Podcasts about Illustration

Maggie Thatcher in 1987 pulled off a trick that had eluded all other British Prime Ministers of the twentieth century: she won three general elections in a row. Even more, she won a second Commons landslide down from the 144 seats in 1983, but still massive at 102 seats. It was a remarkable feat, to set alongside her being the first woman Prime Minister of Britain, though she always preferred to present herself as the first scientist.With that huge majority, she seemed well placed to pursue her policy agenda to make Britain great again. But that's where she ran into problems. This week, we're going to talk about what the obstacles to her were in foreign affairs, before turning to the domestic ones next week.She had three main paths to choose between: she could go all in on the Atlantic Alliance with the US, banking on the special relationship; she could go with the Commonwealth, using that association of former imperial possessions to rebuild British global power; or she could throw the country's lot in with Europe, sacrificing some British sovereignty to the EEC, in return, as Harold Macmillan had written quarter of a century earlier, for sharing in the sovereignty the other nations had given up.The problem was, as experience would show, that the special relationship with the US had become deeply one-sided, with the US treating Britan as very much a junior partner (which, to be fair, it was). While her backers praised her for standing up against those in parliament who resented granting the US permission to fly bombing raids against Libya from British bases, calling her a lioness in a den of Daniels, those opponents regarded her as a poodle doing the bidding of the American president. As for the Commonwealth, this loose association of nations with no real structure for taking or acting on decisions, was never going to get Britain anywhere. And when it came to Europe, Thatcher grew increasingly sceptical about the EEC as time went on, resenting any granting of authority to it outside the purely economic area.That, sadly, left Thatcher with no real option for taking things forward. Majority or not, she was increasingly boxed in. Lioness or poodle, she found her way blocked in every direction.Illustration: 'You lead and I'll follow': Thatcher dancing with Reagan, a special relationship in which the US calls all the shots. Photo by Charles Tasnadi from the Globe and Mail.Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

[REDIFFUSION FORMAT ÉTÉ]Retour en 2018 avec le groupe électro Fischerspooner et le titre « TopBrazil ».Au programme : une histoire de sexe décevante, un clip qui souhaite "libérer le mâle de son envie de se montrer sexuel, sans retenue", une moustache et un sauna très très humide...Pour plus de contenu exclusif et chaud comme la braise, viens suivre le N'importe cul sur InstagramSi tu es curieuse·x...Le clip Les paroles de la chanson sur GeniusLa page Wikipédia de l'album "Sir"CréditsCréé et animé par Mina et Jade. Produit par Mauvaises Ondes. Générique par Jade. Musique de Stefano Mastronardi. Illustration d'Amandine Jonniaux. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Le mythe de l'artiste né·e avec du talent ou comment sortir de la croyance qu'on doit être “doué·e” pour réussir dans l'illustrationVous entendez souvent “Toi, t'as un don !”? Ou à l'inverse, vous vous dîtes peut-être que vous n'avez pas ce “truc en plus” pour vivre de votre art ? Dans cet épisode, on démonte ensemble cette idée tenace que le talent serait inné et réservé à une poignée d'élu·es.Écoutez cet épisode pour découvrir : Pourquoi les mots qu'on utilise peuvent nous freiner sans même que l'on s'en rende compte Ce que les clients recherchent vraiment quand ils choisissent un·e illustrateur·trice Comment vous tenir au courant de ce qui est recherché en illustration Ce que vous pouvez mettre en place dès maintenant pour faire la différence  et plein d'autres choses !Retrouvez les notes de l'épisode ici : https://elodie-illustrations.net/146

Je remercie Jean pour son soutien au podcast !À l'occasion de la Japan Expo 2025, j'ai eu la chance de rencontrer Enaibi, dessinatrice du manga Horion.Un manga qui m'a particulièrement marqué dans le découpage de ses scènes, horion à cette capacité de donner un rythme à ces actions. On sent vraiment dans le découpage d'Enaibi l'écoulement du temps, parfois rapide, parfois lent, elle arrive à nous montrer plusieurs scènes en même temps avec une fluidité qui représente bien la maîtrise de l'artiste pour les codes du manga !C'était donc l'occasion pour moi de lui demander comment elle procédé pour donner cette intensité dans son dessin et dans ses pages. Je remercie les éditions Glénat d'avoir rendu cette rencontre possible !Comment mentionner dans l'intro l'épisode est un peu plus court que d'habitude, notamment dû aux contraintes imposées par l'enregistrement d'un épisode pendant un festival, j'espère tout de même qu'il vous plaira :)CharlesRETROUVER ENAIBI :

