Podcasts about Ninja Tune

Jagged Jungle - Episode 6 - Mixed by Jayli This week's Jagged Jungle drifts from sunrise emotion into deeper, late-night grooves -blending melodic house, underground classics and global textures into one seamless journey. We open in Anjunadeep territory with CRi & Nicky Elisabeth, before sliding into lush remixes from Klangkarussell, Ucha (Bias Beach Records) and a dreamy New Wave moment with Redfield's poolside take on Kenya Grace. The journey dips into timeless territory with Maya Jane Coles -What They Say, followed by deeper energy from Haddadi Von Engst (Kings Dead) and a signature Jayli Jungle Edit mashup bringing unexpected nostalgia to the dancefloor. Later, we move through Crosstown Rebels magic with Bonafique, into warm textures from Barry Can't Swim and Ben Böhmer (Ninja Tune), before closing on deeper Afro and melodic club heat from Frank Delour (Afro Tech Muzik) and Argy & Omiki. Expect melodic storytelling, underground classics, and Jagged Jungle energy from start to finish.

Welcome to Chapter 179! New music from Huxley, Sidney Charles, CamelPhat & Aroddes, Bicep, and labels including 8Bit, Get Physical and Ninja Tune plus a Track of the Week from Riva Starr & Deetron Ft. Elje! 1 Riva Starr, Deetron Ft. Elje - Save Me No More - Snatch Records  2 Ossie - True Freedom - Heist Recordings  3 Groovboy - Escapist - Under No Illusion  4 AtalaiA - Ambient Elephants - Harabe Lab 5 Gorge, Dê SAINT. - boysNgirls - 8Bit  6 Lito (AR) - Lost On The Dancefloor - Bondage Music  7 Sidney Charles - On My Mind - Up The Stuss  8 Huxley x AndThen - Head On - Adesso Music  9 CamelPhat & Arodes - Cycles - Interstellar Recordings  10 Birds of Mind - Mi Pena - Get Physical  11 Khadija - Dreaming - Rekd  12 Bicep, Andachan - Aappoq - Ninja Tune  https://pod.co/chapters SoundCloud: https://tinyurl.com/yppk6rhs Spotify: https://open.spotify.com/artist/5zvjrmPacEVUc681gVjQeY  Instagram: @atalaiamusica  Beatport: https://www.beatport.com/artist/atalaia/716443 YouTube: https://www.youtube.com/@atalaiamusic Substack: https://substack.com/@atalaia TikTok: @atalaiamusic Facebook: https://www.facebook.com/atalaiamusica Apple: https://apple.co/2KsgGgS Amazon: https://tinyurl.com/duf3c4n3  Mixcloud: https://www.mixcloud.com/AtalaiA/ TuneIn: http://tun.in/pjsMJ LinkedIn: https://www.linkedin.com/in/danny-o-sullivan-68024a86/ X: @AtalaiAmusicA www.atalaiamusic.com #housemusic #deephouse #organichouse #afrohouse #dancemusic #djs #dj #Chapters #AtalaiA #Audylic #house #progressivehouse #melodichouse #vinyl #vinylcut #technics

Jagged Jungle - Mixed by Jayli A sunrise-to-midnight journey through melodic, deep and emotionally charged house. This week's Jagged Jungle weaves hypnotic atmospheres with dancefloor energy, moving from Ben Böhmer's cinematic soundscapes on Ninja Tune into club-rooted grooves from Hot Since 82 & Kuuda (Bedrock), Roland Clark (Get Physical) and CamelPhat (Insomniac/Interstellar). Expect sultry, late-night moments from Bonafique (Crosstown Rebels), a timeless throwback with Henry Krinkle's Stay (Justin Martin Remix) via Ultra Records, and peak-time heat from Vintage Culture (AFFAIRS) and Frank Delour (Afro Tech Muzik). Featuring Jayli's Jungle Edit — ‘Come With Me', blending nostalgia with fresh, tropical-leaning energy. If you love melodic house with soul, groove, this one's for you.

I sat down with Nathan Fake, one of the UK's most distinctive electronic music producers, to chart his journey from rural Norfolk to the forefront of techno, IDM and experimental electronic music — and to unpack Evaporator, his seventh studio album. The record marks a clear pivot away from drum-heavy habits toward mood, melody and atmosphere, growing out of an intentional “ambient-only” brief.We dig into the nuts and bolts of music production: why Nathan still sketches ideas in old versions of Cubase, how cassette saturation, cheap gear and sonic imperfections add human friction, and where modern plugins genuinely earn their place. He talks about contrast as a compositional tool — lush pads against tough drums — and traces a lineage from Border Community's trance-tinged techno through to echoes of Warp-era electronic atmospherics.There's also a candid look at playing legacy tracks live, reshaping classics like “The Sky Was Pink” and “Outhouse” through improvisation, memory and feel, rather than carbon-copy recreations.Beyond sound design, the conversation opens out into bigger questions about electronic music today. Do long-form tracks still survive in a scroll- and swipe-first ecosystem? Nathan answers by doubling down, placing a nine-minute centrepiece at the heart of the new album. We reflect on working with small independent labels versus larger music organisations, and he shares pragmatic advice for staying singular: ignore trends, set your own constraints, and let the idea dictate the tool. We also probe the monoculture of online tutorials and ubiquitous DAWs.If you enjoy Lost and Sound and want to help keep it thriving, the best way to support the podcast is simple: subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps new listeners discover the show — on Apple Podcasts, Spotify, or wherever you listen.Nathan Fake on Instagram:https://www.instagram.com/nathanpaulfake/?hl=enNathan Fake on Bandcamp:https://nathanfake.bandcamp.com/Huge thanks to Audio-Technica – makers of beautifully engineered audio gear and sponsors of Lost and Sound. Check them out here: Audio-TechnicaMy book Coming To Berlin is a journey through the city's creative underground, and is available via Velocity PressFollow Lost and Sound on SubstackYou can also follow me on Instagram at @paulhanford for behind-the-scenes bits, guest updates, and whatever else is bubbling up.

