Podcasts about Fender

Steve Sladkowski of PUP joins Blake for a conversation about the strange business of building a life out of noise. This one wanders into the good stuff. The human stuff. The part nobody puts on the laminate. Imposter syndrome. Burnout. Getting older. Learning that rest is not the same thing as quitting, even if your brain, like an underqualified middle manager, keeps sending panic memos in all caps. Steve talks about PUP's early days, growing up in Toronto, falling into music through school programs, and slowly realizing that the thing you love might become the thing that carries you, if you're willing to drag it uphill long enough. There's also the darker chapter. The moment when Stefan's voice gave out, a doctor delivered the kind of sentence that can rearrange your organs, and the band had to stare down the possibility that the whole machine might stop. What comes through here isn't just the crisis itself, but the way a band survives something like that: by choosing not to let fear, blame, or bad luck rot the foundation from underneath. And then, because no Tone Mob episode can go too long without somebody describing an amp like it's their best firend, the conversation rolls into guitars, pedals, and the slow, stubborn art of figuring out what actually works. Fender guitars. Vibroluxes. Dr. Zs. Roland Cubes. Road-tested pedalboard choices. The glorious stupidity of moving real air. Steve talks about finding gear that feels like home and hanging onto it, which is maybe not so different from finding people like that too. It's a conversation about surviving long enough to mean it. About staying curious. About making peace with the fact that even after years of doing the thing, some tiny part of you still expects a knock at the door from a guy holding a clipboard and bad news. Check out all things PUP on their website HERE https://www.puptheband.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

253 – Matthew Stevens In episode 253 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine host James Patrick Regan speaks with guitarist and educator Matthew Stevens. In their conversation Matthew takes us through living in Boston and teaching at Berklee College of Music and he talks about the struggles of playing instrumental jazz music. Matthew discusses his new album “Matthew Stevens” and the personnel and production of the album. Matthew talks about growing up in Toronto and his start on guitar and eventually his introduction to Jazz which led him to Berklee as a student after playing in rock bands in school. Matthew describes working as a guitarist on a cruise ship at the age of 18 to pay for his Berklee education and he tells us about his early jazz influences. Matthew describes going on tour right out school and eventually working with Esperanza Spalding. Matthew talks gear from the beginning until now and his preference of telecasters and VOX amps. Matthew talks tour plans and the expense of touring and touring as a sideman. To find out more about Matthew you can go to his website: mattstevensmusic.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #MatthewStevens #Telecasters #Berklee #EsperanzaSpalding #JazzGuitar #VoxAmps #BerkleeCollegeofMusic #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

For the first time ever, the Sydney Guitar Show will take over Sydney Olympic Park on Saturday 7 and Sunday 8 March 2026, delivering two super-sized days of guitar gear, live performances, workshops and immersive experiences celebrating the world's most popular instrument.The 2026 program features performances, workshops and conversations with some of the most exciting and innovative guitarists in the country, including Diesel, Plini, Hussy Hicks, Tash Wolf, and international guest Larry Mitchell (US). Highlights include Diesel's exclusive Decoding The Dream conversation with Fender Custom Shop Master Builder David Brown, Plini showcasing the future of instrumental rock, and deep-dive workshops spanning tone, songwriting, recording and guitar craft.Beyond the stage, the event is a playground for players and fans alike — from boutique Australian luthiers and global brands like Fender, Gibson and PRS, to pedal launches, a dedicated Studio Room for home recording, a Pedal Party spotlighting Australian effects builders, and a brand-new Kids Room designed to inspire the next generation of guitarists. To put it plainly, there is something for everyone.HEAVY caught up with Diesel to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

252 - Nili Brosh (solo, Danny Elfman, Cirque du Soleil, Dethklok) In episode 252 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist Nili Brosh. In their conversation Nili discusses going to school at Berklee School of Music in Boston and she describes the lack of gigs in Boston. Nili tells us about her new album “Eventide” and the personnel on the album. She also talks about her work and touring with Danny Elfman, Cirque du Soleil and Dethklok. Nili tells us about her relationship with Ibanez guitars and her signature model she also takes us through her amps and she tells us about the gear for the Cirque gig. Nili takes us through her musical history after Berklee playing with the Iron Maidens opposite Nita Strauss and she tells us about her early guitar heros. Nili talks a little about her guitarist brother Ethan and what he's up too. Nili tells us about tour plans for her in Europe and rhythm sections she uses in Europe and the east and west coast in the US. To find out more about Nili you can go to her website: nilibrosh.com and she's very active on the socials. Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #NiliBrosh #IbanezGuitars #Berklee #DethKlok #Eventide #DannyElfman #BerkleeCollegeofMusic #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

In this episode, Joe Spann and I dive deep into the legacy of Don Rich and one of the most fascinating lost instruments in Fender history, his 1964 Gold Sparkle Fender Custom Telecaster.Joe breaks down exactly how Fender created the Gold Sparkle finish using crushed mirror material, why it was so visually striking under stage lights, and how unusual the process was for the era. We also discuss the many Buck Owens hits Don Rich recorded while using this Telecaster, and how central it was to his tone, image, and the Bakersfield sound.Finally, we explore the leading theories behind how the guitar disappeared, when it was last seen, why it was likely never recovered, and what makes it one of the great “what if” stories in vintage guitar history.This is a deep-dive into Don Rich's influence, Fender's experimental finishes, and one legendary Telecaster that vanished without a trace.Support the show

251 - Ben Brandt In episode 251 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host, James Patrick Regan speaks with guitarist Ben Brandt. In their conversation Ben tells us about his 1962 ES 335 and his recent move to Nashville from Pennsylvania after commuting for a few years. Ben discusses his previous band “Soul Miners Union” and working with guitarist Josh Smith. Ben talks us about his new album “Solid Ground” which will be released March 20th, that was produced by J.D. Simo who also plays on the album. Ben describes learning guitar from his father early on and playing in bands starting at age 10 and moving to drums and bass before returning to guitar. Ben takes us through his gear amps pedals and guitars both on the new album and his live rig. Ben describes his plans for touring in the summer and fall and his love of guitar shows. To find out more about Ben you can go to his website: benjbrandt.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #BenBrandt #JoshSmith #JDSimo #SoulMinersUnion #SolidGround #Nashville #ElderlyInstruments #GibsonGuitar #JamesPatrickRegan #theDeadlies #DRZamps#haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

Those chance encounters with someone you're interested in that fail to turn into something more. It's the weird, the wild, and the desperate… it's Missed Connections!

