Podcasts about Illustration

Chuck Dillon joins us this week to talk about his work for Highlights magazine, designing the Costco Monopoly board, and his delightful children's books like The Bravest Booger and The Most Serious Fart.SummaryIn this engaging conversation, Chuck Dillon, a talented cartoonist and illustrator, shares his journey from early inspirations to his successful career in children's book illustration. He discusses the challenges of client feedback, the importance of teaching in his artistic growth, and how boredom can spark creativity. Dillon also reflects on his notable projects, including the Costco Monopoly board and his children's books, The Bravest Booger and The Most Serious Fart. Throughout the discussion, he emphasizes the significance of perspective in art and the joy of collaboration, culminating in a heartfelt acknowledgment of the recognition he has received from his peers.Chuck DillonWebsiteBuy Chuck's books and original artBored PandaThe Bravest BoogerThe Most Serious FartCostco MonopolyTakeawaysChuck Dillon's early inspiration came from Peanuts characters.His first comic strip was published at age 19.Teaching at Hussian School of Art enriched his understanding of art.Client feedback can be challenging but is part of the process.The Costco Monopoly project took 14 months to complete.Hidden pictures allow for creative freedom in children's books.Boredom can spark creativity and innovation.Teaching helps artists reevaluate their own processes.Perspective in art is crucial for creating believable scenes.Recognition from peers is a significant milestone for artists.    You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

https://www.youtube.com/watch?v=Q41hLHcKyUM From Mar 21, 2018. Have you ever wondered how those amazing pictures of space are gathered? Which are photographs, which are illustrations, and which are total fakes? [Editor's note: You'll have to go to the YouTube link above to see the photos.]   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

Caldecott medalist Jason Chin joins Jake Parker and Lee White to discuss life as an award-winning illustrator, the mentorship that shaped his journey, and his dedication to making art that matters to kids and himself. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Looking to Get Into Illustration? Here's How to Begin.NEW—I am now offering free previews of Monologue episodes. This will help you decide if subscribing on Patreon / Spotify is right for you. Wouldn't it be nice if there was an Illustrator's Starter Pack that could get you up and running as an illustrator ASAP? The reality is that any attempts to find a fast track into illustration could actually slow you down. In this episode, I share my SMART System: five paradigms (Styles, Markets, Applications, Reasons, Techniques) that help you get specific about what you want to make and where it belongs. Instead of hunting for the perfect gear or foolproof course list, SMART gives you a clear way to map your starting point.If you've been overwhelmed by tools, apps, or conflicting advice—and you just want a concrete way to begin—this episode is for you.IN THIS EPISODEWhy gear and classes alone won't make you an illustratorThe SMART System overviewStyles vs. Techniques: how they relate and why they're not the same thingMarkets vs. Applications: who buys the work vs. where the work livesReasons (purpose): the “why” that sharpens every briefThe closest thing to a starter pack? — (iPad + Apple Pencil + Procreate)How to use SMART to choose your next practice project and reduce decision paralysisTwo starter-pack parables: first-aid kits and flimsy badminton setsAs always (from now on), a reflection prompt to help you turn my thoughts into your actions!SHOW LINKSMalika Favre (style reference) — malikafavre.comHervé Tullet (style reference) — herve-tullet.comJohn Roman, 45 Markets of Illustration (markets overview)What is Risograph Printing? (technique primer) — risottostudio.comProcreate (iPad app) — procreate.artMy New Skillshare Class — SLO-FI IllustrationsHOW TO LISTEN/READIf you'd like to hear the full version of monologue episodes like this one:Join on Patreon for as low as $3/monthBecome a paid subscriber on Spotif ($2.99/month)This is also available as a story on Medium for paid members on that platform.FIND ME ELSEWHEREWork and Classes — tomfroese.comInstagram — instagram.com/mrtomfroeseDaily Drawings — instagram.com/drawingisimportantCREDITSMusic and Cues by Mark Allan Falk — Semiathletic on Linktree

THE GOOD CITIZEN—This episode is a special one for us here at Magazeum. We even gave it its own code name: “Project Rosebud” (IYKYK). But if you only know our guest as the grandson of the man who inspired the lead character in the film classic Citizen Kane and the founder of one of the largest publishing empires in the world, you are missing out. Will Hearst could have done the easy thing, but he chose not to. As the current chairman of the Hearst Corporation, Will balances stewardship of a sprawling media empire with a commitment to community and lasting value. Unlike the new breed of media moguls, his leadership is less about compliance and more about the continuing importance of fostering quality journalism rooted in place and purpose.But aside from his role as a suit at the Hearst Corporation, Will's labor of love is Alta—an indie quarterly that champions a distinct West Coast voice, providing a vital counterpoint to the East Coast lens that still dominates the national discourse.Alta is crafted to be held and savored—he thinks of its subscribers as members more than a mailing list. In an age dominated by volume, speed, and algorithms, Will Hearst would like to remind us to slow down, listen deeply, and consume wisely. In times like these, his vision seems almost Quixotic—to see media as craft, culture as inheritance, and storytelling as something lasting. Nevertheless, he continues to charge, shaping a legacy both ancient and urgently new.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

As parents, our worries can quietly slip onto our children's shoulders.But what if there's another way?This Mental Health Month (in our State: NSW), the Parent Hope Podcast explores how parents can support children's well-being by first steadying themselves. Jenny Brown, founder and director of the Parent Hope Project, and Lauren Errington, executive Director of The Family Systems Institute, draw on Bowen Family Systems Theory to unpack how parental worry - often inflamed by mental health messaging - can be projected onto kids and how parents can step out of those cycles.We'll look at:* The 3 steps of projection: scanning, labelling, treating* How social messages about children's mental health fuel worry* The difference between internalised worry and externalised conflict* Practical steps for leading with clarity instead of guiltJoin us this Mental Health Month to discover how shifting from worry to hope can free both you and your child to grow with resilience.Jenny Brown bio link: https://parenthopeproject.com.au/about-us/Lauren Errington bio https://www.thefsi.com.au/about/our-team/lauren-errington/Find a Parent Hope Clinicianhttps://parenthopeproject.com.au/find-a-parent-coach/Lauren and Jenny's recent article: Bowen family systems theory and practice: Illustration and critique revisitedMay 2024Australian and New Zealand Journal of Family Therapy (ANZJFT) 45(1)https://www.researchgate.net/publication/381014808_Bowen_family_systems_theory_and_practice_Illustration_and_critique_revisitedNewsletter-https://parenthopeproject.com.au/#newsletter Youtube-http://www.youtube.com/@ParentHopeProject Facebook-https://www.facebook.com/coachingparents Instagram-https://www.instagram.com/parenthopeproject/ LinkedIn-https://www.linkedin.com/company/79093727/admin/feed/posts/ Website-https://parenthopeproject.com.au/ Contact us: Contact@parentproject.com.au (02) 9904 5600