Three years ago I interviewed my friend and occasional ACL contributor Gabe Bogart for Episode 29, our anniversary episode. We had such a good time we talked about doing a podcast called SLEPT ON IT, and so I sat on this episode for years, waiting for us to get off our asses and make it happen. No one ever asked why episode 30 was missing, so it feels right for an episode with this title to turn up years later. We discuss adventurous listening, the dangers of nostalgia, the hip hop renaissance of the 2020s, and much more. Happy Listening!Support: Patreon, PayPal, BandcampEpisode 30: SLEPT ON IT - with Gabe Bogart (or, BEATS RHYMES AFTERLIFE)Interview recorded between Montreal and Seattle, January 2023Produced and mixed in Montreal, June 2023 (and February 2026)LINKSEpisode 29 - CRITICAL POSITIVITYHip Hop Instrumentals Mix (Part I, Part II)Gabelicious Thee Most Delicious Mix Fart Un MixMurcof ~ The Alias SessionsTRACKLISTARTIST – “TITLE” (YEAR)Cannibal Ox (prod. by El-P), “Ox Out the Cage” (2002)SP INTROFranco Battiato, “Hey Joe” (2001)Os Mutantes, “Hey Joe” [1973] (1992)Robert Plant & Band of Joy, “Hey Joe (Live)” (2003)Lee Moses, Hey Joe (1971)Sparklehorse, “Hey, Joe” (1998)Jimi Hendrix, “Hey Joe” (1967)Armand Hammer (prod. Andrew Broder), “Frida (Instrumental)” (2023)Knxwledge (ft. Quelle Chris), “Ladibird” (2013)Jean Grae & Quelle Chris, “My Contribution To This Scam” (Everything's Fine, Mello, 2018)Quelle Chris, “Peace & Pain” (Lullabies For The Broken Brain, Mello, 2016)Dday One, “Mouth 2 Mouth” (Journal, Content (L)abel, 2009)Open Mike Eagle (prod. Quelle Chris), “Burner Account (feat. Armand Hammer)” (Component System With The Auto Reverse, Auto Reverse, 2022)Indelible MC's (prod. by El-P), “The Fire In Which You Burn (Instrumental)” (Fire In Which You Burn / Collude Intrude, Rawkus, 1997)billy woods (prod by Preservation), “Versailles (ft. Despot)” (Aethiopes, Backwoodz, 2022)Armand Hammer (prod by Messiah Musik), “Pakistani Brain”  (Rome, Backwoodz, 2017)Armand Hammer (prod. By August Fanon), “Microdose (feat. Quelle Chris)” (Rome, Backwoodz, 2017)Armand Hammer (prod. By The Alchemist), “Chicharonnes (feat. Quelle Chris)”  (Haram, Backwoodz, 2021)Quelle Chris, “DEATHFAME” (DEATHFAME, Mello, 2022)Metal Fingers, “untitled (meditation)” (Special Herbs Volume 9 & 0, Shaman Work, 2005)Dak, “Hunch” (Standthis, Leaving, 2009)Goodie Mob, “Free” (Soul Food, LaFace, 1995) Aesop Rock, “Button Masher (Instrumental)” (Spirit World Field Guide (Instrumentals), RhymeSayers, 2022)Outkast, “Rosa Parks (Instrumental)” (Aquemini (Instrumental), LaFace, 1998)DAK, “Rosaparks Is 12th St” (Youstandit / Leftrecord, Leaving, 2012)Outkast, “Chonkyfire” (Aquemini (Instrumental), LaFace, 1998)Good Mob, “I Didn't Ask To Come” (Soul Food, LaFace, 1995) Dak, “lookup”  (Standthis, Leaving, 2009)Public Enemy, “Rebel Without A Pause (Instrumental)” (Rebel Without A Pause, DefJam, 1987)Public Enemy, “Bring The Noise (No Noise Instrumental)” (Bring The Noise (No Noise Version), DefJam, 1987)RJD2, “Big Game” (In Rare Form (Unreleased Instrumentals), Bustown, 2004)Gravediggaz, “6 Feet Deep” (6 Feet Deep, Gee Street, 1994)Wu-Tang Clan (prod. by RZA), “Bring the Ruckus (instrumental)” [1993] (Enter The Wu-Tang (36 Chambers) Instrumentals, Loud, 2008)Raekwon Featuring Tony Starks  (prod. by RZA), “Criminology (instrumental)” (Criminology / Glaciers Of Ice, Loud, 1995)Viktor Vaughn (prod. By RJD2), “Saliva (Loop)”  (In Rare Form (Unreleased Instrumentals), Bustown, 2004)Deru, “I Don't Know You” (Trying To Remember, Merck, 2004)Deaf Center, “Time Spent” (Owl Splinters, Type, 2011)Svarte Greiner, “Devolve” (Devolving Trust, Miashmah, 2022)Murcof, “between thoughts” (The Alias Sessions, Leaf, 2021)Metal Fingers, “Camphor” (Special Herbs Vol. 7 & 8, Shaman Work, 2004)Blockhead, “Insomniac Olympics” (Music By Cavelight, Ninja Tune, 2004)

Ep. 176: In 2026, labels, artists, musicians and creators are all working differently: generating millions of micro-royalties every month across global campaigns that involve multiple of partners across dozens of countries. Getting your music out there is easier than ever, but processing that increased volume of payouts becomes more complex – and we all have an expectation to get paid fast, and see what's going on and what we're owed at any given time. So to find out what's happening at the point where all those payment pipes meet, in this latest episode of Music Ally Focus, we partnered with a fintech company that processes tens of billions of payments each year – Tipalti, which works closely with labels like Ninja Tune to pay their artists what they're owed. We chatted to Tipalti's Travis Hughson about what labels need in 2026, what artists want when it comes to payments, and how to maintain trust and transparency to keep all parties happy.Some more Tipalti resources for the music business:Automated Royalty Payouts to Nurture ArtistsNinja Tune Enhances Artist Satisfaction and Cuts Payouts Processing Time by 50% With Tipalti Mass PaymentsFast, Secure Global Payments AnywhereRoyalty Rate Explained: How to Determine Your Royalties========This is a Music Ally Co-Labs podcast: ⁠⁠⁠⁠musically.com/music-ally-co-labs. Co-Labs content is created by publishing partners in liaison with the Music Ally Editorial Team. We work closely with partners to ensure that it adheres to Music Ally's high expectations of quality, thoughtfulness, and usefulness.

DAPHNI, VOICES FROM THE LAKE, APPARAT + ROBYN top highlights for this edition of ABSTRACT SCIENCE with JOSHUA P. FERGUSON + HENRY SELF. JOSHUA’s first-hour set moves from the hypnotic jazz-ish realm to dubwise electronic sounds, with some deep techno + house mixed in. HENRY slowly builds up the energy with a more driving set touching on techno, deep house, balearic breaks + electro dub. [aired 23 January 2026 on WLUW-Chicago 88.7FM] >JOSHUA P. FERGUSON Oren Ambarchi, Johan Berthling & Andreas Werliin “Yek” (Ghosted III, Drag City, 2025) TOMAGA “Bluest” (Extended Play 1, Negative Days, 2019) Floating Points “Corner of My Eye” (Pluto, 2025) Apparat “Hum of Maybe” (Hum of Maybe, Mute, 2026) Voices from the Lake “Blue Noa” (II, Spazio Disponible, 2025) Yello “Frautonium” (Half Life – Andrew Weatherall remix) (Blank Media, 2017) Andachan & Bicep “Aapoq” (TAKKUUK soundtrack, Ninja Tune, 2025) Axel Boman “Hold On (Trensum Tribe dub) (Luz / Quest For Fire In Dub!, Studio Barnhus, 2025) Low End Activist “They Only Come Out at Night (Andy Martin Remix) (Municipal Dreams Remixes, Sneaker Social Club, 2025) drames rurals “l’empelt” (Shackleton mix) (Hivern Discs, 2025) Leif “How to Eat an Orange part 2” (Collide, AD93, 2025) >HENRY SELF Helado Negro “Protector” (The Last Sound On Earth, Big Dada, 2025) Max Styler “You & Me” (Vintage Culture Extended Remix) (Nu Moda, 2025) Robyn “Dopamine” (KASI Extended Remix) (soundcloud.com/clubofkasi, 2025) MK & Clementine Douglas “Come Find Me” (Columbia, 2025) Daphni “Waiting So Long” (Butterfly, Jiaolong, 2026) Oneohtrix Point Never “Cherry Blue” (Tranquilizer, Warp, 2025) Daniel Lopatin “The Necklace” (Marty Supreme Original Soundtrack, A24, 2025) Tangerine Dream “Love on a Real Train” (Trance Wax Remix) (Trance Wax Five, Trance Wax, 2019) Harks and Mudd “Susta” (Ron Trent Dub) (Leng, 2021) Ex Generation “Aao Naa” (The Mumbai Exchange, Energy Exchange, 2025) Tom Vek “Cover” (Gus Alt-J Remix) (We Have Sound Remixed, Stratasonic, 2025) Killing Joke “Love Like Blood” (Your Heart Is a Weapon Dub) (In Dub, Killing Joke, 2014) Effy “Raging” (Effy, 2021) The post absci radio 1405 – joshua p ferguson + henry self appeared first on abstract science >> future music chicago.

