Podcasts about Waddington

This week we're excited to present a conversation from the 62nd New York Film Festival with Grand Tour director Miguel Gomes. An NYFF62 Main Slate selection, Grand Tour is currently playing at Film at Lincoln Center, courtesy of Mubi. Get tickets at filmlinc.org/tour. In this fanciful and high-spirited cinematic expedition, the uncommonly ambitious Portuguese filmmaker Miguel Gomes (Tabu, NYFF50; Arabian Nights, NYFF53) takes a journey across East Asia, skipping through time and countries with delirious abandon to tell the tale of an unsettled couple from colonial England and the world as it both expands and closes in around them. It's 1918, and Edward (Gonçalo Waddington) has escaped the clutches of beckoning marriage, leaving his bemused fiancée, Molly (Crista Alfaiate), in indefatigable pursuit. Edward gives chase from Mandalay to Bangkok to Shanghai and beyond, while Gomes responds with a splendid and enthralling series of scenes that use a magic form of cinema to situate us in these places both then and now, keeping us at a knowingly exotic traveler's distance while also immersing us in rhythm, texture, and emotional reality. Whether black-and-white or color, zigzagging or meditative in tone, scripted or captured as documentary, Grand Tour is splendid, moving, and human-scaled. Winner of the Best Director prize at the 2024 Cannes Film Festival. A MUBI release. This conversation was moderated by NYFF Artistic Director Dennis Lim.

Imagine uma senhorinha carioca, armada apenas com uma câmera, enfrentando traficantes na porta de casa. Parece ficção? Pois bem, é realidade – e virou cinema! No episódio de hoje, falamos sobre “Vitória”, filme inspirado na história real de Joana da Paz, dirigido por Andrucha Waddington e estrelado pela gigante Fernanda Montenegro.Mas nem tudo são flores (ou close-ups dramáticos). Além de discutirmos a atuação impecável de Fernandona e a direção de Waddington, entramos na polêmica: por que uma atriz branca foi escalada para viver uma personagem baseada em uma mulher negra? Como isso impacta a narrativa e a recepção do filme?E não é só isso, Rafael Arinelli, Fabiana Lima, Diego Quaglia e Alan Alves também passam por temas que “Vitória” toca, como:: violência urbana, corrupção policial, busca por justiça… e, surpreendentemente, até uma pitada de humor inesperado.Quer entender como tudo isso se encaixa em “Vitória”? Então dá o play e vem debater com a gente!• 03m45: Pauta Principal• 1h17m20: Plano Detalhe• 1h37m25: EncerramentoOuça nosso Podcast também no:• Feed: https://bit.ly/cinemacaofeed• Apple Podcast: https://bit.ly/itunes-cinemacao• Android: https://bit.ly/android-cinemacao• Deezer: https://bit.ly/deezer-cinemacao• Spotify: https://bit.ly/spotify-cinemacao• Amazon Music: https://bit.ly/amazoncinemacaoAgradecimentos aos patrões e padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Katia Barga• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• BlueSky: https://bit.ly/bskycinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de apenas R$5,00, você terá acesso a vantagens incríveis. E o melhor de tudo: após 1 ano de contribuição, recebe um presente exclusivo como agradecimento! Não perca mais tempo, acesse agora a página de Contribuição, escolha o plano que mais se adequa ao seu estilo e torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Alan): Filme: Chico Bento e a Goiabeira Maraviósa• (Alan): Livro: Sonny Boy: Autobiografia• (Alan): Filme: Perfume de Mulher• (Fabi): Filme: Vestida para Matar• (Fabi): Filme: O Poderoso Chefão• (Fabi): Livro: A máquina do caos • (Diego): Filme: Gêmeas• (Diego): Filme: Casa de Areia• (Diego): Filme: Oeste Outra Vez• (Rafa): Minissérie: Vinagre de MaçãEdição: ISSOaí

(Mar 11, 2025) The unauthorized prison strike is over after three weeks of lockdowns and policy debates;  last week's warm spell and rain led to many rivers across the North Country starting to break up; and meet the photographer and weaver whose work is on display now at the Gallery at Lake St. Lawrence Arts in Waddington.

This week, North Dakota based 2023 SPBGMA International Bluegrass Band Champions the Waddington Brothers recorded live at the Ozark Folk Center State Park. Also, interviews with eldest brother Seth Waddington. “The Waddington Brothers, a band of four brothers from rural North Dakota, perform what they live: music that is real to them, that takes listeners on a journey through the heart of the American West. “Seth, Ethan, Jacob, and Job Waddington skillfully blend cowboy and bluegrass music, creating a style that's timelessly classic and yet refreshingly new and unique. With their rich, stirring vocal harmonies and instrumental versatility that ranges from hard-driving bluegrass to more mellow acoustic tones, this quartet has developed a sound that is truly as strong as it is special. And their gift for captivating an audience comes naturally to these men. Whether they're singing about cowboys or cabins, hunting or horseback riding, ranches or Indian reservations, The Waddington Brothers share heartfelt songs that evoke feelings of warmth, appreciation, and a genuine connection to the way life was lived by our country's pioneers. “This group shares their music as a well-polished craft: one that's been cultivated by four siblings who have been playing and singing together their entire lives. While their performing experience together traces back to 2004, the band officially came together as The Waddington Brothers in 2019. Their musical inspiration today is drawn from many pools of influences. Their sound might be described as a mixture of traditional bluegrass, gospel music, and Western strains reminiscent of The Sons of the Pioneers. Even more accurately, though, it can be described as something brand new—something powerfully different—a breath of fresh air to their audiences, that could only be created by four brothers with such an authentic synergy and blend. And it's been proven: in 2023 at the annual SPBGMA (Society for the Preservation of Bluegrass Music of America) Convention in Nashville, Tennessee, The Waddington Brothers took first place in the International Bluegrass Band Competition.” - https://www.waddingtonbrothers.com/about In this week's “From the Vault” segment, OHR producer Jeff Glover offers an archival recording of bluegrass legends the Country Gentlemen performing the Kris Kristofferson song “Darby's Castle,” from the Ozark Folk Center State Park archives. In this week's guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater demonstrates American clog dancing styles and their influences.

Montana State rolled to a 98-66 win over Montana on Saturday in Bozeman. Following the game, Lady Griz senior Tyler McCliment-Call, freshman Avery Waddington and interim head coach Nate Harris addressed the media after UM fell to 6-9 in Big Sky Conference play, 10-16 overall. 

"L'orchestra stonata" diretto da Emmanuel Courcol, con Benjamin Lavernhe e Pierre Lottin."Piece by piece" film di animazione diretto da Morgan Neville, con Pharrell Williams e Morgan Neville."Grand Tour" diretto da Miguel Gomes, con Jani Zhao e Gonçalo Waddington."La stanza accanto" diretto da Pedro Almodovar, con Tilda Swinton e Julianne Moore."Criature" diretto da Cécile Allegra, con Marco D'Amore e Marianna Fontana.I festivalIl bilancio dell'ultima edizione del Torino Film Festival con il commento del direttore Giulio Base e l'intervista a Maurizio Nichetti, tornato alla regia con "Amiche Mai", con Angela Finocchiaro e Serra Yilmaz.

