188f65739Source: https://www.sonymusic.com/legacy/legacy-recordings-releases-willie-nelson-last-leaf-on-the-tree-track/Source: https://willienelson.com/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

YO ho ho ah.. it's a bit late for that. Sorry this WAS supposed to be a Christmas pod. The so called "escape pod" but I got struck with a brutal illness that is only just waning. I shan't linger on it as it's dull but I was down. Down, down, down like the pointer sisters are clearly singing about in "automatic". This pod is brought to you remotely from Sedona Arizona. It might sound a bit less polished as a result but it's the content that matters :) Welcome to this humble whee ramble with Roger Eno, who's had a long and successful career in the olde music game. He's left behind some mellow corkers. If you've never heard “An Ending (Ascent)”  from the album "Apollo: Atmospheres and soundtracks" for example... you simply must. It's a true timeless beauty. The kind of track that if you were to have made it, you'd be chilling for the rest of your days. Quite literally. There's something utterly magical about that one and it really feels like a unique sound only possible thanks to Roger's sensibility. Of course it was a collaboration with Daniel Lanois and his rather famous sibling. It must be strange to have a brother like Brian. As Roger mentions in this pod, if he's ever getting full of himself he reflects on Brian being Bowie's producer and it's all put into stark perspective. A silly thing to linger on of course and we dont get too into that for long but it's there. This pod chat is mostly about him waking up and getting into music and literally how to get out ones way to let that inner music rush forth. Damn good advice nestled in this one I reckon. Happy listening and see you in 2025! x    

This is Episode 424 of Georgian Bay Roots Radio, hosted by Lloyd Lemon that was released on December 1, 2024. Episode 424 is sponsored by The Georgian Bay Folk Society. In this episode Lloyd presents his interview with Terra Lightfoot as recorded at the Sharing Circle on Saturday morning, August 17, 2024. The interview is accompanied by music discussed by Terra (I finally get a chance to play some David Wilcox (one of Terra's early influences). Terra talks about some of her musical roots, her relationships with mentors like Colin Linden and Daniel Lanois, playing on tour with Blue Rodeo, Bruce Cockburn, Blackie & The Rodeo Kings and some of the artists she has co-written with -including Matt Anderson, Colin Linden, Colin James, and Tyler Chester. Terra also graced us with two acoustic performances of new songs: L A Good Sign and and Could've Stayed Lost that she has already recorded and are planned to be released in February. We had some technical challenges with the field recording, but you can hear Terra's talent, passion and spirit shine through (even if it does not duplicate the amazing experience of sitting beside her while she sang and played). #summerfolk #podcast #georgianbayroots #georgianbayrootsradio #Summerfolk49 #terralightfoot #interview #davidwilcox #samweber

**yawn** Oh, there you are, dear listeners. You seemed to have caught me at a moment of residual drowsiness while experiencing my peacefully calm awakening. Give me just a second to open the curtains to let a sliver of morning light into my hovering capsule as I prepare a warm cup of coffee to thaw out my still-wandering grey matter. Would you like coffee, tea, hot chocolate? Name it, and I'll prepare it for you so that our morning routine of our minds slowly blossoming into the day is met with success and gratitude. If you'll allow, I'd love to drop a coin into the cosmic jukebox to get a jingle going. I have just the one. It's a lullaby wrapped in the stars and delivered softly to the transmission tower that beams radiant solace in the form of aural sugar.  Today, as we climb skyward, you will notice the fog in our minds will give way to clouds that form familiar figures that only our individual imaginations can decipher. These clouds are multi-purpose in that they also form pillowy soft foundations that help us prepare for witnessing the splendor of Mother Earth coming around. Once the sky begins to awake, cherish the moments of viewing blissful colors in the sky, hearing the sounds of earthly gears beginning to rotate, and seeing life flourish once again. This phenomenon happens daily, but every time it's like the first. Bask in the glow that rains down from above, and realize the fortunes you have to be given allow you this luxury. Take time to reflect upon those who are not with us and no longer have this awakening luxury. In their honor, celebrate an appreciation for them that they impressed upon your memory with peaceful reverence.  Seeing the sun rising and setting is a commemorative episode, one which we should celebrate. You old boy Tonepoet is here to hang out with you in the cloud chamber during this event. Mentally bathe yourself in the rich light that the heavens have delivered to you. This is a nectar of renewal, so lather up, rinse, and repeat. Unify with the peaceful envelope of optimism, hope, and emanate good will to one another. Yes, I'm a hippie today. It would be remiss of me not to mention this episode's esteemed co-captain on the voyage who happens to be one of my all-time favorite artists: HIDDEN SKY. Hidden Sky soared up from the land down under and boasts an impressive vault of sonic poetry. I own every Hidden Sky release, I'd be a fool not to, and I did my best to insert his music throughout the mix. Pay Hidden Sky a visit and show the love. Peace. Turn on, tune in, awaken... https://www.tonepoet-music.com https://www.facebook.com/tonepoetmusic TRACK LISTING “Station ID” by Hidden Sky from Spoken Words (Start Time: 00:00)  “Waking Up” by Hidden Sky from 오 o (Start Time: 00:12) “Air (Album Version) (Excerpt)” by Rae-Yen Song and Tommy Perman from ○ squigoda song cycle ● water​~​land​~​air ○ (Start Time: 02:56) “Paul Simon” by Hidden Sky from Paul Simon (Start Time: 05:32) “Bedtime Voices (Excerpt)” by Carl Lord from Sacred (Start Time: 11:05) “Quiet Till Noon” by Daniel Vickers & Sergio Mariani from New Dawn (Start Time: 12:48) “II. First Light” by David Stoddard from Evolve (Start Time: 14:48) “Blue Steel” by Daniel Lanois from myndstream Collection Volume 1 (Start Time: 21:14) “Stellar Clouds” by Ancient Astronaut from New Chapters (Start Time: 23:52) “Blossom” by Chandeliers from Music for Disappearing (Start Time: 27:03) “Horizon” by Fields We Found from Distance (Start Time: 31:12) “Day 56 (Slow Strings)” by Hidden Sky from Sketches II (Start Time: 35:20) “day” by Hidden Sky from Waking Life (Start Time: 36:51) “Remembering Me” by IDRA from Resonant Bodies, Anticipated Memories (Start Time: 37:39) “Boy” by Jónsi & Alex Somers from Lost and Found (Start Time: 41:35) “Ginkgoaceae” by Y from Y (Start Time: 46:44) “Sands” by Will Patman from Piano for Bedtime (Start Time: 49:08) “Lately” by Hidden Sky from Reverie (Start Time: 50:17) “DAY IV - Taking A Walk By The River” by Fallen from Of Memories And Hopes (Start Time: 56:39)

In this episode, Shawn celebrates the 40th anniversary of U2's Unforgettable Fire, delving into how this pivotal album reshaped the band's sound and set the stage for their global breakthrough. Shawn discusses the influence of producers Brian Eno and Daniel Lanois, who helped U2 explore atmospheric textures and a more expansive style. He reflects on how Unforgettable Fire captured U2's emerging artistic vision, blending rock anthems with introspective and political themes that still resonate today.Meanwhile, Craig shifts the spotlight to one of his favorite bands, Spoon, focusing on their acclaimed album Ga Ga Ga Ga Ga. Known for its tight, innovative production and catchy yet complex sound, the album showcases Spoon's knack for blending indie rock with soulful, groove-laden elements. Craig breaks down tracks like “Don't You Evah” and “You Got Yr. Cherry Bomb,” explaining how Ga Ga Ga Ga Ga became a modern classic that cemented Spoon's reputation as one of indie rock's most consistent and creative bands.Together, Shawn and Craig explore the unique impact of these two influential albums from different eras, highlighting what makes each record a standout in their respective genres. This episode is a journey through the evolution of rock, showcasing how U2 and Spoon have crafted timeless music that continues to inspire listeners around the world.