On today's episode, I talk to musician Julianna Barwick. Originally from Louisiana, Julianna ended up in New York in the early aughts and self-released her debut EP, Sanguine, in 2006. Her first album The Magic Place came out on Asthmatic Kitty in 2011, and since then, she has released a dozen more albums, EPs and collaborations on labels like Dead Oceans and Ninja Tune. Her latest, Tragic Magic, a collaboration with harpist Mary Lattimore, just came out in the middle of January on InFiné, and it is just wonderful! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

WiscoJazz-Cast Episode 243 mixed by dj lukewarm Episode Two Hundred and Forty Three features Downtempo... 01 - Sven Wunder - Daybreak [Piano Piano] 02 - Mecca:83 - All These Thoughts [Rockwell Product Shop] 03 - Bonobo - Angeles [Ninja Tune] 04 - Robert Glasper - Waiting on Arrival (Flipped by Taylor McFerrin) [Loma Vista] 05 - Erika de Casier - December [Independent Jeep Music] 06 - Yukimi - Sad Makeup [Ninja Tune] 07 - Now Always Fades - Branching Moments [Northern Underground Records] 08 - Vanilla - Rainbow [Vinyl Digital] 09 - Philanthrope - Impossible [Chillhop Records] 10 - Horizontals & Leo Zero - On Hope Ridge [Leo Zero Studio productions] 11 - Pig&Dan - Keep My Thoughts Behind [Café del Mar Music] 12 - Emancipator & Lapa - Elevatin [Loci Records] 13 - Eric Hilton - Midnight Raga [Monserrat House] 14 - Nightmares On Wax feat. Greentea Peng - I Remember [Warp] 15 - Everything Is Recorded & Sampha & Laura Groves & Jah Wobble & Yazz Ahmed - Losing You [XL Recordings] 16 - De La Soul - Cabin In The Sky [Mass Appeal] 17 - Wagon Christ - Wake Up [De:tuned] 18 - Nas & DJ Premier - It's Time [Mass Appeal] 19 - Coflo - Fly Like The Payback [G.A.M.M.] 20 - The Mighty Rootsmen - Fly Like An Eagle [Bulletproof] 21 - Kokoroko - Da Du Dah [Brownswood Recordings] 22 - Maribou State feat. Holly Walker - Peace Talk [Ninja Tune] 23 - Simon & Garfunkel - S.O.S. / Sound Of Silence (Jona's Amen Break edit) Hope you enjoy. -dj lukewarm https://linktr.ee/djlukewarm http://djlukewarm.com http://hearthis.at/djlukewarm http://www.mixcloud.com/djlukewarm http://djlukewarm.podomatic.com https://soundcloud.com/wiscojazz http://www.youtube.com/WiscoJazzCast RSS: http://djlukewarm.podomatic.com/rss2.xml Photo by Luca Chiandoni on Pexels

Just as everyone else is winding down for the seasonal break, Lost and Sound returns after my project sabbatical with one of UK club culture's most vital voices: I. JORDAN.We trace a line from Doncaster fairgrounds and bassline bus journeys to festival stages — and to the 2024 debut album I Am Jordan, which places community, class, and queer belonging at the centre of contemporary dance music.It's a fast-moving conversation about sound, craft, and care. We talk about why tempo is a feeling rather than a rule, how working at 132–136 BPM can sharpen intent, and what happens when a seven-minute club tool becomes a three-minute vocal track that completely shifts how your body responds.We get into the granular details too: the feedback loop between club and studio, testing dubs on big systems, and the patient editing that turns a drop into a collective release on the dancefloor.Class and culture cut through everything. We discuss reclaiming the much-maligned donk on Ninja Tune as a deliberate act — honouring northern working-class roots while shaping a scene that gives trans artists agency, visibility, and joy. We also talk about why some crowds are easier to guide than others, what truly separates underground from mainstream energy, and how health, sobriety, and touring habits are central to building a sustainable life in music.I.JORDAN on Instagram https://www.instagram.com/i.jordan/?hl=enI. JORDAN on Bandcamp:https://i-jordan.bandcamp.com/If you enjoy Lost and Sound and want to help keep it thriving, the best way to support is simple: subscribe, leave a rating, and write a quick review on your favourite podcast platform. It really helps others find the show. You can do that here on Apple Podcasts or wherever you like to listen.Huge thanks to Audio-Technica – makers of beautifully engineered audio gear and sponsors of Lost and Sound. Check them out here: Audio-TechnicaBig news time: If you're wondering where LoI made a radio documentary with my partner Rosalie Delaney for BBC Radio 3. It's called Wolf Biermann: The German Bob Bylan exiled by the GDR and it's on the radio on December 28th at 19:15 UK time: https://www.bbc.co.uk/programmes/m002npsfMy book Coming To Berlin is a journey through the city's creative underground, and is available via Velocity Press.You can also follow me on Instagram at @paulhanford for behind-the-scenes bits, guest updates, and whatever else is bubbling up.

Alexandre Cazac a fait de son label InFiné un gage de qualité et dʹinventivité, comme Warp ou Ninja Tune avant lui. Avec un catalogue où Rone et Leonie Pernet côtoient Francesco Tristano, Nathan Fake et François And The Atlas Mountains, il connaît toutes les problématiques du monde digital, de sa distribution musicale chaotique à sa passion pour lʹintelligence artificielle. Un I.A. qui serait à priori moins une alliée quʹun adversaire à lʹheure de lʹhégémonie américaine dans la distribution culturelle.

Singer-songwriter Jono McCleery shares his journey from falling asleep to his jazz pianist stepfather's music to becoming an acclaimed artist bridging folk, jazz, and electronic dance music. Raised with music after regaining his hearing around age five, Jono taught himself guitar at seventeen and began writing deeply personal songs influenced by John Martyn and Nick Drake. He discusses his collaborative approach with producers like Five One and his philosophy of working within limitations—preferring standard guitar tuning to explore endless creative possibilities. Jono reveals his process of recording improvisations first, letting melodies dictate lyrics, and protecting creative space from social media noise. With no plan B beyond music, he maintains an "endless fire" of creativity while navigating label expectations, album production challenges, and the evolution from acoustic folk to electronic collaborations that expand his audience across genres.Key TakeawaysFinding freedom within limitations creates deeper creativity than constantly changing instruments or approachesRecording improvisations unconsciously allows themes and melodies to emerge naturally before structuring lyricsCollaboration works best with people who already understand your music and bring unexpected creative surprisesProtecting creative space from social media noise and external pressures is essential for authentic artistic expressionHaving no plan B strengthens commitment and resilience when pursuing creative careers through difficult periodsWorking across genres through collaboration bridges different musical worlds while maintaining artistic integrity and personal voiceValidation comes from individual connections with listeners rather than streaming numbers or social media metricsDiscipline develops through working with analog limitations before digital technology makes everything instantly accessible and overwhelmingLive music needs more alternative spaces including family-friendly environments to strengthen human connection beyond screensFinishing albums requires setting firm deadlines and accepting that creative work evolves through compromise without losing core integrity Daring Creativity. Daring Forever. Podcast with Radim Malinic Show questions or suggestions to desk@daringcreativity.com Latest books by Radim MalinicMindful Creative: How to understand and deal with the highs and lows of creative life, career and business Paperback and Kindle > https://amzn.to/4biTwFcFree audiobook (with Audible trial) > https://geni.us/free-audiobookSigned books https://novemberuniverse.co.ukLux Coffee Co. https://luxcoffee.co.uk/ (Use: PODCAST for 15% off)November Universe https://novemberuniverse.co.uk (Use: PODCAST for 10% off)

