Podcasts about Fender

Today our hosts chat with Zak Sherman of The Audio Cultivation Project. They talk about his entrance into pedal building coming at an early stage in his musical development, and how that leads to designs that come from an unexpected place. They also talk about the upcoming Midwest Pedal Fest, and why he and Alec Breslow chose to host it in Detroit. And of course, they talk about his chosen object: a particularly modded Telecaster that speaks to who he is as a player and pedal designer. They try to tackle the important questions, like what is a Telecaster, what is the midwest, and who in this room is a poser? Check out The Audio Cultivation Project: https://audiocultivationproject.bigcartel.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise, @audiocultivationproject Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

This week, Adam recaps a nearly perfect live band karaoke night, including a packed room, a prospective wedding client who actually showed up, singing with his dad, and a sound engineer powering through a broken foot.The guys also introduce a new look back at this week in Cover Band Confidential history before abandoning the planned topic entirely to address Fender CEO Bud Cole's comparison of cover bands to “analog AI.”It is an analogy that manages to misunderstand cover musicians, generative AI, copyright, royalties, musicianship, and a significant portion of Fender's own customer base all at once.Adam and Dan break down why performing an existing song is not remotely the same as generating content from uncredited source material, how working bands help sustain the music economy, and why Fender probably should not diminish the musicians buying its instruments.Cover bands are not artificial intelligence. We are actual intelligence.Most of us, anyway.Episode Links: -Block Parties, Bombshells, and Bloody Knuckles- 08-01-25-Music, Politics (and the art of keeping your mouth shut)- 07-25-24-The Three Things You Need To Succeed- 07-27-23-Weaponizing The Audience's Nostalgia- 07-28-22-The Magic Word 07-29-2021-Nick Niespodziani of Yacht Rock Revue (Vulture Article this week) 07-2020-061 (Running your Band like a Business)- 07-29-19-018 (Finding bandmates and building relationships with venues) 07-26-2018Sweetwater Affilate Link: https://sweetwater.sjv.io/xJE4rk  BACTrack Affiliate Link: https://www.bactrack.com/coverbandconfidential  MaestroDMX (10% off discount link): https://maestrodmx.com/discount/DISCOUNT4CBC?redirect=%2Fproducts%2FmaestrodmxBlank Contracts & Riders: https://www.coverbandconfidential.com/store/performance-contractsBacking Track Resources: https://www.coverbandconfidential.com/store/backing-track-resourcesThank you so much for tuning in!  If you want to help be sure to like, subscribe and share with your friends!  BANDLEADER RESOURCES: https://www.coverbandconfidential.com/links Consider supporting us on Patreon! www.patreon.com/coverbandconfidential

"Tammy and I have decided to retire from our jobs and also from creating the Rock School Radio show. I know this is the 744th show on PRX but it's actually our 997th show overall. We will do this show and three more, ending on our 1000th show. To that end, in this show we will announce some musicians who might be retiring soon themselves. We will list the oldest people touring this summer."

On today's episode of Ask Zac, we are diving deep into the life, career, and brilliant innovations of one of the most important former Fender employees and guitar builders in history: Phil Kubicki.While many modern bass players know him for his radical, headless Factor Bass from the 1985 era, Kubicki's impact on the guitar world started decades earlier. We track his journey from building classical guitars at age 15 to walking into the Fender factory in January 1964, where he was hand-picked to help launch their new acoustic division.From there, Phil moved into Fender's R&D department, where he had his hands on some of the company's most iconic historic releases, including the Telecaster Thinline, the Starcaster, the three-bolt neck micro-tilt system, and Fender's high-end archtops like the LTD and Montego. Most famously, Phil is the man who hand-built the legendary All-Rosewood Telecaster used by George Harrison on the Apple Corps rooftop concert.We'll also look at his post-Fender years in Santa Barbara, his fascinating early partnership with Seymour Duncan (the short-lived K&D Guitars), and look at some incredibly rare Kubicki instruments and parts up close—including a very unique short-scale travel guitar and my own personal 1982 Kubicki Telecaster body with a great country music pedigree.TIMESTAMPS0:00 - Introduction to an Unsung Innovator: Phil Kubicki1:59 - From Classical Guitars to the 1964 Fender Factory Tour4:05 - The Fender R&D Era: Thinline, Starcaster, and Archtops5:27 - Hand-Building George Harrison's Iconic Rosewood Telecaster6:02 - Leaving CBS Fender & The Seymour Duncan Connection (K&D Guitars)7:32 - Gear Deep Dive: My Personal 1982 Custom Kubicki Tele Body9:06 - High-Stakes Luthiery: Routing Albert Lee's B-Bender10:33 - The Rare Kubicki "Vintage Guitars" Tele Prototype12:02 - Demo: The Early 80s Kubicki "Arrow" Short-Scale Travel Guitar15:07 - John Fogerty's Famous "Centerfield" Baseball Bat Guitar16:26 - The 1985 Factor Bass, Later Years, and Phil's LegacyGEAR FEATURED IN THIS VIDEO:1982 Custom Phil Kubicki Telecaster Body (Swamp Ash, Single Bound)Early 1980s Phil Kubicki "Arrow" Mini Guitar (Seymour Duncan Quarter Pounder Pickup)Rare Kubicki "Vintage Guitars" Contoured Telecaster Prototypewww.truetone.comSUPPORT THE CHANNEL:Pick up an Ask Zac T-Shirt or Coffee Mug: https://ask-zac-shop.fourthwall.comJoin the Patreon Community: Patreon  https://www.patreon.com/AskZac Tip Jar: https://paypal.me/AskZac                     Venmo @AskZac#PhilKubicki #FenderHistory #AskZac #GuitarHistory #GeorgeHarrison #SeymourDuncan #CustomGuitars #VintageFender #Guitarist #Luthier #FactorBass #JohnFogertySupport the show

Ever wondered why the 1970s Fender Telecaster Custom and Telecaster Deluxe are some of the most misunderstood guitars Fender ever built? In this episode of Ask Zac, we take a deep dive into these "wicked stepchildren" of the Telecaster family and uncover what makes them so unique.We'll explore the fascinating story of Seth Lover's Wide Range Humbucker, why Fender hired the inventor of Gibson's legendary humbucker, and how these guitars were designed to compete directly with Gibson in the 1970s. Along the way, we'll compare the Telecaster Custom and Deluxe to a traditional Telecaster, discuss the CBS-era design changes, demonstrate their unique tones, and look at the famous players who made them part of their sound, including Keith Richards.In this video:• The history of Seth Lover's Wide Range Humbucker• Why Fender created the Telecaster Custom and Deluxe• CBS-era features: Micro-Tilt, bullet truss rod, and three-bolt necks• Gibson-style wiring and why it makes these guitars so versatile• Tone demonstrations and pickup blending• Keith Richards• What makes these once-overlooked guitars collectible todaywww.truetone.comTo Support the Channel:Patreon  https://www.patreon.com/AskZachttps://ask-zac-shop.fourthwall.comTip jar:  https://paypal.me/AskZacVenmo @AskZacThanks to my Patreon supporters and everyone who helps support the channel!#Telecaster #Fender #VintageGuitars #AskZack #GuitarHistory #WideRangeHumbucker #SethLover #KeithRichards #TelecasterCustom #TelecasterDeluxe #ElectricGuitarSupport the show

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It's the final week of July, and Player 1 vs The World's StrangeCast is now BACK to officially sign off the month. Following on from last week's episode of The Lost Records Journal — featuring Lost Records: Bloom & Rage star Olivia Lepore (Swann Holloway) — Adnan Riaz and Adam Evalt now switch their full attention to the latest updates around Amazon Prime Video's Life Is Strange TV show.

Som de fleste har fått med seg, har Fender sendt ut "cease and desist"-brev til alle produsenter som lager såkalte S-style gitarer - altså gitarer basert på Fender sin Stratocaster. Fender krever at gitarprodusentene skal slutte å lage Strat-varianter og truer med søksmål.Vi tar opp denne kontroversielle saken i denne episoden av Gittarpodden.

It's the long-awaited episode 168 of the Truth About Vintage Amps, the call-in show where amp tech Skip Simmons fields all of your tube amp and life questions. This week, we kick things off by interviewing one of Skip's clients, Sebastian from Vintage Inspired Pickups! Also: possessed Ampegs, shipping forecasts, and Fender repairs and so much more.  Thank our sponsors: Grez Guitars; Emerald City Guitars; and Amplified Parts / Mod Electronics.  Some of the topics discussed this week: :00 Special Guest: Sebastian Gruenberg of Vintage Inspired Pickups (link); molecular biology; winding pickups, making potentiometers; cryo-tuning magnets; Emerald City Guitars; Gibsonette input jack ground issues; and more! 30:57 What's on Skip's bench: Magnatones; a Sears 40XL Danelectro; Traynors 34:07 Jonathan Richman, charming singer-songwriter and stone mason 36:17 An early National Dobro amp for sale; where's Larry Chung? 38:51 The Fretboard Summit, August 20-22 in Chicago (register here); this year @vintagetubeamplifiers is bringing out a bunch of old & rare amps along with various other contributors/listeners!  39:50 A kitchen cleaning tip, Dutch ovens, Skip's typewriter repair 44:07 Optocoupler repair in a classic Fender 45:57 The BBC's Shipping Forecast (link: https://www.bbc.com/weather/coast-and-sea/shipping-forecast)  48:54 Rattlesnake Milk's 'Midnight Train', quick Asian rice, and TAVA buzzwords 50:54 Output tubes for Skip's Mega Champ amp build (Champ with Soursound transformers) 54:38 A demonic Ampeg B-18N  59:04 A new caster for my 1966 Fender Pro Reverb, 'The Magnificent Charlie Parker' compilation; homemade gumbo; Mike Watt  1:06:12 What should I do with this Masco A-10 project? using a Hammond 166M12 as a Variac; do old black metal pre-amp tubes like the 6SJ7 have glass inside?  1:12:02 A tie story; how can I slow down the tremolo on my modded Silvertone 1484?   1:17:46 Gourmet dog treats    Want to be a part of the show? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too. Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. 

Fender Japan has done it again! The brand's new Limited Active Modern Series introduces some impressive innovations that many players have been asking for—and it raises one big question: Why aren't these features available on more U.S.-made Fenders? The new lineup includes two Stratocasters (SSS and HSS), a Telecaster, and a Modern Jazz Bass, all loaded with modern upgrades while staying true to classic Fender DNA. One of the biggest additions is the new Turbo Tone Boost. Activated with a push/push volume knob, it simulates the sound of a hotter single-coil pickup by electronically increasing the perceived winding effect—giving players a thicker, more powerful tone without changing pickups. Fender Japan also introduces a redesigned five-bolt neck heel, providing easier access to the upper frets while improving stability. The Stratocasters and Telecasters feature elegant body binding, a rare sight on production Fender Strats that gives these guitars a premium custom-shop vibe. Another standout feature is the new SILENCOIL system. Designed to eliminate hum while preserving the authentic tone and attack of traditional single-coils, it works independently from the pickups themselves—meaning players can swap pickups later and still keep the noiseless technology. Built with alder bodies, maple necks, premium fingerboards, and high-quality Japanese craftsmanship, the Active Modern Series blends vintage tone with modern performance. The guitars are available in finishes including Two-Color Sunburst, Feather Gray, Black, Sapphire Blue Transparent, and Vintage Natural. Unfortunately, there's one catch: the entire Active Modern Series is exclusive to Japan. Could these innovations eventually make their way to Fender's U.S. lineup? Many players are hoping so. What do you think? Would you buy one of these Fender Japan Active Modern guitars if they were available in the United States? #FenderJapan #FenderStratocaster #FenderTelecaster #ElectricGuitar

272 - Marc Diamond (the Dwarves) In episode 272 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Marc Diamond guitarist with the Dwarves known as “the Fresh Prince of Darkness”. In their conversation Marc tells us about the trials and tribulations of living in LA and his history with the Dwarves including 26 years with the band and writing and playing on the new record “JENKEM”. Marc discusses growing up in the San Fernando Valley in California and his exposure to music including taking a lesson from Nino DeFranko from the DeFranko family and he tells us about his hero's Steve Jones, Johnny Thunders and Keith Richards. Marc describes getting signed early on during the end of the hair band era and the disappointments of the record industry at that time. Marc takes us through why he stopped touring and his day job as a teacher and his role in choosing the touring guitarists. Marc describes his gear now and through the years and the need for cheaper guitars for touring and the ease of having support acts provide backline. To find out more about Marc you can go to the Dwarves website: thedwarves.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #MarcDiamond. #theDwarves #GibsonGuitar #PunkScene #JENKEM #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast . . . Please like, comment, and share this podcast! Download Link