Deborah and her husband lost everything but their lives and each other when Hurricane Helene washed away their house a few weeks ago. Deborah's experience of this “emergence” is framed by her experiences as a Zen Buddhist monk, teacher, and author. I greatly appreciate her trust in sharing her thoughts and insights — even while still immersed in the rawness of her grief and shock at almost being swept away with her home and everything in it. Listen to her explain what it's like to find diamonds in the wreckage.Here's the video Deborah took in the ruins of her home:If you are moved to help in the recovery, please go here.Intro music “Brightside of the Sun,” by Basin and Range. “Still Water,” by Daniel Lanois. Outro: “Smoke Alarm,” by Carsie Blanton.Still Water, by Daniel LanoisSad eyes, sad eyesWhere're you going with that confidence?Sad eyes, sad eyesWhere're you going with that confidence?I'm going to where the boats go byCaledonia river flow so wideI'm going to where the boats go byCaledonia river flow so wideStill water - Laying overStill water - Laying overStill water - Laying overCaledonia river oh, so wideWild eyes in the wildernessWhere're you going with the devil in hand?Wild eyes in the wildernessWhere're you going with the devil in hand?I'm going to build the bridges highfor working money, for working moneyI'm going to climb the bridges highCaledonia brother far awayStill water - I'm laying overStill water - Lay my body down overStill water - Laying overCaledonia river far away...Sad eyes in the weary nightHave you seen your brother,have you seen your brother?Waiting by the river GrandCaledonia river oh, so wideGoing to where the rain fallsLook for my brother,look for my brotherGoing to where the rain fallsCaledonia river far awayStill water - Laying overStill water - Lay my body downStill water - Laying overCaledonia river far away... This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chrisryan.substack.com/subscribe

In this episode of The Band: A History, we explore Robbie Robertson's journey into crafting his debut solo album, influenced by his vision of "The Shadowland." After focusing on film scoring, Robertson returned to music in the mid-1980s, collaborating with key figures like producer Daniel Lanois to create an atmospheric, cinematic sound. We dive into the making of the album, Robertson's strategic decisions, and partnerships with renowned musicians and producers. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Rich and Danny wish a belated happy birthday to Hall of Fame producer Daniel Lanois. The name might not be familiar, but the people with whom he has worked (U2, Peter Gabriel, Bob Dylan, many others) will be. The guys go through some of the highlights of Lanois’ production career, and play a […]

British pop/rock vocalist and songwriter Tasmin Archer joins Al to discuss Daniel Lanois' 2003 album Shine. Tasmin talks about how she became a fan of Lanois' music, and she breaks down the elements of Shine that make it one of her favorite albums, highlighting some of her favorite tracks along the way. She also revisits the making of her 1992 signature hit “Sleeping Satellite” and reveals which band indirectly influenced its sound. The conversation concludes with Tasmin talking about her upcoming album A Cauldron of Random Notes, which will be released in late 2024 or early 2025.To keep up with news on Tasmin's album release, sign up for her newsletter and much more, check out tasminarcher.com. You can also follow Tasmin on X at @tasminarcher and on Facebook at tasmin.archer.Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.1:15 Tasmin joins the show1:45 Tasmin talks about the Lanois track that hooked her on his music2:52 Tasmin recalls the moment she knew “Sleeping Satellite” was going to be special5:13 Tasmin explains how she initially got exposed to Lanois' music7:52 Tasmin and Al talk about how they responded to the album's sequencing11:55 Tasmin explains how Shine gets better with repeated listens14:03 Tasmin talks about the timeless quality of Lanois' music18:58 Tasmin identifies what she likes about Lanois' vocals24:59 “Shine” is one of Tasmin's favorite tracks on the album26:54 Tasmin and Al discuss “I Love You” and “Falling at Your Feet” (with a brief Genesis detour)31:53 Tasmin and Al talk about Lanois' take on reggae34:56 Tasmin shares her reaction to some of Lanois' lyrics38:49 Tasmin expects that Lanois will continue to make great music41:57 Tasmin explains how Lanois may have influenced some tracks on her new album44:17 Tasmin talks about some of the other influences on “Madame Joy”48:41 One of Tasmin's new songs reminds her of U250:36 Tasmin discusses the process of making A Cauldron of Random Notes58:57 Tasmin explains where the title for A Cauldron of Random Notes came from1:00:57 Tasmin talks about her initial reaction to “Sleeping Satellite” as it was being written1:03:55 Tasmin discusses the possibility of upcoming live performances Outro music is from “Sleeping Satellite” by Tasmin Archer.Support the show

U2 were on a sharp trajectory up after 1983's War and the 1984 live album Under A Blood Red Sky. With sharp guitar licks from The Edge, powerful and earnest vocals from Bono and a killer rhythm section with Larry Mullens, Jr (drums) and Adam Clayton (bass), U2 were on their way to being the next great rock band. However, the boys yearned for something more than rock stardom and big American fame through disposable pop hits. They wanted a more European sound that was cultivated by the likes of Roxy Music and Ultravox. So much to the chagrin of Island Records founder Chris Blackwell, they employed Brian Eno (Roxy Music, David Bowie) and his engineer Daniel Lanois to help guide them on a mystical musical journey that would change their sound forever. And while they did score a big radio with with Pride (In The Name Of Love), most of the album is more ambient and often subdued. Deep cuts like Bad, A Sort of Homecoming and Indian Summer Sky may have caught the attention of fans and rock DJs, the album didn't become the game changer for which they may have been hoping. However, it set the groundwork for the next album, The Joshua Tree, which would propel them to superstar status around the globe. As it turns 40, we explore this left turn by U2 which would eventually pay enormous dividends. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

