Podcasts about international women

The question isn't comfortable, but it does need to be asked.Mainstream culture keeps insisting that women have never had it so good. The boardroom diversity reports are framed as wins. The International Women's Day cupcakes are distributed with enthusiasm. And yet something doesn't add up. The data on regression in gender equality is mounting. The algorithmic pipeline from mainstream social media to radicalised misogyny is documented. And governments around the world, despite the evidence, have chosen to look the other way.To put that into context, think about learning framework for AI and what historical narratives are being ingested.In this episode, Di Gillett is joined by Jasmin Bedir, CEO of advertising agency, Innocean Australia and founder Fckthecupcakes (FTC) and her candour is both refreshing and at times, confronting. They interrogate whether women are genuinely going backwards, who is manufacturing the backlash, and what role technology - specifically AI and social media algorithms is playing in cementing discrimination that was supposed to be dismantled. They name the non-negotiables: what governments must mandate, what platforms must be held accountable for, and what women can collectively do right now to force the conversation out of the think-piece and into legislation. We explore::AI algorithms are not neutral — they reflect and amplify the biases embedded in the data and the teams that built themThe absence of government regulation on social media and AI is not a failure — it is a deliberate choice, and women need to make that choice politically costlyPerformative corporate activism actively distracts from the structural change that is neededThe manosphere is not a fringe phenomenon — it is algorithmically amplified, and platforms profit from itCollective action by women does not mean waiting for an invitation to the table — it means building a different table entirely Chapters 05:24 Assessing Progress: Are We Moving Forward or Backward?10:56 The Role of Men in Gender Equality16:46 The Intersection of Technology and Gender20:54 AI and Its Impact on Gender Discrimination32:22 The Call for Regulation and Action Be the first to catch inspiring interviews, empowering stories, and thought-provoking conversations.

  Woke By Accident- Representation Matters w/ Special Guest, Danielle Belton S 8 E 246 Episode Details In honor of International Women's Day, I'm sitting down with an award‑winning journalist with major receipts from The Root, HuffPost, and late‑night TV to talk Black storytelling, media, and mental health, Danielle Belton.   Sambaza's Content https://podcasts.apple.com/us/podcast/sambaza/id1520678096 https://www.instagram.com/sambazapodcast/ Sambaza Affirmation   I am calm, centered, and at peace. The African proverb  "If you live in the river you should make friends with the crocodile" (interpret in your own words) Podcast Information Website: www.wokebyaccident.net Streaming Platforms: Available on all your favorite streaming platforms Sponsors Poddecks: https://www.poddecks.com?sca_ref=1435240.q14fIixEGL Affiliates LTK: Curvyclosetwithjen on LTK Opus Clips: https://www.opus.pro/?via=79b446 StreamYard: https://streamyard.com/pal/d/5989489347657728 Whatnot: https://whatnot.com/invite/jendub Poshmark: https://posh.mk/bDYu5ZMwbTb (Receive $10 to shop using this code) Benable:Benable is an app to share your favorite things, and earn from 40,000 brands. Skip the waitlist with my link: https://benable.com/i/P7PKR Diggin Her Roots Boutique             https://digginherroots.com/?ref=kcamtpog             Or code Jendub1908 Buy Me A Coffee https://buymeacoffee.com/Wokebyaccident Skool https://www.skool.com/signup?ref=cc2086ec5ba04247bf935526f9bb8db6 Photo Room https://refer.photoroom.com/jen-washington   Music Soul Searching · Causmic Last Night's Dream — Tryezz Funkadelic Euphony- Monz (idol.ai)  

Mark's Birthday Surprise at the Ballpark Mark celebrates a milestone birthday with a surprise family reunion organized by his wife Karen. The whole family attended a Tampa Bay Rays vs. Miami Marlins game at LoanDepot Park (Marlins Park), where Mark got a "Grand Slam" scoreboard shoutout, a birthday button, and a slice of chocolate cake delivered to his seat  behind the dugout. Special thanks to Lou Schiff for his help with this nightTampa Bay Rays RecapThe Rays are 5-5 in their last 10 games but have swept all AL East opponents.Drew Rasmussen delivered back-to-back dominant starts: 9 Ks in 7 innings (87 pitches) vs. the Marlins, followed by 13 Ks in 7 innings (97 pitches) vs. the Red Sox  - 22 strikeouts over two games.The Rays beat Boston 7 - 5, overcoming a shaky eighth inning.Yandy Díaz is on fire in June: .444 AVG, .475 OBP, 1.058 OPS -  the hosts discuss Yandy's impact on younger hitters like Junior CamineroAaron Judge's injury opens a window for the Rays to take the AL East division crown outright, potentially reducing playoff risk.Mat breaks down how the Yankees' and Blue Jays' health issues shift the competitive landscape.Mike Trout's FutureWill Trout pull a "Ray Bourque" & join a contender to chase a World Series ring?Mat predicts he lands with the Dodgers; Mark dreams of Trout joining Randy Arozarena and Julio Rodríguez on the Seattle Mariners.Softball's "River" Rule Mark shares a curiosity from John Boy Media's YouTube channel: a women's softball rule where a batter crowding the plate in a certain zone (the "river") is NOT awarded first base after being hit by a pitch.Ken Babby & the Rays in the Community Mark attended an Embarc Tampa quarterly leadership meeting featuring Rays CEO Ken Babby. Highlights include Babby's background at The Washington Post's digital division (working alongside Steve Jobs on iPad rollout), his ownership of the Akron RubberDucks and Jacksonville Jumbo Shrimp, and his commitment to diversity - the Jumbo Shrimp were the only minor league team with a black general manager. That GM is now joining the Rays organization. The team also has upcoming community events including an Evan Longoria tribute night and a Juneteenth celebration.Sports, Community & Belonging Mat reflects on how championship runs — like the Blue Jays' World Series wins and the Montreal Canadiens' recent playoff run — unite cities across all cultures and backgrounds. The hosts discuss the undervalued economic and social impact of sports franchises on their communities.Women's Baseball in the SpotlightThe hosts preview a busy summer for women's baseball in Illinois.Women's Baseball World Cup Group Stage — Coming to Rivet Stadium in Rockford, IL (capacity ~4,000). Six teams, three games per day, USA plays the night game. Finals are set for 2027, also in Rockford.All-American Girls Professional Baseball League (AAGPBL) reunion events.Baseball For All (founded by Dr. Justine Siegel) — grassroots tournaments and camps that have become pipelines to the Women's Pro Baseball League.Women's Pro Baseball League — launching in August in Springfield, IL.Guest interview with Ryan Woodward of the International Women's Baseball Center, discussing the Women's Baseball Heritage Trail (historic stops across the US and Canada) and the World Cup group stage.Tampa-Area Baseball ShoutoutsSt. Leo University wins the NCAA Division II Softball Championship.University of Tampa Spartans win the NCAA Division II Baseball Championship — a three-peat! Mark gives a special tribute to the late Tony Saladino, whose grandson Nico Saladino played on the previous UT championship team.Remember to like and subscribe to BaseballBiz On Deck. You may also find BaseballBiz on Deck, on YouTube at iHeart Apple, Spotify, Amazon Music, and at baseball biz on deck dot com. Also you can find Mat @matgermain.bsky.social  or Mark at baseballbizondeck@gmail.com and BaseballBiz On Deck with Facebook social 

BaseballBiz On Deck —Guest: Ryan Woodward | Recorded June 10, 2026Episode Summary Host Mark Corbett sits down with Ryan Woodward — creator of Women in Baseball Week, the Women's Heritage Baseball Trail, and project coordinator for the International Women's Baseball Center (IWBC) in Rockford, Illinois — to discuss an historic summer for women's baseball.Key Topics CoveredWomen's Baseball World Cup — Group Stage in Rockford, IL (Late July 2026)Rockford is hosting a World Cup Group Stage the last week of July, with 6 international teams competingGame times: 11:00 AM, 3:00 PM, and 7:00 PM daily — all six teams play every dayTeam USA plays every 7:00 PM night gameDay passes available (recommended for single-day attendees)Rockford has also been awarded the 2027 Women's Baseball World Cup FinalsTickets available via Eventbrite or through iwbc.orgA Historic Week — Three Events ConvergingWomen's Baseball World Cup Group Stage — Rivet StadiumBaseball For All National Tournament — ~700 girls across multiple age divisions, playing at Park District Sports Core TwoAll-American Girls Baseball League Reunion — AAGPBL legends returning to RockfordMedia AccreditationMedia credential applications open Friday, June 12, 2026 through July 17, 2026Apply via the WBSC portal, linked from iwbc.orgVolunteer OpportunitiesVolunteer spots still available for World Cup events at Rivet Stadium and Beyer StadiumSign up and find details at iwbc.orgRoles include ticketing, ushering, and assisting teams at Beyer StadiumBeyer Stadium Grand Reopening — June 20, 2026The legendary home of the Rockford Peaches has undergone major renovations over 9 monthsNew additions: lights, leveled outfield, scoreboard, press box, PA system, irrigation systemMaybelle Blair is expected to attend the reopeningGrand reopening: Saturday, June 20th, Rockford, ILLinks & ResourcesIWBC Website & World Cup info:  https://www.iwbc.org/ WBSC: https://www.wbsc.org/en/events/2026-x-womens-baseball-world-cup-group-stage-rockford/home Women's Heritage Baseball Trail: https://womeninbaseballweek.org/index.php/heritagetrail/Women in Baseball Week: https://womeninbaseballweek.org/ Baseball For All: https://baseballforall.com/nationals/ AAGPBL: aagpbl.orgTickets: Eventbrite About Ryan Woodward Ryan Woodward is the creator of Women in Baseball Week, founder of the Women's Heritage Baseball Trail, and project coordinator for the International Women's Baseball Center in Rockford, Illinois. He is a passionate advocate for the history and future of women in baseball.Remember to like and subscribe to BaseballBiz On Deck. You may also find BaseballBiz on Deck, on YouTube at iHeart Apple, Spotify, Amazon Music, and at baseball biz on deck dot com. Also you can find Mat at M-A-T-G-E-R-M-A-I-N dot B Sky social. That's Mat at M-A-T-G-E-R-M-A-I-N dot B, Sky social or Mark at baseballbizondeck at gmail.com and BaseballBiz On Deck with Facebook social 

