Art Gallery of South Australia

This soundscape was commissioned by Adelaide-based multidisciplinary artist Margie Jean Lewis.

This soundscape was commissioned by Adelaide-based multidisciplinary artist Margie Jean Lewis.

This soundscape was commissioned by Adelaide-based multidisciplinary artist Margie Jean Lewis.

This soundscape was commissioned by Adelaide-based multidisciplinary artist Margie Jean Lewis.

Music created by Margie Lewis on behalf of the Art Gallery of South Australia

Thank you for listening to this track produced by the Art Gallery of South Australia. Join exhibition curators Tracey Lock and Elle Freak as they introduce AGSA's latest exhibition, Dangerously Modern: Australian Women Artists in Europe 1890–1940. For more information visit agsa.sa.gov.au Image: Hilda Rix Nicholas, born Ballarat, Victoria 1884, died Delegate, New South Wales 1961, The pink scarf, 1913, Paris, oil on canvas, 80.5 x 65.0 cm; Gift of Mrs Roy Edwards through the Art Gallery of South Australia Foundation 1993, Art Gallery of South Australia, Adelaide.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Hear from Maria Zagala, Curator of Prints, Drawings and Photographs, as she discusses the work of Donald Judd in celebration of the 50th anniversary of his topographical object, Untitled. For more information visit agsa.sa.gov.au Photo: Saul Steed

Thank you for listening to this track produced by the Art Gallery of South Australia. Join artist Stephanie Radok in conversation with Maria Zagala, Curator, Prints, Drawings and Photographs, about her drawings Pages from a Twenty-first century Herbal currently on display. For more information visit agsa.sa.gov.au

Thank you for listening to this talk produced by the Art Gallery of South Australia. Mansoureh Rajabitanha, University of Adelaide, and Russell Kelty, Curator, Asian Art, as they discuss the poetry of the thirteenth century Sufi mystic, Jalāl al-Dīn Muḥammad Rūmī or Rumi (1207-1273), and his pervasive influence on historical and contemporary culture in Iran and across the world. For more information visit agsa.sa.gov.au Image: India, 'Mathnavi' of Jalal al-Din Muhammad Rumi, 13 April 1641, Shahjahanabad (Delhi), India, ink, opaque watercolour and gold on polished paper, leather, 474 folio bound volume, 24.8 x 16.8 cm (volume, closed); M J M Carter AO Collection through the Art Gallery of South Australia Foundation 2013, Art Gallery of South Australia, Adelaide.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join renowned Italian Professor and art historian Chiara Rostagno, Deputy Director of the Pinacoteca di Brera, Milan and Executive Director of the National Museum of the Last Supper of Leonardo da Vinci as she shares her extensive knowledge of Leonardo da Vinci's The Last Supper. Celebrate the final week of Reimagining the Renaissance at AGSA with a highlight on Da Vinci, one of the most significant Italian Renaissance masters. Professor Rostagno's visit is proudly supported by the Consulate of Italy in Adelaide. For more information visit agsa.sa.gov.au Image: Leonardo da Vinci, The Last Supper, 1495–1498, Basilica di Santa Maria delle Grazie, Milan, Italy.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join David Washington, Executive Director of The Don Dunstan Foundation, in conversation with AGSA Deputy Director, Emma Fey, as they discuss Don Dunstan's legacy and the 50th anniversary of the decriminalisation of homosexuality in South Australia. For more information visit agsa.sa.gov.au Image: Pink shorts worn by South Australian Premier Don Dunstan. c1972, polyester, 30.0 x 48.0 cm; History Trust of South Australia; photo: Mark Eckermann

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join AGSA Director, Jason Smith, for an introductory talk. For more information visit agsa.sa.gov.au Photo: Saul Steed