- 2/25/26-Chuck Talks About The News!Fender benders, exhibits, jugging, feet picsAnd Much More On This Episode Of Casually Uncomfortable, News Edition!Call the showhttps://www.speakpipe.com/CasuallyUncomfortable

250 - Luke Winslow-King In episode 250 of Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/songwriter Luke Winslow-King. Luke joins us from his home in Spain. In their conversation Luke shares with us what life is like in Spain and he tells us about his experiences busking in Europe and dealing with Gypsies and his experiences with his band in Europe. Luke talks about living in New Orleans previously and going to the university of New Orleans and busking there as well with a group of musicians known as the “Loose Marbles” that eventually became Tuna Skinny, Hooray for the Riff Raff as well as members of Luke's band. Luke describes his gear including a resonator that he's had since 2001 and the rest of his gear and a shoutout to his home music store Elderly Instruments. Luke discusses his early touring experiences with a group of friends following a book by Pete Seeger of Woody Guthrie songs called “California to the New York Islands” Luke describes his current tour schedule traveling throughout Europe and the US and talks about his band, both in Europe and the US and he gives us insight into booking in Europe. Luke tells us about his new record “Coast of Light” his ninth album and he describes his musical education. Luke discusses his future, recording an album with “Little Freddie King” and another album for himself. To find out more about Luke you can go to his website: lukewinslowking.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #LukeWinslowKing #LittleFreddieKing #CoastofLight #BuskinginEurope #NewOrleans #TubaSkinny #hoorayfortheriffraff #ElderlyInstruments #resonatorguitars #GibsonGuitar #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

249 - the Sky Chiefs - Stephen McCarthy (The Long Ryders, The Jayhawks) and Kevin Pittman (The Dads) In episode 249 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine,host James Patrick Regan speaks with the Sky Chiefs, who are Stephen McCarthy from The Long Ryders and The Jayhawks and Kevin Pittman who's put out two solo albums and also was in The Dads. In their conversation Kevin gives us a little bit of his history and then Stephen joins and we discuss the “Sky Chiefs” debut album and how it was recorded and produce 36 years ago and the Personel on the album and they take us through the musical styles on the album. Stephen tells us about his time in California playing with the Long Ryders The two tell us how they met while Kevin was in a band called “the Dads” and moved from LA to back to Richmond, VA. Stephen talks about his main guitar a tele style guitar with a b-bender “string bender” installed by Gene Parsons, the inventor of the string bender Gene is interviewed in episode 117 of this podcast. The two both tell us about the gear not just for the album but also what they're using now. Stephen discusses seeing Danny Gatton play many times early on. The two describe the few shows they did 36 years ago and they talk about plans for shows upcoming and discuss the support they're receiving from Sirius/XM's Outlaw Country. The two talk about a new album and the work they are doing separately, Stephen with a new Long Ryders album coming up (Stephen gives us a little bit of the Long Ryders history and logistics for an upcoming tour) and he tells us about his tour work with the Jayhawks. The two talk about the Palomino club in LA and encounters with Nudie Cohen at his shop. To find out more about Stephen and Kevin”s album you can go to their website: theskychiefs.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #theSkyChiefs #StephenMcCarthy #KevinPittman #theLongRyders #theJayhawks #BBender #StringBender #TheDads #JamesPatrickRegan #GeneParsons #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Download Link

Jason Noel, founder of Fat Fender Garage in Gilbert, Arizona, joins us this week with a story that's less about horsepower at the beginning — and more about perseverance. Jason didn't grow up chasing race cars. He was a finish carpenter by trade, building doors and crown molding before the 2008 housing collapse wiped out his business and forced a complete reset. What came next wasn't a hobby gone wild — it was a deliberate rebuild. One old truck led to another, then to customer builds, then to something much bigger than he ever planned. Today, Fat Fender Garage is a full-scale restoration shop specializing in classic Ford and Chevy trucks, known especially for early Ford F-100s and modern Coyote swaps. Along the way, Jason learned that if he wanted the quality and timelines his customers expected, he'd have to take control of the process. That meant bringing paint, upholstery, parts manufacturing, and now even chassis production in-house. What started as flipping a few trucks for fun has grown into a 75-person operation building high-end custom vehicles and engineered components designed to compete at the top of the industry. In this episode, Jason shares the hard lessons from early customer builds, the philosophy behind vertical integration, why he chose to compete directly with established chassis manufacturers, and how telling the real story — wins and failures alike — became the backbone of Fat Fender's marketing success. If you're into classic trucks, modern restomods, or the realities of scaling a business in the automotive aftermarket, this is a conversation you won't want to miss. The post TMCP #639: Jason Noel – Fat Fender Garage, The 20-Year Overnight Success first appeared on The Muscle Car Place.