Wir haben in unserer Augustfolge gleich zwei Gäste in unserem Podcast: Katharina und Smilla haben Bücher zum Empfehlen mitgebracht. Zusammen mit Diana stellen sie euch dieses Mal sechs Bücher vor: zwei Bilderbücher, zwei Kindercomics und zwei Kinder- und Jugendsachbücher. Ihr erreicht uns per Mail podcast.msb@muenchen.de - Wir freuen uns über Anregungen, Meinungen und Lesetipps. Viel Spaß beim Anhören! Vorgestellte Titel: ab 2:06: „Am liebsten bin ich froh!“ von Daniela Kulot (Text und Illustration), Gerstenberg Verlag, 26 Seiten, ab 3 Jahren ab 5:06: „Diese miesen Riesen“ von Susannah Lloyd, illustriert von Paddy Donnelly, aus dem Englischen übersetzt von Katja Maatsch, Verlag Schneiderbuch, 36 Seiten, ab 4 Jahren ab 8:38: „Das Erwachen des Drachen“ (Band 1 der Reihe „Kleine Hexe Nebel“) von Jérôme Pelissier und Carine Hinder, Verlag Carlsen Comics, 59 Seiten, ab 9 Jahren ab 13:35: „Im Kampf gegen das Böse“ (Band 1 der Reihe „Die Investigators“) von John Patrick Green, aus dem Englischen übersetzt von Matthias Wieland, Karibu Verlag, 200 Seiten, ab 8 Jahren ab 24:24: „Klamotten: von Hosen, Hemden und Hüten“ von Juri Johansson und Sylwia Jaskierska, Kraus Verlag, 34 Seiten, ab 5 Jahren ab 29:06: „Warte mal… : entdecke, wie viel Zeit die Dinge brauchen“ von Rachel Williams, illustriert von Leonie Lord, aus dem Englischen übersetzt von Anna Schaub, Prestel Verlag, 79 Seiten, ab 5 Jahren Alle Titel können bei uns entliehen werden: bit.ly/msb_Katalog

Is your website looking dusty? Jake Parker, Sam Cotterill, and Lee White discuss the proper care and feeding of your portfolio site. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Je remercie Jean pour son soutien au podcast !Steak par Quentin Dupieux : Georges est le souffre-douleur de ses camarades de classe. Un jour, il craque et les mitraille. Son meilleur et seul ami Blaise est accusé à sa place et condamné à 7 ans d'internement dans un hôpital psychiatrique. Le jour de sa sortie, en 2016, Blaise n'a plus qu'une famille : son meilleur ami Georges. Mais ce dernier ne veut plus entendre parler de son ami d'enfance, car il essaie de s'intégrer aux Chivers, une bande aux pratiques très codifiées : ses membres portent un blouson Teddy rouge et des bottines, boivent du lait, roulent en sport truck, et jouent à un jeu incompréhensible qui mélange cricket et calcul mental. Afin d'être définitivement admis par les Chivers, Georges doit cacher son tabagisme et se faire modifier le visage, car la chirurgie esthétique, qui fait des ravages parmi les jeunes, est un rite de passage obligé. (Wikipédia)RETROUVER ENAIBI :

Session 2 from our Young Adult Retreat with Dr. Charles Surrett.

The fashion industry is a complex ecosystem encompassing everything from design and manufacturing to marketing and retail, with a current estimated global value of $35.2 trillion. We explore the structure, evolution, and key players that transform clothing into a worldwide cultural and economic force. Encyclopedia Link: LINKGabrielle's Social Media Link: LINKSupport the show

Genevieve Barbee-Turner, creator of Killerpancake Illustration, is a tarot card illustrator and two-dimensional artist based in Pittsburgh. She creates cursed occult wares including taro decks, stickers and stationery, fine art prints, and other decor inspired by horror stories, folklore, and ghost stories from across history and pop culture. Killerpancake blends contemporary Appalachia and queer/femme identity with a splash of gothic aesthetic. killerpancakeillustration.comIG: @killerpancake_illustrationTiktok: @killerpancake_tarot 

Austrian illustrator and artist Carina Lindmeier shares her journey from small village beginnings to becoming a successful digital illustrator, Adobe collaborator, and DJ. Known for her vibrant food illustrations that blend analog elements with digital techniques, Carina discusses finding her creative "home" through community challenges during the pandemic, particularly the Still Life Challenge that transformed her artistic direction.The conversation explores the tension between commercial illustration work and personal artistic freedom, the importance of authentic community over social media metrics, and how creative disciplines like DJing and cycling parallel the artistic journey. Carina emphasizes staying true to core values while navigating the fast-paced creative industry, advocating for genuine connections over follower counts.From her early days avoiding the "shrimp position" of traditional graphic design to discovering her passion for food illustration, Carina's story demonstrates how daring creativity means choosing authenticity over trends, building real community over online metrics, and finding inspiration through stepping away from the work itself.Key TakeawaysValues over virality: Authentic creative expression trumps chasing trends and social media metrics for sustainable artistic growthCommunity breeds confidence: Finding genuine creative communities provides the safe space needed to experiment and develop artistic voice without commercial pressureDiversification as strength: Being multi-disciplinary (illustrator, artist, DJ, cyclist) enriches rather than dilutes creative identity and provides multiple outlets for expressionEverything is temporary: Creative struggles, artistic blocks, and negative feelings are temporary states that require patience and persistence to overcomeStep away to step forward: Inspiration often comes from activities outside the creative work itself - cycling, cooking, socializing, and experiencing lifeConnection over perfection: Whether DJing or illustrating, audiences respond to energy and authenticity rather than technical perfectionAsk for opportunities: Career advancement often requires actively reaching out to companies, collaborators, and communities rather than waiting to be discoveredEmbrace the learning curve: Early career burnout and style experimentation are necessary parts of finding your authentic creative voiceFood as universal connector: Illustration subjects that represent shared human experiences (like food and gathering) create stronger emotional connections with audiencesStart before you're ready: Taking action despite uncertainty is essential for creative growth - you can't perfect your way into starting Daring Creativity. Daring Forever. Podcast with Radim Malinic Show questions or suggestions to desk@daringcreativity.com Latest books by Radim MalinicMindful Creative: How to understand and deal with the highs and lows of creative life, career and business Paperback and Kindle > https://amzn.to/4biTwFcFree audiobook (with Audible trial) > https://geni.us/free-audiobookSigned books https://novemberuniverse.co.ukLux Coffee Co. https://luxcoffee.co.uk/ (Use: PODCAST for 15% off)November Universe https://novemberuniverse.co.uk (Use: PODCAST for 10% off)