"Grand Tour", que obteve o prémio de melhor realização no Festival de Cannes, em Maio passado, chega agora aos cinemas franceses. O filme é a adaptação de uma obra do romancista britânico Sommerset Maugham e relata um périplo pela Ásia de dois noivos, ele a tentar fugir dela e a noiva que vai no encalce daquele com quem se deveria casar. O realizador português, Miguel Gomes, falou com a RFI sobre o impacto do galardão, as peripécias de um filme que tem como palco uma longa viagem pela Ásia e respectivos projectos.O cineasta começa por se referir à sua surpresa com a obtenção desta prestigiosa recompensa, proeza inédita na história do cinema português no Festival de cinema de Cannes.Como é que vive esta estreia francesa após o prémio para o seu filme no Festival de Cannes ?Foi surpreendente. Eu não esperava nada. Se calhar é uma atitude defensiva da minha parte, mas à partida eu acho que estatisticamente é mais provável não haver prémios do que haver. E então segui esse princípio. Desta vez também, portanto, achei que não ia haver prémios nenhuns. Lembro-me que nesse dia fui para para uma ilha que existe a alguns quilómetros de Cannes, assim a uma meia hora de barco. Há uma ilha de monges, de que eu não me recordo o nome e fui com os meus filhos.Estava com a minha mulher, estava com as pessoas da equipa, com os actores, com os produtores e fomos todos para  para essa ilha nesse dia. À espera que não acontecesse nada. E às tantas o telefone tocou e disseram nos "Onde é que vocês estão? O que é que vocês estão a fazer? Mas vocês têm que voltar. Têm que ir para a cerimónia ! Vai haver um prémio." E havia muito pouco tempo. Aliás, estávamos meio perdidos nessa ilha. Apesar da ilha ser simples e só haver uma estrada, tínhamos decidido ir a um restaurante, mas tomámos a direcção contrária, então estávamos quase a fazer o perímetro da ilha para chegar ao restaurante e tivemos que nos despachar e apanhar o barco para estar presentes na cerimónia.E acho que isto: esta recompensa, este galardão, este prémio recompensa o quê, exactamente ? A estética do filme? Porque porventura talvez seja a matéria prima que está a mais a dar nas vistas e que evoca, obviamente, projectos já seus no passado, que tinham tido bastante incremento, nomeadamente aqui em França. Eu penso no "Tabu" há 12 anos.Eu não sei, eu não consigo separar assim as coisas desta maneira... E essa história da estética e do fundo. Eu acho que são as duas coisas. Um filme conta-se, mas sobretudo, vive-se e vive-se com a imagem, com o som. Com as coisas que o filme conta também, mas sobretudo com as coisas que o filme mostra. E tudo faz parte do mesmo sistema.E para mim não existe assim uma distinção entre aquilo que é o aspecto do filme e aquilo que é o que o filme conta, por exemplo. Faz tudo parte do mesmo sistema e, portanto, acho que a experiência do filme é um filme que tem as suas peculiaridades, tem a sua personalidade.Eu, felizmente não tenho ninguém a dizer-me que tem que fazer as coisas assim, que tenho que por este actor e que tenho que aos 30 minutos de filme tem que haver esta cena e aos 40 minutos esta outra cena.Ou seja, não tenho uma pressão da produção, não tenho uma pressão industrial que me deixe refém de uma mecânica mainstream industrial e, portanto, posso fazer aquilo que me apetece. O que pode ser algo para algumas pessoas bastante chato porque não corresponde àquilo que normalmente as pessoas associam ao cinema mais recorrente.E você pensa mais nos planos contemplativos, na duração das sequências, quando se refere a possíveis vozes detractoras do cinema que você faz?Há vozes detractoras e há...Há vozes muito elogiosas, com certeza !Há vozes muito elogiosas ! Eu não sei se há muitos planos contemplativos... A contemplação também me aborrece um bocadinho. Ou seja, os planos têm que durar o tempo que duram para mim por uma razão precisa. E não porque estamos embasbacados perante qualquer coisa. Isso não funciona assim.Eu penso muito no lugar do espectador dos meus filmes. Para mim, o cinema é um bocadinho como fazer um edifício. Ou seja, quando se fala: qual é que é a arte que terá uma relação maior com o cinema? Há quem diga que é pintura, há quem diga que é literatura. Enfim, o teatro, a música... A música eu acho que é bastante importante, mas eu diria que é a arquitectura.Ou seja, no sentido em que inventar um filme, fabricar um filme é inventar um espaço que vai ser percorrido por alguém, um espectador. E cada espectador é diferente do outro, porque cada um vai accionar a sua sensibilidade, o seu sentido de humor, enfim, os seus interesses. E vais esperar certas coisas do filme. E, portanto, é um encontro: é um encontro entre uma pessoa, com a sua própria personalidade, e um filme que existe no ecrã e nas colunas de som da sala de cinema. E é assim que pode ser um encontro ou um desencontro.Mas o meu trabalho como realizador é inventar um espaço que vai ser percorrido por esse espectador, que não deve ser nem uma prisão. Ou seja, no sentido em que o filme não o deve coagir, de uma maneira completamente autoritária, e dizer "Agora vais para a esquerda, agora vais para a direita. Agora há que sentir isto. Agora tens que pensar isto, porque isto é como tu deves pensar". E, por outro lado, também não deve ser um espaço completamente aleatório onde o espectador fica completamente perdido. Portanto, esse equilíbrio entre inventar uma estrutura que possa acolher alguém que será livre o suficiente para poder percorrer aquele espaço, sem estar completamente coagido, e ao mesmo tempo que não esteja ali perdido... É o nosso trabalho e que é quase um trabalho de arquitecto.Então entremos precisamente mais na obra e no seu filme. Como é que da obra do romancista britânico Sommerset Maugham se chega a este produto final? O "Grand Tour" era um ritual nalguma alta sociedade, precisamente, de fazer um grande périplo antes de assentar arraiais, de contrair matrimónio e de constituir família. E vai ser o pretexto para "um périplo e peras", pela Ásia. Como é que foi, então chegar-se aqui?Essa questão é interessante: do que o que é que era o lado quase pedagógico do Grand Tour que estava estabelecido ? O Grand Tour asiático... Havia um Grand tour europeu também. Mas havia o Grand Tour asiático. Ou seja, muita gente do Ocidente ia fazer um itinerário, no princípio do século XX, do Oeste para este.Normalmente de um ponto da Índia ou da Birmânia, que eram os pontos mais a oeste do Império Britânico, para este. Terminando normalmente no Japão e na China. E havia de facto essa ideia de que era necessário confrontar os elementos, os filhos dessa alta sociedade europeia ou americana com o outro. Ou seja, com uma cultura bastante diferente, nos antípodas. Para que, de facto, pudessem regressar mais iluminados.Neste filme esse Grand Tour é feito, mas quase com a ideia contrária. Ou seja, os personagens não  fazem esse Grand Tour porque querem encontrar um caminho e um rumo. Enfim, é como diz, chegar mais bem preparados, voltar mais bem preparados para a vida. Eles estão completamente perdidos !Há um quer fugir da noiva. O noivo, o Edward, quer fugir da noiva porque está com dúvidas sobre o casamento. Tem uma espécie de um ataque de pânico, uma crise, e decide fugir dela.E ela vai atrás dele para tentar-se casar com ele de uma forma igualmente desesperada e meio perdida. E portanto, o filme esta. Eles acabam por fazer esse caminho não como como uma fuga e não como um momento para fazer um encontro, para conhecer coisas. Eles estão basicamente em movimento para escapar ao seu destino ou para tentar concretizar aquilo que eles acreditam ser o seu destino.Mas como é que você tropeçou neste enredo e decidiu pegar nele e levá lo?Esta história dos noivos deste casal, o noivo e a noiva: um a fugir, ela a perseguir. Veio deste livro do Sommerset Maugham, que é um livro de viagens. Existe uma tradução em português chamada "Um Gentleman na Ásia". E eu estava a ler esse livro. Eu gosto muito de ler livros de viagens: de ver como é que os escritores contam a experiência de viajar e o que é que eles viram. Enfim, essa essa questão do olhar de alguém sobre um relativamente a um território que lhe é estrangeiro, que lhe é desconhecido, que que é uma coisa distante, interessa-me muito.E portanto, eu gosto de ler livros de viagens. E li este por acaso e deparei-me com esta história que o Sommerset conta. Às às tantas, em duas páginas desta história, ele diz que conheceu um senhor que trabalhava para a administração na Birmânia, inglesa, e que contou a história de como fugiu à sua noiva. Porque entrou em pânico, porque teve dúvidas sobre o casamento e sobre a responsabilidade desse casamento. E decidiu partir e deixar-lhe uma nota a explicar-se, a escusar-se com trabalho. E partiu para Singapura. Mas quando chegou a Singapura já tinha uma nota, um telegrama da sua noiva a dizer "Meu querido, eu estou a chegar. Percebo perfeitamente. Mas estou a chegar e já já nos vamos casar." E ele lá partiu de novo. E esse, digamos, movimento que é uma espécie de um "Jogo do gato e do rato", durou vários meses e acabou por ser feito ao longo deste deste "Grand Tour", ou seja, deste itinerário todo que de muitos milhares de quilómetros.Foi um "Jogo do gato e do rato" também para si e para a sua equipa. Porque obviamente, o confinamento e o COVID veio perturbar as rodagens e a preparação do filme. Portanto, houve aqui sequências, pelo que eu entendi, nomeadamente a rodagem na China, que tiveram que ser recebidas a posteriori. Houve