The Honorable Zoila Cassanova serves as the Surrogate Judge of Passaic County, where she oversees matters relating to probate, estate administration, guardianships, and adoptions. Known for her thoughtful, compassionate approach to the law, Surrogate Judge Cassanova brings a deep commitment to justice, integrity, and public service to the Surrogate's Court. Since taking office, Surrogate Judge Cassanova has prioritized accessibility, transparency, and efficiency in the Surrogate's Court.  Within months of assuming the position as Surrogate of Passaic, Surrogate Judge Cassanova launched her “Make a Will” event initiative, partnering with legal services and the state bar association, as well as other pro bono legal groups, to provide FREE Last Will & Testaments, Powers of Attorney, and Advance Directives/Willing Wills to Seniors, Veterans, and first responders.   She is also a vocal supporter of initiatives aimed at modernizing court operations, such as becoming the first in the State and County government to introduce Artificial Intelligence as a means of making the Surrogate's Court more accessible to non-English and English speakers alike, which garnered her national recognition as the 2024 National Top 100 Influencers in Local Government.  She has also worked to improve the public's understanding of probate law and guardianship, by expanding legal resources for underserved communities through multilingual information sessions and printed materials.   Passaic County Surrogate, Zoila Cassanova, Esq., is an experienced attorney licensed to practice law in New Jersey, New York, and the United States Supreme Court.  Prior to her election, she built a respected legal career in both public service and private practice, serving as a trusted advisor in the areas of estates and trust, labor and employment law, medical malpractice, immigration, and criminal law. Her legal acumen, combined with a steadfast dedication to the people of Passaic County, has earned her a reputation as a strong advocate for fairness and equity in the legal system.  In 2025, Surrogate Judge Cassanova was nominated by her peers to serve as Surrogate section Chief representing all County Surrogates.  From 2023 to present, she has served on the Judiciary Liaison committee, working with the Judiciary to improve the Chancery/Surrogate process. Ms. Cassanova holds a Bachelor of Science in Labor Relations, a Master of Science in Education, and was a licensed provisional New York State Teacher.  She received her Jurist Doctorate from Seton Hall University School of Law, where she taught and served as Director of the Legal Education Opportunity Program and as a member of the admissions Diversity Council.   In addition to her judicial duties, Surrogate Judge Cassanova is actively involved in community outreach, mentorship programs, and continuing legal education efforts. She is committed to fostering public trust in the Surrogate's Court and ensuring that every individual who comes before the Surrogate's court is treated with dignity and respect.  Surrogate Judge Cassanova's work reflects her belief that the Surrogate's Court is not just a place for legal resolution, but a cornerstone of compassion, service, and justice for families in times of transition. Surrogate Judge Cassanova believes in the importance of mentoring and giving back to the community.  She seizes every opportunity to demystify Surrogate Court, through community outreach and information.  She welcomes the opportunity to visit the community and provide information about probate, guardianships, and adoptions.   Surrogate Judge Cassanova has been recognized by various groups for her professional and academic achievements, as well as her community work.  Among her recent recognitions includes 2024 National Top 100 Influencers in Local Government, Surrogate of the Year – New Jersey Peruvian, Inc.; Exemplary Mother of the Year – Desfile Dominicano, NJ, Ecuadorian American Chamber of Commerce of NJ – International Woman Day's Honoree; Fairleigh Dickerson University – Hispanic Heritage Month Honoree; International Women's Day Purple Festival Honoree; and Passaic County Board of County Commissioners Hispanic Heritage Month Honoree.  Her academic achievements include being a Seton Hall Centennial Scholar and a New Jersey Hispanic Bar Association Scholarship recipient, as well as being an inductee of the Academic Honor Societies: Delta Kappa Phi and Kappa Delta Pi. 

In this special episode of Work It Like a Mum, we're sharing the sixth session from our Give to Gain Summit, hosted in support of International Women's Day.In this inspiring and honest panel discussion, female founders and business leaders explore why more women are choosing entrepreneurship, what it really takes to build a sustainable business, and how creating work on your own terms can unlock greater flexibility, confidence and fulfilment.Featuring founders from HR, finance, technology and community-building businesses, this conversation dives into the realities of self-employment, the challenges women face in traditional workplaces, and the opportunities that come from building businesses designed around real life.What We Cover:Why more women are walking away from traditional employmentThe real reasons women start businessesFlexibility, freedom and the realities behind entrepreneurshipThe biggest risks founders face (and how to manage them)Building a business around your life, not the other way aroundFinancial confidence, pricing and knowing your worthThe challenges of isolation, resilience and self-beliefCreating a sustainable business that can grow with youHow AI and changing workplaces are reshaping opportunitiesPractical advice for women considering self-employmentKey Takeaways:Entrepreneurship is often about freedom, not escaping ambitionFlexibility should support your life, not create new pressuresConfidence grows through doing, not waiting until you're readyFinancial planning is essential before making the leapCharging your worth is critical for long-term successStrong networks can help combat isolation and accelerate growthValues-led businesses can be both profitable and fulfillingWomen are creating businesses that reflect real-life needsThe future of work will demand adaptability, visibility and human connectionSuccess isn't one-size-fits-all — define it on your own termsWhy Listen:If you've ever wondered whether traditional employment is still right for you, dreamed about starting your own business, or wanted more flexibility and control over your working life, this conversation offers practical advice, honest experiences and inspiring insights from women who have successfully built businesses around their lives.Show Links:Connect with  Elizabeth Willetts on LinkedIn hereVisit Thread HR's website here Visit Flockhere's website here Visit Wainwright Consulting's website here Explore and download the full Women At Work Survey here Boost your career with Investing in Women's Career Coaching! Get expert CV, interview, and LinkedIn guidance tailored for all career stages. Navigate transitions, discover strengths, and reach goals with our personalised approach. Book now for your dream job! Use 'workitlikeamum' for a 10% discount.Support the showSign up for our newsletter and never miss an episode!Follow us on Instagram.Join over 1 million customers and counting who are saving money on their household bills with Utility Warehouse. Discover how much you can save here. And here's your invite to our supportive and empowering Facebook Group, Work It Like a Mum - a supportive and safe networking community for professional working mothers. Our community is full of like-minded female professionals willing to offer support, advice or a friendly ear. See you there!

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

Bit of a different one today! After a bit of back and forth on social media about women's wrestling at RevPro, Andy Quildan offered to come and have a proper chat with us about his women's division, including the upcoming Women's Grand Prix shows, that unfortunate International Women's Day show, and much more. (Also, we got into it a bit about Blackheart Lio Rush and David Francisco, because why not?) The tweet that started it all: https://x.com/awfullywaffly/status/2057074718826483877 Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this special episode of Work It Like a Mum, we're sharing the fifth session from our Give to Gain Summit, hosted in support of International Women's Day.In this insightful and thought-provoking panel discussion, experts across AI, technology, economics and business explore how AI is already reshaping the workplace and what that means for women, careers and the future of work.This session dives into AI adoption, workplace bias, leadership, career opportunities, inclusion and how women can confidently engage with AI without needing to be technical experts.What We Cover:How AI is already reshaping women's careersWhere bias shows up in AI tools and hiringPractical ways women can start using AI nowHow AI can support productivity and flexibilityWhy human skills still matter in an AI-driven worldThe risks of AI without inclusion and oversightHow organisations can adopt AI more responsiblyNew career opportunities emerging through AIKey Takeaways:AI is already changing the workplaceBias in AI often reflects existing inequalitiesAI literacy is becoming a career advantageWomen don't need technical backgrounds to use AIHuman skills remain critical in the future of workDiverse teams create better AI systemsAI can unlock flexibility and productivityThoughtful AI adoption benefits both people and businessesWhy Listen: If you're feeling unsure about AI or worried about being left behind, this conversation offers practical insights and empowering advice for the future of work.Show Links:Connect with  Elizabeth Willetts on LinkedIn hereVisit Supermums website here Visit Rathbone Results website here Visit We Are Agentic's website here Visit Oxera's website hereExplore and download the full Women At Work Survey here Boost your career with Investing in Women's Career Coaching! Get expert CV, interview, and LinkedIn guidance tailored for all career stages. Navigate transitions, discover strengths, and reach goals with our personalised approach. Book now for your dream job! Use 'workitlikeamum' for a 10% discount.Support the showSign up for our newsletter and never miss an episode!Follow us on Instagram.Join over 1 million customers and counting who are saving money on their household bills with Utility Warehouse. Discover how much you can save here. And here's your invite to our supportive and empowering Facebook Group, Work It Like a Mum - a supportive and safe networking community for professional working mothers. Our community is full of like-minded female professionals willing to offer support, advice or a friendly ear. See you there!