U2 were on a sharp trajectory up after 1983's War and the 1984 live album Under A Blood Red Sky. With sharp guitar licks from The Edge, powerful and earnest vocals from Bono and a killer rhythm section with Larry Mullens, Jr (drums) and Adam Clayton (bass), U2 were on their way to being the next great rock band. However, the boys yearned for something more than rock stardom and big American fame through disposable pop hits. They wanted a more European sound that was cultivated by the likes of Roxy Music and Ultravox. So much to the chagrin of Island Records founder Chris Blackwell, they employed Brian Eno (Roxy Music, David Bowie) and his engineer Daniel Lanois to help guide them on a mystical musical journey that would change their sound forever. And while they did score a big radio with with Pride (In The Name Of Love), most of the album is more ambient and often subdued. Deep cuts like Bad, A Sort of Homecoming and Indian Summer Sky may have caught the attention of fans and rock DJs, the album didn't become the game changer for which they may have been hoping. However, it set the groundwork for the next album, The Joshua Tree, which would propel them to superstar status around the globe. As it turns 40, we explore this left turn by U2 which would eventually pay enormous dividends. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Chapter 1:Summary of Chronicles"Chronicles: Volume One" is an autobiographical book by Bob Dylan, the iconic American singer-songwriter and Nobel laureate. Published in 2004, it is the first installment of a planned three-volume memoir. The book delves into Dylan's life through a selective and non-linear narrative rather than a traditional, chronological memoir. In "Chronicles: Volume One," Dylan discusses various stages of his career, starting with his arrival in New York City in 1961, where he rapidly emerged as a prominent figure in the folk music scene. The book provides a vivid portrayal of the city's cultural atmosphere during this period, emphasizing the artists, musicians, and writers who influenced the young Dylan. Rather than focusing on his most successful and well-known phases exclusively, Dylan also explores less-discussed periods of his music career, such as the early 1990s, when he recorded albums like "Oh Mercy" and "Time Out of Mind", explaining his creative decisions and the evolution of his music during these times.Dylan's prose reveals his profound attachment to music, literature, and the American cultural landscape, referencing various artistic influences that shaped his songwriting and worldview. The book is notable for its lyrical quality, reflecting his talent as one of the greatest songwriters of his time.Contributing a personal and introspective perspective on Bob Dylan's life and career, "Chronicles: Volume One" is a valuable text for understanding the man behind the music, providing insights into his thoughts, motivations, and artistic journey in his own words. The work has garnered praise for its poetic approach and unique take on the memoir genre, blending historical narration with deeply personal anecdotes.Chapter 2:The Theme of Chronicles"Chronicles: Volume One" by Bob Dylan, published in 2004, is a memoir that explores key events and periods in the iconic musician's life. Although the book does not follow a strict chronological order, it provides profound insights into Dylan's personal experiences and the development of his artistry. Below we'll discuss some key plot points, character development, and thematic ideas from the book: Key Plot Points1. Arrival in New York City (1961): The book opens with Dylan's arrival in New York in 1961, highlighting his initial struggles and his eagerness to make a mark in the music scene. This early chapter sets the stage for his future successes and struggles.2. Recording of "Oh Mercy" (1989): Dylan details the recording process of the 1989 album "Oh Mercy," particularly focusing on his collaboration with producer Daniel Lanois. This is significant as it represents a period of artistic resurgence for Dylan after a series of less critically acclaimed works in the 1980s.3. Exploration of Musical Influences: Throughout the memoir, Dylan reflects on the artists and experiences that shaped his music, including his time spent learning from folk artist Woody Guthrie and his exposure to various musical styles.4. Personal Struggles and Reflections: Dylan discusses various personal challenges, including his discomfort with his fame and the public's expectations of him. His philosophical musings and self-reflection are key elements that run through the narrative. Character Development- Self-Awareness: As a character in his own memoir, Dylan exhibits a growing self-awareness and maturity. This development is most apparent as he looks back at his younger self with a mixture of affection and critical insight.- Artistic Integrity: Dylan's commitment to his artistic vision, despite external pressures and expectations, is a central part of his character. His integrity in his musical and personal life is tested and ultimately reinforced through the experiences he shares.- Resilience: The memoir highlights Dylan's...

Aidan Baker with Richard Baker [00:25] "Western Salvia" Smudging Backwards BW06 2012 Remeber kids, friends don't let friends smudge with white sage. Dwarf Chorus [04:19] "Bluddle-Uddle-Um-Dum (The Washing Song)" Snow White and the Seven Dwarfs Disneyland 1201 1968 Don't forget behind the ears

  I've been listening to the music of Rafael Anton Irisarri for a long time. The oldest album of his that I have is 2007's Daydreaming. I'm listening to it as I type this and wow, I'd forgotten how excellent it is. His music has changed a bit since then - now using drones, symphonic washes, tape loops, layers of distortion and "bleached out textures." So I was excited when he offered to do a guest mix. Um, yes please! This mix is everything that I love about guest mixes because it takes twists and turns that I normally do not so it kept me engaged to whole way through. Here's what Rafael has to say about this set: "I crafted this mix as Spring gently dissolves into Summer, drawing inspiration from perennial favorites like Arvo Pärt and Harold Budd. It features the work of many dear friends and colleagues such as Sylvain Chauveau and Federico Durand, as well as some favorite tracks I've mastered at my Black Knoll Studio in New York. This includes pieces from William Basinski, Eluvium, Michael Muller, and Julia Kent, along with contributions from Grand River, Animated Matter (Hannah Elizabeth Cox), Concepción Huerta, Christina Giannone, Pepo Galán, and Karen Vogt. Adding a personal touch, I've included a piece from my latest album, released on my newly minted Black Knoll Editions, in collaboration with the esteemed Italian producer Abul Mogard. There's also a special collaborative piece I created with the brilliant Julianna Barwick a couple of years ago. Hope you enjoy!  Looking forward to playing some shows this summer, starting in Italy on July 7th with Abul Mogard in Rome at Halfdie Festival, then later on September 14 at Ametric Festival in Chania, Greece. Stay tuned for more announcements by following on Instagram @blackknoll or at www.irisarri.org."   Thanks Rafael for this amazing mix!   Here are links to all the music used in this mix: https://ghostly.bandcamp.com/album/thousands-of-eyes-in-the-dark https://animated-matter.bandcamp.com/album/selkie https://federicodurand.bandcamp.com/album/flor-imaginaria https://www.amazon.com/Apollo-Atmospheres-Soundtracks-Brian-Eno/dp/B000003S1E https://beaconsound.bandcamp.com/album/lower-river-reworks https://williambasinski.bandcamp.com/album/on-reflection https://abulmogard.bandcamp.com/album/impossibly-distant-impossibly-close https://ecmrecords.com/product/arvo-part-tabula-rasa-gidon-kremer-keith-jarrett-tatjana-grindenko-alfred-schnittke-the-12-cellists-of-the-berlin-philharmonic-orchestra-staatsorchester-stuttgart-dennis-russell-davies-lithuan/ https://sylvainchauveau.bandcamp.com/album/un-autre-d-cembre https://eluvium.bandcamp.com/album/whirring-marvels-in-consensus-reality https://headphonecommute.bandcamp.com/album/for-ukraine-volume-2 https://www.amazon.com/Lovely-thunder-HAROLD-BUDD/dp/B00004XNLZ/ref=sr_1_1?crid=3SE3RKREFK46O&dib=eyJ2IjoiMSJ9.lEh9qetRmaBVCr72TtjwA5RjuHqSmI-OmCaB1sChoxY._GCIjpRo_wRaKREhIt1SrdMNfgMKbTh7Ieu0Nd27hxI&dib_tag=se&keywords=Harold+Budd+-+Lovely+Thunder&qid=1718556861&sprefix=harold+budd+-+lovely+thunder%2Caps%2C300&sr=8-1 https://facture.bandcamp.com/album/family-harmony https://concepcionhuerta.bandcamp.com/album/harmonies-from-betelgeuse https://pitp.bandcamp.com/album/glazed-vision   Cheers!     T R A C K L I S T : 00:00   Grand River - This Was Us (VA: Thousands of Eyes in the Dark, 2019) 01:53   Animated Matter - Follow (Selkie, 2021) 04:28   Federico Durand - Flor Imaginaria (Flor Imaginaria, 2020) 06:41   Brian Eno, Daniel Lanois, and Roger Eno - Signals (Apollo: Atmospheres and Soundtracks, 1983) 08:16   Michael Muller - Glyph II (Julia Kent Rework) (Lower River Reworks, 2020) 12:52   William Basinski & Janek Schaefer  . . . on reflection (four) (“ . . . on reflection “, 2022) 15:12   Abul Mogard & Rafael Anton Irisarri - Place of Forever (AM Radio edit) (Impossibly Distant, Impossibly Close, 2024) 21:52   Arvo Pärt - Fratres For String Quartet (Fratres, 1977) 31:22   Sylvain Chauveau - La Lettre Qu'il N'Envoya Jamais (Un Autre Décembre, 2003) 32:56   Eluvium - Vibration Consensus Reality(for Spectral Multiband Resonator) ((Whirring Marvels In) Consensus Reality, 2023) 41:06   Julianna Barwick + Rafael Anton Irisarri - Thalasso (For Ukraine Vol. 2, 2022) 46:21   Harold Budd - Sandtreader (Lovely Thunder, 1986) 51:32   Pepo Galán feat. Karen Vogt - It's All Around You (Family Harmony, 2023) 56:13   Concepción Huerta - Solastalgia (Harmonies from Betelgeuse, 2022) 59:37   Christina Giannone - Immortality (Glazed Vision, 2021)

