Podcasts about girls

This week we answer listener messages about household management routines, what to do when you feel like a failure, the weirdest things that happen to us, informal prayer versus formal prayer, more on international missions work, and more. Join us! The post Grab Bag appeared first on Sheologians.

In this deeply moving conversation, Sissy and David sit down with beloved children's author Sally Lloyd-Jones to talk about her newest book, Jesus, Our True Friend. Sally shares how her own childhood—being sent to boarding school at eight and clinging to Jesus as her best friend—inspired her lifelong desire to help children know they are never alone. The conversation weaves through themes of perfectionism, grace, hope, and the tender story of Mary and Martha, reminding listeners that God is not disappointed in us—He is delighted in us. It's a rich, honest, joy-filled episode about getting out of the way so the beauty of the gospel can shine through. Resources mentioned: Jesus, Our True Friend by Sally Lloyd-Jones The Jesus Storybook Bible by Sally Lloyd-Jones Thoughts to Make Your Heart Sing by Sally Lloyd-Jones The Waiting Father by Helmut Thielicke . . . . . .  Sign up to receive the⁠ bi-⁠⁠⁠⁠⁠monthly newsletter⁠⁠⁠⁠⁠⁠ to keep up to date with where David and Sissy are speaking, where they are taco'ing, PLUS conversation starters for you and your family to share! Pre-order our new book, Capable and grab tickets for Capable - The Book Tour here! See our speaking dates, purchase books and check out our courses here.. . . . . .  If you would like to partner with Raising Boys and Girls as a podcast sponsor, fill out our⁠ ⁠⁠⁠⁠⁠Advertise With Us⁠⁠⁠⁠⁠⁠ form. QUINCE: Go to ⁠Quince.com/rbg⁠ for free shipping on your order and three hundred and sixty-five day returns. BOLL & BRANCH: Get 15% off plus free shipping on your first set of sheets at Bollandbranch.com/rbg⁠. Exclusions apply. ATHLETIC GREENS: Go to DRINKAG1.com/RBG to get their best offer… For a limited time only, get a FREE AG1 duffel bag and FREE AG1 Welcome Kit with your first subscription order! Only while supplies last. COOK UNITY: Go to cookunity.com/RBG or enter code RBG before checkout to get 50% off your first order. SETH AND THE VERY SCARY STORM: Go to https://tinyurl.com/RBGSethStorm to check out this Lifeway book. YARA THE BRAVE: Go to https://tinyurl.com/RBGYara to check out this Lifeway book. ADVENTURE BIBLE: Learn more about your ad choices. Visit megaphone.fm/adchoices

Talkback Tuesday asks what you stole from work, Brian wants to win back an ex, and more!

Talkback Tuesday asks what you stole from work, Brian wants to win back an ex, and more!See omnystudio.com/listener for privacy information.

“Recently I (Rachel) had the honor of speaking at the National Widows Conference where more than 550 expectant (and some reluctant) women showed up to experience what so many women in our community have experienced first hand. The room was tender and strong all at once. We took time to name what we're tired of carrying and made the decision to lay it down.My message, Glean. Stay. Plant., came from Genesis 26, and I didn't preach it from theory — I've lived the famine. I know the fear, the scrambling, the ache of wondering how you'll make it. But I also know this: God's economy still works, and the law of harvest is more trustworthy than the noise of scarcity. If you can stay. If you can plant. If you can abide in what He's already given you — there is provision there. And there is life in abundance.Learn more about There is More: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thereismorecollective.com/Check Out Our Resources, including the Father's House Study, Go to Girls, and the Spiritual Warfare Workshop: https://thereismorecollective.com/resourcesGet 10% discount on Father's House Study with code: FH10Follow There is More Podcast on Instagram: @thereismorepodcastPartner With Us: ⁠⁠https://neveralonewidows.kindful.com/?campaign=1284937⁠

Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do you build a creative life that spans music, writing, film, and spiritual practice? Alicia Jo Rabins talks about weaving multiple creative strands into a sustainable career and why the best advice for any creator might simply be: just make the thing. In the intro, backlist promotion strategy [Written Word Media]; Successful author business [Novel Marketing Podcast]; Alliance of Independent Authors Indie Author Bookstore; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Building a sustainable multi-disciplinary creative career through teaching, performance, grants, and donations Trusting instinct in the early generative stages of creativity and separating generation from editing Adapting and reimagining religious and cultural source material through music, writing, and performance The challenges of transitioning from poetry to long-form prose memoir, including choosing a lens for your story Making an independent film on a shoestring budget without waiting for Hollywood's permission Finding your creative voice and building confidence by leaning into vulnerability and returning to the practice of making You can find Alicia at AliciaJo.com. Transcript of the interview with Alicia Jo Rabins Joanna: Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. So welcome to the show, Alicia. Alicia: Thank you so much. I'm delighted to be here. Joanna: There is so much we could talk about. But first up— Tell us a bit more about you and how you've woven so many strands of creativity into your life and career. Alicia: Yes, well, I am a maximalist. What happened in terms of my early life is that I started writing on my own, just extremely young. I'm one of those people who always loved writing, always processed the world and managed my emotions and came to understand myself through writing. So from a very young age, I felt really committed to writing. Then I had the good fortune that my mother saw a talk show about the Suzuki method of learning violin—when you start really young and learn by ear, which is modelled after language learning. It's so much less intellectual and much more instinctual, learning by copying. She was like, that looks like a cool thing. I was three years old at the time and she found out that there was a little local branch of our music conservatory that had a Suzuki violin programme. So when I was three and a half, getting close to four, she took me down and I started playing an extremely tiny violin. Joanna: Oh, cute! Alicia: Yes, and because it was part of this conservatory that was downtown, and we were just starting at the suburban branch where we lived, there was this path that I was able to follow. As I got more and more interested in violin, I could continue basically up through the conservatory level during high school. So I had a really fantastic music education without any pressure, without any expectations or professional goals. I just kept taking these classes and one thing led to another. I grew up being very immersed in both creative writing and music, and I think just having the gift of those two parts of my brain trained and stimulated and delighted so young really changed my brain in some ways. I'll always see the world through this creative lens, which I think I'm also just set up to do personally. Then the last step of my multi-practice career is that in college I got very interested in Jewish spirituality. I'm Jewish, but I didn't grow up very religious. I didn't grow up in a Jewish community really. So I knew some basics, but not a ton. In college I started to study it and also informally learned from other people I met. I ended up going on a pretty intense spiritual quest, going to Jerusalem and immersing myself after college for two years in traditional Jewish study and practice. So that became the third strand of the braid that had already been started with music and writing. Torah study, spiritual study, and teaching became the third, and they all interweave. The last thing I'll say is that because I work in both words and music, and naturally performance because of music, it began to branch a little bit into plays, theatre, and film, just because that's where the intersection of words, performance, and music is. So that's really what brought me into that, as opposed to any specific desire to work in film. It all happened very organically. Joanna: I love this. This is so cool. We are going to circle back to a lot of this, but I have to ask you— What about work for money at any point? How did this turn into more than just hobbies and lifestyle? Alicia: Yes, absolutely. Well, I'm very fortunate that I did not graduate college with loans because my parents were able to pay for college. That was a big privilege that I just want to name, because in the States that's often not the case. So that allowed me to need to support myself, but not also pay loans, which was a real gift. What happened was I went straight from college to that school in Jerusalem, and there I was on loans and scholarship, so I didn't have to worry yet about supporting myself. Then when I came back to the States, I actually found on Craigslist a job teaching remedial Hebrew. It was essentially teaching kids at a Jewish elementary school who either had learning differences or had just entered the school late and needed to be in a different Hebrew class than the other kids in their grade. That was my first experience of really teaching, and I just absolutely fell in love with it. Although in the end, my passion is much more for teaching the text and rituals and the wrestling with the concepts, as opposed to teaching language. So all these years, while doing performance and writing and all these things, I have been teaching Jewish studies. That has essentially supported me, I would say, between 50 and 70 per cent. Then the rest has been paid gigs as a musician, whether as a front person leading a project or as what we call a sideman, playing in someone else's band. Sometimes doing theatre performances, sometimes teaching workshops. That's how I've cobbled it together. I have not had a full-time job all these years and I have supported myself through both earned income and also grants and donations. I've really tried to cultivate a little bit of a donor base, and I took some workshops early on about how to welcome donations. So I definitely try to always welcome that as well. Joanna: That is so interesting that you took a workshop on how to welcome donations. Way back in, I think 2013, I said on this show, I just don't know if I can accept people giving to support the show. Then someone on the podcast challenged me and said, but people want to support creatives. That's when I started Patreon in 2014. It was when The Art of Asking by Amanda Palmer came out and— It was this realisation that people do want to support people. So I love that you said that. Alicia: It's not easy. It's still not easy for me, and I have to grit my teeth every time I even put in my end-of-year newsletter. I just say, just a reminder that part of what makes this possible is your generous donations, and I'm so grateful to you. It's not easy. I think some people enjoy fundraising. I certainly don't instinctively enjoy it, but I have learned to think of it exactly the way that you're saying. I mean, I love donating to support other people's projects. Sometimes it's the highlight of my day. If I'm having a bad day and someone asks for help, either to feed a family or to complete a creative project, I just feel like, okay, at least I can give $36 or $25 and feel like I did something positive in the last hour, even if my project is going terribly and I'm in a fight with my kid or something. So I have to keep in mind that it is actually a privilege to give as well as a privilege to receive. Joanna: Absolutely. So let's get back into your various creative projects. The first thing I wanted to ask you, because you do have so many different formats and forms of your creativity—how do you know when an idea that comes to you should be a song, or something you want to do as a performance, or written, or a film? Tell us a bit about your creative process. Because a lot of your projects are also longer-term. Alicia: Yes. It's funny, I love planning and in some ways I'm an extreme planner. I really drive people in my family bonkers with planning, like family vacations a year in advance. In terms of my creativity, I'm very planful towards goals, but in that early generative state, I am actually pure instinct. I don't think I ever sit down and say, “I have this idea, which genre would it match with?” It's more like I sit on my bed and pick up my guitar, which is where I love to do songwriting, just sitting on my bed cross-legged, and I pick up my guitar and something starts coming out. Then I just work with that kernel. So it's very nebulous at first, very innate, and I just follow that creative spirit. Often I don't even know what a project is, sometimes if it's a larger project, until a year or two in. Once things emerge and take shape, then my planning brain and my strategy brain can jump on it and say, “Okay, we need three more songs to fill out the album, and we need to plan the fundraising and the scheduling.” Then I might take more of an outside-in approach. At the beginning it's just all instinct. Joanna: So if you pick up your guitar, does that mean it always starts in music and then goes into writing? Or is that you only pick up a guitar if it's going to be musical? Alicia: I think I'm responding to what's inside me. It's almost like a need, as opposed to, “I'm going to sit down and work.” I mean, obviously I sit down and work a lot, but I think in that early stage of anything, it's more like my fingers are itching to play something, and so I sit down and pick up my guitar. Sometimes nothing comes out and sometimes the kernel of a song comes out. Or I'm at a café, and I often like to write when I'm feeling a little bit discombobulated, just to go into the complexity of things or use challenging emotions as fuel. I really do use it as a—I don't know if therapeutic is the word, but I think it maybe is. I write often, as I always have, as I said before, to understand what I'm thinking. Like Joan Didion said—to process difficult emotions, to let go of stuck places. So I think I create almost more out of a sense of just what I need in the moment. Sometimes it's just for fun. Sometimes picking up a guitar, I just have a moment so I sit down and mess around. Sometimes it's to help me struggle with something. It doesn't always start in music. That was a random example. I might sit down to write because I have an hour and I think, I haven't written in a while. Or I do have an informal daily writing thing where I'll try to generate one loose draft of something a day, even if it's only ten pages. I mean, sorry, ten words. Joanna: I was going to say! Alicia: No, no. Ten words. I'm sorry. It's often poetry, so it feels like a lot when it's ten words. I'll just sit down with no pressure, no goal, no intention to make anything specific. Just open the floodgates and see what comes out. That's where every single project of mine has started. Joanna: Yes, I do love that. Obviously, I'm a discovery writer and intuitive, same as you. I think very much this idea of, especially when you said you feel discombobulated, that's when you write. I almost feel like I need that. I'm not someone who writes every day. I don't do ten lines or whatever. It's that I'll feel that sense of pressure building up into “this is going to be something.” I will really only write or journal when that spills over into— “I now need to write and figure out what this is.” Alicia: Yes. It's almost a form of hunger. It feels to me similar to when you eat a great meal and then you're good for a while. You're not really thinking of it, and then it builds up, like you said, and then there's a need—at least the first half of creativity. I really separate my generation and my editing. So my generative practice is all openness, no critique, just this maybe therapeutic, maybe curious, wandering and seeing what happens. Then once I have a draft, my incisive editing mind is welcome back in, which has been shut out from that early process. So that's a really different experience. Those early stages of creativity are almost out of need more than obligation. Joanna: Well, just staying with that generative practice. Obviously you've mentioned your study of and practice of Jewish tradition and Jewish spirituality. Steven Pressfield in his books has talked about his prayer to the muse, and I've got on my wall here—I don't talk about this very often, actually — I have a muse picture, a painting of what I think of as a muse spirit in some form. So do you have any spiritual practices around your generative practice and that phase of coming up with ideas? Alicia: I love that question, and I wish I had a beautiful, intentional answer. My answer is no. I think I experience creativity as its own spiritual practice itself. I do love individual prayer and meditation and things like that, but for me those are more to address my specifically spiritual health and happiness and connectedness. I'm just a dive-in kind of person. As a musician, I have friends who have elaborate backstage rituals. I have to do certain things to take care of my voice, but even that, it's mostly vocal rest as opposed to actively doing things. There's a bit of an on/off switch for me. Joanna: That's interesting. Well, I do want to ask you about one of your projects, this collaboration with a high school on a musical performance, I Was a Desert: Songs of the Matriarchs, and also your Girls in Trouble songs about women in the Torah. On your website, I had a look at the school, the high school, and the musical performance. It was extraordinary. I was watching you in the school there and it's just such extraordinary work. It very much inspired me—not to do it myself, but it was just so wonderful. I do urge people to go to your website and just watch a few minutes of it. I'm inspired by elements of religion, Christian and Jewish, but I wondered if you've come up against any issues with adaptation—respecting your heritage but also reinventing it. How has this gone for you. Any advice for people who want to incorporate aspects of religion they love but are worried about responses? Alicia: Well, I have to say, coming from the Jewish tradition, that is a core practice of Judaism—reinterpreting our texts and traditions, wrestling with them, arguing with them, reimagining them. I don't know if you're familiar with Midrash, but just in case some of your listeners aren't sure I'll explain it. There's essentially an ancient form of fanfic called Midrash, which was the ancient rabbis, and we still do it today, taking a biblical story that seems to have some kind of gap or inconsistency or question in it and writing a story to fill that gap or recast the story in an interestingly different light. So we have this whole body of literature over thousands of years that are these alternate or added-on adventures, side quests of the biblical characters. What I'm doing from a Jewish perspective is very much in line with a traditional way of interacting with text. I've certainly never gotten any pushback, especially as I work in progressive Jewish communities. I think if I were in an extremely fundamentalist community, there would be a lot of different issues around gender and things like that. The interpretive process, even in those communities, is part of how we show respect for the text. When I was working with the high school—and I just want to call out the choir director, Ethan Chen, who has an incredible project where he brings in a different artist every two years to work with the choir, and they tend to have a different cultural focus each time. He invited me specifically to integrate my songwriting about biblical women with his amazing high school choir. I was really worried at first because most of them are not Jewish—very few of them, if any. I wanted to respect their spiritual paths and their religious heritages and not impose mine on them. So I spent a lot of time at the beginning saying, this project has religious source material, but essentially it is a creative reinterpretive project. I am not coming to you to bring the religious material to you. I'm coming to take the shared Hebrew Bible myths and then reinterpret those myths through a lens of how they might reflect our own personal struggles, because that's always my approach to these ancient stories. I wanted to really make that clear to the students. It was such a joy to work with them. Joanna: It's such an interesting project. Also, I find with musicians in general this idea of performance. You've written this thing—or this thing specifically with the school—and it doesn't exist again, right? You're not selling CDs of that, I presume. Whereas compared to a book, when we write a book, we can sell it forever. It doesn't exist as a performance generally for an author of a memoir or a novel. It carries on existing. So how does that feel, the performance idea versus the longer-lasting thing? I mean, I guess the video's there, but the performance itself happened. Alicia: I do know what you mean. Absolutely. We did, for that reason, record it professionally. We had the sound person record it and mix it, so it is available to stream. I'm not selling CDs, but it's out there on all the streaming services, if people want to listen. I do also have the scores, so if a choir wanted to sing it. The main point that you're making is so true. I think there's actually something very sacred about live performance—that we're all in the moment together and then the moment is over. I love the artefacts of the writing life. I love writing books. I love buying and reading books and having them around, and there's piles of them everywhere in this room I'm standing in. I feel like being on stage, or even teaching, is a very spiritual practice for me, because it's in some ways the most in-the-moment I ever am. The only thing that matters is what's happening right then in that room. It's fleeting as it goes. I'm working with the energy in the room while we're there. It's different every time because I'm different, the atmosphere is different, the people are different. There's no way to plan it. The kind of micro precision that we all try to bring to our editing—you can't do that. You can practice all you want and you should, but in the moment, who knows? A string breaks or there's loud sound coming from the other room. It is just one of those things. I love being reminded over and over again of the truth that we really don't control what happens. The best that we can do is ride it, surf it, be in it, appreciate it, and then let it go. Joanna: I think maybe I get a glimpse of that when I speak professionally, but I'm far more in control in that situation than I guess you were with—I don't know how many—was it a hundred kids in that choir? It looked pretty big. Alicia: It was amazing. It was 130 kids. Yes. Joanna: 130 kids! I mean, it was magic listening to it. And yes, of course, showing my age there with buying a