uma interrupção óbvia por causa do COVID Portanto, foi necessário congelar o projecto durante X tempo ?!Sim, ou seja, nós decidimos, antes de escrever o argumento, fazer nós próprios a viagem e filmá-la. Filmar a viagem que seria feita pelas personagens, mas que seria feita a posteriori, em estúdio, rodada em estúdio. E decidi-mo-la fazer no mundo de hoje, nós próprios, pelos países. E estavam previstas sete semanas de viagem em Janeiro e Fevereiro de 2020.E nós fizemos as primeiras cinco. Chegámos ao Japão e faltava o último país onde havia uma parte considerável dessa viagem, porque mesmo dentro da China, de Xangai e até quase próximo do Tibete, iríamos fazer 3000 quilómetros, acompanhando mais ou menos o curso do rio Yangtse.E quando chegámos ao Japão percebemos que o ferry boat que ia cobrir a distância entre Osaka, acho eu, e Xangai, tinha sido anulado uma semana antes devido ao COVID, à pandemia.E então, o que nós nós pensamos nessa altura? Bom, "Vamos esperar um mês, dois meses e vamos retomar a viagem quando for reposta a normalidade". Porque nessa altura éramos tão ingénuos, como toda a gente, e achávamos que que era uma coisa meramente circunstancial e que não ia ocupar tanto tempo na nossa vida e ter tantas consequências como teve.E depois percebemos que estávamos enganados. O tempo foi passando, passou um ano, passaram dois anos e passado dois anos nós pensamos: "É impossível. Nós não conseguimos entrar na China para concluir a viagem. Portanto, vamos concluir a viagem em Lisboa, filmando com uma equipa que serão os nossos olhos. Com o material, eles vão filmar esta parte da viagem na China. E nós vamos estar em Lisboa". Alugámos uma casa em Airbnb no bairro do Areeiro e estávamos lá durante a noite. Éramos poucos, dois ou três, e havia uma uma equipa na China que fez os tais 3000 quilómetros, enquanto nós estávamos sempre nessa casa no Areeiro E, enfim, fizemos o filme, assim. Concluímos essa parte da rodagem na China, assim, à distância.É fundamental falar do encadeamento entre planos a preto e branco e a cores. A cores são, de alguma forma, momentos algo etnográficos relacionados com o périplo. O preto e branco é a versão hodierna, actual. O porquê de sua opção por estes planos, ora a preto e branco, ora a cores ?O filme é quase o tempo todo a preto e branco. Eu diria, 90% é a preto e branco. Existem planos a cores por uma questão técnica. Porque nós filmámos em película e na película preto e branco existe apenas uma sensibilidade para 200 ASA para a luz. Portanto, 200 ASA é bom para fotografar, para filmar sequências durante o dia. Mas sequências à noite ou em interiores escuros é necessário outro tipo de sensibilidade: 500 T... que isso só existe em cores. E, portanto, nós decidimos filmar a maioria do filme a preto e branco em 200 D.E depois ter película a cores para em 10% do tempo, para situações de noite ou em interiores muito escuros. E a ideia era montar o filme completamente a preto e branco. Mas houve uma altura em que nós estávamos um bocadinho, estávamos a montar o filme, já tinham passado várias semanas, estávamos um bocado fartos do preto e branco e lembrámo-nos de que havia as cores ali. E portanto decidimos voltar a pôr. "Vamos voltar a pôr o plano tal como ele foi filmado a cores !" E, portanto, não existe nenhuma lógica a não ser por uma questão meramente técnica.Não existe uma lógica racional, não existe um significado dos planos a cores quererem dizer qualquer coisa em especial. É só porque por uma questão técnica. Mas decidimos colocar mesmo que as pessoas se perguntassem "Porquê que estes planos são a cores... e o resto do filme é preto e branco ?"Não havendo razão nenhuma racional, é só pelo prazer de que é uma coisa que me que é importante para mim a lógica do prazer. OK, num filme a preto e branco... o que é que faz falta? Olha, de repente aparecem uns planos a cores e a cor é incrível !Fala em prazer. Já há muito tempo que, imagino, tenha prazer em rodar com Crista Alfaiate. Agora há também a opção pelo Gonçalo Waddington. O porquê deste elenco ?Para nós foram escolhas óbvias: a escolha dos actores que fazem os dois protagonistas. O Gonçalo tem esta capacidade... Ele pode ter um ar assim, perplexo. E eu acho que ele é um actor com grande potencial cómico, mas com a capacidade de transformar esse lado de comédia numa coisa com um outro peso. E, portanto, ele pode fazer a transição entre comédia e drama muito com uma grande facilidade.E a Crista? Eu acho que ela, já disse noutras ocasiões... Eu acho que ela é a melhor actriz daquela geração à volta dos 40 anos. E, portanto, nem sequer pusemos nenhuma outra opção. Para nós, a Molly sempre foi a Crista Alfaite e ficámos muito contentes, depois com depois de ter filmado, com aquilo que... Percebemos, que não estávamos muito enganados relativamente a essas escolhas.E a questão da opção pelo português não foi complicada ? Não é complicada para Gonçalo Waddington, para Crista Alfaiate, mas você põe pessoas do Vietname, do Japão, nomeadamente, a terem diálogos bastante profundos em português. Como é que foi isso? Foi um desafio, imagino, também pô-los a contracenar em português fluente ?!Sim, o facto dos personagens serem britânicos e falar em português para mim foi uma opção, mais ou menos fácil... Porque eu sou português, não sou britânico. E, portanto, eu não queria... Eu acho que a verdade do filme também passa por isso. Ou seja haver um filtro teatral em que, como no teatro... Quando se faz em Portugal, ou que em França se faz Tolstoi ou se faz Tennessee Williams, faz-se em França e faz-se em Portugal. Em França faz-se em francês, em Portugal faz-se em português.E nessas peças de teatro as personagens têm os nomes que tiveram nas peças do Tolstoi: os nomes russos ou nomes americanos, no caso do Tennessee Williams. E é uma convenção, ou seja, as personagens falam na língua do país onde está a ser visto o espectáculo com os actores desse país.E no cinema há mais dúvidas relativamente a isso. Ou seja, parece uma questão completamente resolvida no teatro e no cinema menos. Porque no cinema existe mais a ideia de que o cinema está mais próximo da realidade da vida. Que eu acho que é uma falsa ideia.Há um realizador francês que já morreu, mas que foi muito importante para mim, que também fazia isto. E fez isto com uma grande lata e muito bem, que era o Alain Resnais !Por exemplo, eu lembro-me de um filme dos anos 90 que era um díptico que se chamava de "Smoking" e "No smoking", que era uma adaptação de uma peça inglesa feita com dois actores que entravam muito nos filmes deles dele. Esse filme é muito, muito importante para mim. E portanto, se o Alain Resnais  pode fazer em francês, eu acho, também posso fazer em português.E obviamente que existe este lado de sermos todos mais ou menos dominados, colonizados por uma língua que é uma espécie de língua que é comum a todos os países.Foi a língua que ganhou a batalha das línguas, que é o inglês. E não é problemático ver, sei lá, ao longo da história do cinema, ver imperadores romanos a falar inglês de Brooklyn ! Ou ver, enfim... todas essas coisas passaram a ser normais. E porque não ter em português a mesma coisa? Porque não ter personagens britânicos a falarem português? Eu acho que é mais e mais verdadeiro fazer assim, porque...Também já foi língua franca no mundo [o português]... E finalmente, obviamente, Cannes você já vinha há muito tempo. Mas esta edição de 2024 fica na história por este prémio. Perguntar-lhe-ia:  E agora, depois de Cannes e do seu prémio, como é que você se projecta para a sequência da sua carreira?Agora eu, antes de fazer o "Grand Tour", eu estava a tentar fazer um outro filme, um filme no Brasil, que é uma adaptação de um livro do Euclides da Cunha chamado "Os Sertões" e o filme chama-se "Selvajaria". E estive muitos anos a tentar fazer esse filme. E foi muito difícil, por várias razões. É um projecto exigente em termos financeiros e na altura em que eu estive a tentar fazer esse filme, havia um governo no Brasil que paralisou completamente os apoios públicos ao cinema. O governo do Bolsonaro e também apanhámos a altura do COVID. Portanto, foi tudo muito difícil e houve um momento em que eu pensei que tinha que renunciar a esse projecto.E foi muito complicado para mim, porque apesar de tudo, trabalhei anos nesse filme e estou convencido que é o projecto mais... com o qual eu acho que, provavelmente, existe um um potencial mais incrível do que tudo aquilo que eu fiz até hoje ! Ou seja, estou muito envolvido com esse filme e acho que existe a possibilidade de haver ali um filme que possa nascer, que seja muito, muito forte !  E é, portanto, quase que desistir do filme.Mas depois do "Grand Tour" e de repente passei para o "Grand Tour" e depois do "Grand Tour", o que tem acontecido foi que nós decidimos voltar a esse projecto. E tem havido notícias muito animadoras ! Ou seja, de repente, pela primeira vez, há financiamento do Brasil para esse filme. Tudo parece estar a andar muito rápido e assim uma perspetiva de haver a possibilidade de fazer, de filmar esse filme no final do próximo ano.Portanto, acho que isso também é uma consequência do prémio de Cannes e daquilo que aconteceu com o "Grand Tour em Cannes" e que existe um entusiasmo renovado em torno deste projecto. E vou aproveitar a conjuntura porque sabemos que isto vai mudando e nos momentos em que estamos em alta, é preciso aproveitar esse momento para poder concretizar coisas que estavam mais difíceis de concretizar.