Episode Summary: In this episode of the Solar Maverick Podcast, Benoy Thanjan speaks with members of the Solar Sisters about their organization, their partnership with Let's Share the Sun Foundation, and their recent delegation to Puerto Rico around International Women's Day. The conversation features Abby Hopper, Noelle Paige, Yejdie Olutosin, Addie Momyer, and Erin Greeson, who share how the Solar Sisters came together, why women's leadership matters in clean energy, and how solar and battery storage can create life-changing impact for communities facing energy insecurity. The group discusses their experience visiting La Casa de Bondad, a domestic violence shelter in Puerto Rico supported by Let's Share the Sun, and participating in a residential solar installation for a homeowner who relies on reliable electricity for medical needs.  The episode also touches on the challenges facing Puerto Rico's grid, the role of solar and storage in energy resilience, the ongoing work of Let's Share the Sun to bring energy access to underserved communities, and a fundraiser Benoy is organizing on June 4th in Jersey City to support that mission.   Biographies Benoy Thanjan Benoy Thanjan is the Founder and CEO of Reneu Energy, solar plus storage developer and consulting firm, and a strategic advisor to multiple cleantech startups. Over his career, Benoy has developed over 100 MWs of solar projects across the U.S., helped launch the first residential solar tax equity funds at Tesla, and brokered $50 million in Renewable Energy Credits (“REC”) transactions. Prior to founding Reneu Energy, Benoy was the Environmental Commodities Trader in Tesla's Project Finance Group, where he managed one of the largest environmental commodities portfolios. He originated REC trades and co-developed a monetization and hedging strategy with senior leadership to enter the East Coast market. As Vice President at Vanguard Energy Partners, Benoy crafted project finance solutions for commercial-scale solar portfolios. His role at Ridgewood Renewable Power, a private equity fund with 125 MWs of U.S. renewable assets, involved evaluating investment opportunities and maximizing returns. He also played a key role in the sale of the firm's renewable portfolio. Earlier in his career, Benoy worked in Energy Structured Finance at Deloitte & Touche and Financial Advisory Services at Ernst & Young, following an internship on the trading floor at D.E. Shaw & Co., a multi billion dollar hedge fund. Benoy holds an MBA in Finance from Rutgers University and a BS in Finance and Economics from NYU Stern, where he was an Alumni Scholar.   Guests Information Abby Hopper Abby Hopper is the founder of Solar Sisters and former President and CEO of the Solar Energy Industries Association (SEIA). A passionate advocate for clean energy and women's leadership in the industry, Abby created Solar Sisters as a community built around three pillars: service, growth, and connection. She has been a driving force behind the Solar Sisters delegation to Puerto Rico, partnering with Let's Share the Sun to bring energy equity to domestic violence shelters on the island. Abby is widely recognized for opening doors for women across the clean energy sector and building a culture of collaboration over competition. Linkedin:  https://www.linkedin.com/in/abigailhopper/   Noelle Paige Noelle Paige is Vice President of Project Development at Aspen Power, where she manages a large team and leads project development efforts. She is deeply passionate about workforce development, women in business, and the clean energy transition.  Linkedin:  https://www.linkedin.com/in/noellepaige/   Yejdie Olutosin Yejdie Olutosin is the Director of the Accelerate Program at ACORE, based in Washington, D.C., where she manages a market access platform supporting clean energy founders scaling solutions across the value chain. Since 2020, the program has grown to support over 60 companies across more than 30 states. A former Peace Corps volunteer originally from the U.S. Virgin Islands, Yejide brought a deeply personal connection to the Puerto Rico delegation, drawing on her own experience with energy insecurity in island communities. Linkedin:  https://www.linkedin.com/in/yolutosin/   Addie Momyer Addie Momyer is Assistant General Counsel and Director of Legal Operations at the Solar Energy Industries Association, a role she has held since 2023. Prior to SEIA, she spent her career in public interest representation and litigation at Maryland Legal Aid. Addie is passionate about ensuring the clean energy transition happens equitably and that all communities are included.  Linkedin:  https://www.linkedin.com/in/addie-momyer-bb3752262/   Erin Greeson Erin Greeson is the founder and principal consultant of ClimateLine, a communications and marketing firm focused exclusively on companies committed to the clean energy transition.  Linkedin:  https://www.linkedin.com/in/eringreeson/   Stay Connected: Benoy Thanjan Email: info@reneuenergy.com  LinkedIn: Benoy Thanjan Website: https://www.reneuenergy.com Website: https://www.solarmaverickpodcast.com/   Solar Sisters Website:  https://solar-sisters.org   Let's Share the Foundation Website:  https://www.letssharethesun.org/   Summer Solstice Fundraiser Benoy is hosting the Summer Solstice Fundraiser on June 4th in Jersey City at Hudson Hall, bringing together the clean energy community for an evening of networking and impact. The event supports Let's Share the Sun, a nonprofit delivering solar and energy storage solutions to underserved communities in Puerto Rico, including families with critical 24 hour energy needs. The event will run from 6 PM to 10 PM and includes food, networking, and a special program at 8 PM featuring insights from the Let's Share the Sun team, delegation participants, and event sponsors.  This will be Benoy's third delegation in the past year, and he highlights the importance of meeting beneficiaries firsthand and seeing how solar is transforming lives. Those interested in attending or sponsoring are encouraged to reach out directly or register here:  https://luma.com/jl734ggi   Please provide 5 star reviews      If you enjoyed this episode, please rate, review and share the Solar Maverick Podcast so more people can learn how to accelerate the clean energy transition.    Reneu Energy Reneu Energy provides expert consulting across solar and storage project development, financing, energy strategy, and environmental commodities. Our team helps clients originate, structure, and execute opportunities in community solar, C&I, utility-scale, and renewable energy credit markets. Email us at info@reneuenergy.com to learn more.            

In this special episode of Work It Like a Mum, we're sharing the fourth session from our Give to Gain Summit, hosted in support of International Women's Day.In this empowering and practical conversation, career change specialist Kim Holland explores how women can design careers that give them more,  without leading to burnout.This session dives into career clarity, flexibility, ambition, burnout, career pivots and the realities of balancing work and life during different seasons of life and motherhood.What We Cover:Why the idea of “having it all” can lead to burnoutHow careers should flex during different life stagesWhat “professional DNA” means and why it mattersUnderstanding your values, motivators and strengthsWhat flexibility at work really looks likeHow to confidently negotiate flexible workingThe importance of understanding your career capacityPractical strategies for career pivots and career redesignHow to identify what is pushing or stopping you in your careerKey Takeaways:Careers are not a straight ladder — they shift throughout lifeFlexibility looks different for everyoneBurnout often comes from trying to do everything at full capacityUnderstanding your professional DNA helps create more aligned career decisionsWomen need permission to redefine success during different seasons of lifeNegotiating flexibility should feel collaborative, not confrontationalSmall shifts can create meaningful change over timeClarity often comes from action, not overthinkingWhy Listen:If you've been feeling stuck, overwhelmed, unsure what you want next or struggling to balance ambition with life outside of work, this conversation will leave you feeling reassured, empowered and full of practical ideas to help you move forward with more clarity and confidence.Show Links:Connect with  Elizabeth Willetts on LinkedIn hereConnect with Kim on LinkedIn here Visit Kim's website here Explore and download the full Women At Work Survey hereSupport the showSign up for our newsletter and never miss an episode!Follow us on Instagram.Join over 1 million customers and counting who are saving money on their household bills with Utility Warehouse. Discover how much you can save here. And here's your invite to our supportive and empowering Facebook Group, Work It Like a Mum - a supportive and safe networking community for professional working mothers. Our community is full of like-minded female professionals willing to offer support, advice or a friendly ear. See you there!

Alankrita Shrivastava — the writer, director, and creator behind Lipstick Under My Burkha, Bombay Begums, and Made in Heaven — sits down with Gaurav Arora on xMonks Drive for one of her most in-depth conversations ever.Alankrita Shrivastava is one of India's most fearless and acclaimed filmmakers. Her debut film Lipstick Under My Burkha was banned by the CBFC censor board before fighting its way to a theatrical release and winning awards at over 80 international film festivals including Tokyo International Film Festival and Créteil International Women's Film Festival. Her Netflix series Bombay Begums, which she created, wrote, and directed, was targeted by the NCPCR. Her Amazon Prime Video series Made in Heaven, co-created with Zoya Akhtar and Reema Kagti, received an International Emmy nomination.In this episode, Alankrita Shrivastava opens up about the real story behind Lipstick Under My Burkha, what it felt like when the censor board called her film obscene and refused certification, and how she fought to get it released in India. She talks about working with Zoya Akhtar and Reema Kagti in the Made in Heaven writers room, why she cast Pooja Bhatt in Bombay Begums, and why Konkona Sen Sharma is the only actor she would make every film with for the rest of her life. She also speaks candidly about the challenges facing women directors in Indian cinema, why only 6% of Indian films are directed by women, what OTT platforms like Netflix India are afraid of, and why Bollywood's business model is structurally rigged against independent filmmakers and women's stories.Alankrita also reflects on her years as assistant director under Prakash Jha on films like Raajneeti, Gangaajal, and Apaharan, the personal challenges she faced during the release of Lipstick Under My Burkha, her upcoming film on Pakistani social media star Qandeel Baloch and the circumstances of her death, and what she wants every woman watching her films to feel.This is an unmissable conversation about Indian cinema, women's stories, creative freedom, censorship in India, OTT platforms, Bollywood, filmmaking, and the fight to tell the stories that matter.Timestamps00:00 Lipstick Trailer Impact00:23 Creative Room Debates01:24 Censorship Release Battle05:19 Personal Loss And Faith06:00 First Big Set Experience07:40 Tough Love Mentorship08:56 Writing Turning 3012:16 Director Versus Actor14:48 Female Gaze Origins18:54 Made In Heaven Writers Room22:35 Women Behind Camera Gap23:18 Casting Pooja Bhatt25:14 Showrunner Stress Points26:51 Films vs Series Space27:23 OTT Boom for Actors28:11 Prithvi Theatre Struggle Days30:14 Why Konkona Works32:20 Pappu Character Spotlight34:09 Laapataa Ladies35:14 Theatrical vs Streaming Debate38:36 Staying True to Craft41:01 Writing Complex Women43:48 Themes Agency and Class45:09 What Keeps Her Going49:52 Impact on Small Town Girls52:01 Advice for New Filmmakers54:15 Closing Thanks Topics covered: Lipstick Under My Burkha | Bombay Begums | Made in Heaven | Zoya Akhtar | Reema Kagti | Konkona Sen Sharma | Pooja Bhatt | Prakash Jha | Dolly Kitty Aur Woh Chamakte Sitare | Kiran Rao | Laapataa Ladies | CBFC censor board India | Netflix India | Amazon Prime Video India | women directors India | feminist filmmaking | Indian independent cinema | OTT platforms India | Bollywood filmmaking | Qandeel Baloch | NCPCR | International Emmy India | Tokyo Film Festival | female gaze | women in Bollywood | Indian web series | best Indian films | Indian female director | women empowerment India | bold Indian storytelling | Indian podcast | Hindi cinema | streaming wars India | creative freedom India | xMonks Drive | Gaurav Arora