Are your amateur habits blocking your progress? Jake Parker, Sam Cotterill, and Lee White divulge the secrets professional illustrators know that will advance your career to the next level. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Have some feedback? A topic suggestion? Text us!Find full show notes and links at: https://www.gocamp.pro/campcode/leadershipstrategieswithtravisLeadership, Resilience & Rekindling Passion in Camp OperationsIn this episode of Camp Code, hosts Gabz, and Beth Allison return for the twelfth season to explore leadership training, industry updates, and practical strategies to support camp directors in a post-pandemic landscape. The trio dives into key operational challenges and introduces the Resilient Camp Blueprint, a new framework designed to help directors maintain focus, manage burnout, and improve systems with simple, daily changes.Gabz reflects on her recent transition out of a full-time camp role and shares insights from her time at Camp Ouareau, while Travis and Beth highlight the growing complexity of leadership development and the urgent need for intentional support in the industry. The team discusses Gen Z staff dynamics, emphasizing the shift away from traditional evaluations and toward collaborative feedback.The episode introduces essential tools for efficient camp management, including the PATH framework (Protect, Amplify, Trim, Humanize) and a compass rose that centers camp operations on four foundational P's: People, Place, Programs, and Protection. These concepts encourage directors to streamline processes while staying true to their camp's mission and values. Addressing director burnout, Travis shares how the Resilient Camp Blueprint was inspired by conversations with leaders post-COVID, where the need for rest, creativity, and sustainable practices became clear. The group discusses strategies for cultural stability, staff retention, and embracing "2-second lean" changes that compound over time to create lasting impact.Illustration of the PATH Framework and the four P'sWe hope you love this episode of Camp Code! If you do, please consider subscribing to the show, and leaving us a rating in your Podcast app. It's SO easy, just head to https://ratethispodcast.com/campcode-Best Practice for Leadership TrainingFrom TravisAt camp, problems can feel endless—but most of them come down to just three things: self-esteem, systems, or structures of power. Is someone acting out because they need reassurance or confidence? That's self-esteem. Are drop-off, cleanup, or bag-packing always a mess? That's systems. Do certain people feel unseen or unheard because of bias or unspoken dynamics? That's structures of power. When you start looking through this lens, you'll notice almost every challenge falls into one—or sometimes two—of these categories, and the path forward becomes clearer.-Special Guest: Travis Allison ,  Co-Founder GoCamp.Pro - A call to action to fill our your own free Resilient Camp Blueprint Diagnostic awaits! Your Hosts:Beth Allison, Camp Consultant - Go Camp ProGabrielle Raill, Camp Director - Camp OuareauThanks to our sponsor…UltraCampImagine camp registration software that actually gives you MORE time for what you love - CAMP! With UltraCamp, you can effortlessly track attendance, manage staff, streamline registration, and more. Explore now at ultracampmanagemnent.com/campcode.

Sermon NotesI. IntroductionJoseph Campbell (not a Christian, but a student of mythology/religion) observed:“What we are looking for is a way of experiencing the world that will open to us the transcendent...”Human beings are incurably spiritual—we seek transcendence.Some through traditional religions (Christianity, Buddhism, Judaism, Islam).Others through mindfulness, energy work, nature, etc.Two key points:Affirm the desire for transcendence—it is real and God-given.Learn to discern authentic transcendence from false or self-referential spirituality.II. The Text: Exodus 2:23–3:12Context: Moses in Midian, tending sheep near Horeb.Not seeking a spiritual encounter; God initiates it.Key Question: What can we learn about genuine transcendent encounters?Two themes: Person and Paradox.III. The PERSON Moses EncounteredThe Angel of the LORD (v. 2)More than just an angel → identified with God Himself.Possibly the pre-incarnate Christ (Word/Logos).Authentic TranscendenceEncounter with someone other than himself.Not self-discovery or inner potential—real personhood beyond Moses.God is personal, not impersonal force/energy.The Burning Bush SymbolismFire = light, warmth, purification, judgment.Bush not consumed → God is self-sustaining, absolute reality, source of all existence.Childlike question: “Who created God?” → answer: no one. He is the source.Authentic transcendence = encountering the self-existent God who draws near.IV. The PARADOX of God's PresenceGod Knows Moses by Name (v. 4)God is relational, loving, intimately aware of Moses' story.God's nature = love and relationship.But… God's Holiness Creates Distance (v. 5)“Do not come near; take off your sandals, for this is holy ground.”Holiness = God's otherness + moral purity.Human corruption (sin) incompatible with holiness.Illustration: fresh snow → pure → later becomes dirty slush.Result: God is both near and distant → paradox.Resolution of the ParadoxGod Himself provides the way for humans to approach.In Moses' case: humility (remove sandals).Later: OT sacrificial system.Ultimately: Jesus Christ.His cross removes sin barrier.Makes access to God's holy presence possible.Application: Spirit is HOLY; without Christ we would be consumed, with Christ we receive Him with joy.V. ConclusionWe are spiritual beings with souls that crave transcendence.Not every spirituality satisfies—self-focused versions fall short.At the burning bush, Moses encountered:Absolute reality.A personal God.Holy presence made accessible by God's provision.Our souls find satisfaction only in the Triune God—Father, Son, Spirit.Call: Don't settle for less than the real.Discussion Questions:How would you define transcendence? Have you had any experiences in your life that you would describe as transcendent?If, as the sermon suggests, genuine spirituality is not self-referential (simply connecting with more of yourself), is deeper self-knowledge still important? If so, where is it found? Is there a connection between encountering the real God and discovering the real self? How so?Read Exodus 3:3-4. Do you believe it is significant that God did not call to Moses until he turned aside to see the strange sight? Do you think God would have still spoken to Moses if he had not turned aside? How might this speak to the lack of encounters with God that many experience today? As you reflect on that, consider Elizabeth Barrett Browning's poem:Earth's crammed with heaven,And every common bush afire with God,But only he who sees, takes off his shoes,The rest sit round it and pluck blackberries,And daub their natural faces unaware.Read Exodus 3:7-12.  What was the ultimate purpose of Moses' encounter with God at the Burning Bush? What was God's purpose for revealing himself to Moses? Is there a link today between our personal encounters with God and a greater purpose like mission?Questions?Do you have a question about today's sermon? Email Randy Forrester ().

As-tu déjà eu cette impression que tout le monde crée les mêmes choses ? Des boucles d'oreilles fleuries, des colliers minimalistes, des tasses artisanales… et tu te demandes : “Est-ce que je vais pas juste refaire la même chose que les autres ?”

In this episode, Zeke Peña takes us behind the scenes of his author/illustrator debut picture book, SUNDUST.This episode is sponsored by NOSY CROW, and their innovative STORIES ALOUD program, which gives readers instant access to professionally produced and narrated versions of their books. Look for the STORIES ALOUD QR code on the back of Nosy Crow books to give it a try.Click here for an audio sample, from the book WHO ATE STEVE?

