Podcasts about Spencer Williams

In this episode of The Costume House with Spencer Williams, we're heading to the snowy wilderness of Teenage Sex and Death at Camp Miasma, where the temperatures are freezing, but the body count is anything but. Spencer is joined by costume designer Kendra Terpenning to dive into the costumes, characters, and beautiful carnage of this new film.Together, they explore the costume storylines behind Kris, played by Hannah Einbinder, and the absolutely fabulous Billy, played by Gillian Anderson. Kendra also shares what it was like collaborating with director Jane Schoenbrun, designing the terrifying slasher villain Little Death, and creating costumes that could survive a production filled with blood, mayhem, and more than a little flesh and fluid. Grab your shower emotional support shower curtain... It's a messy one!

In this episode of The Costume House with Spencer Williams, we're heading to the snowy wilderness of Teenage Sex and Death at Camp Miasma, where the temperatures are freezing, but the body count is anything but. Spencer is joined by costume designer Kendra Terpenning to dive into the costumes, characters, and beautiful carnage of this new film.Together, they explore the costume storylines behind Kris, played by Hannah Einbinder, and the absolutely fabulous Billy, played by Gillian Anderson. Kendra also shares what it was like collaborating with director Jane Schoenbrun, designing the terrifying slasher villain Little Death, and creating costumes that could survive a production filled with blood, mayhem, and more than a little flesh and fluid. Grab your shower emotional support shower curtain... It's a messy one!

In this episode of The Costume House with Spencer Williams, we return to New York's glittering Gilded Age for the third season of HBO's The Gilded Age with costume designer Kasia Walicka-Maimone.Spencer and Kasia dive into the season's most spectacular moments, beginning with the extraordinary, yet rather gloomy, wedding of Gladys Russell and Hector, the Duke of Buckingham. They explore the evolving visual language of Bertha Russell, played with impeccable glamour by Carrie Coon, the changing seasons of Manhattan, and how they shaped the costumes; and then, of course, there is Mrs. Astor, played by Donna Murphy, whose costumes prove that sometimes a look can kill without saying a word. From grand society weddings to icy social warfare, this conversation explores the meticulous artistry, historical detail, and sheer glamour that make The Gilded Age such a feast for costume lovers.

In this episode of The Costume House with Spencer Williams, we journey back to Westeros for a new chapter in the world of Game of Thrones. Spencer is joined by costume designer Lorna Ó Ríordáin to discuss A Knight of the Seven Kingdoms.Together, Spencer and Lorna explore the humble world of Ser Duncan the Tall, whose simple approach to knighthood is reflected in every worn and weathered detail of his costumes, while Egg embarks on a journey of disguise, transformation, and a rather complicated royal identity. They also discuss a truly memorable dance party led by Lyonel Baratheon, the many wealthy Targaryens who have no shortage of attitude, and the challenges of creating armor that has to survive the very glamorous realities of Westeros: mud, dirt, blood, and all sorts of nasty business.

In this episode of The Costume House with Spencer Williams, we journey back to Westeros for a new chapter in the world of Game of Thrones. Spencer is joined by costume designer Lorna Ó Ríordáin to discuss A Knight of the Seven Kingdoms.Together, Spencer and Lorna explore the humble world of Ser Duncan the Tall, whose simple approach to knighthood is reflected in every worn and weathered detail of his costumes, while Egg embarks on a journey of disguise, transformation, and a rather complicated royal identity. They also discuss a truly memorable dance party led by Lyonel Baratheon, the many wealthy Targaryens who have no shortage of attitude, and the challenges of creating armor that has to survive the very glamorous realities of Westeros: mud, dirt, blood, and all sorts of nasty business.

In this episode of The Costume House with Spencer Williams, we return to New York's glittering Gilded Age for the third season of HBO's The Gilded Age with costume designer Kasia Walicka-Maimone.Spencer and Kasia dive into the season's most spectacular moments, beginning with the extraordinary, yet rather gloomy, wedding of Gladys Russell and Hector, the Duke of Buckingham. They explore the evolving visual language of Bertha Russell, played with impeccable glamour by Carrie Coon, the changing seasons of Manhattan, and how they shaped the costumes; and then, of course, there is Mrs. Astor, played by Donna Murphy, whose costumes prove that sometimes a look can kill without saying a word. From grand society weddings to icy social warfare, this conversation explores the meticulous artistry, historical detail, and sheer glamour that make The Gilded Age such a feast for costume lovers.

In this episode of The Costume House with Spencer Williams, we're packing our bags and heading to Italy for the fifth season of Emily in Paris with costume designer Marylin Fitoussi.Spencer and Marylin discuss Emily's evolution into a more sophisticated, confident version of herself, and how her costumes reflect a woman who is finally beginning to know exactly who she is. They also dive into Mindy's unforgettable performance in a martini glass, the arrival of Minnie Driver as Princess Jane, and, of course, Spencer's enduring love for Sylvie.And then there is the Marcello Muratori fashion show, a spectacular celebration of Italian style that demands its own conversation. From polished tailoring and effortless glamour to bold theatrical moments, Marylin takes us through the costume design of a season that trades the Parisian streets for la dolce vita.

