Podcasts about stanislava pinchuk

Curator Petrit Abazi fled Kosovo as a child with his parents and now heads a contemporary art centre in Darwin. This month he's returned to the city of his birth, Mitrovica, where Albanians and Serbs still live divided, to curate two artworks for the European art festival Manifesta 14. With Ukrainian-Australian artist Stanislava Pinchuk and endurance-swimmer and artist Piers Greville Plus, we speak to the winner and judges of the Hadley's Art Prize, and ask: is landscape as a genre still fit for purpose? And Isa Segalovich takes Daniel on a short, fascinating history of eyebrows in art.

Curator Petrit Abazi fled Kosovo as a child with his parents and now heads a contemporary art centre in Darwin. This month he's returned to the city of his birth, Mitrovica, where Albanians and Serbs still live divided, to curate two artworks for the European art festival Manifesta 14. With Ukrainian-Australian artist Stanislava Pinchuk and endurance-swimmer and artist Piers GrevillePlus, we speak to the winner and judges of the Hadley's Art Prize, and ask: is landscape as a genre still fit for purpose?And Isa Segalovich takes Daniel on a short, fascinating history of eyebrows in art.

In a series of public talks, Adelaide Biennial artists discuss their art, practice and motivations in front of their works. In this conversation, Sebastian Goldspink, Curator of the 2022 Adelaide Biennial of Australian Art: Free/State, chats with artist Stanislava Pinchuk. Recorded before a live audience at the Art Gallery of South Australia on Saturday 5 March, during the opening weekend of the '2022 Adelaide Biennial of Australian Art: Free/State'. For further information visit www.agsa.sa.gov.au __ Photo: Saul Steed

Floods have ravaged art galleries and studios in northern New South Wales. We hear from a gallery director and artist Megan Cope. Plus Ukrainian-Australian artist Stanislava Pinchuk. And a spotlight on the bold modernist printmaker Ethel Spowers.

Floods have ravaged art galleries and studios in northern New South Wales. We hear from a gallery director and artist Megan Cope. Plus Ukrainian-Australian artist Stanislava Pinchuk. And a spotlight on the bold modernist printmaker Ethel Spowers.

Floods have ravaged art galleries and studios in northern New South Wales. We hear from a gallery director and artist Megan Cope.Plus Ukrainian-Australian artist Stanislava Pinchuk.And a spotlight on the bold modernist printmaker Ethel Spowers.

Floods have ravaged art galleries and studios in northern New South Wales. We hear from a gallery director and artist Megan Cope. Plus Ukrainian-Australian artist Stanislava Pinchuk. And a spotlight on the bold modernist printmaker Ethel Spowers.

How do you turn the stark geographical facts of war and conflict into art? And how do you do it authentically and sensitively, from the far-off shores of Australia? Stanislava Pinchuk started making street art in Melbourne, then moved into tattooing before the Russo-Ukrainian conflict pushed her art in a very different direction. At 32, she has a survey exhibition called Terra Data — mapping the borders and human movement of war and displacement.

How do you turn the stark geographical facts of war and conflict into art? And how do you do it authentically and sensitively, from the far-off shores of Australia? Stanislava Pinchuk started making street art in Melbourne, then moved into tattooing before the Russo-Ukrainian conflict pushed her art in a very different direction. At 32, she has a survey exhibition called Terra Data — mapping the borders and human movement of war and displacement.

How do you turn the stark geographical facts of war and conflict into art? And how do you do it authentically and sensitively, from the far-off shores of Australia? Stanislava Pinchuk started making street art in Melbourne, then moved into tattooing before the Russo-Ukrainian conflict pushed her art in a very different direction. At 32, she has a survey exhibition called Terra Data — mapping the borders and human movement of war and displacement.

How do you turn the stark geographical facts of war and conflict into art? And how do you do it authentically and sensitively, from the far-off shores of Australia? Stanislava Pinchuk started making street art in Melbourne, then moved into tattooing before the Russo-Ukrainian conflict pushed her art in a very different direction. At 32, she has a survey exhibition called Terra Data — mapping the borders and human movement of war and displacement.

What memories of the past are contained in the land around us? From the No. 4 reactor in Chernobyl to the land around Fukushima and a destroyed migrant settlement in Calais, Stanislava Pinchuk has been mapping the world's conflict and disaster zones. In the Drawing Room, she explores her own connection to those lands.

MONT sits down with nomadic artist Stanislava Pinchuk, a visual artist, writer, tattooist and beekeeper. We hear about her work in data mapping conflict zones, her interactions with beekeepers in Chernobyl and her new project documenting the history of women tattooing women.You can support us via Patreon here.For a transcript and more on this episode, visit the Mont Icons page at Litmus Media.For more on Mont Publishing House, visit our website.Theme music: Low Life 'Friends'***** Please rate our podcast ***** See acast.com/privacy for privacy and opt-out information.