In this episode, the storyteller, Kathy Shimpock, will read to you a Russian folktale: “The Three Sisters and Their Glass Hearts.” It's a poignant story, nonetheless, and one you'll long remember.Story:  "The Three Sisters and Their Glass Hearts," in The Golden Fairy Book, H.R. Millar, illus. (London: Appleton & Co., 1894), 195-206. Illustration:  "The Three Sisters and Their Glass Hearts," illustration by H.R. Millar (1894).   Other Resources: Carterhaugh School of Folklore and the Fantastic This podcast is licensed under Creative Commons: By Attribution 3.0 License.  http://creativecommons.org/licenses/by/3.0/. Sound effects from my finch "Tweedles."Copyright 2025 Kathy Shimpock.    Support the showFor more crone tales, visit the "Wise Crone Cottage in the Woods" (http://www.wisecronecottage.com).

THE REST OF THE STORY—Most people in the world live in what we in the west sometimes dismissively call the “rest of the world.” Depending on where you live, “the rest” probably includes parts, if not all, of Latin America, Africa, and the vast majority of Asia. Much like the tendency of Americans to call the champions of their sports leagues “world champions,” the word “world” is never what it seems.Except when it is.Founded as a non-profit by Sophie Schmidt in 2020, Rest of World is meant to challenge the “expectations about whose experiences with technology matter,” as its mission states. With a global editorial team led by today's guest Anup Kaphle, Rest of World's emphasis on the technological transformation of the daily lives of billions of people is eye-opening, educational, entertaining, and fills in the gaps in our general understanding of how technology is used everywhere. When it won a National Magazine Award last year, one sensed that it had finally arrived to a broader audience.The rest of the world is a big place, perhaps too big for a paper magazine. That's why Rest of World is digital.Those in the “west” would be better served by understanding it. Because everything and everyone is, ultimately, connected.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

This episode of our free drawing practice meetup we made art inspired by some of the most iconic Alfred Hitchcock movies. Support the show by giving us a like and comment below.View Visual Arts Passage Courses:https://www.visualartspassage.comFollow Visual Arts Passage:https://www.instagram.com/visualartspassagehttps://www.facebook.com/visualartspassageSubscribe to our Channelhttps://www.youtube.com/visualartspassage----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.Learn more about our classes herehttps://visualartspassage.com#figuredrawing #artpodcast #artclass #onlineartclass #drawingclass #visualartspassage

ORDER TODAY Also available on throw blankets, pillows, tops, tees, iPhone cases, and much more! *Redbubble has discounts when purchasing multiple items and also gives 10%-20% discounts on a regular Continue Reading Read more on this topic: Daffodil Closeup via Instagram [Photography] Gifts: A bee gathering on purple coneflower Products from Douglas E. Welch Design and Photography [Shopping] Vintage Botanical Print – 80 in a series – Solanum campanulatum from The floral cabinet and magazine of exotic botany (1837) Begonia grandis via Instagram [Photography] Tecoma Flowers, Indio, California [Photography]

