Podcasts about Illustration

Christina Hess is the Department Head of Illustration at Ringling College of Art & Design. In this interview, we discuss the value of art school and the impact of AI on art. Christina is an illustrator known for blending historical and natural themes across a wide range of projects. Her portfolio includes everything from numismatic designs (the study of coins, tokens, medals, and paper money) to illustrated cookbooks, rendered in various media such as graphite, watercolor, oil, and digital. Two 2026 United States coins will feature designs by Christina. The new quarter showcases scientist Dr. Vera Rubin. She also designed a new $1 coin depicting Native Hawaiian scholar Mary Kawena Pukui as part of the Native American $1 Coin Program. Christina's illustrations have been featured in publications such as the Society of Illustrators West, Spectrum Fantastic Art, ImagineFX, and 3x3 Magazine. And if that's not enough, she is a wonderful person, and her students at Ringling are extremely fortunate to have her! Learn more at www.christinahess.com/about

359. Christina Hess, Head of Illustration at Ringling College, Exploring the Value of Art School and AI's Impact on Illustration Writers & Illustrators of the Future Podcast, Christina Hess, L. Ron Hubbard, John Goodwin, Ringling College of Art and Design 4 hours ago4 hours ago Write a comment 30 plays30 Writers & Illustrators of the Future Podcast 285 followers 285 359 tracks 359 Christina Hess is the Department Head of Illustration at Ringling College of Art & Design. In this interview, we discuss the value of art school and the impact of AI on art. Christina is an illustrator known for blending historical and natural themes across a wide range of projects. Her portfolio includes everything from numismatic designs (the study of coins, tokens, medals, and paper money) to illustrated cookbooks, rendered in various media such as graphite, watercolor, oil, and digital. Two 2026 United States coins will feature designs by Christina. The new quarter showcases scientist Dr. Vera Rubin. She also designed a new $1 coin depicting Native Hawaiian scholar Mary Kawena Pukui as part of the Native American $1 Coin Program. Christina's illustrations have been featured in publications such as the Society of Illustrators West, Spectrum Fantastic Art, ImagineFX, and 3x3 Magazine. And if that's not enough, she is a wonderful person, and her students at Ringling are extremely fortunate to have her! Learn more at www.christinahess.com/about

ONE CITY AT A TIME—There are two kinds of travelers. The first group are those that need to see as many attractions as they can. The second are those that would rather wander around, get a feel for the place they're visiting, and live as much like a local as possible. Neither is better. There's no judgement here. But the people who are behind the bi-annual Fare Magazine are definitely of the latter group.Founded almost ten years ago, each issue of Fare explores a single city, using food as an entry point to talk to locals and tell stories that you won't find in your typical guidebook. You do not read Fare to find lists of must try restaurants. You read it to meet the people that make a city worth living in and worth visiting. You will learn something. And, maybe, this city will go on your list of places to visit. Going from city to city is, of course, not the easiest way to make a magazine, but ten years in, Fare is still going strong, and the business is growing to include new titles and new offers. It's a big world. And I get the sense Fare is going to keep wandering it, meeting the people who make every city taste better.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Cartoonists Brad Guigar and Dave Kellett discuss the nuances of print-on-demand services. As Brad says, "It's a good place to start, but a bad place to stay." They delve into the importance of advanced planning for holiday sales. Finally, they share strategies for engaging audiences at comic conventions, covering pricing strategies and the psychology of sales, and emphasizing the importance of understanding costs and audience engagement.Today's ShowPrint on DemandHow to "Let Time Be Your Editor"Convention PricingHuionHuion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLabKamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.TakeawaysPatience is key in daily struggles.Print on demand can be a good starting point but not a long-term solution.Planning for holiday sales should start well in advance.Engaging with audiences at conventions is crucial for building a network.Clear pricing and signage can significantly boost sales at conventions.Using loss leaders can attract customers but should be carefully calculated.Understanding your costs is essential for pricing strategies.Round numbers simplify transactions and reduce friction in sales.Time away from your work can provide valuable perspective for editing.Building a strong online presence is important for comic creators. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

De värsta pandemier som drabbat mänskligheten var när européerna på 1500-talet tog med sig en dödlig cocktail av sina vanligaste smittsamma sjukdomar till Amerika. Idag tror man att 90 procent av urbefolkningen strök med i sjukdomar de saknade immunitet mot. Hela kulturer gick under.Under 1700-talet började de växande nationalstaterna i Europa att utveckla metoder för att hantera pandemier – trots att den tidens läkevetenskap ofta missförstod hur smittor spreds. Samtidigt som böldpesten i stort sett försvann, uppstod nya pandemier till följd av industrialismens trånga, osanitära städer.Detta är det andra av två avsnitt av podden Historia Nu om pandemier, där programledaren Urban Lindstedt samtalar med Fredrik Charpentier Ljungqvist, professor i historia, särskilt historisk geografi, vid Stockholms universitet, om hur farsoter har påverkat samhällen genom tiderna – från medeltidens pest till spanska sjukan.När européerna anlände till Amerika på 1500-talet förde de med sig sjukdomar som smittkoppor, mässling och influensa – sjukdomar som den amerikanska ursprungsbefolkningen saknade immunitet mot. Resultatet blev en demografisk kollaps: upp till 90 procent av urbefolkningen dog inom ett sekel.Denna ”mikrobiella erövring” möjliggjorde den europeiska kolonisationen av Nord- och Sydamerika. Avfolkningen ledde till omfattande återförskogning, vilket i sin tur påverkade koldioxidnivåerna i atmosfären – ett exempel på hur pandemier kan få långtgående konsekvenser bortom människans hälsa.Det är först på 1800-talet som vetenskapen gradvis börjar förstå smittspridningens mekanismer. Kolera blev århundradets mest fruktade pandemi – men också den som ledde till avgörande förändringar i folkhälsopolitik och stadsplanering.På 1800-talet svepte koleraepidemier fram över världen. Flera pandemier startade i Asien och nådde Europa via handelsvägar. Koleran var vattenburen och slog särskilt hårt mot tätbefolkade städer med bristfällig sanitet. Under perioden 1834–73 drabbades Sverige av nio koleraepidemier. Vid den största av dessa, 1834, insjuknade mer än 25 000 personer, av vilka drygt hälften dog.Den engelske läkaren John Snow revolutionerade smittspårningen 1854 när han identifierade en förorenad vattenpump som kolerans källa i London – en insats som lade grunden för modern epidemiologi. Hans upptäckt blev en katalysator för utvecklingen av moderna avloppssystem, säkrare dricksvatten och en ny syn på urban hygien. Koleran blev med andra ord en drivkraft bakom avgörande samhällsreformer.Mellan 1918 och 1920 dödade spanska sjukan mellan 25 och 100 miljoner människor världen över – fler än första världskriget. Pandemin slog särskilt hårt mot unga vuxna, vilket bröt det klassiska U-formade dödlighetsmönstret för influensa. Trots dess enorma påverkan föll sjukdomen snabbt i glömska – kanske för att samhället redan var traumatiserat av krigets fasor.Senare forskning har visat att pandemin lämnade djupa men ofta osynliga spår. Barn till mödrar som varit sjuka under graviditeten löpte högre risk för kroniska sjukdomar senare i livet – en påminnelse om att pandemiers effekter kan vara långvariga, subtila och påverka generationer framåt.Bild: Smittkoppor under den spanska erövringen, ur bok XII i Florentinska kodexen (1540–1585). Illustration av en okänd konstnär från 1500-talet, Originalet återfinns i Biblioteca Medicea Laurenziana, Florens. Reproduktion i: Fields, Sherry (2008). Pestilence and Headcolds: Encountering Illness in Colonial Mexico. New York: Columbia University Press. Wikipedia, Public Domain.Musik: Fauré – Requiem – I. Introït et Kyrie, framförd av Orchestre national de l'Opéra de Monte-Carlo under ledning av Louis Frémaux, med Chorale Philippe Caillard och solisten Bernard Kruysen. Utgiven av Erato Records den 10 augusti 1962. Fotograf: Denis Thilliez. Ingen upphovsrätt gäller för denna ljudinspelning inom EU enligt direktiv 2006/116/EG.Klippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

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Overwhelmed with ideas? Join Jake Parker, Samantha Cotterill, and Lee White to learn how to evaluate potential projects and make the best selection. Plus, get an insider preview at the projects our pros are working on in 2026. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

The State of Illustration Report with Darren Di Lieto | Episode 65What does the illustration industry really look like right now — beyond highlight reels, social media, and shiny success stories?In this episode, I talk with Darren Di Lietto, founder of Hireillo and the author of the State of Illustration report. For more than a decade, Darren has been surveying illustrators around the world to better understand how we work, how we get paid, and how sustainable illustration actually is as a career.We have an honest conversation about confidence, pricing, late payments, mental health, and the quiet pressures shaping illustrators' lives today. We talk about who's best positioned to thrive, where illustrators are struggling most, and why so many are being squeezed out early on in their careers.I was surprised, and honestly a little bit depressed by the numbers in the report—but Darren helps me see some of the positive takeaways as well.

