Podcasts about wabash blues

Sintonía: "Jimtown Blues" - Fatty Martin's Orchestra"Milenberg Joys", "Clarinet Marmalade (Blues)" y "Mama Will Be Gone" - Jimmy Joy´s St. Anthony Hotel Orchestra; "You´ll Want Me Back Someday", "Mysterious Blues (Castle House Rag)", "Fiddllin´ Blues (Fido Blues)", "Mama (Won´t You Come And Ma-Ma Me)", "Jews Harp Blues" y "Ride ´Em, Cowboy" - Lloyd Finlay And His Orchestra; "End O´ Main" - Fatty Martin´s Orchestra; "I Ain´t Thinkin´ About You" - Irene Taylor Acc. Jack Gardner´s Orchestra; "Sweet Girl Mary" - Randolph McCurtain´s College Ramblers; "Shadowland Blues Part 1", "Wabash Blues" y "Dreamland Blues, Part 1" - Troy Floyd And His Plaza Hotel; "Tampa Shout" - Leroy´s Dallas BandEscuchar audio

PAUL DESMOND TAKE TEN – New York, June 5, 1963 Take Ten, Alone together, Out Of Nowhere Paul Desmond (as) Jim Hall (g) Gene Cherico (b) Connie Kay (d)             JOHNNY HODGES/DUKE ELLINGTON PLAY THE BLUES BACK TO BACK – New York, February 20, 1959 Wabash Blues, Weary blues, St. […]

Hobart Smith, the amazing musician we old-time players much admire, learned from sources that placed some of his tunes pre-civil war. Wabash Blues is a tune whose age I don't know, but it's only known to have been recorded by him, which happened in 1963 when Fleming Brown befriended him. Stephen Wade released those recordings of Smith in 2005, "In Sacred Trust," and still enjoys playing this very tune to this day.

Hobart Smith, the amazing musician we old-time players much admire, learned from sources that placed some of his tunes pre-civil war. Wabash Blues is a tune whose age I don't know, but it's only known to have been recorded by him, which happened in 1963 when Fleming Brown befriended him. Stephen Wade released those recordings of Smith in 2005, "In Sacred Trust," and still enjoys playing this very tune to this day.

Author Keven McQueen (The Kentucky Book of the Dead) and author-visual artist-musician JD Wilkes (The Vine That Ate The South) visited DCPL back in March for a conversation about their history, influences, and work. As a bonus, JD also plays some tunes. Thanks to the Gaslight Boys for opening up the event. Look 'em up on Spotify. PS: We had some recording issues. Blame the muffling and volume levels on yours truly. For that, to the listeners & guests, I do apologize. Intro music: "Wabash Blues" from JD & Charlie Stamper's great record, Cattle in the Cain.

durée : 00:58:36 - Fictions / Samedi noir - par : Blandine Masson - Un flic revenu de tout. Les brigades de la nuit. Des personnages entre aperçus, des dérapages mal maîtrisés, des souffrances. Un puzzle d’états d’âme dans une ville anonyme où il pleut de la suie entre deux averses de gnôle.

durée : 00:58:36 - Fictions / Samedi noir - par : Blandine Masson - Un flic revenu de tout. Les brigades de la nuit. Des personnages entre aperçus, des dérapages mal maîtrisés, des souffrances. Un puzzle d’états d’âme dans une ville anonyme où il pleut de la suie entre deux averses de gnôle.

durée : 00:58:36 - Fictions / Samedi noir - par : Blandine Masson - Un flic revenu de tout. Les brigades de la nuit. Des personnages entre aperçus, des dérapages mal maîtrisés, des souffrances. Un puzzle d’états d’âme dans une ville anonyme où il pleut de la suie entre deux averses de gnôle.