"Thomas Mann" – Graphic Novel von Magdalena Adomeit, Friedhelm Marx und Julian Voloj – im Gespräch mit Uwe Kullnick(Hördauer ca. 51 Minuten) GesprächEin einmaliger Einblick in Thomas Manns erste Deutschlandreise nach der Auswanderung ins Exil1929 erhält er den Literaturnobelpreis, 1933 wird er als einer der lautesten Gegner des Nationalsozialismus ins Exil getrieben. Thomas Manns Beziehung zu Deutschland bleibt fortan kompliziert. 1938 emigriert er in die USA, erst 1949 setzt er wieder seinen Fuß auf deutschen Boden: auf Einladung zum Goethe-Jahr in Ost- und Westdeutschland. Seine Deutschlandreise ist das erste international beachtete kulturelle Großereignis nach dem Fall des Nationalsozialismus. Lange hat Thomas Mann gezögert, ob er überhaupt kommen soll. Er reist mit seiner Frau Katia von Frankfurt am Main über Nürnberg und München nach Weimar, hält Reden in beiden Teilen Deutschlands, was seinem Deutschlandbesuch auch politisch höchste Brisanz verleiht. Er wird bejubelt und zugleich kritisiert.Basierend auf Thomas Manns Tagebüchern, Briefen, Reiseberichten und den Erinnerungen seines Schweizer Fahrers, erzählt diese Graphic Novel von Manns zehntägiger Rückkehr, einem politisch extrem aufgeladenen Kapitel im Leben Thomas Manns und seiner Familie. Zudem beleuchtet die Graphic Novel auch Schlüsselmomente im Leben des Schriftstellers, blickt in Flashbacks immer wieder auf historisch wichtige Phasen zurück und gibt einen facettenreichen Einblick in die Gedankenwelt Thomas Manns.Magdalena Adomeit ist Illustratorin und Reisende. Sie studierte Illustration an der HAW in Hamburg und sammelte zuvor Inspirationen in der weiten Welt. Ihre Entdeckungen hält sie mit realistischem wie fantasievollem Strich fest. Mit bereits mehreren illustrierten Büchern, unter anderem Heute ist wichtig von Clemens Fobian, ist dies ihre Debüt-Graphic Novel.Prof. Dr. Friedhelm Marx ist Literaturwissenschaftler und Lehrstuhlinhaber für Neuere deutsche Literaturwissenschaft an der Universität Bamberg. Zu seinen Forschungsschwerpunkten gehören das Werk Thomas Manns, die Literatur der Moderne und die deutschsprachige Gegenwartsliteratur. Seit 2006 ist Friedhelm Marx Vizepräsident der Deutschen Thomas-Mann-Gesellschaft.Julian Voloj (beim Gespräch nicht anwesend) wurde in Münster geboren und ist Autor zahlreicher international erfolgreicher Graphic Novels. Zuletzt erschienen seine Biografien Bobby Fischer: Eine Schachlegende zwischen Genie und Wahnsinn (2022, illustriert von Wagner Willian) und Marlene Dietrich: Augenblicke eines Lebens (2021, illustriert von Claudia Ahlering) im Knesebeck Verlag. Seit 2003 lebt und arbeitet er in New York.vielleicht mögen Sie auch diese SendungKommen Sie doch auch einfach mal zu unseren Live-Aufzeichnungen nach SchwabingModeration, Redaktion und Realisation Uwe Kullnick

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This episode of our free drawing practice meetup we drew bugs with illustrators and painters Cassandra Kim and John English. Support the show by giving us a like and comment below.View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.Learn more about our classes herehttps://visualartspassage.com/#figuredrawing #onlineartclass #visualartspassage

[REDIFFUSION FORMAT ÉTÉ]Retour en 1988 avec Mylène Farmer et le titre « Pourvu qu'elles soient douces ».Au programme : un clip inscrit dans le Guinness des records, la guerre de sept ans et de jolies métaphores...Pour plus de contenu exclusif et chaud comme la braise, viens suivre le N'importe cul sur InstagramSi tu es curieuse·x...Attention ! Certaines de ces pages internet hébergent des contenus non adaptés à un public de -18 ans Pourvu qu'elles soient doucesLe clip de "Pourvu qu'elles soient douces"Les paroles de la chansonAutres sources citéesLes clips "Libertine", "Sans contrefaçon", "Appelle mon numéro" et "Oui mais... Non" de Mylène FarmerLa prestation de "Pourvu qu'elles soient douces" en live pendant le Mylenium TourLe Wiki du réalisateur et compositeur Laurent BoutonnatLa page Allociné de "Barry Lyndon"CréditsCréé et animé par Mina et Jade. Produit par Mauvaises Ondes. Générique par Jade. Musique de Stefano Mastronardi. Illustration d'Amandine Jonniaux. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Join our next BoldBrush LIVE! Webinar by signing up here:https://register.boldbrush.com/live-guestOrder your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---In this episode, we sat down with Grace DeVito, fine artist who shares her remarkable artistic journey from illustration to becoming a renowned portrait painter, revealing the dedication and passion required to master one's craft. Her transition from working in commercial art to creating deeply personal and meaningful portraits demonstrates the power of perseverance and continuous learning in an artist's career. Grace's approach to portraiture goes far beyond mere representation, capturing the essence and spirit of her subjects with a nuanced understanding that transforms each painting into a timeless piece of art. Her insights into the commission process illuminate the intricate dance between artistic vision and client collaboration, showing how a true artist can navigate the delicate balance of personal expression and professional commitment. With wisdom gained from decades of experience, Grace offers aspiring artists invaluable advice about the importance of dedicated practice, developing a unique artistic voice, and understanding that true mastery comes from thousands of hours of intentional work. Her story is a testament to the enduring value of traditional art in a digital age, proving that human connection, craftsmanship, and emotional depth can never be replaced by technology. Finally, Grace announces her upcoming workshops at the Scottsdale Artists' School, the Franciscan Life Process Center, and at the Kinstler Studio in Connecticut.Grace's FASO site:https://www.gracedevito.com/Grace's Social Media:https://www.instagram.com/gmdevito/https://www.facebook.com/grace.devito.98

So many ideas, so little time! How do you decide which project to take to the finish line? Jake Parker, Anthony Wheeler, and Lee White teach how to prioritize your time and make the most meaningful selection. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