Hey! It’s been a minute. Still interested in hearing some stuff? Whatevs B Listen on SoundCloud Watch on YouTube Track list Kishan, The Illustration, Pedro Retro – Water Imogen Heap – Headlock (DJ CDQ Remix) Dirty Mirrors – This Energy Depsky – Foggy Night og pandy – Getting Merry (Mr Jazz Step Remix) Kippo, Mai […] The post Winter Warmer Garage n Bass – Episode 442 – Bumpy UK Garage with DJ BrainZ appeared first on UK Garage n Bass From DJ BrainZ.

Lauren Hartstone is a Creative Director and Partner at Sibling Rivalry, where she's spent the past decade mastering the art of fusing brand architecture with compelling storytelling. From creating iconic title sequences at Imaginary Forces to revolutionizing sports graphics, her journey reveals how creative fearlessness and systematic thinking can transform entire industries.Growing up with a market research executive father and artist mother, Lauren developed an understanding of both human behavior and visual expression. Her obsession with David Fincher's Se7en title sequence led her to Imaginary Forces for five transformative years. At Gretel, she experienced a humbling moment of having to step back and learn systematic branding. Becoming a mother of two fundamentally shifted her leadership approach—embracing merged work-life roles rather than separation.Now revolutionising sports graphics, Lauren's admission of knowing nothing about the sector became her greatest asset. Her philosophy centers on finding stories that already exist, working smarter as a leader, and maintaining excitement about possibility even after decades in the industry.Key moments: Merge branding with storytelling: The most powerful work happens when systematic brand thinking meets emotional narrative craft—they're not separate disciplines but symbiotic forces that strengthen each otherThe story is usually already there: Stop searching for manufactured insights and bigger concepts outside—the most authentic and resonant stories often exist within the brand, the people, or the culture you're trying to representStrategic fearlessness beats safe permanence: Brands hold back from bold creative choices because they fear permanence, but campaigns are ephemeral—there's more power in being willing to take expressive risks that can evolve over timeFresh perspective is your superpower: Not knowing a sector intimately isn't a weakness—it's an opportunity to bring new eyes, question conventions, and offer what you do best without being constrained by industry dogmaLeadership shifts from hours to impact: As you grow into creative leadership, especially as a parent, your value transforms from volume and hours worked to vision, clarity, and the ability to work smarter and fasterKeep work and life merged, not separated: The stress of maintaining rigid boundaries between creative passion and family responsibilities can be replaced by flexible integration—showing your children what creative work looks like teaches possibilityStay excited about where things could go: After decades in the industry, maintaining genuine enthusiasm for "there's so many places this could go" at the start of each project keeps creativity alive and prevents complacencyFind where you feel your best self: Long-term creative fulfilment requires finding the team, the environment, and the work that allows you to stretch, learn, feel confident, and be authentically yourself. Daring Creativity. Daring Forever. Podcast with Radim Malinic daringcreativity.com | desk@daringcreativity.com Book by Radim Malinic Paperback and Kindle > https://amzn.to/4biTwFcFree audiobook (with Audible trial) > https://geni.us/free-audiobookBook bundles https://novemberuniverse.co.ukLux Coffee Co. https://luxcoffee.co.uk/ (Use: PODCAST for 15% off)November Universe https://novemberuniverse.co.uk (Use: PODCAST for 10% off)

12-14-25 PM "The Mission of Christ Jesus"Scripture Reading: I Timothy 1Sermon Text I Timothy 1:15I. The Confidence toward the Mission A. The Idea of the Confidence B. The Basis for the ConfidenceII. The Purpose of the Mission A. The Salvation of Sinners B. The Step of HumiliationIII. The Extent of the Mission A. The Description of the Extent B. The Illustration of the ExtentRev. Greg Lubbers

C'est un tournant dans la politique étrangère américaine : publié le 5 décembre par l'administration Trump, la Stratégie de sécurité nationale appelle à restaurer la suprématie américaine sur l'Amérique latine, à lutter contre l'immigration incontrôlée, contre les menaces transfrontalières comme la drogue ou le terrorisme et réactive la doctrine Monroe qui, en 1823, interdisait toute intervention européenne sur le continent américain et réciproquement toute ingérence américaine dans les affaires européennes.   Aujourd'hui, Donald Trump va plus loin et l'assume. Il étrille les Européens et revendique l'Amérique latine comme sa chasse gardée. Pas question de laisser un pays adverse y positionner des forces ou exploiter des ressources stratégiquement vitales pour les États-Unis. Le document justifie le redéploiement des forces militaires américaines et même l'utilisation de la force létale. Des lignes qui expliquent la guerre engagée, depuis fin août 2025, par Donald Trump dans la mer des Caraïbes, au large du Venezuela, pour lutter contre le narcotrafic, avec une armada militaire impressionnante. En 3 mois, les frappes américaines contre des bateaux accusés sans preuve de transporter de la drogue ont fait plus de 80 morts. L'ONU dénonce des exécutions extrajudiciaires. Le président Nicolas Maduro, lui, voit dans le déploiement américain un prétexte pour le renverser et s'emparer des réserves pétrolières de son pays... Et la tension est encore montée cette semaine. Dans une interview au site Politico mardi, Donald Trump a déclaré à propos de Maduro «ses jours sont comptés» tout en évitant de répondre sur l'envoi de troupes américaines au sol.  Jusqu'où ira Donald Trump au Venezuela : veut-il vraiment combattre les narcotrafiquants ou d'abord faire tomber sa bête noire, Nicolas Maduro ?  Comment les États-Unis comptent-ils contrer l'accès de la Russie et de la Chine aux ressources pétrolières et minières du continent sud-américain ? Quelle est l'influence de Washington sur la contagion populiste qui frappe la région ? Ce bras de fer Trump/Maduro illustre-t-il le retour de l'interventionnisme américain en Amérique latine ? Avec - Maud Quessard, spécialiste de politique étrangère américaine, directrice du domaine «Europe, Espace Transatlantique Russie» à l'IRSEM. Autrice de «La puissance sans principe. Géopolitique du trumpisme», étude de l'Irsem N°126 parue en septembre 2025 - Thomas Posado, maître de conférences en Civilisation latino-américaine contemporaine à l'Université de Rouen, auteur de «Venezuela : de la révolution à l'effondrement», aux Presses Universitaires du Midi - Jean-Jacques Kourliansky, directeur de l'Observatoire de l'Amérique latine et des Caraïbes à la fondation Jean Jaurès, a publié «Progressisme et démocratie en Amérique latine 2000-2021» aux éditions de l'Aube.

Vasanti Unka is an award-winning writer, designer and illustrator, her newest children's book PukaPuka is a celebration of reading and the role library's play in our communities. Vasanti was also awarded the Arts Foundation Mallinson Rendel Laureate Award for Illustration in 2021. She speaks to Mihi Forbes about her journey into the world of children's books, South Asian voices becoming part of New Zealand's landscape, and the importance of libraries for the young.