Duncan MacKenzie and Ryan Peter Miller drive up to the Dunn Museum in Libertyville, IL to talk with legendary comics painter Alex Ross. Known for Marvels, Kingdom Come, and decades of redefining superhero realism, Ross reflects on his career trajectory, his education at the American Academy of Art, his influences (from Neal Adams to Dave McKean), his early breaks with Now Comics and Leo Burnett storyboarding, and his transition into large-scale mural projects for Marvel and DC. The conversation ranges from comics history, realism in superhero depictions, variant cover economics, the physicality of superheroes, to America's appetite for dystopian narratives versus a return to the “pure Superman.” Ross is candid, funny, and deeply reflective about the comics medium, painting, and storytelling.     Name-Drop List Artists & Writers Alex Ross — https://www.alexrossart.com/ | @alexrossart Neal Adams – https://nealadams.com/ George Pérez – https://www.tcj.com/george-perez-1954-2022/ Jack Kirby – https://kirbymuseum.org/ Dave McKean – https://www.davemckean.com/ Neil Gaiman — neilgaiman.com | @neilhimself Chris Ware – https://art21.org/artist/chris-ware/ Jim Lee — https://www.dc.com/talent/jim-lee @jimlee Todd McFarlane — https://mcfarlane.com/ @toddmcfarlane Erik Larsen — https://imagecomics.com/creators/erik-larsen  @eriklarsen1138 John Tobias (Mortal Kombat) – https://www.mobygames.com/person/3326/john-tobias/ Tim Bradstreet — https://www.splashpageart.com/artistgalleryroom.asp?artistid=83 @timbradstreet Frank Casey (Ross's Superman model) – chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://news.wttw.com/sites/default/files/article/file-attachments/The%20process_Ross%20at%20work.pdf Institutions & Companies Dunn Museum (Libertyville, IL) — https://www.lcfpd.org/museum/ @lcfpd Marvel Comics — marvel.com | @marvel DC Comics — dc.com | @dccomics American Academy of Art (Chicago) — Leo Burnett (advertising) – https://dev.leoburnett.com/ Now Comics (Chicago, defunct) Eclipse Comics (defunct) FASA (publisher of Shadowrun, BattleTech) – https://shop.fasagames.com/index.php?main_page=index&cPath=68 Mortal Kombat franchise — https://www.mortalkombat.com/en-us  @mortalkombat Pop Culture References Kingdom Come (DC) – https://en.wikipedia.org/wiki/Kingdom_Come_(comics) Marvels (Marvel) – https://tv.apple.com/us/movie/the-marvels/umc.cmc.6nb1ii3n99o7rewjyq8whcsuu Shadowrun RPG – https://store.catalystgamelabs.com/collections/shadowrun Vampire: The Masquerade (White Wolf) – https://en.wikipedia.org/wiki/Vampire:_The_Masquerade The Boys (Amazon Prime) – https://www.primevideo.com/detail/The-Boys/0KRGHGZCHKS920ZQGY5LBRF7MA Invincible (Image Comics / Amazon) – https://www.amazon.com/INVINCIBLE-SEASON-1/dp/B08WJN83XZ Peacemaker (HBO) – https://www.hbomax.com/shows/peacemaker-2022/a939d96b-7ffb-4481-96f6-472838d104ca Brightburn (film) – https://tv.apple.com/us/movie/brightburn/umc.cmc.4pkvqa1b6mf30wtx66vor37fq Image: John Weinstein

THE KIDS ARE ALRIGHT—While it's not true that kids don't read, it may be true that adults aren't teaching kids to read. It's also true that today's children face issues that those of the past didn't. And the pandemic—there's that word again—impacted everyone in ways we're still figuring out, including kids. Perhaps especially kids.There are, amazingly, and encouragingly, many new magazines for children of all ages now. One of them is Anyway, a magazine for tweens founded by two mothers—and long-time friends—who grew up loving magazines and, yes, were worried about their kids' screen time. They also knew that tween issues weren't being addressed properly and that a root cause of some of them was a media landscape that pushed consumers, no matter the age, into silos—or communities—where they could go through life unchallenged.Go to the Anyway website and you are confronted with the slogan: “Growing up is hard. You can do it Anyway.“ This speaks to both kids and parents, another reality of a kids magazine that most magazines don't have to face: you have two very specific markets—kids and their parents—and your readership will eventually age out. Meaning the marketing challenges never end even while reader loyalty does. What does that mean for a media brand?—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Ce qu'il se cache derrière une carrière d'illustratriceSi vous pensez qu'il faut être “parfait·e” en dessin pour se lancer dans l'illustration, cet épisode va peut-être vous surprendre. On parle souvent du talent et du style, mais rarement des coulisses : la structure, la formation continue, la pratique régulière… bref, tout ce qui fait qu'une carrière artistique tient la route sur le long terme.Aujourd'hui, j'ai invité Clotilde Boucard, ancienne étudiante de la formation pour la 2ème fois sur le podcast pour une conversation sincère autour de son parcours. Elle nous partage comment elle a surmonté ses doutes en trouvant un univers et une palette bien à elle, et comment elle continue d'apprendre et de progresser. Parce qu'on n'arrive pas sur le marché en étant “prêt·e”, une carrière d'illustrateur·trice se construit en avançant, avec ses doutes et ses failles.Écoutez l'épisode pour découvrir :L'histoire de Clotilde et ses débuts dans l'illustrationComment trouver son univers visuel et ce que ça change côté clientsLes coulisses d'un quotidien d'illustratrice et l'importance de la veille et de la pratiqueSes conseils pour dépasser la peur de ne pas avoir “le niveau” ou une audience déjà développéeEt plein d'autres choses !Retrouvez les notes de l'épisode ici : https://elodie-illustrations.net/153

Liana Finck is a cartoonist and an illustrator who has contributed to The New Yorker since 2015. She is the author of several books, including the graphic memoir “Passing for Human.” Like many of her forebears at the magazine, Finck has also published works for children, and her recent book, “Mixed Feelings,” explores the ways that emotions are often confusing—a truth for readers of any age. “Kids' books were my first experience of art. They're really why I do what I do,” she tells David Remnick. Finck discusses her time interning for Maira Kalman, and she shares three “deep cuts” from writers associated with The New Yorker: Kalman's own “What Pete Ate from A to Z”; William Steig's “C D B!”; and “Tell Me a Mitzi,” by Lore Segal, with illustrations by Harriet Pincus. 

