Podcasts about Fender

251 - Ben Brandt In episode 251 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host, James Patrick Regan speaks with guitarist Ben Brandt. In their conversation Ben tells us about his 1962 ES 335 and his recent move to Nashville from Pennsylvania after commuting for a few years. Ben discusses his previous band “Soul Miners Union” and working with guitarist Josh Smith. Ben talks us about his new album “Solid Ground” which will be released March 20th, that was produced by J.D. Simo who also plays on the album. Ben describes learning guitar from his father early on and playing in bands starting at age 10 and moving to drums and bass before returning to guitar. Ben takes us through his gear amps pedals and guitars both on the new album and his live rig. Ben describes his plans for touring in the summer and fall and his love of guitar shows. To find out more about Ben you can go to his website: benjbrandt.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #BenBrandt #JoshSmith #JDSimo #SoulMinersUnion #SolidGround #Nashville #ElderlyInstruments #GibsonGuitar #JamesPatrickRegan #theDeadlies #DRZamps#haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

Those chance encounters with someone you're interested in that fail to turn into something more. It's the weird, the wild, and the desperate… it's Missed Connections!

- 2/25/26-Chuck Talks About The News!Fender benders, exhibits, jugging, feet picsAnd Much More On This Episode Of Casually Uncomfortable, News Edition!Call the showhttps://www.speakpipe.com/CasuallyUncomfortable

250 - Luke Winslow-King In episode 250 of Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/songwriter Luke Winslow-King. Luke joins us from his home in Spain. In their conversation Luke shares with us what life is like in Spain and he tells us about his experiences busking in Europe and dealing with Gypsies and his experiences with his band in Europe. Luke talks about living in New Orleans previously and going to the university of New Orleans and busking there as well with a group of musicians known as the “Loose Marbles” that eventually became Tuna Skinny, Hooray for the Riff Raff as well as members of Luke's band. Luke describes his gear including a resonator that he's had since 2001 and the rest of his gear and a shoutout to his home music store Elderly Instruments. Luke discusses his early touring experiences with a group of friends following a book by Pete Seeger of Woody Guthrie songs called “California to the New York Islands” Luke describes his current tour schedule traveling throughout Europe and the US and talks about his band, both in Europe and the US and he gives us insight into booking in Europe. Luke tells us about his new record “Coast of Light” his ninth album and he describes his musical education. Luke discusses his future, recording an album with “Little Freddie King” and another album for himself. To find out more about Luke you can go to his website: lukewinslowking.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #LukeWinslowKing #LittleFreddieKing #CoastofLight #BuskinginEurope #NewOrleans #TubaSkinny #hoorayfortheriffraff #ElderlyInstruments #resonatorguitars #GibsonGuitar #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

249 - the Sky Chiefs - Stephen McCarthy (The Long Ryders, The Jayhawks) and Kevin Pittman (The Dads) In episode 249 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine,host James Patrick Regan speaks with the Sky Chiefs, who are Stephen McCarthy from The Long Ryders and The Jayhawks and Kevin Pittman who's put out two solo albums and also was in The Dads. In their conversation Kevin gives us a little bit of his history and then Stephen joins and we discuss the “Sky Chiefs” debut album and how it was recorded and produce 36 years ago and the Personel on the album and they take us through the musical styles on the album. Stephen tells us about his time in California playing with the Long Ryders The two tell us how they met while Kevin was in a band called “the Dads” and moved from LA to back to Richmond, VA. Stephen talks about his main guitar a tele style guitar with a b-bender “string bender” installed by Gene Parsons, the inventor of the string bender Gene is interviewed in episode 117 of this podcast. The two both tell us about the gear not just for the album but also what they're using now. Stephen discusses seeing Danny Gatton play many times early on. The two describe the few shows they did 36 years ago and they talk about plans for shows upcoming and discuss the support they're receiving from Sirius/XM's Outlaw Country. The two talk about a new album and the work they are doing separately, Stephen with a new Long Ryders album coming up (Stephen gives us a little bit of the Long Ryders history and logistics for an upcoming tour) and he tells us about his tour work with the Jayhawks. The two talk about the Palomino club in LA and encounters with Nudie Cohen at his shop. To find out more about Stephen and Kevin”s album you can go to their website: theskychiefs.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #theSkyChiefs #StephenMcCarthy #KevinPittman #theLongRyders #theJayhawks #BBender #StringBender #TheDads #JamesPatrickRegan #GeneParsons #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Download Link

Jason Noel, founder of Fat Fender Garage in Gilbert, Arizona, joins us this week with a story that's less about horsepower at the beginning — and more about perseverance. Jason didn't grow up chasing race cars. He was a finish carpenter by trade, building doors and crown molding before the 2008 housing collapse wiped out his business and forced a complete reset. What came next wasn't a hobby gone wild — it was a deliberate rebuild. One old truck led to another, then to customer builds, then to something much bigger than he ever planned. Today, Fat Fender Garage is a full-scale restoration shop specializing in classic Ford and Chevy trucks, known especially for early Ford F-100s and modern Coyote swaps. Along the way, Jason learned that if he wanted the quality and timelines his customers expected, he'd have to take control of the process. That meant bringing paint, upholstery, parts manufacturing, and now even chassis production in-house. What started as flipping a few trucks for fun has grown into a 75-person operation building high-end custom vehicles and engineered components designed to compete at the top of the industry. In this episode, Jason shares the hard lessons from early customer builds, the philosophy behind vertical integration, why he chose to compete directly with established chassis manufacturers, and how telling the real story — wins and failures alike — became the backbone of Fat Fender's marketing success. If you're into classic trucks, modern restomods, or the realities of scaling a business in the automotive aftermarket, this is a conversation you won't want to miss. The post TMCP #639: Jason Noel – Fat Fender Garage, The 20-Year Overnight Success first appeared on The Muscle Car Place.

We went behind the scenes at Gruhn Guitars in Nashville for a tour of the 'Tele Vault' with legendary vintage archivist and researcher Joe Spann.We aren't just looking at vintage guitars; we're looking at the DNA of the Fender company. Joe walks us through the history and technical specs of some of the most significant instruments on the planet, including George Fullerton's personal 1949 prototype, a guitar that predates the Broadcaster and Telecaster as we know it.The Lineup:1949 Fender Prototype: George Fullerton's personal guitar.1951 Nocaster: The bridge between the Broadcaster and the Telecaster.1963 Custom Esquire: A minimalist masterpiece in rare Custom trim.1967 Custom Telecaster: Featuring a rare factory-installed Bigsby.1967 Telecaster: A pristine late-60s classic.Massive thanks to Joe Spann and the team at Gruhn Guitars for opening the vault for us.Support the show

0:11 -Snowy winter weather returns to Alberta. 10:12 -Why were confiscated guns returned to home of suspect before Tumbler Ridge shooting? 19:12 - We take your calls and texts on the day. 29:55 - What is going on with Canadian Curling. 37:57 - Paid out of pocket for a fender-bender? Fine, but the law says you have to tell your insurer. 49:58 - Carney strategy for defence industry pledges 125,000 jobs, sweeping policy changes. 1:04:37 - We take your calls and texts on the day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 160 of the Truth About Vintage Amps Podcast, where amp tech Skip Simmons fields all of your questions about tube amps.  Thank our sponsors: Grez Guitars; Emerald City Guitars and Amplified Parts.  Some of the topics discussed this week: 1:09 Fishing and weather report, Tule fog 4:43 Skip's amp backlog 5:19 A West guitar amp with a Dynaco 454216 transformer, a paper plate breakfast hack 10:45 Our sponsors! 12:56 What's on Skip's bench: A 1950 Princeton, a White amplifier, a Tweed Deluxe AND a Vibrolux; Electromuse amps 14:39 The Lonesome Captain's music video (YouTube link) 17:31 A Webster-Chicago 166-1 with a post phase-inverter tone control 20:36 The Valco/National/Supro single 6V6 with reverb and tremolo 28:06 A Silvertone 1472 with replaced parts; terminal strip grounds 30:55 Two filter cap Princetons (link to TDPRI forum) 32:11 An original Garnet Session Man; modding a Masco ME-27; recommended reading 39:49 The Wood Wire & Volts show; the Benson Babylon (as mentioned on episode 158!) 44:16 Speaker impedance mismatch on a Danelectro amp and its effect on tone, Spanish rice, Goya pasta 50:21 Suggestions for an unused triode in a Geloso G226A amp 54:32 Bill Krinard's return?; Dr. Z's new, single-ended PhD amp; Emery Sound amps 57:18 A new speaker for my Traynor YGM-3?; Peavey amps; smoked pork tenderlions 1:03:35 Making a baby Leslie speaker at home and adding caps to filter out EMI/interference (check out more pics on our Patreon) 1:11:00 Getting spray paint off a grill cloth (3M Safest Stripper); fixing a Fender speaker baffle; and a cursed reverb unit 1:16:50 A Cunningham CX322 tube giveaway; Alembic stereo pre-amps, redux Note: Starting around minute 60, our Zoom connection went bad and Skip can be a little hard to hear. We tried to clean it up as best we could. Sorry! Want amp tech Skip Simmons' advice on your DIY guitar amp projects? Want to share your top secret family recipe? Need relationship advice? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too. Want to support the show? Join our Patreon page to get to the front of the advice line, see exclusive pics, the occasional video and more.  Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. 