Lou, Mark and Perry listen to Daniel Lanois also some Dr Demento stuff also music trivia and random relish topics and a look at performers got paid at the original Woodstock festival in 1969 plus Bob Welch and much more.. --- Send in a voice message: https://podcasters.spotify.com/pod/show/perry--dedovitch/message

Am 8. Juni 1999 erscheint mit "Californication" das siebte Studioalbum der Red Hot Chili Peppers — und ihr erfolgreichstes. Auf "Californication" zeigen die Red Hot Chili Peppers ihre Narben, das Kalifornien, das sie in den 90ern erleben und in manchen Songs auch den harten Alltag von Sex, Drugs and Rock'n'Roll. Die gesamte Platte ist ein Wendepunkt in ihrer Karriere, eine Art Wiedergeburt. Mehr als 15 Millionen Mal hat sich "Californication" bereits verkauft. Mit dem Album "Blood Sugar Sex Magik" 1991 ebneten die Red Hot Chili Peppers ihren speziellen Sound. Harte Rock & Funk Grooves trafen auf den stakkatohaften Sprechgesang von Anthony Kiedis — das war etwas ganz Neues und machte "Blood Sugar Sex Magik" zu einem echten "Signature"-Album. Die Single "Under The Bridge" wird zu einem Riesenhit. Für Gitarrist John Frusciante wird der Erfolg zu viel und bedingt durch seine schwere Heroinsucht steigt er 1992 aus. Die Peppers holen sich Dave Navarro als Ersatz, "One Hot Minute" heißt ihr gemeinsames Album im Jahr 1995. Danach wird es wild, die Red Hot Chili Peppers führten ein Leben zwischen Live-Gigs, Drogenexzessen, Selbstzerstörung und Selbstfindung. 1998 beschließt die Band ein neues Album aufzunehmen, mit einem vollkommen neuen Sound. Es sollte elektronischer werden. Sie fragten verschiedene namenhafte Produzenten an, darunter David Bowie, Daniel Lanois und Brian Eno — doch alle sagten ab. Daher blieben sie bei ihrem Erfolgsproduzenten Rick Rubin. Geprobt wurde in der Garage auf dem Anwesen von Bassist Flea. Dave Navarro erschien immer wieder unter Drogen bei den Sessions, weshalb die Peppers nicht länger mit ihm zusammenarbeiten wollten. Im Jahr zuvor begann ihr alter Bandkollege John Frusciante einen Entzug und schaffte es, seine Heroin-Abhängigkeit zu bekämpfen. Vielleicht war es Schicksal, er kehrte zu den Peppers zurück, obwohl er sich zu diesem Zeitpunkt körperlich in einem wahnsinnig schlechten Zustand befand. Sie probten gemeinsam, schrieben Songs — die Band-Chemie stimmte einfach und dann nahmen sie mit "Californication" einen echten Meilenstein auf. Zum Zeitpunkt der Aufnahmen war zwar John nach seinem Entzug wieder clean, Anthony jedoch noch nicht. Er hatte 1995 einen Rückfall erlitten und wurde erst später, im Jahr 2000, clean. Und auch Schlagzeuger Chad Smith war bis 2004 alkoholabhänigig. Die Jungs verband zeitlebens ein trauriges Schicksal: alle waren auf unterschiedliche Arten schwer drogenabhängig. Der Opener "Around The World" handelt von der Schönheit der Welt und dem hektischen Tourleben. Es sind autobiografische Texte von Anthony Kiedis, mit denen er Bilder und Metaphern im Kopf der Hörer und Hörerinnen entstehen lässt, die sich wie ein roter Faden durchs Album ziehen. Für Markus Kavka und seine damalige Arbeit bei Viva 2, war "Californication" einer der wichtigsten Releases überhaupt. Vor allem die musikalisch und auch textlich vollkommen neuen Ebenen, die sich aufgetan haben, haben Kavka persönlich sofort begeistert. Die Lead-Single "Scar Tissue" erschien bereits zwei Wochen vor der Veröffentlichung des Albums, am 25. Mai 1999 und gewann einen Grammy für den besten Rocksong 2000. Für SWR1 Musikredakteur Stephan Fahrig ist der Song eine Blaupause des Red Hot Chili Peppers-Sounds, der danach entstanden ist. John Frusciante musste sein Gitarrenspiel erst langsam wieder erlernen, spielt ganz einfache Akkordfolgen, diese aber wunderschön aufteilt auf dem Griffbrett. Er nimmt sich total zurück. Sein Gitarrensolo am Ende des Songs gilt laut dem Fachmagazin "Guitar World" als "eines der besten Gitarrensoli der Rockgeschichte. Nach diesem ersten Ausstieg und nach diesem Entzug hat John Frusciante einen komplett eigenen Stil in die Band mit eingebracht, den es zuvor in dieser Form noch nicht gab. Der Song "Scar Tissue" steht für die Wiedergeburt dieser Band und ist für Kavka quintessenziell für alles, was die Red Hot Chili Peppers ausmacht. Das Video zum Song zeigt die Peppers völlig vernarbt mitten in der Wüste. Auch die Autobiographie von Sänger Anthony Kiedies trägt den Namen "Scar Tissue" im Titel. Um welche Narben es sich hier genau handelt, die die Jungs nicht nur in ihren Songs verarbeiten, hören Sie im Podcast. "Californication" erzählt die Geschichten von wandernden Seelen, die auf der Suche nach dem amerikanischen Traum in Kalifornien vom Weg abgekommen sind. "Californication" ist die Kritik am vermeintlich oberflächlichen kalifornischen Lifestyle, ein Song über den Verfall der künstlichen Gesellschaft, wie sie von den Red Hot Chili Peppers wahrgenommen wird. Es ist die dunkle Seite des amerikanischen Traums, von dem sie wissen, dass sie selbst Teil des Ganzen sind. "Californication" war für viele junge Menschen von sehr großer Bedeutung und hält bis heute noch nach. "Was ich an dem Text auch so toll finde ist, dass einem nicht erzählt wird, was Sache ist, sondern es wird einem mit Bildern vor Augen geführt. Und das finde ich halt sehr, sehr poetisch. Und wenn man den Song mit geschlossenen Augen hört, dann hat man eigentlich die ganze Zeit über fast so eine Art Film vor seinem inneren Auge." (Musikjournalist Markus Kavka über "Californication") Mehr über das Geheimnis hinter der Komposition und Produktion von "Californication", die umstrittene Soundqualität, was es mit dem brennenden Schwimmbad auf dem Cover auf sich hat und noch vieles mehr, erfahren Sie im Meilensteine Podcast zu "Californication" von Red Hot Chili Peppers. __________ Shownotes Meilensteine Eagles – "Hotel California": https://www.swr.de/swr1/rp/meilensteine/eagles-hotel-california-100.html Podcast-Empfehlung "Fuck you very, very much!" mit Interview-Gast Markus Kavka und Jennifer Weist: https://www.ardaudiothek.de/sendung/fuck-you-very-very-much-die-groessten-beefs-im-musikbiz/13172547/ YouTube-Video von "Otherside": https://www.youtube.com/watch?v=rn_YodiJO6k Der originale Cover-Entwurf zu "Californication": https://creativechair.org/lawrence-azerrad/ Buchtipp:"Scar Tissue (Give it Away)" Anthony Kiedis: Der Sänger der Red Hor Chili Peppers – Die Autobiographie: https://www.kiwi-verlag.de/buch/anthony-kiedis-scar-tissue-give-it-away-9783462034837 __________ Über diese Songs vom Album "Californication" wird im Podcast gesprochen (12:15) – "Around The World"(20:42) – "Scar Tissue"(35:19) – "Other Side"(44:03) – "Californication"(1:00:15) – "Road Trippin'"__________ Über diese Songs wird außerdem im Podcast gesprochen (05:16) – "MfG" von den Fantastischen Vier(05:55) – "You Get What You Give" von New Radicals(06:46) – "Under The Bridge" von Red Hot Chili Peppers__________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Alain Johannes habla sobre el disco 'Euphoria Mourning' de Chris Cornell, del cual fue guitarrista, coautor y coproductor. En este episodio Alain Johannes (Eleven, Chris Cornell, Queens Of The Stone Age, Them Crooked Vultures) comenta: El papel que desempeñaron él, Natasha Shneider y Chris Cornell en el proceso de grabación y composición de ‘Euphoria Mourning'. Cómo, gracias a Chris, Alain y Natasha pudieron montar el estudio casero en el que, sin haberlo planeado, acabaron grabando el disco. El proyecto que tenían los tres de formar una banda junto a Matt Cameron, y la sorpresa que se llevaron Alain y Natasha cuando se enteraron de que Chris se había unido a Audioslave. La gira de presentación de ‘Euphoria Mourning', su preparación y la recepción del disco. La influencia del flamenco y la música india en las guitarras de Alain Johannes. El genio musical de Natasha Shneider. Además Alain cuenta cómo, durante la escuela secundaria, se le ocurrió enseñarle a tocar el bajo a un amigo que hasta entonces solo tocaba la trompeta... Flea. Y por el camino nos encontramos con Temple Of The Dog, PJ Harvey, Mark Lanegan, Frank Zappa, Ministry, Saint Vincent, Daniel Lanois, Paco de Lucía, Peter O'Toole, los caracoles y un hombre araña en el minibar, entre otros. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! Contacto: discoprestado@proton.me La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica ¡Salud y buena música! Marc Aliana marcaliana.com