CD, aren't I? Alicia: Well, I do still sell some CDs of Girls in Trouble on tour, because I have a bunch of them and people still buy them. I'm always so grateful because it was an easier life for touring musicians when we could just bring CDs. Now we have to be very creative about our merch. Joanna: Yes, that's a good point because people are like, “Oh yes, I'll scan your QR code and stream it,” but you might not get the money for that for ages, and it might just be five cents or whatever. Alicia: Streaming is terrible for live musicians. I mean, I don't know if you know the site Bandcamp, but it's essentially self-publishing for musicians. Bandcamp is a great way around that, and a lot of independent musicians use it because that's a place you can upload your music and people can pay $8 for an album. They can stream it on there if they want, or they can download it and have it. But, yes, it's hard out there for touring musicians. Joanna: Yes, for sure. Well, let's come to the book then. Your memoir, When We Are Born We Forget Everything. Tell us about some of the challenges of a book as opposed to these other types of performances. Alicia: Well, I come out of poetry, so that was my first love. That's what I majored in in college. That's what my MFA is in. Poetry is famously short, and I'm not one of those long-form poets. I have been trained for many years to think in terms of a one-page arc, if at all. Arc isn't even really a word that we use in poetry. So to write a full-length prose book was really an incredible education. Writing it basically took ten years from writing to publication, so probably seven years of writing and editing. I felt like there was an MFA-equivalent process in the number of classes I took, books I read, and work that went into it. So that was one of my main joys and challenges, really learning on the job to write long-form prose coming out of poetry. How to keep the engine going, how to think about ending one chapter in a way that leaves you with some torque or momentum so that you want to go into the next chapter. How many characters is too many? Who gets names and who doesn't? Some of these things that are probably pretty basic for fiction writers were all very new to me. That was a big part of my process. Then, of course, poets don't usually have agents. So once it was done, I began to query agents. It was the normal sort of 39 rejections and then one agent who really understood what I was trying to do. She's incredible, and she was able to sell the book. The longevity of just working on something for that long—I have a lot of joy in that longevity—but it does sometimes feel like, is this ever going to happen, or am I on a fool's errand? Joanna: I guess, again, the difference with performance is you have a date for the performance and it's done then. I suppose once you get a contract, then for sure it has to be done. But memoir in particular, you do have to set boundaries, because of course your life continues, doesn't it? So what were the challenges in curating what went into the book? Because many people listening know memoir is very challenging in terms of how personal it can be. Alicia: Yes, and one thing I think is so fascinating about memoir is choosing which lens to put on your story, on your own story. I heard early on that the difference between autobiography and memoir is that autobiography tries to give a really comprehensive view of a life, and memoir is choosing one lens and telling the story of a life through that lens, which is such a beautiful creative concept. I knew early on that I wanted this to be primarily a spiritual memoir, and also somewhat of an artistic memoir, because my creativity and my spirituality are so intertwined. It started off being spiritual, and also about my musical life, and also about my writing life. In the end, I edited out the part about my writing life, because writing about writing was just too navel-gazing. So there's nothing in there about me coming of age as a writer, which used to be in there, but that whole thing got taken out. Now it's spiritual and musical. For me, it really helped to start with those focuses, because I knew there may be things that were hugely important in my life, absolutely foundational, that were not really going to be either mentioned or gone deeply into in the book. For example, my husband teases me a lot about how few pages and words he gets. He's very important in my life, but I actually met him when I was 29, and this book really mainly takes place in the years leading up to that. There's a little bit of winding down in the first few years of my thirties, but this is not a book about my life with him. He is mentioned in it. That story is in there. Having those kinds of limitations around the canvas—there's a quote, I forget if it was Miranda July, but somebody said something like, basically when you put a limitation on your project, that's when it starts to be a work of art. Whatever it is, if you say, “I'm taking this canvas and I'm using these colours,” that's when it really begins, that initial limitation. That was very helpful. Joanna: It's also the beauty of memoir, because of course you can write different memoirs at different times. You can write something about your writing life. You can write something else about your marriage and your family later on. That doesn't all have to be in one book. I think that's actually something I found interesting. And I would also say in my memoir, Pilgrimage, my husband is barely mentioned either. Alicia: Does he tease you too? Joanna: No, I think he's grateful. He is grateful for the privacy. Alicia: That's why I keep saying, you should be grateful! Joanna: Yes. You really should. Like, maybe stop talking now. Alicia: Yes, exactly. I know. Marriage, memoir—those words should strike fear into his heart. Joanna: They definitely should. But let's just come back. When I look at your career— You just seem such an independent creative, and so I wondered why you decided to work with a traditional publisher instead of being an independent. How are you finding it as someone who's not in charge of everything? Alicia: It's a great question. The origin story for this memoir is that I was actually reading poetry at a writing conference called Bread Loaf in the States. This was 16 years ago or something. I was giving a poetry reading and afterwards an agent, not my agent, came up to me and said, you know, you have a voice. You should try writing nonfiction because you could probably sell it. Back to your question about how I support myself, I am always really hustling to make a living. It's not like I have some separate well-paying job and the writing has no pressure on it. So my ears kind of perked up. I thought, wait, getting paid for writing? Because poetry is literally not in the world. It's just not a concept for poets. That's not why we write and it's not a possibility. So a little light turned on in my brain. I thought, wow, that could be a really interesting element to add to my income stream, and it would be flexible and it would be meaningful. For a few years I thought, what nonfiction could I write? And I came up with the idea of writing a book about biblical women from a more scholarly perspective, because I teach that material and I've studied it. I went to speak to another agent and she said, well, you could do that, but if you actually want to sell a book, it's going to have to be more of a trade book. So if you don't want an academic press, which wouldn't pay very much, you would have to have some kind of memoir-like stories in there to just sweeten it so it doesn't feel academic. So then I began writing a little bit of spiritual memoir. I thought, okay, well, I'll write about a few moments. Then once I started writing, I couldn't stop. The floodgates really opened. That's how it ended up being a spiritual memoir with interwoven stories of biblical women. It became a hybrid in that sense. I knew from the beginning that this project—for all my saying earlier that I never plan anything and only work on instinct, I was thinking as I said that, that cannot be true. This time, I actually thought, what if, instead of coming from this pure, heart-focused place of poetry, I began writing with the intention of potentially selling a book? The way my fiction writer friends talked about selling their books. So that was always in my mind. I knew I would continue writing poetry, continue publishing with small presses, continue putting my own music out there independently, but this was a bit of an experiment. What if I try to interface with the publishing world, in part for financial sustainability? And because I had a full draft before I queried, I never felt like anyone was telling me what to write. I can't imagine personally selling a book on proposal, because I do need that full capacity to just swerve, change directions, be responsive to what the project is teaching me. I can't imagine promising that I'll write something, because I never know what I'll write. But writing at least a very solid draft first, I'm always delighted to get notes and make polish and rewrite and make things better. I took care of that freedom in the first seven years of writing and then I interfaced with the agent and publisher. Joanna: I was going to say, given that it's taken you seven to ten years to do this and I can't imagine that you're suddenly a multimillionaire from this book. It probably hasn't fulfilled the hourly rate that perhaps you were thinking of in terms of being paid for your work. I think some people think that everyone's going to end up with the massive book deal that pays for the rest of their life. I guess this book does just fit into the rest of your portfolio career. Alicia: Yes. One of the benefits of these long arcs that I like to work on is, one of them—and probably the primary one—is that the project gets to unfold on its own time. I don't think I could have rushed it if I wanted. The other is that it never really stopped me from doing any of my other work. Joanna: Mm-hmm. Alicia: So it's not like, oh, I gave up months of my life and all I got was this advance or something. It's like, I was living my life and then when I had a little bit of writing time—and I will say, it impacted my poetry. I haven't written as much poetry because I was working on this. So it wasn't like I just added it on top of everything I was already doing, but it was a pleasure to just switch to prose for a while. It was just woven into my life. I appreciated having this side project where no one was waiting for it. There were no deadlines, there was no stress around it, because I always have performances to promote and due dates for all kinds of work. It was just this really lovely arena of slow growth and play. When I wanted a reader, I could do a swap with a writer friend, but no one was ever waiting for it on deadline. So there's actually a lot of pleasure in that. Then I will say, I think I've made more from selling this than my poetry. Probably close to ten times more than I've ever made from any of my poetry. So on a poetry scale, it's certainly not going to pay for my life, but it actually does make a true financial difference in a way that much of my other work is a little more bit by bit by bit. It's actually a different scale. Joanna: Well, that's really good. I'm glad to hear that. I also want to ask you, because you've done so many things, and— I'm fascinated by your independent film, A Kaddish for Bernie Madoff. I have only watched the trailer. You are in it, you wrote it, directed it, and it's also obviously got other people in, and it's fascinating. It's about this particular point in history. I've written quite a lot of screenplay adaptations of my novels, and I've had some various amounts of interest, but the whole film industry to me is just a complete nightmare, far bigger nightmare than the book industry. So I wonder if you could maybe talk about this, because it just seems like you made a film, which is so cool. Alicia: Oh yes, thank you. Joanna: And it won awards, yes, we should say. Alicia: Did we win awards? Yes. It really, for an extremely low-budget indie film, went far further than my team and I could ever have imagined. I will say I never intended to make a film. Like most of the best things in my life, it really happened by accident. When I was living in New York— I lived there for many years—the 2008 financial collapse happened and I happened to have an arts grant that gave a bunch of artists workspace, studio space, in essentially an abandoned building in the financial district. It was an empty floor of a building. The floor had been left by the previous tenant, and there's a nonprofit that takes unused real estate in the financial district and lets artists work in it for a while. So I was on Wall Street, which was very rare for me, but for this year I was working on Wall Street. Even though I was working on poems, the financial collapse happened around me, and I did get inspired by that to create a one-woman show, which was more of a theatre show. That was already a huge leap for me because I had no real theatre experience, but it was experimental and growing out of my poetry practice and my music. It was a musical one-woman show about the financial collapse from a spiritual perspective, apparently. So I performed that. I documented it, and then a friend who lives in Portland, Oregon, where I now live, said, “I'm a theatre producer, I'd like to produce it here.” So then I rewrote it and did a run here in Portland of that show. Essentially, I started to tour it a little bit, but I got tired of it. It was too much work and it never really paid very much, and I thought, this is impacting my life negatively. I just want to do a really good documentation of the show. So I wanted to hire a theatre documentarian to just document the show so that it didn't disappear, like you were saying before about live performance. But one of the people I talked to actually ended up being an artistic filmmaker, as opposed to a documentarian. She watched the archival footage, just a single camera of the show, and said, “I don't think you should do this again and film it with three cameras. I think you should make it into a feature film. And in fact, I think maybe I should direct it, because there's all this music in it and I also direct music videos.” We had this kind of mind meld. Joanna: Mm. Alicia: I never intended to make a film, but she is a visionary director and I had this piece of IP essentially, and all the music and the writing. We adapted it together. We did it here in Portland. We did all the fundraising ourselves. We did not interface with Hollywood really. I think that would be, I just can't imagine. I love Hollywood, but I'm not really connected, and I can't imagine waiting for someone to give us permission or a green light to make this. It was experimental and indie, so we just really did it on the cheap. We had an amazing producer who helped us figure out how to do it with the budget that we had. We worked really hard fundraising, crowdfunding, asking for donations, having parties to raise money, and then we just did it and put it out there. I think my main advice—and I hear this a lot on screenwriting podcasts—is just make the thing. Make something, as opposed to trying to get permission to make something. Because unless you're already in that system, it's going to be really hard to get permission to make it. Once you make something, that leads to something else, which leads to something else. So even if it's a very short thing, or even if it's filmed on your phone, just actually make the thing. That turned out to be the right thing for us. Joanna: Yes, I mean, I feel like that is what underpins us as independent creatives in general. As an independent author, I feel the same way. I'm never asking permission to put a book in the world. No, thank you. Alicia: Exactly. We have a vision and we do it. It's harder in some ways, but that liberation of being able to really fully create our vision without having to compromise it or wait for permission, I think it's such a beautiful thing. Joanna: Well, we're almost out of time, but I do want to ask you about creative confidence. Alicia: Hmm. Joanna: I feel I'm getting a lot of sense about this at the moment, with all the AI stuff that's happening. When you've been creating a long time, like you and I have, we know our voice and we can lean into our voice. We are creatively confident. We'll fail a lot, but we'll just push on and try things and see what happens. Newer creators are struggling with this kind of confidence. How do I know what is my voice? How do I know what I like? How do I lean into this? So give us some thoughts about how to find your voice and how to find that creative confidence if you don't feel you have it. Alicia: I love that. One thing I will say is that I always think whatever is arising is powerful material to create from. So if a lack of confidence is arising, that's a really powerful feeling to directly explore and not just try to ignore. Although sometimes one has to just ignore those feelings. But to actually explore that feeling, because AI can't have that, right? AI can't really feel a crisis of confidence, and humans can. So that's a gift that we have, those kinds of sensitivities. I think to go really deep into whatever is arising, including the sense that we don't have the right to be creating, or we're not good enough, or whatever it is. Then I always do come back to a quote. I think it might have been John Berryman, but I'm forgetting which poet said it. A younger poet said, “How will I ever know if I'm any good?” And this famous poet said something like—I'm paraphrasing—”You'll never know if you're any good. If you have to know, don't write.” That has been really liberating to me, actually. It sounds a little harsh, but it's been really liberating to just let go of a sense of “good enough.” There is no good enough. The great writers never know if they're good enough. Coming back to this idea of just making without permission—the practice of doing the thing is being a writer. Caring and trying to improve our craft, that's the best that we can have. There's never going to be a moment where we're like, yes, I've nailed this. I am truly a hundred per cent a writer and I have found my voice. Everything's always changing anyway. I would say, either go into those feelings or let those feelings be there. Give them a little tea. Tell them, okay, you're welcome to be here, but you don't get to drive the boat. And then return to the practice of making. Joanna: Absolutely. Great. So where can people find you and your books and everything you do online? Alicia: Everything is on my website, which is AliciaJo.com, and also on Instagram at @ohaliciajo. I'd love to say hello to anyone who's interested in similar topics. Joanna: Brilliant. Well, thanks so much for your time, Alicia. That was great. Alicia: Thank you. I love your podcast. I'm so grateful for all that you've given the writing world, Jo.The post Creative Confidence, Portfolio Careers, And Making Without Permission with Alicia Jo Rabins first appeared on The Creative Penn.