Are your business chops lacking? Jake Parker, Anthony Wheeler, and Lee White teach how to market your work, communicate with clients, unravel contracts, and more to create a sustainable career. Tune in to take your business from good to great. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Giuseppe Castellano talks to Illustrator and author, Henry Cole, about the early years of his long career; what he experienced with the banning of And Tango Makes Three; how (and how not) to learn from artistic influences; and more.To learn more about Henry, visit henrycole.net.Artists mentioned in this episode include: Steven Kellogg, John James Audubon, Norman Rockwell, N.C. Wyeth, John Singer Sargent If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when you bravely create from what matters most to you—even when you're not sure others will understand? In this episode, I talk with artist and author ⁠Suzy Ultman⁠, whose work blends joy, vulnerability, and cultural identity in a way that's both incredibly specific and widely relatable.Suzy is the creator of a series of Jewish-themed board books for Penguin Workshop — ⁠I Like Your Chutzpah⁠, ⁠Shabbat Shalom⁠, and It's a Mitzvah! — and in our conversation, we explore the story behind these books: the experiences that shaped them, the fears Suzy had about putting herself out there, and what it means to lead with joy even when it's rooted in something much deeper.IN THIS EPISODEHow Suzy went from client-based work to building a licensing brand around her own voiceWhy she was initially afraid to make books that reflected something deeply meaningful to herWhy she sees herself as a bridge (middle child, anyone!?)What it looks like to make joyful work rooted in meaning, emotionally layered, and honestSuzy's advice for artists who want to create from a deeper place but aren't sure where to startREFLECTION PROMPTWhat's something you've been afraid to share in your creative work — and what might change if you let it in?SHOW LINKSSuzy Ultman's Website — https://www.suzyultman.com/It's a Mitzvah! (Penguin Workshop, Sept 2, 2025) https://www.suzyultman.com/shop/p/mitzvahbookSuzy on Instagram — https://www.instagram.com/suzyultmanPaper Doll Parade – Chronicle Books — https://www.suzyultman.com/paper-doll-paradeFriendship Carousel – Chronicle Books — https://www.suzyultman.com/friendship-carousel-btsTHANK YOU FOR YOUR SUPPORT!You can show your appreciation for the Thoughts on Illustration podcast by:Sharing with your friends on social mediaLiking/Following/SubscribingLeaving a review on Apple PodcastsBecoming a paid supporter on Patreon — patreon.com/tomfroeseFIND ME ELSEWHEREWork and Classes — http://www.tomfroese.comInstagram — http://www.instagram.com/mrtomfroeseDaily Drawings — http://www.instagram.com/drawingisimportantCREDITSMusic and cues by Mark Allan Falk — http://linktr.ee/semiathletic

La France s'apprête à reconnaître l'État de Palestine lundi 22 septembre dans l'enceinte des Nations unies à New York. Un geste diplomatique salué par les Palestiniens, qui s'empressent souvent de dire qu'il devrait être accompagné de mesures fortes contre la colonisation. Celle-ci grignote, en effet, de plus en plus le territoire de la Cisjordanie occupée. Illustration de ce phénomène aux abords de la future colonie de Sa-Nur, dans le nord de ce territoire palestinien. Reportage de notre envoyée spéciale à Tarsala, future colonie de Sa-Nur, C'est une visite qui est encore sur toutes les lèvres : Bezalel Smotrich, ministre des Finances suprémaciste d'Israël, débarquant en personne dans le nord de la Cisjordanie occupée. Un peu plus d'un mois plus tard, les riverains palestiniens restent marqués par cette visite qui a drainé un déploiement massif de soldats dans leur localité. Ceux qui acceptent d'en parler veulent rester anonymes. « On a peur. On a peur d'être arrêté. » « Tant que l'armée est dans le coin, on a l'interdiction de parler ou de prendre des photos. Ils ont posé des caméras en haut. Ils voient ce qu'il se passe ici. » À lire aussiDix pays, dont la France, décidés à reconnaître l'État palestinien à l'ONU En haut : Sa-Nur, une ancienne colonie israélienne évacuée en 2005 et que Bezalel Smotrich entend désormais faire renaître de ses cendres. Une revanche sur l'histoire, 20 ans plus tard. Mais aussi un message clair passé à la France, qui s'apprête à reconnaître l'État de Palestine. Bezalel Smotrich : « Quiconque dans le monde tentera de reconnaître un État palestinien recevra une réponse de notre part, sur le terrain. Cette réalité finira par enterrer l'idée d'un État palestinien. Tout simplement parce qu'il n'y a rien à reconnaître et personne à reconnaître. » Ces déclarations tonitruantes du ministre d'extrême droite israélien commencent à lasser sur le terrain. Depuis son bureau, Ghassan Qararya, le maire de Sa-Nur – appelée Tarsala par les Palestiniens – a une vue plongeante sur la future colonie : « On voit tout d'ici. On voit l'armée. On voit l'avancée des travaux préliminaires. Il n'y a pas longtemps, il y avait des bulldozers. Ils sont en train de nettoyer le site. Ils disent qu'ils veulent construire 126 logements. Mais que je sache, la mère de ce Smotrich, elle n'a pas accouché de lui ici. Il faudrait que moi, je parte d'ici pour laisser cette terre à des gens qui débarquent d'Irlande, d'Ukraine, d'Allemagne, d'Éthiopie ou de je ne sais où ? On ne se laissera pas faire, ce pays est notre pays. Où voulez-vous qu'on aille ? Vous nous accepteriez en France, vous ? » Une seule issue, insiste le maire : la solution à deux États prônée et acceptée par l'Autorité palestinienne dont il dépend, mais qui semble de moins en moins crédible sur le terrain.  À lire aussiIsraël annonce la création de 22 nouvelles colonies illégales en Cisjordanie occupée

In this episode, Peter and Tom interview Artist, Jo Scott. As business owners and creators, it is absolutely possible to put all our eggs in one or two baskets - and some Artist do this very successfully. But there is also a lot to be said for having a variety of income streams.The guest in this episode, Jo Scott, is a brilliant example of someone who has a variety of income streams, all under the umbrella of being an Artist. She has carved out a working life for herself, on her own terms and in this episode, she shares how she has done so.In the first part of the episode, Jo discusses her initial route into the art world; greetings cards. She shares how she got started with greeting card design, how it grew and some top tips for anyone else looking to explore this avenue.In the second half of the episode, Jo talks more about how she combines her art and business with travelling and some of her other income streams (merchandise and mentoring) as well as her plans for the future.For more information about Jo, visit joscottart.comThis Podcast is sponsored by Rosemary & Co Brushes, Jackson's Art Supplies and Search Press publishers.For more information about our sponsors, please visit:Rosemary & Co Brushes: www.rosemaryandco.comJackson's Art supplies: www.jacksonsart.comSearch Press publishers: www.searchpress.comTom's website: tomshepherdart.comPeter's website: peterkeegan.comPodcast website: www.askanartistpodcast.com

What Does Gods Coronation Look Like?! [Simple But Powerful Illustration]