Niela Orr is a culture writer and editor who has published in The Baffler, The Believer, and The Organist, among others. Since 2022 she has worked as an editor at the New York Times Magazine. In conversation with Sky Goodden, Orr discusses her editing as being rooted in service, and her abiding sense of responsibility to the writers that she works with. Orr foregrounds this conversation with a reading from Unexplained Presence (Leon Works, 2007; Wave Books, 2024), by Tisa Bryant, a former mentor of hers. She also talks about the profound pleasure and significance of reading fiction and poetry. “If I'm not reading poetry, I feel like I'm losing access to possibility,” she says. And in turn, Orr says, “I write for patient readers.”Momus: The Podcast is edited by Jacob Irish, with production assistance from Chris Andrews. Many thanks to this episode's sponsors, the Dorothea and Leo Rabkin Foundation (feat. The Rabkin Interviews), the Buffalo AKG Art Museum, and Waddington's.

When archeologists Philippe Le Bas and William Henry Waddington discovered the ruins of an ancient Christian church in Syria in the 1800's, not only did it contain the world's oldest carved inscription bearing the name of Jesus Christ - they unearthed an unstained memory that the Roman Empire and Judaizers tried to erase from history. Show Notes:  ⁠Philippe Le Bas⁠ and ⁠William Henry Waddington⁠, Greek Inscriptions grecques et latines recueillies en Grèce et en Asie Mineure (1870), volume 3, inscription 2558. Minor reference in ⁠Gerhard Kittel⁠, Theological Dictionary of the New Testament, under Synagogue. Also referenced in the ⁠Catholic Encyclopedia⁠ article on Marcionites, using Le Bas and Waddington as a reference. Modeling the Antiquities Trade in Iraq and Syria (MANTIS) https://isac.uchicago.edu/research/projects/mantis Marcionite Christian Church https://www.marcionitechurch.org/ The Very First Bible https://www.theveryfirstbible.org/ Presbyter Chat https://pre-nicene.org/Presbyter-Chat.html

When archeologists Philippe Le Bas and William Henry Waddington discovered the ruins of an ancient Christian church in Syria in the 1800's, not only did it contain the world's oldest carved inscription bearing the name of Jesus Christ - they unearthed an unstained memory that the Roman Empire and Judaizers tried to erase from history. Show Notes:  Philippe Le Bas and William Henry Waddington, Greek Inscriptions grecques et latines recueillies en Grèce et en Asie Mineure (1870), volume 3, inscription 2558. Minor reference in Gerhard Kittel, Theological Dictionary of the New Testament, under Synagogue. Also referenced in the Catholic Encyclopedia article on Marcionites, using Le Bas and Waddington as a reference. Modeling the Antiquities Trade in Iraq and Syria (MANTIS) https://isac.uchicago.edu/research/projects/mantis Marcionite Christian Church https://www.marcionitechurch.org/ The Very First Bible https://www.theveryfirstbible.org/ Presbyter Chat https://pre-nicene.org/Presbyter-Chat.html Mentioned in episode: Deuteronomy 25:12  11If two men are fighting, and the wife of one steps in to rescue her husband from the one striking him, and she reaches out her hand and grabs his genitals, 12you are to cut off her hand. You must show her no pity. Leviticus 11 "All flying insects that walk on all fours are to be detestable to you.21There are, however, some winged creatures that walk on all fours that you may eat: those that have jointed legs for hopping on the ground.22Of these you may eat any kind of locust, katydid, cricket or grasshopper."