Martha and the Muffins is a Canadian new wave band formed in Toronto in 1977. Known for their eclectic sound that blends post-punk, art rock, and new wave influences, the band achieved international success with their hit single "Echo Beach" in 1980. Martha and the Muffins was formed by two art students, Martha Johnson and Mark Gane, at the Ontario College of Art. They were soon joined by David Millar, Carl Finkle, Mark Gane's brother Tim Gane, and Martha Ladly. The band name was chosen as a playful jab at the plethora of "The Something-something" band names at the time. The group quickly became a staple in the Toronto music scene, known for their quirky and innovative performances. Their unique sound combined elements of punk, rock, and electronic music, setting them apart from their contemporaries. In 1979, Martha and the Muffins signed with the British label Dindisc, a subsidiary of Virgin Records. Their debut album, "Metro Music," was released in 1980 and included the single "Echo Beach." The song became an international hit, reaching the top 10 in Canada, the UK, and several other countries. Its catchy melody and wistful lyrics captured the imagination of a generation and remain iconic to this day. The success of "Echo Beach" propelled the band into the spotlight. However, they faced challenges in maintaining their momentum. Their second album, "Trance and Dance" (1980), and third album, "This is the Ice Age" (1981), saw significant lineup changes. In 1982, the band released "Danseparc," another collaboration with new member, Daniel Lanois. The album further showcased their willingness to experiment with different sounds and production techniques. By the mid-1980s, Martha and the Muffins underwent a significant transformation, with Mark Gane and Martha Johnson remaining the core members. They released "Mystery Walk" in 1984, which included the Canadian hit "Black Stations/White Stations," a song that tackled issues of racial segregation in the music industry. Following the release of their 1985 album "The World is a Ball," Martha and the Muffins took a hiatus. During this period, Johnson and Gane focused on solo projects and other collaborations. Johnson released a solo album, "Solo One," in 1997, while Gane worked on various production and music projects. In the early 1990s, Martha and the Muffins reformed, primarily as a duo consisting of Johnson and Gane. They released "Modern Lullaby" in 1992, which was well-received by critics but did not achieve significant commercial success. After another extended hiatus, the band re-emerged in 2010 with the album "Delicate," which marked a return to their roots while incorporating modern influences. This period also saw renewed interest in their earlier work, with reissues and retrospective collections. Martha Johnson was diagnosed with Parkinson's Disease in 2001. She has been open about her battle and has faced significant challenges due to the progressive nature of the disease. Martha's diagnosis came after she began experiencing symptoms that interfered with her ability to perform and record music. The diagnosis was a significant moment for her, marking the beginning of a long journey to manage the condition while continuing her career in music. Despite the challenges, Martha has shown remarkable resilience. She has become an advocate for Parkinson's disease awareness, using her platform to educate others about the condition. Her advocacy includes speaking engagements and participating in events aimed at raising funds for research and support for those affected by the disease. She has not let Parkinson's disease define her or halt her creativity. Martha continues to be involved in music and is an inspiration to many. Martha has just released a new single to enhance awareness of PD and this week shares her personal reflections on music and living with Parkinson's disease. Her story is one of courage, persistence, and the power of music to transcend personal hardships.

In this second part of the LEGENDS: Podcast by All Day Vinyl interview with music producer Mark Howard, host Scott Dudelson speaks with Howard to look behind the scenes on the recording of Neil Young's Le Noise & Tom Waits Real Gone album sessions, and remixing of Joni Mitchell's debut album "Song to a Seagull" Immerse yourself in the world legends as Howard shares first-hand accounts of their quirks and idiosyncrasies.  In the first part of the episode we dig into the production of Le Noise by Neil Young which was produced by Daniel Lanois and recorded/mixed by Mark Howard.  Howard shares some incredible stories about the way Neil Young work and his creative process. Learn how the full moon and a single marijuana joint helped shape Neil Young's song "Hitchhiker," perhaps the centerpiece of the album. In the second part of the episode we dig into Tom Waits production of Real Gone with Howard sharing some incredible stories about Waits' unique style of production, recording and writing.   In the final part we talk about Howard's work with Joni Mitchell on remixing her first album "Song to A Seagull" which was originally produced by David Crosby in 1968.  Howard shares details of those sessions and great stories about how Joni aimed to achieve the sound she wanted for her first album. Get a glimpse into the world of iconic musicians and a rare peek into the behind-the-scenes intricacies of music production. If you like Neil Young, Joni Mitchell and Tom Waits in-studio stories, this episode delievers the goods. Please Rate and Subscribe if you like this content.  Also check us out on YouTube for the video interview @alldayvinyl and on Instagram @alldayvinyl    