We went behind the scenes at Gruhn Guitars in Nashville for a tour of the 'Tele Vault' with legendary vintage archivist and researcher Joe Spann.We aren't just looking at vintage guitars; we're looking at the DNA of the Fender company. Joe walks us through the history and technical specs of some of the most significant instruments on the planet, including George Fullerton's personal 1949 prototype, a guitar that predates the Broadcaster and Telecaster as we know it.The Lineup:1949 Fender Prototype: George Fullerton's personal guitar.1951 Nocaster: The bridge between the Broadcaster and the Telecaster.1963 Custom Esquire: A minimalist masterpiece in rare Custom trim.1967 Custom Telecaster: Featuring a rare factory-installed Bigsby.1967 Telecaster: A pristine late-60s classic.Massive thanks to Joe Spann and the team at Gruhn Guitars for opening the vault for us.Support the show

0:11 -Snowy winter weather returns to Alberta. 10:12 -Why were confiscated guns returned to home of suspect before Tumbler Ridge shooting? 19:12 - We take your calls and texts on the day. 29:55 - What is going on with Canadian Curling. 37:57 - Paid out of pocket for a fender-bender? Fine, but the law says you have to tell your insurer. 49:58 - Carney strategy for defence industry pledges 125,000 jobs, sweeping policy changes. 1:04:37 - We take your calls and texts on the day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 160 of the Truth About Vintage Amps Podcast, where amp tech Skip Simmons fields all of your questions about tube amps.  Thank our sponsors: Grez Guitars; Emerald City Guitars and Amplified Parts.  Some of the topics discussed this week: 1:09 Fishing and weather report, Tule fog 4:43 Skip's amp backlog 5:19 A West guitar amp with a Dynaco 454216 transformer, a paper plate breakfast hack 10:45 Our sponsors! 12:56 What's on Skip's bench: A 1950 Princeton, a White amplifier, a Tweed Deluxe AND a Vibrolux; Electromuse amps 14:39 The Lonesome Captain's music video (YouTube link) 17:31 A Webster-Chicago 166-1 with a post phase-inverter tone control 20:36 The Valco/National/Supro single 6V6 with reverb and tremolo 28:06 A Silvertone 1472 with replaced parts; terminal strip grounds 30:55 Two filter cap Princetons (link to TDPRI forum) 32:11 An original Garnet Session Man; modding a Masco ME-27; recommended reading 39:49 The Wood Wire & Volts show; the Benson Babylon (as mentioned on episode 158!) 44:16 Speaker impedance mismatch on a Danelectro amp and its effect on tone, Spanish rice, Goya pasta 50:21 Suggestions for an unused triode in a Geloso G226A amp 54:32 Bill Krinard's return?; Dr. Z's new, single-ended PhD amp; Emery Sound amps 57:18 A new speaker for my Traynor YGM-3?; Peavey amps; smoked pork tenderlions 1:03:35 Making a baby Leslie speaker at home and adding caps to filter out EMI/interference (check out more pics on our Patreon) 1:11:00 Getting spray paint off a grill cloth (3M Safest Stripper); fixing a Fender speaker baffle; and a cursed reverb unit 1:16:50 A Cunningham CX322 tube giveaway; Alembic stereo pre-amps, redux Note: Starting around minute 60, our Zoom connection went bad and Skip can be a little hard to hear. We tried to clean it up as best we could. Sorry! Want amp tech Skip Simmons' advice on your DIY guitar amp projects? Want to share your top secret family recipe? Need relationship advice? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too. Want to support the show? Join our Patreon page to get to the front of the advice line, see exclusive pics, the occasional video and more.  Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. 

248 - David and Howard - the Bellamy Brothers In episode 248 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine!, host James Patrick Regan speaks with David and Howard, the Bellamy Brothers. In their conversation the two discusses their home in Florida and the Brahma Cattle they raise. They discuss their current tour schedule which is extreme and the logistics of their tour and they talk about 50th anniversary show at the Ryman Auditorium in Nashville on June 25th. They tell us about their connection to Ovation guitars after their gear was stolen while on tour with Loggins and Messina in the ‘70's and they also talk about the guitars they're using now on the road, Parker Fly guitars. The discuss their former bassist and lifelong friend Wally Dentz who unfortunately passed away just a couple weeks ago. They describe their early influences gospel and early country and the early English bands and they talk about playing with their dad who was also musical and they tell us about the early incarnations of their bands that eventually became the Bellamy Brothers. The tell us about the work they did early on working with and for Jim Stafford and Gallagher and David's song “Spiders and Snakes” which Jim recorded and the song “Let Your Love Flow” which jump started their career. They talk about doing tv work when tv was a very big deal and they discuss how Conway Twitty helped them break into the Nashville establishment. They discuss the members of the their band and plans for a new album to celebrate their 50th anniversary. They also talk about their other project a line of marijuana called “Old Hippy Stash” that's distributed by Trulieve. To find out more about David and Howard you can go to his website: bellamybrothers.com and they're on all the socials. Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #DavidandHowardBellamy #theBellamyBrothers #ParkerFlyGuitars #OvationGuitars #JimStafford #Gallagher #JamesPatrickRegan #ConwayTwitty #WallyDentz #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Download Link

We talk about the olympics, sports and depression but what really matters is we talk about our favorite 80's action villain Fender from Cyborg.   #cyborg #olympics #80s

247 - Philip Shouse (Solo, the Rock and Roll Residency, Accept, Ace Frehley, Gene Simmons) In episode 247 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Philip Shouse, who has a solo EP called “Side 1” out and is currently a member of Accept he also is a part the Rock and Roll Residency and has been a part of both Gene Simmons and Ace Frehley”s solo bands. In their conversation Philip tells us about his upcoming tour of Sweden for his solo album and the band he's using and he discusses living in Nashville and the ease of traveling the world with Nashville being the hub. Philip talks about being working with the band Accept since 2017 and officially joining in 2019 and how their tour cycle works and the logistics of playing in Europe, the US and South America. Phillip tells us about his EP which was basically a 50th birthday present to himself and he tells us about the production and personel on the album. Philip describes his world of being a touring musician as opposed to the session musician scene in Nashville. Philip talks about his project “the Rock and Roll Residency” which had many special guests like Robin Zander, Alice Cooper, Billy Gibbons, Lzzy Hale to name a few. Philip takes us through his musical education and he tells us about his gear including a guitar which is very special to him. Philip describes how he ended up playing with Gene Simmons and how that led to playing with Ace Frehley. To find out more about Philip you can find him on the socials at: itsphilipshouse or his links at: linktr.ee/philipshouse.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #PhilipShouse #Accept #GeneSimmonsBand #AceFrehleyBand #Side1 #HagstromGuitars #GibsonGuitars #FramusGuitars #JamesPatrickRegan #theRockandRollResidency #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Download Link