In Episode 499 of the Reformed Brotherhood, Tony Arsenal and Jesse Schwamb conclude their extended study of Matthew 25 with a close examination of the Sheep and Goats passage (vv. 31–46). The conversation tackles one of the most frequently misread sections in the Gospels — a text often weaponized for works-righteousness or social-justice reductionism — and recovers its deeply Reformed, gospel-saturated meaning. The hosts argue that the works displayed at the final judgment are not meritorious currency but the spontaneous, unselfconscious fruit of transformed hearts. They explore the significance of the sheep's surprise, the inheritance language of the kingdom, unconditional election, and the precise meaning of "the least of these." The result is a theologically rich, pastorally grounding episode that offers genuine assurance to believers while calling the church to practical, ordinary mercy toward its own members. Key Takeaways Works at the final judgment reveal identity, not merit. The sheep are on the right because they are sheep — not because their accumulated deeds earned them a place. Their works flow from a renewed nature, not toward a threshold they must clear. The righteous are surprised — and that surprise is theologically decisive. If the sheep were consciously stacking up merit for judgment, they would have kept careful ledgers. Their inability to recall their own works demolishes any works-righteousness reading of the passage. Inheritance is not wages. Jesus' use of the word "inherit" signals that the kingdom is received by virtue of relationship, not performance — a point reinforced by Paul in Romans 8 and Galatians 4. Election precedes and grounds the works. The kingdom was prepared "before the foundation of the world," meaning the deepest cause of the sheep's blessedness long predates any of their deeds. Works are downstream of grace, never upstream. "The least of these" refers primarily to fellow believers, not to the poor in general. The phrase "my brothers" in verse 40 narrows the referent to members of Christ's body — those who belong to him by adoption, faith, and union with Christ. There is no two-stage justification. The final judgment is not a second review of whether one has done enough. It is a reassertion of the righteousness of Christ already imputed to believers — a public vindication, not a fresh assessment. Practical, ordinary mercy toward the church is the mark of kingdom membership. The six works listed — feeding, giving drink, hospitality, clothing, visiting the sick, visiting the imprisoned — are not heroic or extraordinary. They are the unglamorous, costly, consistent kindness that flows naturally from those who have been made new. Key Concepts The Surprise of the Righteous: A Devastation of Works-Righteousness One of the most theologically loaded moments in Matthew 25:31–46 is the reaction of the righteous at the judgment: "Lord, when did we see you?" They are not feigning humility. They genuinely do not remember. As Jesse Schwamb notes in this episode, this surprise is "devastating to a works-righteousness reading of the passage" — because anyone consciously building a merit ledger would have kept meticulous records. The sheep kept none. Their works flowed so naturally and unselfconsciously from hearts already made new by the Spirit that those works barely registered as remarkable. This is precisely what the Reformed doctrine of sanctification predicts: truly gracious affections issue in Christian practice as the spontaneous fruit of a transformed nature — as natural as a good tree producing good fruit. The works are real, the works matter, but they are not calculated. They are evidence, not currency. Inheritance, Election, and the Order of Grace Jesus does not tell the sheep they earned the kingdom. He tells them to inherit it — and he specifies that it was prepared for them "from the foundation of the world." These two details together form a nearly complete statement of Reformed soteriology embedded in the judgment scene itself. Inheritance, as both Paul and Jesus make clear, is received through relationship and not through performance. An heir does not negotiate terms; an heir receives by virtue of who they are in relation to the testator. Layered on top of this is the language of eternal, unconditional election: the kingdom's preparation predates all human works, good or bad. There is no "looking down the corridor of foreseen merit" here. The sheep's blessedness has its deepest root in the sovereign grace of God exercised in eternity past — which means their works, however real and meaningful, can never be the ground of their standing before the King. "The Least of These": The Church as the Primary Referent A significant and often overlooked interpretive question in Matthew 25 is the identity of "the least of these my brothers" (v. 40). The episode argues, in line with the dominant Reformed and historical reading, that this phrase refers primarily to fellow believers — members of Christ's body who are suffering, vulnerable, or marginalized within the community of faith. The word "brothers" is not incidental. It places the referent in a specific covenantal and familial relationship with Christ. This does not exclude broader applications of mercy — the hosts acknowledge that the principle may extend centrifugally outward — but the center of the text is the church's care for its own. This reading is consistent with Galatians 6:10 ("do good to all people, especially the household of faith"), with Acts 9 (where persecuting the church is persecuting Christ), and with the overall logic of the passage, in which belonging to the King is the decisive category. Memorable Quotes Their works flowed so naturally and unselfconsciously from a renewed heart that they scarcely remembered them, let alone regarded them as currency for salvation. — Jesse Schwamb Sheep are put on the right side because they are sheep, and goats are put on the left side because they are goats — not because they act like sheep or because they act like goats. Those characteristics flow from what they are. They don't make them what they are. — Tony Arsenal God provides grace. Now do all that you can do. That's the Christian way to look at things. He has prepared good works in advance for us to walk in. This is not some sort of measurement of whether or not you're in the kingdom. It's a description of what those who are in the kingdom look like and how they behave. — Tony Arsenal Full Transcript [00:00:08] Jesse Schwamb: Welcome to episode 499 of the Reformed Brotherhood. I'm Jesse.  [00:01:13] Tony Arsenal: And I'm Tony, and this is the podcast with ears to hear. Hey, brother.  [00:01:18] Jesse Schwamb: Hey, brother. Well, we're back. We're back in Matthew 25, and if you haven't been tracking with us for a little while, we've, we've talked about all the parables hanging out in Matthew 25. But what we've been talking about recently is this kind of surprise pop quiz, that's redundant, that Jesus kind of gives at the final judgment, and he talks about separating these groups into sheep, into goats, and the sheep aren't shocked that they get into heaven. They're shocked that their quiet, kind of unglamorous kindness apparently got tallied at all. And because all of these good works apparently are done from a heart already made new, have a way of sneaking past even their own doers' notice. But then there's this other group, the goats, and they learn the hard way that they never really did anything for anybody. And it's not a great look when your deeds are just faith's paper trail. And so Jesus has a lot to say to us in this, what we're calling, like, parable adjacent kind of message that he gives. Summarizing these three- Yeah ... great teachings, here comes all of this really direct and explicit instruction about, uh, the final judgment, which by the way is impossible for me now to hear or say without thinking of the final countdown. [00:02:30] Tony Arsenal: The final judgment.  [00:02:32] Jesse Schwamb: I was hope- I was hoping you would sing us into that, and it was beautiful. Yeah. It was fantastic.  I  [00:02:36] Tony Arsenal: try. I  try.  [00:02:37] Jesse Schwamb: So I think on this episode we got a lot to say in our ongoing conversation about this judgment, about these deeds, these works. What are they? What is their purpose, especially for these different groups of sheeps and goats? What's the deal?  [00:02:52] Affirm Deny Segment [00:02:52] Jesse Schwamb: So we'll get to all of that in just a second, but first, it's that blessed and glorious time in every Reformed Brotherhood conversation where we either affirm with something that is something that we really like, think is understated, that's really is not getting the attention, people are sleeping on, or conversely, we deny against something that just isn't that cool, just is not that great. So Tony, are you affirming with something or are you gonna deny against something today?  [00:03:17] Tony Arsenal: I'm affirming with something. I'm not sure how long this has been a thing. I stumbled upon it, uh, a little while ago, and it's been in my affirmations list for a couple weeks. Um, and I'm also not 100% sure that this is available to every Logos Bible user. So those are the caveats.  [00:03:33] Logos Minutes Reading Plans [00:03:33] Tony Arsenal: Um, what I stumbled upon is if you create a reading plan now, instead of saying, "I wanna finish this book by this date or in this number of sessions," uh, you can say, "I wanna finish this book by reading X minutes a day," which is great. Um, it's a, it's a feature that I've, I thought, like, why didn't they have this a long time ago? Because a lot of times you want to sort of set aside a certain amount of time a day. Maybe it's 15, 20 minutes of Bible reading. Maybe it's five minutes of Bible reading. Maybe it's 30 minutes of- Bavinck or Calvin or whatever you're reading. So what you can do now is you tell it the page range or you tell it, "I wanna read the whole book." Uh, you could do, you know, passages or verse ranges or sections of the Bible. And then where you normally in the next screen where it would ask you, uh, how many days you wanna read, how many sessions, or whether you wanna read until a certain date, there's a new option. And so it just divides that up based on the amount of time. What's really slick is it will actually break pages in half. Nice. So, like, if you have a short, um, either a short amount of pages that you wanna read, and it's kinda like I wanna read for two or three minutes a day, and two minutes is not a whole page. I run into this when I'm reading Matthew Henry when I'm preparing for sermons, because for whatever reason, uh, maybe it's just the Logos page pagination, but the pages are really long. Like, a one page of Matthew Henry's commentary will sometimes take, like, 10 or 15 minutes to read, which is obnoxious. Um, I think it's just that the pages are just, like... I don't know, I think it's just long pages. Um, but if you say I wanna read this one page and I wanna read for five minutes a day, it'll actually split the page up, um, into chunks based on the word count and whatnot. And obviously, that five minutes is, it's not calculating how quickly you read, like, uh, Kindle does sometimes when you're doing that.  [00:05:25] Jesse Schwamb: Right.  [00:05:25] Tony Arsenal: Um, so it's basing that on an average reading speed. So if you're a little faster, uh, of a reader, then it'll be, you know, you'll get done a little quicker, and it might take you a little longer if you're slower. But it's a really slick feature, and I think it's, like I said, I think most of us If we wanna be diligent to read whatever it is we're reading, whether it's the Bible or other theological works, um, we want to set aside time, and we wanna sorta time block. We've talked a lot about productivity, um, in this podcast. We wanna, like, time block our time so it's protected and it's, it's set aside for that task or for that purpose, and this is a great way to do it. So you just put it on your calendar. You say, "I've got 15 minutes that's set aside to read the Bible in the morning, and I know that it's gonna be a digestible chunk." And then it's a, you know, it's no longer a, a date-bound reading plan, so there's no falling behind. If you miss a day, it just means you pick up the next day. Right. So it's a great way to do it. Again, not that there's anything wrong with time-bound reading plans or deadlines, but it's a little bit of a different way to make sure that you're getting into the Word or whatever book you're reading, uh, consistently. [00:06:30] Jesse Schwamb: That's definitely a feature that I think people are sleeping on in Logos. I have that too, so I don't know if, like you said, it is d- coupled with some kind of particular package or dependent on that.  [00:06:40] Stress Free Reading Habits [00:06:40] Jesse Schwamb: But generally, I think maybe we haven't spoken enough about, like, just making what- whatever it looks like, stress-free reading plans, because I was also reading some stuff by Ryan Holiday recently, and just the reminder of how there really is a fair amount of time to read, to actually consume, like- Yeah good written material. And really, it's maybe a little bit more about how, like, we understand walking and the benefits of walking now. You don't need to, like, set aside 20 or 30 minutes to go for a walk. Even going for, like, a quick burst of three to five minutes is so happy and healthful for you. And so I think- Yeah that in the same way, we actually do have more time to read than we think, and if you wanna, like, consume material and learn more things or just become more meditative in your thoughts spiritually, I think if you create the plan, that's just another thing to, like, help you on the way. But it's gotta be one that's, like, stress-free, like you're saying, and that's what I like about the Logos. You just set it up, and every time you go back into it, it's kinda asynchronous, and so, like, it just starts you off with wherever you're at. It's never gonna, like, pop up and be like, "You missed a day, and now you owe me 60 pages." Yeah. "Get on the ground and give it to me." Like, it's, it's not gonna be like that. So I love the joy of having the plan before you, and then that means that when the time comes, you're like, "Oh, I got a couple minutes," you can just go there. It can guide you into that reading, like, easily, succinctly, with low barriers, and make you feel happy and feel, like, that joy of reading again.  [00:08:04] Tony Arsenal: Yeah. Yeah, I, I think it's great. And, you know, I think sometimes we fall into this trap, and you kind of alluded to it. Like, you fall into this trap that if you don't, uh, if you don't have, like, 20, 30 minutes to sit and read, that it's not worth it. Right. Right. And I know I used to fall into that trap, where I felt like if I didn't sit down and read an entire chapter, that I somehow was not actually, like, getting the material. But I think most of us have some sort of regular, uh, like, waste time. Uh, and what I mean is, like, for me, I ride the bus home every, like, every day. Most days I ride the bus home, and I know that's about a 25, 30-minute period of time that, um, I can choose to, like, scroll Twitter, and that's fine. Like, it's fine to do that. I can listen to podcasts. Um, I can do all sorts of stuff. I play video games on my tablet. Um, or I could set aside 15 of those minutes and have a p- sort of a preset reading. And you will be surprised, or maybe you won't. Maybe I'm the only one who's been surprised at this, but I think you'll be surprised uh, to find how quickly you actually move through material, even at- Right something like five minutes a day. So just for example, Joel Beeke's, uh, Systematic Theology Volume 1 is about 28 hours worth of reading, at least according to Logos. If you set aside 15 minutes per day, you will finish that reading in approximately 114 sessions. So that's not that long. That's not bad. That's like a third of a year. That's not bad, yeah. So you could, you could read through all of Joel Beeke, which is thousands of pages. I mean, we're talking, we're talking four, four different five or 600 page volumes. Um, and this, this actually is counting, like, the table of contents and the index, so, like, not all of it is what you're gonna read. You could read through that whole thing in under a year and a half if you just set aside 10 or 15 minutes. Um, and obviously if you have more time, maybe you have a 45 minute, um, bus ride home or, you know, you, you regularly have doctor's appointments and you know you're gonna be in the waiting room two days a week every week or something like that, this is a great way to just make sure you've got something set aside. Like your dad always says, you always say, like, "Bring a book." Well- That's right ... this is not only bring a book, but it's bring a book with like a s- like a set chunk of that book set aside for that time period. So maybe it's your lunch break, maybe it's the walk in from the bus stop, whatever it is. Um, I think it's, it's pretty straightforward. And all the old features, like all the old ways of setting up reading plans are still there. They're not eliminating those. Um, and this is just a great way, I think, to get, kind of get your reps in. Like, sometimes you just have to do the work and- Right ... get your reps in.  [00:10:45] Jesse Schwamb: Get it.  [00:10:45] Tony Arsenal: And this is a low pressure, this is a low pressure way to do it. It's not, um, it's not setting aside specific amounts of, uh, dates or anything like that. So yeah, check it out. It's, it's super easy to access, it's the same way you would always make a reading, um, like a reading goal. Um, and you actually can still set a regular reading schedule even with this feature. You could still say, "I wanna read Monday, Wednesday, Friday." You could say, "I don't wanna have a schedule at all," which means you just, when you click on it, it just brings you to the next section, but there's never any reminders. So they actually really are, like, expanding the way that, uh, you're able to generate these reading plans. The one thing I wish they had that I'm not sure why they don't, I wish they had a dynamic catch-up feature where, like, if you were... You know, let's say I wanted to finish this book and I wanted to finish it by, I don't know, the end of the year, and I missed a couple days or I missed a week, I wish there was a way to push a button and have it just redistribute the remaining readings out across- Right ... what's left of the reading plan. That's not there. That's a... If you're listening, Logos, or someone who works at Logos, that's what we need. I've told you that before. Why haven't you listened to me? But, um, uh, yeah, we need that. But th- this is a good start too, because again, it's, it's not, um- It's not making you do a deadline. Right. So it's much more relaxed paced. [00:11:59] Jesse Schwamb: Exactly. Exactly. That's one of the things I love about it.  [00:12:03] Burst Reading Benefits [00:12:03] Jesse Schwamb: Uh, let me make, like, one more plea if you're, like, like you're listening and you're unconvinced about this burst style reading, and that is I've been so convinced that that kind of consumption can be really helpful to processing reading. Because especially if it's like, say you're reading something of the Puritans or something relatively deep, there is something to be said of course for, like, being able to sit down if you have all this time and just kind of read to get the flow. But what I think even there I struggle with is some things are worth stopping and thinking about, and this forces- Yeah ... some kind of meditation that happens in the background anyway, and I've found that to be so helpful. Like, it kind of just creates a little bit of attentional space by way of making you walk away from the thing that you just read. And also, if you know that you've only got this short little time span available, I think I'm prone to read kind of in a different way with a little bit more focus.  [00:12:52] Tony Arsenal: Yeah.  [00:12:53] Jesse Schwamb: And then I find myself really thinking about some of those things. And some of the things that you and I talk about, the things that we love to read, are worth stopping and considering. And so it's too easy to be like, "Well, I just, I need to hit the page number. I gotta get the count in. I wanna get this volume finished." Yeah. And that's great, but at the same time, like presumably, like we read to comprehend, we read to put into practice, we read to, like, help us build wisdom and to process the world and to understand things in a more robust and profound way, and that can really only happen with that kind of spacing. So this builds in some spacing, so embrace that as I think a feature and not a bug maybe of some good reading.  [00:13:29] Tony Arsenal: Yeah. Yeah, it's funny you, you mentioned Ryan Holiday earlier. One of the things I appreciate about his, um, at least most of his books, I've only read the sort of the Stoic Wisdom series, but, um, he keeps his chapters super short. [00:13:40] Jesse Schwamb: Yeah.  [00:13:40] Tony Arsenal: So, like, part of that is sort of the self-help grocery store format that he's, he's going for. Um, not that it's... It's not empty calories, that's not what I'm saying. I think sometimes that is implied there. But he keeps his chapters short, so it's very easy, like, to just pick up. I'm working through Discipline Is Destiny right now. It's the one I'm reading now. It's very easy to just pick it up and be like, "I'm gonna read one chapter," and it's, like, five, 10 minutes long. Um, and the chapters are... They're not identical, but they repeat enough themes that, like, y- you don't need to really, like, sit down and really, like, cram through it to get the concept. Right. But you'll read through and you'll get the concept over and over again. And I actually think the Puritans can... Some of the Puritans can be that same way, where they say the same thing- Right ... slightly differently over and over again. Um, another book that reminds me of that is, um, Knowing Christ by Mark Jones, which we talked, but that's a, it's weird that that's actually kind of an old book now. Um- Right ... I think it's coming up on close to a decade now since it came out. Um, but those chapters are super short, 10, 15 minutes. So this kind of at a burst reading, session reading, rap reading, whatever you wanna call it, it's actually super productive and it's, it is, you're right, it's very good for meditation because you are taking time to do it. You're doing it consistently, so it's kind of, it's kind of like hammering itself into your head. Um, but it's not, it's not so much time that it, you get, like, reading fatigue.  [00:15:01] Jesse Schwamb: Right. Right. Exactly. That's a beautiful thing.  [00:15:04] Tony Arsenal: Yeah.  [00:15:05] Jesse Schwamb: I, I agree. Like, it's reading all kinds of ways, but one of the things that Ryan Holiday was recently convicted me of is, like, he talks about how many things he's able to consume. People are always like, "How are you able to read all those books with all the traveling, all the different things, engagements that you have?" And he's like, "Because I just read all the time. I read when I'm-" Right ... waiting at the post office. I read when I have, like, literally three minutes between doing something or picking up a kid, that, that I read." And I don't know, I kinda like that idea. I, I... he's not ashamed to be like, "If that's... If I have 30 seconds, I probably just pull up a book," because I think that that's even- Yeah ... valuable space in which to consume good writing. So, and when I r- I, I, like, subscribe to all, maybe like you, like all these different feeds, all these lists. There are just- Yeah ... so many things I wanna read. My to-read list is so stacked, pun intended, and it's like books of- I know ... all kinds. And then I'm in this space now where I find that as I'm getting older, again, one, like suddenly birds continue to be interesting to me in new ways that I never anticipated, and the second thing is, like, suddenly I wanna read all this history. And so, like, now there's like this whole, where it never really appealed to me before, now there's like this, all this new, like, vistas opened up, and I'm like, "Who has time for this?" So- Yeah ... maybe the idea is to just, again, consume it in bites. And I'm beginning to really appreciate that as an effective strategy for not, like, re- necessarily reading more, but learning more, and learning it better. [00:16:26] Tony Arsenal: Yeah. Yeah. And I actually think it is probably an effective strategy for reading more for most people. I know it has been for me- True ... to just sit down and do, do a few minutes at a time. Um- Just get it ... I've got kids, there's work to do. Like, it's, y- you're not gonna be able to... Most, I think most of our listeners are probably not in a- stage of life anymore where you can really devote hours to study like you maybe you could when you were in your 20s, where you just- Right you had a job and you didn't have much else responsibility. You, you just, you know, you just had things to do. Uh, it's not like that for most of us anymore. So being able to take five, 10 minutes and, and read a book is probably a luxury, but it's probably a luxury that we could, we could probably structure our lives and make that more of a reality. Right. And this feature in Logos will help you do that with really any theological book you can practically think you wanna get your hands on that's available on Logos. So Jesse- Right ... we could talk about reading all night every night, and we- ... love to read, but that's not what this podcast is about today. So why don't you tell us what you're affirming or denying?  [00:17:27] Jesse Schwamb: Yeah.  [00:17:27] Jesse Book Pick Perkins [00:17:27] Jesse Schwamb: Well, now, now I'm gonna switch it up because I had a book, and so, like, it just seems like people are gonna be like, "Oh, of course," and you just rolled right into that. So the quick affirmation is more Puritan stuff, A Perfect Redeemer by William Perkins. That's this week's book, so you should do that. I don't know if it's available on Logos. I presume that it is, and you can set up your own reading plan, and it's beautiful and amazing, and Perkins makes a case that true satisfaction isn't found in things, but in Christ. He tears down all these illusions of self-sufficiency and points us to rest fully in God's grace. It's beautiful. It's glorious. It's practical. It's like 27, to your point, Tony, 27, I think, like, really brief chapters. Perfect for the bus. Like, it's prime bus reading.  [00:18:05] Tony Arsenal: Yeah.  [00:18:06] Jesse Schwamb: So yeah, that's affirmation. Okay.  [00:18:07] Denial Dying Guitar Batteries [00:18:07] Jesse Schwamb: Here's a denial, 'cause I've rarely do denials, but as you were speaking I was reminded of one that came up this morning that maybe is only going to really resonate with a small group, but I think if you know, you know. I was actually, this denial was constructed out of a conversation I had with a dear brother this morning, who I think was sharing the denial with me, uh, but might have been suspicious entirely of what I was going after. But it's this. A lot of, I'm trying to think how to set this up properly so it's, like, explained to a wider audience. So a lot of guitar instruments, that's a weird way to say this, but, like, I'm talking about guitars that have to be plugged in, have some kind of, like, onboard electronics. But principally, like, electric instruments. I'm talking about, like, electric bass, electric guitar. They usually have what's called, like, a preamp in them, which means that the signal is essentially being set up before it goes to the board, and that process requires some power. And so generally those instruments have, like, a little, you know, battery that goes in them, uh, uh, different kinds. Here's my denial. I don't know why so many of these instruments, including the- most of the ones that I own, have no nothing, no indicator to tell you how close that battery is to dying. And so what happens is- Yeah you, I think every musician, everybody who plays an instrument of, of this nature has had this happen to them, where they need to play it in a critical environment, and then the battery dies. And why I'm denying this is because this came up for me yesterday, where I was, had the benefit of playing at a church event, but it was with my acoustic electric guitar. It, it's a Martin D-16. It's a beautiful guitar. But even the Martin, it doesn't have an indicator on it. And so, like, I always swap out the battery, which I think is probably pretty wasteful, because I knew I had to leave this guitar plugged in on stage for, like, almost two and a half hours before it was gonna be used, and whenever it's plugged in, it's drawing the power. And so, so many times you get halfway through, you're playing, you're in a worship set or you're making music with people, and it just goes out on you, and when it goes out, there's no way to get the sound back except for, at least in my instrument, you have to unplug it, you have to pop out the battery, you have to put it back in. There's no, nothing discreet about this. There's nothing convenient about this. And there's certainly nothing- ... like, noiseless about that, especially if the person running sound is not being- Doesn't know ... very, like, adept with how they're handling the instrument so that you don't, like, blow people's ears out as you try to replace the battery. So I'm just wondering about this. Like, come on, instrument manufacturers. I know it's probably not pretty to put this somewhere, but you could put it somewhere discreet. Here's what I just wanna say, though, finally. Um, please don't at me. I know that there are some, especially like acoustic electric guitars, Fender's a good example, like onboard Fishman pickups that have, like, the EQ box. Some of them do have this indicator, but not enough. And if it's, like, an electric guitar- Yeah ... I rarely see this on a pure electric guitar. So please, for the love, just put, like, a little light. Maybe, maybe it turns orange or yellow or red when, like, the battery's about to go. I just, I need to know, because it's, it's so nerve-wracking when you're playing and you're like, "Oh, no. When did I last change this battery? How much longer is this thing going to last?"  [00:21:28] Tony Arsenal: Yeah. You know, I'm, I'm wondering, um, maybe I don't know enough about electrical engineering, but I actually feel like being able to determine when a random battery is starting to lose charge is probably a fairly intricate process, so that might be why, like, there's not as many. It's funny, my Ibanez guitar, which I haven't, I haven't even taken out of its case in years, I just don't, don't have a, a, a real occasion for it anymore, um, it has an indicator on it. So it's funny that you say that 'cause, like-  [00:21:59] Jesse Schwamb: Some do  [00:22:00] Tony Arsenal: Not a cheap guitar, but it's, um- Right ... it's not, yeah, it's not like a super expensive guitar. Uh, and it does have a little indicator. It's just like a little blinking light when the battery- Yes ... starts to go, it just blinks. Um, but yeah, even then, it still... It's funny, I, um, when I was in like high school and, and first couple years of college, I helped out with youth ministry at my church quite a bit, and I would often be on the team that would go, like, down to the camp the day before to set up all the equipment and to, like, get everything ready. And I remember I was always, I was always being told like, "Make sure you change the batteries. Make sure you change the batteries." Right. And like- Right ... it was always my job first thing in the morning to go around to all the microphones and all the guitars and, like, change out all the batteries. And I remember thinking, "This is so wasteful." Right. But then I remember, like, the one time we didn't do it, and it, like, crashed in the middle of, like, the big... And again, like, I don't even know if I would support this model of camp ministry anymore, but it crashed in the middle of, like, the big worship set on, like, the, like, the emotional decision- Yeah for Jesus night. Your altar call- It crashed in the middle of it ... totally blown  [00:23:01] Jesse Schwamb: up.  [00:23:01] Tony Arsenal: Yeah, and it, it, and it did. Like, it affected everything. We had to, like, stop and... So yeah, always, always change your batteries. Um, you know, like, I, you, I, when I was doing musical worship on a regular basis, I just had a couple, like, inexpensive rechargeable batteries that I would swap out at the beginning of each session. I would put the battery that was in my guitar into the charger and the battery that was in the charger into my guitar. Um, and those, those wear out over time too, so that- Right ... you know, that, that's not a healthy charging habit for those batteries, and you go through them faster. But it's better than throwing away a nine-volt battery every couple of, you know, couple of days, so. [00:23:37] Jesse Schwamb: Yeah.  [00:23:37] Tony Arsenal: Yeah. That's annoying. It's, it's obnoxious when that happens. Um,  [00:23:40] Jesse Schwamb: that's, that's why I'm just straight denying against it. I suspect that this is a matter of aesthetics, and that many of these manufacturers don't wanna put something as ugly as a light somewhere on this beautiful instrument, even if it's in, like, a discreet place. That's my guess. Yeah,  [00:23:53] Tony Arsenal: maybe.  [00:23:54] Jesse Schwamb: I also theorize, like, why can't there be an intermediary pedal that would help us with this? So, like, many people, including myself, have a tuning pedal which you can essentially bypass, and you, you engage it when you wanna tune. Why can't that draw... I, I think it should be relatively straightforward, but who knows? But either way, all I need is just a heads-up. I don't need like a, "You have, you know, 16% left," or, "You have 2.67 hours left." I just need to know that it's not gonna fail me at this most critical time. Like, just tell me to swap it. That's all, that's all, that's all you have to say. Yeah. Just tell me to swap it. So I'm sure it's more complicated than this, but I think it might be a matter of, of beauty over function and purpose- Maybe ... because-  [00:24:33] Tony Arsenal: Yeah.  [00:24:34] Jesse Schwamb: Yeah, that's probably- Many, many are particular about that kind of thing Yeah. So anyway- Yeah ... yeah, I, that's maybe... I like what you said, Tony. It's maybe a good PSA. Like, change your batteries often and frequently. Don't be like me. Don't be in that position where all of a sudden, I remember I was leading some very acoustic worship on an evening service. It was a very full congregation, probably, like, 200 people. And, uh, we finished up, and somebody had to yell out, uh, "We can't hear your guitar at all." And I'm just up there playing. [00:25:01] Tony Arsenal: Ugh.  [00:25:01] Jesse Schwamb: And yeah. You know, it's distracting. It's one of those things. But-  [00:25:04] Tony Arsenal: Yeah ...  [00:25:05] Jesse Schwamb: um, in the end... Uh, ironically, some people at the end of that were like, "Well, that was really great. It was much better than usual. We heard a lot less guitar." And I was like- ... "Okay."  [00:25:14] Tony Arsenal: My, um, my Ibanez, I never used it, but my Ibanez has an XLR cable in addition to the quarter-inch- Oh and the XLR provides power to the preamp. So that's- See, there you go ... the real solution is just to have a direct XLR, uh, XLR mic cable that goes in, uh, and then you bypass the direct box. Although then you can't, then you can't go into a tuner or pedal. Yes. So-  [00:25:33] Jesse Schwamb: Exactly ...  [00:25:34] Tony Arsenal: pros and cons. Yeah. But-  [00:25:35] Jesse Schwamb: Yeah. It go- it, it, it's all over the place. But let, let's talk about- Yes ... judgment, shall we? Like, what, what-  [00:25:41] Tony Arsenal: Welcome, welcome to the Reformed Guitar Cast for the  [00:25:43] Jesse Schwamb: night. Yes. E- exactly. We could talk all day about books, reading, reading plans, study plans, productivity, and guitars. These are all beautiful things. And  [00:25:51] Tony Arsenal: batteries and  [00:25:52] Jesse Schwamb: electrics. And batteries. Of which, uh, allegedly you can ha- never have enough of any of those things in that group.  [00:25:57] Tony Arsenal: It's true.  [00:25:58] Back To Matthew 25 Reading [00:25:58] Jesse Schwamb: But let's talk about, uh, judgment. And I suppose we should go back to Matthew 25, which we've been hanging out in quite a bit. And someday we'll move out of this passage. Pro- probably not today, but someday- we will actually get beyond it. And I, I know, I know we're 25 minutes in, but I am gonna read again for all of us because Tony and I, you have been resolute in saying that the best parts of our conversations really are the scripture, hearing them and going through them with great depth and a deliberate kind of measured slowness, which we're unapologetic for. And so let's just go to Matthew 25. I'm gonna read verses 31 through 46 with a f- a fair amount of speed, but enough to get us to the place where again, I just want this to be familiar as we speak about it. "But when the Son of Man comes in his glory, and all the angels with him, then he will sit on his glorious throne. And all the nations will be gathered before him, and he will separate them one from another as the shepherd separates the sheep from the goats. And he will put the sheep on his right and the goats on his left. Then the King will say to those on his right, 'Come, you who are blessed by my Father, inherit the kingdom which has been prepared for you from the foundation of the world. For I was hungry, and you gave me something to eat. I was thirsty, and you gave me something to drink. I was a stranger, and you invited me in, naked, and you clothed me. I was sick, and you visited me. I was in prison, and you came to me.' Then the righteous will answer him saying, "Lord, when did we see you hungry and feed you, or thirsty and give you something to drink? And when did we see you a stranger and invite you in, or naked and clothe you? And when did we see you sick or in prison and come to you?" And the King will answer and say to them, "Truly I say to you, to the extent that you did it to one of these brethren of mine, even the least of them, you did it to me." Then he will also say to those on his left, "Depart from me, accursed ones, into the eternal fire which has been prepared for the devil and his angels. For I was hungry and you gave me nothing to eat. I was thirsty and you gave me nothing to drink. I was a stranger and you did not invite me in, naked and you did not clothe me, sick and in prison and you did not visit me." Then they themselves also will answer saying, "Lord, when did we see you hungry or thirsty or a stranger or naked or sick or in prison and did not take care of you?" Then he will answer them saying, "Truly I say to you, to the extent that you did it to one of these, least of these, you did not do it to me." And these will go away into eternal punishment, but the righteous unto eternal life  [00:28:27] Tony Arsenal: Yeah.  [00:28:29] Heavy Passage Rightly Used [00:28:29] Tony Arsenal: Like we said last week, this is a really kinda heavy passage. Um, and it can be, uh... Let me put it this way. It can be used to make, uh, believers fearful in the wrong way. I, I do think the, the passage is to instill fear of God and is inst- to drive us to good works. But it can be used in a way to sort of, as I mentioned last week, it can be used in a way to sort of say, "If you don't do all these good things and you don't measure up, then Jesus never knew you." Um, and, and it implies, or sometimes even fully says that, uh, Jesus comes to know us because of the good works that we do. Right. Right? And that's just not, um, that's just not Christian theology. That's not Reformed theology certainly. Um, it's, it's not Protestant theology, and it's not even really Roman Catholic theology down. Um, but this passage really is more about understanding what marks the life of a person who has already come to faith in Christ. That's right.  [00:29:30] Justification Not Two Stage [00:29:37] Tony Arsenal: What marks the life of someone who has been changed and transformed, uh, to be like their master, like their king. Um, so, so this passage doesn't try to teach us what we have to do to merit eternal life. Um, this isn't... A- and maybe we'll get into some of this, I don't know if we will or not, but this isn't sort of John Piper future justification, um, you know, on the basis of works, or future sa- salvation on the basis of works. Um, there's no two stages to justification, right? If we're justified, it's because Christ has imputed his righteousness to us. That's right. And what happens in the, in the final judgment, there's a real thing that happens, but it's not an assessment of whether or not we have done enough or been enough. It's the reassertion of the righteousness of Christ over us. So we'll, we'll get into that, we'll talk about it, but I wanted to make sure we set the frame for that, um, before we get into it. 'Cause sometimes when you talk about these passages, it's hard to talk about future judgment according to works, which is a genuine Christian reality, right? There's a future judgment according to works. But it's hard to talk about that without starting to sound a little bit like we're, we're earning our salvation or, like, our, our justification's in, like, sort of a second stage of review or something like that. So we'll, we'll get into that, but this is not, this is not works righteousness, this is not future justification, this is two stages of justification. [00:30:52] Jesse Schwamb: And that seems, like, very clear from the way that Jesus sets this whole up. The language is so beautifully gospelly centered and oriented.  [00:31:00] Inheritance Not Wages [00:31:00] Jesse Schwamb: Even behind the judgment, like, this curtain of judgment, when you, when you open it up, is the gospel in all of its fullness, and that begins with th- this idea of inheriting the kingdom. And inheritance, of course, is not wages. In fact, like, Paul makes this kind of, like, identical move in Romans 8 and in Galatians 4 where he basically emphasizes what Jesus is talking about here. That is, sons and daughters inherit, inherit. They don't earn a paycheck. An heir receives by virtue of relationship and not performance. And that single word is, I think in the judgment of, like, most of the Reformed understanding here, decisive for, like, reading this whole passage correctly. That whatever role these works mention in verses 35 and 36 play, they cannot be meritorious works. It's not the ground of the inheritance, because inheritances by definition are not earned. Yeah.  [00:31:51] Election Before Works [00:31:51] Jesse Schwamb: And then, like, right into the same kind of train of thought, the same line of reasoning, is this idea that, well, not only are you inheriting the kingdom, but all this was prepared for you before the foundation of the world. And here again is, like, the beautiful gospel in the form of this un- you know, eternal, like, unconditional election stated, like, very plainly. Now the kingdom isn't pr- w- was not prepared in response to, like, some kind of foreseen works. I think we talked about that last week, right? Did we talk about the cor- looking down the corridor, all that kind of weird stuff? Yeah.  [00:32:22] Tony Arsenal: Yep.  [00:32:23] Jesse Schwamb: It was prepared in eternity past before any works, like good or bad, had been performed by anyone. And so that's, like, the true answer, in my opinion, to, like, any Pelagian or semi-Pelagian reading of this passage. The deepest cause of the sheep's blessedness long predates their deeds of mercy, and so their works are downstream of election and grace, not upstream of it. That's really good news. Like, that again is the Gospel, that all things are entrusted to, belong to God. God does all the verbs. However you want to say it, what we have here is true grace, and that their works are flowing out of that grace. And so because of that, there's no... It's, like, it would be insanity to boast in them, because that boasting would mean absolutely nothing. And so Jesus sidesteps that altogether by talking about inheriting the kingdom and having this all prepared for us before the foundation of the world. [00:33:15] Tony Arsenal: Yeah.  [00:33:15] Kingdom Language Clues [00:33:15] Tony Arsenal: Yeah, and there's some interesting, um, I think some interesting text feature that I just noticed here that, um, I don't wanna read too much into it, but one of the things that's striking about this is the, the language around the sheep or around those on the, um, on the right of the king here. Um, there's much more of a communal, um, kingdom-type language, right? Uh, in the first section where it's talking about those on the right, uh, the word king is used repeatedly.  [00:33:45] Jesse Schwamb: Right.  [00:33:45] Tony Arsenal: Right? And then when you get to the second section on those on the left, the ones that the, the, the righteous son of man does not know, um, it doesn't use the word king. And that's not, of course, not to say that he's not the king of those who are, you know, condemned. He's the king of all. But there is this, this, uh, obviously intentional, uh, choice to use the word king, and what, what is a king if not someone who has a kingdom and a people? Exactly. So there, there even baked into that simple linguistic feature is already this idea that the people he's speaking to are his people. And so, like I said, we've talked about parables and parable-adjacent teaching as kind of being sort of systematic language in story form, systematic theology in story form. Even here, we're seeing election, we're seeing definite atonement, right? The people are his people because he prepared this kingdom for them before the foundation of the world. [00:34:42] Jesse Schwamb: Right.  [00:34:42] Tony Arsenal: Um, and then the, the people who aren't his, they don't even get to be associated with him as king. They don't even beg- get to, get to be associated with his kingdom. They're so far outside of the kingdom of heaven, outside of this kingdom, that even to say that the king is speaking to them is almost like, uh, it's almost like a contradiction, right? So, um- In sort of like common parlance, we might refer to another nation's king as King Charles or, you know, K- King whatever, um, or President so-and-so. But that person is not my king. Right. And so although, like, maybe there's some decorum just in general, and, like, politically it's wise, I'd have no obligation to call King Charles King Charles. Like, I can ... I ... He's not my king. I don't owe any obligation of, of fidelity to him or to his title or to his crown. Another funny example, um, recently, um, you know, I work, uh, at a hospital. We have a spiritual health or chaplaincy department, and there's some Catholic priests who are on staff there. And, um, the, the spiritual health department is part of the care experience group, which is the same group that my patient relations team is part of. And some- someone noticed that at, like, broader team group meetings, I don't refer to them as Father. I'm one of the only people in the room who just says Joakim or, you know, or Sam. Like, I don't ... And they don't mind. It doesn't bother them at all.  [00:36:03] Jesse Schwamb: Right.  [00:36:04] Tony Arsenal: Um, and it's funny because someone asked me that, and I'm like, "Well, they're not my priest, and I, like, I don't acknowledge- Right their status as the Father. Like, there's actually some biblical reasons why I wouldn't do that." I think this is kind of sort of almost like, in a third person perspective, kind of the same thing. Like, the k- king, i- the, the Gospel writer here, Matt, is refusing to use the word king in relation to this Son of Man in relation to these people to say something about them, to say something about those people- Yes who are outside of the kingdom  [00:36:34] Jesse Schwamb: Yes, that's right on. It's a bit like, I suppose, in a, a lesser way, like there was a time... So you're married to my sister. There was a time where you weren't, we weren't Yeah ... uh, and during that time, like I, I was not in your family, nor were you in mine.  [00:36:48] Tony Arsenal: Right.  [00:36:48] Jesse Schwamb: And then at, when you married her, I am part of your family. Like you can't kick me out. As long as you're married to Ashley, I will be part of your family and you part of mine. Right. That's how it works. And so that identity proceeds, like it c- this is like confusion between identity sometimes and I think like harmony, and so many people wanna read this as like some kind of like harmonic reflection of the state of obedience of these persons, and therefore, if they had harmony, then they were in the kingdom, and that's getting it backwards. That they were part of God's kingdom by his family by definition of identity.  [00:37:20] Surprised Righteous Hearts [00:37:20] Jesse Schwamb: So that by the time like we get to verse 37 when Jesus is saying the, the righteous are gonna answer him and they're gonna say, "Lord, when did we see you hungry and feed you, or thirsty and give you drink?" I think that's one of the most like theologically important verses in this passage, which proves the point you just made. And I think it's often under-read because the righteous, they don't remember doing any of these things for Christ. They are surprised. They have like no self-conscious ledger of merit that they can point to, and that surprise I think is devastating to works righteousness reading of the passage because- Yes if these people were consciously stacking up merit to present at the judgment, then they would've kept a very careful account. But instead, their works flowed so naturally and unselfconsciously from a renewed heart that they scarcely remembered them, let alone like regarded them as currency for salvation. And so I think, I know there's been a lot written, you and I have talked about a lot about how people wanna parse this idea of works, understanding that it has some place, but what is that proper place? This I think does lead us into like the right focus in that kind of discussion because it's precisely what like the Reformed doctrine of sanctification would predict, and that is, you know, truly gracious affections I think issue in Christian practice as a reliable sign, hear me out here, but crucially that practice is not calculated or like self-res- referential. It's like the spontaneous fruit of transformed nature, as natural it is for a good tree to bring forth good fruit. And so the righteous in this passage, they're not the legalists that some would, I think, portray them to be or get worried that they are. They're not tallying good deeds. They're simply people who, having been made new, and who makes them new? God in Christ, right, through the power of the Holy Spirit. Because they've been made new, they just could not help but love their neighbor.  [00:39:13] Tony Arsenal: Yeah.  [00:39:13] Sheep And Goats Identity [00:39:13] Tony Arsenal: Yeah, and, and you know, I think it's sometimes hard... We, we made the point last week that, um, the, the language in verse 32 where it says, uh, "He," He being the Son of Man, "He will separate one from another as a shepherd separates the sheep from the goats," that, that comparative as is the same language that introduces other parables. Right. And so the, the parable, parabolic element of this is a comparison to a shepherd separating two different kinds of animals in his, his bigger flock. Mm-hmm. I made the point that like we should be careful to overread sort of like what sheep are like into the behavior of those who are righteous on the right of Christ here. Um, because sheep are dumb, sheep do stupid things, sheep are disobedient. There, there's no use for like sheep to do good things and goats are not. And productive goats are also productive. Um, so what we should see though is that sheep are put on the right side because they are sheep, and goats are put on the, the left side because they are goats. Um, not because they act like sheep or because they act like goats, right? And so I think, yes, goats and sheep may have thinked behavioral, recognizable behavioral characteristics, but those characteristics flow from what they are. They don't make them what they are.  [00:40:35] Jesse Schwamb: That's right.  [00:40:35] Tony Arsenal: And so I think that's kind of what we see here in the parable, is the people on the, the right, the righteous on the right hand of the, the Son here, of the King as He sits on His glorious throne, the righteous simply do what righteous people do, right? They, they don't ... So much so, and again I think the shock of this is, is sort of the, the path of the teaching. The shock of this, the surprise of this on the part of the righteous are, uh, like it's palpable. And I think that when you actually talk to someone who is ... Think of the most sanctified, holy, righteous Christian you know, right? And I'm not gonna try to tell you who that is, but think of that person and think of a time that you have paid them a compliment or thanked them for doing the right thing.  [00:41:24] Jesse Schwamb: Right.  [00:41:24] Tony Arsenal: They're like, "Oh, I didn't even think about that." Like, it's just not even on, not even on their radar. How many times have you, um, have you done a kind thing for someone at work and they like make a big deal out of it and you're like, "Oh, this is just I thought this is just what we do to each other. I thought we were just kind to each other." Um, and, and f- the flip side of this too is the, uh, the righteous in this parable or in this teaching, they're actually sort of like questioning the Lord's judgment in that they're saying like, "Wait a second, like w- why am I on the right here?" And He's like, "Well, uh, you were h- I was hungry and you fed me, and I, you know, I was thirsty and you gave me drink." And they're like, "When did we do that?" The flip side- Right ... of that is that those on the left, they're trying to justify themselves, right? They're trying to justify themselves, 'cause He's like, "Well, you didn't do these things. You're not my people." And they're like, "Well, when did we see you? When did we see you, when did you have these things happen and we didn't take care of it?" So the, the righteous are like surprised that this happened, and are almost questioning the fact that it's true, and the unrighteous are trying to justify themselves, basically blaming God. Bad judgment. It's not altogether, um... I forget which pro- I wanna say Micah or Malachi, one of those two, um, um, where the, the, um, God basically says, like, "Y- you, you're sinful people." And they're like, "When? When were we sinful people? Like, you tell me." Yeah. And then of course he does, 'cause it's the prophets. Right. But it's the same kind of thing. He comes to the, to the unrighteous in judgment. He says, "Depart from me, y- you cursed people." And then he says, "These are the, these are the things that have marked your life." And then they're like, "Where, when did that mark my life? Like, what are you talking about?" And he, he, the funny part is he doesn't give them an answer. He doesn't explain to them really. Right. He, he just like, "No, you can go, you can go away from me 'cause you." He does say like, "Well, you never, you did not do this to the least of these," and we, we need to unpack that phrase a little bit. But he doesn't give a long explanation to them justifying his judgment. He just makes the statement, basically makes the statement again, "You just didn't do it, so that's the consequence of eternal punishment." Um, again, not in like, "You didn't feed the poor, therefore you're going to hell" kind of a statement. It's more like, "You are not the kind of person that is a, a part of my kingdom." [00:43:48] Jesse Schwamb: Right.  [00:43:49] Tony Arsenal: Without necessarily a firm statement about w- how that came to be, just a statement, "You are not the kind of person that is part of my kingdom." That's  [00:43:56] Jesse Schwamb: right. That's right. I think that's actually very evident in these, like, six concrete works of mercy which are listed, feeding, giving drink, hospitality to strangers, clothing, visiting the sick, uh, visiting the imprisoned. And as we've said before, those are not extraordinary feats. I mean, there's no mention- Right ... of miracles or doctrinal precision or heroic martyrdom. Yeah. It's just these ordinary, super unglamorous ministry of practical love, and I think that is significant, like you're saying, because it is a mark of true faith, this idea that it's found frequently not in spectacular religious performance, which is what some of the audience is probably after, honestly, but in this quiet but costly unnoticed compassion. And I think that is critical to understanding that those who have been identified and marked by Christ undertake these things with a seriousness, under being willing to bear the c- the cross and the curses and the cost of all those things, uh, because it is born out of a transformed life, one that has been re-identified almost as it were a new creation. And so that- Yeah ... created man does these things without putting the notches on the belts, so to speak, to tally them up because I think to that person that would be insane. What is the purpose of doing that? If I can't earn my salvation, I'm doing these things anyway. It, it wouldn't even matter. It's like trying to pay a bill that you have no money for anyway. Why would you then try to count the dollars that you have in your pocket to see if for some reason you could cover the cost? It's impossible. Yeah. And so everything changes to such a degree that I know we keep saying, like, surprised, and that is what is kind of manifested in the passage. But it's, it's not kind of like the shock of like, "I don't know what you're talking about." It's more, it's more this idea of, again, I think those being brought forward at the final judgment, and it's almost as if Jesus is saying, "You are coming into this kingdom- Because, or you are being, uh, allowed, so to speak, to come into my presence in the fullness because you did all those things. And their surprise is almost as to say, "Well, why would those things bring me into the fullness if I've, in fact, have inherited it because you've called me your own?" Does that make sense? Like, I think it's- Yeah ... there's a little bit gone there- Yeah ... that's not just they're kind of like, "Oh, this slipped my mind," or, uh, "It came so easy to me that I didn't even know I was doing it." I think it was more about the g- we should just get to the least of these then, right? Like, what does it mean- Yeah that they did these to the least of these, and how does that surprise fit into that?  [00:46:19] Tony Arsenal: Yeah.  [00:46:20] Least Of These Explained [00:46:20] Tony Arsenal: The other element of this that I think is super important for us to cover in the 10 minutes or so we have left. Um, this phrase, "the least of these," right? Yes. And, and this, this can really cause this passage to be misunderstood  Um, I wanna s- loud and clear, uh, taking care of the poor in our society, you know, mercy ministries outside of the church, those things are all good, and I think scripture makes an argument that we should be engaged in those, both individually and also that the church has an obligation to, um, to meet some practical needs of those who are destitute around it. Um, but that's not what this passage is saying, right? Right. So when we look at the phrase "the least" first, first thing that, that comes off here, right, in verse 40 where this phrase first appears, "Truly I say to you, as you did it to the least of these, my brothers, you did it to me." Right? This is not a general statement. The least of these are not, like, the lowest and meekest and poorest of the world. The least of these my brothers referring to those who belong to Christ. Right. Those who are related to me. And, and I actually think that that, that is probably, like, the hallmark of passage. Beyond, um, what we've talked about already of just sort of like not being about works righteousness, this is really about being a part of the church, right? They're marked by the fact that they have inherited this kingdom which was prepared for them before the foundation of the world. They're marked by the fact that, uh, they are the people of this king, so much so that the other people aren't e- the word king can't even appear in association with these other people. And this last part, they're marked by the way they have treated those in whom they are with c- in, in community with, right? They're marked by the way they have treated those who are related to the king by blood, who are adopted, who are married to the king, who are in, in the family of the king, his brothers. [00:48:17] Jesse Schwamb: Yeah. Okay.  [00:48:18] Tony Arsenal: So this is painting a picture of kind of what we see, right? W- we see in, uh, Galatians, right? Um, "Do, do good to all people, especially the household of faith." Mm-hmm. Right? Uh, our own tagline, "Honor everyone. Love the brotherhood," right? That's, that's a statement of like, yes, you're supposed to be kind to all people, but you're especially supposed to be kind and be committed to and taking care of those who are in the household of faith, who are in the church. That is what this passage is about. That is what marks those people who belong to the king. The sheep are part of the sh- part of the sheep because they're in that same flock, because they- Right ... are ontologically, they've been made new and they've been renewed into this new creation as sheep. Um, that's what this passage is getting at. And then the people who, uh, who are not a part of that, they, they have not done anything with the church. They're not associated with the church. They didn't take care of the church. They didn't, they didn't feed the church. They didn't do anything with that. And this, this again, like, think about, like, Acts chapter, you know, when, when, um, when Paul is, when Saul is called by Christ, right? "When did I persecute you?" "Well, you, why are you persecuting me, Saul? Well, you persecuted my people." So this, this passage ties a lot of those same s- same threads together- Yeah ... in a way that I think presents this really cohesive picture of what it is that's going on. This is not works righteousness. Right. [00:49:37] Serving Christ In Church [00:49:37] Tony Arsenal: This is an assessment of the fact that you are, in fact, a m- a member of the people of God, that you have been engrafted into Christ and have become a part of his body. And just as he is our head, we are his body. The people who are cast out, the reason he never knew them is 'cause they've never been engrafted into him. [00:49:55] Jesse Schwamb: Right. Sometimes this does, I think, get read and defined as, like, the all the poor and suffering writ large, which is helpful, but I don't think, like, the dominant view here, at least in my perspective. And you, and you tell me otherwise. Yeah. Because, uh, on this view, of course, like, Christ does identify with all who suffer, and that maybe mercy to any sufferer is mercy to him. I think that could be partly correct, part reflection and application here. However, the stronger view, I think, e- like, even historically, is that- Really we're talking about, especially when we get to, like, visiting those in prison, the, the persecuted or itinerant Christian missionary. When we're talking about the imprisonment and persecution language is, that especially suits believers suffering for the gospel's sake, not merely the poor in general. Now, is, are there ways for us as Christians to embody the gospel and to be a witness for Christ by going out and performing acts of social justice? I would say yes, if you connect those items explicitly to the gospel. That is, that you make it clear your emphasis, genesis, your volition comes through this message of who Christ is. Otherwise, there's plenty of institutions doing very good things, and I don't necessarily, what's in view here i