No matter how atrocious the enemy, leftists will always stand against America. Conservatives split on actions in Iran. Washington man charged with threatening to kill Trump and wear his skin. Democrats press forward with economic suicide. Girls charged in middle school attack. 

Nick Haber is in his second season as the Girls' Junior Varsity Basketball Coach at Strongsville High School in the state of Ohio. He has led the Mustang JV team to back to back winning seasons. As a young coach Nick has been focused on learning the fundamentals of coaching while teaching his players the importance of accountability and teamwork.On this episode Mike & Nick discuss the importance of being a coachable young coach and how he tries to create a supportive team environment for both players and coaches alike. Nick shares his commitment to nurturing accountability and teamwork among his players, which he believes are foundational elements of a successful basketball program. The conversation dives into the significance of effective communication, both in managing relationships with players and in addressing the often challenging dynamics that arise in high school basketball. Nick shares how the experiences of coaching extend far beyond the confines of the court, serving as vital life lessons for young athletes as they navigate the complexities of personal and team challenges.Follow us on Twitter and Instagram @hoopheadspod for the latest updates on episodes, guests, and events from the Hoop Heads Pod.Make sure you're subscribed to the Hoop Heads Pod on Apple, Spotify or wherever you get your podcasts and while you're there please leave us a 5 star rating and review. Your ratings help your friends and coaching colleagues find the show. If you really love what you're hearing recommend the Hoop Heads Pod to someone and get them to join you as a part of Hoop Heads Nation.Grab your pen and some paper before you listen to this episode with Nick Haber, Girls' Junior Varsity Basketball Coach at Strongsville High School in the state of Ohio.Website - https://www.strongsvillemustangs.org/sport/basketball/girls/Email - nhaber18@outlook.comTwitter/X - @habes1811Visit our Sponsors!Give With HoopsGive With Hoops is a groundbreaking initiative that fuses basketball analytics with modern sponsorship. Built for teams who see data as opportunity, from AAU programs to college powerhouses. By tying on-court performance directly to community and sponsor engagement, Give With Hoops help programs raise more while deepening support from those who believe in the game.D3 Direct Recruiting PlaybookYour step-by-step guide to getting recruited as a college athlete at the NCAA Division 3 level. This course is designed by former D3 Athletes to take you from zero interest from college coaches to securing your first offer and putting you on the path to committing.The Coaching PortfolioYour first impression is everything when applying for a new coaching job. A professional coaching portfolio is the tool that highlights your coaching achievements and philosophies and, most of all, helps separate you and your abilities from the other applicants. Special Price of just $25 for all Hoop Heads Listeners.Wealth4CoachesEmpowering athletic coaches with financial education, strategic planning, and practical tools to build lasting wealth—on and off the court.If you listen to and love the Hoop Heads Podcast, please consider giving us a small tip that will help in our quest to become the #1 basketball coaching podcast. https://hoop-heads.captivate.fm/supportTwitter/X Podcast - @hoopheadspodMike - @hdstarthoopsJason - @jsunkleInstagram@hoopheadspodFacebookhttps://www.facebook.com/hoopheadspod/YouTubehttps://www.youtube.com/channel/UCDoVTtvpgwwOVL4QVswqMLQ

Strap in girlies: PJ is giving us the inside scoop on the WhatsApp group dedicated to farts that he's been added to this week, and it's harrowing stuff. The boys also discuss all the tea from the new America's Next Top Model documentary, including Tyra attempting to gaslight us all in her now infamous trenchcoat.In honour of International Women's Day on March 8th, the lads are talking all about their favourite people: the girlies! The theme for this week is feminism, so Kevin has an excuse to talk about the ultimate feminist queen, Lisa Simpson, as well as the connection that gay men have to the women in their lives. They also discuss some of Ireland's most impactful feminist icons and unpack common feminist stereotypes. WHO RUN THE WORLD? GIRLS!Purchase Happy Campers Tour Tickets here

Dating Talk is LIVE on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/whatever

Thanks for all the support lately and be sure to drop a comment below!! JOIN PATREON HERE SUBMIT DILEMMAS HERE SIGN OFF AN EPISODE HERE TIMECODE0:00 Intro 3:34 What made you realize men were dumb21:40 Girls have more fun30:57 explain your relationship in make-up terms 40:04 Dilemmas52:10 Comments53:46 Baddie sign off #dumbmen #laughs #community #baddies #makeupterms #relationships See omnystudio.com/listener for privacy information.

"Sometimes hope comes in different ways that you don't recognize, and you don't expect, and you just gotta hold on and push for that crazy ride." - Elizabeth Lange   Tami Lange is an innovative entrepreneur and founder of Save the Girls, a company dedicated to creating stylish and functional purses with touchscreen capabilities. Inspired by a personal experience involving phone loss and her sister-in-law's breast cancer diagnosis, Tami developed Save the Girls to address the need for safer and convenient phone storage solutions. Her innovative designs have gained recognition from prominent figures and platforms, including Lori Greiner, Howie Mandel, QVC, HSN, and Good Morning America. Tami and her company are committed to women's health, donating at least 10% of profits to breast cancer research. Elizabeth Lange, Tami's daughter, actively supports the family business by contributing to its design and promotional strategies. Elizabeth embodies the company's mission by advocating for both fashion and functionality in product development, ensuring that Save the Girls caters to women at every stage of life.   Episode Summary: In this inspiring episode of the "Oh My Health, There is Hope" podcast, host Jana Short delves into the remarkable journey of Tami and Elizabeth Lange, the force behind Save the Girls. This mother-daughter duo shares how a series of personal challenges transformed into an innovative and impactful business venture. The episode unfolds the story of Tami's journey from facing a financial crisis to launching a groundbreaking line of touchscreen purses designed to promote safer, more practical cell phone carriage. The Lange family's commitment to supporting breast cancer research is a testament to their passion for making a difference. The discussion highlights the adaptability and resilience that powered Save the Girls to success. Listeners are introduced to the functionality, practicality, and style that distinguish these products from traditional purses. Designed with every woman in mind, the Save the Girls lineup includes crossbody bags, wristlets, and their newly introduced athletic line, which are stadium-approved and meet the needs of dynamic lifestyles. The Langes' dedication to quality and giving back resonates throughout, making this episode a must-listen for anyone interested in entrepreneurship, health advocacy, and innovative fashion solutions.   Key Takeaways: Tami Lange turned a personal challenge into Save the Girls, a thriving business that offers stylish, functional purses that promote safer cell phone use. The Langes emphasize the importance of women's health by pledging at least 10% of profits to breast cancer research. Save the Girls products are designed for every stage of a woman's life, from young girls to grandmothers, prioritizing convenience and safety. The company is now venturing into the athletic market with a specialized line that caters to gym-goers with functional, fashionable designs. Featuring over 150 designs, Save the Girls aims to become a household name, ensuring their products not only serve a practical purpose but also support significant health causes.   Resources: savethegirls.com @‌savethegirls_stg https://www.facebook.com/savethegirlsSTGcebook.com/savethegirlsSTG https://www.linkedin.com/company/save-the-girls-touch-screen-purses/ X: SaveTheGirlsOG Go hands-free and support a great cause at SaveTheGirls.com.  When you shop, be sure to use code STG20 for 20% off.     ✨ Enjoying the show? Stay inspired long after the episode ends! Jana is gifting you free subscriptions to Ageless Living Magazine and Best Holistic Life Magazine—two of the fastest-growing publications dedicated to holistic health, personal growth, and living your most vibrant life. Inside, you'll find powerful stories, expert insights, and practical tools to help you thrive—mind, body, and soul.

Leave an Amazon Rating or Review for my New York Times Bestselling book, Make Money Easy! Check out the full episode: https://greatness.lnk.to/1591DM Venus Williams shares something that stopped Lewis cold: 45% of girls globally quit sports by age 14 because of low body confidence. Venus turned pro at that exact age. She talks about what identity really means to her, and it's not what you'd expect. It starts with being unapologetically yourself. Not waiting for permission. Not needing approval. She and Serena once laughed at a book series teaching resilience because they learned it the hard way, pushing their mile times down and beating the clock. Venus also gets honest about what it was like growing up African American in spaces where being proud of who you are wasn't always easy. Her message is simple: it doesn't matter what you look like. What matters is what's inside you and whether you let it out. Sign up for the Greatness newsletter: http://www.greatness.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Does the 'girls girl' really exist? In this episode, join Chidera as she discusses the complexity of female empowerment, expectations placed on women to like each other within feminism - and enjoy a juicy storytime of a situation where a woman tried to 'steal' a guy she was dating...on national TV! Join my ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for access to more revealing episodes, a 65-page guide on whether to keep or leave that guy, as well as answering your dilemma questions! Get my latest book ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠POCKET POWER FROM THE SLUMFLOWER⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

Food insecurity is an ongoing problem, especially with recent changes to SNAP benefits and the economy. Mark Wainwright founded It Takes a Village to Feed One Child in 2017 to provide meals to families in need. They've since partnered with many local organizations to expand on the types of holistic enrichment they can offer, from education to financial literacy. Racquel Williams talks with Mark and Dr. Corinne Green, Executive Director of one of their partner organizations, Mighty Writers. Then, on Shara in the City, Shara Dae Howard returns to The Colored Girls Museum as they celebrate 10 years of honoring Black history and culture in their own unique, theatrical way.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

It's the Region 2B Title Game in Girls Basketball as Clarke County plays Strasburg at Shenandoah University. Ryan Rutherford and Josh Kirby have coverage on The River 95.3, Fox Sports Radio 1450, theriver953.com & AppJosh speaks with Eagles Head Coach Shadd McCaw on their most recent win over Central. McCaw also talks about the fourth matchup against Strasburg and playing a Region Final at Shenandoah University.

This is a Grave Talks CLASSIC EPISODE! PART TWOWhat happens when a passionate all-female paranormal team steps into one of Alabama's most historic homes?In this episode, Lesley Ann Hyde and the Southern Ghost Girls share their chilling investigation of Arlington House in Birmingham, Alabama. This grand antebellum estate is known not only for its architectural beauty, but for activity that suggests the past may still be very much present.From intelligent responses captured during sessions to unexplained shadows moving through historic hallways, the team details experiences that go far beyond simple residual energy. Blending historical research with modern investigative tools, they uncover moments that raise a compelling question: are the spirits here aware of who's walking through their home?For more information on the Southern Ghost Girls, as well as their paranormal investigations and tours, visit southernghostgirls.com.#TheGraveTalks #ArlingtonHouse #SouthernGhostGirls #HauntedAlabama #BirminghamAlabama #HistoricHauntings #IntelligentHaunting #ParanormalInvestigation #HauntedSouth #GhostHunting #SpiritActivity #HauntedHistoryLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

Hiiii GGB!   This week we dive into the story of a man who had God's favor but chose to follow his own desires instead of God's direction. Compromise, pride, and distraction can pull us away from purpose, even when we're called and anointed. Proof that even the strongest fall when they forget who their strength comes from.   we love you so much. Jesus loves you more. -Ang & Ari   ORDER OUR NEW BOOK! You can order our new book "Out of the Wilderness— 31 Devotions to Walk with God Through Your Hardest Seasons" at girlsgonebible.com/book   JOIN US ON GGB+

There are to factors that impact every single human on the face of the earth.  Do you know what they are? Health  Money Those two factors influence our families, opportunities, and really everything! They require time, attention, and intention. This week, I had the opportunity to speak to a group of sophomore to senior girls in a body sculpting class, and what unfolded was deeper than sets and reps. We talked about the health aspect and where our health resides....in our bodies.   How we care for our bodies, our decisions, our food, and our exercise isn't just a matter of learning what to eat and what exercises to do; it's a matter of how we think about our bodies. If our relationships with our bodies are full of hate and judgment, our decisions and behaviors will be out of punishment. If our relationships with our bodies are with respect, love, and care, we will make deliberate decisions to care for our bodies and our health. In this episode, I talked about three things I wish I knew when I was 16.  All bodies are different. Bodies change, and they are supposed to. Our bodies are our friends.   We dive into each one of these and discuss how this can propel us forward to respect, listen to, and care for the body we have so we can have the health we desire! Listen in!