248 - David and Howard - the Bellamy Brothers In episode 248 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine!, host James Patrick Regan speaks with David and Howard, the Bellamy Brothers. In their conversation the two discusses their home in Florida and the Brahma Cattle they raise. They discuss their current tour schedule which is extreme and the logistics of their tour and they talk about 50th anniversary show at the Ryman Auditorium in Nashville on June 25th. They tell us about their connection to Ovation guitars after their gear was stolen while on tour with Loggins and Messina in the ‘70's and they also talk about the guitars they're using now on the road, Parker Fly guitars. The discuss their former bassist and lifelong friend Wally Dentz who unfortunately passed away just a couple weeks ago. They describe their early influences gospel and early country and the early English bands and they talk about playing with their dad who was also musical and they tell us about the early incarnations of their bands that eventually became the Bellamy Brothers. The tell us about the work they did early on working with and for Jim Stafford and Gallagher and David's song “Spiders and Snakes” which Jim recorded and the song “Let Your Love Flow” which jump started their career. They talk about doing tv work when tv was a very big deal and they discuss how Conway Twitty helped them break into the Nashville establishment. They discuss the members of the their band and plans for a new album to celebrate their 50th anniversary. They also talk about their other project a line of marijuana called “Old Hippy Stash” that's distributed by Trulieve. To find out more about David and Howard you can go to his website: bellamybrothers.com and they're on all the socials. Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #DavidandHowardBellamy #theBellamyBrothers #ParkerFlyGuitars #OvationGuitars #JimStafford #Gallagher #JamesPatrickRegan #ConwayTwitty #WallyDentz #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Download Link

We talk about the olympics, sports and depression but what really matters is we talk about our favorite 80's action villain Fender from Cyborg.   #cyborg #olympics #80s

247 - Philip Shouse (Solo, the Rock and Roll Residency, Accept, Ace Frehley, Gene Simmons) In episode 247 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Philip Shouse, who has a solo EP called “Side 1” out and is currently a member of Accept he also is a part the Rock and Roll Residency and has been a part of both Gene Simmons and Ace Frehley”s solo bands. In their conversation Philip tells us about his upcoming tour of Sweden for his solo album and the band he's using and he discusses living in Nashville and the ease of traveling the world with Nashville being the hub. Philip talks about being working with the band Accept since 2017 and officially joining in 2019 and how their tour cycle works and the logistics of playing in Europe, the US and South America. Phillip tells us about his EP which was basically a 50th birthday present to himself and he tells us about the production and personel on the album. Philip describes his world of being a touring musician as opposed to the session musician scene in Nashville. Philip talks about his project “the Rock and Roll Residency” which had many special guests like Robin Zander, Alice Cooper, Billy Gibbons, Lzzy Hale to name a few. Philip takes us through his musical education and he tells us about his gear including a guitar which is very special to him. Philip describes how he ended up playing with Gene Simmons and how that led to playing with Ace Frehley. To find out more about Philip you can find him on the socials at: itsphilipshouse or his links at: linktr.ee/philipshouse.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #PhilipShouse #Accept #GeneSimmonsBand #AceFrehleyBand #Side1 #HagstromGuitars #GibsonGuitars #FramusGuitars #JamesPatrickRegan #theRockandRollResidency #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Download Link

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246 - Alan Williams In episode 246 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist and music educator Alan Williams. In their conversation Alan tells us about his new solo album “Floating on the Dreamline” and the personnel and production of the album it will be released on March 6th. Alan describes growing up in North Carolina studying piano and going to New England Conservatory in Boston and deciding guitar was also suited for his talent and Alan explains his major Ethnomusicology and how that relates to his interests. Alan tells us about his early band “Knots and Crosses” and how they got signed and why they broke up. Alan talks about gear both early keyboard synths and his guitars including his guitar made by Dave Schecter and a carbon fiber guitar made by Emerald guitars (emeraldguitars.com) in Ireland and he tells us why he fears taking his guitars on the road. Alan tells us about his career at university of Massachusetts at Lowell including a run as the chair of the music department and his current role as the chair of the music business department and some of the challenges of the ever changing music industry. Alan tells us about his previous albums including one that was not initially released and has recently been remixed and released. Alan tells us about his guitar tunings that he uses both on acoustic and electric guitars. And finally Alan describes to us about his touring plans, his retirement from teaching, his wife's work, a cottage he owns on the big island of Hawaii and returning to Asheville, North Carolina. To find out more about Alan you can go to his labels website: bluegentianrecords.com or his socials @alanwilliamsevidence Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #AlanWilliams #FloatingontheDreamline #KnotsandCrosses #SchecterGuitars #EmeraldGuitars #JamesPatrickRegan #NewEnglandConservitory #theDeadlies #UMassLowell #NEC #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Download Link

245 - Jeff "Skunk" Baxter In episode 245 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist Jeff “Skunk” Baxter. In their conversation Jeff tells about his role in the upcoming Rock and Roll Fantasy Camp which he does fairly often. Jeff tells us about his youth growing up in Mexico City and how he ended up playing guitar and eventually starting a surf band with Abe Laboriel. Jeff describes his early influences which are all very eclectic and Jeff talks about his move from Mexico to Connecticut and then New York City working at Jimmy's Music and the Dan Armstrong's repair shop and working on innovations with Bill Lawrence. Jeff describes the guitarists he ran into while working in New York City: Sam Brown, Eddie Deal, Danny Kortchmar and Les Paul. Jeff talks about his move to Boston to attend Boston University and working with David Schecter and studying the pedal steel. Jeff tells us about his love of muscle cars and a few of the cars he had throughout the years. Jeff discusses a few of his bands: Steely Dan and the Doobie Brothers and he talks about his session work and why he preferred to sit while playing live. Jeff talks about his love of eclectic guitars and what his collection looks like now and he talks about the work he's done for Roland, Gibson and Fender. Jeff discusses his work for the government, his hand in bringing rock music to Russia and his thoughts on new technologies and ones used during World War Two and talks a little about Nick Cook's book “the hunt for zero point”. Jeff describes being an avid reader of technical journals and guitar magazines and he talks plans for a second solo album. To find out more about Jeff you can go to his website: jeffskunkbaxter.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #JeffSkunkBaxter #SteelyDan #DoobieBrothers #DanArmstrong #thehuntforzeropoint #FenderGuitars #GibsonGuitars #JamesPatrickRegan #RolandMusicalInstruments #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

244 - Michael Sweet (Solo, Stryper, Boston) In episode 244 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer and guitarist Michael Sweet most recognizable from his band Stryper but also was in the band Boston and Sweet and Lynch among other projects. In their conversation Michael tells us why a solo album… it's his 11th solo album and tour plans behind the album. Michael discusses his home in Massachusetts and his time as the worship leader at his home church. Michael takes us through his youth in Southern California and his original band Rox Regime that played a lot with the hair bands whose names we all know and the transformation to Stryper. Michael takes us through his gear through the years and his obsession with tone and how the yellow and black color scheme came about and the guitars he's currently playing Sully electrics and Godin acoustics. Michael talks about his guitar hero's early on and he talks about his home studio as well as the studio where the band tracks and mixes… and he talks about his production work for his band. Michael takes us through his work with George Lynch and the band Boston and the possibilities of working with them again. Michael talks about the future of Stryper and the logistics of getting the band together with all the members living around the country and he talks tour plans. To find out more about Michael you can go to his website: michaelsweet.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #MichaelSweet #Stryper #Boston #SullyGuitars #TheMasterPlan #JamesPatrickRegan #SweetandLynch #theDeadlies #MarshallAmplifiers #RoxRegime #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

They have a new line of audio interfaces out. I'm just giving you my opinion on them.

They have a new line of audio interfaces out. I'm just giving you my opinion on them.