On their final night in Kharkiv, Saul, Boldi, Kim, and Julius gather for a debrief to reflect on a city caught between extreme opposites. Fresh off an overnight train from Odesa, they arrived just in time for International Women's Day—witnessing a blue-sky celebration of smiles and flowers juxtaposed against the smoking ruins of a freshly struck residential building. They dive deep into the unique friction of daily life in Kharkiv, where air sirens have become a permanent backdrop to existence. They share extraordinary firsthand accounts from the ground, including: A Surreal Encounter: The story of a traumatised survivor pushing a fistful of valuable Russian rubles toward them, declaring that the currency must have dropped straight out of the bomb. The Kupiansk Dynamic: A look at the fluid, nearby front lines where Ukrainian forces are currently encircling the last holdouts of Russian troops. Institutional Hurdles: A candid discussion on the Ukrainian army's struggle to scale innovation from elite units like the Khartiia brigade down to the "no-name" brigades. The Russian Way of War: An analysis of Russia's ability to learn as an organisation over a long war, balanced against their history of devastating troop losses. Finally, the team explores the evolving and complex role of women on the front lines. From a compelling interview with Katya—a special operations soldier who warns that Kyiv is now the more dangerous destination—to a Khartiia brigade story about female staff members turning down traditional Women's Day gifts in favour of a day on the rifle range, this episode highlights the unbreakable, "reinforced concrete" character of the Ukrainian people. The team wraps up as they prepare to catch an early morning train to Kyiv to see what the next chapter of their journey holds.Julius Strauss writes the blog Back from the Front and also owns and runs Wild Bear Lodge, a bear-viewing lodge, in Canada. Check out both in the links below:Substack: https://backfromthefront.substack.com/Wild Bear Lodge: https://wildbearlodge.ca/Join the Conversation: If you have a question about the war in Ukraine or any of the conflicts we cover, email us at podbattleground@gmail.comFollow us on:X - @PodBattlegroundInstagram - podbattlegroundProducer: James HodgsonA Goalhanger Podcast Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Justine, who wrote and hosted the Believe Her podcast, returns to the show to discuss her latest work. Justine is an award-winning independent journalist and author. Her latest book, Unreasonable Women, will be published in June 2026 by Ecco. Justine's prior books include We Are Not Such Things, and her features have been published in the New York Review of Books, New York Magazine, Harper's, the Guardian, VQR, and TheNew Republic, among others. Justine is also the host and co-producer of the investigative podcast Believe Her.She has been honored with the James Aronson Award, the Sigma Delta Chi Award, the Gracie Award, the iHeart Radio Award, the Mike Berger Award, and the Ambie Award. Justine has received grants from the Pulitzer Center, Type Investigations, the International Women's Media Foundation, and the Robert B. Silvers Foundation, and fellowships from New America, the Emerson Collective, the Sustainable Arts Foundation, the Logan Nonfiction Program, Type Media, and PEN America.Unreasonable Women releases on June 2nd. Please consider pre-ordering the book HEREThe majority of the funding of our work comes directly from listeners, through our Patreon community.  To join Patreon, click THIS LINK.  At the $5/month level you'll get access to lots of Patreon Only BONUS EPISODES, Ad Free versions of all episodes, an hour of Patreon Exclusive video content every week, and our new weekly podcast “Pre-Game”, which drops every Wednesday.  Not to mention early access to some episodes and the ability to watch and participate in interviews live.Today's Sponsors:Rula – Head to Rula.com/justice to get startedQuince – Head to Quince.com/Ruff for free shipping and 365 day returns.Factor Meals - Head to Factormeals.com/truth50off and use code "truth50off" to get 50% off and FREE BREAKFAST for one year.Draft Kings – Download the app and sign up with code “Truth” to claim 1500 Flex Spins!

This week, we celebrate International Women's Triple-V Day! Our 9th episode in a series dedicated to women who bring the fury with style and passion. Don't dare call these “chick bands”; these are kick-ass rock n' roll bands that happen to include powerful women in them!!! Piss off a man; you can fight it out and then go have a pint at the pub. Piss off a woman, and you will pay for it 10-fold. These are ladies that play loud and heavy with attitude and… balls?  What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. These ladies bring it, and you owe to yourself to check them out! These songs are all filled with attitude, grit, and raw girl power! We hope we turn you on to something new! Songs this week include: SuckerTrap – “Seven Sisters” from Seven Sisters - Single (2023) Her Fury – “Don't Tempt The River” from Don't Tempt The River - Single (2026) Stainless – “(Don't Cross Me) Fool” from Lady Of Lust And Steel (2026) Sky Valley Mistress – “Live Past Life” from Luna Mausoleum (2026) Baby And The Nobodies – “Aggressive” from Ready Or Not (2025) Hot Machine – “She's On The Money” from Leather And Steel - EP (2024) Maggot Heart – “THIS SHADOW” from HUNGER (2023) Yee Loi – “Ghost Of Vegas” from Ghost Of Vegas - Single (2025) Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://x.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Back in business! The Shipping Podcast is back from the hiatus, and in this solo episode, I explain my absence. How did you celebrate the International Women in Maritime Day 2026?  I share my view on why we need to accelerate the change we are in the middle of and learn from past mistakes to achieve what we want. Thank you for listening. Please send me your feedback hello@shippingpodcast.com I love feedback! Lena x

Veteran Ohio political writer Mary Anne Sharkey discusses the massive graft and abuse we are witnessing in the second Trump term and ponders why it seems so hard to stop it.Is making a president's every action in office unpunishable as the Supreme Court has done a good idea?What do you see as the worst public corruption scandal in the news lately? A. A DOJ slush fund for the president to pay off friends. B. A deal with the IRS that keeps the agency from auditing Trump, his company and his family C. Insider stock trading by high-level officials.Mary Anne Sharkey has been an Ohio-based newspaper reporter and editor all her adult life, serving in a series of leading roles at the Cleveland Plain Dealer especially. The first woman elected president of the Ohio Legislative Correspondent Association, she is an expert on Ohio politics and government. She also has been a strong proponent of women journalists as a board member of the International Women's Media Foundation. 

Flor Bretón García was born in Venezuela and left her homeland at 22 — which means she's now lived outside her home country longer than she lived in it. Lawyer. Educator. Cross-cultural consultant. Mother of three adult TCKs. President of FIGT. And a woman who, after receiving her 598th job rejection, sat down on a Friday night and wrote an article that stopped LinkedIn in its tracks.In this conversation, Flor and Doreen unpack what happens when globally complex women hit systems built for linear lives — and why that's not a talent problem. It's a design problem.Flor opens with the moment she was quietly advised to take an accent-removal class, so as not to distract her students. It was the first time she felt the world asking her to become smaller — and she traces her journey from that moment of self-consciousness to her current view of her accent as an open door, an invitation for people to learn her story.That story took a sharp turn on one particular Friday evening, when she sat down and really looked at those 598 rejection emails. What she noticed changed everything. Many had arrived within 30 minutes of her hitting "apply." Others cited a search for a better "cultural fit." No human being, she realized, was reading her resume at midnight on a Saturday. The systems were doing it for them — and those systems are built to reward one thing above all else: predictability. The very quality that globally complex women are not.This is what Flor calls the great gap — the distance between what organizations say they want and how they actually hire. They talk about agility, resilience, adaptability, the ability to navigate ambiguity. But their applicant tracking systems, their recruiters, their hiring managers are all scanning for familiarity and linearity. A nonlinear resume looks like uncertainty. And uncertainty, to a system, looks like a no.What makes this conversation so compelling is Flor's refusal to let that be the final word. She invites hiring managers to ask a different question entirely — not "why doesn't this resume fit our template?" but "what capabilities is this career showing me?" Because there is intention behind every pivot a global woman makes. The move that looks like confusion from the outside is almost always a decision made in the middle of uncertainty, following a vocation, pulling a common thread. For Flor, that thread runs through everything she's done as a lawyer, educator, and consultant: redesigning systems that truly honour humans with dignity.She also gives us one of the episode's most memorable frameworks — the difference between a Forest Gump resume and a Michelangelo resume. Both are nonlinear. But one looks like things just happened to you, and the other reveals that everything was intentional, even when the path was uncertain. The difference, she says, is entirely in how you tell the story.And telling the story, it turns out, is everything. Not listing countries. Not cataloguing credentials. But pulling the thread, naming the vocation, and being clear about what you want the listener to do with what you've shared. Flor's closing message is one worth sitting with: gWe would love to hear from you, send us a text please!Support the showYou can map the move. You cannot map the metamorphosis. Nomadic Diaries explores the interior journey of expat life — the belonging, the identity shifts, the repatriation, and everything that travels with you that can't be packed in a suitcase. This episode may be part of our Re-Entry Series (30 episodes on coming home) or The Belonging Project (29 episodes on belonging across cultures). Browse the full catalog at nomadicdiariespodcast.com and please share or leave a review if this episode resonated.