We talk with comic Bret Druck about how crowd work clips changed comedy and whether or not it will recover. Also more Epstein drama. 

Well, that was a whirlwind! This week felt like someone hit fast-forward on the entire video game industry and every day was yet another breaking news story. From AI causing potential console delays, Highguard can't catch a break, Bluepoint being shut down and the fallout from the sudden change of guard at Xbox… whew! However, this episode is not just doom and gloom: Joelle became a sneaky octopus in the Darwin's Paradox and Leah celebrates the Winter Olympics with a round of Pixel Olympics Trivia.  What is Everyone Playing? (00:08:46) Darwin's Paradox Demo (00:13:40) Game On: Pixel Olympics Trivia (00:21:06) This Week's News (00:27:20) PlayStation 6 might be delayed due to hardware shortages (00:28:50) Rise and fall of Highguard (00:34:25) Sony shuts down Bluepoint (00:42:50) Leadership shake up at Xbox: Spencer and Bond are out (00:49:36) Outro and Wrap-up (01:08:38) --- Thanks for listening! The GoGCast comes out weekly so make sure to subscribe and you won't miss an episode. For more about us, Girls on Games, check out girlsongames.ca. Buy us a Ko-Fi at https://ko-fi.com/girlsongames

It’s playoff time in Wisconsin — and everything is coming to a head. On this episode of the Man Cave Podcast, Dan and Brandon break down a packed local sports slate as girls basketball regionals roll on across Divisions I through V. From Chippewa Falls’ big road win to loaded Division IV matchups featuring Regis, McDonell, Neillsville, and Durand-Arkansas — we map out the potential collision courses and the teams that could be Madison-bound.

Anne Walling, MB ChB, joins the Faculty Factory Podcast this week to discuss some incredible stories of resilience she uncovered while researching her new book "Women in Medicine: Stories from the Girls in White." Dr. Walling interviewed 37 women who fought for credibility, worked harder than is almost imaginable, and graduated from medical school between 1948 and 1975. She wanted to learn why they went into medicine and how their experiences unfolded throughout medical school, residency, and entry into practice. The work was conducted by Dr. Walling as formal qualitative research with IRB oversight and open-ended questions. She joined us at the Faculty Factory for her second interview on our show to share the stories and insights she gathered. You can learn more about the book here: https://www.routledge.com/Women-in-Medicine-Stories-from-the-Girls-in-White/Walling/p/book/9781032873190 Dr. Walling is Professor Emerita at the University of Kansas School of Medicine—Wichita and is also the author of "Academic Promotion for Clinicians: A Practical Guide to Promotion and Tenure in Medical Schools." Learn about that book here: https://link.springer.com/book/10.1007/978-3-031-84036-4 As mentioned, this is her second appearance on our show. You can listen to her first appearance “Episode 334 – A Deep Exploration of Academic Promotions for Clinicians with Anne Walling, MB ChB,” here: https://facultyfactory.org/anne-walling/

New York's vacant apartments and rent stabilization, school denies teacher religious accommodation, Ukraine's long resistance, and helping girls in Kenya. Plus, Seth Troutt on on engineered masculinity, a record-setting romance, and the Thursday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Planted Gap Year, where young adults combine Bible classes, hands-on farming, and outdoor adventure. More at plantedgapyear.orgFrom Ridge Haven Camp in North Carolina and Iowa. Summer Camp registration open now at ridgehaven.orgAnd from the Joshua Program at St. Dunstan's Academy in the Blue Ridge Mountains: work, prayer, and adventure for young men. stdunstansacademy.org

This is a Grave Talks CLASSIC EPISODE!What happens when a passionate all-female paranormal team steps into one of Alabama's most historic homes?In this episode, Lesley Ann Hyde and the Southern Ghost Girls share their chilling investigation of Arlington House in Birmingham, Alabama. This grand antebellum estate is known not only for its architectural beauty, but for activity that suggests the past may still be very much present.From intelligent responses captured during sessions to unexplained shadows moving through historic hallways, the team details experiences that go far beyond simple residual energy. Blending historical research with modern investigative tools, they uncover moments that raise a compelling question: are the spirits here aware of who's walking through their home?For more information on the Southern Ghost Girls, as well as their paranormal investigations and tours, visit southernghostgirls.com. #TheGraveTalks #ArlingtonHouse #SouthernGhostGirls #HauntedAlabama #BirminghamAlabama #HistoricHauntings #IntelligentHaunting #ParanormalInvestigation #HauntedSouth #GhostHunting #SpiritActivity #HauntedHistory Love real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

This episode features a powerful conversation with neurosurgeon Dr. Lee Warren about trauma, faith, and the science of hope. Drawing from his experience serving in Iraq, battling PTSD, and losing his teenage son, Dr. Warren shares how we can't always control what happens to us—but we can influence how we experience it. Through the lens of his book, The Life-Changing Art of Self-Brain Surgery, he explains the neuroscience of neuroplasticity and how changing our thoughts can literally reshape our brains. Together, they explore how parents can help kids build agency, resilience, and real capability by teaching them to challenge their thoughts, pause before reacting, and grow stronger through hardship. Resources mentioned: The Life-Changing Art of Self-Brain Surgery by Dr. Lee Warren Antifragile: Things That Gain from Disorder by Nassim Nicholas Taleb . . . . . .  Sign up to receive the⁠ bi-⁠⁠⁠⁠⁠monthly newsletter⁠⁠⁠⁠⁠⁠ to keep up to date with where David and Sissy are speaking, where they are taco'ing, PLUS conversation starters for you and your family to share! Pre-order our new book, Capable and grab tickets for Capable - The Book Tour here! See our speaking dates, purchase books and check out our courses here.. . . . . .  If you would like to partner with Raising Boys and Girls as a podcast sponsor, fill out our⁠ ⁠⁠⁠⁠⁠Advertise With Us⁠⁠⁠⁠⁠⁠ form. QUINCE: Go to ⁠Quince.com/rbg⁠ for free shipping on your order and three hundred and sixty-five day returns. BOLL & BRANCH: Get 15% off plus free shipping on your first set of sheets at Bollandbranch.com/rbg⁠. Exclusions apply. ATHLETIC GREENS: Go to DRINKAG1.com/RBG to get their best offer… For a limited time only, get a FREE AG1 duffel bag and FREE AG1 Welcome Kit with your first subscription order! Only while supplies last. COOK UNITY: Go to cookunity.com/RBG or enter code RBG before checkout to get 50% off your first order. SETH AND THE VERY SCARY STORM: Go to https://tinyurl.com/RBGSethStorm to check out this Lifeway book.YARA THE BRAVE: Go to https://tinyurl.com/RBGYara to check out this Lifeway book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Becca Moore is a creator with half a million Instagram followers who launched her weekly podcast For The Girls with Becca Moore in 2024. Her guest is Grace Brassel who recently broke up with Shane Gillis. This interview is fascinating because Grace ain't over it and she terrified of upsetting the funny man she hopes to get back with.  Whitney Cummings is really struggling to stay topical and be funny at the same time. The backlash from the Riyadh Comedy Festival is still tormenting her as she tries to subtly re-write history. Caught ye! Bill Burr was a guest on Conan O'Brien Needs a Friend and did so much damage to his career you'd think he was actively trying to lose his fanbase. Opie is really pushing his old shows with Carl Ruiz. Stuttering John is setting up his next lawsuit against me, pretending WATP's well optimized website and YouTube channel is costing him gigs. Also, the big Rodney's gig is this Friday and I'm going to be there! Megan and Annie join us for a round of “Is It Gay?” and the Opie or Burr game. We finish up with some recent comments and your voicemails. Watch this episode here: https://youtube.com/live/JIzkvFk8wxY Support us, get bonus episodes, and watch live every Saturday and Wednesday: ⁠http://bit.ly/watp-patreon⁠ ⁠https://watp.supercast.tech/⁠ Come to Hackamania! April 10-12 in Las Vegas, use promo code WATP for 10% off – https://hackamania.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

The longtime Ireland captain and Arsenal star shares how she went from playing with her siblings to taking on the biggest stars in the world. Plus, her dreams for the future of the women's game in Ireland as the Girls in Green attempt to qualify for another World Cup.SUBSCRIBE TO THE WOMEN'S GAME NEWSLETTER: https://mibcourage.co/42X5HpBSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We are talking about is Booise a Badazz or is he something eles, and also how 2 best friends got pregant by the same guy on PURPOSE, an what not to do when you are pulled over. Check out the Motorcop Merch CLICK HERE Want more Motorcop CLICK HERE Want to be a guest, share a story or send wone in email me at motorcopchronicels@gmail.com BE THE LION

Some people find their calling in the most unexpected places. And for Brenda Sullivan, that calling happened… in the cemetery.   In this two-part conversation, I'm joined by the fascinating, funny, wildly knowledgeable founder of The Gravestone Girls — cemetery artists and historians who are helping people all over the country reconnect with history, symbolism, mortality, and the stories literally carved into stone.   I first discovered Brenda's work a couple of years ago when my daughter and I attended one of her talks at a library here in New Hampshire. I honestly didn't know what to expect — I assumed it might be spooky or "oddity-adjacent."   But within minutes of listening to her, my entire world expanded. What Brenda does is deeply fact-based, richly historical, and surprisingly emotional. She teaches us that cemeteries are not just places of death — they are places of culture, meaning, artistry, community, and connection.   In Part One (Episode 69)   Brenda shares her incredible story of leaving behind a high-powered corporate career — what she calls a "soul-sucking day job" — to fully step into the work she truly loved. She talks about: • Being a "corporate dropout" and finally changing her seat • How a hobby turned into a thriving business and national following • Why the cemetery world is much bigger and more mainstream than people assume • The surprising hunger people have to be "invited in" to these spaces • How gravestones tell us not only who died — but how people lived   We also explore the powerful idea that the more specific you get about what you love, the bigger your world becomes.   In Part Two (Episode 70)   Our conversation deepens into the history and symbolism of early New England burial grounds.   Brenda walks us through: • The earliest burial practices in the 1600s • Why colonial gravestones were meant as messages to the living • Winged skulls, hourglasses, soul symbols, and the "scared straight" visual language of death • How modern medicine has changed our relationship with mortality • Why Victorians picnicked in cemeteries — and what we've lost in our disconnection from death   This is one of those conversations that makes you look at something familiar — a graveyard, a headstone, a symbol you've passed a hundred times — and suddenly see an entire world underneath it.   Brenda is passionate, hilarious, deeply thoughtful, and proof that following what fascinates you can open doors you never imagined. This episode is split into two parts at around the 42-minute mark — so make sure to listen to both.   I cannot wait for you to step into this world with us.   Find Brenda and her work by clicking here.