A MODERN MAGAZINE EDITOR IN A POST-MAGAZINE WORLD—In the media storm that is 2025, the person you want captaining your ship is smart, decisive, and cool, calm, and collected—in other words, she's Nikki Ogunnaike.The editor-in-chief of Marie Claire, whom we got to know when we worked together at Elle, is the very model of a modern magazine editor, in that—unlike the lifers of old—she hopscotched through a ton of jobs, accruing skills as a writer, a fashion editor, a digital editor and a print editor, and, oh yeah, a social-media savvy multi-platform operator—to become what she is now: someone uniquely equipped to lead a new era of Marie Claire.We talked to Nikki about what it's like to run a modern media brand in a post-magazine world—what does the job of “magazine editor” even mean now? Also: how is the post-Hearst Marie Claire evolving to meet a new reader, or should we say “follower,” and which parts of its original DNA Nikki is working to preserve. Also: Is the “girlboss” back?—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Syndicated cartoonists Jerry Scott and Rick Kirkman share their journey of collaboration that spans over 35 years, focusing on their iconic comic strip, "Baby Blues." They discuss their initial meeting, the challenges of working together, the creative process behind their gags, and the evolution of their work. The dialogue highlights the joys and conflicts of collaboration, the importance of humor in parenting, and the unique dynamics of their partnership. They discuss their early encounters with legendary cartoonists, the challenges and joys of taking over legacy strips, the impact of awards on their careers, and the importance of authenticity in parenting comics.You can read "Baby Blues" at Gocomics.com/babybluesHuionHuion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLabKamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.TakeawaysJerry and Rick's collaboration spans over 35 years.Their wives introduced them, both aspiring cartoonists.They bonded over a shared love for comics and cartooning.Baby Blues was inspired by their experiences as parents.They learned the importance of hitting deadlines.Collaboration requires open communication and compromise.Writing gags often starts with the punchline first.The creative process is a blend of writing and drawing.Their friendship enhances their creative output. Meeting legendary cartoonists was a pivotal moment.Legacy strips come with both pressure and opportunity.Awards can create a sense of responsibility.Parenting comics resonate deeply with readers.Book titles can encapsulate the essence of the work.Professional jealousy is detrimental in the creative field.Authenticity in storytelling is crucial.The weight of awards can be both a blessing and a burden.Creating relatable content helps connect with audiences.Collaboration and community are vital in the cartooning world. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.

Colossians Chapter 1 Study: The Preeminence of Christ and Reconciliation Introduction Encouragement to study Colossians chapter 1, focusing on the preeminence of Christ and the power of God. Acknowledging personal feelings of inadequacy but emphasizing trust in God’s power to feed His sheep. God uses “foolishness of preaching” to save believers. Reference to Colossians 1:18-22 as the text for the message. “And he is the head of the body, the church: who is the beginning, the firstborn from the dead; that in all things he might have the preeminence.” “For it pleased the Father that in him should all fullness dwell;” “And, having made peace through the blood of his cross, by him to reconcile all things unto himself; by him, I say, whether they be things in earth, or things in heaven.” “And you, that were sometime alienated and enemies in your mind by wicked works, yet now hath he reconciled” “In the body of his flesh through death, to present you holy and unblameable and unreprovable in his sight” Prayer for God’s help and for the truth to find its place in hearts. The Inward Man vs. The Outward Man Concept of Inner and Outer Self Most people don’t understand the concept of the inward and outward man. There is an unseen man on the inside. God looks at the heart (inward man), not just the outward appearance. Example: Samuel anointing a new king for Israel. Salvation of the Inward Man God saves the inward man, not the outward man (which returns to dust). The inward man must be reconciled to God. The Second Death If one is only born once (physically), there are two deaths in the future. It’s dangerous to be unreconciled to God, even momentarily. If you die without being born again, your soul is unprepared to meet God. Eternity is the most important subject to consider. Need to call on God before it’s too late. God’s Work of Reconciliation and Cleansing Miraculous Work of Salvation Personal testimony of being saved in 1976. Salvation is a miraculous, irreversible work that provides eternal life. Promise of never perishing. Ephesians 1:3-4, 7 Blessed with spiritual blessings in heavenly places in Christ. Chosen in Him before the foundation of the world to be holy and without blame. Redemption through His blood and forgiveness of sins according to the riches of His grace. Colossians 1:22 Presented holy, unblameable, and unreprovable in His sight through the body of His flesh through death. Reconciliation Through Christ’s Blood God reconciled us through the blood of Jesus Christ. Jesus paid for and cleansed us of all sin (past, present, and future). God paid the penalty for our sin debt before we ever could. Calvary’s cross provided forgiveness for all future sins. Promise of being presented to the Father as holy, unblameable, and unreprovable. Purity of the Bride of Christ The bride of Christ (the church) has been made pure. God chose us before the foundation of the world and made a way for all sins to be paid for on the cross. We are made holy, unblameable, and unreprovable through Jesus’ sacrifice. Ephesians 1:4 Confirmation We should be holy and without blame before Him in love. Eternal Security Once born again, one is forever taken care of and will never be lost again. God’s plan at Calvary satisfied the justice of God for the penalty of man’s sin. God recognizes the work of His Son in us, making us holy, unblameable, and unreprovable. We are the sons of God because of the blood shed for our souls. We go to heaven because of what Jesus did, not what we’ve done. Addressing the Misconception of License to Sin Addressing the Misconception Addressing the idea that being forever clean gives a license to sin. Apostle Paul’s response in Romans: “How shall we, that are dead to sin, live any longer therein?” Born-again individuals cannot live in sin. A new creature inside loves what was once hated and hates what was once loved. If truly born again, something bigger on the inside will chastise and bring one home. Isaiah 1:18 Though sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool. Jesus Christ’s sacrifice makes us white and clean in the blood of the Lamb. Everything we’ve ever done falls under the blood of Jesus Christ. Desire to Live Righteously Desire to live the way God wants us to live, not alienated from God or the church. Wanting to live without sin in our hearts. Payment for All Sin At salvation, all sins (past, present, and future) were paid for with Jesus’ blood. God accepted that payment and purged us of sin. Sealed to the Day of Redemption God sealed what He made white, pure, holy, unblameable, and unreprovable with the power of His Holy Spirit. Sins are gone and under the blood of Jesus Christ. Importance of Repentance and Fellowship Fellowship with God depends on willingness to repent daily. Repentance restores fellowship with God. Even if death occurs without a moment to repent, one dies clean, holy, unblameable, and unreprovable because the blood paid for all sin. Everything needed to make us perfect in Christ has been done. Freedom from Fear Freedom from living in fear over salvation. Belief in Jesus’ words: “I give unto them eternal life; and they shall never perish.” This statement is valid only if all sins were paid for, not just in part. Made holy, unblameable, and unreprovable and sealed to the day of redemption. Holiness and Righteousness Imputed Through Christ Being Holy as God is Holy The only way to be holy is through Christ. Romans 4:22-25 Righteousness was imputed to Abraham because of his faith. This was written for us also, to whom it shall be imputed if we believe on Him who raised Jesus our Lord from the dead. Jesus was delivered for our offenses and raised again for our justification. Presented as Holy Jesus will present us to God the Father as holy. Holy means righteous, all right, not wrong. Focus on the inward man, not the outward man. Righteousness of Christ Imputed The righteousness of Jesus Christ, not our own, is imputed to us when we turn our hearts over to Christ. It was laid to our account and placed in our hearts, sealed until the day of redemption. Assurance of Salvation Not worrying about sin because, according to the Word of God, sins are gone. Sins are under the blood and gone forever. Living as Holy in Heart Desire to live as holy in the flesh as we are in the heart. God doesn’t halfway forgive sin; He forgives all sin. We are clean and white in the eyes of God. God’s Justice Satisfied The blood of Jesus Christ satisfied God’s justice. We are presented holy, unblameable, and unreprovable in His sight. This is only possible if He deals with our sin, which He did. Eternal Payment for Sin Jesus forever paid our sin debt, and we are saved forevermore. If He didn’t preserve us in that white, holy condition, we wouldn’t have a chance of getting into heaven. Every hope is anchored in the blood of the Lamb. Saved because of what Jesus did, the propitiation for all our sin. Unblameable and Unreprovable: A Miraculous Work Unblameable and Unreprovable Holy, unblameable, and unreprovable are the same concept. A person who cannot be blamed cannot be reproved. Reproving in the flesh helps us walk according to what’s in the heart. Cannot reprove what’s inside the soul; it’s either right with God or not. God had to do something miraculous to make our souls unblameable. Superiority of New Covenant We have something Job didn’t have. Job had great faith, but the blood of Jesus Christ had not yet been shed. Jesus rose from the dead, gathered up that blood, and presented it to God the Father as payment for our sins. Everyone who bows in the name of Jesus Christ can be born again and have their sins washed away. Perfection Through Christ Cannot be saved again because you can’t make perfect water. Cannot go to heaven if you aren’t perfect. Hebrews 9:11-12 Christ came as a high priest of good things to come, by a greater and more perfect tabernacle. He entered the holy place once with His own blood, having obtained eternal redemption for us. He made us perfect on the inside. John 1:29 John the Baptist saw Jesus coming and said, “Behold the Lamb of God, which taketh away the sin of the world.” Jesus died for sins we’ve yet to commit. Salvation wouldn’t be worth anything if it only covered past sins. He died for the sin of the whole world. God’s Perspective God will present us to the Father as holy, unblameable, and unreprovable. If God says we are unblameable and unreprovable in His sight, we should rejoice. No boasting or works are involved; we have no means of getting to God except through the finished work of Jesus Christ. Cleansing from All Sin and the New Birth 1 John 1:7 If we walk in the light as He is in the light, we have fellowship with one another, and the blood of Jesus Christ, His Son, cleanses us from all sin. Cleansing from all sin is not about turning over a new leaf. Worthlessness of Self-Righteousness Salvation is not about what we do or will do. Kicking habits or stopping addictions doesn’t merit favor with God. Our righteousness is nothing but filthy rags. The flesh will return to dust, but something inside us was forever made holy and unblameable. Necessity of New Birth Either Jesus’ blood was sufficient for all our sins, or we need to live in constant fear. God knew saving the flesh was impossible because its nature is sinful. Jesus told Nicodemus we must be born again. We are new creatures in Christ because we are born again in the Spirit of God. Two Births, One Death Born once, die twice (physical death and lake of fire). Born twice, die once (only physical death). Boasting in the Lamb of God Boasting about the Lamb of God who shed His blood for our souls. Because we’ve been born again, we get to go to heaven, holy, unblameable, and unreprovable. Romans 3:24 Being justified freely by His grace through the redemption that is in Christ Jesus. Justified means there is no condemnation, sin, or culpability. Devil’s Accusations The devil tries to blame, accuse, and reprove us. We end up at the altar where we bow our knee to Him, and the Holy Ghost of God purges us of sin. We have been made clean in the sight of God. We have something to be grateful for; God made a way. We can’t mess this up. Eternal Security and the Gift of Salvation No Need for Retuning No need to get “tuned up” on the inside man again. There is no “black” (sin) inside; it’s all in the nature of the flesh. That which He bought, purged, cleansed, and sealed to the day of redemption must be perfect and holy. Jesus’ promises of eternal life and never perishing would mean nothing if our sins weren’t gone forever. Justification Through Grace Being justified just as if we’d never sinned, freely by His grace through the redemption in Christ Jesus. God set forth Jesus to be a propitiation through faith in His blood. Assurance of Salvation The gift we got will never be in question. Hope that others have experienced the same and will get there. If you die tonight and have been born again, He will present you unto God holy, unblameable, and unreprovable. He did the work once, immediately, for all, and then sealed it. Salvation by Grace, Not Works We get to go to heaven not because of anything we’ve done that was good. No message preached or good deed done will get us into heaven. For the same reason good works won’t get us in, bad works cannot keep us out. Purged and Sealed He purged our sin, looked into the inward man, and identified all the dark past and future sins. The blood has paid for all sin, and it was cleansed and made white that day. He sealed it until the day He redeems us. Day of Redemption The day of redemption is when this old body expires. To be absent from the body is to be present with the Lord. The Holy Spirit will no longer need to be sealed on us; we will be with Him. Doctrinal Belief This is doctrinal to our faith and what we believe. Sometimes we don’t remind ourselves of what great gift God has given us. Illustration of the Slave Girl and the Auction Block Story of the Slave Girl A young slave girl was being sold on the auction block, stripped from her family. She grew hateful toward all those bidding for her. One man bid a price far above what anyone else could pay and bought her. He tore up her papers and said, “You’re free.” She went after him and said she would serve him for the rest of her life. He bought her so he could set her free. Application to Salvation We serve God because we are debtors to Him. We will never be able to repay Him for what He did for us that day as a child. After millions of years, we will still be thanking Him for saving our souls. God’s Perspective When we see our regret, God sees the cross. When we see our sin debt, God sees the price paid in full by His only begotten Son. When we see our multitude of sins, God sees the blood of the spotless Lamb. When we say, “O wretched man that I am,” God says we are righteous because of Jesus Christ and what has been imputed into our hearts. Living a Life Worthy of Salvation Sons of God Whether we act like it or not, if we’ve been born again, the blood of Jesus Christ has made us sons of God. We ought to act like it and live every day of our lives 100% sold out and surrendered to the will of Jesus Christ. He’s worthy of no less than that. Assurance of Salvation If you’ve been born again, you’re going to heaven. He’s going to present you unto the Father, holy, unblameable, and unreprovable. You don’t deserve to go, but He made you worthy. That’s worth living for; whatever He says to do, we ought to do it. There aren’t enough devils in hell to keep us out of it if we’ve been born again. Ephesians 2:8 For by grace are ye saved through faith; and that not of yourselves: it is the gift of God. The only thing you can do with a gift is receive it. Invitation to Receive the Gift God made a way for you to be saved tonight. Religion won’t get you there; you must know Jesus Christ as your Savior. If you know Him in the free pardon of sin, who has done a work in you and made you holy, unblameable, and imputed the righteousness of the perfect one, then you can raise your hand and say thank you. Come forward if you don’t know Him tonight and receive this gift. Gratitude for Salvation Thank God for the blood of Jesus Christ. We have a lot to be grateful for. We can fall on our knees every day and shout hallelujah; He’s made us clean through the blood of the Lamb.