A MODERN FORM OF WORSHIP—Name the five photographers who, more than any others, defined the dramatic shift in the approach to magazine photography in the late eighties and early nineties. There's Herb Ritts, Bruce Weber, Steven Meisel. Richard Avedon, of course. Who's missing? I'm getting to that.Today's guest was discovered while still a student at ArtCenter College of Design in Los Angeles, by Andy Warhol no less, whose upstart (and budget-deficient) team at "Interview" couldn't afford to send a crew to LA for a shoot. His first subject, newbie director Steven Spielberg, launched his photography career, and soon he was shooting for every magazine you could imagine.We're talking, of course, about Matthew Rolston. He, and his fellow rebels, changed everything by bringing both a sensuality and a sexuality to newsstands that big publishing hadn't seen before. Readers ate it up. Ask him to explain this transformation and you'll get a hot take that will completely change how you think about media and celebrity:“I think glamour—and glamour photography—is a substitute for god and goddess worship. The altar is the photo studio. So the goddess comes to the dressing room like she would've come to the preparation chamber of a temple. She's anointed with oils and potions—that would be the hair and makeup team. She's dressed in symbolic raiment—that would be the styling. And she's led to the altar where the adherents kneel before her—that would be me on the floor with my camera. It is really the same thing. It's just a modern, twisted version of the same impulses that we have to idolize people and worship them.” Just this year ArtCenter, his alma mater, presented the photographer, director, author, artist, and educator with its prestigious Lifetime Achievement Award, honoring both his creative legacy and his role as a mentor to the next generation. It's the perfect moment to look back on his remarkable career, and to hear directly from Rolston himself.Our Anne Quito caught up with Matthew in the lead up to the premiere of an evocative new body of work, "Vanitas: The Palermo Portraits," a site-specific installation at ArtCenter, which premieres this weekend.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Meet my brilliant and magical friend Katie Chappell.She's an illustrator who has created a 7 figure creative business... completely obliterating the Starving Artist Myth.Learn how she got started and kept going and growing.You'll also discover:why Katie and I like to discuss bowel movements in escalatorswhere I rank in her friendship scaleand other things that have nothing to do with me.You can find Katie's cool shiz here:⁠https://www.instagram.com/katiedraws⁠⁠https://www.katiechappell.com/⁠⁠https://www.thegoodshipillustration.com/

Join our next BoldBrush LIVE! Webinar by signing up here:https://register.boldbrush.com/live-guestOrder your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---For today's episode, we created a compilation of advice from our past guests where we discuss the importance of continuous learning and experimentation and how it becomes the foundation of your ongoing artistic process. Our guests emphasize the importance of reframing challenges as questions, embracing experimentation, and learning from both successes and failures. They also highlight the value of balancing fast and slow approaches to painting, as well as the need to adapt techniques to individual strengths and passions. The artists discuss the pressures of professional art, including deadlines and competitions, and how these can both hinder and inspire creativity. They also explore the significance of focusing on shapes, values, and the abstract qualities of a subject, rather than just its literal representation. Ultimately, this episode is all about encouraging artists to trust their creative journey, remain curious, and continually push themselves to grow and evolve.In order of appearance:136 Bill Davidson131 Todd Casey132 Keith Bond128 Sarah Yeoman129 Brian Bateman 

Los Angeles, Washington, Memphis... et bientôt Chicago ou New York ? Pour «lutter contre la criminalité», le président Donald Trump déploie la garde nationale dans de grandes villes américaines. La politologue Ariane Chebel d'Appollonia analyse cette stratégie sécuritaire et les réactions qu'elle provoque.--Washington, Los Angeles et Memphis ont déjà vu leurs rues se remplir de soldats en uniforme. Ces derniers appartiennent à la Garde nationale, une force de réserve généralement mobilisée en cas de catastrophe naturelle ou de troubles majeurs à l'ordre public. Depuis le début de son second mandat, Donald Trump a fait de cette présence militaire un outil central de sa politique sécuritaire, affirmant vouloir enrayer la montée de la criminalité dans les grandes métropoles américaines.Mais cette démonstration de force ne fait pas l'unanimité. De nombreux élus locaux et militants dénoncent une militarisation excessive des espaces urbains, en particulier dans les villes gouvernées par des démocrates. Pour eux, Donald Trump cherche à stigmatiser des cités cosmopolites et multiculturelles, en les présentant comme des zones de non-droit, alors que les chiffres de la criminalité ne justifient pas toujours une telle réponse.Pour mieux comprendre les enjeux de cette stratégie, Alexis Buisson, correspondant de La Croix à New York, s'est entretenu avec Ariane Chebel d'Appollonia, politologue à l'université Rutgers (New Jersey). Spécialiste des politiques d'intégration et de sécurité, elle décrypte les motivations du président, les réactions des populations concernées et les conséquences possibles sur le tissu social américain."C'est ça l'Amérique" est un podcast original de LA CROIX - juin 2025.---CRÉDITS :Écriture et réalisation : Alexis Buisson. Rédaction en chef : Paul De Coustin. Production : Célestine Albert-Steward. Mixage : Théo Boulenger. Musique : Emmanuel Viau. Illustration : Olivier Balez.► Vous avez une question ou une remarque ? Écrivez-nous à cette adresse : podcast.lacroix@groupebayard.comEn partenariat avec le programme Alliance – Columbia et ses partenaires (Sciences-Po, Polytechnique, La Sorbonne), et French Morning, le premier web magazine des Français d'Amérique.Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On ne naît pas illustrateur·trice freelance… on le devient.Fixer ses tarifs, trouver des clients, gérer une boutique en ligne : tout ça ne s'improvise pas. Et surtout, ça s'apprend.Dans cet épisode, je démonte l'idée qu'il faudrait être naturellement doué·e en marketing ou avoir fait une école de commerce pour réussir. Spoiler : ce n'est pas le cas. Vous pouvez apprendre à faire tout ça, petit à petit, avec méthode.✨ Écoutez cet épisode pour découvrir :Pourquoi personne ne vous a appris à vendre vos illustrations,Ce que vous pouvez mettre en place dès maintenant,Comment progresser sans vous éparpiller. Un épisode rassurant (et motivant) pour t'aider à franchir le cap plus sereinement.Retrouvez les notes de l'épisode ici : https://elodie-illustrations.net/152

Are you unknowingly exposing yourself as an amateur? Learn the most common mistakes new illustrators make and how to create more professional results with Lee White, Sam Cotterill, and Jake Parker! 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