Le trip-hop naît à la fin des années 1980 à Bristol, ville métissée où se croisent influences jamaïcaines, funk et hip-hop. De cette effervescence urbaine émerge le “Bristol Sound” : une musique lente, planante et expérimentale, fusionnant hip-hop et électronique. Le terme "trip-hop" n'apparaît qu'en 1994 sous la plume du journaliste Andy Pemberton dans Mixmag, mais les racines du genre sont bien à Bristol, au sein du collectif The Wild Bunch, où évoluent Tricky, 3D, Daddy G ou Nellee Hooper, futurs Massive Attack. Inspirés par les sound systems jamaïcains, ils mêlent hip-hop, soul, funk, jazz et reggae pour créer un son urbain, atmosphérique et inédit. Le trip-hop se reconnaît à son ambiance sombre, mélancolique et cinématographique. On y trouve des breakbeats ralentis, des basses profondes, des samples (extraits de films, instruments acoustiques, textures électroniques) et des voix souvent féminines — Beth Gibbons, Shara Nelson, Martina Topley-Bird — qui apportent émotion et sensualité. C'est un hip-hop atmosphérique, centré sur les textures et les émotions plus que sur la danse. Le genre doit beaucoup à Massive Attack, Portishead et Tricky. Massive Attack pose les bases avec Blue Lines (1991). Portishead apporte une dimension cinématographique avec Dummy (1994). Tricky dévoile un univers plus sombre et minimaliste avec Maxinquaye (1995). Ces albums propulsent le trip-hop sur la scène internationale et influencent une génération d'artistes, de DJ Shadow à Morcheeba. À la fin des années 1990, le trip-hop devient un phénomène mondial. Il influence la pop, le rock alternatif et l'électronique. Björk en intègre les codes, tandis que des labels comme Ninja Tune ou Mo' Wax soutiennent une scène downtempo inventive. Le genre se diversifie : certains glissent vers la pop ou la soul (Morcheeba, Zero 7), d'autres vers des atmosphères cinématiques (Rob Dougan, Archive). Il donne également naissance à des sous-courants comme l'illbient ou le post-trip-hop. Même si son âge d'or se situe entre 1991 et 2000, le trip-hop continue d'imprégner la musique contemporaine, de Lana Del Rey à FKA Twigs, The xx ou Tame Impala. On le retrouve dans de nombreuses bandes originales, de The Matrix à Luther. Aujourd'hui, il est considéré comme un héritage majeur de la culture électronique britannique : un pont entre hip-hop, pop expérimentale et musique électronique, et une esthétique intime, mélancolique et profondément humaine. Dj Shadow/Building Steam With A Grain Of Salt Massive Attack/Karmacoma Tricky/Ponderosa Aphex Twin/Flim Dr. Octagon//A Visit To The Gynecologyst Archive/Londinium Crustation/Hey Lamb/Gabriel Portishead/Plastic Esthero/Breath From Another

TRACKLIST : Peggy Gou - Han jan Mr. Scruff - Kalimba (Petko Turner remix) Actress x London Contemporary Orchestra - Audio track 5 Romare - Sunshine Sofia Kourtesis - By your side LP Giobbi, Dj Tennis & Jospeh Ashworth - All in a dream Anchois & Luca - The future Bicep - Metro Nathan Fake - Cloudswept O'Flynn - Pluto's beating heart Bonobo - Flashlight Bronson & Totally Enormous Extinct Dinosaurs - Dwan (Tunnelvisions remix) Barry Can't Swim - Define dancing Jordan Rakei - The flood PVA - Exhaust surroundings Nabihah Iqbal - Closer lover The Cinematic Orchestra - The workers of art The Herbaliser - Herbal blend

Music Labeling Episodio #1 - Ninja Tune La label Ninja Tune nasce nel 1990 a Londra grazie ai Coldcut. I due artisti sentivano il bisogno di costruirsi uno spazio dove poter liberare la loro creatività, limitata spesso dalle restrizioni imposte dalle major. Da quel momento prese piede un movimento musicale inarrestabile, tutt`ora in voga, che ha consentito a numerosi artisti di esprimere le proprie sonorità sperimentali. Tracklist consultabile sulla pagine instagram @music_labeling Per diffondere questa puntata: https://www.radiotandem.it/music-labeling-del-29-Ottobre-2025 Tutti i podcast di Music Labeling: https://www.radiotandem.it/music-labeling

This week's fun and insighful episode of Synthetic Dreams features Dutch electronic duo Weval. Fresh off the release of their fourth studio album, CHOROPHOBIA, on Ninja Tune, Harm and Merijn join us to talk about crafting their most club-focused, danceable record yet — full of driving beats, hypnotic acid lines, and that unmistakable Weval warmth.Despite its title meaning “fear of dancing,” CHOROPHOBIA is an album that practically dares you not to move. In this candid and inspiring conversation, we explore how the project came to life, the irony behind its name, and how Weval's sound has evolved since their early days.Synthetic Dreams is presented and produced by Scott ZverblisFollow Synthetic Dreams on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠Follow Synthetic Dreams on ⁠⁠⁠⁠Threads⁠⁠⁠⁠Follow Synthetic Dreams on ⁠⁠⁠⁠Twitter / X⁠⁠⁠⁠Also, check out my monthly show Synthetic Sundays on Louder Than War Radio : ⁠⁠https://www.mixcloud.com/louderthanwar/synthetic-sundays-july-2025/⁠⁠  

Curating our mix this week is Paris-born Big Dope P, currently one of Europe's most exciting DJs and producers, known for his signature blend of electro funk, bass/club, ghetto house and rap. He has previously shared the decks with some of the world's biggest names in dance and rap music, including Basement Jaxx, Kaytranada, Pusha T, Maya Jane Coles, Lil Wayne, and Todd Edwards, just to name a few. At the age of 16, Big Dope P co-founded Moveltraxx imprint, one of the most influential labels in dance music, promoting footwork, ghetto house and jersey club since 2007. The label features releases from major electronic mavericks like Paul Johnson and DJ Tameil. Big Dope P's discography features releases on global labels such as Fool's Gold, Ed Banger, LuckyMe, Nervous, Ninja Tune, OWSLA and Local Action. For Select 351, Big Dope P brings us a bass-driven mix of footwork, Chicago ghetto house, ‘80 funk and classic hip-hop tunes from across the UK and US, featuring his original productions such as ‘On Da Flo'.