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246 - Alan Williams In episode 246 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist and music educator Alan Williams. In their conversation Alan tells us about his new solo album “Floating on the Dreamline” and the personnel and production of the album it will be released on March 6th. Alan describes growing up in North Carolina studying piano and going to New England Conservatory in Boston and deciding guitar was also suited for his talent and Alan explains his major Ethnomusicology and how that relates to his interests. Alan tells us about his early band “Knots and Crosses” and how they got signed and why they broke up. Alan talks about gear both early keyboard synths and his guitars including his guitar made by Dave Schecter and a carbon fiber guitar made by Emerald guitars (emeraldguitars.com) in Ireland and he tells us why he fears taking his guitars on the road. Alan tells us about his career at university of Massachusetts at Lowell including a run as the chair of the music department and his current role as the chair of the music business department and some of the challenges of the ever changing music industry. Alan tells us about his previous albums including one that was not initially released and has recently been remixed and released. Alan tells us about his guitar tunings that he uses both on acoustic and electric guitars. And finally Alan describes to us about his touring plans, his retirement from teaching, his wife's work, a cottage he owns on the big island of Hawaii and returning to Asheville, North Carolina. To find out more about Alan you can go to his labels website: bluegentianrecords.com or his socials @alanwilliamsevidence Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #AlanWilliams #FloatingontheDreamline #KnotsandCrosses #SchecterGuitars #EmeraldGuitars #JamesPatrickRegan #NewEnglandConservitory #theDeadlies #UMassLowell #NEC #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Download Link

245 - Jeff "Skunk" Baxter In episode 245 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist Jeff “Skunk” Baxter. In their conversation Jeff tells about his role in the upcoming Rock and Roll Fantasy Camp which he does fairly often. Jeff tells us about his youth growing up in Mexico City and how he ended up playing guitar and eventually starting a surf band with Abe Laboriel. Jeff describes his early influences which are all very eclectic and Jeff talks about his move from Mexico to Connecticut and then New York City working at Jimmy's Music and the Dan Armstrong's repair shop and working on innovations with Bill Lawrence. Jeff describes the guitarists he ran into while working in New York City: Sam Brown, Eddie Deal, Danny Kortchmar and Les Paul. Jeff talks about his move to Boston to attend Boston University and working with David Schecter and studying the pedal steel. Jeff tells us about his love of muscle cars and a few of the cars he had throughout the years. Jeff discusses a few of his bands: Steely Dan and the Doobie Brothers and he talks about his session work and why he preferred to sit while playing live. Jeff talks about his love of eclectic guitars and what his collection looks like now and he talks about the work he's done for Roland, Gibson and Fender. Jeff discusses his work for the government, his hand in bringing rock music to Russia and his thoughts on new technologies and ones used during World War Two and talks a little about Nick Cook's book “the hunt for zero point”. Jeff describes being an avid reader of technical journals and guitar magazines and he talks plans for a second solo album. To find out more about Jeff you can go to his website: jeffskunkbaxter.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #JeffSkunkBaxter #SteelyDan #DoobieBrothers #DanArmstrong #thehuntforzeropoint #FenderGuitars #GibsonGuitars #JamesPatrickRegan #RolandMusicalInstruments #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

244 - Michael Sweet (Solo, Stryper, Boston) In episode 244 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer and guitarist Michael Sweet most recognizable from his band Stryper but also was in the band Boston and Sweet and Lynch among other projects. In their conversation Michael tells us why a solo album… it's his 11th solo album and tour plans behind the album. Michael discusses his home in Massachusetts and his time as the worship leader at his home church. Michael takes us through his youth in Southern California and his original band Rox Regime that played a lot with the hair bands whose names we all know and the transformation to Stryper. Michael takes us through his gear through the years and his obsession with tone and how the yellow and black color scheme came about and the guitars he's currently playing Sully electrics and Godin acoustics. Michael talks about his guitar hero's early on and he talks about his home studio as well as the studio where the band tracks and mixes… and he talks about his production work for his band. Michael takes us through his work with George Lynch and the band Boston and the possibilities of working with them again. Michael talks about the future of Stryper and the logistics of getting the band together with all the members living around the country and he talks tour plans. To find out more about Michael you can go to his website: michaelsweet.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #MichaelSweet #Stryper #Boston #SullyGuitars #TheMasterPlan #JamesPatrickRegan #SweetandLynch #theDeadlies #MarshallAmplifiers #RoxRegime #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

243 - Kurt Baker (solo, the Leftovers) In episode 243 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with bassist, guitarist and bandleader Kurt Baker. In their conversation Kurt tells us about living in Brooklyn and working for Little Steven's record label “Wicked Cool Records” a label that he's also recording for. Kurt discusses his new single and when he might release a new album and his style of Power Pop music. Kurt describes how he got hooked up with Wicked Cool and how he eventually started working for the label. Kurt tells us about living and playing his music in Spain before working for Little Steven. Kurt talks about his musical history growing up in Maine and his band “the Leftovers” (one of the first bands to do video blogs) and why that band disbanded and what made him go solo. Kurt describes his gear both his basses and his guitars and his Ampeg, Orange and VOX amps and he describes the backline situation in New York. To find out more about you can go to his socials as kurtmiltonbaker or his bandcamp page: kurtbaker.bandcamp.com and check out Kurt's music it's refreshing. Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #KurtBaker #theLeftovers #WickedCoolRecords #LittleStevensUndergroundGarage #FenderBass #EpiphoneGuitars #PrecisionBass #AmpegAmps #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

Factos Curiosos e às vezes até interessantes sobre as marcas. Essas coisas que passam a vida a tentar seduzir-nos. Com João Soares Barros

Cliff Kim is a senior leader at Fender Musical Instruments Corporation, currently serving as Vice President of Growth Strategy, Digital Products and President of Fender Play, the company's digital learning platform. At Fender, he leads efforts to grow both physical and digital business through data-driven insights, conversion optimization, and consumer research, helping evolve how players discover and engage with Fender's products and services. During his tenure he played a key role in initiatives like PlayThrough, which significantly expanded Fender Play's user base, and contributed insights that shaped resources like the Beginners Hub for new musicians. Before Fender, Kim held analytics and strategy roles at major brands including Live Nation Entertainment, ESPN, and Yahoo!, blending analytics with storytelling to drive growth and strategic decision-making. He is a graduate of the University of California, Riverside and is based in Los Angeles.