The Wonderful World of Wine (WWW) Episode 298 Hosts Kim Simone and Mark Lenzi explore all things wine with you! Wine Illustration talk with Maryse Chevriere Join The Wonderful World of Wine (WWW) hosts Kim and Mark for a conversation with Maryse Chevriere. A certified sommelier, acclaimed illustrator, author, and James Beard award winner, Maryse shares the fascinating, and "very very reluctant," story of her journey into the world of wine. Listeners will get an inside look at how the wine scenes differ between New York, San Francisco, and Boston. The discussion delves into her unique illustrations, which earned her the 2016 James Beard Award for Humor. Dubbing herself the "drunk doodler," Maryse explains how she finds inspiration to create her whimsical and insightful wine tasting note illustrations, which have been featured in publications like Food & Wine and Bon Appetit. The episode also uncorks her book, Grasping the Grape, covering practical topics like wine shopping, the aging potential of rosé, and deciphering wine labels. Maryse provides her expert tips on finding the perfect bottle and offers information on wine importers. Get ready for a sneak peek as she teases details about her upcoming new book. Finally, the show concludes with a thought-provoking comparison of her hand-drawn tasting note illustrations to those generated by artificial intelligence. Find Maryse and her work on her website, www.fcghstudio.com, and on Instagram @freshcutgardenhose. Cheers! Kim and Mark

GUARDIAN AT THE GATEFOLD—Today's guest has become almost synonymous with graphic design and editorial publishing. His career began in the defiant New York “sex press” of the late 1960s, where not-actually-that-surprisingly, as a teenager he was already art-directing magazines like Screw and The New York Review of Sex. That unlikely starting point gave him a rare education in the power of design to command attention and shape meaning.We're talking about designer, author, editor, educator, and true legend, Steven Heller.Heller went on to spend more than three decades at The New York Times, most memorably as art director of The New York Times Book Review. There, he transformed the visual life of the section, commissioning bold, original illustration and making the case—over and over again—that design is not ornamental but integral to editorial voice. Through his advocacy, he helped elevate the status of designers in publishing offices, giving visual thinkers a seat at the table alongside editors and writers.Beyond the newsroom, Heller has been prolific almost to the point of obsession. He has written, edited, or co-authored more than two hundred books on design, creating an extraordinary record of the field's history, ideas, and influences. And most recently, he turned that critical eye inward with his memoir, Growing Up Underground, a candid account of his early years in New York's counterculture publishing scene.Steve is a practitioner, a chronicler, and an advocate for design—and he's also part of the team here at Magazeum. We are thrilled to turn the mic on him for this special conversation.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

WHAT ARE YOU WAITING FOR?—Josh Jones has done a lot of things when it comes to magazines: Editor. Writer. Maker. Custom publisher. Mentor. Evangelist. All of the above. Has Josh helped write a book about hip hop in Mongolia? Yes. Has he sat back and watched Gordon Ramsey mash his face into a sandwich? Indeed. Has he written an instructive how to book that reminds the reader to always lift a box of magazines by bending one's knees? Yes, again. For more than 20 years, Josh has been creating magazines, both for resolutely indie concerns and reasons, but also custom publications for the likes of The North Face, Red Bull, Interscope and Nike. And while he has no illusions about the challenges the industry faces, he's also resolutely optimistic about a world that he loves, so much so that his “field guide to publishing an indie magazine” Just Make Your Magazine is, true to its subhead, the “fastest selling self help book.” OK, I don't know if that's true. It probably isn't if I'm being honest. But still. You speak to him and you become an optimist. And this is not just because, as he says in the book, “indie magazine making has never been more popular.”It's also because, and perhaps caught up in the same optimism, I suggest that it's possible we are over the Print Panic of the mid aughts and the industry, as a whole, is now back on a sustained kind of upswing. That's an idea we're going to explore on the show this season. Because there has to be some things that are right in the world, damnit.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Meet my brilliant and magical friend Katie Chappell.She's an illustrator who has created a 7 figure creative business... completely obliterating the Starving Artist Myth.Learn how she got started and kept going and growing.You'll also discover:why Katie and I like to discuss bowel movements in escalatorswhere I rank in her friendship scaleand other things that have nothing to do with me.You can find Katie's cool shiz here:https://www.instagram.com/katiedrawshttps://www.katiechappell.com/https://www.thegoodshipillustration.com/

Dave Kellett and Brad Guigar hosted a live performance of ComicLab at the 79th annual National Cartoonists Society Conference and Reuben Awards. Joining them onstage to talk about the business of comics were three marvelous cartoonists:Jason Chatfield, a remarkably talented cartoonist who is as comfortable doing stand-up comedy as he is sitting down to create cartoons for The New Yorker. His new book, “You're Not a Real Dog Owner Until…”, is a danged delight, and belongs on your shelf.Sean Wang, the creator of Runners, a wonderful sci-fi comedy about alien smugglers. Its most recent Kickstarter launched a couple days before the recording of the show, and was funded shortly thereafter — which is 100% a coincidence, but we'll be claiming credit nonetheless.Cassidy Wasserman, whose debut graphic novel, On Guard, was published by Random House earlier this year to rave reviews. She has also illustrated no fewer than three delightful children's books.On the show...What's working — and what's not working — in your comics business?What should you do when subscriptions stagnate?What's the best way to use Patreon without burning out on complex rewards?What is the best use of Print On Demand?How can I use Substack to publish/monetize my comic?Is social media declining? — And if so, how are you compensating? You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Curator and archivist David Leopold rejoins the show for a wide-ranging talk centered on the amazing new HIRSCHFELD'S SONDHEIM: A Poster Book (Abrams ComicArts). We talk about David's decades as Hirschfeld's archivist, Sondheim's love of Hirschfeld's work, the process of making his first book of Hirschfeld's art that focuses on a single creator, the connections between Al & Sondheim in David's text pieces for the book, and the joy of getting an intro from Bernadette Peters. We get into the work that the Hirschfeld Foundation does for regional theaters, why the drop-off of arts criticism is a disaster for culture, how younger people experience and appreciate Hirschfeld's art, and the time David held a seance at the Algonquin to promote the Hirschfeld Broadway Tarot. We also discuss our all-time fave Prince songs, what it's like being an archivist in a post-object world, the Steve Cohen magic performance that blew his mind, his new exhibitions at the Studio of Ben Solowey, how the next generation of theater organists (!) is getting trained, how aware Sondheim and Hirschfeld were that they were making history in their lifetimes, and more. Follow David & the Al Hirschfeld Foundation on YouTube, Tiktok, Facebook, Instagram, Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

Vous avez l'impression de ne pas avoir de style… et ça vous bloque ?Et si c'était justement une bonne nouvelle ?Dans cet épisode, je vous invite à changer de regard sur cette période de recherche et à voir ce flou non pas comme un défaut, mais comme une étape essentielle (et fertile) de votre parcours.✨ Écoutez cet épisode pour découvrir :Pourquoi ne pas avoir encore de style n'est pas un problème,Les erreurs à éviter quand on cherche à se démarquer,Comment amorcer une vraie exploration personnelle… sans pression. Un épisode qui fait du bien si vous avez besoin d'avancer avec une méthode claire.Retrouvez les notes de l'épisode ici : https://elodie-illustrations.net/151