On the show this time, it’s the R&B-electronica solo record of Little Dragon front-human Yukimi. Yukimi is a Swedish singer and songwriter, known for starting the band Little Dragon with her high schoolmates and for her collaboration with Gorillaz on their Plastic Beach album. Her stunning vocals have been featured on tracks by DJ Shadow, De La Soul and Odesza. She’s performed with Jose Gonzalez, with whom she shares a hometown - they are both from the city of Gothenburg. She’s recorded a solo record titled For You and released it on Ninja Tune in 2025. Recorded April 30, 2025 Elinam Stream of Consciousness Sad Makeup Rules of School Runaway Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it’s the R&B-electronica solo record of Little Dragon front-human Yukimi. Yukimi is a Swedish singer and songwriter, known for starting the band Little Dragon with her high schoolmates and for her collaboration with Gorillaz on their Plastic Beach album. Her stunning vocals have been featured on tracks by DJ Shadow, De La Soul and Odesza. She’s performed with Jose Gonzalez, with whom she shares a hometown - they are both from the city of Gothenburg. She’s recorded a solo record titled For You and released it on Ninja Tune in 2025. Recorded April 30, 2025 Elinam Stream of Consciousness Sad Makeup Rules of School Runaway Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it’s the hook-laden, R&B chill-groove of English electronica producers Maribou State. Chris Davids and Liam Ivory have been releasing music as Maribou State since 2011. They grew up just north of London, and started making music together when they met in school. In addition to creating their own music, they have had success as remixers for artists like Lana Del Ray and Fatboy Slim. They’ve built a community of musicians and collaboration is a large part of their process. Their latest offering is their third full-length album, Hallucinating Love, out now via Ninja Tune. Recorded April 4, 2025 Otherside Bloom All I Need Blackoak Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it’s the hook-laden, R&B chill-groove of English electronica producers Maribou State. Chris Davids and Liam Ivory have been releasing music as Maribou State since 2011. They grew up just north of London, and started making music together when they met in school. In addition to creating their own music, they have had success as remixers for artists like Lana Del Ray and Fatboy Slim. They’ve built a community of musicians and collaboration is a large part of their process. Their latest offering is their third full-length album, Hallucinating Love, out now via Ninja Tune. Recorded April 4, 2025 Otherside Bloom All I Need Blackoak Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Music From Bleep.com - Summer 2025 01 : ARCA_Ritual (0'00) (XL Recordings / 2023) 02 : REFRESHERS_High In Me (1'10) (Refreshers / 2023) 03 : MEEMO COMMA_Cloudscape (5'40) (U-ZIQ Remix) (Planet Mu / 2023) 04 : BAMBII_One Touch (9'30) (Innovative Levure / 2023) 05 : HONOUR_U & Me (December Seventeen) (12'50) (PAN / 2023) 06 : CLARK_Medecine (Feat THOM YORKE) (15'30) (Warp Records / 2023) 07 : HEADACHE_That Things With The Rabbit (21'00) (PLZ Make It Rush / 2023) 08 : ITAL TEK_The Next Time You Die (24'10) (Planet Mu / 2023) 09 : BURIAL_Unknown Summer (27'40) (Fabric Of Origins / 2023) 10 : AS ONE_Neptunium (31'20) (Detuned Records / 2023) 11 : JOE ARMON-JONES & MAXWELL OWIN_Lost In The Function (36'10) (Aguarii / 2023) 12 : SANDWELL DISTRICT_Surrender To The Unknown (39'40) (Point Of Departure / 2023) 13 : SHIFTED PHASES_Lonely Journey Of The Comet Bopp (44'10) (Tresor Records / 2023) 14 : MIKE_Plz Don't Cut My Wings (47'30) (Feat EARL SWEATSHIRT) (AOK / 2023) 15 : DAPHNI_Cloudy (KELBIN Remix) (51'40) (Jiaolone / 2023) 16 : NATHAN MICAY_Fangs (Club Mix) (56'00) (Lucky Me / 2023) 17 : SLIMZEE, BOYLAN & RIKO DAN_Mile End (60'40) (FWD / 2023) 18 : KWENGFACE, JOY ORBISON & OVERMONO_Freedom 2 (64'30) (Kwengface Otp / 2023) 19 : GEORGE RILEY & HUDSON MOHAWKE_Sex (67'50) (Ninja Tune / 2023) 20 : MC YALLAH_Sikwebela (70'30) (Hakuna Kulala / 2023) 21 : ROBERT HAIGH_Koto Line (ASC Spatial Remix) (72'50) (Our Shadow / 2023) 22 : YEULE_Cyber Meat (79'50) (Ninja Tune / 2023) 23 : JORJA SMITH_Little Things (82'30) (NIA ARCHIVES Remix) (FAMM / 2023)

Host Evie Stokes talks with Jyoti B. Fly about Peruvian artist Sofia Kourtesis and her new collaboration with Daphni of Caribou fame on the song "Unidos". Kourtesis’ upcoming EP Volver will be out August 1st via Ninja Tune. Hosted by: Evie Stokes Produced by: Lilly Ana Fowler Mastered by: William Myers Production support: Serafima Healy Associate Director of Editorial: Dusty Henry Photo credit: Mathilde Agius Listen to the full songs on KEXP's "In Our Headphones" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Support the podcast: kexp.org/headphonesContact us at headphones@kexp.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Send us a textIn this episode, Neil sits down with Kevin Foakes (aka Strictly Kev and DJ Food) - legendary DJ, graphic artist, and archivist of UK counterculture - for a deep dive into four decades of music, raves, graffiti, and psychedelic experimentation.Kevin's journey is a masterclass in underground creativity, spanning from Adam and the Ants fandom to hip-hop graffiti, from acid house squats to Ninja Tune's golden era. After discovering hip-hop through the legendary Subway Art book, he traces his path into graffiti culture, documenting pieces in Westbourne Park and Ladbroke Grove, and recalls the pivotal Freestyle '85 hip-hop jam.The conversation shifts to the rave and acid house years, where Kevin recounts his experiences raving at squats, founding the influential Telepathic Fish chill-out parties, and crossing paths with scene legends like Mixmaster Morris and Coldcut's Matt Black. He reflects on his design work for Ninja Tune, co-hosting the iconic Solid Steel radio show, and the label's legendary Stealth nights at Hoxton's Blue Note.Along the way, Kevin shares vivid anecdotes about Megatripolis' psychedelic chaos, the record shop culture of Ambient Soho, and his current projects—including a Telepathic Fish compilation released in September 2024 and his forthcoming book on psychedelic light shows.Support the showhttps://www.youtube.com/@ControlledWeirdnesshttps://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOIhttps://www.instagram.com/controlledweirdness/https://controlledweirdness.bandcamp.com/Theme song is Controlled Weirdness - Drifting in the Streetshttps://open.spotify.com/track/7GJfmYy4RjMyLIg9nffuktHosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80's when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90's. He still DJ's in the UK and throu...

Soul from Kokoroko and Annahstasia. A previously unreleased but officially commissioned remix of A Tribe Called Quest by The Creators & Mark Pritchard feat Pino Palladino. A track in tribute to Lalo Schifrin (Rest In Peace). A new track from corto.alto on Ninja Tune. Rap from Westside Gunn & Doechii, BexBlu & Paul Stephan & t.o. Broken Beat from Sticky Dub, a classic from DKD remixed by Matica, NameBrandSound feat Reek0. A great track from the Somewehre Soul compilation. 3iO cover Born Slippy Jazz style. A tune from Macka B from the 1989 asking Who Are The Terrorists? which is about the situation in South Africa back then. A classic from Nina Simone. Drum and Bass from Rezilient & Sydney Bryce. Plus plenty more music treats.

This BONUS features highly successful electronic music and DJ producer duo Andrew Ferguson and Matthew McBriar AKA Bicep from Belfast, Northern Ireland.They have charted hugely with several albums on Ninja Tune, and are destined for major international stardom…So get onboard and feel the Bicep - meet Andrew and Matthew.If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

Tools are for humans (and super-smart animals, apparently), garages are for cars, countertops are for food, and rollaways are for organizing!  This esoteric episode is all (mostly) about embracing the perfectionist - just a little - and making your tools and shop space match your intellect and style.  Because so many good projects and necessary repairs get hog-tied by bad organization, and a lack of operable tool enhancement can be submarined by a lack of organization, we want you to scratch that itch and embrace the OCD (if just long enough to put the nut drivers in the correct drawer). While we're at it, there's Jerry Reed and "Amos Moses", Herb Alpert and the Tijuana Brass, Ninja Tune and Funkungfusion, Electronic Excursions in Hi-Fi and Meat Beat Manifesto, and more "Kashmir' covers than you can shake a two-headed guitar at.

Tools are for humans (and super-smart animals, apparently), garages are for cars, countertops are for food, and rollaways are for organizing!  This esoteric episode is all (mostly) about embracing the perfectionist - just a little - and making your tools and shop space match your intellect and style.  Because so many good projects and necessary repairs get hog-tied by bad organization, and a lack of operable tool enhancement can be submarined by a lack of organization, we want you to scratch that itch and embrace the OCD (if just long enough to put the nut drivers in the correct drawer). While we're at it, there's Jerry Reed and "Amos Moses", Herb Alpert and the Tijuana Brass, Ninja Tune and Funkungfusion, Electronic Excursions in Hi-Fi and Meat Beat Manifesto, and more "Kashmir' covers than you can shake a two-headed guitar at.