Barb Stegemann is back to inspire us once more, just in time for Mother's Day! Also known as the “Philosopher Queen,” Barb is a longtime friend of our show and a complete force to be reckoned with in the beauty business. Barb launched The 7 Virtues fragrance brand out of her garage in Halifax, Nova Scotia on International Women's Day back in 2010, after her best friend, Capt. Trevor Greene, was wounded in Afghanistan by the Taliban while serving there.Barb then sowed the seeds of what would become a historic social enterprise and commercial success story, buying fair-trade essential oils from farmers in war-torn regions to make perfumes for peace — and now The 7 Virtues is in 2,000 Sephora stores around the world.Tune in to hear about:What makes a viral moment: why The 7 Virtues “Santal Vanille and “Amber Vanilla” were the clean perfumes to pop off on TikTokWhy “Vanilla Woods,” launched in 2018, was years ahead of the gourmand trend, and what makes it the brand's bestseller to this dayWhat makes a fragrance “clean” anyway? Barb explains fragrance load, organic sugar-cane alcohol and a 24-hour wear test Why “Strawberry Jam” is the biggest launch in brand history, and why Barb believes everyone wants to smell like layer cake at this moment in timeInside The 7 Virtues Atelier on the Halifax Waterfront, and a major scoop on Barb's expansion plans for the custom fragrance concept storeThe Sephora full-circle moment: from taking part in Sephora Accelerate in 2018 to mentoring the next class of Sephora Squad creators in 2026“Dragons' Den,” redux: the original pitch that landed Brett Wilson's $125,000 investment (a reported 56-fold return), and what it felt like to return as a guest dragon for the show's 20th anniversaryWhy being underestimated is a gift, and the Marcus Aurelius wisdom Barb has repeated to her kids since they were small: “Be prepared to meet the angry, the lost, the jealous, the jaded. Now lead.”Get social with us and let us know what you think of the episode! Find us on Instagram, Tiktok,X, Threads. Join our private Facebook group. Or give us a call and leave us a voicemail at 1-844-227-0302. Sign up for our Substack here. Subscribe to our YouTube Channel to watch our episodes! For any products or links mentioned in this episode, check out our website: https://breakingbeautypodcast.com/episode-recaps/ Related episodes like this: The 7 Virtues Founder Barb Stegemann (original airdate in 2017)What Bite Beauty Founder Susanne Langmuir is Banking on Next“Perfume Princess” Mona Kattan On Kayali's Meteoric Rise at Sephora, The Secrets to Fragrance Layering and Is Your Signature Scent Overrated? PROMO CODES: When you support our sponsors, you support the creation of Breaking Beauty Podcast! LightstimLightStim Elipsa is an FDA-cleared device used by thousands of professionals to simultaneously treat wrinkles and acne. It has 868 professional LED lights and delivers the same collagen-stimulating results as a treatment at a doctor's office—and it's now available for at-home use. Use our code BEAUTY to SAVE 10% at lightstim.com.MeritRight now, Merit Beauty is offering our listeners their Signature Makeup Bag with your first order at meritbeauty.com.VivierBuilding on their legacy of Vitamin C innovation, Vivier recently launched their mostadvanced formula to date—Vivier Serum 30, designed to visibly brighten the skin, refine tone, texture and support a more radiant, even-looking complexion. Visit VivierSkin.com and use code BEAUTY15 at checkout to receive 15% off your purchase. NutrafolLet your hair be one less thing to worry about. See visibly thicker, stronger, faster growing hair in 3–6 months with Nutrafol. For a limited time, Nutrafol is offering our listeners $10 off your first month's subscription and free shipping when you visit nutrafol.com and enter promo code BREAKING. DoveDiscover the new Dove Serum+ Oil Body Wash at www.dove.com/ca now available on Amazon and in stores nationwide.*Disclaimer: Unless otherwise stated, all products reviewed are gratis media samples submitted for editorial consideration.* Hosts: Carlene Higgins and Jill Dunn Theme song, used with permission: Cherry Bomb by Saya
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After first spending a magical week in community together in Mexico nearly a decade ago, sister/co-host Kerry has taken multiple classes and workshops from writer and filmmaker/producer Kerra Bolton such as - Writing with Your Ancestors: Infusing Memoir with Family History and Say It Plain. “It's very hard in writing and what I've noticed among writing students is that a lot of times when they are afraid to be vulnerable, they will write about something instead of writing through it...I get it, when I was writing about learning how to swim in my forties, which ended up becoming my first film: “Return of the Black Madonna,” it was hard to be vulnerable. And so, I had to really write through it and not just write about a subject,: says the adventurous Kerra about an experience like going from first putting your face into a pot of water to eventually finding buoyancy in the ocean. Kerry first met Kerra at a writing workshop in San Miguel de Allende, far from any body of water, back in 2017 and they have stayed in touch ever since, following each other's life stories as time has gone on. This week on Outlook, for Kerry's now annual International Women's Day episode, she speaks with her friend and kindred spirit about their time together in San Miguel as Kerry shares an unforgettable offer Kerra made near the end of that week; one female supporting the other in the midst of some first time independent world travel jitters. Concerning themes of race, trauma, and legacy, Bolton has been published in places ranging from online community Sweatpants & Coffee to CNn. She has worked on projects such as the documentary Detroit Rising which explores restorative justice in Detroit schools, communities, and nonprofit settings. These two friends discuss finding joy, metaphors around black and white and night and day along with white fragility and the running from the feeling of any discomfort in standing up for a better, more equitable world. They talk through when to speak (up and/or out) in social media spaces or on their own platforms, for example, and when to sit in silence with ourselves as women. focusing on personal growth or embodiment practices. Also, they could and do spend a bunch of time around cultural critique of the treatment of women such as Beyonce and Taylor Swift in the country music genre, the differences in how some female artists are given breaks and chances in belonging in certain creative spaces more than others. During March's Women's History Month, these two cover women in pop culture, bond over having similar spelled/sounding names, and they also share their literary love of Canadian author Lucy Maud Montgomery who once said: "When I lose anything in this life I like to think I may find it in the next. After all, everything in the universe goes in circles - day and night, the seasons, the roll of the planets around the sun. Everything comes back to its starting point and begins again." Both Kerra and Kerry, like Anne of Green Gables pals," remain kindred spirits with their shared love of this iconic literary character, like Anne Shirley, one fictional and two real life writers utilising writing for self expression, and through work as advocates in the differing work they do from their little corners of the world, until they can one day meet IRL once more. In the meantime, check out Kerra's How I Made A Film Without Film School newsletter over on Substack: https://waterinmybones.substack.com Or go to her website: https://kerrabolton.com

International Women's Month SeriesBefore the titles, before the boardrooms — there was a belief that shaped everything. Mindy Grossman, Partner & Vice-Chair at Consello, was raised with a simple idea: you've been given a gift — now give it forward.That belief became the throughline of a career that took her from Nike, Inc. to Ralph Lauren Corporation to CEO roles at HSN, Inc. and WW International — transforming brands, industries and expectations along the way.But what defines her most isn't the scale — it's the clarity.The courage to walk away when values don't align.The discipline to say no as much as yes.And the conviction that not taking the risk can be the biggest risk of all.Her mantra: Passion. Purpose. Impact. In that order. People we talk about that impacted Mindy's life include:Ralph LaurenPhil KnightTommy HilfigerOprah WinfreyBarry DillerConnect with Mindy:LinkedIn: https://www.linkedin.com/in/mindy-grossman-a9348a85/ Consello: https://consello.com/leaders/mindy-grossman/THE RE:INVENTION EXCHANGE - for more Inspired Content, Blogs, Podcasts, RE:INVENTION Virtual Chats, or to buy a copy of my book RE:INVENT YOUR LIFE! WHAT ARE YOU WAITING FOR? by Kathi Sharpe-Ross, visit https://www.thereinventionexchange.comIG: https://www.instagram.com/kathisr_chief_reinventor/FB: https://www.facebook.com/kathi.sharpeross/ LinkedIn: https://www.linkedin.com/in/kathisharpeross

Seth and Josh are back with the monthly listener episode and this one's got it all! We hear some incredible listener stories including one recalls Oregon coast family trips, visiting The Goonies filming locations, and bluffing his way into Ecola State Park during the filming of a movie with a very famous actor (Arnold), another shares a honeymoon arrival in Barcelona during the International Women's Day march that turns into a taxi nightmare; and finally, a spring break trip to Delaware goes completely off the rails with missing linens, a beach bomb warning, and a box truck accident. Want to submit your family trips story for our next listener episode? Or send a question in to Seth and Josh? Submit your voicemail to speakpipe.com/familytripspod! Watch more Family Trips episodes: https://www.youtube.com/playlist?list=PLlqYOfxU_jQem4_NRJPM8_wLBrEEQ17B6 ------------------------- Support our sponsors: Yahoo Stress less with Planner from Yahoo mail Shipt Go to https://Shipt.com/offer and Use code ""podcast"" to get a year of Shipt for only $49 – HALF OFF the regular $99 price. Terms apply Butcherbox As an exclusive offer, new listeners can get their choice between chicken breast or top sirloin for a year OR ground beef for life, PLUS $20 off when you go to https://ButcherBox.com/trips -------------------------Family Trips is produced by Rabbit Grin Productions. Theme song written and performed by Jeff Tweedy. ------------------------- About the Show: Lifelong brothers Seth Meyers and Josh Meyers ask guests to relive childhood memories, unforgettable family trips, and other disasters! New Episodes of Family Trips with the Meyers Brothers are available every Tuesday. ------------------------- Executive Producers: Rob Holysz, Jeph Porter, Natalie Holysz Creative Producer: Sam Skelton Coordinating Producer: Derek Johnson Video Editor: Josh Windisch Mix & Master: Josh Windisch Episode Artwork: Analise Jorgensen Learn more about your ad choices. Visit megaphone.fm/adchoices