Discussing i-tri Girls and The 2025 Hamptons Real Estate Market Report

“If I hadn't have known that was Anthrax, I would have guessed it was Alice In Chains…”   The early 90's was a strange time for metal, most notably due to the change in the musical landscape with the emergence of the Seattle scene and Alice In Chains becoming one of the key crossover bands to bridge the transition from thrash to the next wave of darker, grungier sounding heavy metal.    “Every time you do that, I have a less chance of getting laid…”   While ANTHRAX began the 90's with a much darker and angrier sound on Persistence of Time, the darkness and heaviness of their sound would become further amplified with the departure of Joey Belladonna and the addition of JOHN BUSH (formerly of Armored Saint) on vocals, resulting in a new era of Anthrax: BUSHTHRAX!    With more grit and heft in the vocals than before, the JOHN BUSH ERA of ANTHRAX is definitely a different flavor than the band's output throughout the 80's with Joey Belladonna, and with the changing of the guard in the early 90's due to the growing popularity of the Seattle sound, the time was right for a slight alteration to the thrashier sounds of 80's era ThrashThrax, resulting in the darker, more aggressive BUSHTHRAX era that would follow for the next decade or so.   “Alright, well it's not like we've never done that for you before…”   Always remember that “springtime LSD is the best time for LSD” and that “it's not as fun for me when I push away”. Realize that “girls with Doc Martens are kinda cute (except for when they wear ‘patrouli')” and imagine what it'd be like “if we bled out of our dicks for a week” when you JOIN US for some 90's era ANTHRAX featuring JOHN BUSH, aka BUSHTHRAX!!! Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast Show Notes: (00:01): “Here we are…” / Jim Morrison #thelizardking / #schlongadoodledoo / “Dragon ass?” / Send Help & Fall (2 brief movie reviews…) / “When are they just gonna put those beds (Craftmatic adjustable beds) in the movie theater?”/ #acrophobia (5:11): ***WARNING:  #listenerdiscretionisadvised *** / ***WELCOME BACK TO THE METAL NERDERY PODCAST!!!***/ “Freshly shaven and shorn…ready to be professional again…”/ Shoutout to (our former sponsor) Manscaped…/ #batterylife / #sausagewrapping /  “Gotta keep moving…or you could take the shots…”/ “I think I went a little heavy on the last dose…so you get these rotten egg burps…where I can't stand to be in the room with myself…” / #insertvomitnoisehere / #vomitnoiseASMR / “I can smell it…I can taste it…”/ “It's like when someone says the word #Jager I can taste it…” (09:09): PATREON US at patreon.com/metalnerderypodcast / ***NEW PATREONS*** / Aussie Dave and Grandmaster V / “Is that 5? I think it's ‘V'…”/ #onmicburp / “Hopefully they're still listening…”/ VOICEMAIL US at 980-666-8182!!! / #Powertrip / ***GO TO METALNERDERY.COM/ARCHIVES TO TRACK DOWN OLDER EPISODES!!!*** / #NWOOSTM (“You can do it…”) / “Pot luck pickin'…”/ “Push it back!”/  “Every time you do that, I have a less chance of getting laid…”/ SOCIAL MEDIA US at #metalnerderypodcast on #YouTube #Instagram #Facebook and #TikTok   (15:10): #TheDocket METAL NERDERY PODCAST PRESENTS: BUSHTHRAX – THE JOHN BUSH ERA OF ANTHRAX / “Almost sounds like spikey pubes, doesn't it?” / #crickets /  “Do YOUR thing and THEY will find you…”/ #fuckthealgorithm    (19:30): Sound of White Noise (1993) / “I didn't cup it that time…”/ “(‘Push away!') It's not as fun for me…” / “It took me a minute to figure out what the cover was…”/ POTTERS FIELD “That wasn't as great an opener as I thought…I think ‘Only' would have been a better opener…”/ ONLY / “If I hadn't have known that was Anthrax, I would have guessed it was Alice In Chains…”/ HY PRO GLO / “I, aye, eye, hi…” / “It has a weird, opening, Twin Peaks-y vibe…”/ BLACK LODGE / “Howdy, partner…”/ “Anthrax In Chains…Alice In Anthrax…”/ “Every band adapts to any new kinda thing…”   (31:21): Stomp 442 (1995) / RANDOM ACTS OF SENSELESS VIOLENCE / “Puto!” / “It's more Pantera…”/ “That was the first year…that I ever did L.S.D….”/ “Springtime LSD…it's the best time for LSD…”/ “Everything's funny…”/ “She looked like a seagull, in a way…”/ KING SIZE (includes a solo from Dime) / “It doesn't sound very Alice In Chains-y…or Godsmack-y…” / “He was on a Nickelback song…”/ “Try the closer…”/ BARE / “This is their Planet Caravan…”/ DROP THE BALL / “That sounds like our guitar class song…”/ #tippingpoint / “Oh, there's a KISS cover, man…”/ NOTE: The Greater of Two Evils came out in 2004 / The Greater of Two Evils (2004) / “I kinda hate when bands do that…”/ “Alright, well it's not like we've never done that for you before, so…”/ METAL THRASHING MAD / “There you go, you happy? I pulled back…”   (45:45): Volume 8: The Threat is Real (1998) / #killeropener / “There's not a coke line in sight…”/ CRUSH / “I like this better than the last 2…”/ Special guest Pantera folks / PISS N VINEGAR / 604 / TOAST TO THE EXTRAS / “Weren't expecting that, were ya?” / KILLING BOX (feat. Phil Anselmo) / “You know what? Cupajoe might wake you up a little bit…”/  INSIDE OUT (feat. Dimebag) / “That sounds like a Pantera riff…”/ “In tribute to my going without coffee for this long…”/ “Why don't you fart into the microphone dude, like a man?” / CUPAJOE / “That's how I drink it now: black and strong (just like my women) …”/  Inside Outs (1998 – EP Japan & UK only) / #Japanthrax / PHANTOM LORD / “That's what Metallica would have sounded like with John Bush…”/ “Doesn't Gronk (that's Grok)…sound like a big, curvy, buxom Norwegian woman?”/ “Imagine if guys did that…imagine if we bled out of our dicks for a week…”   (1:02:10): We've Come for You All (2003) / “It's the most ‘Thrax-thrashy…”/ “If radio was halfway worth a shit…they would have played it…”/ WHAT DOESN'T DIE / “That sounds like that could be on ‘Worship Music'…this one's got more thrash vibes to it…”/ BLACK DAHLIA  “Anthrax black metal…”/ NOTE: Amazon WAS around back then…they just had no streaming as of yet…because that wasn't a thing. / CADILLAC ROCK BOX (feat. Dime on voicemail) / “Is that what Nickelback sounds like?”/ TAKING THE MUSIC BACK (feat. Roger Daltrey) / “That's Roger Daltrey...”/ “Recently, The Master just celebrated his 78th year on this earth!” / #TonyIommi #HAIL / “Without that dude, NONE Of this shit exists…”/  “When you hear this closer, it seems like such a perfect segue into ‘Worship Music'…” / W.C.F.Y.A. / “Girls with Doc Martens are kinda cute…”/ “And they smell like Patrouli, remember that? Patrouli? Patchouli? It smelled like pot and armpits…”/ “It sounds like an Italian scotch…”/ ***Go check us out on Spotify! *** / “I'm glad I didn't go full baby…every time I do it, I hate myself…”/ THANK YOU FOR JOINING US!!! / #untilthenext #outroreel

Episode 110 – BTG Listener-Favorite Series: A past conversation with national speaker and author, Julie Fisk, and our podcast host, Mykelti Blum. In this episode, they discuss how every woman is a potential leader. Regardless of whether we as women are leading teams at work, volunteering, or caring for mini-me's in the home, we are influencing those around us! Julie and Mykelti unpack perspectives for why some women may not believe they are leader, as well as how to embrace the opportunities of leadership within your spheres of influence. Whether you’re newer to the podcast or have been listening for a while, our hope is that you will be encouraged in a fresh way by this past conversation, as it contains rich biblical wisdom and practical application for your life today! Find out more about Julie Fisk and her co-contributors at onestorywell.com and follow @onestorywellcollective on social media. Register for presale tickets for the 2027 BTG Leadership Conference with Lisa Seaton. Follow @MNBTG on Instagram, Facebook, and YouTube. Subscribe to the BTG Podcast on Apple Podcasts, iHeart, Spotify, YouTube, or listen on WordPress. BTG Events & Resources: 2026 Single Moms Retreat  May 29-30, 2026 Lake Geneva Christian Center (Alexandria, MN) Featured Guests: Brooke Maxwell, Kevin Ramsby, and Amber Gerstmann (emcee) Main Sessions, Multiple Workshops, Lots of INCLUDED Activities and Giveaways. Learn More & Register to Attend, Exhibit, or Volunteer: mnbtg.org/retreat. 2026 Garden Coffee Free Missional Event for Women and Girls of All Ages! July 3, 2026, at Lake Geneva Christian Center in Alexandria, MN. Enjoy Refreshments, Worship Together, and Hear from a MN Global Worker. You’ll Also Have the Opportunity to Invest Into Missions (to Support Our 1000 Sisters Fund). Learn More at mnbtg.org/1000sisters. No RSVP Required; Invite Your Family and Church Community! 2026 Thrive Conference October 9-10, 2026 Mayo Civic Center (Rochester, MN) Featuring Lisa Bevere, Christina Girma-Hanfere, Martha Tennison, Susie Larson (speaker and emcee), & Amber Gerstmann (emcee) Afternoon & Main Sessions, “LIVE at Thrive with Susie Larson” — a BTG Podcast Recording Experience, Lunch with Speakers, the Thrive After-Party, Shopping, and More! Groups of 40 or More Who Register by September 20 Will Receive Reserved Seating. See All Ticket Types, and Register: First-Time Guests to Thrive in Rochester Can Register for ONLY $20 FREE Tickets for 2026 High School Grads and North Central University and Trinity Bible College and Graduate School undergrad students! Email info@mnbtg.org to Request Your Coupon Code. (These free tickets are not transferrable.) BTG Missions Trips and Giving Opportunity Learn About Our 2025-2026 BTG Missions Partners, and Give A Tax-Deductible Gift:: mnbtg.org/missions. Apply to join a 2026 BTG Missions Trip to Prague or Budapest: mnbtg.org/trips. 2027 BTG Leadership Conference February 19-20 Lake Geneva Christian Center (Alexandria, MN) Featuring Lisa Seaton and more! Main Sessions (including the Lund Leadership Award Presentation and the Leadership Exchange), Workshops, Brainstorming Groups, the After-Party, Exhibitor Shopping, Networking, and More!  Register for Presale by March 1: mnbtg.org/leadership. Please take a moment to rate and review the podcast to help others find this resource, as well!

