Podcasts about Illustration

Parenting is equal parts joy, chaos and mystery. For North Liberty dad, Kyle Sommers, it was also the perfect inspiration for his first book. Illustrated by fellow North Libertarian, Allison McClain, The Oohs and Ahhs of Parenting captures the funny, frustrating, and all-too-familiar moments of raising kids, with enough charm for the whole family. North Liberty is the headquarters of local media, regional financial and national transportation companies and home to solar energy and tech startups, and entrepreneurs getting their big ideas off the ground. Get to know your new business community.

includes animation, painting, sound design, and interactive installations. In her hometown Indianapolis, Jessica is perhaps best known for her work with Brain Twins, a creative studio she co-leads with Justin Shimp, specializing in animation and design. Jessica also teaches at the Herron School of Art + Design, where she's an Associate Faculty member in Drawing and Illustration.  In recent years, Jessica has gained notoriety for her work in music, creating experimental electronic soundscapes under the name Eeeka. Along with Michael Moskaliuk, she's also part of the minimal synth-pop duo Gümmi.

If you've always wondered how to find a mentor (or become one), this is your episode. Jake Parker, Lee White, and David Hohn share about their greatest mentors, how to cultivate a creative community, and how a life of service makes all of your goals possible. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

In this third story we're sharing in partnership with the Center for Humans and Nature, ecosystem ecologist Liam Heneghan turns to a council of philosophers and physicists to help reconcile the human experience of growth with the reality of decay as he keeps vigil by his father's bedside. He contemplates how closely life sits at the margins of death—one bleeding into the other—and wonders what can be learned from the everyday breakdown of leaves, milk, friendships, solar systems that might orient us to the nature of our own passage from life to death. As his father passes—elements dispersing into air and soil—Liam recognizes that all that flourishes must return to Earth; that in decay, something always endures.  Read the essay. Illustration by Ibrahim Rayintakath. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest: Justin Thompson, Senior Artist at Charles M. Schulz Creative AssociatesOn LinkedIn | https://www.linkedin.com/in/justin-thompson-91a47339/On Instagram | https://www.instagram.com/mythtickle/_____________________________Host:  Marco Ciappelli, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining Society Podcast & Audio Signals PodcastOn ITSPmagazine | https://www.itspmagazine.com/itspmagazine-podcast-radio-hosts/marco-ciappelli_____________________________This Episode's SponsorsAre you interested in sponsoring an ITSPmagazine Channel?

THE GOING WAS VERY, VERY GOOD—I'm a writer and the former deputy editor of Vanity Fair. Now if you know anything about me, which statistically you don't, unless—shameless plug—you read my memoir, Dilettante, about my time at Vanity Fair and the golden age of the magazine business. Which, statistically, you didn't.The only reason I have a career at all is because of today's guest on Print Is Dead (Long Live Print). He hired me in the mid-nineties to be his assistant. Or as he likes to say, “rescued me off the scrap heap” and then, like gum on the bottom of his shoe, he could never seem to get rid of me.I'm talking of course about Graydon Carter, former editor of Vanity Fair, Spy, The New York Observer, and now co-editor and co-founder of Air Mail.He's here to talk about his memoir When the Going was Good—a title that, with signature understatement, suggests things were once better than they are now, which feels correct. But his book isn't just about magazines. It's about a time when media was glamorous and powerful and vital. When New York was still New York. When the world he had a hand in shaping still existed.It's not nostalgia, it's a public service, because Graydon didn't just edit and create magazines. He built worlds. He predicted the cultural weather. He made journalism feel essential, and more importantly, cool. I was lucky enough to work for him at Vanity Fair for almost 25 years, back when magazines mattered, when people still returned phone calls, and parties had seating charts instead of hashtags, when the media wasn't just people making videos about sandwiches, and when style wasn't a “brand CoLab,” and when you could still smoke indoors without a visit from HR.You know what? Hold on one second. “Hey! You kids get off my lawn!”Sorry. Graydon began as my boss, but quickly became a mentor, then a friend, and it's a friendship that continues to this day. So enjoy this conversation with Graydon Carter as he looks back on the chaos, the glamour, and the thrill of a better time. Back when, yes, the going was very, very good.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Check out my Free Worldbuilding and Brainstorming Workshop: https://mightyartisan.com/worldbuilding This will help you refine your ideas for personal projects and build the skills needed to be a successful designer and author!—This is The Forty Eighth Episode of the Visual Scholar Podcast - With Tim Mcburnie.What if having a million amazing ideas for your project is actually the thing that's killing it?Below is in Automagically generated summary so you can check out the content and also to help with search functionality!---This episode challenges the common artistic impulse to create elaborate worlds filled with countless creatures, characters, and concepts. The discussion examines why having "a million monsters" often creates noise rather than signal, and explores how constraint and focus can lead to more impactful creative projects.The episode draws from the tension between Stan Lee and Jack Kirby in Marvel Comics history to illustrate the difference between creative execution and editorial vision. It explores how the elevator pitch mentality from Hollywood applies to personal artistic projects, using Star Wars as an example of how one clear core idea can anchor an entire universe. The argument centers on the principle that artistic projects need a single, easily communicable hook that people can understand and share, rather than an overwhelming collection of interesting elements.—Chapters00:00 Intro01:06 Welcome02:23 The Million Monster Problem06:11 Why Clear Signal Beats Creative Chaos16:29 The Stan Lee vs Jack Kirby Lesson28:52 Pick One Idea and Go Deeper35:40 The Analytical Takeaway37:41 The Simple Takeaway37:48 The Practical Takeaway40:39 The Philosophical Takeaway44:11 Outro—The Visual Scholar Podcast is designed to help you demystify the world of Art, Productivity, and Creativity. So you can get better faster, and enjoy your Art Journey.We discuss Drawing, Painting, Illustration and Entertainment Design. Along with Productivity and Career Advice.You Can Find The Visual Scholar Podcast In These Places:Apple: https://podcasts.apple.com/us/podcast/the-visual-scholar/id1678505411Spotify: open.spotify.com/show/6VbdwbiZqy8nqb90ruKQCX?si=21b9c1d02c85419fYouTube: https://www.youtube.com/@Tim-McburnieShow Homepage:www.thedrawingcodex.com/podcasts/the-visual-scholarWhere To Find More About Tim Mcburnie:Learn Drawing and Illustration at The Drawing Codex: www.thedrawingcodex.comArt Community:www.mightyartisan.comThe Drawing Codex Youtube Channel:https://www.youtube.com/@TheDrawingCodexPortfolio: www.timmcburnie.comwww.artstation.com/tim-mcburniewww.instagram.com/timmcburniex.com/timmcburnie