In this episode of The Costume House with Spencer Williams, we're packing our bags and heading to Italy for the fifth season of Emily in Paris with costume designer Marylin Fitoussi.Spencer and Marylin discuss Emily's evolution into a more sophisticated, confident version of herself, and how her costumes reflect a woman who is finally beginning to know exactly who she is. They also dive into Mindy's unforgettable performance in a martini glass, the arrival of Minnie Driver as Princess Jane, and, of course, Spencer's enduring love for Sylvie.And then there is the Marcello Muratori fashion show, a spectacular celebration of Italian style that demands its own conversation. From polished tailoring and effortless glamour to bold theatrical moments, Marylin takes us through the costume design of a season that trades the Parisian streets for la dolce vita.

In this episode of The Costume House with Spencer Williams, we enter the chilling world of Monster: The Ed Gein Story for a conversation with Corey Castellano, Makeup Department Head and Prosthetic Designer.Spencer and Corey dive into the remarkable transformation of Charlie Hunnam into the notorious Ed Gein, exploring how Corey's team approached creating a character audiences may already have a deeply ingrained image of. Together, they discuss how the prosthetic design evolved, the importance of finding the right balance between recognizable reality and the demands of the story, and the meticulous process of bringing such a haunting transformation to the screen.

Dearest gentle reader, this week on The Costume House with Spencer Williams, we return to the glittering world of the ton for a conversation with Nic Collins, Hair & Makeup Designer on Bridgerton.Spencer and Nic pull back the curtain on Violet Bridgerton's spectacular masquerade ball, where the hair and makeup are every bit as lavish as the gowns. Together, they explore the season's most extraordinary looks, including Queen Charlotte's elaborate caged crown, her seemingly endless armada of impeccable wigs, and the intricate hair designs created to complement the season's grand livery.They also discuss Sophie's more understated beauty, the ways hair can quietly reveal character, and the importance of texture in creating a world this rich with detail. From towering silhouettes to the smallest curl, every choice helps tell the story of the ton.

In this episode of The Costume House with Spencer Williams, we enter the chilling world of Monster: The Ed Gein Story for a conversation with Corey Castellano, Makeup Department Head and Prosthetic Designer.Spencer and Corey dive into the remarkable transformation of Charlie Hunnam into the notorious Ed Gein, exploring how Corey's team approached creating a character audiences may already have a deeply ingrained image of. Together, they discuss how the prosthetic design evolved, the importance of finding the right balance between recognizable reality and the demands of the story, and the meticulous process of bringing such a haunting transformation to the screen.

Dearest gentle reader, this week on The Costume House with Spencer Williams, we return to the glittering world of the ton for a conversation with Nic Collins, Hair & Makeup Designer on Bridgerton.Spencer and Nic pull back the curtain on Violet Bridgerton's spectacular masquerade ball, where the hair and makeup are every bit as lavish as the gowns. Together, they explore the season's most extraordinary looks, including Queen Charlotte's elaborate caged crown, her seemingly endless armada of impeccable wigs, and the intricate hair designs created to complement the season's grand livery.They also discuss Sophie's more understated beauty, the ways hair can quietly reveal character, and the importance of texture in creating a world this rich with detail. From towering silhouettes to the smallest curl, every choice helps tell the story of the ton.

In this episode of The Costume House with Spencer Williams, we return to the gothic halls of Nevermore Academy for a conversation with production designer Mark Scruton, the creative force behind the world of Wednesday.Spencer and Mark dive into the making of one of the season's most spectacular sequences: the Venetian Masquerade, including the extraordinary process of building a real canal and gondola so that Hester Frump could make her grand entrance in suitably spectacular fashion. They also discuss collaborating with legendary director Tim Burton, moving production from Romania to Dublin, and the challenges and opportunities that came with expanding the visual world of Wednesday.From gothic architecture and elaborate sets to the smallest details that shape a character's world, this conversation explores why production design is far more than simply creating a backdrop.

In this episode of The Costume House with Spencer Williams, we return to the gothic halls of Nevermore Academy for a conversation with production designer Mark Scruton, the creative force behind the world of Wednesday.Spencer and Mark dive into the making of one of the season's most spectacular sequences: the Venetian Masquerade, including the extraordinary process of building a real canal and gondola so that Hester Frump could make her grand entrance in suitably spectacular fashion. They also discuss collaborating with legendary director Tim Burton, moving production from Romania to Dublin, and the challenges and opportunities that came with expanding the visual world of Wednesday.From gothic architecture and elaborate sets to the smallest details that shape a character's world, this conversation explores why production design is far more than simply creating a backdrop.