Join our next BoldBrush LIVE! Webinar by signing up here:register.boldbrush.com/live-guestLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.comGet over 50% off your first year on your artist website with FASO:FASO.com/podcast---For this week's episode, we made a compilation of our past guests reflecting on how early influences, mentors, and disciplined study shaped their art, and how they often feel driven to keep growing rather than staying comfortable. They describe learning fastest by painting from life—especially in plein air—tackling unfamiliar subjects, simplifying values, and using subtle color temperature shifts instead of high-contrast effects. Throughout the episode, our past guests stress intentional decision-making in composition and color, the importance of not overworking a piece, and the deep community and life-changing connections formed through workshops and shared painting experiences.Episodes mentioned:158 Cynthia Rosen156 Shanna Kunz155 Scott D. Prior154 Julie Davis151 John Morra138 Michelle Dunaway137 Chris Krupinski136 Bill Davidson127 Jill Basham

Netz, Dina www.deutschlandfunk.de, Büchermarkt

Can you build an art career without social media? How helpful is AI, actually? Jake Parker, Lee White, and Anthony Wheeler discuss why human connections still outweigh algorithms and how you can use them to your advantage. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

I. Introduction: Setting the Theme Review of November's theme: Share the Harvest. Introduction of December's theme: Share the Hope. Reflection: the church focuses on spreading hope to the community—but hope must also be shared within the church. Observation: the world around us is filled with discouragement; people crave hope, especially during December. II. The Need for Hope Many are discouraged by finances, the future, broken dreams, and depression. Even during the holidays, sadness often deepens for people without Christ. Key idea: We must understand the hope of Jesus ourselves before we can share it. III. What Hope Means for Believers Hope satisfies human longing for something better. Jesus Christ is the only one who can fill the inner void. Scriptural foundation: Proverbs 13:12 — “Hope deferred makes the heart sick.” Proverbs 23:18 — “There is surely a future hope for you, and your hope will not be cut off.” IV. Three Aspects of Hope in God 1. The Hope of His Arms Deuteronomy 33:27 — God's “everlasting arms” are our refuge. Illustration: a child running into his father's arms—mirrors how believers should run to God. God's arms are extended in comfort, guidance, and embrace. Isaiah and Deuteronomy emphasize God's outstretched arm leading His people. Applications: Run into God's arms for help. Don't fold your arms at others returning to faith—welcome them with love and compassion. 2. The Hope of His Eyes Story of the Prodigal Son: The father (representing God) sees his son coming from afar. Psalm 34:15 — “The eyes of the Lord are on the righteous.” Examples of Jesus' watchful eyes: The woman with the issue of blood (Mark 5:32). Zacchaeus in the sycamore tree (Luke 19:5). The widow's offering (Luke 21:1–4). Message: God sees, notices, and acknowledges even unseen acts of faithfulness. 3. The Hope of His Heart Matthew 11:29 — Jesus is “gentle and humble in heart.” The heart of God is full of compassion. Scripture examples: Matthew 9:36, 14:14, 15:32 — Christ's compassion for the crowds. Ministry analogy: working with people requires “shifting gears” like a manual car; compassion guides those shifts. Having the heart of God helps believers love and relate well to others. V. Living Out Hope Run into the arms of God. See people through God's eyes. Reflect His compassionate heart in word and deed. Encourage one another within the church as well as outside it. VI. Communion and the Source of Hope The foundation of hope is Christ's death and resurrection. Romans 8:31–39 — Nothing can separate us from the love of God in Christ Jesus. Communion as an act of remembrance for Jesus' sacrifice and love. Gratitude expressed to Father, Son, and Holy Spirit. VII. Closing Exhortation Illustration: A woman (“Janet”) changed her environment with joyful faith—“Jesus brings joy.” Believers are called to represent Jesus well in their words, behavior, and daily interactions. Christmas focus: keep Jesus—the greatest gift—at the center. Invitation to prayer and dedication at the altar.