On this episode of Talking Guitars, we hang out with Hector from the Guitar Tech Adventures YouTube channel

242 - Axel Ellis (the Runarounds, Ax and the Hatchetmen) In episode 242 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with Axel Ellis guitarist for the band/Amazon Prime Show “the Runarounds” and his band “Ax and the Hatchetmen”. In their conversation Axel gives us a little history of the band, a band that was cast for the Amazon show. Initially auditioning with his whole band for what they thought was a guest spot on an established show. Axel takes us through his musical history growing up in the suburbs of Chicago with parents that loved music and initially studying flamenco guitar before moving on to jazz and then rock. Axel describes how the show's characters mirrors his own start in music. Axel tells us about the benefits of being on a tv show, not just the fame and money, but the sponsorships from gear companies. Axel talks about his gear both for the Runarounds tv show, the bands tour that he's on now and for his other band “Ax and the Hatchetmen” Axel discusses the logistics for the band as far as being spread apart around the country for songwriting and rehearsals. Axel gives us his thoughts on his future of his band, the Runarounds band and the tv show's potential second season. To find out more about Axel you can go to his band website: axandthehatchetmen.com or the website for the Runarounds: therunarounds.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #AxelEllis #theRunarounds #AmazonPrimetheRunarounds #AxandtheHatchetmen #GretschGuitars #WhiteFalcon #SuproAmps #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

Pickup trucks are an American original- and so is Jason Noel, the founder of Fat Fender Garage. Jason and his team breathe new life into classic trucks, with modern chassis, powertrain and systems.  These are dream builds, often still in their original paint, but Fat Fender also does the full-on custom look too."We put in the kitchen sink and a box of cereal for you too", says Jason. VISIT FAT FENDER GARAGE:  https://fatfender.comSUPPORT THE PODCAST:https://www.buymeacoffee.com/hpheritageSUBSCRIBE to Horsepower Heritage on YouTube:https://www.youtube.com/@horsepowerheritageFIND US ON THE WEB:https://www.horsepowerheritage.comINSTAGRAM: @horsepowerheritageHORSEPOWER HERITAGE is created, produced and hosted by Maurice Merrick.Get in touch with Maurice:https://horsepowerheritage.com/contactSupport the showHELP us grow the audience! SHARE the Podcast with your friends!

On this episode of Talking Guitars, it's the ultimate NAMM Show 2026 wrap-up

If it was there, we discuss it! NAMM 2026!!!

241 - Boy Golden In episode 241 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/songwriter and producer Boy Golden aka Liam Duncan. In their conversation Liam describes his upcoming tour schedule in Canada and growing up in rural Manitoba in the cold. Liam talks gear, his guitars and amps and his collection of Russian microphones and a special guitar labeled Garnet after the amp maker. Liam tells us about his earlier band “the Middle Coast” before he went out as Boy Golden and he explains the Boy Golden moniker. Liam talks about his time as the keyboardist for the Bros. Landreth and his influences early on. Liam discusses his new album “Best of Our Possible Lives” and the personal on the album and he also describes his home studio. To find out more about Boy Golden you can go to his website: boygolden.ca Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #BoyGolden #theMiddleCoast #LiamDuncan #Manitoba #theBrosLandreth #YamahaGuitars #JamesPatrickRegan #BestofOurPossibleLives #theDeadlies #HomeStudio #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

Ihr erinnert euch noch an die 10 größten Gitarren-Verbrechen (Episode 128)? Heute kommt die Schwesterfolge: DIE 10 GEILSTEN GITARREN DER WELT Simon und Hanno schwadronieren dieses Mal über ihre Lieblingsgitarren von damals, heute und vielleicht sogar morgen? Denn ein paar dieser Schätze sind noch gar nicht in den eigenen Sammlungen gelandet.

Everyone wants momentum. Almost nobody is building stability.And that's why most leaders flame out right when it starts working.This episode is a hard reset on what actually lasts.1. Stable is the new sexy Fast growth looks impressive. Stable growth changes lives. Why boring fundamentals beat flashy spikes every single time.2. Customers vs distributors. Which actually matters more? Most leaders get this backward. What happens when you chase builders without a real customer base. And why stability always starts with demand.3. The quiet power of a real USP Not a slogan. Not a pitch line. A true reason people choose you when options are everywhere.If you don't have one, you're competing on personality and price. That's a bad long-term plan.4. Playing the long game as a leader Cash flow. Culture. Trust. Why leaders who think in decades win, even when the market gets loud.This episode isn't hype. It's perspective from someone who's seen cycles come and go.If you're building something you want to keep, not just start, this one matters.That's the tone. That's the lane. That's how you attract serious leaders.

240 - Joel Hoekstra In episode 240 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist Joel Hoekstra, in their conversation Joel describes living in New York City and growing up in the suburbs of Chicago with his parents who were both classical musicians and Joel tells us why he didn't pursue piano. Joel describes the impact of seeing AC/DC on MTV as a kid which slowed his sports interests. Joel describes his gear starting on his stepmom's guitar and he discusses his guitars from then on… and how he got the collecting bug and he discusses his custom Gibson's and Jackson's and the guitars he uses for each of his gigs. Joel tells us about his first bands through his gigs with Trans Siberian Orchestra, Whitesnake, Night Ranger, Jim Peterik, Cher… as well as his time spent as a pit guitarist for Broadway shows like Rock of Ages and Love Janis. Joel talks about using in-ear monitors and hearing loss and Joel talks about his time at GIT in Hollywood and working at Cherokee Studios. Joel discusses his new album “From the Fade” and the personal on the album and the chances for a tour and he describes the other projects he's working on: Revolution Saints, Hoekstra Gives, teaching remote lessons, Broadway's Rock of Ages band and Iconic (which includes a lot of his former Whitesnake bandmates as well as time spent producing other artists. Finally Joel tells us about what he does when he's not playing guitar… his kids, and anything to escape music and plans to go to NAMM next week. To find out more about Joel you can go to his website: joelhoekstra.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #JoelHoekstra #Whitesnake #TransSiberianOrchestra #JacksonGuitars #GibsonCustomShop #JamesPatrickRegan #FromtheFade #theDeadlies #NightRanger #RockofAges #Hoekstra13#haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