243 - Kurt Baker (solo, the Leftovers) In episode 243 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with bassist, guitarist and bandleader Kurt Baker. In their conversation Kurt tells us about living in Brooklyn and working for Little Steven's record label “Wicked Cool Records” a label that he's also recording for. Kurt discusses his new single and when he might release a new album and his style of Power Pop music. Kurt describes how he got hooked up with Wicked Cool and how he eventually started working for the label. Kurt tells us about living and playing his music in Spain before working for Little Steven. Kurt talks about his musical history growing up in Maine and his band “the Leftovers” (one of the first bands to do video blogs) and why that band disbanded and what made him go solo. Kurt describes his gear both his basses and his guitars and his Ampeg, Orange and VOX amps and he describes the backline situation in New York. To find out more about you can go to his socials as kurtmiltonbaker or his bandcamp page: kurtbaker.bandcamp.com and check out Kurt's music it's refreshing. Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #KurtBaker #theLeftovers #WickedCoolRecords #LittleStevensUndergroundGarage #FenderBass #EpiphoneGuitars #PrecisionBass #AmpegAmps #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

Factos Curiosos e às vezes até interessantes sobre as marcas. Essas coisas que passam a vida a tentar seduzir-nos. Com João Soares Barros

Cliff Kim is a senior leader at Fender Musical Instruments Corporation, currently serving as Vice President of Growth Strategy, Digital Products and President of Fender Play, the company's digital learning platform. At Fender, he leads efforts to grow both physical and digital business through data-driven insights, conversion optimization, and consumer research, helping evolve how players discover and engage with Fender's products and services. During his tenure he played a key role in initiatives like PlayThrough, which significantly expanded Fender Play's user base, and contributed insights that shaped resources like the Beginners Hub for new musicians. Before Fender, Kim held analytics and strategy roles at major brands including Live Nation Entertainment, ESPN, and Yahoo!, blending analytics with storytelling to drive growth and strategic decision-making. He is a graduate of the University of California, Riverside and is based in Los Angeles.

On this episode of Talking Guitars, we hang out with Hector from the Guitar Tech Adventures YouTube channel

242 - Axel Ellis (the Runarounds, Ax and the Hatchetmen) In episode 242 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Axel Ellis guitarist for the band/Amazon Prime Show “the Runarounds” and his band “Ax and the Hatchetmen”. In their conversation Axel gives us a little history of the band, a band that was cast for the Amazon show. Initially auditioning with his whole band for what they thought was a guest spot on an established show. Axel takes us through his musical history growing up in the suburbs of Chicago with parents that loved music and initially studying flamenco guitar before moving on to jazz and then rock. Axel describes how the show's characters mirrors his own start in music. Axel tells us about the benefits of being on a tv show, not just the fame and money, but the sponsorships from gear companies. Axel talks about his gear both for the Runarounds tv show, the bands tour that he's on now and for his other band “Ax and the Hatchetmen” Axel discusses the logistics for the band as far as being spread apart around the country for songwriting and rehearsals. Axel gives us his thoughts on his future of his band, the Runarounds band and the tv show's potential second season. To find out more about Axel you can go to his band website: axandthehatchetmen.com or the website for the Runarounds: therunarounds.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #AxelEllis #theRunarounds #AmazonPrimetheRunarounds #AxandtheHatchetmen #GretschGuitars #WhiteFalcon #SuproAmps #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

Pickup trucks are an American original- and so is Jason Noel, the founder of Fat Fender Garage. Jason and his team breathe new life into classic trucks, with modern chassis, powertrain and systems.  These are dream builds, often still in their original paint, but Fat Fender also does the full-on custom look too."We put in the kitchen sink and a box of cereal for you too", says Jason. VISIT FAT FENDER GARAGE:  https://fatfender.comSUPPORT THE PODCAST:https://www.buymeacoffee.com/hpheritageSUBSCRIBE to Horsepower Heritage on YouTube:https://www.youtube.com/@horsepowerheritageFIND US ON THE WEB:https://www.horsepowerheritage.comINSTAGRAM: @horsepowerheritageHORSEPOWER HERITAGE is created, produced and hosted by Maurice Merrick.Get in touch with Maurice:https://horsepowerheritage.com/contactSupport the showHELP us grow the audience! SHARE the Podcast with your friends!

On this episode of Talking Guitars, it's the ultimate NAMM Show 2026 wrap-up

If it was there, we discuss it! NAMM 2026!!!

241 - Boy Golden In episode 241 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/songwriter and producer Boy Golden aka Liam Duncan. In their conversation Liam describes his upcoming tour schedule in Canada and growing up in rural Manitoba in the cold. Liam talks gear, his guitars and amps and his collection of Russian microphones and a special guitar labeled Garnet after the amp maker. Liam tells us about his earlier band “the Middle Coast” before he went out as Boy Golden and he explains the Boy Golden moniker. Liam talks about his time as the keyboardist for the Bros. Landreth and his influences early on. Liam discusses his new album “Best of Our Possible Lives” and the personal on the album and he also describes his home studio. To find out more about Boy Golden you can go to his website: boygolden.ca Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #BoyGolden #theMiddleCoast #LiamDuncan #Manitoba #theBrosLandreth #YamahaGuitars #JamesPatrickRegan #BestofOurPossibleLives #theDeadlies #HomeStudio #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

Ihr erinnert euch noch an die 10 größten Gitarren-Verbrechen (Episode 128)? Heute kommt die Schwesterfolge: DIE 10 GEILSTEN GITARREN DER WELT Simon und Hanno schwadronieren dieses Mal über ihre Lieblingsgitarren von damals, heute und vielleicht sogar morgen? Denn ein paar dieser Schätze sind noch gar nicht in den eigenen Sammlungen gelandet.

Everyone wants momentum. Almost nobody is building stability.And that's why most leaders flame out right when it starts working.This episode is a hard reset on what actually lasts.1. Stable is the new sexy Fast growth looks impressive. Stable growth changes lives. Why boring fundamentals beat flashy spikes every single time.2. Customers vs distributors. Which actually matters more? Most leaders get this backward. What happens when you chase builders without a real customer base. And why stability always starts with demand.3. The quiet power of a real USP Not a slogan. Not a pitch line. A true reason people choose you when options are everywhere.If you don't have one, you're competing on personality and price. That's a bad long-term plan.4. Playing the long game as a leader Cash flow. Culture. Trust. Why leaders who think in decades win, even when the market gets loud.This episode isn't hype. It's perspective from someone who's seen cycles come and go.If you're building something you want to keep, not just start, this one matters.That's the tone. That's the lane. That's how you attract serious leaders.

240 - Joel Hoekstra In episode 240 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist Joel Hoekstra, in their conversation Joel describes living in New York City and growing up in the suburbs of Chicago with his parents who were both classical musicians and Joel tells us why he didn't pursue piano. Joel describes the impact of seeing AC/DC on MTV as a kid which slowed his sports interests. Joel describes his gear starting on his stepmom's guitar and he discusses his guitars from then on… and how he got the collecting bug and he discusses his custom Gibson's and Jackson's and the guitars he uses for each of his gigs. Joel tells us about his first bands through his gigs with Trans Siberian Orchestra, Whitesnake, Night Ranger, Jim Peterik, Cher… as well as his time spent as a pit guitarist for Broadway shows like Rock of Ages and Love Janis. Joel talks about using in-ear monitors and hearing loss and Joel talks about his time at GIT in Hollywood and working at Cherokee Studios. Joel discusses his new album “From the Fade” and the personal on the album and the chances for a tour and he describes the other projects he's working on: Revolution Saints, Hoekstra Gives, teaching remote lessons, Broadway's Rock of Ages band and Iconic (which includes a lot of his former Whitesnake bandmates as well as time spent producing other artists. Finally Joel tells us about what he does when he's not playing guitar… his kids, and anything to escape music and plans to go to NAMM next week. To find out more about Joel you can go to his website: joelhoekstra.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #JoelHoekstra #Whitesnake #TransSiberianOrchestra #JacksonGuitars #GibsonCustomShop #JamesPatrickRegan #FromtheFade #theDeadlies #NightRanger #RockofAges #Hoekstra13#haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

To hear the extended, 12", almost-2-hour version of this conversation, including discussion on Maximo Park, Kenickie and Bob Davenport, visit Patreon.com/LoveMessagePod and become a patron from just £3 a month.In this episode of LITM Jeremy is joined by writer and editor of Tribune magazine Alex Niven to talk about the musical history of England's North East. Our interest in this subject was piqued by Sam Fender's victory in last year's Mercury Music Prize. Fender is himself an artist indebted to our recent subject, Bruce Springsteen. Alex talks us through the particulars of the region, one of Britain's main post-industrial heartlands, exploring through music various expressions of white working class identity and a particular form of masculinity that artists have variously embodied or pushed against. Jeremy and Alex discuss blues rock, ‘sophsti-pop' and Sting, the folk club legacy of the North East, Richard Dawson, the smallpipes and the Sultans of Swing.Alex Niven is the author of Folk Opposition, Definitely Maybe for 33 1/3, New Model Island: How to Build a Radical Culture Beyond the Idea of England and The North Will Rise Again: In Search of the Future in Northern Heartlands.Tracklist:Sam Fender - Seventeen Going Under The Animals - House of the Rising Sun The Animals - We Gotta Get Outta This Place Eric Burdon and War - Spill the Wine Lindisfarne - Clear White Light Alan Hull - I Hate to See You Cry Lindisfarne - Fog on the Tyne Dire Straits - Sultans of Swing Pet Shop Boys - Being Boring Sting - All This Time Richard Dawson - The Vile Stuff Sam Fender - People Watching Kathryn Tickell - Bone Music 

