Podcasts about working class woman

mixtape by MARIE DAVIDSON | Campus Club, radio show La DJ-productrice canadienne sortira son sixième album studio, City Of Clowns, le mois prochain, en collaboration avec Soulwax et Pierre Guerineau. City Of Clowns marque un retour au club — mais pas comme on l'imagine. Les battements techno et le franc-parler de Working Class Woman refont surface par moments, mais on sent également les structures pop et les sensibilités mélodiques de Renegade Breakdown. C'est un mélange sonore « étrange », même selon les propres standards de l'artiste. « Cela renvoie très clairement à ce que je faisais avant la pandémie, mais avec une certaine évolution », dit-elle. « Je ne voulais pas juste refaire la même chose. » L'identité musicale et cérébrale de l'album sont aussi façonnées par le fait que l'artiste canadienne a un nouvel antagoniste. Cette fois, ce n'est pas la culture club qui menace son identité, mais la Big Tech. À l'été 2022, alors qu'elle était en pleine création de l'album, Marie Davidson a commencé à lire The Age of Surveillance Capitalism de Shoshana Zuboff. Ce récit audacieux décrit la technologie comme une nouvelle forme d'oppression économique, ayant infiltré chaque aspect de nos vies, dotée d'un pouvoir sans précédent et échappant à tout contrôle. Ce livre l'a profondément marquée, suscitant à la fois une grande inquiétude et une forte inspiration. « Ces derniers temps, et depuis que j'ai lu ce livre, je me rends compte que les gens sont devenus plus conscients de l'ampleur du phénomène, mais ils sont aussi beaucoup à avoir abandonné, » dit-elle. « Cela change notre manière de vivre. Cela change littéralement l'espèce humaine — notre façon d'interagir les uns avec les autres, et notre façon d'interagir avec nous-mêmes. » https://www.instagram.com/mariedavidson.official/ https://www.marie-davidson.com https://soundcloud.com/mariedavidson_official @mariedavidson_official ----------------------------------------------------- CAMPUS CLUB, l'émission Au plus près des cultures électro qui marquent la création musicale d'aujourd'hui et à l'international, le réseau Radio Campus France donne carte blanche aux artistes et labels défricheurs des nouveaux talents. En écoute régulière sur plus de 30 radios et en podcast, retrouvez chaque semaine CAMPUS CLUB, un mix exclusif d'un.e DJ ou producteur.ice. de la scène française ou étrangère. Toutes les mixtapes : www.radiocampus.fr/emission/campus-club-mixtapes ------------------------------------------------------ RADIO CAMPUS FRANCE Radio Campus France est le réseau des radios associatives, libres, étudiantes et locales fédérant 30 radios partout en France. NOUS SUIVRE | FOLLOW US www.radiocampus.fr