In this episode of The Costume House with Spencer Williams, we step beyond costume design to explore another essential pillar of visual storytelling. Spencer is joined by legendary prosthetic makeup department head Barrie Gower to discuss the fifth and final season of Stranger Things.Together, they dive into the evolution of Vecna, exploring how the character's haunting design has transformed from Season 4 to Season 5. Barrie reflects on his recent Emmy nomination, his close collaboration with Jamie Campbell Bower, just how many prosthetic pieces it takes to build television's most terrifying villain, and how color palettes help shape the emotional language of the series.Along the way, Spencer can't resist venturing beyond the Upside Down to discuss Barrie's unforgettable work on Game of Thrones, making this a conversation that celebrates monsters, makeup, and the remarkable artistry behind some of modern fantasy's most iconic characters.

In this episode of The Costume House with Spencer Williams, we step beyond costume design to explore another essential pillar of visual storytelling. Spencer is joined by legendary prosthetic makeup department head Barrie Gower to discuss the fifth and final season of Stranger Things.Together, they dive into the evolution of Vecna, exploring how the character's haunting design has transformed from Season 4 to Season 5. Barrie reflects on his recent Emmy nomination, his close collaboration with Jamie Campbell Bower, just how many prosthetic pieces it takes to build television's most terrifying villain, and how color palettes help shape the emotional language of the series.Along the way, Spencer can't resist venturing beyond the Upside Down to discuss Barrie's unforgettable work on Game of Thrones, making this a conversation that celebrates monsters, makeup, and the remarkable artistry behind some of modern fantasy's most iconic characters.

In this episode of The Costume House with Spencer Williams, we journey to New Vegas and the post-apocalyptic world of Fallout for a conversation with costume designer Dayna Pink and key background costumer Christopher Lawrence.Together, they explore the incredible worldbuilding that makes Fallout feel so richly lived in, diving into the collaborative process of designing the series' vast population of background characters. From Caesar's Legion and the NCR to the many survivors of the New Vegas wasteland, merchants, raiders, and every unforgettable face in between, Dayna and Christopher discuss how each costume was crafted to tell its own story, creating a world where every character feels like the hero of their own adventure.

In this episode of The Costume House with Spencer Williams, we journey to New Vegas and the post-apocalyptic world of Fallout for a conversation with costume designer Dayna Pink and key background costumer Christopher Lawrence.Together, they explore the incredible worldbuilding that makes Fallout feel so richly lived in, diving into the collaborative process of designing the series' vast population of background characters. From Caesar's Legion and the NCR to the many survivors of the New Vegas wasteland, merchants, raiders, and every unforgettable face in between, Dayna and Christopher discuss how each costume was crafted to tell its own story, creating a world where every character feels like the hero of their own adventure.

In this episode of The Costume House with Spencer Williams, we're to the wonderfully ridiculous world of Scary Movie with costume designer Ariyela Wald-Cohain, who joins Spencer to discuss the long-awaited sixth installment of the iconic horror-comedy franchise.Together, they dive into the return of fan favorites Cindy and Brenda, exploring how their new survivor-inspired costumes reflect everything they've endured over the years. They also discuss reimagining the instantly recognizable Ghostface costume, dressing Teyana Taylor for the film's unforgettable cold open, and bringing to life one of the movie's biggest costume spectacles: a subway packed with your favorite horror icons.

In this episode of The Costume House with Spencer Williams, we're to the wonderfully ridiculous world of Scary Movie with costume designer Ariyela Wald-Cohain, who joins Spencer to discuss the long-awaited sixth installment of the iconic horror-comedy franchise.Together, they dive into the return of fan favorites Cindy and Brenda, exploring how their new survivor-inspired costumes reflect everything they've endured over the years. They also discuss reimagining the instantly recognizable Ghostface costume, dressing Teyana Taylor for the film's unforgettable cold open, and bringing to life one of the movie's biggest costume spectacles: a subway packed with your favorite horror icons.

In this episode of The Costume House with Spencer Williams, we step beyond the screen and into the pages of Bending the Rules: Fashion Beyond the Binary with celebrated costume designer Camille Benda and illustrator, fashion historian, and culture specialist Gwyn Conaway.Together, Spencer, Camille, and Gwyn explore the fascinating relationship between fashion, identity, and self-expression across cultures and throughout history. Drawing from the book's rich collection of essays, interviews, and visual storytelling, the conversation examines how clothing has long challenged conventions, reflected cultural change, and expanded our understanding of gender through dress.Along the way, they discuss unforgettable examples from film and costume design, including Sally Potter's Orlando and the Academy Award-winning costumes of Sandy Powell, the futuristic world of The Fifth Element, and the enduring style of Grease through the work of legendary costume designer Albert Wolsky. Thoughtful, insightful, and endlessly fascinating, this conversation celebrates fashion as one of our most powerful forms of storytelling.