This week the Dads are all amped up with big industry news! We break down Fender's appointment of their new CEO and what it could mean for the iconic brand's future direction. Speaking of Fender, we also dive into their surprising new line of Bluetooth speakers—are they a hit or a miss?Special guest Alex Guaraldi from Coppersound Pedals joins us to put our pedal knowledge to the test with another round of "Quiz Eye for the Pedal Guy." Can we name the knobs, or will we completely embarrass ourselves? (Spoiler: probably the latter.)We also pay tribute to the legendary Bob Weir and reflect on his incredible contributions to music and guitar culture.Plus:  dad jokes, and the usual chaos. Tune in!Please support our sponsor, Coppersound Pedals www.coppersoundpedals.com and use code DADS10 to 10% off your order, INCLUDING the new Foxcatcher V2 which is available NOW! 

Episode 616T is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10%⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 9212600:00 Intro00:35 Fender has a new CEO26:41 Thanks Patreon!27:52 Steve brought his Squier Paranormal XII from Franklin Guitar Works31:35 This song was sent by Niels Rønsholdt and is called "After Mardi Gras"*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠+⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram @60cyclehum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#60cyclehum #guitar #guitars

The 1962 Brown Deluxe (6G3) sits in one of the most fascinating, and misunderstood, eras of Fender amplification. It's often lumped in with other brownface amps, or treated as a short stop between tweed and blackface. But the truth is: the Brown Deluxe is its own animal.In this video, we take a deep dive into what really sets the '62 Brown Deluxe apart, sonically, electrically, and historically.Brown Deluxe vs Tweed Deluxe (5E3)Why the Brown Deluxe is tighter, punchier, and more controlled than the loose, saggy tweed, and how Fender was clearly responding to players wanting more headroom and definition.Brown Deluxe vs Blackface Deluxe (AB763)How the Brown Deluxe's mid-forward voicing, earlier breakup, and raw edge contrast with the cleaner, scooped, hi-fi nature of the later blackface circuit.Why the Brown Deluxe Does Not Sound Like Other 1962 Brownface AmpsThe Brown Princeton and Vibrolux from the same year often get mentioned in the same breath, but they're fundamentally different circuits, power sections, and feel. Same era, totally different results.'62 Brown Deluxe vs '65 Blackface Deluxe ReverbA direct tonal comparison between grit and refinement:Brown Deluxe: raw, aggressive, chewy midsBF Deluxe Reverb: cleaner, wider, glassier, more politeTwo iconic Fender voices aimed at completely different players.Bias Tremolo vs Photocell (Opto) TremoloWhy the Brown Deluxe's bias-vary tremolo feels deeper, swampier, and more organic than the photocell tremolo found in blackface amps—and why many players consider it Fender's best tremolo design.www.truetone.comTo Support the Channel:Patreon  https://www.patreon.com/AskZachttps://ask-zac-shop.fourthwall.comTip jar:  https://paypal.me/AskZacVenmo @AskZacSupport the show

On this episode of Talking Guitars & Music News on JohnnyBeaneTV, we kick things off with a big announcement — we're going LIVE from the Amigo California Guitar Show this Saturday, January 10th!

India orders X to make immediate changes to Grok, LG teases the world's lightest 17-inch RTX laptop, Fender announces inew ELIE Bluetooth speaker line. MP3 Please SUBSCRIBE HERE for free or get DTNS Live ad-free. A special thanks to all our supporters–without you, none of this would be possible. If you enjoy what you seeContinue reading "Pebble Launches the $199 Pebble Round 2 – DTH"