To hear the extended, 12", almost-2-hour version of this conversation, including discussion on Maximo Park, Kenickie and Bob Davenport, visit Patreon.com/LoveMessagePod and become a patron from just £3 a month.In this episode of LITM Jeremy is joined by writer and editor of Tribune magazine Alex Niven to talk about the musical history of England's North East. Our interest in this subject was piqued by Sam Fender's victory in last year's Mercury Music Prize. Fender is himself an artist indebted to our recent subject, Bruce Springsteen. Alex talks us through the particulars of the region, one of Britain's main post-industrial heartlands, exploring through music various expressions of white working class identity and a particular form of masculinity that artists have variously embodied or pushed against. Jeremy and Alex discuss blues rock, ‘sophsti-pop' and Sting, the folk club legacy of the North East, Richard Dawson, the smallpipes and the Sultans of Swing.Alex Niven is the author of Folk Opposition, Definitely Maybe for 33 1/3, New Model Island: How to Build a Radical Culture Beyond the Idea of England and The North Will Rise Again: In Search of the Future in Northern Heartlands.Tracklist:Sam Fender - Seventeen Going Under The Animals - House of the Rising Sun The Animals - We Gotta Get Outta This Place Eric Burdon and War - Spill the Wine Lindisfarne - Clear White Light Alan Hull - I Hate to See You Cry Lindisfarne - Fog on the Tyne Dire Straits - Sultans of Swing Pet Shop Boys - Being Boring Sting - All This Time Richard Dawson - The Vile Stuff Sam Fender - People Watching Kathryn Tickell - Bone Music 

This week the Dads are all amped up with big industry news! We break down Fender's appointment of their new CEO and what it could mean for the iconic brand's future direction. Speaking of Fender, we also dive into their surprising new line of Bluetooth speakers—are they a hit or a miss?Special guest Alex Guaraldi from Coppersound Pedals joins us to put our pedal knowledge to the test with another round of "Quiz Eye for the Pedal Guy." Can we name the knobs, or will we completely embarrass ourselves? (Spoiler: probably the latter.)We also pay tribute to the legendary Bob Weir and reflect on his incredible contributions to music and guitar culture.Plus:  dad jokes, and the usual chaos. Tune in!Please support our sponsor, Coppersound Pedals www.coppersoundpedals.com and use code DADS10 to 10% off your order, INCLUDING the new Foxcatcher V2 which is available NOW! 

Episode 616T is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10%⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 9212600:00 Intro00:35 Fender has a new CEO26:41 Thanks Patreon!27:52 Steve brought his Squier Paranormal XII from Franklin Guitar Works31:35 This song was sent by Niels Rønsholdt and is called "After Mardi Gras"*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠+⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram @60cyclehum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#60cyclehum #guitar #guitars

The 1962 Brown Deluxe (6G3) sits in one of the most fascinating, and misunderstood, eras of Fender amplification. It's often lumped in with other brownface amps, or treated as a short stop between tweed and blackface. But the truth is: the Brown Deluxe is its own animal.In this video, we take a deep dive into what really sets the '62 Brown Deluxe apart, sonically, electrically, and historically.Brown Deluxe vs Tweed Deluxe (5E3)Why the Brown Deluxe is tighter, punchier, and more controlled than the loose, saggy tweed, and how Fender was clearly responding to players wanting more headroom and definition.Brown Deluxe vs Blackface Deluxe (AB763)How the Brown Deluxe's mid-forward voicing, earlier breakup, and raw edge contrast with the cleaner, scooped, hi-fi nature of the later blackface circuit.Why the Brown Deluxe Does Not Sound Like Other 1962 Brownface AmpsThe Brown Princeton and Vibrolux from the same year often get mentioned in the same breath, but they're fundamentally different circuits, power sections, and feel. Same era, totally different results.'62 Brown Deluxe vs '65 Blackface Deluxe ReverbA direct tonal comparison between grit and refinement:Brown Deluxe: raw, aggressive, chewy midsBF Deluxe Reverb: cleaner, wider, glassier, more politeTwo iconic Fender voices aimed at completely different players.Bias Tremolo vs Photocell (Opto) TremoloWhy the Brown Deluxe's bias-vary tremolo feels deeper, swampier, and more organic than the photocell tremolo found in blackface amps—and why many players consider it Fender's best tremolo design.www.truetone.comTo Support the Channel:Patreon  https://www.patreon.com/AskZachttps://ask-zac-shop.fourthwall.comTip jar:  https://paypal.me/AskZacVenmo @AskZacSupport the show

On this episode of Talking Guitars & Music News on JohnnyBeaneTV, we kick things off with a big announcement — we're going LIVE from the Amigo California Guitar Show this Saturday, January 10th!