mixtape by MARIE DAVIDSON | Campus Club, radio show La DJ-productrice canadienne sortira son sixième album studio, City Of Clowns, le mois prochain, en collaboration avec Soulwax et Pierre Guerineau. City Of Clowns marque un retour au club — mais pas comme on l'imagine. Les battements techno et le franc-parler de Working Class Woman refont surface par moments, mais on sent également les structures pop et les sensibilités mélodiques de Renegade Breakdown. C'est un mélange sonore « étrange », même selon les propres standards de l'artiste. « Cela renvoie très clairement à ce que je faisais avant la pandémie, mais avec une certaine évolution », dit-elle. « Je ne voulais pas juste refaire la même chose. » L'identité musicale et cérébrale de l'album sont aussi façonnées par le fait que l'artiste canadienne a un nouvel antagoniste. Cette fois, ce n'est pas la culture club qui menace son identité, mais la Big Tech. À l'été 2022, alors qu'elle était en pleine création de l'album, Marie Davidson a commencé à lire The Age of Surveillance Capitalism de Shoshana Zuboff. Ce récit audacieux décrit la technologie comme une nouvelle forme d'oppression économique, ayant infiltré chaque aspect de nos vies, dotée d'un pouvoir sans précédent et échappant à tout contrôle. Ce livre l'a profondément marquée, suscitant à la fois une grande inquiétude et une forte inspiration. « Ces derniers temps, et depuis que j'ai lu ce livre, je me rends compte que les gens sont devenus plus conscients de l'ampleur du phénomène, mais ils sont aussi beaucoup à avoir abandonné, » dit-elle. « Cela change notre manière de vivre. Cela change littéralement l'espèce humaine — notre façon d'interagir les uns avec les autres, et notre façon d'interagir avec nous-mêmes. » https://www.instagram.com/mariedavidson.official/ https://www.marie-davidson.com https://soundcloud.com/mariedavidson_official @mariedavidson_official ----------------------------------------------------- CAMPUS CLUB, l'émission Au plus près des cultures électro qui marquent la création musicale d'aujourd'hui et à l'international, le réseau Radio Campus France donne carte blanche aux artistes et labels défricheurs des nouveaux talents. En écoute régulière sur plus de 30 radios et en podcast, retrouvez chaque semaine CAMPUS CLUB, un mix exclusif d'un.e DJ ou producteur.ice. de la scène française ou étrangère. Toutes les mixtapes : www.radiocampus.fr/emission/campus-club-mixtapes ------------------------------------------------------ RADIO CAMPUS FRANCE Radio Campus France est le réseau des radios associatives, libres, étudiantes et locales fédérant 30 radios partout en France. NOUS SUIVRE | FOLLOW US www.radiocampus.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A baby girl who was miraculously brought back to life after being struck by lightning; a tween girl who obsessively dug up the skeletal remains of a 200-million years old 'fish lizard'; and the woman who ran a fossil-shop that was visited by the King—we dive into the story of Mary Anning's extraordinary life as an unheralded female paleontologist in 19th Century England in this episode.    We also contemplate on how many accomplished women's histories we fail to pay attention to when we travel, because they have either been erased, or overshadowed by men. If you liked this episode, do consider rating the show on Spotify or Apple podcasts. You can reach out to me on Instagram: @‌postcards.pfn My second podcast, Smartphone Nation, won the Hindustan Times Podmasters award for Best Documentary (Non-Fiction) earlier this year. If you want to understand how Indian startups in the Impact space are changing the lives of India's Next Half Billion, please check it out: https://open.spotify.com/show/3rs9XhIkizxobxHhPfKVN9?si=3eb0b09dc044461a 

This is the Working-Class woman movement: Celebrating International Women's Day 8th March 2024 “We need to do a better job of putting ourselves higher on our own ‘to-do' list.” —Michelle Obama,The campaign theme for International Women's Day this year is Inspire Inclusion.When we inspire others to understand and value women's inclusion, we forge a better world.And when women themselves are inspired to be included, there's a sense of belonging, relevance, and empowerment.The statement is collectively let's forge a more inclusive world for women stands as a very imperative statement. I pose the question can we collectively forge a more inclusive world, when its women themselves that create an environment that isn't inclusive. “When the treatment of women is not equitable, we must take action.”Lets hear the thoughts of other women and where they stand with the question posed. We are the working class women movement using our voices in hopes they do not fall on death ears..Subscribe on show link for more content. Support the showSubscribe and Follow us on all social media platforms.

I'm ready to be a Kept wife I surrender ‼️‼️‼️‼️

The 8th of March was International women's day , I was afforded the chance to ask wonderful women in their different life paths about their careers and what inspired them. I hope not only will you all enjoy the episode but be inspired. This is the working class woman's movement where to get to hear the voices of others before we jump into the episode let me Thank the ladies for sharing parts of themselves and I hope many will take a lot from this episode and be inspired , it takes one woman at a time to change the world. The Future is female. Host: Nitaterrytee Guests: Thami, Sharon, Mamelo, Jo & Dorothy Subscribe on show link for more content. Support the show

Diversity and inclusion must mean 100% equality without prejudice “Diversity is having a seat at the table, Inclusion is having a voice, and Belonging is having that voice be heard”  So again, I ask what is Diversity and Inclusion to you? I urge you all to leave comments on the Unspoken Truth Podcast page on Instagram or email me and let's deep dive into this conversation, I want to hear your stories and all that you've faced trying to grow in a workplace environment. Follow me on Instagram and Subscribe on Spotify and Apple Podcast For the Divine & Amathongo Merchandise find our store on Shopify Nita's Holistic Living and LifestyleI am Nita Terry Tee your Host of unspoken truth Until the next episode remember, everything in life comes with Divine order, divine timing, and divine presence. Dear you, you gonna be just fine. I thank you Support the show (https://www.buymeacoffee.com/unspokentruth)