While Dave Kellett was at Alaska Comics Camp, he had the opportunity to speak with Jarad Greene, a cartoonist who works on staff at The Center for Cartoon Studies and has helped color many graphic novels for younger readers. He is the author and illustrator of the graphic novels A-Okay, A for Effort, and Scullion: A Dishwasher's Guide to Mistaken Identity — available wherever books are sold and through his affiliate Bookshop.org shop. He talked with Dave about the joys of learning to use a brush for inking.MORE ABOUT JARADWebsite  | TikTok | Instagram | YouTube You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Candidat, Donald Trump avait fait une promesse radicale : expulser tous les sans-papiers du territoire américain. Où en est-il dans la mise en œuvre de sa mesure phare ? Le point avec Fanny Lauby, spécialiste des questions migratoires, interrogée par Alexis Buisson, notre correspondant à New York. C'est ça l'Amérique – épisode 3/10.Pendant sa campagne, Donald Trump avait promis aux électeurs MAGA (Make America Great Again), de reconduire tous les immigrés sans-papiers à la frontière – soit au moins onze millions de personnes. Mais au moment où la police de l'immigration ICE (Immigration and Customs Enforcement) multiplie les interpellations dans des conditions controversées (agents masqués, en civil…), la mise en œuvre de cet engagement provoque des tensions dans tout le pays.Les manifestations visant ICE à Los Angeles, où vit une importante communauté hispanique, ne sont que l'une des illustrations de ces crispations entre un gouvernement hostile à l'immigration et une société de plus en plus diverse sur le plan racial. Alexis Buisson, correspondant de La Croix à New York, a tenté d'analyser cette fracture en s'entretenant avec Fanny Lauby, professeure associée de sciences politiques à l'Université d'État de Montclair (New Jersey) et spécialiste des questions d'immigration."C'est ça l'Amérique" est un podcast original de LA CROIX - juin 2025.CRÉDITS :Écriture et réalisation : Alexis Buisson. Rédaction en chef : Paul De Coustin. Production : Célestine Albert-Steward. Mixage : Théo Boulenger. Musique : Emmanuel Viau. Illustration : Olivier Balez.► Vous avez une question ou une remarque ? Écrivez-nous à cette adresse : podcast.lacroix@groupebayard.comEn partenariat avec le programme Alliance – Columbia et ses partenaires (Sciences-Po, Polytechnique, La Sorbonne), et French Morning, le premier web magazine des Français d'Amérique.Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

How can I learn to let go of bad art? Why isn't my style selling? Does drawing ever get easier? Jake Parker, Sam Cotterill, and Lee White discuss these topics and more. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

The second in a series of stories we're sharing in partnership with the Center for Humans and Nature, this narrated essay by Aboriginal scholar Tyson Yunkaporta explores the ways we've long mistaken cerebral thinking for knowing, and in doing so, dulled a more vital intelligence. He argues that we are “overthinking and underfeeling” our existence, and reminds us that we have a second brain: the gut, which “governs terrestrial relations and is in constant communication with land and all our human and nonhuman kin.” Likening our intellect to lightning, Tyson shares how we must let it interact with the regenerative and relational “fire” of our bellies if we are to respond properly to the needs of land and cosmos.  Read the essay. Illustration by Ibrahim Rayintakath. Learn more about your ad choices. Visit megaphone.fm/adchoices

Giuseppe Castellano talks to Terry Brown, former director of The Society of Illustrators, about his time at the Society; what's behind the Society's disparity between men and women award-winners; how life is made up of many different but connected chapters; and more.Learn more about The Society of Illustrators by visiting societyillustrators.org.Artists mentioned in this episode include: Bob Peak, Norman Rockwell, Charles Dana Gibson, Steve Brodner, Anita Kunz, Yuko Shimizu, Bernie Fuchs, Al Hirschfeld, Robert Weaver, Murray Tinkelman, Joe Ciardiello, Mark English, Roger Kastel, Diane Dillon, Violet Oakley, Jessie Willcox Smith, Elizabeth Shippen Green, Florence Scovel Shinn, May Wilson Preston, E. Simms Campbell, Reynold Ruffins, and Rube Goldberg If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

"I find myself being too comfortable. If it gets too easy, maybe something is wrong and I need to shake things up." - Danaé GossetIn this captivating conversation, Danaé Gosset shares her remarkable transformation from a rebellious French student kicked out of multiple schools to becoming the founder of Pencil TV, a acclaimed mixed-media animation studio. Her journey reveals how embracing difficulty, trusting intuition, and finding the right mentors can turn chaos into creative gold. Danaé discusses her unique approach to stop-motion animation, the power of silent retreats for creative breakthroughs, and why she deliberately chooses the harder path in both her work and life decisions, including her upcoming move from Paris to Los Angeles.Key takeaways:Embrace the difficult path - Choosing harder processes often leads to more distinctive and meaningful creative work that stands out commerciallyTrust your inner compass - Even during chaotic periods, maintaining faith that "things will be okay" can guide you toward the right opportunitiesCreate space for purposeless play - Not everything needs to serve a business goal; creative experimentation without agenda often becomes the source of breakthrough workBuild creative habits like fitness - Treat personal creative work as essential maintenance, like going to the gym, rather than a luxuryUse silence as a creative tool - Regular retreats from digital noise and social media can unlock deep creative insights and major life decisionsWork with obsessive dedication when you find your calling - When you discover your true medium, the intensity of focus that emerges can accelerate your career exponentiallySeparate personal and commercial work - Maintain clear boundaries between client projects and personal expression to preserve artistic integrity and business relationshipsTeachers appear when you're ready - Being open and prepared attracts the mentors and opportunities you need at exactly the right momentsUse healing practices to enhance creativity - Meditation, mindfulness, and therapeutic work can transform rebellious energy into productive creative fuelPut out the work you want to be hired for - The most effective portfolio strategy is creating personal projects that demonstrate exactly what you want to do professionally Mindful Creative: How to understand and deal with the highs and lows of creative life, career and business Paperback and Kindle > https://amzn.to/4biTwFcFree audiobook (with Audible trial) > https://geni.us/free-audiobookSigned books https://novemberuniverse.co.ukLux Coffee Co. https://luxcoffee.co.uk/ (Use: PODCAST for 15% off)November Universe https://novemberuniverse.co.uk (Use: PODCAST for 10% off)

Send us a textIn this episode, Jarrett Lerner talks about how publishing a book is like participating in the NBA finals, how kids are our bosses, and sloppy first drafts. Let's get started.Thanks so much for listening and for being part of the Chalk + Ink community. Our final episode will be a compilation of writing tips from the fifth season to kickstart your summer writing or give it a boost if your school year ended in May. My goal is to have it out before the end of June. If you're still teaching, I wish you the best in these final weeks. If you're already on vacay, soak up some sunshine, you deserve it. Until next time, happy teaching and happy writing. Support the show

In this episode, the storyteller, Kathy Shimpock, will continue her discussion of the Danish folktale, “Prince Lindworm.”  We began our analysis in the last episode, but there is much more to share.  This story is filled with metaphors and symbols.  It can be viewed in many ways. That fact alone emphasizes the power of folktales to bring understanding and healing to issues we deal with today.Story:  East of the Sun and West of the Moon: Old Tales from the North, illus. Kay Nielsen (New York: George H. Dorwan Co., 1922). "Strong Fairy Tale Heroines #21: Prince Lindworm" in Seven Miles of Steel Thistles: a blog by Katherine Langrish (July 14, 2020).Illustration:  "She Saw the Lindworm for the First Time as He Came In and Stood by Her Side," illustration by Kay Nielsen (1922).                                                             Other Resources: "Prince Lindworm," "Tatterhood," and "The Handless Maiden."This podcast is licensed under Creative Commons: By Attribution 3.0 License.  http://creativecommons.org/licenses/by/3.0/. Sound effects from my finch "Tweedles."Copyright 2025 Kathy Shimpock.    Support the showFor more crone tales, visit the "Wise Crone Cottage in the Woods" (http://www.wisecronecottage.com).