"For an experiment, I denoted the last ten generations and attempted to define the song of their generation. Some were easy and some quite difficult. I offer five possibilities first and then pick. See if I made the correct choice."

What an amazing musical story.  Mike was playing guitar at 14, building them at 19 and building them at a very high level shortly after.  He went from Charvel to Yamaha to heading up the Fender Custom Shop building custom guitars for loads of heavy hitters.  Somewhere in there he found time to start blues band The Blue Diamonds and then Lee Rocker's Big Blue with the Stray Cats' bass player, and then on to the Mike Elred Trio.  After leaving Fender he decided to build his own brand of guitars, El Cabron,  which are in high demand.  Mike has been in the middle of countless epic stories over the years and we were fortunate to get a taste of that amazing life here.  Give it a listen!

Brian, Blake, and Richard are back for Episode 627 of the Chasing Tone Podcast - Experimental backing tracks, Fender vs the entire planet, and robot rock starsBrian has been experimenting in his secret laboratory and reveals that AI-generated backing tracks are getting scarily good. The guys explore how far this technology has come and their conclusions may surprise you. This leads to a deep and heartfelt conversation about why playing music matters, why it can never truly be replaced by technology, and whether robot rock stars performing on stage could actually become a thing. There are also some sad farewells to Jennifer Finch of L7 and Wayne Charvel, who both passed away.Brian has been renovating his studio with LED-lit pedal shelves and proper sound panels, and he has some new Bigler pickups to try. Meanwhile, the Fender legal saga has somehow gotten even worse - they're now going after Thomann, Yamaha, and an Australian secondhand guitar retailer. The guys are genuinely baffled and discuss whether Fender have managed to pull off the most spectacular act of brand self-destruction in guitar history. Richard has a PRS-shaped solution.The Rolling Stones have a new album out and Richard highly recommends it, Anthrax have a cracking new single, and the World Cup halftime show featured Madonna flanked by two footballing legends dressed as Teletubbies. Richard reveals that an Iron Maiden guitarist was fired for listening to the Eagles on the tour bus, and the guys debate the merits of mystery pedal boxes.Headstock Socks, The Defenderiser, Eastern European Clown Music, Brad Womp, Breaking the Fourth Wind...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.bluesguitarmethod.comhttps://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comCheck out Oliver Effects:https://oliverfx.co.ukYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Support the show