WiscoJazz-Cast Episode 232 mixed by dj lukewarm Episode Two Hundred and Thirty Two features Contemporary R&B, Dance-Pop, Funk/Soul/Boogie, & more... 01 - Kenyon Dixon - Far Away [The R&B You Love] 02 - Remi Wolf - Toro [Island Records] 03 - Chromeo - Words With You [BMG] 04 - TOKiMONSTA - Say Tell Me [Young Art Records] 05 - Jessie Ware - Begin Again (Joe Goddard Remix) [EMI] 06 - Dabeull feat. Reva Devito - I Cant Stop [Roche Musique] 07 - Herb Tha 4th - Perfect Moment [Writesound ENT] 08 - Maeta - DJ Got Me [Roc Nation] 09 - Esta feat. Joyce Wrice & Duckwrth - Too Fast [Paradis] 10 - Captain Planet - Music is Medicine (Captain Planet's Steppers Remix) [Bastard Jazz Recordings] 11 - Lion Babe - All Night Party On 12 - Kool Customer - Fly Away [Bastard Jazz Recordings] 13 - Tuxedo - Cake [Funk On Sight] 14 - Channel Tres - Cactus Water [RCA] 15 - Alma Negra - Madrugada [Delusions of Grandeur] 16 - Jungle - Candle Flame (Opolopo Remix Edit) [Caiola Records] 17 - Little Simz - SOS [Forever Living Originals] 18 - Victoria Monet - Love Is Stronger Than Pride [RCA Records] 19 - Chaka Khan - Nobody Khan (Ain't Nobody - Austin Millz remix) [Perfect Havoc] 20 - Childish Gambino - To Be Hunted [RCA] Hope you enjoy. -dj lukewarm https://linktr.ee/djlukewarm http://djlukewarm.com http://hearthis.at/djlukewarm http://www.mixcloud.com/djlukewarm http://djlukewarm.podomatic.com https://soundcloud.com/wiscojazz http://www.youtube.com/WiscoJazzCast RSS: http://djlukewarm.podomatic.com/rss2.xml

Hosts Jim DeRogatis and Greg Kot share new music they're digging that flies under the mainstream radar, buried treasures! They also hear buried treasure picks from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Daisychain, "G-String," G-String (Single), self-released, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Obongjayar, "Not in Surrender," Paradise Now, September, 2025Sex Scenes, "Want & Need," Want & Need (Single), Big Neck, 2025TAKAAT, "Amidinin," Is Noise, Vol. 1, Purplish, 2025GoGo Penguin, "Fallowfield Loops," Necessary Fictions, XXIM, 2025Propagandhi, "At Peace," At Peace, Epitaph, 2025Jim Nothing, "Raleigh Arena," Grey Eyes, Grey Lynn, Meritorio, 2024Point Mort, "The Bent Neck Lady," The Bent Neck Lady (Single), Almost Famous, 2025Sombr, "undressed," undressed (Single), Warner, 2025Bnny, "Good Stuff," One Million Love Songs, Fire Talk, 2024Ben Kweller, "Dollar Store (feat. Waxahatchee)," Dollar Store (feat. Waxahatchee) (Single), The Noise Company, 2025Cameron Winter, "Love Takes Miles," Heavy Metal, Partisan, 2024Shishi, "Can't Stop Believing," FAQ - EP, Birthday Cake, 2025Barry Can't Swim, "Different," Different (Single), Ninja Tune, 2025Poor Creature, "The Whole Town Knows," The Whole Town Knows (Single), River Lea, 2025PyPy, "Erase," Sacred Times, Goner, 2024Daisychain, "Waste Your Time," Waste Your Time (Single), self-released, 2025Pere Ubu, "Non-Alignment Pact," The Modern Dance, Plan 9, 1978See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The beloved German producer talks about finding inner peace, overstimulation and his new album on Pampa Records. Mental health is a topic that comes up frequently in the music industry, but it's still not discussed enough among electronic music's top performers. In this RA Exchange, Stefan Kozalla—better known as DJ Koze—opens up about his battle with anxiety, self-doubt and rising expectations that come with being a long-standing, high-profile name. He talks about overstimulation, music as rest and the compromises artists need to make to have relevance and staying power. Kozalla, a beloved and eccentric German artist who has developed a cult following over the course of his career, has productions on esteemed labels like XL, Kompakt, Cocoon, Warp, Ninja Tune and BPitch, which garner praise as soon as they're released. "Every time DJ Koze comes out of the woodwork to drop a 12-inch—or even just a remix—we usually end up hearing it everywhere for months on end," wrote former RA editor Andrew Ryce. Kozalla talks to RA contributor (and former editor) Matt Unicomb about his production process and early influences—an uncanny combination of Basic Channel and Public Enemy—as well as his forthcoming album, Music Can Hear Us, coming out on Pampa Records on April 4th. Listen to the episode in full. -Chloe Lula

The beloved German producer talks about finding inner peace, overstimulation and his new album on Pampa Records. Mental health is a topic that comes up frequently in the music industry, but it's still not discussed enough among electronic music's top performers. In this RA Exchange, Stefan Kozalla—better known as DJ Koze—opens up about his battle with anxiety, self-doubt and rising expectations that come with being a long-standing, high-profile name. He talks about overstimulation, music as rest and the compromises artists need to make to have relevance and staying power. Kozalla, a beloved and eccentric German artist who has developed a cult following over the course of his career, has productions on esteemed labels like XL, Kompakt, Cocoon, Warp, Ninja Tune and BPitch, which garner praise as soon as they're released. "Every time DJ Koze comes out of the woodwork to drop a 12-inch—or even just a remix—we usually end up hearing it everywhere for months on end," wrote former RA editor Andrew Ryce. Kozalla talks to RA contributor (and former editor) Matt Unicomb about his production process and early influences—an uncanny combination of Basic Channel and Public Enemy—as well as his forthcoming album, Music Can Hear Us, coming out on Pampa Records on April 4th. Listen to the episode in full. -Chloe Lula

On the show this time, it’s the propulsive poise and complexity of Nilüfer Yanya. Nilüfer Yanya is a British singer-songwriter, from an artistic family with Turkish and Barbadian heritage. She writes pensive songs, centered around her breathy contralto and her original guitar style. You could sit and think about the equivocal lyrics, or you could get off your ass and dance. Her latest is “My Method Actor” - as in she is her own, method actor - sort of learning to be herself by inhabiting herself fully. For this performance she played 5 songs from the album, which is available on Ninja Tune. Here’s Nilüfer Yanya - Live on KEXP. Recorded October 26th, 2024 Method Actor Mutations Call It Love Binding Like I Say (I Runaway) Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it’s the propulsive poise and complexity of Nilüfer Yanya. Nilüfer Yanya is a British singer-songwriter, from an artistic family with Turkish and Barbadian heritage. She writes pensive songs, centered around her breathy contralto and her original guitar style. You could sit and think about the equivocal lyrics, or you could get off your ass and dance. Her latest is “My Method Actor” - as in she is her own, method actor - sort of learning to be herself by inhabiting herself fully. For this performance she played 5 songs from the album, which is available on Ninja Tune. Here’s Nilüfer Yanya - Live on KEXP. Recorded October 26th, 2024 Method Actor Mutations Call It Love Binding Like I Say (I Runaway) Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

"Future Thoughts Ft. Spaceface" by Brothers Griin from Joy City; "Docudrama" by Nyx Nott from Themes From; "DISinformation Desk" by The Black Dog from Music for Real Airports; "The Yips" by James Ellis Ford from The Hum. Courtesy of Warp; The single "Vento a Favor" by Sessa. Courtesy of Mexican Summer; "Cascade" by Niecy Blues from Exit Simulation. Courtesy of Kranky; "Sacred and Profane" by Moundabout from An Cnoc Mor. Courtesy of Rocket Recordings; "Reel Life (Evolution 2)" by Cinematic Orchestra from Man with a Movie Camera. Courtesy of Ninja Tune; "Theme from a Personal Prison" by Emil Amos from Zone Black. Courtesy of Drag City; "Delivery" by Black Duck from the self titled album. Courtesy of Thrill Jockey; "Visiting" by Craig Leon from Anthology of Interplanetary Folk Music Vol. 1. Courtesy of RVNG Intl; "Sunset Theater" by Golden Hallway Music from Rules and Chance Vol 3. Courtesy of Not Not Fun; The Actress remix of Carmen Villain from Smalltown Supersound Remix Anthology Vol. 1-4 2002-2022.