The Richard Syrett Show, April 17th, 2024 Alex Jones to Sue FBI and CIA for Targeting Him https://www.newsweek.com/alex-jones-fbi-cia-gavin-oblennis-sound-investigations-allegations-1889285  J. Michael Waller, author of Big Intel: How the CIA and FBI went from Cold War Heroes to Deep State Villains. Senior Analyst for Strategy at the Center for Security Policy THE CULT OF CLIMATE CHANGE Senator Mike Lee (R.) Utah asks Energy Secretary to estimate the impact net carbon neutrality would have on global temps. She has no idea. Cost to achieve net carbon neutrality? $275 Trillion  Tony Heller – Founder of Real Climate Science dot com Take Back Your Health From Big Pharma!  Dr. Lynn Lafferty, Doctor of Pharmacy, a Diplomate from the American Clinical Board of Nutrition, a Naturopathic Doctor, a Master Herbalist, and a Chef. As an Endowed Professor at Nova Southeastern University, Dr. Lafferty loves to teach and is committed to finding the safest and most effective ways to promote health and wellness. https://drlynnlafferty.com THIS DAY/WEEK IN ROCK HISTORY In 1971, all four ex-Beatles were in the UK singles chart at the same time. George Harrison's “My Sweet Lord” went to No.1 while Paul McCartney's “Another Day,” Ringo Starr's “It Don't Come Easy” and John Lennon's “Power To The People” all made the Top 10. 1983: Flying saucers are sighted by many in attendance, while Frank Marino & Mahogany Rush are on stage during a festival in San Juan, Puerto Rico. The Answer 1983: Bryan Adams performs "Straight From The Heart" and "Cuts Like A Knife," during his first appearance on American Bandstand. Straight from the hEart 1990: Neil Young and Daniel Lanois are among the performers at the Nelson Mandela - An International Tribute To A Free South Africa concert in London's Wembley Stadium. Hey Hey, My My.  Jeremiah Tittle, Co-Host of “The 500 with Josh Adam Myers” podcast, CEL/Founder of Next Chapter Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

After two consecutive conventional and commercially successful records in "All That You Can't Leave Behind" and "How to Dismantle An Atomic Bomb," the time was right to explore something different and go someplace else to do it. So, U2 heads off to Fez, Morocco with Brian Eno and Daniel Lanois, not just as producers but as songwriting partners. The sessions in Fez result in the kind of experimental material they'd hoped for, but when the band returns home, distractions and second guessing start to alter the original vision for the record.

Kyle Crane - Drummer/Songwriter!Kyle is an incredible drummer based in Los Angeles. His impressive resume includes touring with Rufus Wainwright, Madison Cunningham, M. Ward, Neko Case, Daniel Lanois, and recording with Iron & Wine, Kurt Vile, First Aid Kit, Conor Oberst and many others! He also has a solo project called Crane Like The Bird featuring a lot of great artists (which I highly recommend checking out).Check him out on instagram @kylejeffreycrane and @cranelikethebirdmusic GSWMP is a podcast for musicians, music lovers, and anyone who loves a good story! In-depth discussions about the music industry & gig life with a variety of musicians & creatives from all over the world!@gigstorieswithmusicpeopleHost:Evan Mykl Chudnow @evanonthebass @the_spaceminthttps://www.thespacemint.com/http://www.evanonthebass.com/https://gig-stories-music-people.captivate.fm*At the moment I have no sponsors, so if you'd like to support this podcast the best thing is to share it on social media or with someone who might be interested! If you want to go above and beyond that and help ensure more episodes you can also purchase my music (including the podcast theme song Smith Type Johnson) at https://evanmykl.bandcamp.com/ or even make a contribution on Venmo @Evan-TheSpacemint any help is very much appreciated!Thank you for listening!

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123123Coyote Shivers is a musician, songwriter and actor. As a rock'n'roll obsessed teenager in Canada, his career was launched when he co-produced the first single for the band Shadowy Men On A Shadowy Planet. The B-side, Having an Average Weekend, became the theme song for the television show “Kids In The Hall”. Soon he started working in studio for iconic producer Daniel Lanois. After moving to Manhattan in the 90's, Coyote was cast as Berko in the cult classic Empire Records. The film ends with his song Sugar High, in a duet with Renee Zellweiger. In this episode, hostess Pleasant Gehman and Coyote talk about the shenanigans that went on behind the scenes of the set of Empire Records, stories of opening for Kiss, touring in the UK, and of course, the Ramones Ducks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Coyote Shivers is a musician, songwriter and actor. As a rock'n'roll obsessed teenager in Canada, his career was launched when he co-produced the first single for the band Shadowy Men On A Shadowy Planet. The B-side, Having an Average Weekend, became the theme song for the television show “Kids In The Hall”. Soon he started working in studio for iconic producer Daniel Lanois. After moving to Manhattan in the 90's, Coyote was cast as Berko in the cult classic Empire Records. The film ends with his song Sugar High, in a duet with Renee Zellweiger. In this episode, hostess Pleasant Gehman and Coyote talk about the shenanigans that went on behind the scenes of the set of Empire Records, stories of opening for Kiss, touring in the UK, and of course, the Ramones Ducks. Learn more about your ad choices. Visit megaphone.fm/adchoices

Incoming transmission from Roger Eno. This week on the show, he joins us for a freewheeling, friendly chat about art, place, and Dune (1984). Eno began his recording life in 1983, when he joined his brother Brian and Daniel Lanois at the latter's studio in Hamilton, Ontario, to cut one of our favorite albums of all-time, Apollo: Atmospheres and Soundtracks. Imbued with country and western ambiance, it suggests the vastness of space and man's ventures into it. Not only that, but it serves as one of the foundational documents of the "ambient country" subgenre that practically forms its own corner of the Aquarium Drunkard sonic universe.  Eno got started on solo work after that, with Voices, and he's continued to record ever since, both in collaboration with his brother Brian, like on 2020's Mixing Colours, on his own, and with a diverse cast of artists including David Gilmore, The Orb, Jah Wobble, Youth, and Channel Light Vessel, his group with Bill Nelson, Kate St. John, and previous Transmissions guest Laraaji. His latest and second album for Deutsche Grammophon is The Skies, They Shift Like Chords. Eno joined host Jason P. Woodbury early this year to discuss that record, and a lot more: psycho-geography, space travel, and what he can recall about his work on the soundtrack with Brian Eno and Daniel Lanois on the soundtrack for David Lynch's 1984 adaptation of Frank Herbert's Dune. The sleeper has awakened. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? An interview with Aquarium Drunkard founder Justin Gage. 