Lost At Christmas: Part 2 A vulnerable confrontation with an old crush. Based on a post by Tx Tall Tales, in 2 parts. Listen to the Podcast at My First time. Christmas What had started out with the potential for so much disappointment, my first Christmas away from home, was actually quite wonderful. The family embraced me and treated me as one of their own. Dinner was scrumptious, a Christmas ham, with the full complement of side dishes. After dinner we chatted, drank a little too much spiked eggnog, and told stories of the last few years. I sat close to Sheri when I could, beside her at the dinner table, and next to her on the couch while we had our eggnog. I tried to engage her in some quiet conversation of our own, but the setting was all wrong for that, and I eventually abandoned those attempts. It was nice enough just to be near her. Tommy's step-father Dave, insisted I call Santiago, even though I knew the price would be outrageous, and I did. I gave my family my Christmas wishes, and told them how much I missed them and was looking forward to seeing them in a couple of days. Everyone in the room took a minute to say hello and share season's greetings. I had to spend a few minutes trying to get my Mom to stop crying at the far end, before we finally were able to hang-up. The small ones had to go to bed relatively early, and so we all got to open one gift the night before, as was their tradition. I gave Tommy his gift, and his mother opened the family gift and everyone acted pleased. In turn, they had bought me a present which I opened. It was two books for the trip, and they had a card for me. Inside was $50. I was completely in shock. "Dear Steve, Your short visit was a wonderful Christmas gift to us all. Thanks so much for choosing to spend this Christmas with us. Here's some mad money for the trip home. We all love you. Dave, June, Robert, Sheri, John and Jean" I was deeply touched by the gesture. I went over and gave Tommy's Mom a big hug, thanking her for the card and books. The kids jumped up with presents of their own, and I got two new drawings for my dorm room, as well as some mystery invention from John, which was supposed to be a spy tool to stop people from breaking into my room. I thanked them profusely, and they were put to bed shortly after. Dave, Tommy and I discussed the logistics of my morning bus ride back to Charleston. It left at 7:30 am, but was only about 15 minutes away, so we figured on getting a 7:00am start. We relaxed around the fire, ruminating on the poor souls who had the job of driving that bus all day Christmas day. There was a guitar in the corner, Greg's. I was surprised he hadn't taken it with him. I went over and grabbed it, and finding it miserably out of tune, I tuned it up. "Play something Christmassy", Tommy's Mom asked, and so I played a couple of tunes. I'm a fair guitarist; I was studying guitar at the Eastman School of Music since it was convenient, and ROTC was picking up the tab, and had improved quite a bit from the days of our first band. I got rave reviews from my small audience, and took requests for a while, before we broke it up. The parents still had some work to do for the kids, and Tommy and I wanted to hit the hay early, in order to catch that 7:30 bus. More hugs and kisses all around, with a firm handshake for Dave, and I retired to my room to finish my packing. I got ready for bed, dressed in boxers and a t-shirt, laid out my clothes for the morning, and completed my packing. I had one last thing I wanted to do before hitting the sack, so I went back into the bathroom, and knocked on the opposite door into Sheri's room. I heard a muffled "Come in" or something to that effect, and opened the door to find Sheri sitting up in bed, brushing her long blonde hair. She was dressed in a nearly see-through pale green nightie that took my breath away. "Hi." I felt incredibly awkward, like I was 16 all over again. She looked up at me, giving me a quizzically upraised eyebrow. "I had a gift for you, but I felt kind of silly giving it to you out there. I hope you don't mind that I waited until now." I handed her a small leather pouch. She took it, laying her brush to the side, and opened it, pulling out a small cross. She stretched out the cord, and looked at me in surprise. "But this is your mountain cross! You always wear this!" She said, looking at me with a strange look I couldn't quite fathom. The cross was one I had found mountain climbing several years earlier. I had been in a small accident. I'd fallen into a glacier fed stream on a mountain trip, while collecting firewood in a storm. I'd almost frozen before I'd made it back to the cabin. Literally. I thought I was going to die. I was staggering the last 20 feet to the building, in a daze, when a friend returning from the outhouse ran into me, and dragged me inside to warm up. The next morning I found a small ivory cross on a rotted leather lanyard at almost the very place I had climbed out of the stream, and I had worn it for years since then. Sheri knew the story. I had told her the whole thing one evening when I had been giving her driving lessons. I don't know what had motivated me to give it to her, but I had had this urge, and I've always been a pretty impetuous person. "I just want you to have it." I explained. She patted the bed beside her for me to sit down then she handed me the cross to put around her neck and turned her back to me. I passed my hands over the head, letting the cross dangle in the valley between her breasts, and she reached back and pulled her hair up and out of the way, so I could latch the necklace on her. When I was done she turned to me, and fingering the cross she thanked me. "I got the strangest call today." She told me. "Strange how?" I asked. "Kathryn called me. We haven't talked probably in over a year, but she called me out of the blue, and we talked about nothing but you for over an hour." She said with a teasing smile. I could feel my face burning from the blush. We were real quiet for a bit. Then she spoke up softly, not looking at me at all, just looking down at her hands. "Do you remember the skating party where you asked me to skate, like 5 times?" "Do I ever! My hand was so sweaty I was embarrassed to hold yours, but didn't know how to dry it off, and I wasn't good enough a skater to make a real dance out of it." I laughed. "I thought you liked me, and were going to ask me out, but you never did. Why not?" She asked. The memory was embarrassing, and I thought about it a bit before confessing. "I had skated with Kathryn earlier in the evening, and she asked me who I liked. I told her I would answer by the end of the evening. Later, just when I was trying to get the nerve up to skate with you again, and ask you to sit by me on the Pensacola bus trip, Jack found me and told me that I had better ask Kathryn to skate. She was waiting for me to tell her something. Well, I did ask her to skate, and she reminded me of our previous conversation. I admitted that I really liked two people, you and her. Then she asked me if I minded if she 'monopolized' me for a while. I went along. You know the rest. One out-of-town bus trip; one back-row of the movie; and me completely screwing everything up." She listened without showing too much surprise. "But how come you never tried anything after that?" "God! How could I? You knew everything that had happened. Don't you remember the time I stopped by when Net was over here spending the night. Every time I passed you guys, you seemed to be laughing at me. And then when you passed me in the hall and whispered, "Oooh, I Love You," teasing me with what I'd said to Kathryn before completely blowing her off, I was just devastated. I hadn't screwed up just the one chance, but you as well." Sheri had the grace to blush from embarrassment at that. "I really didn't know much of what was going on. Kathryn just told me to go up to you and say that. I'm sorry." "Not half as sorry as I was." I told her. "You had to know how much I liked you. I was always trying to be around you and do things with you." "I didn't know how much of that was just being Tommy's sister, or what. I kept waiting for you to try something, anything, but you never did." She looked at me intensely almost with anguish. I was 16 all over again. I was still embarrassed over my ineptness around women. I had screwed things up with Kathryn. I had screwed up with Teri. And I had screwed up with Sheri. Since then I'd had more than my share of success with the young women I'd known, but all of a sudden, it was like I was a clumsy, scared virgin all over again. Sheri looked at me for a long while, then finally sighed and looked away, picking up her brush and going back to brushing her hair. "Some things will never change, I guess," she muttered, ignoring me. I started to get up, to go to my room, knowing this was neither the time, nor the place to try to start something with Sheri, but I just couldn't leave things as they were. I reached out and took the brush from her, which she relinquished slowly. I then took her by the shoulders and turned her away from me, so I could brush her hair. I brushed her hair in silence for a bit, before speaking. "For at least a year after leaving here, I would dream about you all the time. You were the girl of my fantasies. We wrote so well for a while, and I kept all your letters, reading them over and over again, looking for hidden meaning in the words, wondering if I'd ever get a chance to be with you. I still have those letters." I confessed. Several long seconds later Sheri reached down to the bottom drawer of her chest, next to the bed and opened it. She reached under her sweaters, and pulled out a pile of letters held together with a rubber-band. I recognized my writing. She turned to look at me, and her eyes glistened. I dropped the brush, leaned over and nervously kissed her, hoping beyond hope she wouldn't throw me out of her room with a ruckus. Instead she turned, and returned my kiss with a depth and passion I could only have prayed for. When we broke apart, we just looked at each other. Suddenly I couldn't help but giggle. "What?" She asked, almost crossly. "Do you remember how you thought you'd get pregnant from French kissing?" I recalled. She blushed again. "I can't believe you still remember that, you beast. How did you find that out anyway?" "Kathryn told me on the bus trip. I think she was trying to make you seem naive to me, sort of solidify her hold on me." I told her. "That Bitch! She always denied it, but I couldn't think of anyone else who knew." We laughed a bit, and gradually fell back into kissing each other. At the next break in our kissing, Sheri nailed me again. "Tommy said you did it with Angela. Was she your first?" "No. I never did do it with her. And Colleen was my first." I admitted. "Colleen? From yearbook?" "Yeah. But not until a year later. She went to Mosley with me, and we hooked up at a party. It was weird and nothing much happened of it. Three weeks later I was headed to Chile." I told her. She just shook her head at me. "Since it's time for true confessions, who was your first?" I asked teasing. "Rich? Mike?" "Oh God, no!" she laughed. "Then who?" She never answered, just turned a bright red. "Come on, fair's fair. I told you." I urged her relentlessly. She mumbled something I couldn't make out. "I can't hear you, who was it?" I teased again. She looked up, almost fiercely. "Nobody, all right?" I was stunned, and the ensuing silence seemed endless. "You're kidding me." I finally said, hardly believing. Her answer was so soft I almost missed it. "At one time I thought you'd be my first." This time when we kissed, I allowed my hands to wander, throwing caution to the wind. I cupped her perfect young breast in my hand, letting my thumb brush across her nipple, getting it hard. We were both gasping when we broke apart. "Steve?" "Yes?" "Go close your door, and turn off your light, then turn off the light in the bathroom," she said softly. I did, and she had turned down the light in her room. She was lying in the bed, the covers folded down neatly, waiting for me. She was still in her nightie. I stood beside the bed and made my commitment. I removed my shirt, and then my shorts, sporting a huge hard-on, which she stared at in wonder. I climbed into her bed completely naked. She had been laying sideways, leaning on her elbow, but as I entered the bed, she rolled onto her back, lying down, waiting for me. She was achingly beautiful in the dim light, and I was afraid I was going to come on the spot if she even touched me. I leaned over her and kissed her, but this time the kiss never stopped. I lost my soul in that kiss. I lost all track of time and presence. Our mouths stayed connected as we explored and played with our tongues, and my hands embarked on their exploration of the wonders of her body. My hands touched her all over, before finally settling in the warm crease between her legs. She had panties on, and as my fingers rubbed up and down her hidden folds, I found a small wet spot, maybe the size of a dime slowly spreading. Once I was aggressively rubbing her, sliding the material up and down, half-an inch into her by this time, the wetness enveloped the entire area. I slid my hand less than a foot up her body, and let my finger tips creep under the band of her panties. My hand slid down, the soft down of her hair like a magical lure, the gentle pressure of her panties against the back of my hand trapping me. Our kiss finally broke, and from an inch away we looked into each other's eyes as I slowly slid my middle finger between those forbidden lips, and into her. The aroma of her need assaulted me, and the quiet squish of her wetness against my finger was the ultimate aphrodisiac. I was engulfed with desire. I started to crawl over her, placing my knee between hers when she stopped me. "Wait." Then she raised her hips, and scrunched down, raised her knees, moments later passing me a small, but incredibly erotic piece of plain, white material. I was beyond reason, and I climbed between her legs. She spread them for me, seeming as eager as I. I grabbed my throbbing rod in hand, and by feel, rubbed the head up and down her moistness, adding pressure bit by bit, until I felt it settle in at the mouth of her pussy. She gave a small gasp, as the head slid in just a bit, not quite in her yet, but knowing that I was one small push from being inside. "Be gentle," she said, and I could see a hint of nervousness and fear in her eyes. I leaned over and kissed her softly, and while our lips touched, I pushed, sinking into her. At least for a bit. About halfway in I hit a barrier. I was confused at first. I pulled back and pushed again, a little harder, thinking I was sticking, and she grunted a little as if in pain. It finally sunk in. I had been with plenty of women, and several who had claimed to be virgins, but none with their cherry intact. I wasn't sure what to do. I probed again, and this time elicited a small 'ow'. What was I to do? I lay on top of her, my cock buried four inches deep in the girls of my dreams, and I was at a complete loss. Sheri shifted a bit under me, wrapped her legs around mine, and pulled me close. She whispered into my ear. "Take me." It was the sexiest thing I'd ever heard. Nervously I pulled back until I was just at the opening and I drove down hard, feeling just a pinch before my pelvis was grinding into hers. I was completely inside her. I got up on my elbows and looked down at her. I could see a single wet trail that glistened from the side of her eye to her ear. "Are you ok?" I asked her, holding myself still, deep inside of her. "Wonderful," she said softly, tilting her chin up slightly for a kiss. I accepted the offer, and kissed her gently, while I experimented with moving my cock within her incredibly tight sheath. I felt I was only moments from coming, but I couldn't resist moving my hips just a bit, exploring the feeling of being inside her. I leaned down and whispered in her ear. "I always wanted you. You knew it. I knew it. But I was afraid. I was afraid of the ribbing from your brother. Afraid of being exposed for knowing nothing about what to do with a girl. Afraid of ruining our friendship. Afraid of striking out, and you telling all the other girls, and my being the laughingstock. Afraid of so many stupid things. I was an idiot." "You weren't afraid of Kathryn," she answered softly. "She initiated it all. She pushed forward, asking to monopolize me, holding my hand. I probably never would have made the move. If I could change one thing, it would be that skating party. I should have saved that last moonlight skate for you, and asked you out. I should have told Kathryn that you were the one girl I was interested in. Who knows how things might have worked out? Plus, it wasn't as big a deal. If things didn't work out, oh well. But if I ruined things with you, it would have killed all my dreams." She was hot beneath me, her skin almost burning to my touch, I was finally moving inside of her, but I quickly had to stop, again on the verge of coming, and embarrassed at my short trigger. "Make love to me Steve," she said breathlessly. I gave a few more strokes and had to stop again. "Don't stop," she pleaded. "I'm sorry, I'm so excited I'm on the verge of coming now. If I move I won't be able to stop," I finally confessed. "Do it. Pump me, take me, come deep inside me," she answered. Those words were too much, and with a gasp I drove my cock in hard, and exploded inside her. I pulled back and slammed into her a dozen times or so, making the bed creak alarmingly as I emptied myself inside her virgin moistness. As my heart hammer away in my chest, and my breathing gasped, she gave me a small joyous laugh. "Wow, I guess you were close!" Then she gave a big hug before she pushed me off of her. She climbed over me, her hand pressed between her legs and scrambled into the bathroom, waddling inelegantly but still incredibly arousing to me. I heard her tinkle, and then return to the bed with a facecloth with which she wiped my semi-hard cock clean. Then she climbed into bed, her head on my shoulder and talked. She recounted almost ever time that we'd been together alone, all the adventures we'd had, the summer we'd learned to play tennis together, and what she'd thought might happen. We laughed a little at my ineptness and her caution as well. Then I felt her hand creep down between my legs. "Do you think we could try that again?" she asked me hesitantly. "I'm dying to, but I was afraid I might have hurt you." I laughed my foolish insecure laugh. "So hurt me," she teased, giving a tug on my cock. This time I held out a little better. I climbed between her legs again, and made love to her, still gently, still nervous. But before long I was feeling that familiar rhythm of need, and my strokes became longer and more insistent. I had to have her. I had to take her. I had to fill her deeply, completely. I sat up in the bed, discarding the covers, and raised her legs, pushing them back, and screwing her powerfully, shaking her body, crashing into her with a burning need. She was still wearing her nightie, but it had ridden up above her belly button, just a couple of inches below her breasts. I stopped my motion and whispered to her, "Rise up on your elbows." She looked at me oddly but did, raising her head a few inches off the pillow. I leaned over and lifted her nightie up above her breast, allowing me to see the objects of my desire and fantasies. "God, I've pictured those in my mind for four years, and yet never came close to imagining how perfect and beautiful they are." I said, more to myself than to her. I resumed my fucking, for that was what I was doing now, fucking her. Fucking her hard. She had her bottom lip captured between her teeth, and now she was holding her nightie in her hands, almost to her chin, allowing me an uninterrupted view of her oh-so-perfect tits. The visuals were all too much and pushed me over the edge once again. The beautiful face, the long hair arrayed across the pillow, the full breasts, bouncing a counter-beat to my pounding, her flat stomach, hollowed, and the light fur of her hair parted to allow my pole to penetrate her again and again. With a moan I came for her again, collapsing beside her, sated, and in complete serenity and joy. "I guess you really do like me," she laughed, cuddling up to my side. Then she was asking me about my afternoon meeting with Kathryn. "What did she tell you?" I asked, a little nervous. "No, you tell me what happened. I don't trust her," she insisted. I told her the whole story, including the ending. In full short-but-sweet detail. "I knew it!" She laughed. "She said you tried to come on to her, and made her grab you there, but she turned you down." "If that's how she wants to tell it that's fine by me. I owe her one; let her have it however she wants." I said "When you went to the movies, what really happened there?" she asked, with her one-track mind. I wasn't sure what her preoccupation was but I finally told her the whole scene, everything I'd done, every liberty I'd taken. At the end I waited in judgment. "She's such a liar. She said you tried to reach inside her pants but she stopped you." "Hardly, I could smell her on my fingers for day afterwards." I laughed. Sheri was lost in thought pressed up against me. My hands were idling rubbing her back, the material of her nightie soft and silky against my fingertips. "I guess there's only one thing she's done with you that we haven't done," Sheri started, and then she slid under the covers and a moment later I felt the warm wetness of her mouth enveloping me. I could see the covers moving as she used her mouth to pleasure me, taking only a few moments to make me hard, and then sucking me like there was no tomorrow. Which, in a way I guess there wasn't. I wanted to see her, so I pulled the covers back and looked down at her. She continued a few more strokes, then shifted and faced me a little more, finally lifting her eyes to watch me, watching her, suck my cock. A few more deep strokes and she pulled off with a smile. "I can see that's one thing you like," she said with a grin. "Like is an understatement." I laughed. She gave me a couple more sucks, and then she straddled me, and rose up to take me inside of her again. I wanted her so bad I could almost scream. She got me positioned right, and then slowly lowered herself the full length of my staff with one long, smooth stroke. Then, settled on my hips, my turgid meat buried in her achingly tight recess, she lifted the bottom of her nightie and pulled it up and over her head. I'd been to several strip shows before that, but never in my life had I seen anything so beautiful or so erotic. I could feel my pulse in my cock, throbbing inside her. She opened her eyes wide, and looked down between her legs. "Wow, I could feel that. At least one part of you really likes to see the girls," she laughed, holding her breasts cupped in her hands, and jiggling them for me. "You are the most beautiful thing I've ever seen." I told her. "Right, and now I guess you're going to tell me you love me, just like Kathryn." She said it with a hint of bitterness I didn't understand. "The difference is back then it was the hormones of a 16 year old talking. You on the other hand, I've loved for three years. And you know it." I said, and only as I spoke the words did I realize to my very soul, just how true it was. Sheri didn't answer. She leaned forward and rocked back and forth on my hard cock, enjoying the feeling of controlling the penetration, the pace, the timing. She paced herself to my breathing and excitement. When I started to get really excited she'd slow down and hold me, letting me ease back from the edge. When I was strong and ready, she'd ride me hard. She let my hands explore her as she did the work, and I touched her everywhere I could reach, just wallowing in the sensations. I pulled her down within reach, and tasted her nipples, playing with those perfect globes. The feel of her breasts, that impossible soft pale skin under my lips, making way to the crinkled, tougher skin, peaking to a little nub seemingly designed for me to tease and taste. Finally, after what seemed an eternity of sensual, erotic play, she laid down on me, her breasts pressed against my chest, her mouth on my neck, while she slowly rocked her hips, fucking herself gently on my rod. "Come for me Steve," she said, almost as a command. I reached down and took her full, soft ass cheeks in my hands, grasping them tight, and I held her up a bit off of me, so I could us my hips to drive in and out of her channel more completely. I was able to get a good long stroke established, and I could feel the cool air brushing against my wet shaft each time I pulled outward. We had made love for what seemed ages before she issued that first command for me to come. Now she issued another one. "Tell me again." I couldn't hold back any longer, and didn't want to. I was fucking the prettiest girl I'd ever known; The first girl that I had really badly wanted; The sweet little virgin that I had fantasized about for so long; Whose pretty face had been the image I'd been picturing as I filled enough old gym socks with cum to fill a stadium. "I love you, Sheri. I've loved you as long as I've known you." And with that I pulled her down hard on my cock, coming inside my dream girl again, and absorbing the feeling, knowing I was leaving within hours, not knowing when I'd see her again. "I love you, Steve," she said, I could feel her tears rolling down the side of my face. I looked up to see the sky lightening with the coming dawn, and thought to myself, "That's another one you've got up on Kathryn." I disentangled myself from her limbs and kissed her. "I have to go. Tommy's going to be looking for me any minute." Somehow we had spent the entire night reminiscing, sharing and making love. It was so difficult, but I tore myself from her arms, tucked her in bed, and kissed her goodnight. "Get a couple of hours of sleep; I'll be able to sleep on the bus." I told her. She was still wearing the cross I'd given her. She held it now. "Thanks for the Christmas present." She said with a small sad smile. I kissed her again, and retreated to the bathroom for a quick shower and shave. Back in my room, I dressed, and found a present waiting for me on my suitcase. A 8 by 10 picture of Sheri, as beautiful as I'd ever seen her, with a small inscription on the back. "Merry Christmas. Don't forget about me. Love, Sheri" I had just finished putting it away when Tommy knocked on my door, dragging me out to breakfast, and then off to the bus. The rest of that trip was uneventful; I made it home OK, picked up some presents in Panama, saw some old friends, and made it back to college in one piece. But I'll always recall that first Christmas away from home, and the greatest Christmas present I ever received. Not my first erector set, or the 114 piece Lincoln Log tube. Not my first really Cool bicycle, a purple spider bike with banana seat, big handle bars and a three speed shifter on the bar. Not my first electric guitar, a Fender, and amp, which I think my parents had some second thoughts about. No, Sheri's was the nicest gift I ever received, and probably ever will receive, for Christmas. "Thanks" just doesn't seem to say enough. Based on a post by Tx Tall Tales, in 2 parts, for Literotica