NOTED. (RELENTLESSLY)—When a company publishes a magazine, or at least an “editorial” product, for whatever reason, it is called custom publishing. I have a long editorial background in custom. And custom has a surprisingly long history itself.How long?John Deere started publishing The Furrow in 1895. The Michelin Star started as a form of custom content: what better way to sell tires to monied Parisians than by enticing them to take a drive to the countryside to try a great restaurant?Amex Publishing famously published Travel + Leisure among other titles for decades. That in-flight magazine you once enjoyed on your flight overseas? That, too, is custom publishing.Now, after some down years, custom publishing is leaning waaaaay into print again. Henrybuilt is an industry leader in designing and constructing well-built products and furnishings for the home. Henrybuilt is not, however, a company that you would think is screaming for a magazine.But the qualities that make a great magazine—attention to detail and craft, the curation of ideas, hard work—are the very qualities that have made Untapped, a “design journal that looks back to look forward.” Led by editor-in-chief Tiffany Jow, Untapped is a smart, well-designed magazine that avoids the pitfalls of most design journals in being free of jargon and thus accessible.With an enviable level of editorial freedom, Jow has created an editorial product that richly explores livable spaces and champions “ideas-driven work.” The result is a growing media entity across platforms independent of Henrybuilt while hewing closely to its brand. It's good stuff.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Check out my Free Worldbuilding and Brainstorming Workshop: https://mightyartisan.com/worldbuilding This will help you refine your ideas for personal projects and build the skills needed to be a successful designer and author!This is The Forty Seventh Episode of the Visual Scholar Podcast - With Tim Mcburnie.Ever feel like you're doing creativity "wrong" because your process doesn't match what the experts recommend? Lets talk about developing your own Worldbuilding Process...Below is in Automagically generated summary so you can check out the content and also to help with search functionality!---In this episode, I dive deep into finding your unique creative process for world-building and storytelling. As someone who's been a professional artist for over 20 years, I've learned that while there's plenty of advice out there on "the right way" to create, what truly matters is discovering YOUR way. I explore how different creators approach their work - from visual directors like James Cameron who start with powerful images (like the T-800 emerging from flames in a fever dream), to writers who begin with character perspectives, to interactive designers who focus on player experiences.What I've discovered through my own journey is that creative processes are inherently messy and often illogical. When creating my fantasy comic, I struggled following traditional writing advice until I realized my process worked better starting with character visuals first, then developing stories around them. I also found that writing from each character's first-person perspective helped me understand their motivations and create authentic conflict. The key insight is that constraints and limitations often fuel creativity rather than hinder it - so don't be afraid to experiment with your own "weird" methods. Your unique creative approach isn't something you'll find in books; it's something you'll discover through practice, experimentation, and embracing your natural tendencies.—00:00 Intro01:12 Welcome02:28 The Importance of YOUR Creative Process03:31 How Are Great Things Made?10:35 Creative Process Needs a Focus14:31 Anchoring Your Ideas19:06 The Journey of Discovering Your Process27:33 Analytical Takeaway29:18 Simple Takeaway29:47 Practical Takeaway31:44 Philosophical Takeaway34:41 Out—The Visual Scholar Podcast is designed to help you demystify the world of Art, Productivity, and Creativity. So you can get better faster, and enjoy your Art Journey.We discuss Drawing, Painting, Illustration and Entertainment Design. Along with Productivity and Career Advice.You Can Find The Visual Scholar Podcast In These Places:Apple: https://podcasts.apple.com/us/podcast/the-visual-scholar/id1678505411Spotify: open.spotify.com/show/6VbdwbiZqy8nqb90ruKQCX?si=21b9c1d02c85419fYouTube: https://www.youtube.com/@Tim-McburnieShow Homepage:www.thedrawingcodex.com/podcasts/the-visual-scholarWhere To Find More About Tim Mcburnie:Learn Drawing and Illustration at The Drawing Codex: www.thedrawingcodex.comArt Community:www.mightyartisan.comThe Drawing Codex Youtube Channel:https://www.youtube.com/@TheDrawingCodexPortfolio: www.timmcburnie.comwww.artstation.com/tim-mcburniewww.instagram.com/timmcburniex.com/timmcburnie

Les Nuées protectrices d'Hachem accompagnaient jour et nuit les Bné Israël dans le désert. Ils se déplaçaient d'un endroit à l'autre en fonction de la Nuée, c'est-à-dire en fonction de la volonté d'Hachem, en s'en remettant exclusivement à Lui, même si cela ne correspondait pas à leur propre volonté. De là, on en déduit que c'est uniquement avec l'aide de D.ieu que les Juifs peuvent entreprendre ce qu'ils doivent accomplir, et conformément à la volonté d'Hachem. Illustration avec une histoire du Midrach et Eliahou Hanavi.

Par quoi commencer pour créer une formation ?Créer une formation artistique quand on a déjà des articles, des coachings, une audience… ça semble être la suite logique, non ?Et pourtant, quand vient le moment de structurer tout ça, on se retrouve face à une montagne de questions. Par quoi commencer ? Qu'est-ce que je mets dedans, qu'est-ce qui n'y a pas sa place ? Quelle plateforme utiliser ? Etc.Dans l'épisode de la semaine, je vous propose un plan d'action pour prendre les premières bonnes décisions et mettre le pied à l'étrier. Je vous raconte comment j'ai lancé ma première formation avec zéro expérience de pédagogie, et comment, au fil du temps, j'ai appris à structurer mes contenus pédagogiques et mes programmes éducatifs. de manière concise et efficace.Si vous sentez que vous avez “quelque chose à transmettre” mais que vous ne savez pas comment poser les fondations de votre programme éducatif, cet épisode devrait vous éclairer.Écoutez l'épisode pour découvrir :Ce que signifie vraiment « créer une formation» (et pourquoi ce n'est pas juste mettre vos contenus en ligne)Les premières décisions à prendre pour poser les bases de votre projetUne erreur fréquente à éviter quand on veut tout donner à ses élèvesEt pourquoi une masterclasse peut devenir un vrai outil de lancement si elle est bien penséePS : Vous avez déjà des ressources à disposition sur votre site internet ? Des coachings en place ? C'est parfait. Vous n'avez pas besoin de tout réinventer. Seulement d'organiser ce que vous avez déjà avec clarté et intention.Retrouvez les notes de l'épisode ici : https://elodie-illustrations.net/139À mettre en place début juin

Over the next month we'll be sharing four stories in partnership with the Center for Humans and Nature. In this first one, author Sophie Strand uses her imagination to feel herself as part of the more-than-human world—as river, hummingbird, and mycelial network. Opening herself up to a “supracellular” state, she practices letting her mind leak beyond the bounds of individual consciousness and through the threads of relation that she shares with her ecosystem to experience being not a siloed self, but a web of interconnectivity. What empathy might take root and grow, she asks, when we practice thinking like this—when we imagine our consciousness to extend far beyond the confines of our own bodies? Read the essay. Illustration by Ibrahim Rayintakath. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode features discussions on figure drawing, capturing form, and culture. Artists on the panel include Cassandra Kim, John English, Scott Anderson, and Raymond Bonilla. Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.Start Your Journey Today: www.visualartspassage.com/programWhy Choose Visual Arts Passage?