With the Immigration Museum in Melbourne hosting a suite of three exhibitions covering traditional Japanese and Polynesian as well as modern tattoos, this week we turn our attention to the meanings and functions of this artform. With guests Fareed Kaviani, a doctoral candidate and freelance writer who has published extensively on tattoos and tattooing, and whose website the4thwall features, among other things, photos of tattoos and Stanislava Pinchuk, who curated the Documenting the Body exhibition at the Immigration Museum, we discuss why people get tattooed as well as what, if anything, people are saying with their tattoos.

This week! We’re going through our open tabs and will be discussing machines replacing our memories, Reviving the Idea of the Medieval Guild, and FINALLY, our newly launched campaign, Use It Or Lose It. Helping us bring some outside perspective today is our special guest Stanislava Pinchuk, AKA Miso. Stanislava, as well as being a close friend of the show, is a uniquely talented and fascinating artist, well known for her work with data mapping the changing topographies of war & conflict zones – such as the current Civil War in her home country Ukraine, the Fukushima and Chernobyl Reactor 4 Nuclear Exclusion Zones, the oil fires set by ISIS south of Mosul, and the Calais ‘Jungle’ Migrant Camp. She produces drawings, installations and sculptures shown in museums globally, and her work has been collected and supported by institutions such as the Louvre, the National Gallery of Australia, Heide MoMA, and Sydney’s Museum of Contemporary Art. On the commercial end, she’s worked with clients such as Louis Vuitton, Chanel, Gucci, Apple & Nike – and she has also just topped the Forbes 30 Under 30 List. It’s a genuine honour to have her joining us. Remember! We are now an ENHANCED podcast. That's right - If you listen to our podcast in Overcast or Pocket Casts, or Castro, you can get super special images, links, and chapter breaks in your player while you listen. Featured links from our discussion - Want to get these in your inbox every Friday? Sign up for our text-only tinyletter at tinyletter.com/jackywinter Lara How Much Can We Afford To Forget, If We Train Machines To Remember? https://aeon.co/ideas/how-much-can-we-afford-to-forget-if-we-train-machines-to-remember Corvid Community https://www.corv.id/community Seeking the Productive Life: Some Details of My Personal Infrastructure https://blog.stephenwolfram.com/2019/02/seeking-the-productive-life-some-details-of-my-personal-infrastructure/ Jeremy Use it or Lose it http://useit.orlose.it Jessica Hische’s Letter Writer http://jessicahische.is/helpingyouanswer Artslog http://artslog.com/ The AOI https://theaoi.com/ JWGYTB Episode 012 http://jackywinter.givesyouthe.biz/45aa8006 NAVA’s Code of Practice https://visualarts.net.au/ Studio PDA https://www.studiopda.com.au/ Stanislava As Rents Rise, Artists Are Reviving the Idea of the Medieval Guild https://www.nytimes.com/2019/04/25/t-magazine/craft-guild-la-friche-zaventem-ateliers.html?action=click&module=Well&pgtype=Homepage§ion=T%20Magazine The Rise and Fall of Internet Art Communities https://www.artsy.net/article/artsy-editorial-rise-fall-internet-art-communities Pop and Scott https://www.popandscott.com/ The Pencil Factory https://pencilfactory.biz/ Jamie Preisz http://www.jamiepreisz.com/ Inside the coolest office in Hollywood ever https://www.fastcompany.com/90330369/inside-the-coolest-office-in-hollywood-ever?partner=feedburner&utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+fastcompany%2Fheadlines+%28Fast+Company%29 Behind the Cover: In the Ashes of Ghost Ship https://www.nytimes.com/2018/12/12/magazine/behind-the-cover-in-the-ashes-of-ghost-ship.html Stanislava’s Socials Stanislava’s website http://m-i-s-o.com/ Thumbs Up / Thumbs Down / Shaka The Tiny Chef Show https://www.instagram.com/thetinychefshow/?hl=en Biggy Pop Instagram https://www.instagram.com/biggypop/?hl=en Handjet EBS-260 Portable Ink-Jet Printer https://www.dasco.com/ebs260-handjet-portable-inkjet-printer.html If you like the show or these links or think we sound like nice people, please go and leave us a rating or review on iTunes. It helps other people find the show and boosts our downloads which in turn lets us know that what we're doing is worth doing more of! To subscribe, view show notes or previous episodes head on over to our podcast page at http://jackywinter.givesyouthe.biz/ Special thanks to Jacky Winter (the band, with much better shirts than us) for the music. Listen to them over at Soundcloud. Everything else Jacky Winter (us) can be found at http://www.jackywinter.com/