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In the final episode of the series on Grandmotherness, Julia speaks with Melissa about how this stage of life reshapes the way we let go, think long-term, and lead beyond our own agenda. Melissa begins by drawing a distinction between motherness and grandmotherness. While both are rooted in care, investment, and hope, grandmotherness introduces a different quality — love with less attachment to outcomes. It is about offering support, guidance, and encouragement, while trusting that things will unfold as they will. The conversation explores how this shift changes the experience of leading. Moving from structured roles to community-based work, Melissa reflects on how grandmotherness allows for a more emergent, less controlled way of leading — one that is not driven by fixed plans or measurable outcomes, but by openness and trust in the process. A central theme in the episode is letting go. From succession to influence, Melissa speaks about the challenge of stepping back — becoming less central, less visible, and allowing others to take ownership. True continuity, she suggests, comes when leadership does not depend on one person, but carries on seamlessly. They also reflect on the importance of thinking beyond immediate results. Grandmotherness invites a longer horizon — planting seeds for futures we may never see, and making decisions that are not centred on personal recognition or short-term success. The conversation touches on the risks of leading without this mindset — from creating overly compliant environments to becoming disconnected from reality. In contrast, grandmotherness encourages a way of leading that is grounded, observant, and quietly influential. Storytelling also emerges as an important thread. Grandmotherness is not about romanticising the past, but about holding and sharing stories honestly — including difficulty, struggle, and identity — so that others can understand where they come from and where they might go. This episode is a reminder that leading is not always about doing more or holding on tighter. Sometimes, it is about stepping back, letting go, and trusting that what you have helped build will continue beyond you. About the Guest Melissa Aratani Kwee is a Singapore-based community builder, social entrepreneur, and Director at Pontiac Land Group. She is the co-founder of Beautiful People, a volunteer-driven initiative that creates mentoring relationships for teenage girls, fostering confidence, skills, and lifelong connections. Trained as a social anthropologist at Harvard University, Melissa has spent her career shaping spaces, conversations, and communities that bring people together across sectors and cultures. She previously served as CEO of NVPC (Towards a City of Good) and has held leadership roles with organisations including the International Women's Forum Singapore and UNIFEM Singapore. Recognised with honours such as the Singapore Youth Award and listed among Forbes Heroes of Philanthropy, Melissa is known for her work in social impact, cross-cultural collaboration, and building inclusive, purpose-driven communities.

If you would like to watch this podcast you can watch it on Spotify or you can find it on YouTube here: https://www.youtube.com/@BattlegroundUkraineIn this episode, we arrive in Kharkiv following an overnight train from Odesa to find a city of stark contrasts. While residents carry flowers for International Women's Day in the beautiful spring sunshine, the scars of war are everywhere, from bombed-out buildings to the distant sound of explosions.We sit down with Public Affairs Officer at the Khartiia Corps of the National Guard of Ukraine, Volodymyr Dehtyarov discuss the evolving tactical landscape of the conflict. He details how Ukraine is adapting with a new, meticulous approach to urban operations that prioritises minimising casualties.Key topics include:The New Minister of Defence: Why the appointment of a young, tech-savvy leader is seen as a pivotal move for the Ukrainian military. A New Way of Fighting: A deep dive into the recent operation in Kupiansk, where meticulous planning and drone-heavy tactics achieved a staggering 20-to-1 casualty ratio.The Drone Revolution: How the battlefield has become "transparent and lethal," leading to the replacement of traditional armoured vehicles with fibre-optic aerial drones and unmanned ground vehicles for logistics and strikes.Cognitive Warfare: The ongoing battle against Russian bot networks and the role of artificial intelligence in shaping public narrative and social division.Julius Strauss writes the blog Back from the Front and also owns and runs Wild Bear Lodge, a bear-viewing lodge, in Canada. Here are the hyperlinks:Substack: https://backfromthefront.substack.com/Wild Bear Lodge: https://wildbearlodge.ca/Join the Conversation: If you have a question about the war in Ukraine or any of the conflicts we cover, email us at podbattleground@gmail.comFollow us on:X - @PodBattlegroundInstagram - podbattlegroundProducer: James HodgsonA Goalhanger Podcast Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

If you would like to watch this podcast you can watch it on Spotify or you can find it on YouTube here: https://www.youtube.com/@BattlegroundUkraine In this episode, we arrive in Kharkiv following an overnight train from Odesa to find a city of stark contrasts. While residents carry flowers for International Women's Day in the beautiful spring sunshine, the scars of war are everywhere, from bombed-out buildings to the distant sound of explosions. We sit down with Public Affairs Officer at the Khartiia Corps of the National Guard of Ukraine, Volodymyr Dehtyarov discuss the evolving tactical landscape of the conflict. He details how Ukraine is adapting with a new, meticulous approach to urban operations that prioritises minimising casualties. Key topics include: The New Minister of Defence: Why the appointment of a young, tech-savvy leader is seen as a pivotal move for the Ukrainian military. A New Way of Fighting: A deep dive into the recent operation in Kupiansk, where meticulous planning and drone-heavy tactics achieved a staggering 20-to-1 casualty ratio. The Drone Revolution: How the battlefield has become "transparent and lethal," leading to the replacement of traditional armoured vehicles with fibre-optic aerial drones and unmanned ground vehicles for logistics and strikes. Cognitive Warfare: The ongoing battle against Russian bot networks and the role of artificial intelligence in shaping public narrative and social division. Julius Strauss writes the blog Back from the Front and also owns and runs Wild Bear Lodge, a bear-viewing lodge, in Canada. Here are the hyperlinks: Substack: https://backfromthefront.substack.com/ Wild Bear Lodge: https://wildbearlodge.ca/ Join the Conversation: If you have a question about the war in Ukraine or any of the conflicts we cover, email us at podbattleground@gmail.com Follow us on: X - @PodBattleground Instagram - podbattleground Producer: James Hodgson A Goalhanger Podcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

International Women's Month Series. ..still!Deb Curtis has built an extraordinary career leading global marketing at Amazon, shaping brands like Prime and Alexa, with chapters at American Express, L'Oréal, and beyond. But what defines her journey isn't just scale—it's a single pivot early on that changed everything.As a college freshman, a simple but profound question—what do you want your whole life to look like?—shifted her path from sports broadcasting to marketing. That moment became the foundation for a career built not on linear steps, but on bold, curious leaps.Raised by generations of strong, trailblazing women, Deb didn't just hear about possibility—she witnessed it. And today, she carries that forward with a mindset that reframes fear as fuel. Instead of asking “what if I fail,” she leans into “what if it works?”—a philosophy that has guided her biggest reinventions, from leadership roles to personal choices, including motherhood and major life moves.Her message is simple and powerful: Don't box yourself in. Let curiosity lead. Treat fear as a signal to grow, not stop. And trust yourself to move on when something no longer fits.Make "Life Choices" and other things will fall into place!This conversation is a reminder that Reinvention isn't a moment—it's a mindset.Connect with Deb:LinkedIn: https://www.linkedin.com/in/deborah-curtis-a74841/ The Shaquille O'Neal Foundation: https://www.shaqfoundation.org Newhouse School, Syracuse University: https://newhouse.syracuse.eduTHE RE:INVENTION EXCHANGE - for more Inspired Content, Blogs, Podcasts, RE:INVENTION Virtual Chats, or to buy a copy of my book RE:INVENT YOUR LIFE! WHAT ARE YOU WAITING FOR? by Kathi Sharpe-Ross, visit https://www.thereinventionexchange.comIG: https://www.instagram.com/kathisr_chief_reinventor/ FB: https://www.facebook.com/kathi.sharpeross/ LinkedIn: https://www.linkedin.com/in/kathisharpeross

Author, advocate (and wife of Israel's opposition leader Yair Lapid) Lihi Lapid discusses her recent book, I Wanted to be Wonderful, exploring motherhood, marriage, female identity and raising a child on the autism spectrum, ahead of International Women's Day.

International Women's Month Series Liz Heller is a tech and media innovator, investor, and producer whose career has bent culture for four decades. She led artist development at MCA, where she commissioned more than 500 music videos for Tom Petty, Bobby Brown, and Belinda Carlisle. She became President of Island Visual Arts, then Executive Vice President of Capitol Records at the exact moment music, audio, and the internet collided. She produced The Basketball Diaries with Leonardo DiCaprio. She executive produced the Good Will Hunting soundtrack. She built early growth engines for TOMS one-for-one, Product(RED), Microsoft, Intel, and Apple. USA Today called her the godmother of the women's cyber movement in Hollywood. She calls herself a “multi-potentialite,” a word she found after I asked her to list everything she'd done back in the earliest episodes, when I first started The Power of Re:Invention. She sat in her office in New Mexico, started writing, and came up with more than forty things. She had no idea the list was that long. I love that. What I love about this conversation is how clearly “little Liz” foreshadowed all of it. She didn't play house. She played office. She was an entrepreneur before she had the word for it.  Her mother Billie was the blueprint. A true feminist. She worked on the UN doctrine for the Elimination of Discrimination Against Women and took Liz to marches at eight years old. Her father worshipped her mother and licked envelopes for her mailings. That is the household that made Liz.Her operating principle in life was and is simple and it's the whole episode. "If I am not happy doing something, I am absolutely not in the place of my best work."Some of her “tools” to live by:Try it on. Walk into the room acting like you're already the person. She used it on a woman at a top-five company agonizing over a promotion. The woman took the job.Conditions of satisfaction. Write out what would make you 85 to 90 percent happy. If what you have only hits 60, you have your answer.Voyage of discovery. Sit with your iPad for an hour and click wherever curiosity pulls you. Change your algorithm. Her feed is science, innovation, and knowledge because she made it that way. Brilliant, honestly.Her advice for women is the part you need to hear. Don't go where you're not comfortable. Build your own rooms. Build your own board of directors out of your girlfriends. Build the strategy to change it.Connect with Liz:LinkedIn: https://www.linkedin.com/in/lizheller/ memBrain: https://www.membrainllc.com THE RE:INVENTION EXCHANGE - for more Inspired Content, Blogs, Podcasts, RE:INVENTION Virtual Chats, or to buy a copy of my book RE:INVENT YOUR LIFE! WHAT ARE YOU WAITING FOR? by Kathi Sharpe-Ross, visit https://www.thereinventionexchange.comIG: https://www.instagram.com/kathisr_chief_reinventor/ FB: https://www.facebook.com/kathi.sharpeross/ LinkedIn: https://www.linkedin.com/in/kathisharpeross