On this episode:Day 1 of the MSHSAA State Wrestling Tournament is in the books. We tell you who is moving on to wrestle in Day 2Plus we run down all of our girls district basketball scores We want to thank the following sponsors for supporting our state wrestling coverage.John P. Anderson Agency LLC- Shelter Insurance Katy Burkhead of Corner Post InsurenceTeten Home Improvement of Rock Port Stronger Starts Now - Link FitnessHeather Cox Bennett Agency The Hamilton BankCarrie & Wade HarmsLathrop Chiropractic CenterWanna thank all of our great Sponsors who make all of this possible.Tolly & Associates Little Caesars of St. Joseph John Anderson Insurance, Meierhofer Funeral Home & Crematory HiHo Bar & Grill Barnes Roofing Jayson & Mary Watkins Matt & Jenni Busby Michelle Cook Group Russell Book & Bookball 365 The St. Joseph MustangsB's Tees KT Logistics LLC Hixson-Klein Funeral Home James L. Griffith Law Firm of Maysville Toby Prussman of Premier Land & Auction Group, HK Quality Sheet Metal, Redman Farms of Maysville, Melissa WinnHenke Family Farms, Green Hills Insurance LLC., Cintas, Thrive Family Chiropractic, IV Nutrition of St. Joseph, Roth Kid Nation Serve Link Home Care out of Trenton, Barnett's Floor Renewal LLC., Balloons D'Lux, B3 Renovations, The Hamilton Bank member FDIC, Wompas Graphix & Embroidery of LibertyEllis Sheep Company of Maysville, Bank Northwest of Cameron, Akey's Catering & Event Rentals, Brown Bear of St. Joseph, Wolf Black Herefords, The KCI Basketball Podcast Jacob Erdman - Shelter Insurance of Rock Port, Rob & Stacia Studer, Green Family Chiropractic , Annie & Noah Roseberry of Re/Max Professionals, Moseley Farms, Jake Anderson of Shelter Insurance A slice & a swirl of Maysville Adkison Barber ShopMoyer Concrete of Maysville Cody Vaughn Wealth Advisor with ThriventGallatin Truck & Tractor Grandmas Gun Shop in Agency Nash Gas in Dearborn Accurate Appraisal in St. Joseph Ryan Meyerkorth SeedB.W. Timber of Bethany Mosaic Medical Center of Maryville Exclusive P.R. of Chicago Great Than Financial Hogue Lumber Company of Albany Stifel in ChillicotheUnited Cooperates, INC out of Osborn & Pattonsburg MP and Sons Contracting in Maysville JA White Construction in Maysville BTC Bank Seth & Marcie Davis of the Fitz Group Home and LandGRM Networks Perry Plumming & Septic LLC of Rock PortCitizens Bank and Trust of Rock Port C&M Business Machines Deal Travel and Cruises LLCKovacs FireworksBray Farms of Cameron The Drug Store in Cameron Pettijohn Auto Center in Bethany Terry Implement Co., INC. Of Gallatin Re/Max Partners of Cameron- Dan & Staci Early The Bunker Club of Savannah North Central Missouri College in Trenton & SavannahCooters Plumbing in Lathrop Steven Frieden Excavating Gregg Lawn & Landscape North Mercer Athletic Booster ClubStronger Starts Now Heather Bennett AgencyLathrop Chiropractic CenterWigfield Farms in Chillicothe

It's usually guys who complain about being 'friendzoned.' But new research says it definitely happens to women, too — sometimes.

Girls are back giving a Causing a Scene Update!Discussing end of OlympicsA Love Story JFK Jr.Traitors

KEXP presents eat-girls sextet performing live at ESMA in Rennes, France, during Trans Musicales 2025. Recorded December 07, 2025. 1. earthcore2. 3 Omens3. Off The4. On A Crooked Swing5. Unison Elisa Artero Flores - Guitar, Bass, VocalsAmélie Guillon - Synths, VocalsMaxence Mesnier - Violin, Guitar, Bass, VocalsLino Lacombe Picos - Drums, PercussionsReine Murigneux Mitout - Guitar, BassSébastien Perrin - Saxophone, Flute, Guitar Host: MorganAudio & Mastering Engineering: Matt OgazGuest Audio Engineer & Audio Mixing: Maël Birot https://eat-girls.bandcamp.comhttps://www.lestrans.com/https://www.esma-artistique.comhttps://www.tourisme-rennes.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

For many girls in Uganda, one opportunity can alter the course of their entire future—and that opportunity often begins with education. Around the world, poverty creates barriers that shape a child's path long before adulthood. But through the work of ministries and local partners, those stories are being rewritten with hope, dignity, and the love of Christ. Aaron Griggs joins the show today to share how Cross International is helping young women stay in school, discover their God-given purpose, and step into a future that once felt out of reach. The Mission: Serving the Most Vulnerable Cross International exists to serve some of the world's poorest and most vulnerable children and families for the glory of God. Rather than operating independently, the ministry works through trusted local churches and organizations across Africa and other regions—partners who understand the communities, relationships, and long-term needs on the ground. This approach allows them to provide immediate help—such as food, clean water, and education—while also fostering sustainable, long-term change. Local leaders remain present long after programs begin, ensuring care that is relational, consistent, and rooted in the Gospel. The Everyday Realities of Poverty For many families in countries like Uganda, Malawi, and Zambia, daily challenges are not simply inconvenient—they are life-altering. A single meal may be the only food a child receives all day. Clean water often requires walking for hours to contaminated sources. Preventable diseases spread quickly due to limited medical care. Education is frequently out of reach because families cannot afford school fees. When children cannot attend school, their opportunities shrink dramatically. For girls in particular, the consequences are often more severe—and more permanent. Why Girls Are Especially Vulnerable When resources are scarce, girls are often the first to be pulled out of school. In some communities, families facing desperate financial strain may feel forced to arrange early marriages for daughters—sometimes as young as 11 or 12—simply to survive. This leads to a heartbreaking cycle: Education ends early Marriage and motherhood begin prematurely Economic opportunities disappear Poverty passes from one generation to the next Without intervention, the very pathway that could break the cycle—education—remains inaccessible. Local Partnership in Action: Project Princess Initiative One of Cross International's key ministry partners in Uganda is the Project Princess Initiative, based in Kampala. Together, they walk alongside vulnerable girls by: Helping them stay in school Providing mentorship and spiritual guidance Teaching practical career and life skills Building confidence rooted in their identity in Christ The goal is not only academic success but whole-person transformation—spiritual, emotional, practical, and relational.  As many girls grow older, something remarkable happens: they begin mentoring others. The hope they received becomes the hope they give. Karen's Story: From Hopelessness to Purpose Karen, a young woman from Uganda, once faced a future filled with uncertainty. After her father abandoned the family, her education stopped. Surrounded by poverty, drugs, and despair, she felt trapped and hopeless. Through Project Princess, everything changed. She returned to school. She encountered mentors who reminded her of her worth in Christ. She discovered a future she never thought possible. Karen eventually attended college and studied economics—an opportunity few girls from her background ever experience. Today, she mentors younger girls facing similar challenges and speaks passionately about the role of faith in her transformation. Her story reflects a powerful truth: when education, mentorship, and the Gospel intersect, lives change. Why Faith Matters in Education Cross International's work centers on more than academics. While education opens doors, true transformation begins in the heart. Their approach focuses on the whole person: Physical needs like food and clean water Emotional support through mentorship Practical training for future careers Spiritual formation through prayer and discipleship Education alone can inform the mind. The Gospel renews the heart and reshapes identity. Together, they empower girls to become who God created them to be. How You Can Get Involved Scripture calls believers to care for the vulnerable. Psalm 82:3 urges us to “defend the weak and the fatherless; uphold the cause of the poor and the oppressed.” For many, generosity becomes a practical way to live out that calling. Through partnerships like this: Food reaches children who would otherwise go hungry Education keeps girls in school Mentorship restores dignity and hope The message of Christ transforms lives A relatively small gift can create a lasting impact—helping a child receive education, care, and spiritual support for an entire year. Through FaithFi's partnership with Cross International, every $62 helps provide a vulnerable child with a year of support—including education, nutritious food, mentorship, and the hope of the Gospel. Larger gifts can extend that impact to multiple children and families. To learn more or make a one-time gift, visit FaithFi.com/Cross. As you steward the resources God has entrusted to you, this is a tangible way to defend the vulnerable, uplift the oppressed, and invest in futures filled with hope. One opportunity can change a life. Your involvement can help make that opportunity possible. On Today's Program, Rob Answers Listener Questions: We're expecting a car accident settlement this year. Will it be taxable, and do we report it as income? After medical bills and attorney fees, how should we think about tithing on what remains? Our estate is set up in a trust, and we have two adult sons who don't get along. Should we name just one as trustee and power of attorney, or appoint them both? I have $24,000 in credit card debt. A debt management plan would lower my interest rates, but the payments are more than I can afford. If I withdraw $6,000 from my Roth IRA—I'm over 59—to reduce the balance and lower the payment, would that be wise? Resources Mentioned: Faithful Steward: FaithFi's Quarterly Magazine (Become a FaithFi Partner) Cross International Our Ultimate Treasure: A 21-Day Journey to Faithful Stewardship Wisdom Over Wealth: 12 Lessons from Ecclesiastes on Money Look At The Sparrows: A 21-Day Devotional on Financial Fear and Anxiety Rich Toward God: A Study on the Parable of the Rich Fool Find a Certified Kingdom Advisor (CKA) FaithFi App Remember, you can call in to ask your questions every workday at (800) 525-7000. Faith & Finance is also available on Moody Radio Network and American Family Radio. You can also visit FaithFi.com to connect with our online community and partner with us as we help more people live as faithful stewards of God's resources. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Drinks On Us with @rosemcmahonn & @sincerely.ryleigh. S03 E08 of Drinks On Us is all about pregnancy and new mom life. The girls answer listener questions and chat about their current stage of life. Tune in for special segments including Sip & Spill, What's In Our Cart, & The Girls' Room. Sit back with your favorite beverage and relax, because the drinks are on us!WHAT'S IN OUR CART:Rose - https://liketk.it/5VxTC Ryleigh - https://liketk.it/5Vy85 General Links - https://msha.ke/drinksonus/Join the After Party for more exclusive content! Patreon.com/DoucrewFollow Rose & Ry on Instagram & TikTok: @rosemcmahonn @sincerely.ryleighFollow @drinksonuspod on Instagram & TikTok to join the Happy Hour Club!For business inquiries: Roseandryleigh@gmail.comAudio and video podcasts edited by Penderville Films LLChttps://www.pendervillefilms.com Hosted on Acast. See acast.com/privacy for more information.