FULL EPISODE COMING 11.07.21This is the Working-Class woman movement: What is Diversity and Inclusion in the context of being a Black woman in the corporate world. Support the show (https://www.buymeacoffee.com/unspokentruth)

Statistics shows that it will take 90 years for us to close the gap of gender equality. Guest: Mamelo Koratsi Host: @nita_terryteeIG: @Unspokentruth Support the show (https://www.buymeacoffee.com/unspokentruth)

Not typically a big fan of club culture or dance music, Working Class Woman is Marie Davidson's statement on turning the mirror toward herself. A reflection of her time living in Berlin and a comment on the unique difficulties of operating within dance music and club spheres as a female. Working Class Woman is direct, expansive and a product of personal process. An example of looking inward to project a vision of the world. TRACKS PLAYED: ‘Work It' ‘The Psychologist' ‘Lara' ‘Day Dreaming' ‘The Tunnel' ‘Workaholic Paranoid Bitch' ‘So Right' ‘Burn Me' ‘La chambre intérieure'. See omnystudio.com/listener for privacy information.

Legendary electronic artist Suzanne Ciani welcomes Marie Davidson, Sui Zhen, and Lorenzo Senni. Suzanne is based in San Francisco and has been nominated for five Grammy Awards. She was the first woman to score a major Hollywood film, and was the first female voice to be used on a computer game. Marie Davidson is a French-Canadian musician, and one of the world’s most exciting electronic producers. Her most recent record, Working Class Woman, considers “the stresses and strains of operating within the spheres of dance music and club culture”. Lorenzo Senni is a Milan-based electronic music producer, composer and visual artist, and has composed for cinema and theatre. He has even created an installation designed to comfort people in the intensive care unit of a hospital. And Sui Zhen is an experimental pop and performance artist from Melbourne, Australia, whose work focuses on the intersections between human life and technology. Joining from different timezones across the planet, they’ll dicuss what it’s like to release an album, the importance of human interactions with machines, and how they first discovered their beloved synths.

Marie Davidson’s electronic music showcases elements of self confidence, detached humour, and open-hearted empathy. She developed the latter quality in the mid 2000s as a co-founder of the Montreal collectively run art space La Brique, which provided an early playground for artists such as Grimes, Dirty Beaches, and Tonstartssbandht. Davidson joined Xarah Dion in the experimental duo Les Momies de Palerme (Constellation Records) before founding Essaie Pas (DFA) with her husband Pierre Guerineau, and exploding as a solo artist. After touring worldwide to support her Ninja Tune debut Working Class Woman, she experienced a period of burnout, taking off the past 12 months as a sabbatical. In this conversation, Davidson hints at her upcoming return with a rock-based trio album set for release in fall 2020.

The chronicles of a Black working-class woman and theworld full of expectations.She is black,She is brave,She can take it,As black women, we carry all the weight of the world on our shoulders.Support the show (https://www.buymeacoffee.com/unspokentruth)

Marie Davidson is a self-confessed workaholic. Her fourth album ‘Working Class Woman’, released in October of last year, is perhaps her most self-reflective to date. A veteran of the global club music scene, her most recent album is some of her most introspective, cutting work to date, and she’s ready to poke fun at the industry she’s spent her career navigating. She sat down with Chal Ravens, journalist and host of Red Bull Radio’s ‘Top Flight’, before Marie’s performance at Field Day festival in London. Remember to rate the podcast wherever you get your audio on demand.

In episode 29 of Line Noise, Ben Cardew interviews Marie Davidson, the Montreal producer responsible for one of 2018's best albums, Working Class Woman, and someone who brings a rare touch of humour to the world of clubs and electronic music. This interview first aired on Radio Primavera Sound's Live from Nitsa programme. You can hear more of Live from Nitsa here: https://www.primaverasound.com/radio/shows/live-from-nitsa?lang=en