Join Jake Parker, Lee White, and Anthony Wheeler for a discussion about Google's AI storybook app, a recently rediscovered N.C. Wyeth mural, and a children's book that can detect color blindness.  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Check out my Free Brainstorming Workshop: https://mightyartisan.com/worldbuilding Learn to silence your inner critic. Ignite creative ideas. And watch a live demo of these techniques in action.Artists have this love-hate relationship with deadlines - they stress us out and make us compromise our work, but they also force us to finish things and can actually unlock creative flow.Professional artist deadline anxiety emerges from job descriptions mentioning tight deadlines and high-pressure environments. Most artists worry whether they need to compete purely on speed, creating fear that everyone expects perfection immediately or they won't get employed. This relationship with deadlines becomes particularly challenging in concept art and commercial illustration where strict deadlines are common.This episode explores three key aspects of professional deadlines: why reliability and speed matter as much as quality in professional art careers, the reality of professional environments including crunch culture context and what employers actually expect from new artists, and practical strategies for building speed and meeting industry-specific deadline requirements systematically.The discussion covers how speed functions as a learnable skill rather than inherent talent, why the intersection of quality and speed creates competitive advantages, and frameworks for researching and practicing industry-specific time expectations. Key elements include understanding the speed-quality-cost relationship, building deadline confidence through systematic practice, and recognizing deadlines as completion enablers rather than creativity destroyers.CHAPTERS:00:00 Intro01:44 Welcome03:00 The Professional Artist Anxiety08:38 Why Deadlines Matter in Professional Art23:02 The Reality of Professional Environments  44:28 How to Build Speed and Meet Professional Deadlines01:03:24 The Analytical Takeaway01:07:16 The Simple Takeaway01:07:44 The Practical Takeaway01:15:11 The Philosophical Takeaway01:20:31 OutroThe Visual Scholar Podcast is designed to help you demystify the world of Art, Productivity, and Creativity. So you can get better faster, and enjoy your Art Journey.We discuss Drawing, Painting, Illustration and Entertainment Design. Along with Productivity and Career Advice.You Can Find The Visual Scholar Podcast In These Places:Apple: https://podcasts.apple.com/us/podcast/the-visual-scholar/id1678505411Spotify: open.spotify.com/show/6VbdwbiZqy8nqb90ruKQCX?si=21b9c1d02c85419fYouTube: https://www.youtube.com/@Tim-McburnieShow Homepage:www.thedrawingcodex.com/podcasts/the-visual-scholarWhere To Find More About Tim Mcburnie:Learn Drawing and Illustration at The Drawing Codex:www.thedrawingcodex.comArt Community:www.mightyartisan.comThe Drawing Codex Youtube Channel:https://www.youtube.com/@TheDrawingCodexPortfolio: www.timmcburnie.comwww.artstation.com/tim-mcburniewww.instagram.com/timmcburniex.com/timmcburnie

Welcome to a special preview episode of Thoughts on Illustration. At the end of last season, I wasn't sure if this podcast would continue — but here I am. After a summer of reflection (and a little camping, surfing, and book work), I'm ready to share how Season 4 will look different.This season I'm making changes to keep the podcast sustainable for me and more valuable for you. Season 4 officially begins on September 9 with the first monologue episode.IN THIS PREVIEWUpdates from my summer: working on my book Drawing is Important (out early 2026), teaching, and new class prepWhy I nearly quit the podcast — and what convinced me to keep goingThe 3 key shifts for Season 4New Patreon perks: quarterly Q&A sessions, monthly Draw With Me, and access to every episodeSUPPORT THIS PODCASTJoin on Patreon — To hear all episodes — monologues and interviews — join me on Patreon starting at $3/month. Drawing Buddies at $8/month also get access to monthly Draw With Me sessions and replays.patreon.com/tomfroeseFollow on Substack — Free listeners will still get access to all interview episodes on your podcast app or via Substack at mrtomfroese.substack.com.GET IN TOUCHEmail - hello@tomfroese.comWebsite - tomfroese.com

While we often look to the past for an example of a better world, our counterparts living in the ancient world did the same, viewing even their time as a fallen one, ruled by greed. Greek and Roman authors such as Hesiod and Ovid detailed the decay of the world from original perfection in the myth of the Golden, Silver, Bronze, and Iron Ages, and the philosophy of Plato, in his Statesman dialogue, leans upon the myth of the ages in its metaphysics. If we seek to understand the myth of the ages through mythology and philosophy, we find practical advice for hopeful living in our own lives, even in a world that feels fallen and broken.Mythos & Logos are two ancient words that can be roughly translated as “Story & Meaning.”Support the channel by subscribing, liking, and commenting to join the conversation!Patreon: https://www.patreon.com/c/mythosandlogos00:00 Introduction00:12 Roman Mosaic Depicting Anaximander with Sundial00:20 Hesiod's Works and Days from Biblioteca Marciana00:55 The Creation by James Tissot01:16 The First Transformation01:32 Ovid's Metamorphoses from the European Library of Information and Culture02:00 Ovid, Metamorphoses, Book I03:13 Booroobin Sunshine Coast Australia by Jordan Condon, licensed under Creative Commons03:31 Star Map by Elizabeth Shurtleff03:40 The Golden Age04:01 The Golden Age by Lucas Cranach the Elder04:15 The Golden Age by Frans Francken the Younger et. al.04:26 Spring by Jean-Jacques Le Veau after Charles Dominique Joseph Eisen04:50 Funerary Stele of Demokleides, photographed by Furius, licensed under Creative Commons04:54 Hesiod, Works and Days05:11 Nothing Gold Can Stay05:15 Titan Struck by Lightning by François Dumont05:36 Winter by Jean-Jacques Le Veau after Charles Dominique Joseph Eisen05:50 Agricultural Calendar by Master of the Geneva Boccaccio08:58 Title Page to 1539 Edition of Hesiod's Works and Days06:20 The Souls of Acheron by Adolf Hirémy-Hirschl06:34 Achilles' Sacrifice of Trojan Prisoners from the François Tomb07:09 The Iron Age by Jan Collaert II et. al.07:22 The Iron Age by Jean-Jacques Le Veau after Charles Dominique Joseph Eisen07:32 The Age of Iron by Paolo Fiammingo07:40 Illustration from Griffith's Guide to the Iron Trade of Great Britain07:59 The Close of the Silver Age by Lucas Cranach the Elder08:19 Justice by Raphael08:26 Truth at the Bottom of a Well by Jean-Léon Gérome09:06 The Changing Ages09:16 Two Young Men Hunting a Deer by the Dokimasia Painter09:26 Artemis Kaurotrophos from Archaeological Museum of Brauron09:40 Page of the Codex Oxoniensis Clarkianus 39, Dialogue Politikos10:16 Saturnus by Jan Van Vianen10:28 Jupiter on his Eagle Enthroned in the Clouds by Stradanus10:55 The Age of Bronze by Paolo Fiammingo11:42 The Course of Empire by Thomas Cole12:18 The Golden Age by Hendrick van der Borcht the Elder12:36 The Stars Above12:58 The Golden Age by Abraham Bloemaert13:22 The Age of Gold by Jacopo Zucchi13:38 Booroobin Sunshine Coast Australia photographed by Jordan Condon, licensed under Creative Commons13:55 Astronomy Amateur by Halfblue, licensed under Creative Commons14:29 The Age of Gold by José Manuel Félix Magdalena, licensed under Creative CommonsAll works of art are in the public domain unless otherwise noted.Ambiment - The Ambient by Kevin MacLeod is licensed under a Creative Commons Attribution license.