THE PURPOSE OF TRAVEL—The world is adrift in travel magazines that tell you to go here and stay there, to order certain foods at “of-the-moment” restaurants. And when you go to these places you find yourself surrounded by other travelers like you, and the only locals you interact with are, maybe, the waiter, or your Airbnb host, or the tour guide taking you on a generic definitely-not-what-the-locals-do tour of the trendiest neighborhood in town. Or you might not even meet a local. Or ever stop looking at the screen on your phone.You will have ticked items off your travel bucket list, but will you have actually traveled? Travel becomes consumption and as with all manner of consumption, you are never quite sated, and hey, there's a media ecosystem out there to help you along.And then there's Ori. Founded by journalist Kade Krichko, Ori bills itself as a “travel, art and education platform” that allows local storytellers to tell their stories on a global scale. It is a magazine that understands travel is an experience first and foremost, and that traveling well means an immersion into people and places, an opportunity to grow and to heal.It's a magazine that assumes you should think about and experience the world around you, and that if you think about it and experience it enough, the world becomes a more interconnected and better place; it becomes a place of wonder.And isn't that why we travel?—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

En Grèce, la situation dans les hôpitaux publics est jugée « misérable » par les professionnels de santé qui y travaillent. Le mois dernier, les médecins hospitaliers ont observé une grève de deux jours, suivie, fin novembre, d'une autre grève, de la part cette fois des infirmiers. Tous tirent la sonnette d'alarme sur un système public en ruines, qui ne s'est jamais relevé d'une décennie de crise économique. Pour les patients, le résultat, ce sont de longues heures d'attente sur place ou des mois pour obtenir un rendez-vous.  En surplomb des décorations de Noël qui illuminent déjà la place Syntagma, au cœur d'Athènes, une tribune éphémère. C'est là, en face du Parlement, qu'infirmières et infirmiers se succèdent au micro en cette journée de grève. « Nous travaillons six jours par semaine au lieu de cinq », se lamente ainsi cette infirmière qui évoque une intensification « gigantesque » du travail à l'hôpital en raison du manque criant de personnel. Ces infirmiers se disent « épuisés » et appellent à la fois à des « recrutements massifs » et des augmentations de salaires. Toujours à Athènes, direction l'hôpital public d'Evangelismos, le plus grand du pays. À la tête du syndicat des employés, Giorgos Ferentinos est cardiologue-réanimateur. Pour lui, la situation des hôpitaux publics grecs ne cesse de se dégrader. Dans son seul hôpital, il y a plus de mille postes vacants. « Avant la pandémie, en Grèce, huit hôpitaux ont fermé en raison de la crise économique. Et, depuis, ces hôpitaux sont restés fermés. Résultat : les autres hôpitaux publics encore en fonctionnement font face à un volume de travail énorme. On estime actuellement qu'il manque plus de 6 000 médecins dans tout le pays. Un grand nombre de collègues médecins ont choisi de partir travailler soit à l'étranger, soit dans le secteur privé, justement à cause de la dégradation de nos conditions de travail : un rythme, à l'hôpital, de plus en plus intense avec, en parallèle, des salaires très bas. » Un système public à bout de souffle, poussé vers la privatisation Ici, faute de personnel, sept salles d'opération sont fermées et 35 lits de soins intensifs restent inutilisables. Et ceux qui en souffrent, ce sont les patients. Illustration avec cette trentenaire, hôtesse d'accueil au cœur d'Athènes. Pendant près de 10 ans – et jusqu'à son décès en 2023 –, elle a accompagné sa mère, atteinte d'un cancer du poumon, dans presque tous les hôpitaux publics de la région. « Quand ma mère a été hospitalisée, les infirmiers n'étaient tout simplement pas assez nombreux pour s'occuper des patients. Il fallait donc que nous assumions nous-mêmes en partie la responsabilité de la soigner. Même pour quelque chose d'aussi basique que demander à changer les draps, il fallait supplier, parce qu'ils n'en avaient pas. On devait aussi se charger de tout ce qui concernait l'hygiène, appeler les infirmières et attendre des heures, parce qu'elles étaient débordées. Et pour les médecins, c'était la même chose. » À l'agonie, le système hospitalier public grec, qui subsiste en partie grâce aux sacrifices du personnel soignant, se privatise progressivement. Depuis un an et demi, des interventions chirurgicales payantes l'après-midi et le soir permettent d'éviter les listes d'attente qui s'étalent sur des mois, voire des années. Un système de santé « public » où la priorité va dorénavant à ceux qui peuvent payer. À lire aussiGrèce: le Parlement grec adopte la possibilité d'une journée de travail de 13 heures

Send us a textWhat's up, Plant People?? On today's episode, I chatted with scientific illustrator, J Spahr of @Science_Visuals to unpack how art turns complex research into clear, accurate stories that spark curiosity. From watercolor botanicals to layered digital paintings and ecosystems in one frame, we explore process, ethics, and impact.• the path from a found textbook to a science illustration career• Europe's legacy of artists working with scientists• art as storytelling and science communication• choosing mediums and building layered digital workflows• designing infographics that condense seasons, species, and behavior• client collaboration, revisions, and scientific accuracy• social media's trade-offs and unexpected reach• why AI images miss context, accuracy, and trust• the joy of learning fast through research illustration• practical plant science: why asters shrug off frostMake sure to follow J on Instagram and check out her website at scivisuals.com! If you'd like to support the show, leave a rating and review, email planthropologypod@gmail.com, find me all over the place on social media, snag merch at planthropologypodcast.com, or buymeacoffee.com/planthropologySupport the showAs always, thanks so much for listening! Subscribe, rate, and review Planthropology on your favorite podcast app. It helps the show keep growing and reaching more people! As a bonus, if you review Planthropology on Apple Podcasts or Podchaser and send me a screenshot of it, I'll send you an awesome sticker pack!Planthropology is written, hosted, and produced by Vikram Baliga. Our theme song is "If You Want to Love Me, Babe, by the talented and award-winning composer, Nick Scout. Midroll tunes are by Rooey. Substack: Office Hours Website: www.planthropologypodcast.com Podchaser: www.podchaser.com/Planthropology Facebook: Planthropology Facebook group: Planthropology's Cool Plant People Instagram: @PlanthropologyPod e-mail: planthropologypod@gmail.com

PART OF THE STORY—Susan Casey has won National Magazine Awards for editing, writing, and design—a feat that may well be unprecedented in the industry's history.In her native Canada, they call people like this “Wayne Gretzky.”She has worked—under various titles—for the following magazines: The Globe & Mail, Outside, Time, Esquire, eCompany, Business 2.0, Sports Illustrated Women, National Geographic, Fortune, and O, The Oprah Magazine. She also worked for the iconic 1990s fashion brand Esprit. These days—literally on any given day—you're likely to find Casey in the water, where she spent much of her childhood, later with the swim team at the University of Arizona, and, as an adult, as the author of four immersive books—all best sellers—about the ocean: The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean; The Devil's Teeth: A True Story of Obsession and Survival Among America's Great White Sharks; Voices in the Ocean: A Journey Into the Wild and Haunting World of Dolphins; and her most recent, The Underworld: Journeys to the Depths of the Ocean.A self-proclaimed “outspoken designer” early in her career, she refused to accept the career path limits others imposed and instead laid the groundwork for a rich creative life.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Are celebrities worthy authors for our children? Is there still a place for highly detailed illustrations? Anthony Wheeler, Lee White, and Jake Parker discuss recent trends in indie kidlit, the evolution of the illustration industry, and more in this episode. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Giuseppe Castellano talks to award-winning illustrator, artist, designer, and writer, Maira Kalman, about navigating life's inconsistencies; how we can stay centered and grounded creatively; what the most important thing is about being an illustrator; and more.To learn more about Maira, visit mairakalman.com.Artists mentioned in this episode include: Beatrix Potter, Remy Charlip, Maurice Sendak, Edward Gorey If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cultural heritage, a challenging mentor and the bridge between free expression and disciplined practice. Regina Linke is an illustrator and writer dedicated to celebrating traditional Chinese art and philosophy in a modern way. Regina's childhood interest in drawing was initially stifled by rigid instruction, and she went on to study business in college followed by a career in international development. It wasn't until a move to Taiwan, her parents' homeland, that she reconnected with her artistic passion.In Taiwan, Regina immersed herself in traditional Chinese brush painting. Despite an initial struggle with the structured learning environment, she credits her critical teacher with pushing her to develop a unique artistic voice, one that blends her Western upbringing with Eastern aesthetics. This fusion led to the creation of The Oxherd Boy, an online comic that grew from her desire to explain complex philosophical concepts to her young son. Regina discusses the evolution of The Oxherd Boy into published books, and the challenges of adapting her deeply personal work for diverse audiences while staying true to the core message.In this episode Regina offers invaluable advice for aspiring creatives: find joy in the process, but also embrace the discipline of practice and the humility to learn, while illustrating how unexpected paths can lead to profound artistic expression.Key TakeawaysEmbrace structured learning to build foundational skills, even in creative fields, as it deepens your understanding and respect for the art form.A challenging or critical mentor can be instrumental in pushing you beyond your comfort zone to discover your unique artistic voice.Blending diverse cultural backgrounds and perspectives can lead to a richer, more distinctive creative style.Consistent creative practice is essential for growth, even when inspiration wanes; it keeps your skills sharp and fuels further development.Be open to the evolution of your work when collaborating with others, understanding that adaptation can broaden your reach and create new stepping stones for your message.Buy arts and crafts techniques books, plus books by some of my podcast guests, from the Creativity Found bookshop  Help me to keep making this podcast at buymeacoffee.com/creativityfoundSupport the showWant to be a guest on Creativity Found? Send me a message on PodMatch, here Podcast recorded with Riverside and hosted by Buzzsprout