This is the second installment in the Ambient COuntry series, featuring Bob Holmes of SUSS, where he explores the best instrumentral music in the genre of ambient country and cosmic Americana, featuring artists including Pan-American, Bing & Ruth, Luke Schneider, Harmonia, William Tyler, Daniel Lanois and many more. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.flowstate.fm/subscribe

The “distinctive style” of British composer and musician Roger Eno's slowly unfolding sonic landscapes has “attracted a cult following” (Eno's bio). As well as first collaborating with his brother Brian and Daniel Lanois in 1983 on Apollo: Atmospheres and Soundtracks, he has made over a dozen solo albums and other collaborative pieces. He's composed for theatre, TV, and film; formed the ambient music supergroup Channel Light Vessel in the 90s; collaborated with The Orb, Lou Reed, Laraaji, Jarvis Cocker and Beck; and was the Musical Director for Tim Robbins and his band, The Rogues Gallery, (RogerEno.com). In 2020 the album Mixing Colours by Roger and Brian Eno brough him to the prestigious classical music label Deutsche Grammophon. Roger's latest solo release for that label is called the skies, they shift like chords, and includes solo piano tracks, layers of instrumental and electronic colours, along with an appearance by vocalist Cecily Eno, his daughter. Roger Eno and Cecily Eno perform in-studio. Set list: 1. There Was a Ship 2. Shadow Clock 3. Tapestry

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This week, one of Willie's longtime tour mates, Grammy-winning blues singer and guitarist Susan Tedeschi, talks about a deep cut off his 1998 album with Daniel Lanois, Teatro, “Somebody Pick Up My Pieces.” It's a song she and her husband, slide-guitar hero Derek Trucks, play almost nightly with their group, the Tedeschi Trucks Band, and it gets her thinking aloud on a foundational principle of Willie World: The absolute importance of making music with people you love—with meaty cameo appearances by the Allman Brothers Band, Jessica Simpson, The Notre Dame Cathedral in Paris, and Emmylou Harris...who Susan calls a “Jedi.”

In this episode of the LEGENDS Podcast by All Day Vinyl, host Scott Dudelson sits down for the first of two conversations with legendary producer, recordist and mixer, Mark Howard. This discussion provides an in-depth look into the triumphs and conflicts recording/mixing Bob Dylan's Time out of Mind and Oh Mercy records. Through honest reflections on the album creation, Howard shares his insights into Dylan's unique songwriting genius, their collaborative efforts, and tumultuous studio experiences during these recording sessions.  Mark Howard is a LEGEND and known for inventing soundscapes with Daniel Lanois and recording/mixing legendary albums for Bob Dylan (Time Out of Mind, Oh Mercy), Iggy Pop (Avenue B, American Caesar), R.E.M (Monster, Automatic for the People), Neil Young (Le Noise), Tom Waits (Real Gone), Lucinda Williams (World Without Tears), Emmylou Harris (Wrecking Ball), U2 (All That You Can't Leave Behind), Willie Nelson (Teatro) and many more. His pioneering technique known as "guerrilla recording," has helped inform the sound of all these albums and during this episode Mark discusses the art of abandoning traditional studios for recording in unconventional locations and spaces. This deep dive is a must listen for any fan of Bob Dylan, especially those interested in the creation and recording of the classic albums - Time out of Mind and Oh Mercy.

Once a year Matt and Sam take questions from listeners—and they always prove to be incredibly smart and interesting. This time around was no different, with questions that include such topics as: the crisis in Israel and Palestine, the influence of postliberal thinkers on the right, polarization and our political future, the state of the GOP, Willie Nelson, conservative art (and artists), and more!Sources:Joshua Leifer, "Toward a Humane Left," Dissent, Oct 12, 2023; read Gabriel Winant's reply, "On Mourning and Statehood," and Leifer's response to Winant herePatrick Deneen, Regime Change: Toward a Postliberal Future (2023)Kurt Vonnegut, Player Piano (1952)Kurt Vonnegut, "Harrison Bergeron" (1961)Lilliana Mason, Uncivil Agreement: How Politics Became Our Identity (2018)Samuel L. Popkin, Crackup: The Republican Implosion and the Future of Presidential Politics (2021)Matt Grossmann and David A. Hopkins, Asymmetric Politics: Ideological Republicans and Group Interest Democrats (2016)John Spong, "Daniel Lanois on Recording Willie Nelson's Landmark Album 'Teatro,'" Texas Monthly, June 2023Walker Percy, Love in the Ruins (1971)Suzanne Schneider, "Light Among the Nations," Jewish Currents, Sept 23, 2023Ellis Sandoz, Political Apocalypse: A Study of Dostoevsky's Grand Inquisitor (1971)Mark C. Henrie, ed., Doomed Bourgeois in Love: Essays on the Films of Whit Stillman (2001) ...and don't forget to subscribe to Know Your Enemy on Patreon for access to all of our bonus episodes!

On the show this time, it's the OG desert blues of Mali's Tinariwen. Tinariwen has been bringing the sound of the northern Sahara to the world for over 20 years. Their music has won the hearts of listeners worldwide, regardless of language spoken. There's a vibe, a hypnotic groove, and a poetic humanness that pulls you in. There's also the Blues - the universal music of self-expression in the face of persecution. These musicians have faced hardship and oppression, and it's not over. A coup in 2020, another in 2021, the withdrawal of the French military and ongoing messy battles between various factions has made civilian life very dangerous. Their songs call for unity, and bravely run counter to the more fundamentalist groups, some of whom would ban music altogether. This record features playing from Daniel Lanois, banjo player Wes Corbett and fiddler Fats Kaplin, highlighting the band's Americana influences. It's called 'Amatssou' and was produced remotely by Lanois. It is available through Wedge. Recorded 05/29/2023. Alghalam Tiglistarha Arajghiyine Tidjit Anemouhagh Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it's the OG desert blues of Mali's Tinariwen. Tinariwen has been bringing the sound of the northern Sahara to the world for over 20 years. Their music has won the hearts of listeners worldwide, regardless of language spoken. There's a vibe, a hypnotic groove, and a poetic humanness that pulls you in. There's also the Blues - the universal music of self-expression in the face of persecution. These musicians have faced hardship and oppression, and it's not over. A coup in 2020, another in 2021, the withdrawal of the French military and ongoing messy battles between various factions has made civilian life very dangerous. Their songs call for unity, and bravely run counter to the more fundamentalist groups, some of whom would ban music altogether. This record features playing from Daniel Lanois, banjo player Wes Corbett and fiddler Fats Kaplin, highlighting the band's Americana influences. It's called 'Amatssou' and was produced remotely by Lanois. It is available through Wedge. Recorded 05/29/2023. Alghalam Tiglistarha Arajghiyine Tidjit Anemouhagh Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

For the past 44 years percussionist/producer / composer Zimbel has led the Juno Award-winning nine-piece global / jazz collective Manteca which he cofounded with bassist Henry Heillig in 1979. The group has recorded 14 full-length CD's, toured the world and shared stages with Miles Davis, Weather Report, Van Morrison, Ella Fitzgerald and become one of Canada top selling domestic jazz artists. Manteca's most recent CD “The Offspring Project” was released globally on September 15, 2023. Zimbel has been professional percussionist since 1973 and has recorded more than 50 albums with artists such as Daniel Lanois, Cano, Ellen McIlwaine, Lorraine Segato, Lennie Gallant, Phil Dwyer, Lyne Tremblay, West Trainz, Nancy White etc. He has performed live with Leonard Cohen, Robert Paquette, France D'amour, Kevin Parent, Florence K, Ritchie Cole and many others. He has also been a music and broadcast producer and artistic director with credits that include The Canadian Songwriters Hall of Fame Induction of Neil Young, Bruce Cockburn, Stephan Venne and Beau Dommage in 2017 at Massey Hall, The Pan Am Games opening in Toronto with Cirque du Soleil for CBC, Canada Day on Parliament Hill, 2001, 2005, 2011, Canada's Cultural program at Expo 2005 in Japan and Dubai 2020 and album productions for Lyne Tremblay, Lorraine Segato, Phil Dwyer, Manteca, American Dumpster, Lennie Gallant and others. Manteca's archives have been collected by the National Library of Canada since 1993. In addition to Zimbel's work as a musician, he is a published writer, broadcaster, filmmaker and creator of original radio and television programs. In the fall of 2018 he created, wrote and hosted the 7 hour limited series for Jazz FM in Toronto called “Road Stories”. Matt has also co-created and hosted numerous prime-time national radio and television programs for CBC including (Café au Lait 93 & Rad Radio 95) and was awarded the Toronto ACTRA Award for best radio host in 1986 for his CKLN show “Breakfast of Champions”. In November of 2020 he launched the original podcast “Yes We Canada” which completed its' first 26 episode season and is currently producing season two. Zimbel has hosted feature interviews with Leonard Cohen, Robbie Robertson, Buffy St. Marie, Emmy Lou Harris, Shirley Temple Black, k.d. Lang, Steve Allan, Etta James and author's Ann Rice and James Michener among many others. He has written, directed and produced numerous documentaries, the most recent of which was the 2015 feature documentary “Zimbelism” on his father, the renowned photographer George Zimbel, which he co-directed with Jean Francois Gratton and which appeared in festivals all over the world including Beijing, Shanghai, London, Barcelona, Los Angeles, Salem and Toronto's Hot Docs where it was a finalist for the audience award. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