Don't forget to like, subscribe and leave us a comment! Will AI take over the music industry? Will EHX harness the power of the magnetosphere? Will Rhett ever get a haircut? Will Fender take over the guitar universe? All this and more on today's episode.  Thanks so much to the sponsor of today's episode, Sweetwater! Make sure to check out all the gear we use here and more:  https://www.sweetwater.com/shop/dipped-in-tone/ GIVEAWAY (last chance to enter!) Enter for your chance to win a UA Volt 876 Interface:  https://kingsumo.com/g/mn588vm/universal-audio-x-dipped-in-tone-volt-v876-giveaway Check out our website & merch: https://www.dippedintone.com Support us on Patreon: https://www.patreon.com/dippedintone Follow us on Instagram: https://instagram.com/dippedintone Dipped In Tone is: Rhett Shull  https://www.rhettshull.com Zach Broyles / Mythos Pedals  https://mythospedals.com & https://highvoltageguitars.com Produced & Edited by Addison! https://www.instagram.com/addisonsauvan TIME STAMPS 00:00 Intro 00:22 What's new Zach? 01:19 Did Addison die? 01:28 Rhett needs a haircut 03:36 Rhett also got a new puppy 05:41 Inception 09:21 Thanks so much Sweetwater! 11:07 Shoutout Patrons! 11:53 Hot Take 24:27 Tom Morello Partscaster 32:00 Fender is killing right now! 33:16 EHX by JHS - The Big Muff 2 36:55 Pre-Order Josh & Daniel's new book! 38:20 Harnessing power from the earth 41:55 Buckle up for some AI talk 59:29 “Hip Hop isn't real music” 1:00:17 Rig Dip 1:08:25 Thanks again Sweetwater! Some of our favorite gear from 2025 (Affiliate Links): Universal Audio Enigmatic - https://sweetwater.sjv.io/o42Mve Fender Triple Caster - https://sweetwater.sjv.io/qzRMvq Suhr Classic S Antique - https://sweetwater.sjv.io/DyEomG Benson Delay - https://sweetwater.sjv.io/jeEb4b Boss Roland DM-101 - https://sweetwater.sjv.io/K0Nj5A TC 2290 - https://sweetwater.sjv.io/e1oz26 Universal Audio Volt 876 - https://sweetwater.sjv.io/jeko9M Boss Katana 50 Gen3 - https://sweetwater.sjv.io/DyEom5 Shure 545 (new production) - https://sweetwater.sjv.io/ravMyj Echo Fix EFX3 - https://sweetwater.sjv.io/APzZMK Helix Stadium - https://sweetwater.sjv.io/LKVnJa