THE SYSTEM WORKS—When I decided to launch this podcast back in 2019, it didn't take me long to realize that I didn't want to do it alone. The first person I called? Today's guest, Debra Bishop.I've known Deb a little bit for a long time, but well enough to know her insight, humor, and world view would elevate every conversation we'd have. But also, and more importantly, she is without question one of the most consequential editorial designers working today. Deb has helped define the visual and structural DNA of some of the most iconic media brands of the last few decades, from Martha Stewart's Blueprint, to More Magazine, and now, to The New York Times for Kids.What sets Deb apart is not just her eye, but her mind. She's a master of creating editorial systems—cohesive, flexible frameworks that hold entire magazines together, giving them both structure and soul. Her designs guide readers effortlessly, creating rhythm, clarity, and a sense of trust.Deb never overdesigns or distracts—she amplifies. Her layouts are confident, elegant, quietly powerful, and often these days, lots of fun. And as a leader and mentor, she's shaped not just magazines but careers. She's helped raise the standard for what editorial design can be, and what a creative partnership should look like.Deb makes everything better: the work, the process, the people around her. Her influence is everywhere—including on this podcast—and I feel incredibly lucky to call her a friend and colleague.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Today's episode is sponsored by Dreamhost. The first step in owning and controlling your own work is building a website, and Dreamhost is there to make that simple, painless, and inexpensive. Go to www.Dreamhost.com/ComicLab for details.The life of a comic artist is often a solitary one. Brad and Dave discuss ways of maintaining social connections for mental health and creativity. Later, they discuss the dangers of setting an artificially low Kickstarter goal.ON TODAY'S SHOWThe lone life of a comic artistUPDATE: Susan MacTaggart's affirmationshttp://www.Dreamhost.com/comiclab for special offers on web hosting for listenersAn artist is reminded of the importance of artSetting an artificially low Kickstarter goalSUMMARYIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the themes of socialization and loneliness in the life of cartoonists. They share humorous anecdotes from a recent trip to San Diego Comic Con, discuss the challenges of working alone, and emphasize the importance of maintaining social connections for mental health and creativity. The conversation also touches on practical tips for finding community, engaging with other cartoonists, and the value of stepping outside one's comfort zone to meet new people. In this episode, the hosts explore the importance of socialization for cartoonists and the healing power of art. They discuss how creative spaces can foster social interaction and the necessity of getting out of the studio.The conversation shifts to the emotional impact of art, particularly in times of personal grief, highlighting how art can provide escapism and comfort. The hosts reflect on their own experiences with art as a source of healing and the responsibility of artists to connect with their audience. In this episode, Brad Guigar and Dave Kellett discuss the significance of the arts in education and the joy of discovering new authors like John Scalzi.The show ends with discussing practical strategies for running successful Kickstarter campaigns. They emphasize the importance of understanding costs, setting realistic goals, and the potential risks of lowering funding targets. The hosts also explore the concept of urgency in crowdfunding and how to engage backers effectively, including leveraging early releases and creating special offers for supporters.TAKEAWAYSCartoonists often face loneliness in their profession.Finding a balance between solitude and socialization is crucial.Social interactions can enhance creativity and humor.Engaging with other cartoonists can provide support and inspiration.Joining groups like the National Cartoonist Society can foster connections.Participating in local meetups can improve mental health.Volunteering can introduce you to diverse perspectives.Maintaining friendships is essential for personal growth.Stepping out of your comfort zone can lead to new opportunities. Cartoonists can benefit from socializing in creative spaces.Art serves as a vital escape during tough times.Engaging with the community can enhance creativity.Walking a dog can lead to unexpected social interactions.Art can be a source of emotional healing.Creativity can be a daily practice, like brewing coffee.Comics can have a profound impact on readers' lives.Doom scrolling can be countered with engaging literature.Art can help maintain mental health and balance.Every artist contributes to the larger narrative of humanity. The arts are often undervalued in education.Discovering new authors can enhance escapism.Kickstarter strategies can significantly impact success.Setting realistic funding goals is crucial.Understanding costs is essential for Kickstarter campaigns.Lowering goals can be risky and detrimental.Project We Love may not significantly boost funding.Engaging backers early can create a sense of urgency.Special offers can incentivize early support.Learning from failed campaigns is part of the process.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

durée : 00:02:59 - L'Humeur du matin par Guillaume Erner - par : Guillaume Erner - Ce matin, Guilaume Erner se demande si croire aux fake news ne serait pas une histoire de famille, comme l'affirme une étude. Illustration avec Joe Biden et son état de santé. - réalisation : Félicie Faugère

Mary Meeker's latest report is out and it's all about artificial intelligence. It's a brilliant report. But it's missing why all of these changes matter for marketers and e-commerce/customer acquisition… The post AI Is Eating the World, But Who's Paying for Dinner? (Thinks Out Loud 464) appeared first on Tim Peter & Associates.

Join Tamara for an interview with Armando Nieto, an artist/illustrator born in Caracas, Venezuela. He has an Associate's degree in Illustration, and then came to Savannah to complete his B.F.A in Illustration with a concentration in Concept Design for Animation and Games from SCAD. He became proficient in working in Procreate, as well as in traditional painting media.  He worked as a freelance Illustrator right out of graduation, and since 2023 he has been teaching art classes for both kids and adults at Scribble Art Studio in Starland: https://www.scribbleartstudiosav.com/. More recently he also teaches art online (you can request a specific lesson/project too!) - https://www.superprof.com/master-the-art-watercolor-and-acrylic-personalized-step-step-lessons-where-you-improve-your-skills-with-expert.html   Armando also takes on commissioned painting projects (landscapes, portraits, and pet portraits) and recently completed a mural with fellow artist Nico Moscosa, at the soon-to-reopen Troupial Cafe.    Check out Armando's work and follow him here:  https://www.instagram.com/armasketch/  https://armandonieto.art/  https://www.tiktok.com/@armasketch    Tune in and get all the details! 

Trouver sa place sans suivre les tendances - Entretien avec Clod illustrateurClod est illustrateur depuis plus de vingt ans. Il a collaboré avec de grands titres de presse, des maisons d'édition, des associations, des mutuelles, des marques, etc., mais ce n'est pas son CV qui rend notre échange si précieux, mais la manière dont il aborde notre métier avec philosophie et passion.Dans cet épisode, on parle de parcours non linéaire, de liberté, de détermination, et de ce que ça signifie réellement de construire une carrière d'illustrateur·trice sur le long terme.Clod partage son regard sur l'évolution du métier, les réseaux sociaux, la fameuse quête du style unique, la pression de la visibilité, et le plaisir qu'on peut retrouver quand on accepte de lâcher prise.

Is it possible to run an online shop without burning out? Jake Parker, Lee White, and Anthony Wheeler teach how to make your shop work for you (rather than becoming a slave to it).  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Check out my Free Worldbuilding and Brainstorming Workshop: https://mightyartisan.com/worldbuilding This will help you refine your ideas for personal projects and build the skills needed to be a successful designer and author!—This is The Forty Sixth Episode of the Visual Scholar Podcast - With Tim Mcburnie.Are you focusing too much on Lore or too much on Story?Below is in Automagically generated summary so you can check out the content and also to help with search functionality!---In this video, I break down one of the biggest challenges artists face when creating fantastical worlds: balancing lore-building with storytelling. After 20+ years as a professional artist, I've seen how easy it is to fall into either spending too much time developing intricate world details without purpose, or rushing into stories that lack depth and unique characteristics. The real magic happens when these two elements work together harmoniously.I explore how effective lore provides coherency and limitations that actually enhance dramatic tension rather than restrict it. Whether it's how the Force works in Star Wars or magic functions in Harry Potter, these rules become essential plot points that drive character development and narrative arcs. The best creative works use their unique world elements to create situations that couldn't exist any other way. When developing your own artistic projects, focus on creating environments, creatures, and systems that naturally generate dramatic tension and compelling character interactions. This approach will take your world-building to another level, making your stories resonate with audiences on a deeper level.—00:00 Intro01:35 Welcome02:51 Preface04:55 Why Is This An Important Discussion To Have?10:29 What is "Lore"17:43 What is 'Story'22:58 The Power of Combining Lore and Story28:11 The Analytical Takeaway30:14 The Simple Takeaway30:51 The Practical Takeaway33:43 The Philosophical Takeaway36:12 Out—The Visual Scholar Podcast is designed to help you demystify the world of Art, Productivity, and Creativity. So you can get better faster, and enjoy your Art Journey.We discuss Drawing, Painting, Illustration and Entertainment Design. Along with Productivity and Career Advice.You Can Find The Visual Scholar Podcast In These Places:Apple: https://podcasts.apple.com/us/podcast/the-visual-scholar/id1678505411Spotify: open.spotify.com/show/6VbdwbiZqy8nqb90ruKQCX?si=21b9c1d02c85419fYouTube: https://www.youtube.com/@Tim-McburnieShow Homepage:www.thedrawingcodex.com/podcasts/the-visual-scholarWhere To Find More About Tim Mcburnie:Learn Drawing and Illustration at The Drawing Codex: www.thedrawingcodex.comArt Community:www.mightyartisan.comThe Drawing Codex Youtube Channel:https://www.youtube.com/@TheDrawingCodexPortfolio: www.timmcburnie.comwww.artstation.com/tim-mcburniewww.instagram.com/timmcburniex.com/timmcburnie