In this episode, we bring you the final Time audio practice—the fourth in a series exploring how we can come to dwell within a kind of time that is in relationship with the Earth, rather than the clock. This invitation draws your attention to the Earth's immense capacity for recording the passage of time. Imagine your way backwards through millennia and then forward into the far future, as your journey through your homeplace, attentive to the histories held within its topography, ecosystems, and human markings. Explore the online version of this practice or shop our practice booklet, A Practice in Time.  Illustration by Aldo Jarillo. Learn more about your ad choices. Visit megaphone.fm/adchoices

Giuseppe Castellano talks to author, illustrator, and character designer, Matthew Forsythe, about the many forms a picture book can take—from morality books to “fantastic binomials”; how to make sense of color; how to like your creative work; and more.To learn more about Matthew, visit comingupforair.net.As was discussed in this episode, here is an article about Gianni Rodari's concept of the “fantastic binomial”.Artists mentioned in this episode include: Mary Blair, Randolph Caldecott, Beatrix Potter, Wanda Gág, William Steig, Paul Klee, Lauren Tamaki, Jasmine Li, Jesse Jacobs, Richard Scarry, Don Freeman, John Steptoe, Rebecca Sugar, Adam Muto, Yuasa Masaaki, Emily Warren, and Jim Davis  If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

1. PEACE WITH GOD "Therefore, since we have been justified through faith, we have peace with God through our Lord Jesus Christ." Romans 5:1The Problem: Sin separates us from GodThe Solution: Jesus bridges the gapThe Result: No more guilt, no more shame, no more fear of judgmentDo you have peace with God or peace with your sin.Some people think it means that I am okay with God now… I added him to my life I am not mad at him. THATS NOT WHAT THE BIBLE SAYS (Sin)10 For if, while we were God's enemies,we were reconciled to him through the death of his Son, how much more, having been reconciled, shall we be saved through his life! Romans 5:10 John 16:1-11 and Verse 33"Do not be anxious about anything, but in every situation, by prayer and petition, with thanksgiving, present your requests to God. And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus." Philippians 4:6-7The Problem: Worry and anxietyThe Solution: Prayer and trustThe Result: Supernatural calm that doesn't make senseAs the guard looks on through a peep hole, Bonhoeffer prays, "Lord, it's dark in me; in you is day. I am alone, but you will stay. I am afraid; you never cease. I am at war; in you is peace." Slowly we see a pair of hands reach up and touch the wall opposite of where Bonhoeffer's hands are.As dawn breaks, a single rifle shot shatters the morning calm. The same German guard, now more somber and less cynical, appears at Bonhoeffer's cell. "I thought you might like to know. The boy from the next cell—he was very calm. It surprised everyone. He was executed this morning."Illustration #2 Anxiety and fear can come from looking to things other than God for our identity and worth. God's peace as the security that comes from knowing our identity is rooted in being beloved children of God, not in our performance, others' opinions, or our circumstances. When we know who we are in Christ, we're freed from the exhausting cycle of trying to prove ourselves.Lose your job… You may lose yourselfLose your Status… You may lose yourselfLose your beauty… Lose yourselfSexuality, gender,political ideology… Lose yourselfJEsus Cals the storm> Mark 4:39“Peace be still…” Rest beneath the rest3. PEACE WITH OTHERS "If it is possible, as far as it depends on you, live at peace with everyone."Romans 12:18The Problem: Broken relationshipsThe Solution: Forgiveness and loveThe Result: Harmony in your home, workplace, and community"You will keep in perfect peace those whose minds are steadfast, because they trust in you." - Isaiah 26:3"Finally, brothers and sisters, whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things." - Philippians 4:8Romans 12:2 be transformed to the renewing of your mind."Have I not commanded you? Be strong and courageous. Do not be afraid; do not be discouraged, for the Lord your God will be with you wherever you go." - Joshua 1:9The great command of scripture. “Fear not” 64 Times, “Be Strong and courageous” 15 timesExperiencing fear is a normal human emotion, and courage is not about not feeling fear, but rather about acting in spite of it"Bear with each other and forgive one another if any of you has a grievance against someone. Forgive as the Lord forgave you." - Colossians 3:132. THE PEACE OF GOD HOW TO EXPERIENCE GOD'S PEACE1: FOCUS ON GOD'S CHARACTER2: FILTER YOUR THOUGHTS3: FACE YOUR FEARS WITH FAITH4: FORGIVE THOSE WHO HURT YOU

IMAGINE FRIENDSGIVING AS A MAGAZINE—The pandemic hit New York first and harder and longer than most places. And as a New Yorker, Joshua Glass was appalled by the eerily quiet and empty city that resulted. He wanted to connect with people, any people, but he wanted quality gatherings, as opposed to quantity. When restrictions on gatherings began to ease up, he started curating a series of dinner parties around town. And these get-togethers led to the creation of Family Style, a media brand that brought all his interests under a single, and perhaps singular, cultural umbrella. The result is, finally, what the people at those highly-curated, and probably well-dressed, dinner parties talked about—and the magazine is the core of a growing brand that encompasses production, events, digital, and social. Family Style is a magazine at the intersection of food and culture—an interesting magazine about interesting people interested in interesting things, all united by a kind of global glossy aesthetic. So is Family Style a fashion magazine, a culture magazine, a food magazine, or an arts journal? The answer is “yes.”—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