In this episode of Rising For Our Motherlands, we take listeners on a guided tour of two of Oakland's most powerful and politically significant murals: the Oakland to Palestine Solidarity Mural (completed in 2014) and the SUMUD: Resistance Until Liberation Mural at Uptown Body and Fender (completed in 2024).Oakland to Palestine Solidarity MuralIn the first part of the episode, we walk listeners through the Oakland to Palestine Solidarity Mural, a monumental public artwork that centers the image of the tree as a global symbol of life, resilience, and resistance.Spanning 157 feet wide and 22 feet tall, the mural is composed of nine individual panels, each painted by a different artist or collective. Through distinct interpretations of the tree motif, the mural draws connections between shared histories of colonization, environmental exploitation, the internal exile of Indigenous peoples, and ongoing struggles for justice.Together, these panels form a stunning public tribute to the human spirit and its unassailable right to thrive in the face of political oppression and injustice—wherever it occurs in the world.SUMUD: Resistance Until Liberation MuralLater in the episode, we are joined by Yasmeen, a Bay Area community member involved in the SUMUD mural project, and Al Juthoor, a local Bay Area Dabke group. Yasmeen shares insights into the production process, artistic vision, and political motivations behind the mural.The SUMUD: Resistance Until Liberation Mural is a collaborative project between artists and activists in the U.S. and Palestine. It explores and confronts the deep interconnections between systems of incarceration, colonization, and repression in both places, while affirming the vitality of the Palestinian Liberation Movement. The mural serves both as a memorial to this historical moment and as a living expression of collective struggle—locally and globally.In both the U.S. and Palestine, art is often a political act. This mural stands as a testament to the imagination, brilliance, and creativity of resistance, even under conditions of imprisonment and occupation. As Zionist forces enact ongoing death and destruction in Gaza and Palestine, creating this mural together as a community affirms a shared commitment to resistance, solidarity, and liberation.Sumud is an Arabic word meaning the steadfast will to survive, endure, and remain connected to the land.Featured music & audio clips in this episode: Mohammed Assaf, voices of Emory Douglas, Keven Cooper and Um Eyad, various national & international news segments, and chants from students, local Bay Area activists, and organizers.Graphic includes a portrait of Um Eyad by Art Forces lead artist Susan Greene, in collaboration with Peps 357 (Spoon) and Asha Sudra (Kufiyeh).  Podcast art created by nicole gervacio.Learn more: Oakland to Palestine Mural: https://artforces.org/projects/murals/usa/oakland-palestine-solidarity-mural/Sumud Mural: SumudMuralOakland.org

239 - Tom Paxton and John McCutcheon239 - Tom Paxton and John McCutcheon In episode 239 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/songwriters and guitarists Tom Paxton and John McCutcheon who is also a multi-instrumentalist. He first spoke to John in episode 150. In their conversation he starts with Tom and he tells us about his home in Alexandria, VA, right across the river from Washington, DC and he tells us about starting on trumpet before starting on guitar as a senior in high school. The two tells us about when they first met in Boston in the early '80's and how they came together as songwriting partners during Covid. John describes recording their album “Together Again” in the same room with the exception of Stuart Duncan on fiddle. “Together Again” being their second collaboration after their first “Together”. John discusses his instruments on the album an Ome banjo and Huss and Dalton guitars and Tom tells us about his Martin M-38 he has at home. Tom talks about why he retired from touring and John tells us about his upcoming tour plans and the two tell us about their writing projects. The two discuss their holiday traditions, Tom renting a Virginia ski cabin and John with a huge Cuban Christmas Eve feast and the two have a traditional of writing unconventional Christmas songs. You can find out all you want to know about John at his website: folkmusic.com and for more information on Tom you can go to his website at: tompaxton.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #JohnMcCutcheon #TomPaxton #TogetherAgain #HussandDalton #stuartduncan #FolkMusic #MartinGuitar #OMEBanjos #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

238 - Jeremy Pinnell In episode 238 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer, guitarist and songwriter Jeremy Pinnell. In their conversation Jeremy discusses his home in Southgate, Kentucky and his son, who's 11. Jeremy tells us about starting guitar at 13 and watching his dad in the church band while he was a kid and not being able to listen to secular music and his first musical purchase being the Sex Pistols album. Jeremy describes starting on his dad's Ovation guitar eventually getting a Cort guitar and Gorrilla amp before getting a Fender Paisley Strat and he tells us of his love of Telecasters and using .13 gauge strings and his Harmony that he bought from JD Simo. Jeremy discusses his tour schedule playing both solo and with a band. Jeremy tells us how he got hooked up with Shooter Jennings who produced Jeremy's most recent album “Decades”. Finally Jeremy describes what he does for fun: Ju Jitsu and Kick boxing and Jeremy tells us about his Christmas traditions. To find out more about Jeremy you can go to his website: jeremypinnell.com Please subscribe, like, comment, share and review this podcast! #JeremyPinnell #ShooterJennings #Decades #VintageGuitarMagazine #JDSimo #HarmonyGuitars #FenderTelecaster #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