In this episode of The Costume House with Spencer Williams, we step beyond the screen and into the pages of Bending the Rules: Fashion Beyond the Binary with celebrated costume designer Camille Benda and illustrator, fashion historian, and culture specialist Gwyn Conaway.Together, Spencer, Camille, and Gwyn explore the fascinating relationship between fashion, identity, and self-expression across cultures and throughout history. Drawing from the book's rich collection of essays, interviews, and visual storytelling, the conversation examines how clothing has long challenged conventions, reflected cultural change, and expanded our understanding of gender through dress.Along the way, they discuss unforgettable examples from film and costume design, including Sally Potter's Orlando and the Academy Award-winning costumes of Sandy Powell, the futuristic world of The Fifth Element, and the enduring style of Grease through the work of legendary costume designer Albert Wolsky. Thoughtful, insightful, and endlessly fascinating, this conversation celebrates fashion as one of our most powerful forms of storytelling.

As we count down to San Diego Comic-Con, there's no better time to celebrate the incredible creativity of cosplay. In this episode of The Costume House with Spencer Williams, Spencer is joined by Ana Crimmel, winner of the 2026 WonderCon Masquerade Oksana Shore Award for Excellence in Craftsmanship.Together, they discuss Ana's award-winning Scarlet Witch: Hellfire Gala cosplay, the months of research, design, and craftsmanship that brought the look to life, and the unforgettable moment they were announced as this year's recipient of one of cosplay's highest honors. They also reflect on Ana's journey into cosplay, the joy of creating costumes by hand, and what it means to share that work with a community that celebrates creativity in all its forms.Whether you're a seasoned cosplayer or thinking about attending your very first convention, Ana offers thoughtful advice for aspiring creators looking to take the leap, enter a masquerade competition, or simply begin building the costume of their dreams.

As we count down to San Diego Comic-Con, there's no better time to celebrate the incredible creativity of cosplay. In this episode of The Costume House with Spencer Williams, Spencer is joined by Ana Crimmel, winner of the 2026 WonderCon Masquerade Oksana Shore Award for Excellence in Craftsmanship.Together, they discuss Ana's award-winning Scarlet Witch: Hellfire Gala cosplay, the months of research, design, and craftsmanship that brought the look to life, and the unforgettable moment they were announced as this year's recipient of one of cosplay's highest honors. They also reflect on Ana's journey into cosplay, the joy of creating costumes by hand, and what it means to share that work with a community that celebrates creativity in all its forms.Whether you're a seasoned cosplayer or thinking about attending your very first convention, Ana offers thoughtful advice for aspiring creators looking to take the leap, enter a masquerade competition, or simply begin building the costume of their dreams.

Subscribe today for access to our full catalog of bonus episodes, including 2+ new episodes every month! $5 pledge gets you bonus episodes and $20 enters you in our monthly handmade DVD mailing program "Bootleg Bible Study"!   http://patreon.com/boysbiblestudy   This historically important film with an all black cast takes a unique narrative approach in its depiction of the Christian afterlife. THE BLOOD OF JESUS was directed by Spencer Williams, an accomplished black actor and filmmaker with a prolific media career in the 1920s-40s before starring in the television adaptation of AMOS 'N' ANDY. The highly-rated show featured black actors in starring roles, but was eventually cancelled in part due to pressure from the NAACP objecting to its stereotypical depictions of African-Americans. Nonetheless, Spencer Williams should be considered a trailblazer in black American media. In fact, THE BLOOD OF JESUS could be considered the most commercially successful "race film" (low budget independent films meant for black audiences at segregated movie theaters). Watching today, it's easy to understand why it was a success, because even 85 years later, the film's confident narrative and resourceful low budget effects make it engaging. Williams also stars in the film in addition to writing and directing; his character Ras Jackson is a spiritually apathetic man who undergoes a transformation when, returning from a hunting trip, he accidentally shoots his wife Martha, a recent and enthusiastic convert to Christianity. Most of the action depicts Martha's soul retrieved by angels and forging a path to the afterlife. THE BLOOD OF JESUS is refreshingly different from almost every other Christian film we've watched because it portrays the path from death to heaven as a purgatory-like obstacle course where dream logic reigns and the deceased Christian has one more chance to succeed or fail at getting to the gates of Zion. Most Christian films portray deliverance or damnation as instant — say the wrong words before death, and you're plummeted to hell. THE BLOOD OF JESUS is a way more forgiving and imaginative take on the trope. Scored by recordings of a black choir singing hymns and spirituals, the film is evocative and atmospheric, capturing a period of black American history with the confidence of a media craftsman. It's a rewarding and essential watch for anyone interested in film history, black history, or religious studies. View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy

In this episode of The Costume House with Spencer Williams, we journey back to the Continent for a conversation about the fourth season of The Witcher. Spencer is joined by costume designer Lucinda Wright to discuss the next chapter of the beloved fantasy series, including the arrival of Liam Hemsworth as Geralt of Rivia. Together, they explore how Geralt's iconic look evolved to reflect a new interpretation while remaining true to the character fans know and love. They also dive into Ciri's journey with The Rats, the ever-evolving costumes of Yennefer, and the ways her life of magic and sorcery influenced the visual language of her costumes. Throughout the conversation, Lucinda shares how fabrics, textures, and textiles serve as essential storytelling tools, helping define the cultures, histories, and characters that inhabit the world of The Witcher.