Guitar Nerds is sponsored by ROTOSOUND - Making history since 1958, and ACS CUSTOM - the go-to brand for ear protection, moulded earplugs and in-ear monitors!If you're in UK why not enjoy 15% off ACS Custom earplugs and in-ear monitors with discount code: GUITARNERDS15GET 30% OFF ALL NEURAL DSP PLUGINS WITH DISCOUNT CODE: GUITARNERDSHello dear listener,This week I'm joined by Phillip Carter of The 40 Watt Podcast, and we're talking all about the new GUITAR ESSENTIALS add-on to the Darkglass Anagram, as well as some pretty strong effing and jeffing about Fender's continued decline into being the World's biggest bunch of plonkers. Hosted on Acast. See acast.com/privacy for more information.

Today we're paying tribute to one of the most influential figures in electric guitar history. Wayne Charvel, the legendary luthier, innovator, and founder of the Charvel guitar brand, has passed away at the age of 85. His impact on modern guitar design, custom builds, and rock music is impossible to overstate. From helping Eddie Van Halen create the iconic Frankenstein guitar to pioneering what would become known as the Superstrat, Wayne Charvel forever changed the way guitarists looked at performance instruments. In this episode we'll discuss:

JOIN OUR PATREON HERE:https://www.patreon.com/c/InThePocketPodcast_________________________SIGN UP TO OUR NEWSLETTERhttps://in-the-pocket-pod.kit.com/63743ada35_________________________The perfect podcast for bass players - Giving you the low-down on the low-end!Totally average bassist/YouTuber Jonny Dibble and session player Chris Horrocks are (sometimes) joined by guests to talk all about the latest bass news, answer audience questions and breakdown some killer bass guitar tones.If you want to submit questions for the podcast, head over and follow on Instagram @inthepocketpodhttps://www.instagram.com/inthepocketpod_________________________WHERE TO LISTENListen to this podcast on Spotify:https://open.spotify.com/show/3NV5P1HkX6CO9IJwkxQGWa?si=Lz3yDLoPQ3GWj95sFxuaNw&dl_branch=1Listen to this podcast on Apple Podcasts:podcasts.apple.com/us/podcast/in-the-pocket/id1612546709Listen to this podcast on Acast:https://shows.acast.com/in-the-pocket_________________________WHERE TO FIND JONNYFollow Jonny on Instagram:https://www.instagram.com/jonnydibbleSubscribe to Jonny on YouTube:https://www.youtube.com/jonnydibbleAnderton's Affiliate Link:https://www.andertons.co.uk/?tduid=d9b55588b2228bc6403b9bb3d5baa4cc_________________________WHERE TO FIND CHRISFollow Chris on Instagram:https://www.instagram.com/thatguyonbassSubscribe to Chris on YouTube:https://www.youtube.com/@ThatGuyOnBassYTFollow Chris on TikTok:https://www.tiktok.com/@thatguyonbass Hosted on Acast. See acast.com/privacy for more information.

271 - Paul Leary (Butthole Surfers, Producer) In episode 271 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Paul Leary guitarist and producer from the Butthole Surfers. In their conversation Paul talks about the documentary on the band and a recent show they did at the screening… and the demise of the Butthole Surfers and his retirement. Paul describes his gear currently and throughout the run of the Butthole Surfers including a Fender Custom Shop Strat made by John Cruz and he takes us through guitars that got away. Paul takes us through growing up in San Antonio and how seeing the Beatles on tv gave him the guitar bug and his guitar education playing in jazz bands. Paul discusses how he and Gibby met in college and how they started the band that eventually became the Butthole Surfers and how the name came about. Paul tells us about being produced by John Paul Jones and himself being the producer for U2, Sublime the Meat Puppets and the Reverend Horton Heat. Paul then discusses the rigors of touring and traveling as the Butthole Surfers and he describes how the documentary came about. To find out more about you Paul can go to his website: buttholesurfers.com and the trailer to the documentary on the band is here: https://youtu.be/UFtkc11i3uE?is=eVs2-vOdh8cTr1Q- Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #PaulLeary #ButtholeSurfers #JohnPaulJones #FenderCustomShop #JohnCruz #Sublime #GibsonGuitar #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

Based on Nick Veltri's return appearance on In the Flamingo Lounge with Rockabilly Greg (recorded June 23, 2026 and broadcast July 18, 2026). Nick Veltri: Serving the Song For more than fifty years, bass player Nick Veltri has stood as one of the most respected, disciplined groove-makers in Western New York. Inducted into the Buffalo Music Hall of Fame in 1994, Veltri's reputation isn't built on flash or grandstanding, but on a deep, unshakeable devotion to a single musical truth: the song is king. The Spark of the Groove Nick's obsession with the instrument started early. As a nine-year-old kid walking to sax lessons at Art Kubera's music store, his eyes would lock onto the shiny new Fender basses hanging on the wall. The definitive "aha" moment came at the Erie County Fair when he saw a local group called The El Tempos performing in their sharp red blazers. Hearing the way the bass drove the crowd to dance, Nick knew exactly where his future lay. He never picked up a standard guitar; he was meant to play the bass. While his father bought him an off-brand electric rig around 1963, Nick also pursued formal training on the upright bass under the legendary Ted Mayer of the Buffalo Philharmonic Orchestra. Mayer's strict focus on bowing, precise finger position, and classical discipline laid a flawless technical foundation that Nick carried with him throughout his entire career. The Road, the Legends, and the "P-Bass" Tone Returning home from a military stint in the Marines (1969–1971), Nick jumped headfirst into the fertile Buffalo circuit. By 1973, he joined the nationally touring '50s showband Big Wheelie & the Hubcaps, kicking off an era of recording, traveling, and headlining major hometown venues like the historic Melody Fair. Over the decades, Nick became the go-to session and live player for the region's elite, backing keyboard icon Stan Szelest in Stan & the Ravens, anchoring Billy McEwen & the Soul Invaders, and performing with Barbara St. Clair & the Shadows. "I prefer a precision bass—the split pickup—and heavy-gauge flatwound strings. La Bella flatwounds... to me, that gets the sound that I have in my mind." — Nick Veltri Nick's signature tone relies heavily on a three-bass rotation of reissue Fenders: ·       A '58 Reissue Precision Bass: Beloved for its easy playability and classic, round sound. ·       A '54 Reissue Precision Bass: A primitive, punchy take on the earliest Fender designs. ·       A '62 Reissue Precision Bass: Bringing that classic '60s R&B soul warmth. His approach is strictly fingers—no picks—keeping him firmly locked into the pocket alongside legendary local drummers and horn sections. In the Studio and On Display Nick's musical fingerprint is etched onto nearly 100 recording projects—ranging from regional radio jingles (like "Milk for Health") to albums by Terry Buchwald, Doug Yeomans, Bob Faulk, and Pete Howard, as well as Lance Diamond's beloved Christmas record. He was also famous for a unique, heavily gigged 1959 Fender Precision bass featuring a rosewood fingerboard. Over decades of service, the instrument's failing finish became a canvas, completely covered in signatures of legendary musicians Nick crossed paths with. Featured in 20th Century Guitar magazine in the early 2000s, the historic bass was later displayed at the Buffalo Museum of Science and the Hard Rock Cafe before finding a home with a collector in the Netherlands. Keeping the Heritage Alive Beyond his legendary stage presence, Veltri has dedicated decades of his life to preservation. Following his 1994 Hall of Fame induction, he stepped into leadership roles, serving as the President of the Buffalo Music Hall of Fame starting in 2000, and helping organize historical exhibitions to honor the players who built the "Buffalo Sound." Whether he's co-writing tracks like "Put Out the Fire" on the Bandstand label, recording live original projects with writers like John Regis, or steering the rhythm section for his beloved bi-annual R&B Soul Revue alongside Sam Guarino, Nick Veltri remains the ultimate professional. To Nick, playing the bass has never been about self-promotion—it's about locking down the pocket and serving the music.  