What happens when one person wears the hats of author, illustrator, AND designer? You get a book like The Mystery of A Nubbins—a richly imagined adventure that feels like it stepped straight out of the Golden Age of Illustration.In this episode, I sit down with W.S. Wiist, who brings three decades of creative experience to his dream project. We talk about:✅ How childhood wonder shaped The Mystery of A Nubbins ✅ The Brandywine School of Illustration and why it still inspires him✅ His creative mentors ✅ How he balances writing, art, and design to create a single seamless experienceWe also get into the Indiegogo campaign that's helping bring A Nubbins to life for more readers—and why this book is more than just a story, it's an experience.

This episode will be focused on John Cage and his most influential piece 4'33. We willdiscuss what caused him to create 4'33, how it was received and what impact it had on society.

Ce que personne ne vous a jamais dit sur le métier d'illustratriceVous rêvez d'être illustrateur·rice de commande professionnelle, mais vous ne savez pas vraiment à quoi vous attendre ?Vous entendez tout et son contraire, entre ceux qui vous disent que “c'est foutu d'avance” et ceux qui vendent un métier de rêve ? Dans cet épisode, je vous propose un tour d'horizon plus nuancé et très concret.Écoutez cet épisode pour découvrir :Ce qu'on oublie souvent de dire quand on parle de précaritéPourquoi ce métier ne ressemble à aucun autreEt ce qu'il faut vraiment comprendre pour s'y lancer avec les bonnes basesUn épisode sans filtre, qui remet les pendules à l'heure et vous aide à poser un regard plus juste (et plus apaisé) sur ce métier passionnant.Retrouvez les notes de l'épisode ici : https://elodie-illustrations.net/145À mettre en place début juin

Want to join the professional league? Learn what it takes to become a career artist or illustrator in this compilation episode, containing some of our best advice to creatives in your shoes. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

In Ancient Greek mythology, the old and powerful god Chronos oversaw the linear progression of time. Kairos, the youthful, wing-footed god of opportunity, expressed the possibility within a given moment. This practice—the third in our summer audio series—orients you towards “kairos time”: openings in time in the wake of change; timing that moment itself dictates. Explore how your sense of time determines how you participate in the world, and how you might balance a reliance on structured time with an openness to the unpredictable.  Explore the online version of this practice or shop our practice booklet, A Practice in Time. Illustration by Aldo Jarillo. Learn more about your ad choices. Visit megaphone.fm/adchoices

Giuseppe Castellano talks to Maria Middleton, Senior Art Director at Candlewick Press, about the role of an art director within the collaborative inner-workings of children's publishing; what she looks for in illustrators; why illustrators should make work that makes them happy; and more.To learn more about Maria, visit mariamiddleton.com.To send Maria your illustration portfolio, email her at Maria.Middleton@candlewick.com. If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

In this episode Jessica and Maryann chat with Georgina Hill, an illustrator and artist who they met in a weekly painting class. Georgina talks about her history, her world travels, and her work as an illustrator and painter. They talk about doodling, designing for the worst clients (themselves!), and even tackle the elephant in the room, AI. You can find the images we talk about on the following website:https://www.artbyjpl.com/projects/bespoke-illustrationImage 1 - Georgina herself!Image 2 - Georgina's bespoke illustration featuring Boston & CambridgeImage 3 - Georgina's doodlesImage 4 - Georgina's honey jar designImage 5 - Georgina's floral paintingFollow Georgina on instagram here: @ghillustrationsFind us on instagram! @artistsinconversationpodMaryann Garlick - @maryanngarlickartJessica Lomeli - @artbyjplIf you want to send feedback, ask follow up questions, or give topic ideas, send an email to artistsinconversationpodcast@gmail.com - Thanks for listening!

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THE ROADS LESS TRAVELED—Much of travel media comes with a kind of sheen to it. A gloss. Whether you are traveling Italy with a hungry celebrity or cruising Alaska in the pages of a magazine, the photos are big and Photoshopped, the text kind of breathless. And while Afar has plenty of both, it just feels a bit different. It is not a magazine that puts a focus on consumption but on feeling. On the experience of travel.Julia Cosgrove has been atop Afar's masthead from the beginning. She comes from a magazine and journalism family. And despite their warnings about the industry, she joined the family business anyway because what kid listens to their parents? When the founders of Afar Media plucked her out of ReadyMade magazine and told her that no other travel magazine felt experiential to them, she understood and joined the team.Travel media has changed a lot over the years. One has to ask what moves a media consumer more: a magazine article about a beach in Croatia or the TikToks of numerous influencers on that same beach, extolling its virtues, reaching their millions of fans?Afar doesn't care. Because it believes in its mission and marches on, now in its 15th year, inviting its readers to experience the world, by diving in.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

This episode features gallery artists, illustrators and painters such as Adam Gustavson (children's book illustrator), Cassandra Kim (fine artist), Raymond Bonilla, John English, and Scott Anderson. We draw and talk about Superman, the best lairs, and more. View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.