In this episode of The Costume House with Spencer Williams, we journey back to the Continent for a conversation about the fourth season of The Witcher. Spencer is joined by costume designer Lucinda Wright to discuss the next chapter of the beloved fantasy series, including the arrival of Liam Hemsworth as Geralt of Rivia. Together, they explore how Geralt's iconic look evolved to reflect a new interpretation while remaining true to the character fans know and love. They also dive into Ciri's journey with The Rats, the ever-evolving costumes of Yennefer, and the ways her life of magic and sorcery influenced the visual language of her costumes. Throughout the conversation, Lucinda shares how fabrics, textures, and textiles serve as essential storytelling tools, helping define the cultures, histories, and characters that inhabit the world of The Witcher.

Dearest gentle reader, this week on The Costume House with Spencer Williams, we return to the ton for a conversation about the dazzling fourth season of Bridgerton.Spencer is joined by costume designer John Glaser to discuss the season's newest romantic pairing, Benedict Bridgerton and Sophie Baek, and the costumes that bring their story to life. Together, they explore the visual evolution of the series, the breathtaking scale of the season's grand Bridgerton Ball, and the countless costumes required to transform every dance, promenade, and scandal into must-see television.Along the way, they discuss a moment years in the making: the first appearance of a color once thought unthinkable in the world of Bridgerton... black. Plus, the dramatic return of Cressida Cowper proves that some entrances are simply too good to stay gone.

Dearest gentle reader, this week on The Costume House with Spencer Williams, we return to the ton for a conversation about the dazzling fourth season of Bridgerton.Spencer is joined by costume designer John Glaser to discuss the season's newest romantic pairing, Benedict Bridgerton and Sophie Baek, and the costumes that bring their story to life. Together, they explore the visual evolution of the series, the breathtaking scale of the season's grand Bridgerton Ball, and the countless costumes required to transform every dance, promenade, and scandal into must-see television.Along the way, they discuss a moment years in the making: the first appearance of a color once thought unthinkable in the world of Bridgerton... black. Plus, the dramatic return of Cressida Cowper proves that some entrances are simply too good to stay gone.

In this episode of The Costume House with Spencer Williams, we step into the black-and-white world of Spider-Noir, where smoky nightclubs, masked vigilantes, and sinister secrets collide in a stylish reimagining of New York City.Spencer is joined by costume designer Trayce Gigi Field to explore the striking visual world of the series and the unique challenge of designing costumes intended to be filmed for both black-and-white and color. Together, they discuss drawing inspiration from the golden age of film noir, channeling the iconic style of legends like Humphrey Bogart and Marlene Dietrich, collaborating with Nicolas Cage, and creating the unforgettable gowns worn by Kat Hardy.From private investigators and femme fatales to a rogues' gallery of sinister villains, this conversation uncovers the textures, silhouettes, and cinematic influences that bring Spider-Noir to life. Stylish, mysterious, and cloaked in shadow, this conversation explores a world where every costume leaves a clue, and nobody is quite what they seem.

In this episode of The Costume House with Spencer Williams, we step into the black-and-white world of Spider-Noir, where smoky nightclubs, masked vigilantes, and sinister secrets collide in a stylish reimagining of New York City.Spencer is joined by costume designer Trayce Gigi Field to explore the striking visual world of the series and the unique challenge of designing costumes intended to be filmed for both black-and-white and color. Together, they discuss drawing inspiration from the golden age of film noir, channeling the iconic style of legends like Humphrey Bogart and Marlene Dietrich, collaborating with Nicolas Cage, and creating the unforgettable gowns worn by Kat Hardy.From private investigators and femme fatales to a rogues' gallery of sinister villains, this conversation uncovers the textures, silhouettes, and cinematic influences that bring Spider-Noir to life. Stylish, mysterious, and cloaked in shadow, this conversation explores a world where every costume leaves a clue, and nobody is quite what they seem.

In this episode of The Costume House with Spencer Williams, we return to the halls of Nevermore Academy for a conversation with one of the most celebrated costume designers working today, Colleen Atwood.Fresh off the second season of Wednesday, Colleen joins Spencer to discuss the continued evolution of Wednesday Addams as she spends considerably more time investigating crime scenes than attending class. Together, they explore Morticia's elevated new costumes as Nevermore's gala chair, the arrival of the unforgettable Hester Frump, a ghostly appearance from Lady Gaga, and a few surprising nods that may stir memories of The Silence of the Lambs.From gothic glamour and family legacies to mystery, mayhem, and one gala episode that nearly sent Spencer into cardiac arrest, this conversation dives into the deliciously macabre details behind one of television's most visually distinctive worlds.