On today's episode, Rhett, Zach, and Addison tackle a hot take that gets genuinely spicy: do all guitars actually sound the same? Then Rhett opens up about having his channel ripped off by an AI slop account (and what that's revealed about how broken YouTube's copyright system is), before the three of them dig into the state of the guitar store industry — why local shops are struggling, how Fender's direct-to-consumer push is undercutting its own dealers, the disappearing amp-repair trade, and what shop owners can actually do about it. Plus, an update on our live show at Fretboard Summit in Chicago, and we rate a viewer's rig — Gibson Flying V, Les Paul Jr., Dr. Z amps and all — to one of the highest scores we've ever given. JOIN US ON PATREON: https://www.patreon.com/dippedintone MERCH: https://www.dippedintone.com/merch FOLLOW US ON INSTAGRAM: https://instagram.com/dippedintone DIPPED IN TONE IS: Rhett Shull  https://www.rhettshull.com Zach Broyles / Mythos Pedals  https://mythospedals.com & https://highvoltageguitars.com Produced & Edited by Addison! https://www.instagram.com/addisonsauvan TIMESTAMPS 00:00:00 Intro 00:00:24 Zach's Update 00:04:46 Addison's Update 00:06:23 Rhett's Update 00:11:00 HOT TAKE 00:22:42 How to hear the details better 00:30:23 Thanks Patrons! 00:30:38 Come join us LIVE at Fretboard Summit 00:32:52 Main Topic 00:44:11 Repair tech? Maybe it's your new job! 01:02:10 Our unsolicited advice to local guitar stores 01:08:20 Rig Dip BUY COOL GEAR (Affiliate Links): Universal Audio Enigmatic - https://sweetwater.sjv.io/o42Mve Fender Triple Caster - https://sweetwater.sjv.io/qzRMvq Suhr Classic S Antique - https://sweetwater.sjv.io/DyEomG Benson Delay - https://sweetwater.sjv.io/jeEb4b Boss Roland DM-101 - https://sweetwater.sjv.io/K0Nj5A TC 2290 - https://sweetwater.sjv.io/e1oz26 Universal Audio Volt 876 - https://sweetwater.sjv.io/jeko9M Boss Katana 50 Gen3 - https://sweetwater.sjv.io/DyEom5 Shure 545 (new production) - https://sweetwater.sjv.io/ravMyj Echo Fix EFX3 - https://sweetwater.sjv.io/APzZMK Helix Stadium - https://sweetwater.sjv.io/LKVnJa

Today our hosts welcome back one of the finest minds in Objects: Jesse Honig of 29 Pedals and Believable Audio. They discuss his recent video on the differences between preamps, and our hosts experience a freewheeling wonderment of knowledge. Subjects include capturing the spirit in the room, leaning into the noises, letting an idea be fully explored on its own, a hot take involving acoustic treatment, and how the five percent difference only matters when it matters to you and your creative process. Watch "Side quest for mic pre skeptics": https://youtu.be/4pJk9laRR1c?si=ZUwceWD8P2smWCRs Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise, @29pedals Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

"I was talking about the Paul is Dead conspiracy theory in class one day and the students began asking me if I knew about THIS theory. And then THIS theory. We went on for 30 minutes and then I did some research. There were so many theories I had never heard of. Hopefully they are new to you as well. We have a long list."

On this episode of Talking Guitars on Johnny Beane TV, we're diving into the latest twist in Fender's ongoing legal battle over the iconic Stratocaster body shape—and this time, one of the biggest names in the industry is involved. Yamaha has confirmed it received a cease-and-desist letter from Fender, making it one of the latest companies drawn into the controversy surrounding Strat-style guitars. Could this change the future of guitar design?

This one was recorded dockside in Anacortes, right on the back deck of Jamie and Scott's new Pursuit 325 (you'll hear Navy jets flying overhead once or twice, no editing that out). Jamie & Scott sit down with Tom Anderson, owner of Burnewiin, right where his product actually lives. Tom walks through how he thinks about cockpit layout, why versatility at the rail level changes how you fish, cruise, and entertain, and how to set a boat up so you can go from trolling for salmon to cleaning fish to grilling dinner without gear getting in your way. Whether you're outfitting your first boat or rethinking your current setup, there's a lot here for you.Episode Overview:How Tom went from ice fishing shanties in Wisconsin to running one of the Pacific Northwest's top marine accessory companiesA full walkthrough of Jamie and Scott's new Pursuit 325 and how Tom recommends laying out mounts for trolling, drift fishing, and bottom fishingThe gear that makes cleanup, cutting, and rigging on the water easierNew Burnewiin products in developmentTom's work with the American Sportfishing Association advocating for sport fishing access in Washington, DC, and how it connects to the North of Falcon processTimestamped Sections: 00:00 – Intro: why this episode was recorded dockside on the new Pursuit 32501:00 – Meeting Tom Anderson, owner of Burnewiin05:00 – From ice fishing in Wisconsin to running Burnewiin10:00 – The story behind Jamie and Scott's new Pursuit 32515:00 – Planning rod holder placement for trolling, drift, and bottom fishing18:00 – Building a transom rigging and cutting station23:00 – Fender cleats, rail mounts, and keeping the gunwale clean25:00 – New products coming from Burnewiin28:00 – DIY installation tips for boaters rigging their own boat45:00 – Tom's favorite Burnewiin product and why50:00 – Sport fishing advocacy and the fly-in to Washington, DCKey Takeaways:Plan your rod holder placement around how you actually fish, not just how the boat came from the factory.A modular mounting system lets one boat handle trolling, drift fishing, bottom fishing, and cruising without dedicated hardware for each.The best gunwale accessories store out of the way until you need them, then lock in fast.Quality accessories cost more up front but save you fish and frustration over time.Sport anglers and tribes often share more common ground on fisheries issues than people assume.Where individual anglers can actually make a difference on policy.Resources & Links:Burnewiin: https://burnewiin.com/Islands Marine Center: https://www.islandsmarinecenter.com/American Sportfishing Association: https://asafishing.org/Pursuit Boats: https://www.pursuitboats.com/Want the full structured learning experience? Join the waitlist for Anglers Unlimited Gold membership (opening July 2026) at https://anglersunlimited.co/goldFishing for a Reason is the Pacific Northwest saltwater fishing education podcast for new anglers and families who want to catch more salmon, halibut, lingcod, shrimp and crab in Washington waters. Hosted by Jamie & Scott Propst from Anglers Unlimited, each episode delivers practical techniques, local knowledge, and expert insights to help you get off the couch and into the fish. Perfect for relocated professionals, military families, and boaters who are just getting into fishing.

Part 2 of 2. In Part 1 we walked the road from 2011 — three companies, an investor ultimatum, and the capital it took to build. Part 2 is the mind. Saahil Goel starts with what, given hindsight, he'd do differently, then the first principles he runs Shiprocket on (distribution beats product), the two or three metrics he genuinely obsesses over, his bet on applied AI, why he believes you can't actually manage people, who does and doesn't survive at the company, the guitar he still plays, his dog, and the question Rohin closes every episode with, which Saahil answers with a single number.Chapters1:02  With hindsight, what he'd do differently2:10  “A paisa of every transaction in India”5:23  First principles: distribution beats product11:32  The metrics he obsesses over17:22  Betting on applied AI29:33  “You can't manage people”31:45  Who doesn't survive at Shiprocket42:05  The guitar, Pink Floyd, and Bruno the CHO58:28  The book he forgets — and how he reflects1:00:50  Rating his life an 8This episode was produced by Rohin Dharmakumar and mixed and mastered by Rajiv CN.Write to us at fp@the-ken.com with your feedback, suggestions, and guests you would want to see on First Principles.If you enjoyed this episode, please help us spread the word by sharing and gifting it to your friends and family.

270 - BottleRock 2026: Penelope Road and the New Constellations In episode 270 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan is at BottleRock 2026 and speaks with Max and Koan from Penelope Road and then Josh Smith from the New Constellations. With Max and Koan from Penelope Road they discuss the band name and how it came about and they tell us about their Fender Strats and logistics of fly dates and their tour dates (and their favorite hotels). Max and Koan talk about their gear at home: guitars, amps and pedals. Max and Koan tell us about their upcoming tour with Marcus King and their ability to not have to work a day job and they tell us about their releases they have up to now. For more information on Max and Koan and Penelope Road you can check out their website: peneloperoad.com and they're active on the socials. Next up he speaks with Josh Smith from the New Constellations. He talks about life in Oregon, moving to Portland from Medford and tells us about his guitar hero's growing up, George Harrison, Mark Knopfler and John Fahey. Josh tells us about his gear early on and his gear now and he takes us through when the New Constellations play as a duo and when travel with a full band. Josh describes the bands fan base in Mexico and their upcoming festival appearance at a festival in Mexico City, Corona Capital and he tells us about playing in church growing up. Josh takes us through the business side of the band and he describes his past life in the coffee industry. To find out more about Josh and the New Constellations you can go to their website: newconstellations.band and they're also active on the socials. Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #PenelopeRoad #MaxandKoan #NewConstellations #JoshSmith #BottleRock #BottleRockFestival #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

Today our hosts spread the worship around, focusing on a few topics that touch on many objects. Andy has a new amp, Dan has some experiences looking at noise relationships when multiple pedals get involved, each of them gets excited about playing a solo show, and they take an unprompted voicemail. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

**Josh & Awe** are back on the Jeep Talk Show! Tony and Josh kick things off talking about the new **250th USA July 4th Honor Badge** — do you need to go anywhere to get it? Is it a cool celebration or just a participation trophy? They also break down **fender flares** — the good, the bad, and the rooster tails that'll soak you when driving doorless. From poser badge warriors with more stickers than trail time, stolen valor comparisons, inside-the-hood sticker displays, state laws that can ticket you, and plenty of caller input, this episode is packed with laughs and real Jeep talk. **Key Highlights:** - 250th America Honor Badge debate and server crash stories - Why Jeep might have dropped the ball on the big anniversary - Fender flare warnings: rooster tails, spray, narrow vs wide options - Best places to actually display badges and stickers - Doorless driving hazards and foot peg pebble attacks - Great conversation with the community about what honor badges really mean Stick around until the very end for the **full unhinged Grok review** — she does not hold back! **Timestamps:** 00:00 Opening Banter 00:16 Weekly Intro & Honor Badge Overview 01:09 Fender Flares and Badge Disappointment 03:17 Jeep Corporate Leadership Shuffle 04:20 Sticker Placement and Personal Badge Views 06:37 Badge Display Culture 11:15 Trail Friendships and Bonding 13:13 Helping Newbies with Jeep Tips 13:33 Honors Recap and Planning 17:19 Fender Flare Risks & Best Practices 25:47 Legal Issues with Fender Modifications 28:00 Jamboree Badge Release Hiccups 32:50 Waylon and the Doghouse 34:01 Steve O on Participation Badges 35:50 Banters and Closing Remarks 36:07 Rick's Badge Frustration & E‑Bay 38:03 John's Badge Collection Reflections 39:55 Patch Memories and Significance 44:22 Mike's Badge Dilution Critique 50:35 Random Jokes and Farewell 52:35 Grock Review and Tech Updates 54:45 Editing Long Episodes 55:56 Production Challenges & Audience 56:57 Final Thanks and Closing 57:15 Honors on Non‑Jeep Vehicles If you're into honest Jeep conversation, off-road stories, and zero-filter opinions, hit that **LIKE** button, drop a comment telling us your thoughts on the 250 Honor Badge, and subscribe! Turn on notifications so you never miss an episode. Visit our website: https://jeeptalkshow.com/ Watch/Listen on Spotify https://jeeptalkshow.com/spotify Join our Discord Server: https://jeeptalkshow.com/discord Subscribe to our newsletter: https://jeeptalkshow.com/newsletter Help Support the show via Patreon: https://jeeptalkshow.com/patreon

Brian, Blake, and Richard are back for Episode 625 of the Chasing Tone Podcast - Hot industry gossip, scary British villains, and Strymon level up.We are coming in hot this week with scurrilous gossip about a new industry merger and the guys prove that they have none of the clues but all of the speculation. Richard gets a unique and frankly very disturbing look into Brian's mind. There is some random Apple loving and there are skincare tips.Blake has transgressed one of the sacred commandments of the guitar and regales us with his bard's tale and the guys consider homemade pickups. Richard has managed to fix some issues with one of his guitars and he feels as if he has been imbued with the power of a mega luthier. He hasn't.How much would you pay for the best delay pedal? Richard is impressed with the new Timeline MX but it's quite the investment and also his brain has melted for a second time this year. Brian will never be one of those funny types. Gibson appear to have been trolling Fender.Waliver FX, Tom Quayle, Nut sauce, Amish cooling secrets, Funk and Wagnalls ...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.bluesguitarmethod.comhttps://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comCheck out Oliver Effects:https://oliverfx.co.ukYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Support the show