Gute Pressefotos sind kein Luxus – sie sind ein Positionierungs-Tool. In dieser Folge: Warum du als IllustratorIn oder DesignerIn Bilder brauchst, die dich zeigen. Und was du über dich selbst lernst, wenn du sie machst.

Join our next BoldBrush LIVE! Webinar by signing up here:https://register.boldbrush.com/live-guestOrder your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---For today's episode, we interviewed Donald Yatomi a multifaceted artist whose journey from graphic design to illustration to concept art and fine art exemplifies creative resilience and passion. His advice to aspiring artists centers on carrying a sketchbook everywhere, capturing fleeting ideas, and never stopping one's artistic pursuit. Donald emphasizes the critical importance of networking, highlighting that success often depends more on who you know than what you know. He candidly shares insights about handling rejection, noting that sometimes a rejection says more about the viewer's limitations than the artist's talent. Throughout his career, from working at DreamWorks to creating album covers for metal bands, Donald has demonstrated the value of diversifying artistic skills and income streams. His most profound wisdom lies in understanding that artistic success isn't just about money, but about maintaining creative freedom and continuously pursuing what you love. Finally, Donald tells us about his upcoming solo exhibition at Frame of Reference Art Gallery in Whitefish, Montana, on August 7th!Donald's FASO site:https://www.donaldyatomi.com/Donald's Digital Artwork:https://www.artstation.com/dyatomiDonald's Social Media:https://www.instagram.com/donaldyatomiart/

Ever strolled through an art festival and thought, “I could do this”? Lee White, David Hohn, and Jake Parker share what it takes to sell at live events and how to maximize the experience. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

This summer, we're sharing a series of audio practices—each inviting you into an experience of Earth time. This episode orients you towards one of the simplest practices you can do to shift your sense of time: walking. Follow the metronomic rhythm of your feet—down a bustling street or through a secluded woodland—and learn how moving at your most natural pace allows you to form relationships with what surrounds you. Receptive to the present moment, open to a simultaneous experience of deep inwardness and profound outer attentiveness, and step into the expanse of the timeless.  Explore the online version of this practice or shop our practice booklet, A Practice in Time. Illustration by Aldo Jarillo. Learn more about your ad choices. Visit megaphone.fm/adchoices

Giuseppe Castellano talks to award-winning cartoonist, author, and comedian, Jason Chatfield, and award-winning illustrator and creator of Ten Minute Artist, Adam Ming, about what they like and don't like about Substack, how it can benefit illustrators creatively and financially; and more.To learn more about Jason and Adam, visit jasonchatfield.com and adamming.com.Artists mentioned in this episode include: Austin Kleon, Wendy MacNaughton, and Asher Perlman If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

Check out my Free Worldbuilding and Brainstorming Workshop: https://mightyartisan.com/worldbuilding This will help you refine your ideas for personal projects and build the skills needed to be a successful designer and author!—This is The Fiftieth Episode of the Visual Scholar Podcast - With Tim Mcburnie.Most artists think intent is fine art pretension, but it's actually the secret that transforms technically skilled work into art that connects.Below is in Automagically generated summary so you can check out the content and also to help with search functionality!---Let's explore why artistic intent - often dismissed as "fine art nonsense" by commercial and entertainment artists - is actually the missing element that transforms technical skill into impactful work. The episode examines how the divide between fine art and commercial art education leaves technically proficient artists stuck in the "execution trap," where they can render beautifully but struggle to create work with purpose and direction.The discussion covers the practical reality that most entertainment artists are trained to execute someone else's vision, never learning to be the author of their own work. Tim breaks down how intent functions as both creative direction and decision-making filter, turning random technical ability into purposeful communication. The episode provides concrete methods for setting and using intent in daily art practice, from individual drawing sessions to larger personal projects.Rather than academic theory, this episode focuses on intent as a practical tool for working artists who want their technically solid work to create genuine connection with viewers. Tim argues that intent is what separates craft from art, and explores why many skilled artists unconsciously avoid developing this crucial element of their creative practice.—Chapters00:00:00 Intro00:01:05 Welcome00:02:22 When Technical Skill Isn't Enough00:09:07 The Intent Divide: Why We Avoid What We Need Most00:24:57 Intent Creates Direction: From Technician to Author00:42:54 Practical Intent: How to Actually Use This00:52:02 The Analytical Takeaway00:54:44 The Simple Takeaway00:55:03 The Practical Takeaway00:58:15 The Philosophical Takeaway01:07:51 Out—The Visual Scholar Podcast is designed to help you demystify the world of Art, Productivity, and Creativity. So you can get better faster, and enjoy your Art Journey.We discuss Drawing, Painting, Illustration and Entertainment Design. Along with Productivity and Career Advice.You Can Find The Visual Scholar Podcast In These Places:Apple: https://podcasts.apple.com/us/podcast/the-visual-scholar/id1678505411Spotify: open.spotify.com/show/6VbdwbiZqy8nqb90ruKQCX?si=21b9c1d02c85419fYouTube: https://www.youtube.com/@Tim-McburnieShow Homepage:www.thedrawingcodex.com/podcasts/the-visual-scholarWhere To Find More About Tim Mcburnie:Learn Drawing and Illustration at The Drawing Codex: www.thedrawingcodex.comArt Community:www.mightyartisan.comThe Drawing Codex Youtube Channel:https://www.youtube.com/@TheDrawingCodexPortfolio: www.timmcburnie.comwww.artstation.com/tim-mcburniewww.instagram.com/timmcburniex.com/timmcburnie