"I do activism as much as I can." The Peruvian DJ and producer talks about the human rights issues close to her heart, fighting for human rights and the incredible story behind her LP for Ninja Tune. Sofia Kourtesis is a Peruvian DJ and producer based in Berlin known for her buoyant, upbeat music that channels and transmutes sociopolitical activism and personal hardship. While she's put out a number of solo works, her EP Fresia Magdalena and her debut LP, Madres—both of which came out on Ninja Tune—have been received with exceptional critical acclaim and put her on the map as a headlining touring artist. Both speak to some of the discrimination Sofia has felt as a member of the LGBTQIA+ community in South America, as well as how she's confronted difficult topics like family caregiving, illness and death.  In this RA Exchange recorded live at C2C Festival in Turin, she opened up about her mother's recent battle with cancer and the neurosurgeon who provided life-saving surgery (as a thank you, Kourtesis took him and his surgery team out to one of her shows in Berlin). She also discusses her commitment to human rights at length. For Kourtesis, music is a form of activism and healing; she uses it to talk about her Latin American community and the movements that are happening, to show the diverse range of demonstrations for equality, for the queer community and for abortion rights. In a touching final moment of our talk, she opens up about the homophobia that ultimately caused her to leave her school in Lima and then to depart from Peru to Europe altogether. She's been based in Germany since she was 17. Listen to the episode in full.

"I do activism as much as I can." The Peruvian DJ and producer talks about the human rights issues close to her heart, fighting for human rights and the incredible story behind her LP for Ninja Tune. Sofia Kourtesis is a Peruvian DJ and producer based in Berlin known for her buoyant, upbeat music that channels and transmutes sociopolitical activism and personal hardship. While she's put out a number of solo works, her EP Fresia Magdalena and her debut LP, Madres—both of which came out on Ninja Tune—have been received with exceptional critical acclaim and put her on the map as a headlining touring artist. Both speak to some of the discrimination Sofia has felt as a member of the LGBTQIA+ community in South America, as well as how she's confronted difficult topics like family caregiving, illness and death.  In this RA Exchange recorded live at C2C Festival in Turin, she opened up about her mother's recent battle with cancer and the neurosurgeon who provided life-saving surgery (as a thank you, Kourtesis took him and his surgery team out to one of her shows in Berlin). She also discusses her commitment to human rights at length. For Kourtesis, music is a form of activism and healing; she uses it to talk about her Latin American community and the movements that are happening, to show the diverse range of demonstrations for equality, for the queer community and for abortion rights. In a touching final moment of our talk, she opens up about the homophobia that ultimately caused her to leave her school in Lima and then to depart from Peru to Europe altogether. She's been based in Germany since she was 17. Listen to the episode in full.

I. JORDAN is one of the most exciting producers in electronic music at the moment. Their album I AM JORDAN came out earlier this year on Ninja Tune, but they've been putting out great music since 2019. Listen to all the Season 2 guests' music choices: ⁠Season 2 Guest Playlist - Amazon Music⁠ Season 2 Guest Playlist - Spotify

In 2020, our guest this week was named an Artist in Residence at the Search for Extraterrestrial Intelligence (SETI). Thus we are finally able to continue the theme established on episode 84 with Matthew Dear, a line of enquiry which I know many of you were keen to see more fully interrogated on the podcast.Daedelus has been making music since the 90s, releasing albums (on labels including Brainfeeder and Ninja Tune) almost every year this century, and performing with such virtuosity that they are now a professor of electronic music performance at Berklee's Electronic Production and Design Department.So we had much to discuss during this conversation, including the nature of extra terrestrial communication, government efforts to support the creativity, intellectual property and sampling, the making of albums, and the views and expectations of the new generation of musicians.This is a good one...If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

We've been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. This selection is our conversation from November 2019, with Sam Shepard, Floating Points. EPISODE NOTES In this episode John heads to EMS4 studios in Shoreditch to chat with Floating Points a.k.a Sam Shepherd, about how he recorded and produced his latest release, Crush.  Talking from deep within Sam's musical laboratory, we peer behind the curtain and find out how Floating Points music is created and crafted, pulling apart some of the tracks from his second album along the way. We get to hear how live performance and classical music are a serious influence in his writing process in addition to experimenting with the impressive number of synths he's collected over the years. Geekery is in abundance in this episode.  Listen to find out why space was scant in Sam's student bedroom, who sick Anna actually is and why sometimes all you need is a Yamaha Reface CS in your backpack.  Tracks discussed: Last Bloom, Annasickmodualr, Bias. TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off. MUSIVERSAL Skip the waitlist and get your 25% discount HERE   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Crush' here. 'Crush' - Pluto Records, Ninja Tune. Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Logic Pro Ableton Sibelius Akai S950 Sampler API Desk  ARP 2600 ARP Rhodes Chroma Buchla Synth Korg Volca Beats Marshall Time Modulator MAM ADX1 Dunlop MXR Flanger Neve Preamps Publison Infernal Machine Multi-Effects Processor Roland EV-5 Expression Pedal Yamaha CS-70 Yamaha Reface CS   OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Katie-Louise Buxton  Seb Brunner-Stolovitzky  Jonathon Coughlin Learn more about your ad choices. Visit megaphone.fm/adchoices

What do you call a music scene with no name?The lack of a commonly-accepted moniker for the mid-to-late 90s movement centred around Ninja Tune and Gilles Peterson amongst others is a real anomaly in contemporary music. One of the most interesting insights from our guest this week, Mr Scruff, is the revelation not even the DJs themselves referred to it as anything in particular. That's pretty crazy!This is a great conversation, a classic episode even. We discuss Manchester, sampling, tape editing, record collecting, as well as the AI stuff and the general making of ones way in the music scene.You're gonna love this one...!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Imagine you've made it. You and your friends have hit the big time in music and you're going to be a star. But then, quite suddenly, it's over. Your best friends don't want you anymore, and you're on the outside. Perhaps they're tired of your bad habits, they think you're not good enough, or they sense you just don't want it as much as they do. Whatever the cause, you're a reject. So, what do you do next?Featuring a player rejected by both Nirvana and Soundgarden who became a decorated special forces soldier, Britpoppers who spiralled into addiction before becoming novelists and missionaries, the terrifying story of Guns N' Roses' first drummer, super-rejecting band leaders, self-destroying rappers, troubled hard rock bassists and girl-band burnouts, The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards.Coming from a writer with twenty years' music industry experience, The Rejects is a sympathetic study of some of music's most fascinating characters, and what happens when the dream comes crashing to an end. The result is a compelling alternative history of popular music.Jamie Collinson has worked in the music business for over twenty years, primarily for two iconic independent record labels; Ninja Tune and Domino. Having worked with Arctic Monkeys, My Bloody Valentine, Franz Ferdinand, Wiley, Wet Leg and Roots Manuva, he's lived in London and Los Angeles, where he founded Ninja Tune's US HQ. He's been backstage at some of the world's most famous venues and festivals in the company of the artists he's worked with, navigated colourful characters, A & R'd albums and directed marketing campaigns to sell them. Along the way, he's seen success and failure, heartbreak, joy, addiction, violence, terrifying egoism and stunning generosity. Throughout it all he's done a lot of writing, including journalism for the Guardian, Spectator, Evening Standard and many music magazines. He published a novel, The Edge, with Oneworld Publications in 2020.Buy the book from Wellington Square Bookshop - ​https://www.wellingtonsquarebooks.com/book/9781408717967

We partnered with REGENERATE, 128 Productions, & Red Bull to bring you exclusive interviews from this years festival. Enjoy our exclusive interview with house, hip-hop, & garage producer ninimo. Subscribe, Comment & Share this episode if you love it. Become a Patreon producer, listen to podcasts ad-free, sample packs, one on one lessons, & more at https://www.patreon.com/thisislizzyjane

It's a new year and that means a new season of TNT! This year we're still digging into full-length albums - but we're also uncovering the record labels that provide the world with these releases and the rare gems that we look forward to uncovering. On our first show of Season 5 (!) Thanh + Tim talk about the 2017 Luaka Bop release, "Reflections: Mojave Desert" by British electronic music producer, DJ, and musician Floating Points.