Drop everything and book a flight. Join Michelle and illustrator Caroline Tomlinson as they dive into the winding, wanderlust-filled path that led Caroline from agency burnout to full-time artistry, with pit stops in London, Cape Town, and New Zealand. They talk grit, galleries, creative identity, and the irreplaceable inspiration of travel. Tune in to embrace the beauty of happy accidents, creative ruts, and why travel is the ultimate fuel for your imagination.   Caroline Tomlinson is a London-based illustrator whose sketchbook and passport are rarely apart. A graduate of Central St. Martins, she blends inky, expressive marks with a love of travel, fashion, and culture—embracing “happy accidents” as part of her creative process. Her work has appeared in campaigns for Christian Louboutin, Sephora, Marc Jacobs, and Matches Fashion, and has been featured in Vogue, The Guardian, and Suitcase. Caroline also collaborates across mediums, recently launching a sustainable brand with Anthropologie and exploring film and animation in her latest project, Wanderlust Illustrated. ------------------------ In today's episode, we cover the following: Caroline's creative path The role of travel in shaping your work and perspective Burnout and reinventing your path Illustration style and medium Finding confidence as an artist Creative identity and career pivots Access to art and inspiration The power of your environment for creative flow Art as emotion, not emotion Dream projects ----------------------- GUEST INFO: To peruse Caroline's stunning illustrations, follow her on Instagram @CarolineTomlinsonIllustrator and visit their website, CarolineTomlinson.com ----------------------- Your designs deserve the front page—literally. Searchlight Digital is the women-led SEO and Google Ads agency that helps creative businesses get seen, not just admired. Use code KMA100 at searchlightdigital.ca for $100 off a 60-minute Pick My Brain call and finally get found. ----------------------- WORK WITH MKW CREATIVE CO.   Connect on social with Michelle at: Kiss My Aesthetic Facebook Group Instagram Tik Tok ----------------------- Did you know that the fuel of the POD and the KMA Team runs on coffee? ;) If you love the content shared in the KMA podcast, you're welcome to invite us to a cup of coffee any time - Buy Me a Coffee! ----------------------- This episode is brought to you by Zencastr. Create high quality video and audio content. Get your first two weeks free at https://zencastr.com/?via=kma. ----------------------- This episode of the Kiss My Aesthetic Podcast is brought to you by Audible. Get your first month free at www.audible.com/kma.   This episode was edited by Berta Wired Theme music by: Eliza Rosevera and Nathan Menard

Have you ever had a moment when everything you thought you knew about your path suddenly shifted? In today's episode, I sit down with textile artist Qualeasha Wood, whose innovative work bridges digital imagery with traditional craft techniques. She reveals the unexpected moments that led her from a completely different path into textile art. Qualeasha also shares the profound encounter that changed the trajectory of her art practice. Through stories about family, creativity, and finding her authentic voice, Qualeasha offers powerful insights for any artist navigating their creative journey. Chapters 00:00 Introduction to Qualeasha Wood and Her Art Journey 02:57 The Impact of Family and Community on Creativity 06:06 Early Influences and the Search for Representation in Art 08:53 Navigating the Art World: From Discouragement to Discovery 11:47 Finding a Medium: The Shift from Illustration to Printmaking 15:02 The Role of Textiles in Qualeasha's Artistic Expression 18:08 The Influence of Faith Ringgold and Career Shifts 21:09 Exploring Printmaking and the Intersection of Art and Identity 24:35 The Journey into Textile 27:50 Exploring Identity through Art 32:08 The Evolution of Artistic Mediums 37:12 Navigating Graduate School Decisions 41:00 Redefining Success in Art 47:35 Legacy and Impact through Textiles   Connect With Qualeasha: Website: Qualeasha's Website Instagram: Qualeasha Wood Support the Show Website: Martine SeverinFollow on Instagram: Martine | This Is How We CreateSubscribe to the Newsletter: Martine's Substack This is How We Create is produced by Martine Severin. This episode was edited by Santiago Cardona and Daniel Espinosa. Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

A heavy mixture of flies came into the house of Pharaoh and the house of his servants and into all the land of Egypt. The land was ruined because of the presence of the mixture of flies. 25 Then Pharaoh called for Moses and for Aaron and said: Go! Sacrifice to your Elohim in the land. 26 Yet Moses said: It is not the established custom to do so, for we shall sacrifice that which is an abhorrence of the Egyptians to Yahweh our Elohim. Behold, should we sacrifice an abhorrence of the Egyptians before their eyes, would they not stone us? 27 A way of three days shall we go into the wilderness and sacrifice to Yahweh our Elohim, just as He said to us. 28So Pharaoh said: I shall dismiss you, that you may sacrifice to Yahweh your Elohim in the wilderness, but you shall not fare far, not far to go. Make an entreaty about me. 29 And Moses said: Behold, I am going forth from you, and I will make an entreaty to Yahweh that the mixture of flies withdraw from Pharaoh, from his servants and from his people tomorrow. But Pharaoh must not continue to trifle in not dismissing the people to sacrifice to Yahweh. 30 Then Moses went forth from Pharaoh, and he entreated Yahweh. 31 And Yahweh did according to the word of Moses; and the mixture of flies withdrew from Pharaoh, from his servants and from his people. Not one remained. 32 Yet Pharaoh gloried in his heart, even at this time, and he did not dismiss the people. Exodus 8:24-31 ( Concordant Literal Translation) Third Round posts are short audio clips taken from Round 3 comments offered in the online Logopraxis Life Group meetings. The aim is to keep the focus on understanding the Text in terms of its application to the inner life along with reinforcing any key LP principles that have been highlighted in the exchanges.

Brandon Robbins preaching on Mark 10 looking at the Necessity of the Cross, Our Proper Participation in the Cross, and the Illustration of the Power of the Cross.

Réunis en Inde pour leur sommet annuel, les acteurs du transport aérien revoient leurs prévisions pour 2025. Entre tensions commerciales, pressions écologiques et hausse des coûts, les compagnies doivent composer avec un contexte économique nettement moins favorable, malgré une demande toujours soutenue. Décryptage. C'est dans un climat d'incertitudes que les compagnies aériennes mondiales participent, cette semaine à New Delhi, au sommet annuel de l'Association internationale du transport aérien (IATA). Première annonce majeure: les prévisions pour 2025 ont été revues à la baisse, en raison de ce que l'on qualifie de « vents contraires » pour l'économie mondiale. En première ligne, la guerre commerciale relancée par Donald Trump. Depuis avril, les États-Unis imposent une taxe de 10% sur les avions et composants aéronautiques produits hors de leurs frontières. Résultat, Airbus, le géant européen, fait face à des surcoûts lorsqu'il vend à des compagnies américaines. Et son concurrent Boeing n'est pas épargné non plus, en subissant des mesures de rétorsion similaires en Chine et en Europe. Ces tensions impactent directement les compagnies aériennes, qui absorbent ces hausses de coûts, parfois accompagnées de retards de livraison. Cela se traduit par une réduction des vols internationaux et une rentabilité mise à mal.Virage écologique contrariéAutre difficulté, la transition énergétique du secteur, essentielle pour atteindre la neutralité carbone d'ici 2050, se trouve elle aussi freinée. Les compagnies misaient sur des subventions américaines pour les carburants d'aviation durables, un levier important pour investir dans une flotte plus écologique. Or, cette aide a été supprimée par Donald Trump. Une décision qui prive les transporteurs américains d'un avantage concurrentiel précieux, estimé à plusieurs milliards de dollars. À cela s'ajoute une forte baisse des déplacements en classe affaires, conséquence d'un climat économique peu propice aux échanges internationaux. Moins de voyages professionnels, c'est aussi moins de revenus pour les compagnies, qui voient leur modèle économique traditionnel remis en question.Une demande en croissance mais des marges sous pressionParadoxalement, la demande pour le transport aérien reste bien orientée. L'Inde, hôte du sommet, a doublé en dix ans son nombre de passagers et d'aéroports. En Afrique et au Moyen-Orient, la croissance du trafic dépasse les 14 %, là où l'Amérique du Nord plafonne à +1,6 %, malgré le fait qu'elle représente un quart du marché mondial. Même le fret aérien se porte bien, dopé par les anticipations liées aux hausses de droits de douane. Mais derrière cette dynamique, les compagnies doivent faire face à une pression accrue sur leurs revenus par siège. Résultat: des ajustements économiques nécessaires pour absorber les surcoûts. Si le chiffre d'affaires mondial du secteur devrait atteindre un nouveau record en 2025 — plus de 1000 milliards de dollars —, les marges restent stables. Illustration d'un changement d'époque pour une industrie autrefois focalisée sur la croissance des profits, désormais contrainte de maîtriser ses dépenses.À lire aussiInde: boom dans le secteur du transport aérien