In this episode, recorded in front of a live audience at the Sierra Fiddle Camp, clawhammer banjoist Allison de Groot shares her story of delving deep into the Appalachian Banjo tradition while growing up in Winnipeg, Manitoba. She talks about working with luminaries like Bruce Molsky and Tatiana Hargreaves and talks about her work researching the playing of great woman banjo players from the past.  The opening tune "Wabash Blues" is from the playing of Virginian banjo player Hobart Smith but originally entered the tradition from the playing of an enslaved African musician. The set of tunes at the end starts with "Frederick's Jig" written by Allison and finishes with the classic traditional tune "Buffalo Gals". For more about Allison check out her website: www.allisondegroot.com

Sextett Dukes Ellington og saxófónleikarans Johnny Hodges flytur sex blúsópusa. 1. St. Louis Blues (eftir William Christopher Handy) 2. Beale Street Blues (eftir William Christopher Handy) 3. Basin Street Blues (eftir Spencer Williams) 4. Royal Garden Blues (eftir Spencer Williams og Clarence Williams) 5. Weary Blues (eftir Artie Matthews) 6. Wabash Blues (eftir Fred Meinken og Dave Ringle) Píanóleikarinn Erroll Garner og hljómsveit flytja sex lög. 7. A Foggy Day (eftir George og Ira Gershwin) 8. Love Walked In (eftir George og Ira Geshwin) 9. I Got Rhythm (eftir George og Ira Gershwin) 10. Can't Help Loving Dat Man (eftir Jeroem Kern og Oscar Hammerstein) 11. Why Do I Love (eftir Jeroem Kern og Oscar Hammerstein) 12. A Fine Romance (eftir Jeroem Kern og Dorothy Fields) Ella Fitzgerald syngur nokkur lög eftir Irving Berlin með hljómsveit Pauls Weston. 13. Isn't This A Lovely Day? (eftir Irving Berlin) 14. I'm Putting All My Eggs In One Basket (eftir Irving Berlin) 15. I've Got My Love To Keep Warm (eftir Irving Berlin) 16. No Strings (eftir Irving Berlin) 17. Always (eftir Irving Berlin) 18. Blue Skies (eftir Irving Berlin) Kvartett trompetleikarans Wyntons Marsalis lýkur þættinum. 19. After (eftir Ellis Marsalis) 20. Insane Asylum (eftir Donald Brown) 21. Much Later (eftir Wynton Marsalis) 22. Melodique (eftir Wynton Marsalis) 23. Skain's Domaine (eftir Wynton Marsalis)

Kentucky Historian James Prichard discusses America's first serial killers, the Harpe Brothers. In the aftermath of the Revolution and the long and bloody Indian wars, the Kentucky frontier remained a dangerous land. Throughout 1799 two brothers, Wiley and Micajah Harpe, terrorized the entire state from the Wilderness Trail to the far reaches of the Green River country. Posing as Methodist circuit riders or weary pilgrims bound for the West, these Tory outcasts left a trail of bodies and burned cabins in their wake. Their bloody deeds and violent end are as chilling today as the notorious crimes of modern day serial killers. Outro Music: J.D. Wilkes, Charlie Stamper - "Wabash Blues" taken from the album Cattle in the Cain hear more at JDWilkes.com

Interview with Steel Guitar Hall of Famer Jody Carver and his reflections on his career in music as well as his relationship with Fender Guitars, Leo Fender, Don Randall and numerous musicians. Songs from Teresa Brewer, Vaughn Monroe, Elton Britt and more.Learn how the name Telecaster came to be as well as other Fender guitars.Hear Jody on Arthur Godfrey's Talent Scouts as well as an incredible version of Wabash Blues with Arthur Godfrey backing up on ukulele. If you have never heard a steel guitar "talk", this is your opportunity. Also the story behind Bob Dylan's publicity photo for Fender guitars and why he is holding a bass guitar. Great stories and music. See acast.com/privacy for privacy and opt-out information.

 June 16, 1985 "Isham Jones Orchestra" features: A history of the longtime dance band led by Isham Jones, who started his career in 1914 and kept making music until after World War II. Features the 1921 song "Wabash Blues," "Ma," "That Certain Party," "What'll You Do?", "Alabamy Bound," "Thanks for Everything" and plenty of other songs that kept folks dancing in the 1920s and 1930s.oldtimeradiodvd.com

Music by bandleader and songwriter Isham Jones. Songs include: I'll See You in My Dreams, Wabash Blues, There is No Greater Love and Stardust. Other musicians include: Al Jolson, Woody Herman and Cliff Edwards.