Thank you for listening to this talk produced by the Art Gallery of South Australia. Hear from Rebecca Evans, Exhibition Curator and Curator of Decorative Arts, as she discusses fashion in Radical Textiles. For more information visit agsa.sa.gov.au Image: installation view: Radical Textiles, Art Gallery of South Australia, Adelaide; photo: Saul Steed.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join artist Peter Adsett and Nici Cumpston, Curator of Aboriginal and Torres Strait Islander Art and Artistic Director, Tarnanthi, in conversation to discuss the significant new display Two Laws One Big Spirit. Image: left: Rusty Peters, Gija people, Western Australia, born Springvale Station, Western Australia, 1935, died Kununurra, Western Australia 2020, Different Languages for Aboriginal and non-Aboriginal People from the series Two Laws One Big Spirit, 2000, Humpty Doo, Northern Territory, earth pigments on linen, 135.0 x 122.0 cm © the artist/Copyright Agency. right: Peter Adsett, born Gisborne, Aotearoa New Zealand 1959, Painting number 8, from the series Two Laws One Big Spirit, 2000, Humpty Doo, Northern Territory, synthetic polymer paint on linen, 135.0 x 122.0 cm © Peter Adsett. Gift of GRANTPIRRIE through the Art Gallery of South Australia Contemporary Collectors 2024. Donated through the Australian Government's Cultural Gifts Program.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Did you know the Art Gallery of South Australia has a significant historic dress collection? Ingrid Goetz, Vernon-Roberts Assistant Curator of Decorative Arts & Design, will discuss this tartan dress from 1860-65, currently on display in Gallery 2, and talk about the ongoing project to research and photograph the historic dress collection. For more information visit agsa.sa.gov.au Image: Tartan dress, worn by Mrs Josephine Geyer 1860-65, cotton, silk, wood, metal, 83.0 cm (diam) (bust), 60.0 cm (diam) (waist), 55.5 cm (diam) (front length), 10.0 cm (depth); Gift of Miss G.J. Madigan 1937, Art Gallery of South Australia, Adelaide

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Mary-Anne Gooden and Kristen Phillips, textiles conservators at Artlab, as they discuss the care and display of textile and costume collections in Radical Textiles. For more information visit agsa.sa.gov.au Image: installation view: Radical Textiles, Art Gallery of South Australia, Adelaide; photo: Saul Steed.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join visiting artist Nell as she shares the stories sewn into her monumental quilt featured in Radical Textiles. The NELL ANNE QUILT includes embroidered patches made by 441 people from across the world, each patch honouring a significant woman by name. Nell's quilt emerged from a residency idea she had for the Colin McCahon House in Aotearoa New Zealand. Although McCahon's paining is often reflected in Nell's work, she wanted to honour his wife, Anne (née Hamblett, 1915–1993), an artist in her own right. Nell explained that ‘each patch and story is a world unto itself, and I felt the responsibility of honouring those stories. The time and love that went into the patches surprised me. It was a beautiful gift cycle, where people donated their mental, emotional and manual energy to something greater than one woman's story, to form a chorus of female stories'. For more information visit agsa.sa.gov.au Photo: Alisha Gore

Thanks for listening to this track produced by the Art Gallery of South Australia. Join Radical Textiles artist Amber Cronin as she discusses her work on display in the vestibule. For more information visit agsa.sa.gov.au Image: Installation view: Radical Textiles, featuring Against the Rush of the Arrow: Wreath, Vestment, Parament, Talisman by Amber Cronin, Art Gallery of South Australia, Adelaide; photo: Josh Vanner

Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from fashion designer, Radical Textiles artist and the Studio feature artist Stavroula Adameitis, aka Frida Las Vegas, as she discusses her practice. For more information visit agsa.sa.gov.au Photo: Samuel Graves.

Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from Natalie Badcock, Community Education & Engagement Manager. Parliament of South Australia, as she discusses the Women's Suffrage Centenary Community Tapestries on display as part of Radical Textiles. For more information visit agsa.sa.gov.au Image: installation view: Radical Textiles, featuring the Women's Suffrage Centenary Tapestries by Kay Lawrence, Art Gallery of South Australia, Adelaide;; photo: Saul Steed.

Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from Gallery Guide, Helen Bulis, as she discusses The Adoration of the Magi, by William Morris and co. For more information visit agsa.sa.gov.au Image: Detail: Morris & Co., manufacturer, operating 1861-1940, Edward Burne-Jones, designer, born Birmingham, England 28 August 1833, died London 17 June 1898, John Henry Dearle, designer of floral ground, born London 1859, died London 1932, manufacturer, The Adoration of the Magi, 1900-02; designed 1887, London, wool, silk, 251.2 x 372.5 cm; Morgan Thomas Bequest Fund 1917, Art gallery of South Australia, Adelaide

WARDROBE CRISIS with Clare Press Tapestry! Embroidery! Quilting! Tailoring! Can Textiles Change the World? You Bet Season 10, Ep. 227 Friday, December 6, 2024 From Victor & Rolf's "Get Mean" frock through Jordan Gogos's radical upcycling projects to Paul McCann's "Sovereignty Never Ceded" gown, certain items of clothing speak loudly - with intention - about the times we find ourselves in. Let's not forget the long traditions of tapestry-making, quilting, embroidery, and the newer but related concepts of stitch-n-bitch craftivism. Cloth can be a radical medium. You might call it soft power, for its undeniable tactility - but don't mistake soft for weak.

Join Senior Curator, Prints, Drawings & Photographs, Julie Robinson as she discusses the work of artist Ann Newmarch.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Tim Roberts, Curator at The David Roche Foundation and researcher of LGBTQ+ memory, as he discusses the AIDS memorial quilt on display in Radical Textiles. For more information visit agsa.sa.gov.au Photo: Rob Spark

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Public Programs Officer, Isobel Clemow-Meyer and Neo Ambassadors, Aryan, Mia and Victoria as they discuss youth arts programs. For more information visit agsa.sa.gov.au Image: Sam Roberts

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Leigh Robb, Curator, Contemporary Art as she introduces new exhibition, Radical Textiles. For more information visit agsa.sa.gov.au Image: Grayson Perry, artist, born Essex, England 1960, Factum Arte, designer, operating 2001, Flanders Tapestries, manufacturer, operating c.1999, Morris, Gainsborough, Turner, Riley, 2021, London; Flanders, Belgium, acrylic, cotton, merino wool, viscose, polyester, 274.0 x 360.0 cm; James and Diana Ramsay Fund 2023 Art Gallery of South Australia, Adelaide, © Grayson Perry. DACS/Copyright Agency, 2024; photo: Jack Hems

Join Gloria Strzelecki, Associate Curator of Aboriginal and Torres Strait Islander Art as she discusses the folklore and pagan influence in Reimagining the Renaissance. Photo: Saige Prime.

Hear from Russell Kelty, Curator of Asian Art, as he discusses the role of Art in Japanese architecture during the late Edo period. photo: Nat Rogers

Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from Maria Zagala, Exhibition Curator, as she discusses the work of artists collected and admired by Brent Harris. For more information visit agsa.sa.gov.au Image: Detail: Edvard Munch, artist, born Norway 1863, died Norway 1944, Auguste Clot, printer, 1858, 1936, Attraction I, 1896, Paris, lithograph on paper, 47.2 x 35.5 cm (image); Gift of Carol Adams, Aldridge Family Endowement, Mary Choate, Gwinnett Family, Aaron Gwinnett, Ulrike Klein AO, Lilly Lipman, Mark Livesey, Leo Mahar, Pam McKee through the Art Gallery of South Australia Foundation Collectors Club 2023 through the Art Gallery of South Australia Foundation Collectors Club 2023, Art Gallery of South Australia, photo: Stewart Adams.

Thank you for listening to this track produced by the Art Gallery of South Australia. Timed to coincide with Chihuly in the Botanic Garden, hear about AGSA's glass collection with Rebecca Evans, Curator of Decorative Arts and Design. For more information visit agsa.sa.gov.au Image: Installation view: Imperial iris Persian pear by Dale Chihuly, Art Gallery of South Australia, Adelaide; photo: Saul Steed.

Thank you for listening to this track produced by the Art Gallery of South Australia. Dr Grace Waye-Harris, Lecturer, University of Adelaide discusses the importance of dress and portraiture in Tudor England and in the royal courts of Renaissance Europe. For more information visit agsa.sa.gov.au Image: after Hans Holbein The Younger, born Ausburg, Germany 1497, died London 1543, King Henry VIII, c 1540s, London, oil on wood panel, 65.0 x 57.5 cm, 89.5 x 81.5 x 9.0 cm (frame); A.M. and A. R. Ragless Bequest Funds 1965, Art Gallery of South Australia, Adelaide