India orders X to make immediate changes to Grok, LG teases the world's lightest 17-inch RTX laptop, Fender announces inew ELIE Bluetooth speaker line. MP3 Please SUBSCRIBE HERE for free or get DTNS Live ad-free. A special thanks to all our supporters–without you, none of this would be possible. If you enjoy what you seeContinue reading "Pebble Launches the $199 Pebble Round 2 – DTH"

Don't forget to like, subscribe and leave us a comment! Will AI take over the music industry? Will EHX harness the power of the magnetosphere? Will Rhett ever get a haircut? Will Fender take over the guitar universe? All this and more on today's episode.  Thanks so much to the sponsor of today's episode, Sweetwater! Make sure to check out all the gear we use here and more:  https://www.sweetwater.com/shop/dipped-in-tone/ GIVEAWAY (last chance to enter!) Enter for your chance to win a UA Volt 876 Interface:  https://kingsumo.com/g/mn588vm/universal-audio-x-dipped-in-tone-volt-v876-giveaway Check out our website & merch: https://www.dippedintone.com Support us on Patreon: https://www.patreon.com/dippedintone Follow us on Instagram: https://instagram.com/dippedintone Dipped In Tone is: Rhett Shull  https://www.rhettshull.com Zach Broyles / Mythos Pedals  https://mythospedals.com & https://highvoltageguitars.com Produced & Edited by Addison! https://www.instagram.com/addisonsauvan TIME STAMPS 00:00 Intro 00:22 What's new Zach? 01:19 Did Addison die? 01:28 Rhett needs a haircut 03:36 Rhett also got a new puppy 05:41 Inception 09:21 Thanks so much Sweetwater! 11:07 Shoutout Patrons! 11:53 Hot Take 24:27 Tom Morello Partscaster 32:00 Fender is killing right now! 33:16 EHX by JHS - The Big Muff 2 36:55 Pre-Order Josh & Daniel's new book! 38:20 Harnessing power from the earth 41:55 Buckle up for some AI talk 59:29 “Hip Hop isn't real music” 1:00:17 Rig Dip 1:08:25 Thanks again Sweetwater! Some of our favorite gear from 2025 (Affiliate Links): Universal Audio Enigmatic - https://sweetwater.sjv.io/o42Mve Fender Triple Caster - https://sweetwater.sjv.io/qzRMvq Suhr Classic S Antique - https://sweetwater.sjv.io/DyEomG Benson Delay - https://sweetwater.sjv.io/jeEb4b Boss Roland DM-101 - https://sweetwater.sjv.io/K0Nj5A TC 2290 - https://sweetwater.sjv.io/e1oz26 Universal Audio Volt 876 - https://sweetwater.sjv.io/jeko9M Boss Katana 50 Gen3 - https://sweetwater.sjv.io/DyEom5 Shure 545 (new production) - https://sweetwater.sjv.io/ravMyj Echo Fix EFX3 - https://sweetwater.sjv.io/APzZMK Helix Stadium - https://sweetwater.sjv.io/LKVnJa

In this episode of Rising For Our Motherlands, we take listeners on a guided tour of two of Oakland's most powerful and politically significant murals: the Oakland to Palestine Solidarity Mural (completed in 2014) and the SUMUD: Resistance Until Liberation Mural at Uptown Body and Fender (completed in 2024).Oakland to Palestine Solidarity MuralIn the first part of the episode, we walk listeners through the Oakland to Palestine Solidarity Mural, a monumental public artwork that centers the image of the tree as a global symbol of life, resilience, and resistance.Spanning 157 feet wide and 22 feet tall, the mural is composed of nine individual panels, each painted by a different artist or collective. Through distinct interpretations of the tree motif, the mural draws connections between shared histories of colonization, environmental exploitation, the internal exile of Indigenous peoples, and ongoing struggles for justice.Together, these panels form a stunning public tribute to the human spirit and its unassailable right to thrive in the face of political oppression and injustice—wherever it occurs in the world.SUMUD: Resistance Until Liberation MuralLater in the episode, we are joined by Yasmeen, a Bay Area community member involved in the SUMUD mural project, and Al Juthoor, a local Bay Area Dabke group. Yasmeen shares insights into the production process, artistic vision, and political motivations behind the mural.The SUMUD: Resistance Until Liberation Mural is a collaborative project between artists and activists in the U.S. and Palestine. It explores and confronts the deep interconnections between systems of incarceration, colonization, and repression in both places, while affirming the vitality of the Palestinian Liberation Movement. The mural serves both as a memorial to this historical moment and as a living expression of collective struggle—locally and globally.In both the U.S. and Palestine, art is often a political act. This mural stands as a testament to the imagination, brilliance, and creativity of resistance, even under conditions of imprisonment and occupation. As Zionist forces enact ongoing death and destruction in Gaza and Palestine, creating this mural together as a community affirms a shared commitment to resistance, solidarity, and liberation.Sumud is an Arabic word meaning the steadfast will to survive, endure, and remain connected to the land.Featured music & audio clips in this episode: Mohammed Assaf, voices of Emory Douglas, Keven Cooper and Um Eyad, various national & international news segments, and chants from students, local Bay Area activists, and organizers.Graphic includes a portrait of Um Eyad by Art Forces lead artist Susan Greene, in collaboration with Peps 357 (Spoon) and Asha Sudra (Kufiyeh).  Podcast art created by nicole gervacio.Learn more: Oakland to Palestine Mural: https://artforces.org/projects/murals/usa/oakland-palestine-solidarity-mural/Sumud Mural: SumudMuralOakland.org

239 - Tom Paxton and John McCutcheon239 - Tom Paxton and John McCutcheon In episode 239 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/songwriters and guitarists Tom Paxton and John McCutcheon who is also a multi-instrumentalist. He first spoke to John in episode 150. In their conversation he starts with Tom and he tells us about his home in Alexandria, VA, right across the river from Washington, DC and he tells us about starting on trumpet before starting on guitar as a senior in high school. The two tells us about when they first met in Boston in the early '80's and how they came together as songwriting partners during Covid. John describes recording their album “Together Again” in the same room with the exception of Stuart Duncan on fiddle. “Together Again” being their second collaboration after their first “Together”. John discusses his instruments on the album an Ome banjo and Huss and Dalton guitars and Tom tells us about his Martin M-38 he has at home. Tom talks about why he retired from touring and John tells us about his upcoming tour plans and the two tell us about their writing projects. The two discuss their holiday traditions, Tom renting a Virginia ski cabin and John with a huge Cuban Christmas Eve feast and the two have a traditional of writing unconventional Christmas songs. You can find out all you want to know about John at his website: folkmusic.com and for more information on Tom you can go to his website at: tompaxton.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #JohnMcCutcheon #TomPaxton #TogetherAgain #HussandDalton #stuartduncan #FolkMusic #MartinGuitar #OMEBanjos #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