What would your art (and your life) look like if you reinvented yourself by the New Year? Jake Parker, Sam Cotterill, and Lee White share habits to start today so you can hit the ground running in 2026. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Matt de la Peña is the Newbery Medal-winning author of seven Young Adult novels and five picture books. We talked with him about writing small stories and what it means to write a book that is, as he calls it, “Diversity 2.0.”You can read a transcript of this episode on our website.Check out our booklist with books by Matt de la Peña and more!Learn more about de la Peña on his website, and see more illustrations by Christian Robinson.Protect the freedom to read by getting involved with Books Unbanned.

The National Weather Service has issued a flood watch for parts of the region until Wednesday. Two surf organizations battle over team USA at the 2028 Olympics. A new LAist project will illustrate your memories, hopes, and dreams of Altadena and the Pacific Palisades. Plus, more.Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comVisit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! Support the show: https://laist.com

Have you lost the fun of making art? Lee White, Sam Cotterill, and Anthony Wheeler share how to rediscover the delight of creating through play. You'll learn how limitations give you freedom, how letting loose might be the antidote to your burnout, and much more. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

August 24, 1914. A train pulls up to the lumber town of White River, Ontario, carrying a regiment of Canadian troops on board. On the tracks where they disembark is a small black bear cub. An army veterinarian decides to buy the bear and name her Winnipeg—Winnie for short—after the town where he's been living.  When the soldiers are deployed to the European front, Winnie is left at the London Zoo, where a child named Christopher Robin Milne will meet her. He'll later rename his own teddy bear after her: Winnie-the-Pooh.  How did a real-life boy and a real-life bear inspire some of the world's most famous literary characters? And what impact did these stories ultimately have on the people who helped bring them to life? Special thanks to Ann Thwaite, whose book about Milne and Winnie-the-Pooh is titled Goodbye Christopher Robin: A.A. Milne and the Making of Winnie-the-Pooh. Artwork: From "Christopher Robin Leads an Expedition to the North Pole" by A.A. Milne, 1926. Illustration by E.H. Shepard. (Cooper Hewitt, Smithsonian Design Museum) ** This episode originally aired August 23, 2021. -- Get in touch: historythisweekpodcast@history.com  Follow on Instagram: @historythisweek Follow on Facebook: HISTORY This Week Podcast To stay updated: http://historythisweekpodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

It's time for an update! Samantha Cotterill, Lee White, and Anthony Wheeler share what they're working on and the lessons they're learning in the process. Tune in to discover how to listen to your creative voice and maintain play in your illustration practice. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

What does it mean to listen without judgement, allowing your ears to be present, open, and curious? Inspired by our virtual reality film Sanctuaries of Silence, which follows acoustic ecologist Gordon Hempton as he documents the sounds of the Hoh Rain Forest in western Washington State, this practice invites you to discover how a new experience of sound and silence can profoundly impact your relationship to place. By taking in sounds with equal value and becoming aware of the presence and absence of noise, voices, and quiet, the simple act of listening can help us come to know a landscape through the senses, rooting us in the power of sound and silence. Explore the online version of this practice. Illustration by Aldo Jarillo. Learn more about your ad choices. Visit megaphone.fm/adchoices

Giuseppe Castellano talks to Whitney Sherman, illustrator, designer, and founding director of the MFA in Illustration Practice program at the Maryland Institute College of Art, about how she began her distinguished career as an educator; what it takes to survive a creative practice; why artists, of any discipline, should not be afraid of failure; and more.To learn more about Whitney, visit whitneysherman.com.Artists mentioned in this episode include: Jaleen Grove, Emily Flake, and William Morris If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

Join Dave and Bethlie as they continue a study on a few select chapters of the book Ten Pillars of an Awesome Marriage by Charles Shoemaker.    PART 2 5. Chapter 5 Conflict Resolution Goal - not to avoid but to handle wisely Illustration of Lady Astor to Winston Churchill - If you were my husband, I would give you poison; if you were my wife, I would take it! P. 85 Swindoll Quote Frequently, marital warfare is in the trenches of belligerence or moodiness. Some battles are night attacks or surprise assaults. Others are cold wars of stoic silence.  Cruel methods of torture are also employed—public criticism, fearful threats, intimidation, ugly sarcasm, and hateful remarks designed to put down one's mate. Such tactics are popular . . . but wrong because they are unfair and they never lead to domestic peace.” P. 87 PFS - personal filtering system Age Gender Education Life experiences Culture Temperament  Skills Personality Spirituality How do you resolve conflicts Be right with God Be swift to hear and slow to speak Own it when you are wrong Stay focused on issue at hand Face conflicts with a team mindset We not me A marriage struggles when it has two “I”s

Welcome to Crawlspace. In this episode Tim Pilleri and Lance Reenstierna speak with Jill McCabe Johnson about an encounter she had with a man named Gary who was most likely Gary Ridgway - the Green River Killer.  This episode was originally published on Crawlspace on June 30th, 2021. Read Jill's article on ⁠Slate⁠: ⁠https://slate.com/human-interest/2021/06/green-river-killer-gary-ridgway-encounter.html⁠. Check out Jill's site: ⁠jillmccabejohnson.com⁠. Check out Jill's Twitter: ⁠https://twitter.com/JMcJohnson⁠. Illustration by Natalie Matthews-Ramo. Check out the Crawlspace Patreon page: ⁠⁠https://www.patreon.com/crawlspacepodcast⁠.⁠ Follow Crawlspace: IG: https://www.instagram.com/Crawlspacepodcast. TT: https://www.tiktok.com/@crawlspacepodcast. FB: https://www.facebook.com/Crawlspacepodcast. X: https://twitter.com/crawlspacepod. Spotify: https://open.spotify.com/show/7iSnqnCf27NODdz0pJ1GvJ. Youtube: https://www.youtube.com/crawlspace. Apple: https://podcasts.apple.com/us/podcast/crawlspace-true-crime-mysteries/id1187326340. Check out our entire network at http://crawlspace-media.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices

Trying to impress the wrong crowd? Samantha Cotterill, Jake Parker, and Lee White discuss the temptation to create for your peers and how to return to your authentic expression. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.