BIG LAUGHS FROM THE LITTLE GUY! Joe Waddington, Cairns comedian and certified short king, joins the lads for an episode filled with relentless height jokes and some truly head-scratching problems. From a first date at Luna Park where a little bloke can't get on the rides, to a neighbour who treats his balcony like a vacuum graveyard and an unfortunate death that really tickles the lads. Some of the problems covered include “I want a legacy but have no skills,” “I'm short, and my first date is at Luna Park!” “My neighbour keeps dumping vacuum dust on my balcony,” and “Birds keep getting trapped in my house!” Follow us to submit your own problem, watch clips, or get along to a live show – @shadandpetesavetheworldSee omnystudio.com/listener for privacy information.

Join us as we welcome Tyler and Justin to the Grazing Grass Podcast, where we explore the multi-generational farming legacy of their family in Yakima Valley, Washington. We kick off by discussing how their father began the family farm in the early 1990s and how Tyler and Justin now manage the operation, with Tyler overseeing livestock and Justin focusing on farming. The conversation touches on the integration of the third and fourth generations into the family business and shares historical anecdotes about the challenges their grandfather faced. With Yakima Valley's unique climate and irrigation systems, we also learn about the region's resilience through tough times like the Depression and Dust Bowl.As we navigate through their journey, the focus shifts to family farming expansion and diversification. Tyler and Justin share personal stories of growing up on a farm and the varied paths their family members have taken. They highlight the humorous challenges of raising pasture pigs and the essential skills like welding that have supported their farming endeavors. The discussion is rich with insights into integrating children into farm life and managing livestock with distinct personalities, offering a unique charm to the farming experience.Our engaging dialogue continues as we explore livestock expansion, modern challenges, and the intricacies of livestock management and adaptation. Listen in as we discuss the transition from traditional farming practices, the strategic breeding of sheep for hardiness, and innovative grazing techniques. Tyler and Justin share their experiences with irrigation systems and the complexities of rotational grazing. For those interested in starting a farming venture, we provide practical advice and emphasize the importance of hands-on experience. Don't miss this insightful episode, filled with valuable lessons and a deep appreciation for the rich farming history of Yakima Valley.Links Mentioned in the Episode:Cascade Sheep and Cattle Company Visit our Sponsors:Noble Research InstituteRedmondKencove Farm Fence

Reading from Colossians 4:2-18.

If you're ready to give your money mindset a makeover and learn more about the energetics of money then this episode is for you. In this episode we discuss: ⚡️ How to turn sh*t into sugar, Overcome challenges & trust in the timing of your life. ⚡️ What is 5D consciousness? & How do we manifest from it?. ⚡️ 4 Steps to successfully applying the Law of Assumption. ⚡️ Sophie's 3 top tips to begin to improve your money mindset. ⚡️How to increase your financial energetic minimum to attract & keep more wealth. ⚡️ The biggest blocks that prevents people from creating their dream life & How to overcome them? ⁠⁠⁠Connect with me:⁠⁠⁠ ⁠⁠⁠⁠⁠ ⁠⁠Follow me on Instagram ⁠⁠⁠ ⁠⁠⁠⁠⁠Apply for 1:1 coaching with me⁠⁠⁠⁠ Connect with Sophie: Follow Sophie on Instagram Listen to Empower state podcast If you enjoyed the show I would be so grateful if you would rate & review the podcast (please) to help it grow & be seen by more people who are on a self improvement journey just like YOU. Also don't forget to subscribe so you won't miss future episodes.

Laverne Waddington discovered weaving by accident—bike accident, to be precise. Recuperating from a mountain biking crash in Utah, she discovered a book on Navajo weaving and was immediately intrigued. A local exhibit of Diné textiles enthralled her, and she set about learning to weave in the Navajo style. Returning to Patagonia, where she had been living, she built a simple loom and explored weaving on her own until it became clear that she would need to move north to satify her hunger for weaving knowledge, settling in Bolivia. Over the following decades, Laverne traveled in South and Central America, learning backstrap techniques from indigenous weavers. Her curiosity has led her to the Andean Highlands, Guatemala, and other regions to learn hand-manipulated and pick-up methods and patterns from skilled local weavers. Laverne loves to explore complex and intricate weaving styles, enjoying the way that each inch of warp and weft passes through her hands in a variety of pick-up techniques. Weaving on a backstrap loom, she sits inside each weaving project. Through videos, online classes, books, and ebooks, she teaches other weavers how to set up a backstrap loom for themselves and weave a variety of patterns. Teaching backstrap and pick-up techniques is as much a part of her practice as deepening her understanding of the weaving structures. In this episode, discover Laverne Waddington's passions and processes. Links Laverne has maintained a blog and weaving journal on her website (https://backstrapweaving.wordpress.com/) since 2009. Laverne's books (https://www.taprootvideo.com/instructorClasses.jsf?iid=3) are available from Taproot Video. Laverne offers a number of tutorials (https://backstrapweaving.wordpress.com/tutorials/) of techniques she practices as well as videos (https://backstrapweaving.wordpress.com/videos/) of a variety of weaving techniques and traditions. This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com (https://www.treenwaysilks.com/). You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. KnitPicks.com has been serving the knitting community for over 20 years and believes knitting is for everyone, which is why they work hard to make knitting accessible, affordable, and approachable. Knit Picks responsibly sources its fiber to create an extensive selection of affordable yarns like High Desert from Shaniko Wool Company in Oregon. Are you looking for an ethical, eco-friendly yarn to try? Look no further than Knit Picks' Eco yarn line. Need needles? Knit Picks makes a selection for knitters right at their Vancouver, Washington headquarters. KnitPicks.com (https://www.knitpicks.com/)—a place for every knitter. The Adirondack Wool and Arts Festival is the perfect way to spend a weekend surrounded by over 150 craft vendors in Greenwich, New York. Discover a curated group of vendors featuring the best of wool and artisan crafters. Throughout the weekend enjoy workshops, free horse drawn wagon rides, free kids' crafts, a fiber sheep show, and a sanctioned cashmere goat show. Join us September 21 & 22, 2024, and every fall! For more information visit adkwoolandarts.com. (https://www.adkwoolandarts.com/)

Highlights from the Waddington Duck Race 2024

Highlights from the Waddington Duck Race 2024

Weddington high school football coach Andy Capone joins the program to preview tonight's season opener at Bank of America Stadium, he talks about the school's transition to 4A, and remembers his time at App State See omnystudio.com/listener for privacy information.

Highlights from the Waddington Duck Race 2024

Highlights from the Waddington Duck Race 2024

Highlights from the Waddington Duck Race 2024

Highlights from the Waddington Duck Race 2024

Highlights from the Waddington Duck Race 2024

In this episode of Wise Effort, Diana is crossposting a recent interview of her on Life's Dirty Little Secrets, hosted by Chris McCurry and Emma Waddington. They delve into the concept and practice of Wise Effort.Listen and Learn:Wise Effort and EnergyPrinciples and Techniques for Wise EffortValue of Diverse InteractionsRecognizing Negative NarrativesManaging Emotional ResponsesRelated ResourcesGet enhanced show notes for this episodeWant to become more psychologically flexible? Take Diana's on-demand course, "Foundations of ACT."Diana's EventsReserve your spot in Diana's Costa Rica retreat in 2025!See Diana at an upcoming eventConnecting With DianaSubscribe for free on Apple Podcasts and Spotify.Leave a 5-star review on Apple so people like you can find the show.Sign up for the free Wise Effort Newsletter.Become a Wise Effort member to support the show.Follow Diana on YouTube, Instagram, LinkedIn, Facebook, and Diana's website.Leave feedback for the showThanks to the team, Craig and Ashley Hiatt, and Benjamin Gould of Bell & Branch for your beautiful music.We can put our energy where it matters most and savor the good along the way.

Highlights from the Waddington Duck Race 2024

Highlights from the Waddington Duck Race 2024

Highlights from the Waddington Duck Race 2024

Highlights from the Waddington Duck Race 2024

The Vincent Kompany era at Burnley is over.As we recorded this podcast on Thursday evening, talks are continuing between Burnley and Bayern Munich over compensation for the former Manchester City captain.But after three days of intense media coverage – accompanied by radio silence from the club and Kompany himself – Burnley fans are now resigned to losing the man who delivered such a thrilling and successful charge to the Championship title and then such a baffling and miserable relegation campaign.While the media will focus on what this means for Vincent Kompany and Bayern Munich, our focus here is of course, solely, on what this means for Burnley Football Club.How much of a mess has Kompany left the club in? Or could there be a silver-lining to all of this? And who is the right man to step in this summer and take charge of the team?The pod squad are joined by a very special guest - Burnley content creator Liam 'Vizeh' Waddington to discuss all this... and more! Hosted on Acast. See acast.com/privacy for more information.

Have you ever wanted to visit Japan and see/buy the beautiful koi they have there? A company called KoiTrips makes it easy to travel to Japan just for the koi! Eric is with Brian, Tim, AJ, and Kosuke of KoiTrips.com. They give some fascinating information about what it takes to travel to Japan to find the right koi that you're looking for.   In this episode, they talk about: How can hobbyists travel to Japan to purchase high-quality koi fish The process of Koi Trips for hosting large groups of people on koi viewing/purchasing trips to Japan The best time of year to visit Japan for koi The weather at different times of the year in Japan and what clothes to pack Memorable experiences people had in Japan and coaching the people to navigate the country Experiences of customers at Shintato Koi Farm during trips How much money people should expect to spend on fish in Japan The cost and expectations for someone traveling to Japan for koi fish   Mentioned: Koi Trips Website: https://koitrips.com/     Tim's YouTube channel - Quality Nishikigoi: https://www.youtube.com/channel/UCA9z32oMBU9d-8SdZxTc0Kw    QualityNish Linktree: https://linktr.ee/QualityNish    Links to resources:  Book A Call With Triplett: Call with Triplett   The Pond Digger - https://theponddigger.com/   You can also check out The Pond Digger's products at: http://helixpondfiltration.com/    TWT Contractor Circle   TWT Contractor Power Circle   And follow his adventures in the pond world at: Instagram  Facebook  TikTok

Eamon Waddington is a passionate bowhunter in Australia. As he grew in his bowhunting career and started growing more and more on social media, he constantly had folks reaching out to him asking him all the normal questions - how do I get into it, where do I go, how do I cook the meat. He figured - man there is definitely a niche that is needing to be filled - from that Broadside Hunting was created - an opportunity for people to learn how to hunt, butcher, cook, in a hosted environment. He tells his story to Robbie and explains why he is so passionate about this.   Support our newest Conservation Club Members! Buffalo Nickel Lodge: https://www.thebuffalonickel.com  DSC South Texas: https://www.dscsouthtexas.org/  Sportsman's All-Weather All-Terrain Marksmanship: https://ftwsaam.com/  See more from Blood Origins: https://bit.ly/BloodOrigins_Subscribe Music: Migration by Ian Post (Winter Solstice), licensed through artlist.io Podcast is brought to you by: Bushnell: https://www.bushnell.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Eamon Waddington is a hunter and photographer who spends much of his life outdoors. Over the years Eamon has had a number of pretty extraordinary UFO sightings, often viewed with other witnesses. We discuss these sightings and the UFO phenomenon more broadly. Instagram: @eamon.waddington

(Mar 5, 2024) A statewide effort to raise awareness among students athletes and their parents about proper treatment of concussions comes to Potsdam Tuesday night at 6pm; Each winter, volunteer snowmobile clubs groom hundreds of miles of trails in Lewis County, and they do it for free; Gov. Hochul, in a congressional election year where crime remains a concern, touted her achievements that she says has helped bring down the crime rate; St. Lawrence County weaver Susan Riley shares the story of her love for textiles. An exhibit of some of her fiber art continues this month at the Lake St. Lawrence Art Gallery in Waddington.

(Mar 5, 2024) A statewide effort to raise awareness among students athletes and their parents about proper treatment of concussions comes to Potsdam Tuesday night at 6pm; Each winter, volunteer snowmobile clubs groom hundreds of miles of trails in Lewis County, and they do it for free; Gov. Hochul, in a congressional election year where crime remains a concern, touted her achievements that she says has helped bring down the crime rate; St. Lawrence County weaver Susan Riley shares the story of her love for textiles. An exhibit of some of her fiber art continues this month at the Lake St. Lawrence Art Gallery in Waddington.

In today's episode, we will be diving into the culture of courtship and marriage in early modern England. We will take a look at how the cultural norms and concerns surrounding marriage were shifting and changing in Shakespeare's time and how we can see this represented in Romeo and Juliet. We will also discuss how, at least in some parts of England and for certain classes, young people were able to resist some of the societal structures around courtship and marriage.    Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone  or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod Works referenced: Hubbard, Eleanor. “A Room of Their Own: Young Women, Courtship, and the Night in Early Modern England.” The Youth of Early Modern Women, edited by Elizabeth S. Cohen and Margaret Reeves, Amsterdam University Press, 2018, pp. 297–314. JSTOR, https://doi.org/10.2307/j.ctv8pzd5z.17. Accessed 25 Feb. 2024.   Peters, Christine. “Gender, Sacrament and Ritual: The Making and Meaning of Marriage in Late Medieval and Early Modern England.” Past & Present, no. 169, 2000, pp. 63–96. JSTOR, http://www.jstor.org/stable/651264. Accessed 25 Feb. 2024.   Waddington, Raymond B. “Marriage in Early Modern Europe.” The Sixteenth Century Journal, vol. 34, no. 2, 2003, pp. 315–18. JSTOR, https://doi.org/10.2307/20061411. Accessed 25 Feb. 2024.

On a December weekend, costume designer Holly Waddington (earlier credits include War Horse) missed a slew of holiday parties after getting called to meet Yorgos Lanthimos about Poor Things. She spent days in a mad dash, preparing imagery based on the script and eponymous novel. What she ended up pitching involved “strange Japanese dolls with these clothes [in which] the proportion of the cloth is far too big for the scale of the doll.” The surreality of the aesthetic that made it onscreen is discussed by Waddington, and the movie's hair, makeup, and prosthetic designer, Nadia Stacey (both took home BAFTAs on Feb. 18), who join host Mona May. The trio dive into the visual influences of the film, working with Emma Stone, and the challenges of creating Dr. Baxter's offbeat look. Transcript here.

Join us on this insightful episode of Fuse, as Dan meets the influential PR power couple, Stephen and Sarah Waddington.   Stephen, a seasoned business advisor and Visiting Professor at Newcastle University, brings over two decades of experience, having founded and led agencies like Ketchum, Metia, Rainier PR, and Speed. As a former President of the CIPR and a prolific author, his contributions to public relations theory and practice are widely acknowledged.  Sarah, with 20+ years in PR, is a trailblazer in helping organisations articulate purpose and achieve social impact, earning her a CBE in 2021 and the CIPR's Sir Stephen Tallents Medal for exceptional PR achievements. Together, they epitomise a power couple driving excellence, innovation and elevating social mobility in the PR sphere. In this episode, we explore: The PR Power Couple's individual career journeys and the dynamics of working together. Social Mobility and the birth of Socially Mobile.  Addressing diversity and inclusivity issues in PR. The intersection of AI and social mobility:  The pivotal role of PRCA and CIPR in advancing the PR industry and fostering social mobility. Connect with the Waddington's Twitter: @wadds | @Mrs_Wadds Website: www.wadds.co.uk | www.sociallymobile.org.uk/  Follow Dan & Farzana on Social media: Twitter& Instagram: @Dangoldmedia | @FarzanaBaduel Executive Producer: David Olajide -david@curzonpr.com Disclaimer: Views expressed by the guest are their own and not necessarily endorsed by the FUSE podcast. --- Send in a voice message: https://podcasters.spotify.com/pod/show/fuse-podcast/message

If your brain and body are not quite synchronized then you will love this week's episode of The Art of Costume Podcast dedicated to the new film, Poor Things. 2024 Academy Award Nominee Holly Waddington stops by the podcast to discuss her collaboration with director Yorgos Lanthimos, designing the costumes for Bella Baxter, revitalizing Victorian silhouettes, and working with unique textiles! Now if you will excuse me, I must go punch that baby! Podcast Merch Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheArtOfCostume.com/PodStore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Follow Us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theartofcostumepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Send in a voice message: https://podcasters.spotify.com/pod/show/theartofcostume/message Support this podcast: https://podcasters.spotify.com/pod/show/theartofcostume/support

If your brain and body are not quite synchronized then you will love this week's episode of The Art of Costume Podcast dedicated to the new film, Poor Things. 2024 Academy Award Nominee Holly Waddington stops by the podcast to discuss her collaboration with director Yorgos Lanthimos, designing the costumes for Bella Baxter, revitalizing Victorian silhouettes, and working with unique textiles! Now if you will excuse me, I must go punch that baby! Podcast Merch Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheArtOfCostume.com/PodStore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Follow Us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theartofcostumepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  --- Send in a voice message: https://podcasters.spotify.com/pod/show/theartofcostume/message Support this podcast: https://podcasters.spotify.com/pod/show/theartofcostume/support

It's January 2024, offcially back to work. But before you dive into your next campaign its important to consider focus and development for the year. What do you as an individual, your team and as a collective industry need to work on to move forward and succeed this year? I have enlisted the help of PR powerhouse Stephen Waddington to help us do exactly this. So grab a coffee and listen to this 30 minute episode of the PR Resolution to set your 2024 off to the best start possible. Stephen Waddington (AKA Wadds) is the Founder and Managing Partner of Wadds Inc. which is a professional advisory firm that helps agencies and communications teams with planning, strategic decision making and execution. He is fully immersed in the UK and Europe PR industry; he's been the President of the CIPR, has held senior positions at global PR and marketing agencies Ketchum and Metia Group. He is the co-founder of Socially Mobile, a not-for-profit PR school and is also a current PhD research student at Leeds Business School investigating the contribution of public relations to management. It's safe to say Wadds has a clear view on the state of play in Public Relations and what could happen in this year, 2024. In this interview, we look back at 2023 and how the economy and government decisions affected the industry. We talk about marketing and PR budgets, how we responded and how agencies were affected. Wadds talks about the alignment we have as an industry with senior business leaders and the areas that hold us back; including truly understanding business and how PR communicates success. As well as highlight the issues, he also explains what we can do to improve these areas. Wadds highlights PR talent, diversity and inclusion as an area that did move on slightly in 2023 but also needs a lot of work within teams and as a collective. As well as some 2024 predictions, our conversation outlines areas of focus that will help you individually and as a team to aim high, better sell success and as an industry raise credibility a more senior level in 2024. Special Guest: Stephen Waddington.

Welcome back to the Longevity Muscle podcast! Joining us today is INBA/PNBA Hall of Famer, 4x Natural Mr. Olympia Champion & 2x World Cup Champion Michael Waddington. Michael is seasoned competitive natural bodybuilder and his training career spans over 3 decades. Michael is a trainer by profession and is the president of the INBA Australia. Help support the show, grow natural bodybuilding and receive some exclusive content/information as a thank you.... click here to learn more!Timestamps:(00:52) Michael discusses his experience competing in the 2023 Natural Olympia(05:00) Michael turns 50 in 2023 and has competed since the 90's(05:28) How many years of competing before Michael won his first Olympia(07:36) 3+ decades of training and competing(08:41) Competing in powerlifting 6 weeks out from a bodybuilding show?(09:12) Michaels experience with deadlifts (lessons learned)(12:13) Natural bodybuilders over 40 vs. under 40  (the difference)(12:31) Does Michael still implement the barbell big 3? (squat, bench and deadlift)(16:39) Variation of a deadlift for back development? (overrated or underrated?)(20:30) Exercise order, pre-fatigue benefits and progressive overload(27:22) Competitors at the 2023 Natural Mr Olympia contest, payout + more(36:45) Michaels training approach leading up to the 2023 Natural Mr. Olympia contest(52:43) Where you can learn more from Michael + OutroGet in touch with Michael:Follow Michael on InstagramGet in touch with Kenny and Longevity Muscle:Follow Kenny on InstagramFollow Longevity Muscle on Instagram Follow Longevity Muscle on Facebook Subscribe to Longevity Muscle on YoutubeSupport the show

Behold, our first "mini-episode" of The Art of Costume Podcast. In celebration of the new film Poor Things, Spencer sat down with Poor Things costume designer Holly Waddington to talk about her work as well as the brand new exhibition opening today at the ASU FIDM Museum in Downtown Los Angeles. The Poor Things Costume Exhibit is open December 1st - December 15th, 10:00 AM - 5:00 PM. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theartofcostume/message Support this podcast: https://podcasters.spotify.com/pod/show/theartofcostume/support

Behold, our first "mini-episode" of The Art of Costume Podcast. In celebration of the new film Poor Things, Spencer sat down with Poor Things costume designer Holly Waddington to talk about her work as well as the brand new exhibition opening today at the ASU FIDM Museum in Downtown Los Angeles. The Poor Things Costume Exhibit is open December 1st - December 15th, 10:00 AM - 5:00 PM. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theartofcostume/message Support this podcast: https://podcasters.spotify.com/pod/show/theartofcostume/support