In this episode of The Costume House with Spencer Williams, we return to the halls of Nevermore Academy for a conversation with one of the most celebrated costume designers working today, Colleen Atwood.Fresh off the second season of Wednesday, Colleen joins Spencer to discuss the continued evolution of Wednesday Addams as she spends considerably more time investigating crime scenes than attending class. Together, they explore Morticia's elevated new costumes as Nevermore's gala chair, the arrival of the unforgettable Hester Frump, a ghostly appearance from Lady Gaga, and a few surprising nods that may stir memories of The Silence of the Lambs.From gothic glamour and family legacies to mystery, mayhem, and one gala episode that nearly sent Spencer into cardiac arrest, this conversation dives into the deliciously macabre details behind one of television's most visually distinctive worlds.

In this episode of The Costume House with Spencer Williams (The Art of Costume Podcast bonus episode), we head to the City of Angels for a conversation about one of television's most authentic love letters to Los Angeles: I Love LA. Spencer is joined by returning friend of the podcast and costume designer Christina Flannery. Together, they explore how Christina brought a distinctly Los Angeles authenticity to the screen, from Y2K-inspired fashion and vintage treasures to the subtle details that make the city feel instantly recognizable. Along the way, they discuss collaborating with Rachel Sennott, hunting for the perfect pieces at some of Christina's favorite vintage spots, navigating the uniquely chaotic culture of Trader Joe's parking lots, dressing an alien pop star, and crafting the memorable New York City finale.

In this episode of The Costume House with Spencer Williams (The Art of Costume Podcast bonus episode), we head to the City of Angels for a conversation about one of television's most authentic love letters to Los Angeles: I Love LA. Spencer is joined by returning friend of the podcast and costume designer Christina Flannery. Together, they explore how Christina brought a distinctly Los Angeles authenticity to the screen, from Y2K-inspired fashion and vintage treasures to the subtle details that make the city feel instantly recognizable. Along the way, they discuss collaborating with Rachel Sennott, hunting for the perfect pieces at some of Christina's favorite vintage spots, navigating the uniquely chaotic culture of Trader Joe's parking lots, dressing an alien pop star, and crafting the memorable New York City finale.

In this episode of The Costume House with Spencer Williams, we step onto one of the most legendary stages in the world, the Metropolitan Opera, for a breathtaking new production of Tristan und Isolde.Spencer is joined by acclaimed costume designer Clint Ramos to discuss his work on this towering operatic masterpiece. Together, they explore how color, texture, and scale shape the production's emotional landscape, from Tristan's deep connection to the sea to Isolde's striking presence in rich, evocative greens. They also examine how the costumes interact with the Met's grand stage, working in harmony with the movement of the set and the precision of the lighting to create a world that feels both monumental and intimately detailed, even through the Met's HD Live series.The conversation also dives into Clint's perspective as both a costume and set designer, and how that interdisciplinary approach informs his process. From the commanding presence of King Marke to the powerful and intentional use of white as a visual anchor, this episode is a masterclass in storytelling through costume at the highest level.

In this episode of The Costume House with Spencer Williams, we step onto one of the most legendary stages in the world, the Metropolitan Opera, for a breathtaking new production of Tristan und Isolde.Spencer is joined by acclaimed costume designer Clint Ramos to discuss his work on this towering operatic masterpiece. Together, they explore how color, texture, and scale shape the production's emotional landscape, from Tristan's deep connection to the sea to Isolde's striking presence in rich, evocative greens. They also examine how the costumes interact with the Met's grand stage, working in harmony with the movement of the set and the precision of the lighting to create a world that feels both monumental and intimately detailed, even through the Met's HD Live series.The conversation also dives into Clint's perspective as both a costume and set designer, and how that interdisciplinary approach informs his process. From the commanding presence of King Marke to the powerful and intentional use of white as a visual anchor, this episode is a masterclass in storytelling through costume at the highest level.

In this episode of The Costume House with Spencer Williams, we journey to the shores of the new film, The Bluff.Spencer is joined by returning guest of the podcast, costume designer Antoinette Messam. Set against the backdrop of a Caribbean island under siege, The Bluff follows a woman whose hidden past resurfaces as a ruthless crew of pirates arrives—sparking a powerful story of identity, resilience, and confrontation.Together, they explore the rich research that shaped the film's distinct visual worlds, from the clothing of the island's community to the striking, weathered looks of the pirate crew. From the commanding presence of Bloody Mary's cuirass to the way blood, salt, and sand transform the costumes on screen, this conversation dives into the textures and elements that define the film's aesthetic. And yes—there's also a red carpet moment that every costume nerd will appreciate.

In this episode of The Costume House with Spencer Williams, we journey to the shores of the new film, The Bluff.Spencer is joined by returning guest of the podcast, costume designer Antoinette Messam. Set against the backdrop of a Caribbean island under siege, The Bluff follows a woman whose hidden past resurfaces as a ruthless crew of pirates arrives—sparking a powerful story of identity, resilience, and confrontation.Together, they explore the rich research that shaped the film's distinct visual worlds, from the clothing of the island's community to the striking, weathered looks of the pirate crew. From the commanding presence of Bloody Mary's cuirass to the way blood, salt, and sand transform the costumes on screen, this conversation dives into the textures and elements that define the film's aesthetic. And yes—there's also a red carpet moment that every costume nerd will appreciate.