All Home Care Matters and our host, Lance A. Slatton were honored to welcome Zita Christian as guest to the show.   About Zita Christian:   Zita Christian is a storyteller who believes in the power of love. She is the author of three historical romance novels, the co-writer of a one-woman play, a collaborator on a self-help book about grieving, and host and producer of two podcasts and a YouTube show for writers. In her work as a wedding officiant, she wrote more than 150 love stories.   Retired now, Zita is working on her dementia podcast and on a memoir about her caregiving journey.   About "My Spouse Has Dementia":   My Spouse Has Dementia is a free monthly podcast that uses personal stories, occasional interviews, and simple rituals to support dementia caregiving spouses.   In 2025, My Spouse Has Dementia was short-listed for the International Women's Podcast Awards. Entries were received from notable organizations such as CNN, ABC, BBC, and NPR, as well as from solo podcasters (those with no crew).   According to Everyone Media, creators of the award, the nearly 700 entries came from 35 countries. Of those entries, 13% of the short-listed podcasts came from a solo creator like Zita Christian.    

International Women's Month Series… Part 2 Chrissie Hanson is the incoming executive lead for Dentsu Media North America. As the former CEO of OMD USA, she led a team of 2,500 professionals and engineered the transformation that moved the agency from 10th to 1st in new business ranking, earning AdAge's 2025 U.S. Media Agency of the Year recognition.What I love about this conversation is how Chrissie pinpoints the exact moment everything shifted.She grew up in Hong Kong. Half Chinese, American, culturally British. Always on the outside. Never Western enough, never Asian enough. She wanted to be Secretary General of the United Nations. Her parents gave her three choices: doctor, engineer, or lawyer. She picked law because she didn't like blood and LA Law made it look glamorous!Then she graduated and realized she didn't want to be a lawyer. She sat on her mother's kitchen floor and sobbed. At 21, she thought her life was over.Looking back, she calls it the best thing that ever happened to her. That first shock built the resilience for every chapter that followed. Her advice: the earlier that shock comes, the stronger you are the next time. And there will be a next time.She sent 80 job applications. One was a tiny classified ad for a marketing communications agency. She didn't know what that meant. She got the job. And she decided to just be excellent at every single thing she did and see what happened.We talked about being a woman in a male-dominated industry. She never let it define her. She pushed through by being more prepared, more studied, more reliable. Her rule: if you make a promise to deliver something by a deadline, you keep it. Be the person someone else can rely on.Right now she's taking time to invest in herself. Peloton five days a week. Japanese lessons. Journaling. Planning trips with her family. Starting a podcast with her daughter and her sister, three generations.Her advice: be an architect of your own future. Experiment. Try the AI tools. Build something small. The longer you wait, the more fear you create.Connect with Chrissie: linkedin.com/in/chrissiehansonTHE RE:INVENTION EXCHANGE - for more Inspired Content, Blogs, Podcasts, RE:INVENTION Virtual Chats, or to buy a copy of my book RE:INVENT YOUR LIFE! WHAT ARE YOU WAITING FOR? by Kathi Sharpe-Ross, visit https://www.thereinventionexchange.comIG: https://www.instagram.com/kathisr_chief_reinventor/FB: https://www.facebook.com/kathi.sharpeross/LinkedIn: https://www.linkedin.com/in/kathisharpeross    

AI is already here. The question is whether it's working for you—or leaving you behind. In this conversation, Dr. David J. Johns sits down with Dee C. Marshall, CEO of AI Training Plus, creator of the Free by 3™ methodology, and founder of the inaugural Global AI Adoption Day—a people-first movement she's building to be for AI literacy what International Women's Day is for gender equity. Dee breaks down the biggest AI myths keeping people stuck, explains why closing the AI divide is one of the most urgent equity issues of our time, and gives the class practical tools to start their AI journey today—no tech background required. This one is for the babies, the parents, the educators, the community leaders, and everyone who has ever felt like AI wasn't made for them. It was. And May 6th is your moment to prove it.SHOW NOTES & RESOURCESResources Mentioned:Global AI Adoption Day (May 6): www.aiadoptionday.comAI Training Plus: www.aitrainingplus.comGoogle Gemini: gemini.google.com Anthropic (Claude): claude.ai Perplexity (research & fact-checking): perplexity.ai Microsoft Copilot (enterprise/closed source): copilot.microsoft.com Connect with Dee:LinkedIn: Dee C. MarshallInstagram: @deecmarshallBecome a supporter of this podcast: https://www.spreaker.com/podcast/teach-the-babies-w-dr-david-j-johns--6173854/support.

International Women's Month SeriesOnly child. Daughter of two scientists. Now majority owner of the longest-standing multicultural advertising agency in the United States.Monique Nelson is the Executive Chair and majority owner of UWG Inc., recently named Multicultural Agency of the Year for 2026. Since acquiring UWG in 2012, she's expanded the agency into Canada and Africa and co-founded Black Week, celebrating culture, creativity, and commerce. She's been at UWG for 19 years.What I love about this conversation is how Monique traces everything back to her upbringing. Her parents were scientists who taught her that you can do just about anything as long as you have a plan. Put out a hypothesis, then plot your path.Her grandmother was an entrepreneur. West Indian. Day job plus five more. Monique spent summers with her in Houston checking on properties, learning to drywall, hang shelving, use a level. They did the hard work in the morning, then something fun after. That became her formula: eat the peas first because peas suck cold.Her path to UWG wasn't planned. She was at Motorola when everything shifted at once. Divorce. Industry disruption. And the pull to go home and be near her parents while she still could. A dinner with a friend led to an interview. She was captivated by the founder, Byron Lewis, and the mission he had built. And then the COO said the thing that changed everything: I think you could run this place.Monique did it backwards by traditional standards. Bought the business, then got married, then had kids. No regrets. Her husband knew exactly what he was getting into.On leadership, she breaks it into three modes. Leading. Bossing. Listening. And listening, she says, is where most friction comes from when it's missing.Her advice: be coachable. Ask for help. And do the hard things first so you can enjoy what comes after.P.S. Monique is one of my dearest friends. I've watched her journey for years, and I'm so proud to share her with you.Connect with Monique:LinkedIn: https://www.linkedin.com/in/monique-nelson-1082b9/THE RE:INVENTION EXCHANGE - for more Inspired Content, Blogs, Podcasts, RE:INVENTION Virtual Chats, or to buy a copy of my book RE:INVENT YOUR LIFE! WHAT ARE YOU WAITING FOR? by Kathi Sharpe-Ross, visit https://www.thereinventionexchange.comIG: https://www.instagram.com/kathisr_chief_reinventor/FB: https://www.facebook.com/kathi.sharpeross/LinkedIn: https://www.linkedin.com/in/kathisharpeross    

International Women's SeriesLee Evans Lee is the founder and designer of Mrs. Mama Bear, a women's fashion brand that blends performance, comfort, and modern style. Think dresses, suits, and jumpsuits made from performance fabric. Function and fashion in one. Built for women who refuse to choose between how they feel and how they look.Lee grew up on a ranch in West Texas. She was riding the fence line alone by age 10, figuring it out as she went. That's where she learned to handle fear. To move through it. To know that no matter what happened, she was going to be alright.Her path wasn't linear. Pre-med, then TV production, then healthcare. Art school at night. Sewing school. She wondered if she was a flake. Looking back, every pivot was preparing her for what came next.The idea for Mrs. Mama Bear came from her own closet. She was tired of changing clothes five times a day. She wanted function, comfort, and style in one. It didn't exist. So she started drawing.Here's the part that gave me chills. She kept it secret for a year. Didn't tell anyone. Just drew at night, let it bake. She called it sacred. No opinions, positive or negative. Just her and the work. Counterintuitive to everything we're taught. But she knew it needed time to become solid enough to face the world.Now she's partnering with the Spurs and launching a sports line. The ranch is still there. She still goes back to listen to the hummingbirds.Her advice: don't be afraid to hold your dream close while it's forming.Connect with Lee:Instagram: https://www.instagram.com/leeevanslee/Shop Now: http://mrsmommabear.comTHE RE:INVENTION EXCHANGE - for more Inspired Content, Blogs, Podcasts, RE:INVENTION Virtual Chats, or to buy a copy of my book RE:INVENT YOUR LIFE! WHAT ARE YOU WAITING FOR? by Kathi Sharpe-Ross, visit https://www.thereinventionexchange.comIG: https://www.instagram.com/kathisr_chief_reinventor/FB: https://www.facebook.com/kathi.sharpeross/LinkedIn: https://www.linkedin.com/in/kathisharpeross   