I. Introduction: The Word and the theme “Wake Up” Exaltation of the Bible as the believer's foundation over feelings or worship experiences.​ Personal stories about people falling asleep in church and a college roommate's alarm to introduce the “wake up” motif.​ Transition from physical sleep to the real concern: spiritual sleep.​ II. Main Text: Romans 13:11–14 Reading and emphasizing Paul's call to “awake out of sleep” because salvation is nearer than when believers first believed.​ Call to cast off works of darkness, put on the armor of light, walk properly, and “put on the Lord Jesus Christ,” making no provision for the flesh.​ III. Paul's Three Challenges A. Be aware of the times Explanation of “high time” as a critical, urgent moment requiring spiritual discernment.​ Biblical examples: Jerusalem missing its “time of visitation” in Luke 19; churches of Ephesus (lost first love) and Laodicea (lukewarm).​ Need for discernment of seasons (sowing vs. reaping), people, political and social issues, illustrated by the tribe of Issachar (understanding of the times).​ Description of last days from 2 Timothy 3 (lovers of self, money, pleasure, form of godliness without power), applied to modern culture and social media.​ B. Awake out of spiritual sleep Warning that Christians can be physically awake but spiritually asleep, citing Ephesians 5:14.​ Signs of spiritual slumber: indifference to Bible, preaching, giving, serving, holiness; callousness and hardness of heart.​ Testimony of a church member who realized he had been spiritually asleep, plus repeated calls: “Wake up the mighty men/women” (Joel 3:9).​ Example of Samson: great anointing lost after being lulled to sleep by Delilah, leading to loss of sight, power, and discernment; warning from 1 Peter 5:8 to be sober and vigilant.​ C. Be arrayed in the armor of light Explanation of “arrayed” as putting on, dressing, and clothing oneself with Christ and His righteousness.​ Pastoral explanation of preaching strongly against sin out of love and responsibility to proclaim the whole counsel of God.​ IV. Six Sins to “Put Off” (from Romans 13) Revelry and drunkenness Defined as wild parties, nightclubs, casinos; warning that alcohol and exposed flesh create moral danger.​ Strong appeal against social drinking and minimizing drunkenness, noting family damage caused by alcohol.​ Licentiousness and lewdness Defined as sexual immorality and debauchery; teaching that sex is for the marriage covenant only.​ Condemnation of fornication, adultery, pornography, and cohabitation outside marriage, with logical and biblical arguments.​ Strife and envy Mentioned with the other sins as attitudes and behaviors that must be cast off to walk properly.​ V. Biblical Foundation for Repentance and Transformation Reading of 1 Corinthians 6:9–11: list of sins (fornication, idolatry, adultery, homosexuality, drunkenness, etc.) that exclude from God's kingdom, followed by hope in being washed, sanctified, and justified.​ Emphasis that no sin is beyond God's power to forgive and transform, but believers must repent and turn from it.​ VI. “Put on the Lord Jesus Christ” and Make No Provision for the Flesh Definition of “make provision” as providing, accommodating, or facilitating opportunities for the flesh.​ Practical applications: avoid drinkers if prone to alcohol, remove pay‑per‑view if struggling with lust, avoid gossipers if prone to gossip, do not attach to those who tear down leadership.​ Specific rebukes: dating couples sharing hotel rooms or apartments, “playing house” for financial or convenience reasons; teaching that this is tempting the flesh and violates holiness.​ Illustration: not climbing through “dumpsters of sin” while wearing Christ's clean garments.​ VII. Call to Response and Revival Allegorical story of Satan's convention: demons decide the best strategy is to tell people there is time, lulling them into delay and spiritual sleep.​ Final threefold call: Be aware of the time. Awake out of sleep. Be arrayed in the armor of Christ.​ Appeal for repentance, surrender, and practical steps (e.g., separating, seeking counseling, getting properly married) as evidence of true obedience and not “cheap grace.”​ Invitation to the altar for all, noting both obvious and hidden sins, and insistence that the gospel is about change, new life, and ongoing dependence on the Holy Spirit.

Imagine standing before a judge, knowing you're guilty, the evidence overwhelming, your failure undeniable. Just as you're about to confess, someone steps between you and the bench, declaring 'not guilty' on your behalf. This is the breathtaking reality Romans 8 reveals to us. We journey from the depths of Romans 7, where we wrestle with our own wretchedness and ask 'who will deliver me from this body of death?' to the triumphant declaration that there is now no condemnation for those in Christ Jesus. This isn't just theological theory—it's the lived tension we all experience. We're still in the flesh, still breathing sinful air, still struggling with why we do what we don't want to do. Yet the Spirit of the living God dwells within us. The same Spirit that raised Jesus from the dead lives in our mortal bodies. We're called to set our minds not on the flesh, which leads to death, but on the Spirit, which brings life and peace. This means diving deep into God's Word, letting it dwell richly in us, gathering with other believers to encourage one another, and learning to cry out when we don't even have words—trusting that the Spirit intercedes with groanings too deep for utterance. We're not elevated or special; we're simply people in whom God chooses to dwell, and that changes everything about how we live each ordinary day.**Sermon Notes:****Introduction:**- The speaker, Pastor Will, introduces the series on the book of Romans, specifically focusing on Romans chapter 8.- Emphasizes the significance of Romans 8 as one of the most important chapters in the Bible.**Key Points:**1. **Courtroom Analogy:** - Illustration of a courtroom scene where one is guilty but Jesus steps in, declaring "not guilty." - Romans 8:1 states, "There is therefore now no condemnation for those who are in Christ Jesus."2. **All Are Guilty:** - Romans 3:23 states all have sinned and fall short. - No hierarchy in Christianity; all are equal before God.3. **No Condemnation:** - Only those in Christ are free from condemnation. - The law exposes sin, highlighting the need for Jesus.4. **Freedom in Christ:** - Those in Christ are set free from the law of sin and death. - Galatians 2:20 discusses living by faith in Christ, not by flesh.5. **Spirit vs. Flesh:** - Believers live in the tension between flesh and Spirit. - Setting the mind on the flesh leads to death, the Spirit leads to life and peace.6. **Holy Spirit's Presence:** - Romans 8:9 emphasizes the Spirit dwelling in believers. - The Spirit is essential; without Him, one does not belong to Christ.7. **Dwelling in the Spirit:** - The Spirit wants to dwell in us, impacting every aspect of life. - Importance of being in God's Word and fellowship for spiritual growth. - Colossians 3:16 encourages letting the word of Christ dwell in us.8. **Prayer and the Spirit's Help:** - The Holy Spirit intercedes for us when we don't have the words. - Romans 8:26 highlights the Spirit's aid in our weakness.**Practical Applications:**1. **Embrace Your Position in Christ:** - Live with the assurance that you are no longer condemned if you are in Christ. - Reflect on the courtroom analogy when guilt arises.2. **Cultivate Mindset on the Spirit:** - Regularly engage with scripture; let it shape your thoughts and actions. - Seek spiritual fellowship and accountability within the church community.3. **Invite the Holy Spirit to Indwell You:** - Begin each day in prayer, asking for the Holy Spirit's guidance and presence. - Make time for worship and reflection, allowing God to dwell in your daily life.4. **Rely on the Spirit in Weakness:** - When struggling, trust that the Holy Spirit intercedes even when words fail. - Be persistent in prayer and quiet time with God.**Discussion Questions:**1. How does the imagery of the courtroom help you understand your position in Christ?2. What practical steps can you take to shift your mindset from the flesh to the Spirit?3. In what ways can you invite the Holy Spirit to dwell more fully in your life?4. How have you experienced the Holy Spirit's intercession in times of weakness or uncertainty?5. How can the community of believers support you in living according to the Spirit?