DOWNLOAD KEYNOTE SLIDES Sermon Summary: "Live in the House of Wisdom" by Dr. Bryan Hudson Pastor Bryan Hudson delivers a powerful and practical message rooted in the wisdom literature of Scripture, particularly the book of Proverbs. The central theme of the sermon is an invitation not merely to admire or visit wisdom, but to live in the house of wisdom—to make it our dwelling place and guiding principle. Purpose of Proverbs (Proverbs 1:1–3) Proverbs is given to teach wisdom and discipline, to understand wise insights, and to help people do what is right, just, and fair. Discipline is emphasized—it's not what others do for you, but what you choose for yourself. Discipline leads to order, consistency, and purposeful living. The Structure of Wisdom (Proverbs 24:3–4) Wisdom builds the house Understanding establishes it Knowledge furnishes it with pleasant and precious things This creates a metaphorical structure: Wisdom = the house, Understanding = the foundation, Knowledge = the furniture. This priority counters worldly assumptions—knowledge is not enough; it must be applied through wisdom and guided by understanding. Illustration of Wisdom with Cooking Knowledge is like having the recipe and ingredients. Understanding is knowing how to use them. Wisdom is putting it all together effectively and appropriately. Path Principle and Decision-Making Proverbs teaches to ponder the path of your feet (Proverbs 4:26). Life is about the paths we walk, not merely our intentions. Just as walking on a moving walkway takes you in a fixed direction, so do life choices—you arrive where the path leads, regardless of your good intentions. Living in God's Wisdom vs. Worldly Lack There is both abundance and lack in the world—not only materially but spiritually. There's a famine of hearing the Word of the Lord (Amos 8:11), despite abundance all around. True abundance is not material wealth, but spiritual richness, rooted in wisdom and relationship with God. Warnings and Encouragement Covetousness is a danger—desiring something just because someone else has it. Jesus was not poor, but He lived simply. True wealth is in wisdom and purpose, not possessions. Don't lower yourself or dilute your wisdom to fit in—let others rise to the level of truth and light. Mind of Christ God's ways and thoughts are higher (Isaiah 55:8–9), but they are not unattainable—we must rise to them. Believers have the mind of Christ (1 Corinthians 2:16), giving access to divine wisdom. Final Call: Choose Wisdom Daily God's wisdom is a path, not just an idea. Living wisely leads to stability, fulfillment, and God-directed success. Don't just visit the house of wisdom—live there. Closing Prayer Dr. Hudson ends with a prayer of thanksgiving, asking God to help believers live in the house of wisdom and guide others into the same. Summary Phrase: "Let's not just visit the house of wisdom—let's live in it." This message is both instructional and deeply spiritual, calling believers to a lifestyle rooted in God's wisdom, discernment, and understanding.

Illustration Award Winner Tremani Sutcliffe Episode 27: November 16, 2024 Join Echo as she interviews Tremani Sutcliffe after her Illustrators of the Future award. Tremani challenges traditional concepts of fantasy art, bringing new perspectives, styles, and narratives to the genre. Learn ways to use creativity and innovation fuel your work, from unconventional techniques to reimagining familiar fantasy themes, and showcase your humanity in your art. About Tremani Sutcliffe Tremani Sutcliffe is an award-winning illustrator who is developing her own Tabletop Role-Playing IP. Tremani Sutcliffe Links: Portfolio: https://www.decisiveart.myportfolio.com Instagram: https://www.instagram.com/alteration_games Echo Chernik Links: Website: https://www.EchoChernik.com Illustration: https://www.echo-x.com Facebook: https://www.facebook.com/echoxartist Instagram: https://www.instagram.com/echochernik Patreon: https://www.patreon.com/thexcaliberproject Kickstarter: https://www.kickstarter.com/profile/echox/created

(John 1:35-2:1) What a spiritual chain reaction! See how one man's witness for Christ became a small army of witnesses. God can use one individual to set in motion so much more. Will you be that person? (09131250530)  Keep Studying  Whether you're a new believer or have walked with the Lord for years, you'll find thousands of free devotionals, Bible studies, audio series, and Scripture tools designed to strengthen your faith, deepen your understanding of the Bible, and help you stay rooted in the Word of God. 

A BETTER-BUILT MAGAZINE—When a company publishes a magazine, or at least an “editorial” product, for whatever reason, it is called custom publishing. I have a long editorial background in custom. And custom has a surprisingly long history itself.How long?John Deere started publishing The Furrow in 1895. The Michelin Star started as a form of custom content: what better way to sell tires to monied Parisians than by enticing them to take a drive to the countryside to try a great restaurant?Amex Publishing famously published Travel + Leisure among other titles for decades. That in-flight magazine you once enjoyed on your flight overseas? That, too, is custom publishing.Now, after some down years, custom publishing is leaning waaaaay into print again. Henrybuilt is an industry leader in designing and constructing well-built products and furnishings for the home. Henrybuilt is not, however, a company that you would think is screaming for a magazine.But the qualities that make a great magazine—attention to detail and craft, the curation of ideas, hard work—are the very qualities that have made Untapped, a “design journal that looks back to look forward.” Led by editor-in-chief Tiffany Jow, Untapped is a smart, well-designed magazine that avoids the pitfalls of most design journals in being free of jargon and thus accessible.With an enviable level of editorial freedom, Jow has created an editorial product that richly explores livable spaces and champions “ideas-driven work.” The result is a growing media entity across platforms independent of Henrybuilt while hewing closely to its brand. It's good stuff.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Galatians 5:16-18 Thanks to everyone who supports TMBH at patreon.com/thetmbhpodcast You're the reason we can all do this together! Discuss the episode here Music by Jeff Foote