Regarding the brevity of the intro... which actually wasn't that brief because I was able to use some audio I'd already recorded to pad it out. The bout of sciatica that I was suffering from last week has got significantly worse and I'm typing this while lying on the floor, where I have been for the majority of the last three days. So that's not great - it may affect the podcast schedule next week but let's hope not. Apologies in advance if it does. And now, on with the show...--Would you get “tech house” tattooed on your butt?Me either, and in fairness I don't think our guest this week actually has, despite the title of one of the tracks on her 2020 EP ‘Pleasant Stay But I Won't Come Back'.Machine Woman has emerged as a really great producer with releases on Ninja Tune's Technicolour, Delsin, as well as her own label Take Away Jazz Records. And she is also a character with an interesting story.We discuss the challenges of moving to a new country as a teenager, navigating through musical gender stereotypes, the scene in different cities, and much else besides.This was a fun conversation with one of the more irreverent characters of the dance scene, and you're gonna enjoy it!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using either a credit or debit card, or with Paypal. Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

资深DJ有待介绍爵士乐发展史上各流派和代表人物，深入浅出，雅俗共赏。

This week, hosts Jim DeRogatis and Greg Kot share their highly-anticipated “Best Albums” of 2023. Plus, they'll also hear selections from production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:boygenius, "Not Strong Enough," the record, Interscope, 2023The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Ladytron, "We Never Went Away," Time's Arrow, Cooking Vinyl, 2023Kelela, "Contact," Raven, Warp, 2023Underscores, "Locals (Girls like us)," Wallsocket, Mom + Pop, Corporate Rockmusic, 2023Margo Price, "Lydia," Strays, Loma Vista, 2023Genesis Owusu, "Leaving The Light," Struggler, Ourness, AWAL, 2023Kicksie, "Sinking In," Slouch, Counter Intuitive, 2023Big Freedia, "Booty Like A Drummer," Central City, Queen Diva, 2023Mitski, "Bug Like an Angel," The Land Is Inhospitable and So Are We, Dead Oceans, 2023Joanna Sternberg, "I've Got Me," I've Got Me, Fat Possum, 2023Louise Post, "God I Know," Sleepwalker, El Camino, 2023Jaimie Branch, "Burning Grey," Fly or Die Fly or Die Fly or Die ((world war)), International Anthem, 2023Troye Sivan, "Got Me Started," Something To Give Each Other, EMI Australia, Capitol, 2023Jason Isbell and the 400 Unit, "Save the World," Weathervanes, Southeastern, Thirty Tigers, 2023Young Fathers, "Drum," Heavy Heavy, Ninja Tune, 2023Lydia Loveless, "Runaway," Nothing's Gonna Stand in My Way Again, Bloodshot, 2023billy woods and Kenny Segal, "FaceTime (feat. Samuel T. Herring)," Maps, Backwoodz Studioz, Fat Possum, 2023boygenius, "Satanist," the record, Interscope, 2023Wednesday, "Quarry," Rat Saw God, Dead Oceans, 2023Mary White, "Rudolph Pouts," Rudolph Pouts (Single), Cowtown, 1960See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nabihah Iqbal - Dreamer from the 2023 album DREAMER on Ninja Tune. In late April, Nabihah Iqbal dropped her long-awaited sophomore record Dreamer via Ninja Tune. Five years after the release of her debut, Weighing of the Heart, and six since Iqbal's last EP under her former moniker Throwing Shade, the record is a resplendent re-introduction to the London-born artist, curator, broadcaster and lecturer. Blending elements of early ‘80s electronica, shoegaze, and trance with ruminative lyricism, it's a record that hits the heart as much as it does the body. The story behind the record starts in agony, as many great records do, with Iqbal's studio being burglarized in early 2020 and all her work lost, including what was supposed to be her sophomore record. Piling onto the trauma, her grandfather suffered a brain hemorrage leading Iqbal to fly to Pakistan shortly before the pandemic hit and stranding her there as the world shut down. But as all creatives know, what doesn't kill you, gives you better material for your work. It was there that the first seeds of Dreamer appeared, with just an acoustic guitar and a harmonium. Our Song of the Day is the album's title track “Dreamer.” One of less trancey songs on the album, the song is a combination of Best Coast breeziness and Cocteau Twinsian dreaminess. The lyricism is pure unadulterated bliss, “Dream of me /And I'II dream of you,” Iqbal coos. “Sun so soft /And sky so blue /This love is happy love.” The song comes with a video shot in 700-year old palace in Old Lahore, Pakistan and directed by Zayan Agha, who said this of the video, “Taking a documentarian's approach to directing the music video, I gave Nabihah the freedom to discover the vibrant chaos of Lahore. I filmed her navigating through the city's mundane cacophony, resulting in a surreal and dreamy visual experience that vividly portrays the city's essence.” Watch the video and read the full post at KEXP.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Rahill - "I Smile for E" from the 2023 album Flowers At Your Feet on Big Dada. With today's Song of the Day, Iranian-American artist Rahill shares a sneak peek at her forthcoming debut album, Flowers At Your Feet, out May 12th via Ninja Tune imprint Big Dada.  The track is a tribute to her late Aunt Elaheh. As Rahill writes on Instagram, "The rock of my fathers family. A beloved mother, daughter, sister, and wife. I wrote this song to celebrate and honor her, because the love shared and connection I still feel to her outshine the devastation of her departure from the physical realm. She's still with me. May this song be a gentle reminder to anyone walking with that pain and grief." Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Hosts Jim DeRogatis and Greg Kot are joined by their production staff to highlight new music that listeners may have missed: musical buried treasures. They also pay tribute to Television's iconic guitarist, Tom Verlaine. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops Featured Songs:Avalon Emerson, "Sandrail Silhouette," Sandrail Silhouette (Single), Another Dove, 2023The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Television, "Marquee Moon," Marquee Moon, Elektra, 1977Television, "Venus," Marquee Moon, Elektra, 1977Television, "Glory," Adventure, Elektra, 1978Wesley Joseph, "MONSOON," MONSOON (Single), Secretly Canadian, 2022The Get Right Band, "Hell Yes Refresh," Hell Yes Refresh (Single), Head Heart and Hips, 2022Hurry Up, "American Weirdos," Dismal Nitch, Comedy Minus One, 2022mazie, "it's not me (it's u)," it's not me (it's u), Good Boy, 2023Måneskin, "GOSSIP (feat. Tom Morello)," RUSH!, Epic, 2023Little Dragon, "Water (FKJ Remix)," New Me, Same Us Remix - EP, Ninja Tune, 2021Ducks Ltd., "18 Cigarettes," Modern Fiction, Carpark, 2021The Arcs, "Only One For Me," Electrophonic Chronic, Easy Eye Sound, 2023Manasseh, "I'll Be - Live Pt. 1," Variations V1: I'll Be, Self-Released, 2023Automatic, "New Beginning," Excess, Stones Throw, 2022Daydream Review, "Have You Found What You're Looking For?," Leisure, Side Hustle, 2023Sinéad O'Connor, "Black Boys on Mopeds," I Do Not Want What I Haven't Got, Ensign/Chrysalis, 1990