GOOD TROUBLE—Troublemakers is a magazine about society's misfits. At least from the Japanese point of view. A bilingual, English/Japanese magazine, Troublemakers came about as a way to showcase people who were different, who stayed true to themselves, or about the long road those people had taken to self-acceptance.The founders, editor Yuto Miyamoto and art director Manami Inoue, were inspired by a notion that Japanese culture perhaps did not value those who strayed too far from the herd.The magazine has been a success not just in Japan but globally, and perhaps mirrors a trend we see in streaming, for example, of a general public acceptance of universal stories from different places—gengo nanté kinishee ni. Think, especially, of the success of Japanese television and movies like Shogun or Tokyo Vice or Godzilla Minus One. Of Japanese Pop and anime and food. It's an endless list.But Troublemakers is more than just a cultural document. It is proof of something shared, a commonality of human experience that exists everywhere. Speaking to Yuto and Manami, you sense a desire—and an invitation—to connect. With everyone. And that's, ultimately, what Troublemakers tries to do.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

This episode features gallery artists, illustrators and painters such as Adam Gustavson (children's book illustrator), Cassandra Kim (fine artist), Raymond Bonilla, John English, and more. We have a ton of education in this one, with a conversation about "selling out" that is pretty fun. View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.

In this episode, we sit down with Becca Jane Koehler, a ceramic artist and illustrator based in Nashville, TN. We visited Becca at her home studio back in May while passing through the area and had a great conversation about her creative journey. We've followed Becca's work on Instagram for a long time, so was really great to see her work in person. Becca started out in product design at Target, creating furniture, dinnerware, and bedding. Since then, she's worked as a freelance illustrator and built a career that spans ceramics and design. We talk about transitioning between creative fields, building a freelance career, and how she balances multiple disciplines while turning her home into a space that reflects her style.A great lunchtime listen! We Are MakersInsta: @weare_makersWebsite & WAM Mission Info: ⁠https://www.wearemakers.shopBecca JaneInsta: @beccajanestudioWebsite: https://www.beccajane.comRecorded on: NomonoInsta: @nomonosoundWebsite: https://nomono.co/Want to support us on the road? Buy us a coffee:⁠https://ko-fi.com/wearemakers

What's the most common bad advice given to artists? Jake Parker, Samantha Cotterill, and Anthony Wheeler debunk commonly accepted but poor counsel. Expect to learn alternative ways to approach your art career. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

What happens when we're able to inhabit time—even if momentarily—in an entirely new way? And how could this shift the way we relate and engage with each other, with the presence of mystery, and of course, with the Earth? Over the summer we're featuring a special series of audio practices exploring Time. This first episode invites you to attune to how your body and those of nearby more-than-human beings are in conversation with your ecosystem via internal clocks. Creating time together with the Earth, you are attentive to the pulses within and around you, and time can become an experience of kinship. Explore the online version of this practice or shop our practice booklet, A Practice in Time. Illustration by Aldo Jarillo. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feel like a starving artist? Lee White, Jake Parker, and Anthony Wheeler teach how to not only earn money but prosper. Tune in for budget and tax strategies, ways to save, and resources to keep, grow, and enjoy more of your well-earned cash. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Potawatomi botanist and author Robin Wall Kimmerer visits the Andrews Experimental Forest in Oregon, where over the course of two centuries scientists will study how old-growth trees and their decomposition contribute to the biogeochemical cycles of the Earth. For the forest's cedar trees, Robin says, death is merely a transition—a rearrangement of elements from one species to the next. What might this teach us about the nature of our own “afterlife?” Can this cyclical ecology be an experimental theology? This episode is the final in a series we are sharing in partnership with the Center for Humans and Nature. Read the essay. Illustration by Ibrahim Rayintakath. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've always wondered how to find a mentor (or become one), this is your episode. Jake Parker, Lee White, and David Hohn share about their greatest mentors, how to cultivate a creative community, and how a life of service makes all of your goals possible. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

In this third story we're sharing in partnership with the Center for Humans and Nature, ecosystem ecologist Liam Heneghan turns to a council of philosophers and physicists to help reconcile the human experience of growth with the reality of decay as he keeps vigil by his father's bedside. He contemplates how closely life sits at the margins of death—one bleeding into the other—and wonders what can be learned from the everyday breakdown of leaves, milk, friendships, solar systems that might orient us to the nature of our own passage from life to death. As his father passes—elements dispersing into air and soil—Liam recognizes that all that flourishes must return to Earth; that in decay, something always endures.  Read the essay. Illustration by Ibrahim Rayintakath. Learn more about your ad choices. Visit megaphone.fm/adchoices