This week on Cultivating Place, we look towards the heart of the thankful season in memory of the enormous, fierce, and grateful soul of Rabbi Arthur Waskow, who passed from this world on October 20th, fighting for the beauty of the world right up to the end. In his honor, we revisit our 2021 conversation with him, focusing on the sacred in the everyday and in the seasonal.  Rabbi Waskow was the co-founder of The Shalom Center in Philadelphia, which equips spiritual leaders with the awareness and skills needed to lead a "transformed and transformative Judaism that can help create a world of peace, justice, healing for the earth, and respect for the interconnectedness of all life."  A long-time activist for social and environmental justice, Rabbi Waskow is also the author of Seasons of our Joy, which brings reverent renewal to the ancient agricultural and season-based celebrations of the Abrahamic religions.  Enjoy, and give thanks for such souls in this world. Photo cover art from the 2012 Edition of Seasons of Our Joy, The Jewish Publication Society. Illustration from paper cuts by Martin Farren and Joan Benjamin-Farren; Photo of Rabbi Waskow benching Luvav from Slate.com; and Photo In Conversation, by Jennifer Jewell, 2021. Cultivating Place now has a donate button! We thank you for listening over the years, and we hope you'll continue to support Cultivating Place.We can't thank you enough for making it possible for this young program to grow and engage in even more conversations like these.The show is available as a podcast on SoundCloud and iTunes. To read more and for many more photos, please visit www.cultivatingplace.com.

Susanne Krauss arbeitet mit drei kreativen Standbeinen – Illustration, Porträt- und Geburtsfotografie – und bleibt trotzdem klar positioniert. In dieser Folge spricht sie offen darüber, warum Vielseitigkeit für sie eine Stärke ist und wie sie sichtbar bleibt, ohne sich zu verbiegen oder ihre Kund:innen zu verwirren. Ein ehrliches Gespräch über innere Klarheit, Akquise mit Haltung und den Mut, den eigenen Weg zu gehen.

Démarrer votre liste email depuis InstagramPour ce dernier épisode de l'année, j'avais envie de vous proposer quelque chose d'utile et immédiatement actionnable. Vous êtes nombreux·ses à travailler dur sur Instagram, à poster régulièrement, à créer des stories, à entretenir votre audience… et pourtant, tout ça repose sur une plateforme qui ne vous appartient pas. Alors aujourd'hui, on va parler d'un sujet qui peut transformer votre manière de développer votre activité : commencer une liste de diffusion à partir de zéro, directement depuis Instagram.Dans cet épisode, on explore ensemble comment transformer vos interactions Instagram en quelque chose de plus solide pour votre activité : des inscriptions email qui vous permettent de construire sur le long terme. On parle des outils Instagram qui génèrent vraiment des abonnements, des idées adaptées aux artistes pour faire entrer les bonnes personnes dans votre univers, des différentes approches selon votre persona, et de la place du lead magnet pour créer un pont crédible et engageant.Écoutez l'épisode pour découvrir :Pourquoi une liste email est un non-négociable pour un·e illustrateur·trice aujourd'huiLes idées adaptées aux artistes pour attirer des abonné·e·e·s sur votre liste (+ celles que j'ai utilisé pour faire grandir la mienne de plusieurs milliers de personnes)Les meilleures fonctionnalités Instagram pour obtenir des inscriptionsComment intégrer tout ça dans une stratégie fluide et durableRetrouvez les notes de l'épisode ici : https://elodie-illustrations.net/162

Can you succeed in illustration with a chronic illness? Samantha Cotterill shares her experience as an artist with rheumatoid arthritis with Jake Parker and Lee White. Discover how to rest without guilt and pace yourself for a long, vibrant career. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Giuseppe Castellano talks to renowned children's book illustrator, Axel Scheffler, about the deep, dark mistake he made with The Gruffalo; what he thinks about his “imperfect” art style; why he prefers to be called a family book creator; and more.To learn more about Axel, visit axelscheffler.com.Artists mentioned in this episode include: Posy Simmonds, Jean-Jacques Sempé, Tomi Ungerer, Judith Kerr, Lisa Brown, William Steig, Wolf Erlbruch, Maurice Sendak, Edward Gorey, N.C. Wyeth, Norman Rockwell, Janet Ahlberg, Alice and Martin Provensen, and Leo and Diane Dillon If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jez Alborough is the author and illustrator of over 45 books for children. His Eddy and the Bear trilogy (which began with the much loved WHERE'S MY TEDDY in 1992) has sold nearly four and a half million copies and was made into a Bafta award-winning animated television special and series.DUCK IN THE TRUCK (1999) heralded the start of another bestselling series, this time featuring the irrepressible Duck and his three friends - Frog, Goat and Sheep. There are nine books in the Duck series (1.3 million copies sold) including DUCK'S KEY WHERE CAN IT BE? which won the Child magazine Best of the Year Award.In 2000 Jez created HUG - a powerful and touching book of only three words about a baby chimpanzee called Bobo who loses his Mum. HUG was raved about by Oprah Winfrey on her show when she chose it for her recommended reading list while Richard Curtis (the writer and director of Four Weddings and a Funeral) selected HUG as one of his ‘Best Books' calling it: ‘classic family drama which holds up well next to Jez's other masterpieces.' Bobo went on to star in three more classics; TALL (which along with HUG won the Oppenheim Toy Portfolio Platinum Book Award), YES and PLAY. The series has sold around 2 million copies. Jez's other books include SOME DOGS DO (2004) and the NAT THE CAT series (2013).Takeaways: Smiling is a contagious act, capable of spreading joy across vast distances. The journey of creativity often begins with a single idea that evolves over time. The relationship between an author and a publisher is crucial for a book's success. Illustration and storytelling are intertwined, where images and text complement each other. Learning is a continuous process that requires both patience and resilience from the learner. Inspiration can strike unexpectedly, leading to the creation of impactful works of art. Chapters:00:08 - The Ripple Effect of a Smile00:34 - Introduction to the Education on Far Podcast13:21 - The Journey of Creation: From Idea to Publication29:32 - The Intersection of Creativity and Technical Skill44:15 - The Power of Inspirationhttps://jezalborough.com/https://jezalborough.com/numberwondersgame/Show Sponsor – National Association for Primary Education (NAPE) https://nape.org.uk/Find out more about their Primary First Journal: https://www.educationonfire.com/nape

Send us a textTara and EmKay are joined by writer and illustrator Soo Lee to share all about Dynamite and Warner Bros. Discovery's new "Wizard of Oz" graphic novel celebrating MGM's 85th Anniversary! Soo shares about the process of adapting the MGM film to the page, the value of reading graphic novels, her own design process, and more! Check the notes below to order today :)Show notes:CakeworthyBond and GraceWizard of Oz: The Official Graphic Novel of the FilmSoo LeeInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader Down the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