Send a FanMail to the GenX Stories gang via text message!It's time. The Gen X Stories crew gets brutally honest about growing up in the shadow of AIDS panic, whispering about Dr Ruth after dark, and parents who absolutely did not have “The Talk” with us. We dig into how we pieced together our own sex education through rumors, paperbacks, health class scare tactics, and sheer survival,. You may recognize the funny (and sometimes unpleasant) experiences that followed, and why buying condoms felt like applying for federal clearance. PLUS we are open about flipping the script on how we're talking about sex with our own kids now. (Spoiler: less fear, more facts.) It's awkward. It's cathartic. It might make you text your therapist. But hey — at least we can finally talk about it. (although maybe not with our moms...)Episode linksWhy the Sex Talk with Kids Is a Myth (And What Works Better)History of Sex Education in the USHow AIDS Changed the History of Sex EducationThe History Behind Judy Blume's Most Controversial Novel, ForeverWhen Dr. Ruth Doled Out ‘80s-Era Sex AdviceRisky Busness Movie Train Scene“Where Did I Come From?” book“What's Happening to me?” book- Girls edition“What's Happening to me?” book- Boys edition“This is so awkwzrd: modern puberty explained” bookConnect with usSubscribe to GenX St

A single opportunity can change the trajectory of a child’s life. For girls in Uganda, that opportunity often begins with education. On the next Faith & Finance Live, Rob West and Aaron Griggs share how Cross International helps young women stay in school and pursue their God-given calling. Then, it’s on to your calls. That’s Faith and Finance Live . . . biblical wisdom for your financial decisions. That’s weekdays at 4pm Eastern/3pm Central on Moody Radio. Faith & Finance Live is a listener supported program on Moody Radio. To join our team of supporters, click here.To support the ministry of FaithFi, click here.To learn more about Rob West, click here.To learn more about Faith & Finance Live, click here.See omnystudio.com/listener for privacy information.

It's time for your favorite Zombie Movie Podcast, better known as Dead Man Still Walking — typically a solocast starring the inimitable Dr. Walking Dead Kyle Bishop! During this 59th edition of DMSW, Dr. Bishop is recording from inside a tent (in the late summer of 2025), participating in Girls' Camp! Hey, even if he's not the fastest or cleverest girl at Girls' Camp, he's always the prettiest! Nah, our dear professor is just a great dad and a salt-of-the-Earth individual who selflessly volunteers to chaperone and volunteer as "Bear Bait," in case the young teens are attacked in the wilderness of Utah. Kyle is so cool, he essentially recreates a "Dead Serious Horror Challenge" from the old HMP days and watches scary movies at night in his tent, movies that also occur out in the wilderness. Anywho, here in Dead Man Still Walking, Dr. Kyle William Bishop reviews a Netflix Original, Action Martial Arts / Science Fiction / Zombie flick from Thailand called Ziam (2025) — as in "Zombie Siam" or "Ziam." But using his technical definition, Dr. Bishop would not call "Ziam" much of a Horror movie, despite its zombie monsters because it has hardly any suspense or tension. It is mostly Action (with an empowered protagonist), which is not conducive to promoting fear within viewers. Even so, it's fun to hear Dr. Bishop talk about watching this film during his camping adventures. Listen! Note: This episode was recorded in August 2025. Also, to view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Seasons 1 and 2, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 23 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, X: @DrWalkingDead, BlueSky and Instagram (@DrWalkingDead). You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead's New Horror Movies on X: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

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Welcome back to The Viall Files: Reality Recap!  Today, we welcome the hilarious Danae Hays to get into life, love, and being the female Wayne's World. Later, we're joined by Natalie to talk about the most recent episode of Traitors, get into some RHOBH and Love Is Blind. And… are we missing anything?? OH YEAH, NICK AND NATALIE ARE HAVING TWIN GIRLS!!!!! You won't wanna miss it.  "There's no way she's going to date a girl who looks like Wayne's World."    BUY OUR LIMITED MERCH NOW: https://shop.viallfiles.com/password  The Viall Files is going LIVE with the new cast of Temptation Island on May 6th! Tickets are on sale NOW! For more information, please visit netflixisajokefest.com.    Want ad free episodes and incredible bonus content?  Start your 7 Day Free Trial of Viall Files + here: https://viallfiles.supportingcast.fm/    HEY! YOU! DO YOU NEED DATING AND RELATIONSHIP ADVICE?  Email asknick@theviallfiles.com and be a part of future Ask Nick episodes!   Subscribe to The ENVY Media Newsletter Today: https://www.viallfiles.com/newsletter    Listen to Humble Brag with Cynthia Bailey and Crystal Kung Minkoff now!  Listen on Apple: https://podcasts.apple.com/us/podcast/humble-brag-with-crystal-and-cynthia/id1774298881  Listen on Spotify: https://open.spotify.com/show/4NWA8LBk15l2u5tNQqDcOO?si=3b868996930347e8  Watch on YouTube: https://www.youtube.com/@humblebragpod   Listen To Disrespectfully with Katie Maloney and Dayna Kathan now! Listen on Apple: https://podcasts.apple.com/us/podcast/disrespectfully/id1516710301 Listen on Spotify: https://open.spotify.com/show/0J6DW1KeDX6SpoVEuQpl7z?si=c35995a56b8d4038 Watch on YouTube: https://www.youtube.com/channel/UCCh8MqSsiGkfJcWhkan0D0w To Order Nick's Book and/or learn more about the show, go to: https://viallfiles.com   THANK YOU TO OUR SPONSORS: Better Wild - Right now, Betterwild is offering our listeners up to 40% off your order at https://betterwild.com/viall  BetterHelp - Sign up and get 10% off at https://betterhelp.com/viall  Ollie - Celebrate your number one valentine, your greatest love, your dog! Head to https://ollie.com/viall, tell them all about your dog, and use code VIALL to get 60% off your Welcome Kit when you subscribe today! ShipStation -Try ShipStation free for sixty days with Full access to all features, No credit card needed! Go to https://shipstation.com and use code viall for 60 days for free! Little Spoon - Get 30% off your first online order at https://littlespoon.com/VIALL30 with code VIALL30. Hype and Vice - Go to https://hypeandvice.com and shop your team. Use code VIALL15 for 15% off your next order. ASPCA - To explore coverage, visit https://aspcapetinsurance.com/viall   To advertise on this podcast please email: ad-sales@libsyn.com or go to: https://advertising.libsyn.com/theviallfiles     Timestamps: 00:00 - Intro/Household Headlines 34:24 - Punch the Monkey 37:00 - LIB 53:34 - Danae Joins 1:27:40 - Natalie Joins 1:39:34 - Outro   Episode Socials: @viallfiles @nickviall @nnataliejjoy @danae.hays @natalieeand @ciaracrobinson @justinkaphillips @leahgsilberstein @the_mare_bare  

In this deeply grounding conversation, Sissy and David sit down with longtime mentor and educator Melissa Trevathan to talk about what kids need spiritually right now. Melissa shares that while children's core longings—to feel safe, loved, and significant—haven't changed, the intensity of anxiety and pressure has. She emphasizes that spiritual formation happens primarily through relationship, not instruction, and encourages parents to create safe, authentic spaces where kids can ask questions, wrestle with doubt, and experience God's grace rather than performance. From the power of storytelling and nature with younger kids to helping teens answer “Do I matter?” Resources mentioned: My First Message by Eugene Peterson . . . . . .  Sign up to receive the⁠ bi-⁠⁠⁠⁠⁠monthly newsletter⁠⁠⁠⁠⁠⁠ to keep up to date with where David and Sissy are speaking, where they are taco'ing, PLUS conversation starters for you and your family to share! Pre-order our new book, Capable and grab tickets for Capable - The Book Tour here! See our speaking dates, purchase books and check out our courses here.. . . . . .  If you would like to partner with Raising Boys and Girls as a podcast sponsor, fill out our⁠ ⁠⁠⁠⁠⁠Advertise With Us⁠⁠⁠⁠⁠⁠ form. QUINCE: Go to ⁠Quince.com/rbg⁠ for free shipping on your order and three hundred and sixty-five day returns. BOLL & BRANCH: Get 15% off plus free shipping on your first set of sheets at Bollandbranch.com/rbg⁠. Exclusions apply. ATHLETIC GREENS: Go to DRINKAG1.com/RBG to get their best offer… For a limited time only, get a FREE AG1 duffel bag and FREE AG1 Welcome Kit with your first subscription order! Only while supplies last. COOK UNITY: Go to cookunity.com/RBG or enter code RBG before checkout to get 50% off your first order. SETH AND THE VERY SCARY STORM: Go to https://tinyurl.com/RBGSethStorm to check out this Lifeway book. YARA THE BRAVE: Go to https://tinyurl.com/RBGYara to check out this Lifeway book. Learn more about your ad choices. Visit megaphone.fm/adchoices

And just when you thought we'd never discuss Girls again, here we are - it was a long hiatus, but we're back in Brooklyn and happy to be there. But before then, we catch up with Sam in the New York Snow Storm and try and remember exactly what happened on Paradise. And then we get into it all - Ray and Shosh's beautiful bond, Marnie's evolution, and the search of our queen Loreen. But, mostly, we're simply wondering why is Chris crying...

We both quit our sports despite being talented. Here's what girls actually need to stay in the game → https://trainhergame.com/momGirls are quitting sports at twice the rate of boys by age 14. But it's not about talent or access.The real reason? Mental game. Fear of judgment, anxiety, pressure to perform, low confidence.In this episode, my co-founder Kristina and I are sharing our personal stories about quitting our sports. Stories we don't usually tell.Kristina was a basketball starter who quit her senior year because she physically couldn't shoot anymore. Not because she lost her skills, but because she couldn't handle the pressure of standing out and the fear of friends getting mad at her for being too good.I turned down college volleyball offers after my senior year because the emotional cost felt unbearable. Between my parents' divorce and perfectionism, I felt like I was failing everyone no matter what I did.We both came back to our sports later. But we shouldn't have had to quit in the first place to find peace.That's why we built The Elite Competitor and the Play, Stay, Lead mission.What You'll Learn:✅ Why girls quit sports at twice the rate of boys (and it's not what you think)✅ The real reason talented athletes walk away from their sport✅ How mental game challenges show up (pressure to be invisible, perfectionism, anxiety)✅ What keeps girls in sports longer and turns them into confident leaders✅ The mission behind everything we do at The Elite Competitor

Today's conversation is one about history — but also about now. About 1968 and about 2026. About who gets control over their own body — and who never truly has. About the quiet, complicated ways parents try to protect their children, and the unintended harm that can hide inside "what's best." About the tension between safety and freedom. Between acceptance and autonomy. Between love and control. We're so excited to talk with a podcast favorite, Kate Schatz, about her new book Where The Girls Were, in today's episode, and we REALLY dive into everything we mentioned above, and more. If this resonates, please share - we think this is a book and conversation that everyone should be having and reading right now.  What to listen for:  How personal this topic is for Kate, and the return to her creative storytelling roots That each parent wants what's best for their children – and the ways that show up differently for each set of circumstances Zooming into a tiny nugget of a topic (birds) and out to a tremendously wide topic (abortion rights) What to do differently:  Grab this novel and discuss it with your book club Share this idea with your elders to see if they have any stories from their generation Talk with the younger generation about pregnancy, how the body works, different experiences people have accessing healthcare – anything to normalize these conversations so they don't feel as alone as the main character does in the novel!  About the author:  Kate Schatz is a feminist author from California. She's the New York Times bestselling author of Do the Work: An Anti-Racist Activity Book, with W. Kamau Bell, and the "Rad Women" book series (including Rad American Women A-Z, Rad Women Worldwide, and Rad American History A-Z). Her book of fiction, Rid of Me: A Story, was published as part of the cult-favorite 33 1/3 series.

After we share unhinged content in our Notes app, we discuss whether or not it matters why we sin. Join us! The post Does It Matter Why I Sin? appeared first on Sheologians.