238 - Jeremy Pinnell In episode 238 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer, guitarist and songwriter Jeremy Pinnell. In their conversation Jeremy discusses his home in Southgate, Kentucky and his son, who's 11. Jeremy tells us about starting guitar at 13 and watching his dad in the church band while he was a kid and not being able to listen to secular music and his first musical purchase being the Sex Pistols album. Jeremy describes starting on his dad's Ovation guitar eventually getting a Cort guitar and Gorrilla amp before getting a Fender Paisley Strat and he tells us of his love of Telecasters and using .13 gauge strings and his Harmony that he bought from JD Simo. Jeremy discusses his tour schedule playing both solo and with a band. Jeremy tells us how he got hooked up with Shooter Jennings who produced Jeremy's most recent album “Decades”. Finally Jeremy describes what he does for fun: Ju Jitsu and Kick boxing and Jeremy tells us about his Christmas traditions. To find out more about Jeremy you can go to his website: jeremypinnell.com Please subscribe, like, comment, share and review this podcast! #JeremyPinnell #ShooterJennings #Decades #VintageGuitarMagazine #JDSimo #HarmonyGuitars #FenderTelecaster #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

237 - Ward Davis In episode 237 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer, songwriter and guitarist Ward Davis. In their conversation Ward discusses where he currently lives, Hartsville Tennessee and where he grew up Arkansas and starting on the piano at 6 years old and moving to guitar at 14 after losing at the county fair talent show to a guitar player and then started playing jamborees around the area he lived in. Ward tells us about the shows he's doing now supporting Cody Jinks with his band and his own shows. Ward tells us about his guitars, Larrivee's outfitted with either Fishman or L.R. Baggs pickups and he discusses his telecaster's built by 9 Point Guitars in Louisiana. Ward discusses how he got hooked up with Cody Jinks in the first place and how he got his songs in front of Willie Nelson and Merle Haggard and gives us a lesson in the economics of songwriting. Ward talks about using an alias (Dusty Manchester) at writers rounds to avoid the radius clause. Ward tells us about his new album “Here I Am” which comes out in February and he tells us about working with Brent Mason, Eddie Bayers among others and landing tracks on the Landman TV series. Ward describes why he chose to be on a label as opposed to releasing his album independently. Ward discusses his upcoming tour schedule after the holidays. Finally Ward tells us about collecting historical documents and books from the 1800's and his love of thrift stores and his relationships and sobriety. To find out more about Ward you can go to his website: warddavismusic.com Please subscribe, like, comment, share and review this podcast! #WardDavis #CodyJinks #HereIAm #VintageGuitarMagazine #Landman #DustyManchester #LarriveeGuitars #9PointsGuitars#lrbaggs #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

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Episode 611 is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10%⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Vox Micro Super Beetle Audio⁠⁠⁠ Use code CHP to save 10%⁠⁠Vox Micro Superbeetle Guitar⁠⁠Check out the ⁠⁠⁠Hinomi CHAIRS!⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126But maybe we're not hard enough on Fender and Gibson00:00 Intro01:03 Are guitarists too hard on Gibson and Fender?51:11 Rainbow Boogie Bass58:10 Thanks Patreon!1:00:28 Coffin Fuzz1:04:28 Ryan went camping1:11:06 Vintage Tape1:17:38 This song was sent by Garden Horse and is called "A Little Ocean"*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠+⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram @60cyclehum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#60cyclehum #guitar #guitars

Nate Wilcox and Ed Ward conclude their discussion of Ed's ⁠⁠⁠⁠⁠⁠⁠⁠⁠"History of Rock & Roll 1920-1963⁠⁠⁠⁠ "⁠⁠⁠⁠⁠⁠ with part two of 1963. We'll hear about about the Lebanese Restaurant that birthed surf music and saved Fender guitars, how Murray Wilson's failed musical career laid the groundwork for his sons' amazing success, how Columbia buried Bob Dylan's first attempt to go rock, and the split between kids singing “My Boyfriend's Back” and those singing “Blowing in the Wind.” We talk about Stevie Wonder's first hit and why you can hear someone shouting “what key? What key?” in the background, the mystery of Smokey Robinson's failure to get a hit with the Supremes and we finally get to England and talk about the Beatles and the Rolling Stones and the revolution they triggered and would bring to America in 1964. ⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian, Blake, and Richard are back for Episode 594 of the Chasing Tone Podcast - Brian breaks the Internet as Wampler debut The Compulsion DriveBrian has turned into Pedal Santa and Richard has been making new friends by daring to try something experimental on the Internet and the guys discuss it. Fair warning - there may be some ranting as there was a bit of a pile-on and our intrepid British King of Fuzz had to fight them off at the drawbridge (insert trumpet sound here). Wampler released The Compulsion Drive (TCD) which was Brian's tribute to a famous circuit and it has proved very popular for a number of reasons. The guys discuss some of the modifications Brian made, the special not-so-hidden dip-switches, and talk a little about some of the design choices that were made. Ozzy Osbourne's estate have put out a T-shirt that made the guys giggle in a puerile way and so it needs to be discussed. Meanwhile Josh Scott of JHS has been working on a new charity project and it has impressed Richard into sarcasm submission. Fender have launched a new Masterbuilt Dave Murray Strat and it is gorgeousRichard wishes he was a bot farm, Grizzly Wintergreen, Dog woes, The 2 Daves, Keeley Nocturne, Barry Tone...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Courses and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Youtube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

The legendary country musician and his right-hand man, guitarist Kenny Vaughan, prove that Fender guitars through Fender amps can still take you a long way in this world.Watch the full Rig Rundown: https://www.premierguitar.com/videos/rig-rundown/marty-stuart

On this episode we are joined by Fender Master Builder Brian Thrasher! We discuss his background, working at Fender, making the Starcaster for Tom DeLonge, and "The Ad Astra Ten" limited edition guitars for To The Stars.Host/Produced by: poppincurbsPod IG: 182newspod"The Ad Astra Ten" release on 11/28 and 9am PST at: tothestars.mediaFull video version available on YouTube:https://youtu.be/numR_tdlZnw