Our first ever guest, Stanislava Pinchuk, returns to wax lyrical on the 1990 Christmas Classic, ‘Home Alone'. Did this festive spectacle hold up after all those years? You'll have to listen to find out, you filthy animal! This episode is brought to you by Everyday Coffee — 33 Johnston Street, Collingwood, VIC 3066

How can we make traces of suffering into visual poetry? How do we map emotional data? Tai Snaith and Stanislava Pinchuk talk about the different ways we can make our art practice meaningful to our lives, and the lives of others. They discuss how Stan has managed to include travel, meeting people, tattooing and even beekeeping as integral parts of her practice. She explains her deeply thoughtful process of ‘data mapping’ and how it relates to her tattooing practice via shared modes of intimacy, trust, intensity and visual economy or minimalist language. We discuss the long-practiced traditions of making and wearing decorative motifs on the body and the utopian idea of exchanging honey and art and ideas in place of money. Additional resources: http://m-i-s-o.com/ https://www.forbes.com/profile/stanislava-pinchuk/#1a542922a073 https://chinaheights.com/exhibitions-/2018-borders-the-magnetic-fileds-stanislava-pinchuk-miso https://www.theguardian.com/australia-news/2018/feb/28/national-gallery-of-victoria-dumps-wilson-security-over-offshore-detention

How can we make traces of suffering into visual poetry? How do we map emotional data?Tai and Stan talk about the different ways we can make our art practice meaningful to our lives, and the lives of others. They discuss how Stan has managed to include travel, meeting people, tattooing and even beekeeping as integral parts of her practice. She explains her deeply thoughtful process of ‘data mapping' and how it relates to her tattooing practice via shared modes of intimacy, trust, intensity and visual economy or minimalist language. We discuss the long-practiced traditions of making and wearing decorative motifs on the body and the utopian idea of exchanging honey and art and ideas in place of money.Links, more episodes, and information about A World of One's Own, at taisnaith.com/podcastAudio production: Bec FaryTheme music: ‘End of the Day' by Phia www.listentophia.com

Diversity has become a catchcry, a battle cry and an umbrella term for opportunity and access—but is it holding us back? Does the framing of diversity in conversations about our cities and institutions continue to keep minorities and the underprivileged at the margins? How can we move beyond a focus on otherness, and to where do we move? As political and economic forces create rapidly changing populations, engaging design to respond to these changes is not only essential but also urgent. From the ways we house and educate to how we socialise and celebrate heritage, there’s much to consider in building the global city. Listen back to the distinctions and possibilities of the global city with a line-up of esteemed guests in a lively tag-team conversation as part of our annual MRelay series. Hosted by social change campaigner Nevena Spirovska, speakers include Farah Farouque, chair of Social Studio; Filipino-Australian writer and emerging curator Andy Butler; MPavilion 2018 Writer in Residence Maddee Clark; visual artists and co-director of A Centre for Everything, Gabrielle de Vietri; openly gay Imam, Nur Warsame; Immigration Museum general manager Rohini Kappadath; Moroccan Soup Kitchen owner and Speed Date a Muslim organiser Hana Assafiri; artist Stanislava Pinchuk (aka Miso);Leah Jing of Liminal magazine and photojournalist and Asylum Seeker Resource Centre volunteer Norman Katende. This event was supported by VicHealth.

Diversity has become a catchcry, a battle cry and an umbrella term for opportunity and access—but is it holding us back? Does the framing of diversity in conversations about our cities and institutions continue to keep minorities and the underprivileged at the margins? How can we move beyond a focus on otherness, and to where do we move? As political and economic forces create rapidly changing populations, engaging design to respond to these changes is not only essential but also urgent. From the ways we house and educate to how we socialise and celebrate heritage, there’s much to consider in building the global city. Listen back to the distinctions and possibilities of the global city with a line-up of esteemed guests in a lively tag-team conversation as part of our annual MRelay series. Hosted by social change campaigner Nevena Spirovska, speakers include Farah Farouque, chair of Social Studio; Filipino-Australian writer and emerging curator Andy Butler; MPavilion 2018 Writer in Residence Maddee Clark; visual artists and co-director of A Centre for Everything, Gabrielle de Vietri; openly gay Imam, Nur Warsame; Immigration Museum general manager Rohini Kappadath; Moroccan Soup Kitchen owner and Speed Date a Muslim organiser Hana Assafiri; artist Stanislava Pinchuk (aka Miso);Leah Jing of Liminal magazine and photojournalist and Asylum Seeker Resource Centre volunteer Norman Katende. This event was supported by VicHealth.