In a first for The Art of Costume, this episode of The Costume House with Spencer Williams steps beyond costume design and into a larger conversation about filmmaking itself.Spencer is joined by directors and writers Alexandre Singh and Natalie Musteata, the visionary duo behind the 2026 Academy Award–nominated short film Two People Exchanging Saliva. Set in a surreal society where kissing is punishable by death and goods are purchased with slaps to the face, the film follows Angine, a woman navigating desire, repression, and absurd social rituals within the fluorescent aisles of a department store. Together, they explore the film's layered metaphors of intimacy, desire, identity, and repression, unpacking the surreal systems that govern this meticulously constructed world. From production design and visual references to the crucial role costume plays in shaping character and psychology, the conversation reveals how every aesthetic choice sharpens the film's biting social commentary. Sharp, strange, and deeply intentional, this conversation opens The Costume House to a broader creative lens—one where every detail matters. Watch "Two People Exchanging Saliva" at this link: https://youtu.be/RuOEEu--j2Y?si=5hcg-kKQDxO_wQqn

In a first for The Art of Costume, this episode of The Costume House with Spencer Williams steps beyond costume design and into a larger conversation about filmmaking itself.Spencer is joined by directors and writers Alexandre Singh and Natalie Musteata, the visionary duo behind the 2026 Academy Award–nominated short film Two People Exchanging Saliva. Set in a surreal society where kissing is punishable by death and goods are purchased with slaps to the face, the film follows Angine, a woman navigating desire, repression, and absurd social rituals within the fluorescent aisles of a department store. Together, they explore the film's layered metaphors of intimacy, desire, identity, and repression, unpacking the surreal systems that govern this meticulously constructed world. From production design and visual references to the crucial role costume plays in shaping character and psychology, the conversation reveals how every aesthetic choice sharpens the film's biting social commentary. Sharp, strange, and deeply intentional, this conversation opens The Costume House to a broader creative lens—one where every detail matters. Watch "Two People Exchanging Saliva" at this link: https://youtu.be/RuOEEu--j2Y?si=5hcg-kKQDxO_wQqn

In this episode of The Costume House with Spencer Williams, the doors open wide for a true legend of costume design—Jenny Beavan.The conversation begins with The Choral, Jenny's latest collaboration with director Nicholas Hytner, where she discusses crafting costumes that balance character, history, and emotional precision. But when you sit down with an icon, the conversation doesn't stop there. Spencer and Jenny also reflect on her extraordinary career, revisiting some of her most beloved and influential work including the Mad Max films, Cruella, A Room with a View, Ever After: A Cinderella Story, and more.Thoughtful, funny, and deeply inspiring, this episode is both a masterclass in costume storytelling and a celebration of a designer whose work continues to shape how we see film, character, and style.

In this episode of The Costume House with Spencer Williams, the doors open wide for a true legend of costume design—Jenny Beavan.The conversation begins with The Choral, Jenny's latest collaboration with director Nicholas Hytner, where she discusses crafting costumes that balance character, history, and emotional precision. But when you sit down with an icon, the conversation doesn't stop there. Spencer and Jenny also reflect on her extraordinary career, revisiting some of her most beloved and influential work including the Mad Max films, Cruella, A Room with a View, Ever After: A Cinderella Story, and more.Thoughtful, funny, and deeply inspiring, this episode is both a masterclass in costume storytelling and a celebration of a designer whose work continues to shape how we see film, character, and style.

You know full well that I am a dog lover, and I know that many of you are dog lovers, or just pet lovers in general. They are our family, and much like humans, our domesticated pets have a pretty big impact on our planet and the environment around us. Think about walking into a store like PetSmart, or even your local pet store, there are aisles and shelves lined with single use toys, plastic bones, and items destined for one use just destined for the landfill. But that's not all, we've done several dog related episodes including one on the impact of our pet's waste and another on pet food and the reliance on high impact meats. I'll link both episodes in the description below. Episode 39: Benefits of Insect Proteins for Us, Our Pets, and Our Planet (https://podcasts.apple.com/us/podcast/outdoor-minimalist/id1586174667?i=1000565326336)Episode 112: Does It Matter If I Pick Up My Dog's Poop or Not? (https://podcasts.apple.com/us/podcast/outdoor-minimalist/id1586174667?i=1000634653124)So, today, we are looking at the industry as a whole. Why it is the way it is, and what some within the industry are working to change. Joining me to share his experience and expertise is Spencer Williams, the CEO and owner of WestPaw.A fifth-generation Montanan, Spencer grew up on a ranch near Columbus. His love for his home state and its pristine beauty, led Williams back to Montana after receiving a bachelor's degree in German from Middlebury College in Vermont. Since 1996, Williams has grown the Bozeman, Montana-based West Paw into a world-class manufacturer of eco-friendly pet toys and treats. West Paw's products are sold in over 7,500 U.S. retailers and in over 45 countries. From its start, the company has focused on environmentally friendly business methods and product materials, including recycled, recyclable, regenerative and organic materials. Spencer is a founding board member and past board chair of the Pet Sustainability Coalition. West Paw became the first pet product manufacturer to become a certified B Corp and in 2015 became Montana's first Benefit Corporation. Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/outdoor.minimalist.book/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.theoutdoorminimalist.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@theoutdoorminimalistBuy Me a Coffee: ⁠⁠⁠https://buymeacoffee.com/outdoorminimalist⁠⁠⁠Listener Survey: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://forms.gle/jd8UCN2LL3AQst976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠------------------West PawWebsite: https://www.westpaw.com/YouTube: http://youtube.com/c/westpawInstagram: https://www.instagram.com/westpawUSCradle to Cradle Book: https://mcdonough.com/cradle-to-cradle/Pet Sustainabilty Coalition: https://petsustainability.org/