Hej och välkommen till volym 134 av den här podcasten och nu är vi på del 2 av 5 i min stora nedräkning av 50 bästa album som kom ut förra året, och den här gången får vi en härlig mix av härlig RnB, episk postrock och mycket mycket mer! För er som har missat första delen så är det bara att lyssna på den! Dagens tema är "Best albums of 2018 pt. II" och det här är det som spelas: 40.- No Harm- Smerz (från albumet Have Fun) 39.- So Right- Marie Davidson (från albumet Working Class Woman) 38.- Rosebud- U.S. Girls (från albumet In A Poem Unlimited) 37.- Källans Återuppståndelse- Anna von Hausswolff (från albumet Dead Magic) 36.- December Song- Soho Rezanejad (från albumet Six Archetypes) 35.- Summers End- Devon Welsh (från albumet Dream Songs) 34.- Helt Perfekt- Jonas Lundqvist (från albumet Affärer) 33.- Make It Forever- George Clanton (från albumet Slide) 32.- Devotion- Tirzah (från albumet Devotion) 31.- Get Out- CHVRCHES (från albumet Love Is Dead) ENJOY!

Efni Lestarinnar í dag: Ása Dýradóttir, listakona og bassaleikari Mammút, kynnti nýlega nýtt verkefni. Verkefnið nefnist LoTide en þar vinnur hún með allt að 400 ára gömul tóbakspípubrot úr Thames ánni. Lestin heimsækir Ásu Dýradóttur í þætti dagsins og kynnir sér umrædd tóbakspípubrot nánar. Alþjóðlegi dáleiðsludagurinn er á morgun, og af því tilefni verða dáleiðslutæknar með opið hús milli klukkan 17 og 19 á Stórhöfða 15 í Reykjavík þar sem gestir verða fræddir um dáleiðslu og það sem í henni felst. Hlustendur fræðast um dáleiðslu í þættinum í dag, gestur Lestarinnar verður Jón Víðis Jakobsson, dáleiðslutæknir. Og kanadíska teknóskáldkonan Marie Davidson framleiðir prósaljóð fyrir dansgólfið og takta fyrir tilvistarkreppur, um leið og hún afhjúpar myrkari kima plötusnúða- og klúbbamenningar samtímans með nístandi íróníu. Hennar fjórða skífa, Working Class Woman, kom út síðastliðið haust við standandi lófaklapp gagnrýnenda. Davíð Roach Gunnarsson segir frá Marie Davidson og tónlist hennar hljómar í hljóðkerfi Lestarinnar. Umsjón: Anna Gyða Sigurgísladóttir og Eiríkur Guðmundsson

Your hosts, Adam and John, are back to their regularly scheduled program with two album reviews! First up the aptly titled ABBA cover album from Cher, Dancing Queen. Then the latest from Montreal electronic artist, Marie Davidson, who tackles women in the workplace on the appropriately titled Working Class Woman. Plus they’ll discuss seeing Wu Tang Clan live, why you should never go to Camden in New Jersey, tons of great new music and more!

Það er tónlist út um allt. Í stórmörkuðum, verslunarmiðstöðvum, veitingastofum, hjá rakaranum, á flugvöllum og á hótelum. En hvernig er þessi tónlist valin? Hvað liggur til grundvallar og hvaða markmið eru höfð í huga? Við fjöllum um tónlist í almannarými í Lestinni í dag. Gestur okkar verður Kristinn Pálsson sem hefur unnið í nokkur ár fyrir fyrirtæki sem heitir AtmoSelect við nákvæmlega það að setja saman lagalista. Í októbermánuði ætlar Eydís Blöndal, ljóðskáld og heimspekinemi, að taka sér far með Lestinni og flytja nokkra pistla um kvennastörf. Í fyrsta pistli sínum veltir Eydís fyrir sér óútskýrðum launamun kynjanna. Og Kanadíska teknóskáldkonan Marie Davidson framleiðir prósaljóð fyrir dansgólfið og takta fyrir tilvistarkreppur, um leið og hún afhjúpar myrkari kima plötusnúða- og klúbbamenningar samtímans með nístandi íróníu. Hennar fjórða skífa, Working Class Woman, kom út dögunum við standandi lófaklapp gagnrýnenda. Davíð Roach Gunnarsson segir frá Marie Davidson og setur tónlist hennar í hljóðkerfi Lestarinnar í dag. Marta Sigríður Pétursdóttir kvikmyndagagnrýnandi fjallar um kvikmyndirnar A Star is Born eftir bandaríska leikstjórann Bradley Cooper og Lazzaro felice (eða Happy as Lazzaro) eftir ítalska leikstjórann Alice Rohrwacher.