Thank you for listening to this track produced by the Art Gallery of South Australia. Photography specialist, Stephen Zagala, discusses works on display by Andy Warhol and Bridgid Berlin. For more information visit: agsa.sa.gov.au Image:

Leigh Robb, Curator of Contemporary Art, and Yuexiu Shen, Lorraine Hossack Emerging Curator, discuss the work of artist Julia Robinson on display as part of the South Australian Living Artists (SALA) festival. Image caption Julia Robinson, born Adelaide 1981, Legs eleven, 2010, Adelaide, flywire, fibreglass, fabric, fixings, thread, timber, vinyl, plaster, chair, belt, 90.0 x 100.0 x 60.0 cm; South Australian Government Grant 2011, Art Gallery of South Australia, Adelaide, © Courtesy the artist and Hugo Michell Gallery.

Listen in on Artist Brent Harris and Curator Maria Zagala as they walk you through Brent Harris: Surrender and Catch. 0:34 - Foreword 2:05 - First Gallery 10:14 - Second Gallery 13:13 - Third Gallery 19:41 - Fourth Gallery 28:02 - Fifth Gallery 33:06 - Sixth Gallery 39:44 - Seventh Gallery

Curator of Australian Paintings and Sculpture, Tracey Lock, introduces the recently acquired painting Sydney Harbour Bridge by Portia Geach. Photo: Saul Steed

Nici Cumpston OAM, Curator of Aboriginal and Torres Strait Islander Art, speaks to this years NAIDOC week theme, 'Keep the Fire Burning! Blak, Loud & Proud'. *We apologise for the audio quality due to technical difficulties. Image Caption: Image: Saul Steed

South Australian artist Jeff Harris discusses his painting Pears with Knife, a recent acquisition into the AGSA collection with his daughter and academic Dr Claire Harris. Image Caption: Jeff Harris in his Rose Park studio with daughters Claire and Miranda

Yuexiu Shen, Lorraine Hossack Emerging Curator, discusses the power of text in literature, calligraphy, and literati painting in art from the Edo period (1603-1868) in Misty Mountain, Shining Moon: Japanese Landscape Envisioned. Image Caption: Ichikawa Beian, 1779, 1858, Pine wind, plum moon ..., c 1850, Edo (Tokyo), pair of six-panel screens ink on paper, 173.0 x 377.0 cm (each); Gift of Andrew and Hiroko Gwinnett through the Art Gallery of South Australia Foundation 2003, Art Gallery of South Australia, Adelaide.

Thank you for listening to this track produced by the Art Gallery South Australia. Join Isobel Clemow-Meyer, Public Programs Officer, and Dr Lisa Slade, Assistant Director Artistic Programs, as they discuss AGSA's collection through a queer lens in celebration of Pride Month. For more information visit agsa.sa.gov.au Image: installation view: Metamorphosis, Art Gallery of South Australia, Adelaide; photo: Saul Steed.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Claire Walker from the Department of Historical and Classical Studies at The University of Adelaide reveals the family background of Frances Woollascott, an Augustinian Nun painted by Nicolas de Largilliere in 1729, currently on display in Gallery 13. For more information visit agsa.sa.gov.au Image: Detail: Nicolas de Largillière, born Paris 1656, died Paris 1746, Frances Woollascott, an Augustinian Nun, 1729, Paris, oil on canvas, 80.6 x 65.4 cm; Gift of William Bowmore AO OBE through the Art Gallery of South Australia Foundation 1991, Art Gallery of South Australia, Adelaide.

Thank you for listening to this track produced by the Art Gallery of South Australia. Associate Curator of Australian Paintings and Sculpture, Elle Freak, discusses the surrealist drawings of Dušan and Voitre Marek in the context of the 18th Adelaide Biennial of Australian Art: Inner Sanctum. For more information visit agsa.sa.gov.au Image: installation view: 18th Adelaide Biennial of Australian Art: Inner Sanctum, Art Gallery of South Australia, Adelaide; photo: Saul Steed.

Thank you for listening to this track produced by the Art Gallery of South Australia. Hear from 2024 Adelaide Biennial artist Tina Stefanou who will introduce her work Hym(e)nals, 2022, in Inner Sanctum. For more information visit agsa.sa.gov.au Image: Tina Stefanou, born 1984, Hym(e)nals, 2022, four-channel video projection from performance documentation, quadraphonic sound; Courtesy of the artist; photo: Wil Normyle.