Send us a textYou know Juana Martinez-Neal as the recipient of the 2019 Caldecott Honor for Alma and How She Got Her Name, her debut picture book as author-illustrator. You might also know her as the New York Times bestselling illustrator recipient of the 2020 Robert F. Sibert Medal for Fry Bread: A Native American Story and the 2018 Pura Belpré Medal for Illustration for La Princesa and the Pea. I first fell in love with La Princesa and the Pea as a spark for early childhood and elementary STEM/STEAM challenges, then quickly collected some of Juana's other works, such as Swashby and the Sea and Zonia's Rainforest as inspirations for more STEM/STEAM goodness in the classroom. In addition to chatting about her two newest books, I am also so excited to share that Juana and I are going to be teammates on a Children's Book Creators for Conservation Wild Tomorrow expedition to South Africa this fall.Join us as we delve into the vibrant world of Juana Martinez-Neal, an award-winning author/illustrator whose passion for art and the environment takes us on a journey from the diverse landscapes of Peru to the dust plumes of the Sahara.  Juana discusses her newest books, Paka Paka con la Papa, a biography of potato hunter Alberto Salas, and A Gift of Dust, highlighting the environmental impact of Sahara dust plumes. She shares her commitment to aligning creative endeavors with personal values and the inspiration behind her collaborations, including a partnership with friend and fellow illustrator Molly Idle on Julie Fogliano's I Don't Care. Juana's stories of personal growth, travel dreams, and artistic expressions offer listeners a rich tapestry of insights and inspirations.Chapter Highlights:01:47: Paka Paka con la Papa04:38: A Gift of Dust05:59: The natural world as connecting thread through Juana's artistry07:58: How Juana approaches her creative process11:20: The joys and surprises of the research process with examples from Paka Paka con la Papa and Fry Bread: A Native American Story15:24: Sponsor Ad17:24: Collaborating on  I Don't Care with Molly Idle21:41: Adventures await in South Africa with Children's Book Creators for Conservation and Wild Tomorrow 23:55: Upcoming projects26:10 The enduring appeal of Alma, star of Alma and How She Got Her Name 30:49: Let's talk about HOPELinks:Follow Juana Martinez-Neal on Instagram, Facebook, and LinkedInJuana Martinez-Neal's websiteExplore her latest books:  Paka Paka con la Papa and A Gift of DustLearn more about Children's Book Creators for Conservation and the Wild Tomorrow trip to South Africa Support the showSubscribe & Follow: Stay updated with our latest episodes and follow us on Instagram, LinkedIn, and the Adventures in Learning website. Don't forget to subscribe on Apple Podcasts, Spotify, or wherever you get your podcasts! *Disclosure: I am a Bookshop.org. affiliate.

How important are starred reviews to the life of your children's book? Jake Parker, Lee White, and Samantha Cotterill explain what they are and whether or not you need them to succeed. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Giuseppe Castellano talks to author and long-time New Yorker cartoonist, Michael Maslin, about the reasons why Michael chronicles the history of cartooning; what differentiates a cartoonist and an illustrator; what “being there” means for cartoonists… and illustrators; and more.To learn more about Michael and Inkspill, visit michaelmaslin.com.Artists mentioned in this episode include: Liza Donnelly, Roz Chast, Roxie Munroe, Jack Ziegler, Laurent de Brunhoff, Peter Arno, Helen Hokinson, Charles Addams, James Thurber, Barbara Shermund, Robert Crumb, Sam Gross, David Sipress, Whitney Darrow Jr., John Cuneo, Syd Hoff, Ludwig Bemelmans, William Steig, James Stevenson, Edward Frascino, Barney Tobey, Saul Steinberg, Ed Koren, Ilonka Karasz, Alan Dunn, Mary Petty, Mischa Richter, Ed Sorel, Frank Modell, Rea Irvin, Christoph Niemann, Pearl Mann If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello.

In this episode, I share my thoughts on the difficult but exciting journey of rewilding my illustration process—bringing back more analog, handmade elements into the way I work. While the dream of working more physically is alive and well, the reality is a lot more complicated. In this monologue episode, I unpack six core problems I've identified as I try to rewild in real life, and I talk through some solutions, mindset shifts, and small actions I'm taking to move forward.If you've ever felt stuck between your current style and the one you wish you had, or if you're navigating your own transition as a creative, this episode might hit home.I also share some personal updates, what's coming up with my classes and book, and an embarrassing story from my recent trip to Paris that involves vintage books, broken French, and a stranger's purse.IN THIS EPISODEWhy rewilding your process is easier said than doneSix problems I've identified on my rewilding journeyHow I'm coaching myself through a style evolutionWhy confidence in your style is often externalPLUS – Embarrassing Story of the Episode: A Canadian in ParisSHOW LINKSDrawing is Important (Skillshare Class) – https://skl.sh/3TuA0NSThe Style Class on Skillshare – https://skl.sh/4cFnIejDrawing Is Important (Sketchbook IG) – http://www.instagram.com/drawingisimportantMy Website – http://www.tomfroese.comHOW TO SUPPORTShare this episode with your friends!Like / Subscribe / Follow / Comment / ReviewBecome a $3 Supporter or $8 Drawing Buddy on Patreon – http://patreon.com/tomfroeseBECOME A DRAWING BUDDYLive, monthly Draw With Me meetupsAll past DWMs available as replaysExclusive access to the DWM Discord Serverhttp://patreon.com/tomfroeseFIND ME ELSEWHEREWork and Classes – http://www.tomfroese.comInstagram – http://www.instagram.com/mrtomfroeseDaily Drawings – http://www.instagram.com/drawingisimportantCREDITSMusic and Cues by Mark Allan Falk – http://www.linktr.ee/semiathletic

Check out my Free Worldbuilding and Brainstorming Workshop: https://mightyartisan.com/worldbuilding This will help you refine your ideas for personal projects and build the skills needed to be a successful designer and author!—This is The Forty Fifth Episode of the Visual Scholar Podcast - With Tim Mcburnie.Lets talk about the power of worldbuilding for artists.Below is in Automagically generated summary so you can check out the content and also to help with search functionality!---In this video, I explore the often overlooked value of world building as a fundamental creative muscle for artists of all types - not just storytellers. I explain how developing world building skills adds depth, nuance, and authenticity to your art that technical craft alone cannot achieve. When we understand the "why" behind what we're creating—whether it's who our characters are, where they come from, or how the environments we draw were built—our art becomes more compelling and relatable, even at the sketch stage.I break down three key benefits of strengthening your world building abilities: it solves the "what do I draw" problem by giving you direction and purpose; it helps you create more unique, nuanced ideas by encouraging deeper exploration; and it helps you connect with your audience by providing context they can relate to. Just like actors need authentic costumes and sets to embody characters convincingly, artists need to understand the worlds they're depicting to make them feel real. The more you understand your world's details, the easier it becomes to communicate unspoken elements through your art in a way that resonates with viewers.—00:00 Intro01:01 Welcome02:17 The Importance of Worldbuilding05:10 How Can Worldbuilding Help Artists?12:49 Creating More Unique Ideas23:49 Worldbuilding and Story33:17 The Analytical Takeaway34:29 The Simple Takeaway35:00 The Practical Takeaway40:11 The Philosophical Takeaway41:18 Out—The Visual Scholar Podcast is designed to help you demystify the world of Art, Productivity, and Creativity. So you can get better faster, and enjoy your Art Journey.We discuss Drawing, Painting, Illustration and Entertainment Design. Along with Productivity and Career Advice.You Can Find The Visual Scholar Podcast In These Places:Apple: https://podcasts.apple.com/us/podcast/the-visual-scholar/id1678505411Spotify: open.spotify.com/show/6VbdwbiZqy8nqb90ruKQCX?si=21b9c1d02c85419fYouTube: https://www.youtube.com/@Tim-McburnieShow Homepage:www.thedrawingcodex.com/podcasts/the-visual-scholarWhere To Find More About Tim Mcburnie:Learn Drawing and Illustration at The Drawing Codex: www.thedrawingcodex.comArt Community:www.mightyartisan.comThe Drawing Codex Youtube Channel:https://www.youtube.com/@TheDrawingCodexPortfolio: www.timmcburnie.comwww.artstation.com/tim-mcburniewww.instagram.com/timmcburniex.com/timmcburnie