FOOD IS FOR EVERYONE—That meal your grandmother always cooked. Or your mother. Or your father, for that matter. The odors that permeated a kitchen or the entire house. The first taste. The idea of comfort food.So much of who we are and what we remember are about food, sure, but also about place, and most definitely about the person doing the cooking.While many food magazines go beyond food to create the context about the recipes they print, writer and editor Kyle Yoshioka felt they lacked the backstories that make food about more than taste or trends or wine accompaniments. And with no experience in the form, he was part of a team in Portland, Oregon that decided to launch Provecho, a magazine all about the backstories, and especially the culture and communities, behind each and every ingredient that goes into each and every lovingly created dish. And without a single recipe.Provecho, then, is not really a food magazine at all, but a cultural review that uses food as a focal point. It's anthropology that tastes good. One that is, in its own way, creating a community all its own.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Blue Sky host Bill Burke first met Scott Nash nearly 30 years ago, when both were working in the cable television business.  In the years since, Scott has gone on to a successful career in publishing, both as an illustrator and an author, and with his wife Nancy co-founded Illustration Institute on a small island in Maine.  In this episode, Scott describes his outgoing, experimental, and optimistic nature and how these traits have led to his remarkable success in publishing, art direction, and non-profit entrepreneurship.     Chapters:   00:00 Introduction & Early Childhood  Scott shares that he moved nine times before second grade, which taught him to make new friends and thrive on connection, fueling his optimism and artistic development.  03:47 Education and Early Career  Scott Nash discusses his education at the Swain School of Design and Cranbrook, an experimental school that shaped his playful approach to design.   09:05 Early Days of Cable TV  Scott highlights how their 'handmade' approach to branding for networks like Nickelodeon, which included assigning the color orange and constantly changing logos, stood out in an industry that traditional executives weren't taking seriously.  14:20 The Flat Stanley Phenomenon  Scott Nash discusses his work illustrating Flat Stanley, a book that became a widespread educational phenomenon due to teachers encouraging kids to create and mail their own Flat Stanley figures.   19:16 Illustrating vs. Writing Own Books  Scott Nash reflects on the differences and joys of illustrating books for other authors, like Flat Stanley, versus writing and illustrating his own works, such as The High Skies Adventures of Blue Jay the Pirate.   23:05 Defining Illustration & Illustration Institute's Founding  Scott Nash defines illustration as 'visual art that enhances a specific narrative,' encompassing comics, graphic novels, and even narrative pottery. He explains how his passion for academia and 'rogue schools' led him to establish the illustration department at Maine College of Art and, later, co-found the Illustration Institute.  31:19 Highlighting Illustrators & Their Impact  Scott Nash shares his love for classic children's book illustrators like Garth Williams, known for Stuart Little and Homer Price, and Robert McCloskey, famous for Make Way for Ducklings. He recounts the emotional and intellectual impact of Illustration Institute's exhibitions, which showcase original works and highlight the often-uncredited illustrators behind beloved stories.  34:27 AI's Impact on Creativity and Authenticity  Scott Nash discusses the cyclical nature of creative trends, noting a shift from highly creative, handmade works in the early days of cable to a more corporate, homogenized phase. He expresses critical optimism about AI, hoping it will spur a countertrend towards more authentic, handmade creations.  39:59 Ethical Concerns and Public Voice in AI  Scott Nash expresses concern about the business-driven rush to implement AI without a clear ethical framework, fearing it could lead to low-quality content and potential harm if not properly regulated.   42:45 Future of Illustration Institute & Closing  Scott Nash details the Illustration Institute's future plans, including developing traveling exhibitions for libraries across the country, such as 'The Great State of Illustration in Maine' and the ambitious 'Illustrious Saurus,' which explores dinosaur depictions from paleontology to fantasy. He emphasizes the institute's mission to highlight illustration's critical rigor and broad appeal, connecting Maine's artistic reach with global themes and sharing his childlike enthusiasm for storytelling. 

Send us a textDiscover the enchanting world of children's book illustration with Stephen Macquignon, as we explore unexpected connections between scientific thinking, whimsy, and transitioning from comics and animation to crafting magical picture books with watercolor and pencil. Join us for a journey that blends creativity, connection, and the delightful adventures of Oliver the Octopus.Summary:In this episode, Dr. Diane invites listeners to explore the whimsical journey of Stephen Macquignon, a celebrated children's book illustrator. From his early aspirations in comic book art to illustrating over eleven captivating picture books, Stephen shares his love for traditional art tools amidst a digital world. Gain insight into his creative process and hear about his latest project featuring Oliver, an adventurous octopus with a charming tale.Together, we discuss the parallels between art and science, emphasizing the joys of experimentation and revision. We share anecdotes about the late great Tomie dePaola and explore the many ways no one works in a vacuum. This episode celebrates the power of connection, creativity, and shared joy through art.Timestamps:0:00:03: Adventures in Learning with Stephen Macquignon0:04:48: Putting the whimsy in whimsical illustrations0:07:29: Debts of gratitude to Tomie dePaola0:11:22:   No one works in a vacuum0:14:31:  Connecting the Creative Process to STEM Thinking and Play0:19:47:  A Question of HopeLinks:Stephen Mcquignon's WebsiteFollow Stephen on Instagram and LinkedIn#ChildrensBooks #Illustration #StephenMacquignon, #OliverTheOctopus #ArtisticJourney #TraditionalArt #Podcast #Creativity #Connection #WatercolorArt #PictureBooks #ComicsToBooks #ArtAndScience #PlayfulResearch #FamilyConnections #DrDianePodcast #EmpathyInAction #LearningThroughPlay #AdventuresinLearningSupport the showSubscribe & Follow: Stay updated with our latest episodes and follow us on Instagram, LinkedIn, and the Adventures in Learning website. Don't forget to subscribe on Apple Podcasts, Spotify, or wherever you get your podcasts! *Disclosure: I am a Bookshop.org. affiliate.

Why is in-person connection so important? Jake Parker and Lee White discuss the value of learning from and uplifting other artists in real life as Jake reflects on his takeaways from New York Comic Con.  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Interview with Raymond BiesingerHow do you defend your creative work when clients underpay, misuse your images, or ignore copyright entirely?In this episode, I talk with Montréal-based illustrator, artist, and author Raymond Biesinger, whose new book 9 Times My Work Has Been Ripped Off (Drawn + Quarterly, 2025) is part memoir, part self-defence guide for independent creatives.Raymond pulls back the curtain on wage theft, unauthorized usage, blurred legal lines, and the everyday realities illustrators face when protecting their work — and their livelihood.This is a wide-ranging, candid conversation about money, boundaries, professionalism, and what it really takes to survive as an illustrator today.

Welcome back to another episode of the Hunt Lift Eat Podcast. I know, we are just surprised as you to see Luke back in the saddle playing co-host. We are excited to have Kelsey Rae Morris with us! Kelsey is an artist and outdoor enthusiast, hanging her hat in Three Forks Montana. A lifetime artist, Kelsey didn't open her artwork business until 2018 being influenced by wildlife and Western landscapes.You can find all of Kelsey's artwork on her website at www.kraeartworks.com

What's the best schedule for illustrators? How do you choose your materials? What keeps you motivated? Anthony Wheeler, Samantha Cotterill, and Lee White tackle their most commonly asked questions and pepper in time-tested advice. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Giuseppe Castellano talks to award-winning illustrator, and distinguished educator, Robert Hunt, about why illustrators should embrace “woodshedding”; how he created the DreamWorks logo; what the great Kazuhiko Sano meant to him, and to the illustration world at large; and more.To learn more about Robert, visit roberthuntstudio.com.Artists mentioned in this episode include: John Singer Sargent, London Ladd, Bruce Wolfe, David Grove, Andrew Loomis, George Bridgman, Robert Henri, Brian Stauffer, Marc Burckhardt, Bernie Fuchs, Bob Peak, Mark English, Thomas Blackshear  If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If we ever meet intelligent extraterrestrials, will we even be able to talk about physics? Physicist Daniel Whiteson of UC Irvine and cartoonist Andy Warner join Sarah Al-Ahmed to explore one of science’s strangest and most profound questions: if alien civilizations exist, would their understanding of the Universe look anything like ours? Their new book, “Do Aliens Speak Physics?”, discusses the nature of knowledge itself, asking whether math and physics are truly universal, or if even our most “objective” truths are shaped by our human perspective. Together, they consider what it would take to communicate with alien intelligence and how humor and illustration can make those big cosmic ideas feel surprisingly down-to-Earth. Then, stick around for What’s Up with Bruce Betts, as we discuss how difficult it is to explain physics to humans, let alone extraterrestrial life. Discover more at: https://www.planetary.org/planetary-radio/2025-do-aliens-speak-physicsSee omnystudio.com/listener for privacy information.

What do travel, recording technology, and illustration have in common? Lee White, Samantha Cotterill, and Anthony Wheeler explore how new (and sometimes uncomfortable) experiences expand your skills and feed your creative bank account. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

We've known intuitively for centuries that spending time in nature can give us a boost. But it's only recently that scientists have begun to identify exactly what it is about the outdoors that has such a powerful effect on our mood and our minds. This week, psychologist Marc Berman explores how spending time in nature can actually undo some of the harmful effects of our modern lives.Do you have follow-up questions, comments, or stories about nature's effect on the mind after listening to this episode? If you'd be comfortable sharing your thoughts with the Hidden Brain audience, please record a voice memo on your phone and email it to us at ideas@hiddenbrain.org. Use the subject line nature. Thanks!  Illustration by Swati B on Unsplash+ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jake Parker is back from tabling at New York Comic Con; was it worth it? Crunch the numbers, hear the stories, and learn more about the experience alongside Samantha Cotterill and Anthony Wheeler. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.