War was the band's first big breakthrough so obviously they go big with War II right? Nope. U2 decides to go to art school with Brian Eno. In this episode we dive into the band's time recording at Slane Castle and Daniel Lanois joining the production team, and the time crunch to finish the record before the tour was set to start.

1993 This week we take our musical time machine back to the year 1993! It’s a crazy year with a lot of competing styles and genres, which makes it exciting! We talk about great albums by bands like Nirvana, Mazzy Star, Sarah MacLachlan, Crowded House, Daniel Lanois, Prince, David Bowie (two of ’em!), Matthew Sweet, Duran Duran, Pet … Modern Musicology #89 – The Albums of 1993 Read More » The post Modern Musicology #89 – The Albums of 1993 appeared first on The ESO Network.

We watched the documentary film “Classic Albums: Peter Gabriel - So,” but mostly we're talking about our favorite PG music and concert moments. And, of course, we just had to watch “Say Anything.” Wouldn't you?Kelly saw Peter's I/o Tour live in Pittsburgh this past weekend. So, we talk about that and how it holds up to his past concerts.Susan and Kelly are old enough to have fallen in love with Peter's music during his 1 - 4 phase, also known as Car, Scratch, Melt, and Security. We mostly listened to “4” this past couple of weeks, while Cort mostly listened to “So.” A few highlights from this episode:“Solsbury Hill” was Peter's first solo singleDue to some confusion, Peter first rejected Cameron Crowe's request to have “In Your Eyes” for “Say Anything.” Cameron kept pushing because all the other songs he tried totally failed to have the impact he wanted.There were hundreds of variations of the song “In Your Eyes,” pieced together with 96 different versions on multitrackManu Katché recorded the drums for “Sledgehammer” in one takeThe Pittsburgh I/o concert was excellent, even most of the new songs (Kelly highly recommends!)“So” producer Daniel Lanois locked Peter in a barn to get him to finish some lyrics“So” was the quickest album Peter had made up to that point in a “speedy” 10 monthsFour Peter Gabriel songs appear in our beloved series “The Americans”We do not break out into song in this episode (copyright infringement!), but we do share a few lyrics!Next week: Hollywood Legacy Families!-Original music by Garrett ThompsonFollow us on Instagram @GeekGirlSoupContinue the conversation on FacebookListen to Cort's podcast with Brad at PureFandom.comCheck out Susan's movie stats on Letterboxd Email your questions and comments to GeekGirlSoup@gmail.comGeek on!

Welcome to *Tape Op's* DISCussion, where we call our friends and music community notables to talk about their favorite records. For this episode we welcome drummer Victor Indrizzo (Willie Nelson, Scott Weiland, Chris Cornell, Queens of the Stone Age, Beck, Daniel Lanois and countless others) sat down with Geoff Stanfield to chat about Marvin Gaye's posthumous release, Vulnerable. Sponsered by AKG-JBL https://www.akg.co

Today on the Spiritual Spiral, a little mash-up episode as I dive into a few topics that don't necessarily relate to one another, but they have been on my mind. First up... a quick dedication to Robbie Roberston who recently passed away. I was never really a fan of The Band, BUT I loved his solo record from 1987. It was produced by Daniel Lanois and features U2 and Peter Gabriel so definitely check it out. Then I discuss the new movie Oppenheimer, or as I like to call it, "Boringheimer." Sure, Christopher Nolan's movie looks spectacular and the sound and editing are explosively entertaining. The acting is stellar but the movie has ONE enormous flaw, it lacks heart. It was loquaciously self-indulgent and a boring THREE HOURS LONG! The film is far from a disaster, but with its lack of three dimensional characters, I was left bored and unenthralled. Finally, I discuss a spellbinding episode from the Black Mirror series entitled, White Bear. I know. I'm late to the Black Mirror party but I found it ironic that I just watched White Bear a week before this recent brawl in Montgomery. The parallels between the episode and the brawl are striking and I can't help but wonder why people feel so compelled to pull out their phone the moment human beings act like imbeciles. When you see a fight break out, do you try and temper the emotions, do you walk away OR do you grab a box of popcorn, pull out your phone and prepare to be entertained? As always, thanks so much for listening to the show and being so incredibly supportive. I appreciate YOU! Remember, my new book SSAFY can be purchased by visiting SSAFYoga.com or on Amazon by clicking HERE and if you enjoy today's episode and you want to support the show, PLEASE subscribe to the podcast on iTUNES or Spotify. It's also always helpful if you share the show with your friends or maybe head over to iTunes and write a quick review. You can visit my website www.iameddiecohn.com and sign up for my email list and I'd love to hear from you so please reach out on IG @eddiecohn with any questions. Thanks again for listening. 

The guys welcome Trapper Schoepp to discuss the Bob Dylan “comeback” record “Time Out of Mind.”  Plenty of other discussion including Trapper's new album “Siren Songs,” Cheap Trick, Anna Edson Taylor, Daniel Lanois, Wayne's vitriol for a certain standard, the landscape of the 1998 Grammys (Soy Bomb!) local crew t-shirts, the length of "Highlands" (hard boiled eggs!) and more.  Check out Trapper Schoepp at: https://trapperschoepp.com/Check out Bob Dylan at: https://www.bobdylan.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Along with her partner, Peter, Miriam has walked the planet for the past decade or so. India, Papua New Guinea, New Zealand, Europe. They travel light and spontaneous. Here's the program that convinced me to reach out to them, a very touching portrait of these unique, lovely people. In 2017 Miriam wrote the International bestseller Woman in the Wilderness. It was translated into German, Dutch, French, Portuguese and Chinese. In 2020 the sequel Wild at Heart came out.Intro music “Brightside of the Sun,” by Basin and Range. “Sometimes,” by Daniel Lanois. Outro: “Summertime,” by Fort Frances.My Amazon link.Ponderosa Millworks.A little something just for subscribers: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chrisryan.substack.com/subscribe

This week, one of the greatest, most innovative record producers in history, Daniel Lanois—think U2's The Joshua Tree, Bob Dylan's Time Out of Mind, Peter Gabriel's So—talks about the landmark album he made with Willie, 1998's Teatro. He'll start with a deep cut, “I've Loved You All Over the World,” but then, being Lanois, he'll start to float...to Cuban dance clubs, Texas honkytonks, and Mexican movie houses...to art that exists only in shadows...and to the way U2 tries to summon Willie when they write songs.