Fender declared war on guitar makers. Lululemon declared war on Costco. Ugg declared war on Quince. Welcome to the era of the dupe product wars. This episode was produced by Peter Balonon-Rosen, edited by Jolie Myers and Amina Al-Sadi, fact-checked by Gabriel Dunatov, engineered by David Tatasciore and Patrick Boyd, and hosted by Sean Rameswaram. Photo by Francois LOCHON/Gamma-Rapho via Getty Images. Listen to Today, Explained ad-free by becoming a Vox Member: vox.com/members. New Vox members get $20 off their membership right now. Transcript at ⁠vox.com/today-explained-podcast.⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Send us Fan MailTanner Yeager is a professional stills photographer based out of Globe, Arizona, who spent his career in the motocross industry before finding his way into the music and NASCAR industries. Tanner has worked for clients such as Red Bull, ABC, Sony Music, Fender, The Walt Disney Company, Universal Music Group, and individuals such as Eli Tomas, Ken Roczen,  Colton Haaker, the late Kyle Busch, Jake Owen, Jelly Roll, Midland, Keith Urban, Tommy Ash, and more. In today's episode, Tanner dives into his story of finding photographing, cutting his teeth with INSIDERMX, transitioning from Supercross and motocross to Endurocross, how he found himself in the music and NASCAR industries, being undervalued as a creative, the frustrations with social media and the creative marketplace as a whole, mental health, and much more. Tanner has some wonderful insights, stories, and perspectives from his own experiences crafting images that is beneficial for anyone in the creative space to keep in mind as they navigate their career. I hope all enjoy! Follow Tanner Yeager on Instagram: https://www.instagram.com/TANNERYEAGERPHOTOView More of Tanner's Work: https://www.tanneryeager.com/Follow The Failed Experiment on Instagram: https://www.instagram.com/_thefailedexperiment/Support the the Failed Experiment: https://account.venmo.com/u/kylecowlingFollow The Failed Experiment on YouTube: https://www.youtube.com/@_TFEFollow Kyle Cowling on Instagram: https://www.instagram.com/kylecowling/Support the show

Blu DeTiger joins Scott Lipps on SPIN Magazine's Lipps Service for an in-depth conversation about becoming one of today's most exciting bass players. Blu discusses growing up in New York City, learning from mentor Warren McCrae, her early years playing sessions and touring, working with Caroline Polachek, Chromeo and Stargate, the viral videos that launched her career, and developing her signature slap bass style. She also breaks down the bass line from "Whisper," demonstrates techniques live on bass, talks about her signature Fender bass, names her Top 5 bass players, reveals her favorite bass riffs of all time, discusses Rush's Geddy Lee, dreams up a musical supergroup, and shares the New York artists who inspired her. If you love great musicianship, bass guitar, funk, rock, pop or incredible stories from today's most exciting artists, this episode is for you. Learn more about your ad choices. Visit megaphone.fm/adchoices

"When you listen to Van Halen or Extreme or Steely Dan you expect a great guitar solo. The point of this show is to offer some examples of totally unexpected solos. These are solos in a song or a genre or by an artists that it seems to be coming out of nowhere. "

Brian, Blake, and Richard are back for Episode 623 of the Chasing Tone Podcast - Brian's birthday flamethrower bonanza and Stratgate continues.It's Brian's birthday as we record this and the chaps sing "Happy Birthday" in two different keys while Blake tells us all about his former meth lab renovation life and Brian shoots trees with fire. We have to talk about Fender again as Thomann, one of the world's largest music retailers, have fired a legal salvo in retaliation to the cease and desist letter situation.Blake considers destroying a guitar and it opens up a new dimension to the great Fender debate and Richard exaggerates. Have you ever used a string bender? The guys discuss how to approach playing with a B bender. Robert Keeley has teased a new tube-based pedal and the guys dig it.The Cure have headlined the Isle of Wight Festival and Richard has observations, and GAS for Reverend guitars. The guys debate whether festivals are still something they enjoy or whether those days have passed. It's Prime Day again and the guys are not too impressed. They were impressed with a new magnetic pedalboard design however.Nitro Surge, Marketers Ruin Everything, Red Mild Chili Poppers, Angine de Poitrine, Brian Is a Diva... it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.bluesguitarmethod.com https://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comCheck out Oliver Effects:https://oliverfx.co.ukYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Support the show

269 - BottleRock 2026: Hannah Cohen and the Girl Tones In episode 269 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine host James Patrick Regan is at BottleRock 2026 and he speaks with Hannah Cohen and the Girl Tones. First up is Hannah Cohen, she tells us this is her second BottleRock experience her first singing background for Iron and Wine. Hannah discusses her father a respected jazz drummer in the San Francisco Bay Area. She talks about her current home in the Catskills of New York. Hannah describes her gear: a nylon string guitar and she takes us through her band and her tour schedule: festivals and supporting Alabama Shakes. To find out more about Hannah you can go to her website: thehannahcohen.com In my conversation with the Girl Tones, Kenzie on guitar and Laila on drums we discuss living Bowling Green Kentucky and they take us through playing as a duo and what Kenzie does as far as gear to fill in the low end. Kenzie takes through the rest of her gear and what she uses for backline. The two tell us about the bands they've supported, an impressive list And their tour schedule for the future. To find out more about the Girl Tones you can go to their website: girltones.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #HannahCohen #GirlTones #TheGirlTones #BottleRock #BottleRockFestival #GirlBands #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

Sal Mignano has never been particularly interested in making the bass behave itself. As a founding member of The Sleeping and one-third of the thunderous new project Held, Sal writes riffs from the bottom up, stacks distortion pedals into increasingly hostile little ecosystems, and believes the bass should do considerably more than quietly hold everyone's coat. Sal joins Blake to tell the wonderfully accidental origin story of Held, including free studio time, a last-minute guitarist cancellation, and Douglas Robinson being gently shoved toward the six-string. They also dig into Sal's long musical history, from funk bands and Skycamefalling to The Sleeping, along with the lessons he learned from the late John “Beatz” Holohan of Bayside. Naturally, there is gear. A lot of gear. Sal walks through his collection of gloriously battered Gibson Grabbers, vintage Rickenbackers, Fender basses, obscure pedals, enormous Gallien-Krueger touring rigs, and the wonderfully inconvenient magic that still keeps real amplifiers alive. They also discuss the digital takeover, recording with actual producers, surviving the social-media era, and why thirty seconds of flawless internet guitar probably consumed somebody's entire afternoon. Check out Held HERE https://www.heldsounds.com/ Check out The Sleeping HERE https://thesleeping.net/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 639 is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126I dropped a pole saw extension tube on my big toe today. It's already bruising.00:00 Intro00:40 Coronado II11:18 Proto Metal16:41 Thanks Patreon and our Sponsors! 19:30 Don't Have a Cow Man24:56 Let's give away a gift card! ----------------------------------60CH on Patreon: https://www.patreon.com/60CycleHumcastAffiliate Links: https://60cyclehum.com/affiliate-links/Social Media: https://60cyclehum.com/social-links/

On this episode of Talking Guitars on Johnny Beane TV... The guitar world just got a whole lot more interesting. In a shocking escalation of Fender's ongoing Stratocaster body-shape controversy, Thomann—the world's largest music retailer and home of Harley Benton guitars—has officially filed legal action against Fender. Why? Thomann says Fender's recent cease-and-desist campaign isn't just affecting one company—it's threatening the future of innovation, competition, and diversity across the entire guitar industry. Thomann CEO Hans Thomann says the company is taking a stand not only for itself, but for smaller builders and manufacturers who may not have the resources to fight back. The retailer specifically mentions respected brands such as Suhr, Tom Anderson, Tyler, PRS, LsL, Maybach, Pensa, and FGN as companies that could be impacted by Fender's legal actions. At the heart of the dispute is a major question: Can the Stratocaster body shape really be protected as a work of art, or is its iconic design simply the result of practical ergonomics that have inspired generations of guitar builders? Thomann believes this fight is bigger than one company, one guitar, or even one lawsuit. They argue that the Stratocaster's legacy was built by musicians, luthiers, and innovators worldwide—and that the freedom to build upon classic designs is essential to the future of the guitar industry. Meanwhile, Fender maintains that it is working directly with companies to find solutions, but the backlash continues to grow. Several prominent guitar YouTubers have criticized the move, and some have even cut ties with the company altogether. So what do YOU think? Is Fender protecting its intellectual property—or trying to control a guitar shape that has become part of music history? Let us know in the comments! #Fender #Stratocaster #GuitarNews

Today our hosts tackle an all-timer of a question: what's the right number of knobs on a pedal? Stay tuned until the end to find out if they arrive at a definitive, unanimously agreed upon answer! They also talk a lot about Andy's exploration of the Chase Bliss Big Time, and take some listener calls. There's product development chat, time signature chat, listen it's just more chat from your favorite chatterboxes. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

durée : 00:05:34 - Entendez-vous l'éco ? - par : Anne-Laure Chouin - Après s'être vanté qu'elle était "la guitare électrique la plus copiée du monde", Fender cherche maintenant à protéger sa création. Un changement de stratégie qui met toute la planète guitare (guitaristes et fabricants) en émoi et suscite même des appels au boycott. Récit. - réalisation : Caroline Bennetot, Éric Chaverou, Marie Viennot Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

"Back on May 31st Black Crowes frontman Chris Robinson chided an audience for chanting USA. Much of the audience then walked out. I wondered if this had happened before and it certainly did. We have multiple examples of an audience turning on the performer and vice versa. For many we have the audio from the stage."

Brian, Blake, and Richard are back for Episode 622 of the Chasing Tone Podcast - So you want to be a guitar YouTuber? Start here...Blake dreams of marketing, lycra, and broken tables in what is probably the most unhinged introductions in at least a week. Meanwhile, Brian and Blake bring their not inconsiderable experience to bear as Richard prepares to film his first pedal demo video and there are some super useful tips.Have you ever owned an artist-signed pedal? Richard discovered a cache of wild Wampler pedals and tells us of his big day out in London and also talks about the setup of his new PRS. Somehow Leisure Suit Larry gets mentioned for the second time ever on this show.Social media rears its ugly head and the guys discuss the current lay of the land. Meanwhile, Brian is GASsing for a new pedal and he has a request for all listeners to help him in his quest.Something something Fender, A gig in every country, Marshall Jukebox, PSA - Smoking is bad, The Screaming AbDabs... it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.bluesguitarmethod.com

Today's podcast episode is with songwriter and guitarist @alex.amen, who has a new album out today on ATO Records. https://alexamen.com In this conversation, we talk about Alex's Texan roots, mountaineering, living on a California commune, and the musical influences found on his new album. Join us at our 2026 Fretboard Summit in Chicago (August 20-22, 2026) for three days of guitar demos, concerts, workshops and live podcasts with some of our favorite artists: https://fretboardsummit.org This year's Summit has over 80 luthiers and brands showcasing their new and prototype gear! 2026 speakers include Josh Scott (JHS), Mark Stutman (Folkway Music), Chris Martin IV (Martin Guitars), Fender historian Terry Foster, and many other fretted instrument luminaries.  Subscribe to the Fretboard Journal's quarterly print magazine: https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription We are brought to you by Peghead Nation: https://www.pegheadnation.com  (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com

Before talking amps, we talk life! Longtime friend of the show John Vanderslice (Tiny Telephone) joins us to talk about moving to the Netherlands, the life of an expat, the equipment that he moved to Europe (and didn't), staying curious with your gear, and so much more. Around 50 minutes in, we get the answer to last episode's Baffler, field various questions and do the usual TAVA amp troubleshooting. Thank our sponsors: Grez Guitars; Emerald City Guitars; and Amplified Parts / Mod Electronics.  Some of the topics discussed this week: :00 Special guest: John Vanderslice! 50:28 Our sponsors! 51:47 What's on Skip's bench: A Supro Galaxy 1:01:19 The O.W. Appleton guitar (link)  1:02:33 The answer to episode 155's baffler: Two types of hum 1:07:03 The high and low power switch on a Music Man HD150 1:10:34 How can I swap the speaker on my 1949 Spiegel 79-C, pre-heating cast iron 1:14:35 Ranch Style beans, Herdez guacamole salsa, Electro-Harmonix 12AY7 mic-pre, Peavey Valverb, using an iso cabinet, using both jacks in a Princeton 1:24:37 Terry Foster at the 2026 Fretboard Summit  1:26:11 How many speakers can a Silverface Champ drive safely? Why did Fender keep changing the Princeton schematic? 1:31:13 Skip at the Fretboard Summit?  Want to be a part of the show? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too. Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal.