Podcasts about GON

As novidades sobre a indústria dos videojogos, análises aos jogos do momento, retrogaming, os temas de fundo e até um quiz musical sobre videojogos. Com Pedro Moreira Dias, Élio Salsinha, Rui Gonçalves e Gonçalo Santos.

**Adoração não começa onde você pensa.**A maioria das pessoas associa adoração à música. Mas a primeira vez que a palavra adoração aparece na Bíblia, não tinha instrumento nenhum. Tinha um pai subindo um monte com o filho nas costas, pronto para sacrificar tudo.Nessa primeira mensagem da série **Adoração**, a gente vai destrinchar o que a Palavra realmente diz sobre adorar a Deus — desde Abraão, passando pelos levitas que limpavam o templo antes de tocar qualquer coisa, até chegar em Davi e entender por que a música só tem poder quando vem sobre o fundamento certo.Se você tem cantado, levantado as mãos e saído do mesmo jeito que entrou, essa mensagem é pra você.---

O Cyrille Aloisio, o Gonçalo Ferreira e o Rafael Roldão falaram dos primeiros jogos das finais onde os Knicks levam vantagem e comentaram as mudanças da lotaria do draft. Onde falamos apaixonadamente de NBA! Podem seguir o nosso grupo de Whatsapp dedicado à NBA em: https://chat.whatsapp.com/D57ZvbPu0jLIcMI73jClVV Podcast: https://linktr.ee/VFF1 Patreon: https://www.patreon.com/vff1 Twitter: https://twitter.com/VamosFalardeFum Instagram: https://www.instagram.com/vamosfalardefum Subscreve o canal e apoia o Vamos Falar de FUm: https://www.youtube.com/channel/UCWgzFlfQqhYlRxfATnL2cjg/join

Debate da Super Manhã: Recorrer a um empréstimo bancário pode ser uma solução importante em momentos de necessidade financeira. O crédito pode ser um aliado na reorganização das finanças, na quitação de dívidas, na realização de investimentos pessoais ou profissionais e no enfrentamento de situações emergenciais. No entanto, é fundamental fazer uma análise cuidadosa para evitar comprometer o orçamento e enfrentar dificuldades financeiras no futuro. No debate desta terça-feira (9), a comunicadora Natalia Ribeiro conversa com os convidados sobre os tipos de crédito disponíveis no mercado, a importância do planejamento financeiro, a contratação consciente de empréstimos e dicas para evitar o superendividamento. Participam a especialista em Finanças Comportamentais, Aline Dantas, o advogado especialista em Direito Bancário, Fábio Gonçalves, e o economista especialista em Gestão Pública, Werson Kaval.

Bruno Tomás, Bernardo Figueiredo, Gil Caçoilo e Gonçalo Ferreira reúnem-se depois de terem marcado presença na quarta-feira na MEO Arena para um house show da WWE em Portugal, falando sobre a experiência. De resto, Noche de Los Grandes (e o combate épico entre os Grandes Americanos) e o Clash in Italy foram analisados, bem como Raw e SmackDown na Europa. Também uma rápida passagem pela atualidade da AEW. Onde falamos apaixonadamente de Wrestling! Podem participar no Grupo do WhatsApp do Vamos Falar de Wrestling aqui: https://chat.whatsapp.com/BqunYaY9WCPBmAV8PdtVAE Podcast: https://linktr.ee/VFF1 Patreon: https://www.patreon.com/vff1 Twitter: https://twitter.com/VamosFalardeFum Instagram: https://www.instagram.com/vamosfalardefum Substack Vamos Escrever de FUm: https://vff1.substack.com/ Canal de WhatsApp: https://whatsapp.com/channel/0029VaDuq7KId7nTEUhbWq3R Grupo de WhatsApp: https://chat.whatsapp.com/JrIbkrCcvvr4WLbYyhdKoO Subscreve o canal e apoia o Vamos Falar de FUm: https://www.youtube.com/channel/UCWgzFlfQqhYlRxfATnL2cjg/join

Gang! the crews back for another lively episode, discussing what we've been up to, what major changes we've been experiencing, Stephen's next place to call home ongoing search and what Summer's plans are for her future. Always scheming baby, Stay happy, Stay active. Love y'all! Be back soon! Gon tell somebody to tell somebody to tell some.. body about the show!

Programa #706 - Plan de Inmersiones 00,06'05” Esta noche tenemos el privilegio de recibir a Gonçalo Silva, biólogo marino portugués, investigador en el MARE de la Universidade NOVA de Lisboa, y fundador de MARDIVE, una asociación que hace algo tan necesario como difícil: acercar la ciencia marina a la gente de a pie, a los jóvenes, a los que todavía no saben que el mar les importa. Gonçalo estudia cómo el cambio climático está reescribiendo la vida de los peces en nuestras costas. 00,51'40” En MATERIA RESERVADA, el espacio divulgartivo de Océano Alfa, Gloria Delgado, agente medioambiental, nos trae lo que hay detrás de la línea de flotación de la conservación real, esa que no siempre sale en los titulares. 01,14'28” En PROTEJAMOS LAS MARAVILLAS DEL MAR, Mónica Alonso, de Planeta Profundo, nos recuerda por qué merece la pena pelear por lo que hay ahí abajo. 01,41'12” En BUCEO CON CIENCIA, Mercedes Varela, directora de Posidonia Ecosports, aporta el rigor científico que esta noche, más que nunca, encaja con la jornada que conmemoramos. 02,01'23” Y en CUÉNTAME UN PECIO, Alejandro Gandul nos lleva, como en cada ocasión, a ese patrimonio sumergido que el mar guarda con más celo que cualquier museo. Y con los micro-espacios habituales del programa —esta noche, «Mi cuaderno de buceo» con un relato de Mark Evans para la revista DIVERNET, el repaso a los viejos programas de Al Otro Lado del Espejo ya emitidos, y la agenda de propuestas para pasar el tiempo en superficie hasta una nueva inmersión en las ondas—, nos daremos, una noche más, por buceados. El mar nos dio el oxígeno. Lo menos que podemos hacer es devolverle la atención. La foto de la semana tiene la personalidad del medio acuático antes de llegar al mar, ignoramos su origen, pero la naturaleza que representa queda patente en ella, la imagen es cortesía de Francisco Davids. "Hay catedrales que no construyó nadie. Que simplemente crecieron hacia abajo mientras el mundo miraba hacia arriba. Aquí la luz no ilumina: oficia. Entra en procesión entre las raíces como si supiera que este lugar es sagrado antes que submarino. El bosque no murió al tocar el agua. Se transformó en otra cosa: en refugio, en laberinto, en memoria de río. En ese sitio exacto donde la tierra y el mar decidieron no separarse jamás." — Rol Freeman | Director, AOLDE RADIO ¿Listos para saltar al agua? Protocolo de repaso de equipos, un Ok, y al agua… Sonaron en este programa: 00,00'09” — David Arkenston - Papillon - Sintonía 00,06'05” — Boygenius Y Ye Vagabonds - The Parting Glass 00,51'40” — The Strokes - Falling out of Love 01,14'28” — Evanescence - Who Will You Follow 01,41'12” — Alex North - 2001 A Space Odyssey Theme song 01,59'07” — Avalon Jazz Band - La Mer (Beyond the Sea) 02,01'23” — Charli xcx - SS26 02,25'31” — This Too Shall Pass by Scott Buckley 02,36'07” — Traffic - Dear Mr. Fantasy 02,40'27” — Metallica - The Memory Remains 02,46'06” — Hay Peores - Bajo El Mar (Cover de Under The Sea de La Sirenita) Sintonía

As novidades sobre a indústria dos videojogos, análises aos jogos do momento, retrogaming, os temas de fundo e até um quiz musical sobre videojogos. Com Pedro Moreira Dias, Élio Salsinha, Rui Gonçalves e Gonçalo Santos.

Ker so romani izjemno raznoliki po svojem obsegu, obliki in vsebini, tudi ni nemudoma jasno, kaj bi utegnila biti tista njihova skupna lastnost, zaradi katere jih vendarle lahko spravimo pod isto oznako: romanTolstojeva Ana Karenina je, kot dobro vemo, precej špehata knjiga, medtem ko je Cankarjeva Hiša Marije Pomočnice čisto tanka. Goethejevo Trpljenje mladega Wertherja se sklene tragično, s samomorom, medtem ko se Prevzetnost in pristranost Jane Austen izteče v pravi pravcati happy end. Cervantesov Don Kihot kar kipi od napetih prigod in preobratov, medtem ko Oblomov, osrednji junak v istoimenskem delu Gončarova, komaj vstane iz postelje. Povedi, v katerih je Proust izpisal V Swannovem svetu, so vratolomno nalomljene v številna priredja in podredja, ki v iskanju končne pike zlahka bohotno napolnijo celo stran ali še več, medtem ko so Hemingwayevi stavki v Komu zvoni poudarjeno kratki, čvrsti, strogo obvladani. Medtem ko García Márquez v Stotih letih samote po svoje popisuje zgodovino Kolumbije, nam Cao Xueqin s Sanjami v rdeči sobi slika osupljivo podobo Kitajske sredi 18. stoletja. In ko smo že pri stoletjih – Petronij je svoj Satirikon pisal v prvem, Han Kang pa svojo Vegetarijanko v enaindvajsetem. Ni kaj, svetovni romaneskni kanon sestavljajo dela, ki si med seboj niso niti malo podobna. Pa vendar za vse te knjige pravimo, da so to romani. Zakaj? Kaj neki bi utegnila biti tista njihova sicer izmuzljiva, težko ugotovljiva, skrivnostna, a vendar skupna lastnost, ki nam omogoča, da jih – pa naj bodo še tako različni med seboj – vendarle lahko spravimo pod isto oznako: roman? – To je vprašanje, ki nas je zaposlovalo v tokratnem Kulturnem fokusu, ko smo pred mikrofonom gostili komparativista, predavatelja na Oddelku za primerjalno književnost in literarno teorijo ljubljanske Filozofska fakultete, akad. dr. Toma Virka. Naš gost je namreč pred nekaj meseci pri Založbi Univerze v Ljubljani izdal razpravo Spisi o teorijah romana, kjer na pregleden in komunikativen način pretresa nekaj najbolj intrigantnih, intelektualno ambicioznih teorij, ki so jih v 20. stoletju ponudili raziskovalci literature, da bi odgovorili na zagonetno vprašanje, kaj je to roman oziroma, še natančneje, po čem je roman pravzaprav roman. Foto: don Kihot in Sančo Pansa, junaka prvega evropskega novoveškega romana, kakor ju je leta 1893 upodobil francoski slikar Louis Anquetin, litografija (Wikipedia, javna last)

Sexta-feira, 5 de junho, altura para falar da insistência do Besikltas em levar Pavlidis. Há ainda novidades com Gonçalo Inácio e com o SC Braga. Lá por fora, o nome de Mateus Fernandes é abordado para o Real Madrid de...José Mourinho

Episode 529 / Gonçalo PretoGonçalo Preto (b. 1991, Lisbon, Portugal) is a Portuguese artist living and working in New York. In 2024, he completed his Master of Fine Arts at the Rhode Island School of Design, having previously studied at the Academy of Art University in San Francisco, USA, and at Kassel Kunsthochschule, Germany. He holds a Bachelor of Fine Arts degree from the Faculty of Fine Arts of the University of Lisbon.Recent solo exhibitions include The Ballads of a Sundial (2026), Galeria Pedro Cera, Lisbon; Phantom Limb (2024), Andrew Reed Gallery, Miami, USA; A Cadência de uma Chama (2024), Middle Finger Pedestrians (2019) and FRAG-MEN-TO (2017), Galeria Madragoa, Lisbon; and LIMBO (2019), Museu Carlos Machado, Ponta Delgada (São Miguel), Azores, Portugal, among others.Recent group exhibitions include Out of Frame (2025), Jack Barrett Gallery, New York, USA; what lovers do (2024), The FLAG Art Foundation, New York, USA; Prophetic Dreams (2024), Goldau, Switzerland; BIG OBJECTS (2023), Marvin Gardens, New York, USA; and Silvers in the Void (2023), MAMOTH, London, UK, among others. Gonçalo is the recipient of several awards, including a Fulbright FCC Grant (2022-2024), a Rhode Island School of Design Fellowship (2022-2024), and a Hopper Prize Finalist (2023).

Oyarzabal espera su momento en el Mundial, nuevos nombres para la Real y la nota de Jessica Figueroa y Ander Iturralde Mikel Oyarzabal no jugará el amistoso de esta noche entre España e Irak en Riazor. Tampoco participarán Pedri, Rodri ni Cucurella, mientras Luis de la Fuente dará protagonismo al grupo de apoyo, donde figuran los realistas Jon Martín, Sergio Gómez y Beñat Turrientes. Analizamos la preparación de la selección española para el Mundial 2026, el calendario de la fase de grupos y la situación del resto de internacionales de la Real Sociedad: Luka Sucic, Take Kubo y Gonçalo Guedes. Además, repasamos la actualidad del mercado txuri-urdin. La Real ya tiene fecha para su primer amistoso de pretemporada, el 18 de julio ante el Racing de Santander en Zubieta, mientras siguen apareciendo candidatos para reforzar la plantilla. Los últimos nombres vinculados al club son Lautaro Rivero y Oso, que se unen a Diogo Leite, Nino y Emerson en una lista marcada por la búsqueda de un central y un futbolista ofensivo. También ponemos el foco en la planificación del Eibar, la última oportunidad europea del Bidasoa Irun en la Copa del Rey y la presentación de la Binter NightRun Donostia, una cita que volverá a llenar de deporte las calles de San Sebastián. Y continúa la semana de análisis de la temporada en Deportes COPE Gipuzkoa. Hoy es el turno de Jessica Figueroa y Ander Iturralde, que valoran el trabajo de Aperribay, Bretos, Sergio Francisco, Matarazzo y la plantilla, además de elegir a los mejores futbolistas del curso, la revelación y la gran decepción de la temporada. Dirigido y presentado por Marco Antonio Sande. Escucha Deportes COPE Gipuzkoa de lunes a viernes, de 15:25 a 16:00 horas, en el 99.8 FM, en cope.es, en las aplicaciones de COPE y Tiempo de Juego seleccionando COPE MÁS San Sebastián. Todos los programas están también disponibles en formato podcast en iVoox, Spotify, Apple Podcast y la plataforma de audios de COPE Euskadi.

Confira nesta edição do JR 24 Horas:  O governo dos Estados Unidos apresentou uma proposta para implementar uma tarifa de 25% sobre produtos importados do Brasil. A decisão foi baseada em uma investigação que identificou práticas comerciais consideradas desleais. O escritório do representante comercial dos EUA citou o Pix e a falta de reciprocidade no comércio de etanol como razões para a cobrança. Carnes, frutas, café, aeronaves e terras raras não serão afetadas pela nova taxa. Uma consulta pública está aberta até 1º de julho e uma audiência pública ocorrerá no dia 6. E ainda: Polícia do Rio combate 'Tribunal do Crime' em São Gonçalo. 

A big part of the court are the actual court nobles, so this episode we are taking a look at some of the ones mentioned in the Chronicles for this reign. For more, check out https://sengokudaimyo.com/podcast/episode-150 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 150: Nobles of Jitou Tennou's Court   Maro donned his light blue robes and made his way to the court.  As he arrived, the sun was just peaking over the horizon, and as it bathed the court in the golden morning light the dark shadows were dispelled, leaving in their wake a colorful scene, as various court officials headed this way and that, gathering in their offices to pick up on the work that they had left unfinished the day before. As an ohotoneri, Maro was often sent to and fro between the offices of the different departments. As such, he was able to see how they worked, and he wondered to himself which department would have the best opportunity for advancement.  His family had connections over at the Department of Prisons, and it was definitely a place he could make a name for himself, especially if he attached himself to one of the newly minted magistrates.  On the other hand, the Jingikan, the Ministry for Kami Matters, had some of the most important and sought after positions.  After all, no matter what the secular administration did, when there was no rain for the fields, it was the kami to whom the court turned.  And the members of the Jingikan who helped make those ceremonies happen were known to be well rewarded for their troubles. Perhaps he would be better off taking a more modest position, such as with the Jibu-sho, the Department of Civil Administration.  It was mostly focused on the maintenance and execution of the bureaucracy, and wasn't necessarily a place to seek the limelight, but perhaps that also offered some opportunity.  Do well in one position, and who knows what that could open up to you in the long run?  Maybe one day Maro could make it up to become a Nagon, a Counsellor, or even one of the Daijin, the great ministers at the very head of the council of state.Maro almost laughed at the thought, but he didn't put it aside entirely.  After all, as impossible as it might seem now, the world was still changing, and who knew what opportunities might be waiting just around the corner?   This episode continues our look at the reign of Uno no Sarara, aka Jitou Tennou.  I would note that we have now reached the last chapter of the Nihon Shoki, which ends with the end of Uno no Sarara's reign in 697.  In this chapter, we have not quite 11 years to cover, and we've already talked about the first three of those years, which featured succession issues and a long mourning time for Uno's husband Ohoama, aka Temmu Tennou, culminating in the sudden death of her only son, the Crown Prince and heir apparent, Prince Kusakabe, in 689.  We also went over what was happening on the continent, with powerful women like Uno no Sarara either on or behind the throne in Silla and the Tang dynasty.  To quickly recap the succession issues: When Kusakabe died, tthat left the throne in a somewhat tenuous position.  There were two other male heirs that would seem to have a claim on the throne as well.  The first was Prince Takechi, who was technically Ohoama's eldest son, but the Chroniclers claim that his late mother was not sufficiently royal for him to have a serious claim.  Then there was Prince Karu, the only known son of the late Crown Prince Kusakabe, and had been born 6 years earlier, in 683, to the Crown Prince and his wife, Princess Abe.  Princess Abe was a daughter of Naka no Oe, and a half-sister to Uno no Sarara.  She was actually a year older than Kusakabe, and would continue to look after the young Prince Karu.  So, Prince Karu was only about 7 years old when his father passed away: much too young to be taking the throne, let alone a firm hand in the politics of the time.  And given the mortality statistics of the time, there is so much that could happen to him before he reached the age of majority.  And remember, there were already some questions about legitimacy, and we already discussed the fact that about 30 nobles had gathered in support of Prince Ohotsu right after Ohoama's death.  Uno no Sarara had that whole issue quashed and Prince Ohotsu had died, but it was nonetheless a stark reminder that things could change quickly. So at this point in Uno no Sarara's reign, there is a great deal of uncertainty afoot, and there are quite a few individuals named in the Chronicles who stand to benefit from sticking their fingers into politics in one way or another.  This episode, we're going to look at some of those individuals, their roles in the court, and the effect they had on Yamato.  Some of those people named are particularly interesting in that they were involved in the conspiracy with Prince Ohotsu, and would continue to be highly influential in the government.  For example, Iki no Hakatoko, Nakatomi no Omimaro, and Kose no Tayasu, and Yakuchi no Wotokashi are all name-dropped, which we'll get into more later.  It feels significant, however, that there were some 30 nobles all told, and beyond these four and the apparent ringleaders, we don't learn anyone else's names.   The importance of prominent individuals in the court has been a constant theme in the Chronicles and in this podcast, so getting to know the court is definitely important. Moreover, during this time period as we get more and more written sources from which to work from we will see more and more information on individuals.  Some of that will come from the Nihon Shoki and the records that come after—the Shoku Nihongi.  Others, however, are from sources like the Man'yoshu, where bits of biographical data are found about the authors that they mention.  There are also family diaries and later genealogies.  Some of these sources are a bit more trusted than others, especially when they were compiled centuries later and we don't exactly know what sources they, themselves, were working on.  Still, even if it isn't 100% accurate, it does give us a picture of what was going on beyond just the royal family. I think it is also helpful to understand some of the overall court dynamics.  If you are familiar with the Heian period, especially around the time of things like the Tale of Genji, you are probably well acquainted with the Fujiwara family—I'll probably need to do an entire episode just on them at some point.  Essentially, there would come a time where almost the entire court was made up either of royals or of members of the Fujiwara clan, or uji.  In fact, even that distinction wasn't really accurate as the Fujiwara family had so intermarried with the Royal family that every sovereign—every Tennou and even most of their consorts—were directly related to members of the Fujiwara.  Not only that, but members of the Fujiwara family held the position of regent—whether the sovereign was of age or not—and effectively ruled the country, with the Tennou being largely relegated to a mouthpiece with ceremonial duties.  It would get so bad that we would see the splitting of the Fujiwara uji into smaller households, and the political fights were often between members of the different households of the same family.  There is a reason that a good portion of the Heian period is sometimes called the Fujiwara period. However, now during the late Asuka period, we see something a little different.  The marriage politics of the Soga had been violently suppressed about a half century earlier, and a lot of different names flourished in the Yamato court, as youmay have noticed any time I've rattled off a bunch of names and your eyes started crossing because of it.  But that's the reality we see: there were a lot of different families, and individuals, all jockeying for influence.  And they were in a period of disruption, where lots of change was happening.  That change meant there was also a lot of potential. And I hope you don't mind if I take a quick time-out here, but so often we read history and we forget to learn lessons from it, and one overarching lesson is:  if you are a part of an organization—a company, a club, government, school, or anything like that—one thing you are going to have to deal with is change.  It comes in many forms and happens whether or not you personally agree with it. It can be destructive and it can be frightening, because we often don't know what is on the other side of it, but it also presents opportunities.  After all, if you don't know what comes next it probably means other people don't, either.  And if you can be the one to provide direction you can have a huge influence on what comes next.  And change has been a constant theme in this period of Yamato history, in so many ways.  Take the reorganization of the government as one example: they had introduced these 8 departments, which had names and were set up in various ways, but it wasn't like you had experienced people to run them as they had been on the continent.  So you had names and the forms of things, but there were a lot of people figuring out just how to actually put this new structure into practice, and leverage them to do what they were supposed to do.  In the process, there were a lot of opportunities to innovate and figure out how to do it within the cultural milieu of the archipelago.  So all of these individuals, from these various families, all had opportunities staring them in the face.  They just had to figure out how to make the best of it. Now, don't get me wrong:  Those with the money, the connections, and the influence still had a leg up, and this was still a hierarchical society, where your family dictated, to some extent, your position in society.  The introduction of individual court rank, as opposed to just the kabane that ranked uji, was pushing against that, and had already caused a reformation that flattened a lot of the previous kabane into just eight distinctions, but those distinctions still existed.  Even had they not, simple matters of inherited wealth and the value of goods produced in a family's home territory would still have provided tremendous advantages.  But there isn't an indication of the kind of large-scale consolidation of resources that we will see in later periods, such as the Fujiwara example that we were just discussing.  Oh, sure, we aren't going to see a farmer suddenly make it big at court in some kind of rags-to-riches story, but at the upper end of society we still have a lot of apparent diversity. And so, let's get to know some of these individuals that the Chronicles tell us about.  Before we do that, though, let's recap a little bit about how the court worked. Every member of the court was effectively employed by the State.  They had an official job with duties they were supposed to oversee.  In the case of lower level functionaries, they were likely expected to actually do most of the work, while at the top of the hierarchy you had nobles who were more likely decision-makers, who would approve or disapprove of the work and direct strategic resources. Those working in the court had official uniforms—the round-necked garments of the continent.  What would be called a "caftan" farther west.  These were based on the foreign garments popular in the Tang court and elsewhere. The color and pattern of official clothing appears to be something that goes back to early in this new continental style government, and we see suggestions of color schemes from a relatively early age.  However, in 690 we see the clearest such outline of just what everyone was wearing. As a reminder, the court rank system of the day was made up of a Princely and a Commoner system.  Princely ranks originally included two ranks of the Myo class, and four of the Jou class, each rank divided into either "Great" or "Broad", for twelve Princely ranks, though honestly we only ever really see the four Jou class of ranks in use. Below that were the ranks for the common nobles—those with family names who did not have any kind of royal claim.    For them there were six classes of rank—Shou, Jiki, Gon, Mu, Tsui, and Shin, in that order.  Each class was made up of four ranks, which were further divided into upper and broad categories, creating 48 total ranks. Your rank determined your precedence at court—where you were sat, what jobs you were allowed to take on and, most importantly, the amount of money that you could expect to receive as part of a stipend.  Naka no Oe had previously consolidated the land-holdings and asserted claim over all of it.  The taxes from the households on the land went to the government to pay the stipends of the nobles in the court, who were, ostensibly, employees of that same government.  Your rank determined what you were owed, though this could also be augmented by various edicts. So there you go: rank in the court was tied to many of the things that the elites wanted, from wealth to status and access to various opportunities. The color of official clothing followed the rank system.  So Princes of the first two ranks of the Jou class were given robes of dark purple, and the third and four ranks were given robes of bright purple, which they shared with highest class of rank of the common nobles, the Shou rank class. Below that, nobles of the Jiki class would wear robes of dark red, and those of Gon would wear dark green.  The Mu rank class, the next down, was Light Green, and then Tsui was Deep Blue and Shin was Light blue. So in order you would see robes of Dark Purple, Bright Purple, Dark Red, Dark Green, Light Green, Deep Blue, and Light Blue.  The color gave you a certain indication of where the person sat in the overall hierarchy of the court, and provided you clues as to how you should address them, who would give deference, etc.  In later centuries, we are even told that deference was given in meetings, which is to say that once a person of higher rank provided input on a topic, nobody of lower rank was able to contradict them for fear of the consequences.  So it also told you who got the last word. This then was the world that the nobles of the court inhabited.  As we've seen in previous episodes it wasn't just bureaucratic work, but also banquets, archery contests, and Buddhist congregations and sutra readings.  There were rituals, dances, and diplomatic embassies—not to mention all of the ceremonies around the death or ascension of the sovereign.  In this world, one's reputation was everything.  You wanted to be seen as good at your job, but also, just like today, people were more likely to promote and support those they knew, and so it helped to have friends.  However, there were also a limited number of top spots, and so every promotion would have likewise meant plenty of disappointed nobles who didn't get the job.  But that is enough background.  Let's take a look at some of the nobles themselves, starting with the four from the Prince Ohotsu conspiracy.   The first name in the list is perhaps the least interesting.  His name is Yakuchi no Wotokashi.  Although he was the highest ranking of the four, he is also the least mentioned in the Chronicles and elsewhere, and we know very little about him.  So we'll talk about him later on, for completeness, but for now it may be best to skip him until we have a better handle on others in the court. In contrast, we know a bit more about his co-conspirators.  In fact, we've already talked about one of them at length:  Iki no Hakatoko.  We first heard about Iki no Hakatoko when talking about the Tang dynasty, and discussed him at length in Episode 123.  He was one of the members of the embassy to the Tang dynasty back in the early 660s that got delayed on account of Tang Gaozong initiating the war against Yamato's ally Baekje.  The fact that the Nihon Shoki directly pulls from Hakatoko's work, known to us, today, as the Iki no Hakatoko Sho, makes it one of the few early named written works that we know about.  Unfortunately, it is no longer extant except for what is preserved in the Chronicles, but it is still incredible that we have essentially an eyewitness account of what happened.  He would later be one of the escort envoys for one of the Tang embassies during the reign of Naka no Oe.  That he was then embroiled in the conspiracy with Prince Ohotsu would seem to be at odds with his standing, and yet after his pardon he eventually got back into the court's good graces.  In 695, about 9 years after the incident, he was assigned as an assistant envoy to Silla.  By that point he was of Mudaini rank, which was only about 35th in the overall scheme of things.  Later on we know he would work on the famous Taiho code, which was published in 701, and enacted a couple of years later.  It was here that he worked with the famous Fujiwara no Fubito—about whom we will discuss more, later—and although he would pass away in 703, this may be how his own writings came to find their way into the Chronicles, since Fubito is said to have had a large influence on them—as he had on many of the court's projects. Overall, Iki no Hakatoko may not have been the one in charge, but we see in his life an incredible career, much of it spent on multiple voyages across the ocean, whether on an embassy or as an escort.  He likely was highly proficient in the language of the Tang court—what we typically refer to, broadly, as Middle Chinese.  He also had direct experience with the Tang court and system, and so it makes sense that he was one of those helping to build an administrative state based on that system. If we were to imagine Hakatoko in the court of the day, at least in 695, he would have likely had light green colored robes, indicating that he was of the "Mu" class of ranks.  He would have worn the black gauze cap of the court and worn white hakama, or trousers, underneath.  His long, continental style, round-necked robes—likely relatively slim, with overly long, but narrow, sleeves—would have been tied closed in the front with a braided silk cord.  He likely worn black leather boots, covered in a light lacquer to protect them from the elements, with cloth insoles and perhaps a hint of brocade along the top.  He likely kept with him a ruler, and perhaps a few slips of paper or even just wood on which to take occasional notes.  A mid-level functionary of the court. We can compare and contrast Hakatoko to two other co-conspirators:  Nakatomi no Omimaro and Kose no Tayasu. We are given neither Omimaro's rank nor Tayasu's at this time.  It is interesting that they listed after Hakatoko, who is actually listed as having "Lower Shousen" rank—an older rank that was no longer in use at this point in time.  Also, both Nakatomi and Kose were Ason level families while Iki no Hakatoko is listed as being merely "Muraji".  So it seems that the Chroniclers were probably pulling from what they could find elsewhere, although where they found that Wotokashi had Jikikwoshi rank I have no idea, as we don't have any other record for him.  And it is possible that deference to Wotokashi and Hakatoko are as much a nod to their age as anything else, though probably not by much. Of four co-conspirators mentioned here—and I'm leaving out the two who were exiled or banished, as they were clearly not hanging around the court later—Nakatomi no Omimaro and Kose no Tayasu were probably from the most established families.  Indeed, we see both of their names show up multiple times in the record, giving us a better idea of who they might have been. Of the two, the name Nakatomi probably is more likely to ring a bell, as that as the surname of the famous Nakatomi no Kamatari—as well as the later Nakatomi no Kane.   Nakatomi no Kamatari was the head of court ritual when he and Naka no Oe kicked things off with the Isshi Incident and the Taika reforms, at which point he became the "Inner Prime Minister", or Naidaijin. Much of what we know of Omimaro comes from outside of the Chronicles themselves.  For instance, we are told that he was the son of Nakatomi no Kunitari, a cousin to the famous Kamatari, at least according to the 10th century Engi Shiki.  However, we have no other records of Kunitari, and so there is more than a little doubt cast as to whether or not that was actually the case.  Similarly, we are told that Omimaro married one of Kamatari's daughters, and was eventually adopted by Kamatari. Once again, the evidence for this is pretty thin, and it is unclear to me just how adoption worked at this point.  Certainly in later periods, adoption was often a way to ensure that a family had a male heir to ensure the family's continuity, and marrying someone's daughter and being adopted into the family is an age old tradition in the archipelago and Japan more generally.  At the same time, give some thought to what we know about this period: male primogeniture was not exactly the norm, although Confucian values had definitely made inroads into court.   The family headship often went to the eldest—or most prominent—family member.  This wasn't necessarily a son and often was a brother, a nephew, or even a cousin.  We have a few famous Nakatomi at this point in time, and all I can say for certain is that they were part of the same family.  Later traditions would make things a bit more clear. Whatever his parentage, our first encounter with Omimaro appears to be in the Ohotsu conspiracy, when he was arrested and then pardoned.  He shows up again in the record just three years later, along with Kose no Tayasu, as both were made judges, along with Fujiwara no Fubito—Nakatomi no Kamatari's biological son and eventual heir. In fact, there were nine judges, or magistrates, made that year, and they are listed in rank order.  The first is Prince Takeda, said to be a great-grandson of Nunakura, aka Bidatsu Tennou.  He was Joukwoshi rank, meaning he wore bright purple court robes, sitting in the lower half of the princely ranks.  He had been quite prolific ever since 681, when he was one of the Princes called to help bring together the Chronicles.  After being made a judge, he would continue in that position, it seems, and by 708 he would become the head of the Ministry of Prisons. After him we have Haji no Nemaro, in the dark red robes of the Jiki rank class.  Though someone of rank, less is known about Nemaro.  His father is said to be Haji no Mi, who was part of the forces that set out to Yamada-dera to capture—and likely kill—Soga no Kurayamadera.  Haji no Nemaro's son is Haji no Oi, who was sent to the Tang court but returned in 684, along with several repatriated soldiers.  Oi would assist with the Taihou code, but little more is said about him or his father. Other judges were Ohoyake no Maro, Fujiwara no Fubito—also of the Jiki class rank. Maro would go on to take a job as a jusenshi, responsible for minting coins, and Fubito would go on to reach the highest levels of government. Then there was Tahema no Sakurawi, Hodzumi no Yamamori, Nakatomi no Omimaro, Kose no Tayasu, and Ohomiwa no Yasumaro.  They were all Mudaishi rank at this point, wearing dark green.  Sakurai would go on to become the governor of Ise in 705, and then the governor of Musashi in 708.  Hodzumi no Yamamori we don't have as much information on, other than that he kept climbing the ranks, by 704 he had made Junior 5th rank, lower grade in the system that replaced the cap-ranks, and by 712 he made it to the senior fifth rank, lower grade. Ohomiwa no Yasumaro, on the other hand, would make it to the Senior 5th rank, lower grade by 707, and the upper grade by 708, when he was made the Dayu—the high minister in charge—of Settsu.  He would eventually make it into the Junior Fourth rank, upper grade, as the Minister of the Military Department, or Hyobu-sho. So this gives you an idea of the people with whom Nakatomi no Omimaro and Kose no Tayasu were rubbing elbows.  That they were made judges, responsible for justice, seems to say something as that would seem to be a powerful position.  At the same time, they are both lower ranked than the much younger Fujiwara no Fubito—but once again, he was the direct son of Nakatomi no Kamatari.  He also seems to have avoided any unpleasantness from the Jinshin no Ran as he was only 14 at the time, and though it does seem that the Nakatomi were generally knocked down a peg or two in court—thanks in large part  to the fact that Nakatomi no Kane had been one of the leaders of the Afumi court.  That and the whole thing with Prince Ohotsu may be why Omimaro was not exactly in the top ranks, but his appointments weren't nothing, either.  By 693, Omimaro would be granted the rank of Jikikwoshi, the lower fourth rank of the Jiki class.  In that entry he is recorded as Fujiwara no Omimaro.  I believe we discussed this a few episodes back, but the Fujiwara name was still new.  It had been granted to Nakatomi no Kamatari on his deathbed—or possibly even posthumously—by Naka no Oe, and to his family.  So technically that would seem to extend to the entire Nakatomi family.  And with Nakatomi no Kane having been one of the main figures on the losing side of the Jinshin no Ran, it was no doubt a savvy political move for Nakatomi courtiers to lean into the Fujiwara name, and they seem to have done just that.  It wouldn't be until later, in the reign just following this, that a new decree would straighten everything out, such that only the actual descendants of Fujiwara no Kamatari, such as Fujiwara no Fubito, would be allowed to use the Fujiwara name. Throughout this, I have focused mostly on Omimaro, but Kose no Tayasu was in the mix as well.  He, too, was made a judge and in 693 he would also be awarded the same Jikikwoshi rank.  In addition, in 689, he was made a "commissioner of good words", along with the Royal Prince Shiki and others.  This seems to be a singular position, and Aston suggests that it was their job to figure out the kind of auspicious language that should be used in the court.  What kind of language should be used by the sovereign and the courtiers in drawing up official edicts.  I imagine that they were figuring out the form to give to formal court documents as well as the kinds of titles and honorifics to use for the sovereign and the state more generally.  Of course, that is just an assumption based on Aston's understanding of what is, ultimately, a single line.  Still, it is clear that Tayasu was helping to make things happen. Tayasu would eventually go on to become the Minister of the Department of Ceremonies, the Shikibu-sho, and would later serve as a secretary to the Viceroy in Tsukushi—the Dazai Daini.  He would pass away in 710, one year before Omimaro. Before leaving Tayasu behind completely, I would like to point out his family name:  Kose.  The Kose family were one of the families granted the kabane of Ason, or Asaomi.  They had previously been known as the Kose no Omi, and had a long history in the court, claiming descent from the famous Takeuchi no Sukune, legendarily known as the first Oho-omi of Yamato.  Kose no Tokuda had been a supporter of Soga no Iruka, but after the Isshi Incident he supported Naka no Oe and eventually replace Abe no Uchimaro as Sadaijin—Minister of the Left.  Another Kose, Kose no Hito, would also rise in the government, becoming one of two Goshi-daibu made when Prince Ohotomo was appointed Dajodaijin.  The other was Ki no Ushi.  They were both in attendance and counted among the six who swore to protect and support Ohotomo, along with Nakatomi no Kane and others.  So they, too, found themselves on the wrong side of the Jinshin no Ran. In this case, however, it is unclear how much Tayasu was impacted by that.  He may have been the son of Kose no Shitano, brother to Kose no Hito, but the Kose were prolific in the court, with many people of the name.  The family would continue going through the Heian period.  Their fortunes ebbed and flowed, as did so many families, but they would eventually find themselves as Hatamoto to the Tokugawa shogun, so they never actually disappeared. Finally, let's talk about Yakuchi no Wotokashi.  As I mentioned earlier, he is actually one of the first names mentioned in the list of co-conspirators with Prince Ohotsu, suggesting that he outranked others in the group.  Indeed, he is noted as being of Jikikwoshi rank—fourth lower Jiki rank.  The bottom of the Jiki class, but that was still the third class from the top.  However, despite this, very little is actually said about him.  In fact, this is the only instance I could find of the name Yakuchi in the Nihon Shoki, at least in that spelling—there is also a Yakuchi no Uneme, but it is spelled differently and is probably not related.  It is also the only evidence of the name Wotokashi.  That means we don't even see him in the list of names being granted Ason in the first place. It is quite possible that Yakuchi was a name he took later and that he was from another family.  Indeed, there are a couple of traditions around Wotokashi that suggest he was the founder of the Yakuchi family in Shinano.  Indeed, there is a Yakuchi family that comes out of Shinano, near Adzumino.  And Shinano was one of the places that Ohoama had sent people to examine as another site for an alternative capital, and Prince Mino and others had gone to check it out.  So maybe Wotokashi headed out there—or his descendants, anyway—and decided to try and make a go of it.  Proponents of this theory also connect Wotokashi to a line descended from the Soga family, which would certainly explain his prominence.  There are others, however, who claim that the Yakuchi family out of Shinano is actually descended from the Otomo, suggesting that the similarities in the name are just coincidental, which is also possible.  Ultimately, our sources fail us here, and so we just have speculation.  It is possible that even with the pardon, Wotokashi was just never able to regain the trust of the sovereign or his position in court, and so whether he took a hike for the hinterlands or just faded from the picture it is hard to say. With that, let's take a look at just two more courtiers, and what kinds of lives and careers they had at court, at least from what we can see.  These two we've also mentioned in passing:  Fuse no Miushi—whom Aston transliterates as Miaruji—and Ohotomo no Miyuki. Fuse no Miushi and Ohotomo no Miyuki were both mentioned as performing eulogies for Ohoama, though there is more to them than just that.  We'll start with Fuse no Miushi, who is said to have been the son of none other than the Taika era Sadaijin, or Minister of the Left, Abe no Uchimaro.  You may recall that Abe no Uchimaro was the Sadaijin under Karu no Ohokimi, aka Koutoku Tennou, along with the Udaijin, Soga no Kurayamadera.  They were both supporters of Naka no Oe, though much of the Chronicles focus appeared to be more on Kurayamadera than on Uchimaro. We don't know when Miushi was born, nor when he received the name "Fuse", the name by which he is known when we first meet him in the Chronicles.  That family name only shows up two other times in the Chronicles.  Based on other sources, it seems that the Abe family was divided at some point into the Fuse and the Hikida, likely because it became too large and they needed to distinguish the different parts of the family.  It is said that Fuse no Miushi served as a retainer to Ohoama during the Jinshin no Ran.  That, along with his family connections, helped secure him a good place in the government.  By 686, we see him pronouncing the eulogy for Ohoama's funeral on behalf of the Dajokan, the Counil of State.  He was already Jikidaishi, one rank above the standard Jikikwoshi, but still clothed in the same dark red robes.  In 687, he is again pronouncing the eulogy, but this time we are told that his a Nagon, or councilor, a rather prestigious posting that would later get broken up into three different levels:  Dainagon, Chunagon, and Shonagon.  For my Heian fans out there, that last is the same Shonagon as in the name of the famous poet, author, diary-keeper, and all around queen of snark, Sei Shonagon.  By 688, pronouncing the Eulogy seems to have become an annual event for Miushi, only this time he teamed up with Ohotomo no Miyuki.  The two of them seem to have had similar careers, and would, for a time, come up together through the ranks. Ohotomo no Miyuki is said to have been born in 646, though that isn't recorded in the Nihon Shoki and comes from other sources.  The Ohotomo family goes back quite a ways, and we are told that his father was Ohotomo no Nagatoko, who served as Minister of the Right under Naka no Oe.  However, in 672, the Ohotomo, including Miyuki, sided with Ohoama in the Jinshin no ran.  In 675 he was made Tayu while Prince Kurikuma was made Director of Military Affairs.  He then drops out of the narrative until 688, when he is pronouncing the eulogy with Fuse no Miushi. Miushi would go on, two years later, to present the formal congratulations from the court to the Queen upon her ascencion to the throne, and then the following year, 691, both Miushi and Miyuki were granted the rank of Jikidaiichi, the highest rank in the Jiki class, along with 80 households to support them and their families.  This brought both of their stipends up to roughly 300 households each.  Then, in 694, they were both raised in rank again, this time to Shoukwoushi.  Only one rank up, yet they went from the top of the Jiki class to the bottom of the Shou class.  They would have gotten new robes of Bright Purple to indicate their new status, and they each had their stipends increased by the taxes of 200 households each.  At the same time, they were also acknowledged as senior members of their houses.  That means that Miushi was considered the head of the Fuse branch of the Abe family and Miyuki was now acknowledged as the head of the entire Ohotomo family. Two years after that, in 696, they were each given 80 retainers to support them.  Fuse no Miushi is actually mentioned at that time as Abe no Miushi.  That same year, we again see Fujiwara no Fubito show up, but with only 50 retainers.  Fubito would eventually rise to the top of the court food chain, but at this point, it was still in the hands of courtiers like Fuse no Abe no Miushi and Ohotomo no Miyuki. Fuse no Miushi would go on to have an incredible career.  He would become Dainagon and eventually he would become the Udaijin, the Minister of the Right, one of the highest positions anyone could hope to achieve at court. Ohotomo no Miyuki would not make it quite so far.  Like Miushi, he made it to Dainagon, but he died in the first month of 701, just 55 years old.  He had made it to the third rank, and he was posthumously granted the title of Udaijin—the position was vacant at the time—and granted second rank.  His colleague, Abe no Miushi, would go on to take the position only four months later and serve for a couple of years before passing away himself. These two would have worked closely together throughout their careers, and the fact that they were raised in rank and position on similar timelines suggests to me that they ran together in very close circles.  They would have been working in similar positions, at the same levels of the government.  They would have been going to the same parties and partaking in the same banquets and entertainments.   They were no doubt rivals, in a sense, but also equals.  Both families would go on, even as the Fujiwara clan came to dominate the politics of the era, the Ohotomo and Abe would continue to hold power in the court during the Nara period, though eventually it would decline.  The Ohotomo would eventually become just the Tomo, to avoid conflicting with the name of a slater sovereign, and the main house would eventually decline, though branch families would continue to claim descent from the Ohotomo into to the Edo period. The Abe would continue, similarly pushing against the Fujiwara.  The most famous Abe was probably Abe no Seimei, who became known for his skills as an Onmyouji, or master of Yin-yang divination and magic.  The Tsuchimikado branch of the Abe family would continue that tradition, and it would come to largely define the main branch of the family. I hope that gives a bit of an idea of what was going on in the court and the kinds of careers that people were looking at and what was happening.  We cannot get into every single person, but I'm going to try and note some of the more prominent courtiers and what they were doing.  It isn't always clear from the Chronicles what was going on between the various houses, but one can largely assume that the court was highly political.  Different factions were vying for power and position.  Sitting atop all of it, Uno no Sarara would have to perform her own kind of balancing act, doling out rewards and punishments as necessary, and ensuring to place the right people in positions of power and authority.  On the one hand, that ambition was a motivating factor, keeping the people of the court focused on the tasks at hand and ensuring that the court was running smoothly.  On the other hand, too much power in the hands of any one individual could cause them to get ideas that they should have even more.  The main bulwark against this was everyone else in the system—the checks and balances were literally the other court nobles, who weren't going to just let someone  take power unless there was something in it for them as well.  More on that as we watch this reign unfold. But for now, thank you so much for listening and downloading the podcast.  If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Neste episódio falamos das campanhas de D. Afonso V em Marrocos, desde a conquista de Alcácer Ceguer (1458) até à tomada de Arzila e ocupação de Tânger (1471), um processo que deu origem à criação do Algarve d'Além-Mar em África.Sugestões de leitura1. Saul António Gomes – D. Afonso V. Rio de Mouro: Temas e Debates, 2009.2. Paulo Alexandre Mesquita Dias – A conquista de Arzila pelos Portugueses - 1471. Lisboa: dissertação de mestrado apresentada à NOVA FCSH, 2015, disponível em: http://hdl.handle.net/10362/17705-----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Ribeiro, Carlos Ribeiro, Carolina Baptista Catarina Ferreira, Cláudia Brandão, Diogo Freitas, Fábio Videira Santos, Gonçalo Castro, Gn, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, José Santos, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Liam Brockey, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Manuel Bernardo, Marcos, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Guerreiro, Paulo Ramirez, Paulo Ruivo, Paulo Silva, Pedro Cardoso, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: “Five Armies” e “Magic Escape Room” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, ⁠http://creativecommons.org/licenses/by/4.0⁠Edição de Marco António.

COACHcast | Lições reais de carreira, liderança e negóciosNeste episódio do COACHcast, converso com Andréa Poiani, especialista em responsabilidade social corporativa, voluntariado, desenvolvimento humano e felicidade corporativa.Ao longo da conversa, Andréa compartilha uma trajetória inspiradora marcada pelo impacto das ações sociais em sua própria vida. Beneficiada na juventude por projetos que ampliaram suas oportunidades de aprendizado e desenvolvimento, ela construiu uma carreira dedicada a promover transformação social dentro e fora das empresas.Falamos sobre voluntariado corporativo, responsabilidade social, cultura organizacional, desenvolvimento de competências, liderança e o papel das organizações na construção de ambientes mais humanos, engajados e sustentáveis.Também discutimos como o voluntariado deixou de ser apenas uma ação pontual para se tornar uma ferramenta estratégica de desenvolvimento de pessoas, fortalecimento da marca empregadora e geração de impacto positivo para a sociedade.Além disso, Andréa compartilha uma emocionante história pessoal de superação, fé e maternidade, mostrando como experiências transformadoras podem mudar a forma como enxergamos a vida, as pessoas e o propósito do nosso trabalho.Uma conversa inspiradora para líderes, profissionais de RH, gestores e todos que acreditam que desenvolvimento humano e impacto social podem caminhar juntos.Grandes resultados começam com grandes conversas.LinkedIn:Andréa Gonçalves Poiani PiresInstagram:@andrea.poiani.pires

As novidades sobre a indústria dos videojogos, análises aos jogos do momento, retrogaming, os temas de fundo e até um quiz musical sobre videojogos. Com Pedro Moreira Dias, Élio Salsinha, Rui Gonçalves e Gonçalo Santos.

O Bruno Tomás, Bernardo Figueiredo, Gonçalo Ferreira, Francisco Duarte e Gil Caçoilo analisaram mais uma semana de wrestling, com destaque para AEW Double or Nothing, WWE Saturday Night's Main Event, SmackDown, Raw e AAA, bem como a previsão para o WWE Clash in Italy e AAA Noche de los Grandes deste fim-de-semana. Onde falamos apaixonadamente de Wrestling! Podem participar no Grupo do WhatsApp do Vamos Falar de Wrestling aqui: https://chat.whatsapp.com/BqunYaY9WCPBmAV8PdtVAE Podcast: https://linktr.ee/VFF1 Patreon: https://www.patreon.com/vff1 Twitter: https://twitter.com/VamosFalardeFum Instagram: https://www.instagram.com/vamosfalardefum Substack Vamos Escrever de FUm: https://vff1.substack.com/ Canal de WhatsApp: https://whatsapp.com/channel/0029VaDuq7KId7nTEUhbWq3R Grupo de WhatsApp: https://chat.whatsapp.com/JrIbkrCcvvr4WLbYyhdKoO Subscreve o canal e apoia o Vamos Falar de FUm: https://www.youtube.com/channel/UCWgzFlfQqhYlRxfATnL2cjg/join

O Pr. Márcio Gonçalves, da Comunidade Evangélica Projeto Vida de Nova Iguaçu, traz uma reflexão baseada em 1 Timóteo 6:1–21. Paulo orienta Timóteo a permanecer firme na fé, vivendo com integridade, contentamento e dedicação às coisas de Deus. A Palavra alerta sobre os perigos do amor ao dinheiro e incentiva a buscar justiça, piedade e perseverança. Essa passagem nos chama a guardar a fé e a viver de maneira que honre ao Senhor em todas as áreas da vida. Curta e compartilhe este podcast.

Em uma geração distraída, a Igreja precisa despertar novamente para sua missão.Nesta mensagem, a Pra. Priscila encerra a série “Disciplina” confrontando a acomodação espiritual e chamando a igreja de volta ao compromisso com o evangelismo verdadeiro.Você vai entender por que evangelismo não é um evento, um dom reservado a poucos ou uma opção para quando sobra tempo… mas uma ordem de Cristo para todo discípulo.“Quem ouvirá sobre Jesus através da sua vida?”

O que resta do bolsonarismo quando o próprio Bolsonaro está preso e inelegível? Neste episódio, produzido em parceria com o Observatório da Extrema-Direita, David Magalhães e Guilherme Casarões recebem Cláudio Gonçalves Couto (FGV-SP/OED), um dos principais especialistas em política brasileira, para discutir o bolsonarismo como governo-movimento, a candidatura de Flávio Bolsonaro à Presidência da República, o escândalo do Banco Master e o papel que os Estados Unidos de Trump desempenham na equação eleitoral de 2026. No boletim de notícias, David Magalhães analisa três episódios recentes que revelam as contradições internas da Rassemblement National: a fratura programática entre Marine Le Pen e Jordan Bardella sobre política econômica, a proposta de Le Pen de retirar a França do comando integrado da OTAN e a mais recente ofensiva do partido contra Kylian Mbappé — três janelas para compreender os limites da direita radical francesa às vésperas de 2027. Para encerrar, a dica cultural traz o livro Diálogos em Tempos Difíceis: Decifrando a Gramática da Nova Extrema-Direita, de Michel Gherman e Ronilso Pacheco (Editora Fósforo). Aperte o play! Quer apoiar o Chutando a Escada? Acesse chutandoaescada.com.br/apoio Mande um café usando nossa chave PIX:  perguntas@chutandoaescada.com.br Comentários, críticas, sugestões? Escreva pra gente em perguntas@chutandoaescada.com.br Participaram deste episódio: David Magalhães (UFU / OED), Guilherme Casarões (FIU / OED) e Cláudio Gonçalves Couto (FGV-SP / OED). Inserção musical no final: Interpretação de Sarah Hester Ross de “The Day the Nazi Died” (Chumbawamba, 1993). Capa do episódio: O globo Escute também no Spotify, no YouTube ou Apple Podcasts. Citados no episódio CAULCUTT, Clea. French far right misses big targets but says it is on track for presidency. Politico, 26 maio 2026. FIESCHI, Catherine. “The French Far-right’s Foreign Policy: Big Ambitions, Uncertain Directions”. In: The Populist Turn in Middle Power Diplomacy. Washington: Carnegie Endowment for International Peace, maio 2026. GHERMAN, Michel; PACHECO, Ronilso. Diálogos em Tempos Difíceis: Decifrando a Gramática da Nova Extrema-Direita. São Paulo: Fósforo, 2026. MUDDE, Cas. Distinção conceitual entre direita radical e extrema-direita. PIRRO, Andrea. Sobre o conceito de far right como categoria guarda-chuva. Universidade de Bolonha. Capítulos 00:00 Introdução 02:00 Bolsonarismo como governo-movimento 23:00 A candidatura de Flávio Bolsonaro e o escândalo do Banco Master 43:00 Trump e a influência americana nas eleições de 2026 54:00 O futuro do Congresso e a ultradireita no Legislativo 01:03:00 Boletim OED: a crise interna da Rassemblement National 01:17:00 Mbappé e o nativismo lepenista 01:24:00 Dica cultural e encerramento The post Bolsonarismo sem Bolsonaro nas eleições 2026 appeared first on Chutando a Escada.

Gonçalo Elias e José Frade vieram apresentar-nos o livro "Os 100 Melhores Locais para Observar Aves em Portugal.See omnystudio.com/listener for privacy information.

« Si on veut être parfait, il ne faut rien faire. »C'est le constat lucide de Franck Chaventré (Directeur Général Associé, G-ON Life) et Ronan Trottier (Directeur Associé, G-ON).Pourtant, face aux découvertes sur l'air intérieur, ne rien faire n'est plus une option. Car aujourd'hui, on traque le carbone, on soigne l'énergie… mais la qualité sanitaire des matériaux reste ignorée des réglementations. Les microplastiques et les émanations toxiques ne sont ni mesurés, ni certifiés. Du coup, les fabricants n'ont aucune obligation et nos intérieurs, aucune garantie.Ce problème est amplifié par un trou noir de la connaissance : les analyses complètes de l'air intérieur existent, mais seuls quelques laboratoires de pointe disposent des technologies capables de qualifier toutes les molécules en suspension. Leur coût interdit tout équipement massif.Alors que faire ? Attendre des normes qui viendront trop tard ?Des maîtres d'ouvrage et les foncières visionnaires veulent montrer patte blanche pour obtenir d'avanatge de financements pour prendre de l'avance sur la qualité sanitaire de leurs actifs. Et les banques ont depuis quelques temps commencées à intégrer la santé dans le coût des prêts.Désormais, un bien immobilier qui prouvera sa bonne qualité sanitaire verra sa valeur augmenter naturellement, tout simplement parce que nous passons 90 % de notre temps à l'intérieur et que la santé est devenue le produit le plus recherché.C'est la prochaine révolution du bâtiment.Dans cette conférence enregistrée durant la biennale Bâtir Vivant, Ronan et Franck partagent leur expérience terrain, leurs méthodes et une conviction : on ne peut plus fabriquer des patrimoines sans savoir ce qui l'habille et ce qu'on y respire.Très bonne écoute !Site G-on : https://www.g-on.frSite G-on Life : https://www.g-on.lifeHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

O Cyrille Aloisio, o Gonçalo Ferreira e o Rafael Roldão fizeram o ponto de situação das finais de conferência. Onde falamos apaixonadamente de NBA! Podem seguir o nosso grupo de Whatsapp dedicado à NBA em: https://chat.whatsapp.com/D57ZvbPu0jLIcMI73jClVV Podcast: https://linktr.ee/VFF1 Patreon: https://www.patreon.com/vff1 Twitter: https://twitter.com/VamosFalardeFum Instagram: https://www.instagram.com/vamosfalardefum Subscreve o canal e apoia o Vamos Falar de FUm: https://www.youtube.com/channel/UCWgzFlfQqhYlRxfATnL2cjg/join

Esta semana falamos da descoberta de um excerto da Ilíada de Homero, numa múmia egípcia do séc. IV, e de um conflito entre bandos nobres na vila de Olivença em finais do séc. XV.----Obrigado aos patronos do podcast:André Silva, Bruno Figueira, Cláudio Batista, Gustavo Fonseca, Isabel Yglesias de Oliveira, Joana Figueira, NBisme, Oliver Doerfler, Sara Esteves, Sofia Carvalho;Alexandre Carvalho, Andre Oliveira, Carlos Castro, Civiforum, Lda., Cláudia Conceição, Daniel Murta, Domingos Ferreira, Francisco C, Hugo Picciochi, Jorge Filipe, José Beleza, Luís André Agostinho, Miguel Cunha, Patrícia Gomes, Pedro Almada, Pedro Alves, Pedro Ferreira, Rui Roque, Tiago Pereira, Vera Costa;Adriana Vazão, Ana Gonçalves, André Abrantes, António Farelo, António J. R. Neto, Bruno Luis, Carlos Ribeiro, Carlos Ribeiro, Carolina Batista, Catarina Ferreira, Cláudia Brandão, Diogo Freitas, Fábio Videira Santos, Gn, Gonçalo Castro, GusRo, Hugo Palma, Hugo Vieira, Igor Silva, Joao Godinho, Joel José Ginga, Johnniedee, José Santos, João Barbosa, João Canto, João Carlos Braga Simões, João Diamantino, João Ferreira, João Félix, João Mendes, Liam Brockey, Luis Colaço, lvlheadwrecker, Mafalda Trindade, Manuel Bernardo, Miguel Brito, Miguel Gama, Miguel Gonçalves Tomé, Miguel Oliveira, Miguel Salgado, Nuno Carvalho, Nuno Esteves, Nuno Moreira, Nuno Silva, Orlando Silva, Parte Cóccix, Paulo Ruivo, Paulo Silva, Pedro Cardoso, Pedro Oliveira, Pedro Sebastião, Ricardo Pinho, Ricardo Santos, Rodrigo Candeias, Rui Curado Silva, Rui Magalhães, Rui Rodrigues, Simão, Simão Ribeiro, Sofia Silva, Thomas Ferreira, Tiago Matias, Tiago Sequeira, Tomás Matos Pires, Vitor Couto, Zé Teixeira.-----Ouve e gosta do podcast?Se quiser apoiar o Falando de História, contribuindo para a sua manutenção, pode fazê-lo via Patreon: https://patreon.com/falandodehistoria-----Música: "Hidden Agenda” de Kevin MacLeod (incompetech.com); Licensed under Creative Commons: By Attribution 4.0 License, http://creativecommons.org/licenses/by/4.0.Edição de Marco António.

Uma mensagem sobre fé, direção e movimento. Nesta palavra, somos confrontados com uma verdade simples e profunda: nem todo movimento vem de Deus, e decisões tomadas sem direção podem gerar consequências que carregamos por anos.Essa mensagem é um chamado para remover pedras como incredulidade, medo, dúvida e paralisia espiritual. Um convite para voltar à comunhão, buscar direção no Espírito e permitir que Deus se manifeste de maneira poderosa através de uma vida movida pela fé.Jesus continua em movimento. A pergunta é: você está disposto a se mover em direção a Ele?

Uma mensagem sobre adoração que vai além da música e confronta o coração. Nesta palavra, pastora Gabi mostra que adorar não é apenas cantar, mas reconhecer quem Deus é em cada detalhe da vida.Partindo da série “Disciplinas Espirituais”, essa ministração ensina, de forma prática, como cultivar uma vida de adoração genuína.Essa mensagem também é um alerta: tudo aquilo que recebe nossa devoção, dependência e entrega pode ocupar o lugar que pertence somente ao Senhor. Por isso, conhecer os atributos de Deus é essencial para permanecer firme, longe da idolatria e perto da verdade.“Prestem culto ao Senhor com alegria; entrem na sua presença com cânticos alegres.” (Salmos 100:2)

Não se apoquentem se o vosso sensor aranha disparou. É normal. Estamos perante Gonçalo Almeida, realizador de "Atom & Void", uma curta-metragem pouco recomendável a aracnofóbicos que tem ganho prémios por todo o lado.Vamos conhecer a carreira do jovem alentejano que, para além da panca por filmar animais, tem também no cartório “Faz-me Companhia”, um filme sobrenatural inquietante com duas lésbicas e uma piscina maligna.

Dois corpos negros completamente nus, vestidos apenas com meias e tênis brancos. Rodeada pela plateia que se senta ao chão, a dupla de performers brasileiros marca o ritmo da coreografia com o bater dos pés. Com a obra Repertório número 3, os artistas cariocas Davi Pontes e Wallace Ferreira foram indicados ao maior prêmio da dança mundial, o Rose International Dance Prize, do Sadler's Wells, a principal casa de dança internacional do Reino Unido. Yula Rocha, correspondente da RFI em Londres Uma performance política pós-colonial que explora questões centrais de gênero e raça no Brasil e no mundo, a obra indicada foi resultado de uma pesquisa de quase dez anos que teve lançamento na Bienal de São Paulo, em um momento político dominado pela retórica da extrema direita no Brasil. Wallace Ferreira explica que o Repertório número 3 é a segunda parte de uma trilogia que começa em 2018 e surge em um contexto histórico importante para o Brasil. E foi justamente essa performance que levou os dois artistas cariocas para o mundo. “Esse trabalho fala muito sobre o Brasil, mas também são questões que atravessam [fronteiras]. Pra gente não tem como falar sobre racialidade e violência, sem falar sobre o contexto político atual. Sinto que é um trabalho que responde a uma questão no Brasil, mas o mundo se reconhece” , diz Davi Pontes. Davi e Wallace se referem à violência, discriminação e ameaça à sua própria existência como pessoas negras periféricas. A coreografia tem marcação ritmada, com poses e gestos sedutores diante do olhar julgador do público. Em resposta, a dupla apresenta o que chama de "uma dança de autodefesa". “A cada situação de violência, a cada operação policial essa palavra [autodefesa] volta, ela precisa ser dita. A importância desse  trabalho é olhar para o contexto do mundo atual e perceber que as coisas não estão fáceis. E ainda assim conseguir trazer uma alternativa possível de continuar vivendo nesse mundo”, diz Davi. Para Wallace a autodefesa tem diversas maneiras de se acontecer: “ela está no embate, está no escape, no se camuflar, no constranger, na ironia, no deboche, no humor. Nos interessa pensar numa ideia de se autodefender que seja mais opaca, que não seja explícita.” E a autodefesa não é luta física. "É estar presente, ali, na sua frente. Dois dançarinos  negros, marginalizados que existem, resistem. É sobre a presença de corpos nus, rodeados pela platéia sentada em volta deles no chão. A obra dos brasileiros foi indicada ao prêmio aqui em Londres justamente por seu valor e qualidade como peça coreográfica e teatral, mas também por sua relevância e urgência. Por questionar a nossa percepção e o posicionamento que escolhemos ter", diz Wallace. Davi explica que ter a platéia tão próxima e no mesmo nível que os dançarinos é entender que todos os que estão presentes fazem parte do jogo e são responsáveis pelo o que está sendo apresentado. “Esse trabalho se coloca na situação de responder, de ouvir, de observar e estar atento.” A dupla nunca sequer cogitou estar vestida em cena “A pesença de um corpo negro nu no espaço de fato causa tanto incômodo que eu não preciso mover e criar embate, só a minha presença já torna insustentável de olhar. Dependendo do país, a gente entra na sala e as pessoas querem correr porque elas não conseguem lidar com aquilo", aponta. Wallace afirma que não se sente vulnerável: “Entendemos que o lugar da vulnerabilidade é também um lugar de potência”. Wallace foi criado em Vigário Geral e Davi em São Gonçalo, bem longe das famosas Ipanema ou Copacabana. Da periferia do Rio, fizeram carreira internacional desconstruindo padrões e expectativas da dança contemporânea. A  temática política continua a guiar o próximo trabalho deles - uma colaboração com outros coreógrafos estrangeiros. “É bom não esquecer onde tudo começou ainda numa sala vazia, pra quando chegar em uma sala lotada não pensar que tudo aconteceu do nada. A vitória vem se construindo todos os dias. Que eu ainda possa acordar e falar: -  hoje vou viver do meu trabalho, vou viver fazendo aquilo que eu acreditei, aquilo que eu sonhei”, conclui Wallace. O vencedor do prêmio será anunciado em fevereiro do ano que vem, quando os indicados brasileiros Davi e Wallace se apresentam nos palcos de Londres.

Dois corpos negros completamente nus, vestidos apenas com meias e tênis brancos. Rodeada pela plateia que se senta ao chão, a dupla de performers brasileiros marca o ritmo da coreografia com o bater dos pés. Com a obra Repertório número 3, os artistas cariocas Davi Pontes e Wallace Ferreira foram indicados ao maior prêmio da dança mundial, o Rose International Dance Prize, do Sadler's Wells, a principal casa de dança internacional do Reino Unido. Yula Rocha, correspondente da RFI em Londres Uma performance política pós-colonial que explora questões centrais de gênero e raça no Brasil e no mundo, a obra indicada foi resultado de uma pesquisa de quase dez anos que teve lançamento na Bienal de São Paulo, em um momento político dominado pela retórica da extrema direita no Brasil. Wallace Ferreira explica que o Repertório número 3 é a segunda parte de uma trilogia que começa em 2018 e surge em um contexto histórico importante para o Brasil. E foi justamente essa performance que levou os dois artistas cariocas para o mundo. “Esse trabalho fala muito sobre o Brasil, mas também são questões que atravessam [fronteiras]. Pra gente não tem como falar sobre racialidade e violência, sem falar sobre o contexto político atual. Sinto que é um trabalho que responde a uma questão no Brasil, mas o mundo se reconhece” , diz Davi Pontes. Davi e Wallace se referem à violência, discriminação e ameaça à sua própria existência como pessoas negras periféricas. A coreografia tem marcação ritmada, com poses e gestos sedutores diante do olhar julgador do público. Em resposta, a dupla apresenta o que chama de "uma dança de autodefesa". “A cada situação de violência, a cada operação policial essa palavra [autodefesa] volta, ela precisa ser dita. A importância desse  trabalho é olhar para o contexto do mundo atual e perceber que as coisas não estão fáceis. E ainda assim conseguir trazer uma alternativa possível de continuar vivendo nesse mundo”, diz Davi. Para Wallace a autodefesa tem diversas maneiras de se acontecer: “ela está no embate, está no escape, no se camuflar, no constranger, na ironia, no deboche, no humor. Nos interessa pensar numa ideia de se autodefender que seja mais opaca, que não seja explícita.” E a autodefesa não é luta física. "É estar presente, ali, na sua frente. Dois dançarinos  negros, marginalizados que existem, resistem. É sobre a presença de corpos nus, rodeados pela platéia sentada em volta deles no chão. A obra dos brasileiros foi indicada ao prêmio aqui em Londres justamente por seu valor e qualidade como peça coreográfica e teatral, mas também por sua relevância e urgência. Por questionar a nossa percepção e o posicionamento que escolhemos ter", diz Wallace. Davi explica que ter a platéia tão próxima e no mesmo nível que os dançarinos é entender que todos os que estão presentes fazem parte do jogo e são responsáveis pelo o que está sendo apresentado. “Esse trabalho se coloca na situação de responder, de ouvir, de observar e estar atento.” A dupla nunca sequer cogitou estar vestida em cena “A pesença de um corpo negro nu no espaço de fato causa tanto incômodo que eu não preciso mover e criar embate, só a minha presença já torna insustentável de olhar. Dependendo do país, a gente entra na sala e as pessoas querem correr porque elas não conseguem lidar com aquilo", aponta. Wallace afirma que não se sente vulnerável: “Entendemos que o lugar da vulnerabilidade é também um lugar de potência”. Wallace foi criado em Vigário Geral e Davi em São Gonçalo, bem longe das famosas Ipanema ou Copacabana. Da periferia do Rio, fizeram carreira internacional desconstruindo padrões e expectativas da dança contemporânea. A  temática política continua a guiar o próximo trabalho deles - uma colaboração com outros coreógrafos estrangeiros. “É bom não esquecer onde tudo começou ainda numa sala vazia, pra quando chegar em uma sala lotada não pensar que tudo aconteceu do nada. A vitória vem se construindo todos os dias. Que eu ainda possa acordar e falar: -  hoje vou viver do meu trabalho, vou viver fazendo aquilo que eu acreditei, aquilo que eu sonhei”, conclui Wallace. O vencedor do prêmio será anunciado em fevereiro do ano que vem, quando os indicados brasileiros Davi e Wallace se apresentam nos palcos de Londres.

Antigo defesa-central do Sporting lembra a final em 2001/2002 frente ao Leixões. André Cruz acredita que o foco verde e branco também deve estar na próxima época e deixa elogios a Gonçalo Inácio.See omnystudio.com/listener for privacy information.

Nesta mensagem da série “Mova-se”, somos confrontados com uma verdade simples e desconfortável: existem milagres que só acontecem no caminho. Deus não opera na estagnação. Ao longo da Bíblia, vemos homens e mulheres que precisaram sair do lugar para viver aquilo que o Senhor havia prometido. Abraão saiu da sua terra. Moisés marchou diante do mar. Pedro saiu do barco. O paralítico de Betesda precisou se levantar.A questão é: o que tem mantido você paralisado?Essa mensagem é um chamado para romper ciclos de paralisia espiritual, voltar ao lugar de oração, reacender a fé e se mover em direção àquilo que Deus já liberou sobre sua vida.

As novidades sobre a indústria dos videojogos, análises aos jogos do momento, retrogaming, os temas de fundo e até um quiz musical sobre videojogos. Com Pedro Moreira Dias, Élio Salsinha, Rui Gonçalves e Gonçalo Santos.

#dinheiro #daytrade #indicadores #MédiasMóveis #análisegráfica #TraderBr #BolsaDeValores #RocketTrader Rocket Trader. A nova era do trading: https://rockettrader.go.link?adj_t=1mkkc7xq&adj_fallback=https%3A%2F%2Fnitro.rockettrader.com.br%2Fauth%2Flogin&adj_redirect_macos=https%3A%2F%2Fnitro.rockettrader.com.br%2Fauth%2Flogin Assista ao vivo, nesta quinta-feira, dia 16 de abril, a partir das 17h. Hosts: André Moraes e Ariane Campolim.Convidado: Fabrício Gonçalvez

As novidades sobre a indústria dos videojogos, análises aos jogos do momento, retrogaming, os temas de fundo e até um quiz musical sobre videojogos. Com Pedro Moreira Dias, Élio Salsinha, Rui Gonçalves e Gonçalo Santos.

durée : 00:04:42 - 100% PSG - Le billet - Le Paris Saint-Germain peut être sacré ce soir à Lens. Match en retard de la 29e journée de Ligue 1 et officiellement le 5e titre consécutif pour le PSG s'il ne perd pas. Dans cette rencontre, les remplaçants habituels Kang-In Lee et Gonçalo Ramos peuvent jouer gros. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

As novidades sobre a indústria dos videojogos, análises aos jogos do momento, retrogaming, os temas de fundo e até um quiz musical sobre videojogos. Com Pedro Moreira Dias, Élio Salsinha, Rui Gonçalves e Gonçalo Santos.

Fernando Alvim conversa com Gonçalo Cadilhe sobre o livro "Mais Além Uma história sentimental da viagem e dos viajantes".See omnystudio.com/listener for privacy information.