In this episode of The Costume House with Spencer Williams, we take a joyride straight into the post-apocalyptic mayhem of Twisted Metal (S2).Spencer is joined by costume designer Elisabeth Vastola, whose work on the series recently earned her a CAFTCAD Award nomination for International Costume Design for Television – Made in Canada. A lifelong gamer and longtime fan of the franchise, Spencer dives headfirst into this wildly chaotic world with Liz, unpacking how she expanded the visual universe in Season Two—from evolving fan-favorite characters like Sweet Tooth and Quiet to designing the larger-than-life costumes for the Twisted Metal Tournament itself.Fast, fearless, and darkly hilarious, this conversation explores how costume design helps build character, tone, and spectacle in a world where survival, style, and destruction go hand in hand.

In this episode of The Costume House with Spencer Williams, we take a joyride straight into the post-apocalyptic mayhem of Twisted Metal (S2).Spencer is joined by costume designer Elisabeth Vastola, whose work on the series recently earned her a CAFTCAD Award nomination for International Costume Design for Television – Made in Canada. A lifelong gamer and longtime fan of the franchise, Spencer dives headfirst into this wildly chaotic world with Liz, unpacking how she expanded the visual universe in Season Two—from evolving fan-favorite characters like Sweet Tooth and Quiet to designing the larger-than-life costumes for the Twisted Metal Tournament itself.Fast, fearless, and darkly hilarious, this conversation explores how costume design helps build character, tone, and spectacle in a world where survival, style, and destruction go hand in hand.

In this episode of The Costume House, host Spencer Williams returns to the Grid with costume designer Christine Bieselin Clark, the creative force behind the haunting light suits and digital armor of Tron: Ares. Together, Spencer and Christine dive into how costume technology has advanced since Tron: Legacy, how she helped define the distinct visual language of the Dillinger Grid versus the ENCOM Grid, and the emotional weight behind designing for that pivotal scene with Jeff Bridges. They also unpack the process of creating the formidable, intimidating suits for Ares and Athena, worn by Jared Leto and Jodie Turner-Smith, balancing power, silhouette, and light in a world where costume is identity.----Christine Clark on Instagram: ⁠@christineclarkdesignSpencer Williams on Instagram: ⁠@hautespencer⁠Watch The Costume House with Spencer Williams now on YouTube.

In this episode of The Costume House, host Spencer Williams returns to the Grid with costume designer Christine Bieselin Clark, the creative force behind the haunting light suits and digital armor of Tron: Ares. Together, Spencer and Christine dive into how costume technology has advanced since Tron: Legacy, how she helped define the distinct visual language of the Dillinger Grid versus the ENCOM Grid, and the emotional weight behind designing for that pivotal scene with Jeff Bridges. They also unpack the process of creating the formidable, intimidating suits for Ares and Athena, worn by Jared Leto and Jodie Turner-Smith, balancing power, silhouette, and light in a world where costume is identity.----Christine Clark on Instagram: ⁠@christineclarkdesignSpencer Williams on Instagram: ⁠@hautespencer⁠Watch The Costume House with Spencer Williams now on YouTube.

In this episode of The Costume House, Spencer Williams steps into the dazzling world of Broadway with none other than world-renowned designer Christian Cowan. Known for dressing icons like Beyoncé, Lady Gaga, Miley Cyrus, and Zendaya, Christian makes his Broadway costume design debut with The Queen of Versailles.Spencer and Christian explore how he transitioned from the runway to the stage, what first drew him to the world of theater, and how he captured the spectacle, ambition, and unapologetic glamour of Jackie Siegel's world. Christian opens up about building the show's visual identity, crafting a larger-than-life Jackie for Kristin Chenoweth, and diving deep into historical silhouettes that would make any costume lover swoon.From the breathtaking Marie Antoinette gown adorned with hand-made silk flowers to the striking lilac python-skin dress, Christian breaks down the textures, textiles, and meticulous craftsmanship that shaped The Queen of Versailles into a feast of fashion, storytelling, and theatrical extravagance.-------The Queen of Versailles" is playing now through December 21, 2025 at the St. James Theatre. Head to queenofversaillesmusical.com to get your tickets now!

In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4