Thank you for listening to this track produced by the Art Gallery of South Australia. Assistant Director Emma Fey introduces the theme of recovery through nature in the 18th Adelaide Biennial of Australian Art: Inner Sanctum. For more information visit agsa.sa.gov.au Image: Installation view: 18th Adelaide Biennial of Australian Art: Inner Sanctum 2024 featuring works by Seth Birchall, Art Gallery of South Australia, Adelaide, photo: Saul Steed.

Curator of Australian Paintings and Sculpture, Tracey Lock, discusses the legacy of Max Carter's seven decades of giving the AGSA. Image Caption: M.J.M Carter at the Art Gallery of South Australia, Adelaide, photo: Saul Steed.

Join artists Zaachariaha Fielding and Alfie Lowe for their discussion of their collaborative work recently acquired into the AGSA collection and currently on display in Gallery 6. Image Caption: Zaachariaha Fielding, Pitjantjatjara/Yankunytjatjara people, South Australia, born Port Augusta, South Australia 1991, Alfred Lowe, Arrernte people, Northern Territory, born Moora, Western Australia 1996, Z munu A titutjara II (488-23AS), 2023, Adelaide, glazed ceramic with sgraffito, mixed media, 55.0 x 44.0 cm; Edward Minton Newman Bequest Fund 2023, Art Gallery of South Australia, Adelaide, © the artists and the APY Art Centre Collective.

Hear from Adelaide Biennial artist Jessica Loughlin and learn more about her commission for Inner Sanctum in Gallery 10. Image Caption: Jessica Loughlin, born Melbourne, Victoria 1975, depth of field, 2020, kilnformed and handground glass, 47.0 × 47.0 × 3.0 cm; Private collection, Courtesy of the artist, Sabbia Gallery Sydney and Caterina Tognon Arte Contemporanea, Venice © Jessica Loughlin, photo: Rachel Harris.

Less known among the enormous oeuvre of Hans Heysen are his monotypes. Join Associate Curator Maria Zagala as she introduces Heysen's monotypes in the context of the 18th Adelaide Biennial of Australian Art: Inner Sanctum. Image Caption: installation view: 18th Adelaide Biennial of Australian Art: Inner Sanctum , Art Gallery of South Australia, Adelaide; photo: Saul Steed.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Gallery Guide David Roach as he explores Florence Fuller's work Inseparables and Mother and Child on display in Gallery 3C. For more information visit agsa.sa.gov.au Image: Florence Fuller, born Port Elizabeth, South Africa 1867, died Gladesville, New South Wales 1946, (Mother and child), 1880s-90s, Melbourne , oil on canvas, 43.0 x 61.0 cm; James and Diana Ramsay Fund 2021, Art Gallery of South Australia.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Gallery Guide Jill Swann as she discusses 'The Lovebirds and the Matchmaker': Hans Heysen, Selma Bartels and Mrs. Maude Vizard Wholohan. For more information visit agsa.sa.gov.au Image: Hans Heysen, born St Pauli, Hamburg, Germany 8 October 1877, died Mt Barker, South Australia 2 July 1968, Poppies, c 1907, Adelaide, oil on canvas board, 53.5 x 49.5 cm; Gift of the Crosby Family, Jane McGregor, The Hon Mark Livesey, The Hon Ann Vanstone QC and Dick Whitington QC through the Art Gallery of South Australia Foundation Annual Collectors Club 2021, Art Gallery of South Australia, © Chris Heysen.

Thank you for listening to this track produced by the Art Gallery of South Australia. Join Adelaide Biennial artist Heather B. Swann in conversation with Adelaide Biennial Curator Jose Da Silva as they share insights about what Inner Sanctum means to them. For more information visit agsa.sa.gov.au Photo: Sam Roberts

Thanks for listening to this track produced by the Art Gallery of South Australia. Join Adelaide Biennial artist, Kate Llewellyn AM in conversation with Jason Smith, Director, Geelong Gallery. For more information visit agsa.sa.gov.au Photo: Nat Rogers