In this episode of The afikra Podcast, we're joined by renowned journalist Mona Chalabi who discusses her latest animated series "#1 Happy Family USA" with comedian Ramy Youssef, her unique data-driven and illustrated approach to journalism, and the use of humor as an effective communication tool. The conversation delves into Chalabi's upbringing, her views on authority and respect in journalism, the importance of lived experiences in storytelling, and the ethical complexities of representing marginalized voices. We also explore the challenges of the journalism industry, the impact of social media, and the significance of platforming diverse perspectives in media.00:00 Introduction 03:18 Childhood Interests and Ambitions04:53 No to Fan Culture 07:47 Data Journalism and Human Stories12:15 Challenges in Journalism and Representation16:39 Economic Crisis in Journalism21:27 Growing Up During the Iraq Invasion23:12 The Role of Journalists in Shaping Consent24:35 The Challenges and Resilience of Protest Movements26:41 The Importance of Local Reporting29:12 Journalistic Integrity and Future Reflections33:16 Balancing Activism and Media Consumption34:33 The Process of Creating and Revising Work39:23 The Debate on Platforming Opposing Views44:46 Final ThoughtsMona Chalabi's work has earned her a Pulitzer Prize, a fellowship at the British Science Association, and an Emmy nomination and recognition from the Royal Statistical Society. In recent years, her art has been exhibited at the Tate, the Brooklyn Museum, the Design Museum, and the House of Illustration. She studied international relations in Paris and Arabic in Jordan. Mona works beside windows, sometimes in her hometown of London but usually in Brooklyn where she is writing a book about the ways we talk about money. It has been optioned by A24 as a documentary series. She is also the executive producer and creative director of an upcoming animated TV show with Ramy Youssef, A24 and Amazon Studios. Her writing and illustrations have been featured in The New York Times, The New Yorker and The Guardian where she is currently the data editor. Her video, audio, and production work has been featured on Netflix, NPR, the BBC, and National Geographic.Connect with Chalabi

THE PERSON BEHIND THE PERSON BEHIND THE CAMERA—Close your eyes and picture a classic Rolling Stone cover. Dozens probably come to mind—portraits of music legends, movie stars, political icons, cultural rebels. Bruce. Bono. Madonna. These images are etched into our cultural memory as more than mere photographs. They're statements.But when we remember the cover, and maybe even the photographer, how often do we remember the person who made it all happen? The one who dreamed up the concept, found the right photographer, navigated the logistics, managed the personalities, and ultimately brought that unforgettable image to life?It's the photo editor. But who thinks about the photo editor?Photo editors are essential—especially at a magazine like Rolling Stone—for decades its covers defined our visual culture. Behind every iconic cover is a photo director making hundreds of invisible decisions under pressure and facing tight budgets, unpredictable talent, and shifting editorial winds. They're the ones keeping shoots on track when the talent shows up two hours late. They're the ones coaxing photographers into greatness—the person behind the people behind the camera. Photo editors are expected to be tastemakers, producers, diplomats, caterers, and art directors all at once. Although their work is everywhere, their names are not. They're under-thanked. Underseen. Too often unknown. This is the paradox of their work: When a shoot goes well, it looks effortless. When it doesn't, they take the bullet.Laurie Kratochvil, Rolling Stone's visionary director of photography from 1982 to 1994, knows this all too well.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

It's the end of an era: Will Terry is retiring from SVSLearn. Join Jake Parker and Lee White to learn what he's been working on and the lessons he's learned along the way. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Today's show is sponsored by Dreamhost. The first step in owning and controlling your own work is creating a website, and Brad and Dave have relied on Dreamhost for years. Check out Dreamhost.com/comiclab to find out how you can lock in a rate of $2.59/month for three years!Your social media profile needs to answer three questions clearly: Who are you? What do you do? And why should I care? If you're wasting time being cute, you're missing out of opportunities. Also, the NCS releases the nominees for Outstanding Cartoonist of the Year, and a person hired to illustrate a children's book faces a tough question from the writer: How do we sell this thing??Today's ShowBranding on your social media profileSusan MacTaggartShow sponsor: Dreamhost dreamhost.com/comiclabUPDATE: NCS Outstanding Cartoonist nominationsWe made the book... now what?"Have we ever considered not doing free content?SummaryIn this conversation, Brad Guigar and Dave Kellett discuss the importance of branding for cartoonists on social media, emphasizing the need for clear communication in profiles. The conversation wraps up with insights on navigating new platforms like Bluesky and the importance of straightforward messaging in promoting one's work. They discuss the evolving nature of social media presence, and the value of reliable hosting services like DreamHost. They also engage in a light-hearted personal affirmation segment and provide updates from the National Cartoonist Society. The conversation culminates in practical advice for illustrators on how to sell their work, emphasizing the importance of understanding one's role in the creative process. In this episode, Brad Guigar and Dave Kellett discuss the importance of branding in book promotion, the exploration of new intellectual properties (IP) for original graphic novels, and the value of audience engagement and product testing in the creative process. They also touch on the resurgence of physical media in a digital age, emphasizing that quality content will always find an audience.TakeawaysBranding is crucial for self-publishing cartoonists.Social media profiles should clearly state who you are.Consistency is more important than creativity on social media.Cartoonists often struggle with self-promotion due to imposter syndrome.Blue Sky may not have the same algorithmic restrictions as other platforms.Direct communication is key in branding and marketing.It's okay to promote your work without feeling like you're bragging. Put some of the creative thought into solving business problems.This change is 100% not permanent.You can change it tomorrow.We're big fans of DreamHost.This is the perfect opportunity for you.A 97-day money back guarantee.You are a limitless well of creativity.This is not your job, Jay.You should run as far away from him as you can.Your job is to use the book to promote Jay. Your job is to use the book to promote your next gig.Selling books, marketing books, promoting books, that's not Jay's brand.The responsibility of selling this book is not your job.This is a time management issue.You can use this to get to the next stage in your career.We have both done this with IP that the world has never seen.You'd better have previews and sample images that look incredible.People will absolutely buy that thing because they know it's good.People will buy your book. Absolutely.You can absolutely make that work. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Wir springen ins 2. Jahrtausend vor unserer Zeitrechnung. Im heftig umkämpften Grenzland zwischen zwei Weltreichen zeichnet sich eine Eskalation ab: Das ägyptische und das hethitische Reich wollen die Vorherrschaft über Syrien, und es wird das Jahr 1274 vdZw sein, in dem der seit Jahrzehnten schwelende Konflikt schließlich eskalieren wird. Wir sprechen in dieser Folge über die Schlacht bei Kadesch, eine der außergewöhnlichsten Schlachten der frühen Antike, die einen ebenso außergewöhnlichen Friedensvertrag hervorbringen wird. //Erwähnte Folgen - GAG462: Die Schlacht an den Thermopylen oder Das erste letzte Gefecht der Geschichte – https://gadg.fm/462 // Literatur - Mark Healy. Qadesh, 1300 BC: Clash of the Warrior Kings. Praeger, 2005. - Boyo Ockinga. Saturday Lecture Series: Battle of Kadesh. 2024 https://australian.museum/blog/at-the-museum/battle-of-kadesh-lecture/. - Robert Ritner & Theo van den Hout | The Battle of Kadesh: A Debate, 2016. https://www.youtube.com/watch?v=A1AGe2V0qHo. - Santosuosso, Antonio. „Kadesh Revisited: Reconstructing the Battle Between the Egyptians and the Hittites“. The Journal of Military History 60, Nr. 3 (1996): 423–44. https://doi.org/10.2307/2944519. - Trevor Bryce. The Kingdom of the Hittites. Oxford University Press, 1999. - Witham, Dorothy Natalie. „The Battle of Kadesh : Its Causes and Consequences“, 2020 https://africanstudieslibrary.org/discovery/record/base-ftunivsafrica-oai-uir-unisa-ac-za-10500-27455. Das Folgenbild zeigt eine Illustration eines ägyptischen Streitwagens, basierend auf Reliefs in Theben. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Is your artistic voice discovered or created? Jake Parker, Lee White, and Anthony Wheeler share how to unlock a style that feels uniquely you.Sign up for Lee White's watercolor workshop in Spain 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.