Step into the world of Rob Waddington, an accomplished drummer and avid fisherman residing near Rutland Water in England. Rob transports us into his dual passions, sharing his musical journey with the band New Model Army in the 1980's and his lifelong love for fly fishing in one of the most renowned spots in the UK and Europe.Join the conversation as we explore the rich history of fly fishing, the art of imitating a fish's natural food source and the camaraderie built on the riverbanks. From carp to salmon, the show paints a picture of fishing across beautiful locations like Scotland, Iceland, and Russia. Our special guest not only shares his experiences but also the technical skill required for different types of fishing. Get ready to be inspired as we turn the spotlight to a licensed fishing coach, who turned his hobby into a full-fledged career. From offering courses, to organising corporate team-building activities, he embodies the spirit of turning passion into profession. We explore a range of topics, including the art of eating the catch and the factors that influence its taste. If you've ever harboured a curiosity for fishing, this episode could be your perfect bait. So reel in and enjoy as we cast the net wide on the art and allure of fishing!www.undercurrentstories.com

We catch up with Mark Waddington, founder and co-owner of the performance boating mega-facility Performance Boat Center in Lake of ther Ozarks, MO. Listen as we hear how he started the world class operation, as well as numerous other successful businesses around "the lake," his latest venture into boat manufacturing with Performance Powerboats, and his passion for all things performance boating–including his championship offshore race team Performance Boat Center/FASS Diesel Fuel Systems, with throttleman Rusty Williams and driver Myrick Coil.  Myrick Coil is the driver for the National / World Champion M CON / Monster Energy Class 1 and Super Cat teams, and National / World Champion Performance Boat Center / FASS Diesel Fuel Systems Super Stock team, Speedboat Magazine Test Team Driver, and lead shop foreman at Performance Boat Center. Ray Lee is the publisher of the national/international publication Speedboat Magazine, where nine high quality issues are printed each year with global distribution, and popular social media platforms on Facebook, Instagram and TikTok.  With all of the "bros" experience, knowledge, and friends and colleagues in the industry and sport, this podcast is sure to entertain, enthuse and educate the powerboating community. 

On The Literary Life podcast today, our hosts continue their discussion of C. S. Lewis' science fiction novel Out of the Silent Planet, covering chapters 6-15. Angelina Stanford, Cindy Rollins, and Thomas Banks begin by sharing their commonplace quotes, including some heated debate about sausages, then dive in to this section. They start by looking at Ransom's need to let go of some of his own modern preconceptions and categories, in spite of being steeped in the classics. Angelina, Thomas, and Cindy also discuss a variety of other themes, including: the contrasts between Lewis and Tolkien in world-building, Lewis' crafting a medieval tale in the genre of modern science fiction, and the problems with Ransom's anthro-centric perspective. House of Humane Letters is thrilled to announce an all new webinar from Dr. Jason Baxter coming October 31st! Register today for Can Dante's Inferno Save the World? Also coming up from House of Humane Letters on November 16, 2023, Jennifer Rogers' webinar on Tolkien and The Old English Tradition. You can sign up nowand save your spot! Commonplace Quotes: It is to me inconceivable that Nature as we see it is either what God intended or merely evil; it looks like a good thing spoiled. C. S. Lewis, from Letters of C. S. Lewis What do you usually do when you are shut up in a secret room, with no chance of getting out for hours? As for me, I always say poetry to myself. It is one of the uses of poetry–one says it to oneself in distressing circumstances of that kind, or when one has to wait at railway stations, or when one cannot get to sleep at night. You will find poetry most useful for this purpose. So learn plenty of it, and be sure it is the best kind, because this is most useful as well as most agreeable. Edith Nesbit, from The House of Arden Lewis began the trilogy as a conscious critique of what he called “Wellsianity,” a philosophy that applies Darwinism to the metaphysical sphere, believing that humans may evolve into a new species of gods, spreading from world to world and galaxy to galaxy. Though one finds this quasi-religious belief sometimes called “Evolutionism” in Olaf Stapledon, G. B. Shaw, and C. H. Waddington, Lewis found it most fully embodied in Wells' novels, and he set out to produce a Wellsian fantasy with an anti-Welsian theme. Lewis' Ransom books contrast so sharply from other stories of space voyages that Robert Scholes and Eric S. Rabkin credit him with inventing a new genre: “anti-science fiction.” from Reading the Classics with C. S. Lewis, edited by Thomas L. Martin A Selection from “I Saw Eternity the Other Night” by Henry Vaughn I saw Eternity the other night, Like a great ring of pure and endless light, All calm, as it was bright; And round beneath it, Time in hours, days, years, Driv'n by the spheres Like a vast shadow mov'd; in which the world And all her train were hurl'd. Books Mentioned: Kingsley Amis William Morris Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/ Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy's own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let's get the book talk going! http://bit.ly/literarylifeFB

Many working parents feel that they aren't doing a good enough job in any of the roles they fill. Instead of trying to get rid of parental guilt, in this real play, Dr. Diana Hill works with psychologist Dr. Emma Waddington to get more psychologically flexible with it. Diana will demonstrate each of the core processes of ACT and then debrief the role play and explore which interventions had the biggest impact.Related ResourcesGet enhanced show notes for this episodeSubscribe to my free Wise Effort newsletter.Become a MORE Life in Process member to support the show.Want a sample of what is included in your membership? Get Diana's free talk and guided meditation "Flow of compassion" (and a couple more listener-only gifts).Find out what kind of Striver you are and get your free Skillful Striving ToolkitWant to learn more about ACT? Take Diana's on-demand course, "Foundations of ACT"Diana's EventsJoin Diana LIVE (in person or streaming) every Friday for "A Meditation In Process." Register through Yoga SoupGet on the early bird list for Diana's Costa Rica retreat in 2024!Sign up for Diana's From Striving to Thriving Summit! See Diana at an upcoming eventFor Members: On-demand access to Diana's ongoing Friday "A Meditation in Process" is included with your sustained membership!Connecting With DianaThank you for listening to Your Life in Process! Subscribe to the podcast for free on Apple Podcasts, Spotify, Google Podcasts. Follow Diana on YouTube, Instagram, LinkedIn, Facebook, and

The second part of our interview with artist John Heywood-Waddington! Check out his work over on his website & instagram: https://www.mrjohnhw.com/new-paintingshttps://www.instagram.com/art_johnhw/ Please check out www.theflyingfruitbowl.co.uk for daily art inspiration and written interviews! Also, we now have a patreon page if you'd like to support the platform! Tiers start from £1. If you're interested, please visit https://www.patreon.com/theflyingfruitbowl for more details! Alternatively, we also have a Paypal if you'd prefer to make a one time donation:https://paypal.me/theflyingfruitbowl Thanks for listening today! Hosted on Acast. See acast.com/privacy for more information.

The first part of our interview with artist John Heywood-Waddington! Check out his work over on his website & instagram: https://www.mrjohnhw.com/new-paintingshttps://www.instagram.com/art_johnhw/ Please check out www.theflyingfruitbowl.co.uk for daily art inspiration and written interviews! Also, we now have a patreon page if you'd like to support the platform! Tiers start from £1. If you're interested, please visit https://www.patreon.com/theflyingfruitbowl for more details! Alternatively, we also have a Paypal if you'd prefer to make a one time donation:https://paypal.me/theflyingfruitbowl Thanks for listening today! Hosted on Acast. See acast.com/privacy for more information.

On Episode 137 of the Inside Bassmaster Podcast presented by Black Rifle Coffee Company, hosts Ronnie Moore and Kyle Jessie bring Opens EQ angler Kyle Patrick onto the show to preview the 6th stop of the 9-event season. The Opens head to Waddington, NY for the St. Lawrence River. Patrick funds himself in 10th in the points race as they head to his home state. #bassmaster #podcast #fishing