237 - Ward Davis In episode 237 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer, songwriter and guitarist Ward Davis. In their conversation Ward discusses where he currently lives, Hartsville Tennessee and where he grew up Arkansas and starting on the piano at 6 years old and moving to guitar at 14 after losing at the county fair talent show to a guitar player and then started playing jamborees around the area he lived in. Ward tells us about the shows he's doing now supporting Cody Jinks with his band and his own shows. Ward tells us about his guitars, Larrivee's outfitted with either Fishman or L.R. Baggs pickups and he discusses his telecaster's built by 9 Point Guitars in Louisiana. Ward discusses how he got hooked up with Cody Jinks in the first place and how he got his songs in front of Willie Nelson and Merle Haggard and gives us a lesson in the economics of songwriting. Ward talks about using an alias (Dusty Manchester) at writers rounds to avoid the radius clause. Ward tells us about his new album “Here I Am” which comes out in February and he tells us about working with Brent Mason, Eddie Bayers among others and landing tracks on the Landman TV series. Ward describes why he chose to be on a label as opposed to releasing his album independently. Ward discusses his upcoming tour schedule after the holidays. Finally Ward tells us about collecting historical documents and books from the 1800's and his love of thrift stores and his relationships and sobriety. To find out more about Ward you can go to his website: warddavismusic.com Please subscribe, like, comment, share and review this podcast! #WardDavis #CodyJinks #HereIAm #VintageGuitarMagazine #Landman #DustyManchester #LarriveeGuitars #9PointsGuitars#lrbaggs #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

236 - the Protomen (Raul Panther III and Shock Magnum) In episode 236 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Raul Panther III and Shock Magnum from the Protomen. In their conversation the two tell us about their history with band which has been around since 2005 and has quite the ravenous fan base. Both Raul and Shock tell us about their roles in the band both playing guitar and Raul singing lead and playing keyboards as well. They both talk about their base which is Nashville and where the grew up and Raul tells us about singing at an early age backing John Denver and Shock tells us about learning guitar from his brother. Raul takes us through the history of the band which started as a project from fellow MTSU students and the two tell us about their songs that have been used in tv shows and commercials and they talk about what venues they usually play. Raul and Shock discuss the Protomen's new album “Act III: This City Made Us” and they talk gear: Shock's Gibson's and Orange amps and Raul's Tom Anderson Raven through a Kemper profiler. The two tell us about what they do outside of music: family and working in the garage. To find out more about the Protomen you can go to their website: protomen.com Please subscribe, like, comment, share and review this podcast! #theProtomen #RaulPantherIII #ShockMagnum #ActIIIThisCityMadeUs #VintageGuitarMagazine #TomAndersonGuitars #GibsonGuitar #OrangeAmps #JamesPatrickRegan #KemperProfiler #MTSU #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

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Episode 611 is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10%⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Vox Micro Super Beetle Audio⁠⁠⁠ Use code CHP to save 10%⁠⁠Vox Micro Superbeetle Guitar⁠⁠Check out the ⁠⁠⁠Hinomi CHAIRS!⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126But maybe we're not hard enough on Fender and Gibson00:00 Intro01:03 Are guitarists too hard on Gibson and Fender?51:11 Rainbow Boogie Bass58:10 Thanks Patreon!1:00:28 Coffin Fuzz1:04:28 Ryan went camping1:11:06 Vintage Tape1:17:38 This song was sent by Garden Horse and is called "A Little Ocean"*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠+⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram @60cyclehum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#60cyclehum #guitar #guitars

Nate Wilcox and Ed Ward conclude their discussion of Ed's ⁠⁠⁠⁠⁠⁠⁠⁠⁠"History of Rock & Roll 1920-1963⁠⁠⁠⁠ "⁠⁠⁠⁠⁠⁠ with part two of 1963. We'll hear about about the Lebanese Restaurant that birthed surf music and saved Fender guitars, how Murray Wilson's failed musical career laid the groundwork for his sons' amazing success, how Columbia buried Bob Dylan's first attempt to go rock, and the split between kids singing “My Boyfriend's Back” and those singing “Blowing in the Wind.” We talk about Stevie Wonder's first hit and why you can hear someone shouting “what key? What key?” in the background, the mystery of Smokey Robinson's failure to get a hit with the Supremes and we finally get to England and talk about the Beatles and the Rolling Stones and the revolution they triggered and would bring to America in 1964. ⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the festive edition of Beginner Guitar Academy! As we kick off December, Paul Andrews shares a comprehensive gift guide for beginner guitarists, perfect for Christmas wishlists or for anyone shopping for a guitar-loving friend. This episode covers essential accessories that beginner guitar players will truly appreciate, products to avoid, and tips for selecting quality gear that actually gets used rather than languishing in a drawer.Key HighlightsAcademy UpdatesMonthly Academy Show is live on the site, featuring new content releases, member shout-outs for level assessments, progress checks, and guitar-versaries. Special mention to Ken on his four-year guitar-versary!Upcoming December events:Sip and Strum: December 14th, featuring “Run Rudolph Run” by Chuck Berry.Live Q&A: December 22nd, the final session of the year, join live or pre-submit questions.Gift Guide – What to BuyStocking Fillers (Under £20)Clip-on Tuners: Essential for beginners; reliable brands like D'Addario, Fender, or Boss recommended over cheap alternatives.Capos: Great for playing more songs and simplifying chords. Brand examples: G7th, Kaiser, Jim Dunlop.Picks/Plectrums: Variety packs are ideal for experimentation with thickness and material (Dunlop recommended).String Winder & Cutter: Handy for changing strings efficiently.Strap Locks: Protects guitar from accidental drops; options include simple rubber locks or upgraded locking systems.Useful Upgrades (£20–£50)Quality Guitar Strap:Paul Andrews recommends the Ernie Ball Polylock for built-in strap locks and durability.Sturdy Music Stand: Skip foldable models and choose heavy-duty or orchestral stands for stability and better posture.Cleaning Kits: Brands like Dunlop and Ernie Ball offer comprehensive kits (fretboard conditioner, polish, string cleaner).Metronome: Korg MA2 is recommended for practice; digital options have more features.Foot Stool: Helpful for guitar posture, especially in classical position.Bigger Gifts (Above £100)Amps: The Spark series is highlighted as the best beginner amp currently, including the Spark Go, Mini, and Spark 2.Headphones: Audio-Technica ATH series for decent monitoring, or consider Boss and Positive Grid's “amp-in-headphones” for advanced practice.Tablet/Phone Stands: Hercules stands for durability and versatility in digital practicing.Online LearningPaul Andrews explains how to gift a Beginner Guitar Academy subscription—easy steps available via the website.What NOT to BuyCheap Accessories: Budget tuners, capos, and especially guitars can be unreliable and uncomfortable. Spend a bit more for usability and enjoyment.Low-Quality Effects Pedals: Cheap pedals often sound disappointing; aim for reputable brands like Boss, Zoom, or Line6.Guitar Gadgets: Avoid unnecessary hand exercisers, finger stretchers, or plastic finger protectors—best hand training is on the guitar itself.Wall Hangers Without Proper Hardware: Risky for your instrument.Picks for Beginners: Stay away from thick picks; variety packs with thin picks are best for new players.Top Gift RecommendationA Professional Guitar Setup is the ultimate “service” for your...

Brian, Blake, and Richard are back for Episode 594 of the Chasing Tone Podcast - Brian breaks the Internet as Wampler debut The Compulsion DriveBrian has turned into Pedal Santa and Richard has been making new friends by daring to try something experimental on the Internet and the guys discuss it. Fair warning - there may be some ranting as there was a bit of a pile-on and our intrepid British King of Fuzz had to fight them off at the drawbridge (insert trumpet sound here). Wampler released The Compulsion Drive (TCD) which was Brian's tribute to a famous circuit and it has proved very popular for a number of reasons. The guys discuss some of the modifications Brian made, the special not-so-hidden dip-switches, and talk a little about some of the design choices that were made. Ozzy Osbourne's estate have put out a T-shirt that made the guys giggle in a puerile way and so it needs to be discussed. Meanwhile Josh Scott of JHS has been working on a new charity project and it has impressed Richard into sarcasm submission. Fender have launched a new Masterbuilt Dave Murray Strat and it is gorgeousRichard wishes he was a bot farm, Grizzly Wintergreen, Dog woes, The 2 Daves, Keeley Nocturne, Barry Tone...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Courses and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Youtube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

The legendary country musician and his right-hand man, guitarist Kenny Vaughan, prove that Fender guitars through Fender amps can still take you a long way in this world.Watch the full Rig Rundown: https://www.premierguitar.com/videos/rig-rundown/marty-stuart

On this episode we are joined by Fender Master Builder Brian Thrasher! We discuss his background, working at Fender, making the Starcaster for Tom DeLonge, and "The Ad Astra Ten" limited edition guitars for To The Stars.Host/Produced by: poppincurbsPod IG: 182newspod"The Ad Astra Ten" release on 11/28 and 9am PST at: tothestars.mediaFull video version available on YouTube:https://youtu.be/numR_tdlZnw