This playlist is 73% vinyl friendly. Not bad. From 2016, the TechDas Air Force One Premium turntable might well have been aimed initially at the present user of said plane, if features like vacuum clamping, pneumatic bearings, the Disc suction system and an impressive Wow & Flutter ratio of 0.03% (WRMS) were his or her thing and depending on the spec required it retailed at between $140,000 and $152,000. You read that right. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 151 Nearly as good as captured cinematically. A busy day in the life of Joni. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Sunrise (Writing Session Recording) – Low-Life, Definitive Edition box set – Warner Music – 2023 Yep, slower than the version most will know – either from the album or when played live, or indeed the equally vocal-less ‘Rough Mix’ take the band generously gave me for the Discreet Campaigns v/artist cassette that kickstarted the short-lived Rorschach Testing label – but it’s another where you’re practically hearing the band getting to grips with a rhythm and/or the shell of a song. My money’s on Hooky being the one who suggested the tempo should be taken up a notch or two. 04.48 THE WAKE – The Calendar (demo) – Unreleased – 1983 Onwards to become The Torn Calendar but here it was one of three tracks demo’d (along with ‘Places’ {pre Send Them Away} and Rise and Shine) on a TEAC 4-track reel to reel the band borrowed from me. They certainly made far better use of it than I ever did. The written lyrics given to Bedford’s Katie Possum at some point, along with her review in the local paper of the band’s second gig at Winkles… and that’s Stephen, my dog, Flanagan and Mac at my house the day before said gig. 08.10 A CERTAIN RATIO – And Then She Smiles – Force, LP – Factory – 1986 It’ll be no surprise to those that know me that I’m a bigger fan of the ‘tougher’ earlier ACR but here Jez Kerr’s voice is so sublime over a more ‘reflective’ sound. 11.59 THE OUBLIETTE – That’s Enough – Stream only – 2026 This is a complete first! Here – by complete accident – sits the first ever AI generated track to feature on 41 Rooms! And who knows re the video? It’s not an area I intend actively searching out, so expect them very infrequently but The Oubliette’s Youtube channel has a bucket load of tracks if you fancy your ’80s indie and darkwave-sounding tunes on the ‘artificial’ side. 15.18 LOVELAND (feat RACHEL McFARLANE) – Let the Music (Lift You Up) (Full On Vocal Radio Edit) – 12″ – Big Beat – 1994 ‘The Full On Vocal Mix, with its pounding piano and hackneyed lyrics, is undeniably old-fashioned and is about as cheesy as a lorry-load of Wotsits. But it comes with a guarantee to create absolute mayhem on all but the most elite of dancefloors. For those DJs who are more concerned about their own credibility than their audience’s enjoyment levels, there is also a much cooler garage-style remix from Olympic’s Bottom Dollar crew plus some deep and funky dubs‘. – Andy Beevers, Record Mirror (Music Week), 5.3.94 There are times when storming vocals, ‘less than critical’ lyrics and hands in the air are all you need… and this Big Beat belter had me smiling back then. 18.30 MARCO BENEVENTO – Houdini – Glera, LP – Big Crown Records – 2026 A bit of a broken beat and summery, Latin thing going on here, like someone taking a late ’60s Sergio Mendes vocal snippet on a wild ride. 20.59 MIDNIGHTROBA – Day’s Gon’ Come – Raise A Symphony, 2LP – Sonder – 2026 Roba El-Assawy has been heard far too infrequently since her days fronting Attica Blues. 22.42 THE ISLEY BROTHERS (feat RONALD ISLEY and ANGELA WINBUSH) – Float On (Bad Boy Remix) (Instrumental edit) * – Floatin’ On Your Love, 12″ – 4th & Broadway – 1996 I cut out all the ‘bump and grind’ lurrrv thang lyrics, as it was the beats, bv’s and ad libs stuff on this mix that made me buy the 12″ in the first place. Oh, and Ronald Isley could always sound like he was just itching to break into Summer Breeze any second. No bad thing. 24.31 HONEY DIJON (feat. JACOB LUSK) – Satisfied – The Nightlife, download only – Someothershit -2026 On first listen I briefly thought that Anohni (previously of Antony and the Johnsons) was on board here sounding soul sexy but it’s ‘competitor in American Idol’ (Season 10, apparently), Jacob Lusk quivering and sailing high on Ms Dijon’s production. African beat vibes sparkling all the way. 28.32 THE YOUNG DISCIPLES – Apparently Nothin’ – 12″ – Talkin’ Loud – 1991 Early in the Gilles Peterson and Norman Jay’ label catalogue and one hell of a funky strut. The wonderful Straight No Chaser mag was always a must read, even if a lot of the sounds and artists passed me by. I could still find tunes I’d never happen on anywhere else, unless I’d stood all day in London Soho’s Mr Bongo’s shop (or the likes) back in the day. 32.55 RÓISÍN MURPHY – If We’re In Love – 12″ – Echo – 2005 Strut Part 2! Between her Moloko days and solo career the Arklow, Ireland girl is a regular of sorts at 41 Rooms. Not sure about that sleeve cover, though. 37.20 CAN – I Want More – 7″ – Virgin – 1976 ‘German experimental electronic artist makes the UK’s Top 30 singles chart’ shock, horror probe. 40.34 FINITRIBE – Catch The Whistle – Promo 12″ only – Finiflex – 1993 First heard by me as a Tommy Vance-spoken ‘One FM exclusive’ on the Beeb’s lead radio station, though my mixtape forever played it slower than intended. Still rather it a tad pitched down. Squelchy sounding snares were often the order of them days. 46.14 ZIN MIYAKEZAWA – A Sanctuary Of Twilight Filled With Tranquility * – Classical Music, Vol. 108- Instrumental BGM – Download only – Audiostock – 2025 BGM = Background music, but ‘Incidental’ sounds so much classier, don’t you think? I’m slightly doubting whether Zin Miyakezawa is a real human but either way A Sanctuary… brings to mind Richard Harvey’s Elegy (the theme from TV’s 1983 Shroud For A Nightingale) and to a certain degree, parts of Harry’s Theme – Terminus (Silent Witness, S10, E10), and as all three have now made it to 41 Rooms you’ll instantly remember them all, I’m sure. You’re welcome, though a proper musician would tell me where exactly I’m right or wrong on all that. 48.39 ROBIN TROWER – Bluebird – Robin Trower, 12″ EP – Chrysalis – 1977 With a lot more guitar here than is usually found on 41 Rooms, for me with any Robin Trower I heard back in the day it was always Jimmy Dewar’s vocals that I took to. 54.07 KELELA – Idea 1 – Download only – Warp – 2026 A wash of a sound from the decade-long Warp label artist. 57.23 CALLERS – Young People – Life Of Love, LP – Western Vinyl – 2010 Dark Folk, I reckon. When Sara Lucas’ vocal gets earthy and ‘gutteral’ and let’s loose. It’s a switch that used to get me with Liz Fraser, though her ‘switch’ sounded more polarised. 01.01.01 THIS MORTAL COIL – Strength Of Strings – Filigree & Shadow, 2LP – 4AD – 1986 The first of two times vocalist Dominic Appleton fronted TMC, and I have to admit that I got the title wrong on the show. So, without time to correct it you got no title and I’d have better gotten away with it (or sounded less vague?) if there hadn’t been twenty five TMC tracks on the release, all with different personnel involved. Sod’s Law. 01.05.11 DRY CLEANING – Sliced By A Fingernail – Download only – 4AD – 2026 And from the 4AD label in 1986… to their 2026 output and I’d be slight wary of anybody saying ‘Happy birthday’ in this tone to me. 01.09.10 GNAG OF FOUR – He’d Send In The Army – Solid Gold, LP – EMI – 1981 Always saying it like they saw it. 01.12.56 YOUNG MARBLE GIANTS – Cakewalking – Final Day, 7″ – Rough Trade – 1980 In a most understated manner they sort of made a statement when they appeared on BBC 2’s Something Else in late ’80. 01.15.42 OSCAR FARRELL – Tripping Up In A Rush – I’ve Already Called, 12″ EP – dh2 – 2025 I might have to keep an eye and ear on this chap. 01.18.40 CABARET VOLTAIRE – Sleepwalking (John Peel session track, 1984) – Radiation (BBC Recordings 84-86), LP – Get Back – 2001 Having earlier been Cakewalking, now we’re Sleepwalking. All part of the service. Though actually released three years earlier (but only on CD) the above Get Back-label vinyl release has been followed up in 2026 by a bootleg version. The people dictate… and I’ll be with them catching the very last CV gigs ever, near the end of the year. 01.24.03 GIFT – Pinkhouse Secret Rave (Redux) – Download only – Self-released – 2026 A track from their 2022 debut album, Momentary Presence given a 2026 rework/remix, sorry ‘Redux’ and according to Discogs there are at least 33 acts called Gift! In this day and age – what with both the clamber for attention and the availability of info out there – you’d think… 01.28.16 GANZHEIT – Bolt It Down (Why Work?) * – Summer Of ’84 (demo cassette only) – Self-released – 1984 Out of Bedford. Clattering and driving punk electronic stuff. From the same time-frame, this one reminding a bit of Portion Control, a band who’d played the town earlier in the year above. 01.34.21 SUPER EXTRA BONUS PARTY (feat SORCA McGRATH) – Some Dark Forces – LovesVinyl Issue 02, v/artist 12″ – LovesVinyl – 2019 Ex-Ships vocalist sails over a Running Up The Hill-like drum pattern. 01.38.30 TRACEY THORN – Easy – Out Of The Woods, LP – Virgin – 2007 On the quieter side, One of the ‘signature’ voices, 01.41.49 BETH HIRSCH – Miner’s Son (Aquatic Mix) – 10″ – Artefact – 1997 Bang Bang’s mix sets Beth back a bit in the mix but if lesser known than Ms Thorn above, it’s yet another signature voice. 01.46.43 JONI MITCHELL – Song For Sharon – Hejira, LP – Asylum – 1976 Epic storytelling in a single song. 01.54.46 WAR (feat JOSE FELICIANO) – East L.A. – Peace Sign, 2LP – Avenue – 1994 This show had to be totally put together on the fly, between daily meet ups with friends back in Bedford and London, but the weather was brill right through and the piecing together ended up in the Leytonstone sunshine… even though that’s nowhere near East L.A. There’s a longer, more up front vocals version of the song where Jose also takes on the verses and given my JF leanings I could have placed that one here, but I actually like him ‘countering’ to War vocalist, Lonnie Jordan. Everything about Jose’s vocal when he first drops in here is why I first loved the man back in the late 60’s/early ’70s. I once reminded Jose of the track’s two versions and also (importantly) why I liked this one more… and maybe understandably he seemed a bit disappointed. Show 152 will be here June 7. Dec x The post Post Punk Plus Podcast Playlist 151 – Original upload 3.5.26 appeared first on 41Rooms.

We cover the top 8 sports stories of the day in the OCHO. 1. What a night for Minnesota sports fans! 2. And down goes another favorite. 3. The M's return home to face the Royals 4. Dawgs After Dark is tonight on Montlake 5. Finally, the Draft is over 6. It's Kentucky Derby week! 7. The Sounders head to Kansas City 8. Jessica Campbell is moving on from the Kraken. :30- Sup!?! Listener questions guide this segment! :45- We had teams eliminated from the NBA and NHL playoffs last night and that means some of our fantasy players have Gon' Fishin'!

We cover the top 8 sports stories of the day in the OCHO. 1. What a night for Minnesota sports fans! 2. And down goes another favorite. 3. The M's return home to face the Royals 4. Dawgs After Dark is tonight on Montlake 5. Finally, the Draft is over 6. It's Kentucky Derby week! 7. The Sounders head to Kansas City 8. Jessica Campbell is moving on from the Kraken. :30- Sup!?! Listener questions guide this segment! :45- We had teams eliminated from the NBA and NHL playoffs last night and that means some of our fantasy players have Gon' Fishin'! See omnystudio.com/listener for privacy information.

As novidades sobre a indústria dos videojogos, análises aos jogos do momento, retrogaming, os temas de fundo e até um quiz musical sobre videojogos. Com Pedro Moreira Dias, Élio Salsinha, Rui Gonçalves e Gonçalo Santos.

Gonçalo Lopes, presidente da Câmara Municipal de Leiria, diz que há obras que não podem esperar até 2035 e que o financiamento é preciso no terreno já "amanhã".See omnystudio.com/listener for privacy information.

durée : 00:05:43 - Avec sciences - par : Alexandra Delbot - La montée des eaux a lieu partout sur la planète et Venise n'y échappera pas. Une nouvelle étude liste les solutions envisagées, de la construction d'une digue au déplacement entier de la ville. Chacune charrie son lot de conséquences, pour le tourisme, l'économie locale ou la biodiversité. - invités : Gonéri Le Cozannet Chercheur au Bureau de recherches géologiques et minières, co-auteur du sixième rapport du GIEC

Com mais de 30 anos de percurso, a atriz e encenadora Carla Maciel é reconhecida pela qualidade do seu trabalho no teatro, televisão e cinema. Afirma-se “uma resistente”. E aqui conta alguns episódios infelizes no passado que a fizeram bater com a porta, e como deu a volta por cima. A atriz está agora em cena na peça “Veneno - História de um Casamento”, no Teatro Aberto, em Lisboa, onde contracena com o marido, o ator Gonçalo Waddington. Os dois interpretam o reencontro difícil de um casal que perdeu o filho. “É a maior tragédia. Só de pensar, abre-se um buraco no coração.” Ouçam-na nesta primeira parte do podcast “A Beleza das Pequenas Coisas”, de Bernardo MendonçaSee omnystudio.com/listener for privacy information.

Esta semana fala-se sobre ciclos desportivos, no Benfica e noutros clubes, Holas e Norauto. Com o convidado Gonçalo Mealha.

Os EUA avançam para um bloqueio que pode agravar o conflito. Que lógica há nesta estratégia em Ormuz? E que riscos pode trazer? Análise com o comandante Gonçalves Alexandre.See omnystudio.com/listener for privacy information.

Estudo do Velho Testamento com o apoio do manual Vem, e Segue-Me (um recurso preparado pela Igreja de Jesus Cristo dos Santos dos Últimos Dias).Nossos episódios trazem reflexões e insights sobre alguns dos tópicos designados para a semana, buscando tornar seu estudo mais claro, edificante e conectado às escrituras. Junte-se a nós nesta jornada de aprendizado e inspiração enquanto exploramos o significado das revelações para os nossos dias.Seja você um membro novo, experiente ou alguém curioso sobre a Igreja de Jesus Cristo dos Santos dos Últimos Dias, este é um espaço para aprender, compartilhar e crescer espiritualmente.Acompanhe-nos nesta jornada de aprendizado e fortalecimento da fé, enquanto buscamos viver mais plenamente os ensinamentos de Cristo!