First up, hear Cat Bradfield deliver the greeting highlighting WLRN's ten-year anniversary top one hundred women's songs as voted by WLRN listeners. Learn more and cast your votes here: https://wlrnmedia.com/2026/03/08/cast-your-vote-for-wlrns-top-100-songs/ Please participate by the end of May, 2026! Next, hear the world news featuring stories from Iraq, Nigeria, Zambia and the USA. Then, enjoy an original song by Cat Bradfield that she played live at the International Women's Day Conference 2026 in Australia last month. Thank you, Cat! Cease and Desist They deny that we're oppressed on the basis of our sex. We matter less than some fetishist who puts on a dress We get arrested, just because we dare to tell it how it is. I need to talk this through but now I'm scared to get a therapist. If the mainstream left are right and no one gives a damn about this, Then why the hell do they keep telling us to cease and desist? You say that you don't vibe with gender roles, And you don't have a gendered soul, Well, you and me have common goals cause that's the point of gender abolition. And I ain't going back into the kitchen Til I'm serving up the patriarchy's head upon a plate. They say the sexes aren't so different, but when arguing on twitter It sure seems to me that they can see which side needs threats of rape. They've got deep fakes of JK Rowling, and deep fakes of Moira Deeming If it's trolling why's it only women's faces that I'm seeing? where's the bound and gagged Matt Walsh? Where's the naked Elon Musk? where's the artificial sex tape of that fascist Donald Trump? Yeah they cancelled Graham Linehan, we won't be seeing him again, but he's not getting threatened with a sexual assault. Every time I go outside wearing shirts purchased from the men's Get asked my pronouns like somehow my clothes can alternate my sex. Come buy your innate sense of gender from your local shopping centre and they'll throw in free mastectomy, but what do you expect? The human body can be modified, and therefore be commodified. And the same people who say this think that you can buy consent. When women protest with our signs that spell out men cannot be lesbians, The other side are shouting things like death to evil feminists. And I can't go to any march for any left wing cause Cause every single grassroots movement has been captured in their paws Rallies for Gaza, for the climate, for dismantling of ICE, Have always gotta have some fucker waving blue and pink and white. Everyone but Pauline Hanson's always dancin' round the signs That putting men in women's prisons should have always been a crime And all the mainstream right's got left is that they give a damn about this, They'll get the vote, we'll get the boot, and they'll make us cease and desist. We may be allies of a sort in terms of saving women's sport But if we use our voice to be pro choice it's cease and desist. they deny that we're oppressed on the basis of sex We matter less than some fetishist who puts on a dress We get arrested just because we dare to tell it how it is Need to talk this through but now I'm scared to get a therapist Men do all this shit and get a slap upon the wrist But when women do speak up, we've gotta cease and desist. So fuck them all, we will speak up, we will not cease and desist. After the song, listen to commentary about social media from from feminist and poet Ann de Hugard before hearing commentary about AI from Spinifex Press founder Susan Hawthorne. Finally, WLRN's Lola Bessis offers up her commentary and thoughts about social media and AI in an intriguing and compelling piece. Thanks for staying turned to feminist-powered community radio, WLRN!

The week marks one month since the United States and Israel attacked Iran. We take a look at the impact the resulting war has had on the women and children of the country. Krupa Padhy is joined by BBC Chief International Correspondent Lyse Doucet and Ghoncheh Habibiazad, Senior Reporter from BBC News Persian.Recurrent miscarriage is when you experience more than two or three pregnancy losses, and it affects around one in 100 women. A device designed to offer more care and dignity during miscarriage, and that could aid greater understanding, is now being used in 28 hospitals across the UK. Engineer Laura Corcoran created a miscarriage collection cradle after she suffered the loss of her third pregnancy. She is calling for a wider roll-out of the device. Laura speaks to Krupha, along with Siobhan Quenby, Professor of Obstetrics at the University of Warwick.A new exhibition at Kensington Palace is celebrating the 150th birthday of Princess Sophia Duleep Singh – the Punjabi princess and suffragette. The Last Princesses of Punjab exhibition explores her life and five other women who shaped her. Krupha talks to the curator Polly Putnam and journalist and Radio 4 presenter Anita Anand, author of Sophia: Princess, Suffragette, Revolutionary.Another chance to hear our interview with Janet Willoner, known as the tree growing granny. Janet has grown more than 4,000 trees in her garden.  She forages for seeds, grows them, and they eventually grow in forests in her local area of North Yorkshire.  Zoom bombing involves crashing into a meeting and taking it over - more often than not showing shocking content including pornography. Businesswoman Lou Robey was holding a meeting on International Women's Day when it was zoom bombed. Lou has put out a call for action for media platforms and the wider community to act. She and Gina Neff, Professor of Responsible AI at Queen Mary, University of London join Krupha to discuss.

Welcome back to Truth, Lies & Work, the award-winning workplace podcast where behavioural science meets workplace culture. In this episode of This Week in Work, we tackle the overwhelm of 2026, explore a "hallucination-free" AI tool, and investigate if women are being set up for failure in leadership.

The Seattle Civil Rights Director on leave amid slew of HR complaints. Women gathered in Seattle and Tacoma for International Women’s Day, but they still can’t define what a woman is. Guest: Discovery Institute Fellow Marsha Michaelis sounds the alarm on a new bill in Washington State that would ram through permanent supportive housing against the wishes of a community. // Big Local:  Men across Washington are lamenting the fact that the annual Tulip Festival is nearing. A Shoreline family was scammed out of their life savings in a ‘pig butchering’ scheme. A gambler at Emerald Queen Casino in Tacoma won a huge jackpot on just a $3 bet. // You Pick the Topic: The wine industry is taking a big hit as both millennials and boomers have stopped drinking nearly as much.

On Thursday's Mark Levin Show,  the FBI is actively investigating Joe Kent for allegedly leaking classified information, including allegedly sharing secret details with figures like Tucker Carlson and leaking from a government server to a media contact. Will Carlson publicly deny receiving classified information from Kent or texting with Iranian regime contacts? Later, Iran's pursuit of weapons-grade uranium, 22,000 pounds which is far beyond what's needed for heating homes, is clearly for nuclear weapons development. We should be celebrating that the enemy is losing, instead the Democrats complain and call it a war of choice. Also, Washington Free Beacon reporter Jon Levine calls in and discuss his story on NYC's Mayor Zohran Mamdani's wife, Ruma Duwaji. Levine reports that old social media posts from her Tumblr account around 2017, when she was about 20, show her sharing images and quotes from Palestinian terrorists, including plane hijacker Leila Khaled with her paraphrase of a quote about dying for the cause, as well as content honoring a bomb-maker killed while making explosives and celebrating Palestinian tourists on International Women's Day.  Afterward, who has contributed more to America's wealth and job creation—Bernie Sanders or Elon Musk? Musk has created over a hundred thousand jobs, providing paychecks, health care, and pensions. Musk's wealth does not take from anyone, unlike government taxes paid to Uncle Sam.  Finally, Sen Jim Banks calls in and praises Trump's handling of Operation Epic Fury, describing it as one of the most successful and sophisticated military operations in history. He also supports the Save America Act, which is a critical effort to secure elections and protect common-sense policies. Learn more about your ad choices. Visit podcastchoices.com/adchoices

To celebrate International Women's Day in March, hear a very special story of a very special star, a free-thinking girl who was determined to overcome all odds in her search for stardom... ⁠To hear more stories just like this one, sign up now at PATREON and open up a whole new world of Hollywood drama Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode from March 9, 2022, we hear Heather go on a real tear about International Women's Day. Coming off of a great weekend in Albany slinging jokes on tour, she's back with attitude and some Heather health advice (we all know she is not a Dr., but wears a short white coat). Heather also takes voicemails from the hotline. Episode Sponsors:Visit ProlonLife.com/absolutely to claim your 15% discount and your bonus gift.Find Kahlúa Dunkin Caramel Swirl at retailers nationwide, including Walmart, Total Wine, Albertsons, Kroger, Ralphs, Safeway, BevMo, Publix, and more. Must be 21 or older to purchase. Please drink responsibly. For additional information, visit Kahlua.com and follow @Kahlua on Instagram.Please note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alaska is joined by special guest co-host Maureen San Diego this week to goss about International Women's Day, rising gas prices, and why Marueen called her childhood teacher a pedophile. Plus they chat about a breakfast drag show all about Lady Gaga, butt pics, how to cuck up your relationship, and why Maureen can't break the threshold of 10,000 followers on IG. Give her a follow! @maureensandiegoListen to Race Chaser Ad-Free on MOM PlusFollow us on IG at @racechaserpod and click the link in bio for a list of organizations you can donate to in support of Black Lives MatterRainbow Spotlight - Empathy Gooner by Ricki Lantanahttps://music.apple.com/us/song/empathy-gooner/1877325902FOLLOW ALASKAhttps://twitter.com/Alaska5000https://www.instagram.com/theonlyalaska5000https://www.facebook.com/AlaskaThunderhttps://www.youtube.com/channel/UC9vnKqhNky1BcWqXbDs0NAQFOLLOW WILLAMhttps://twitter.com/willamhttps://www.instagram.com/willamhttps://www.facebook.com/willamhttps://www.youtube.com/channel/UCrO9hj5VqGJufBlVJy-8D1gRACE CHASER IS A FOREVER DOG PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's @Betches, Sami and Aleen celebrate International Women's Day by building their personal Mount Rushmores of iconic women, from Meryl Streep and Michelle Obama to Oprah, Tina Fey, and Joan Rivers. Then they get into the internet's newest obsession: the completely unserious Donna Kelce home renovation memes, before diving deep into this year's Oscars race, why they're rooting hard for Sinners, and whether Timothée Chalamet may have tanked his own campaign with his ballet and opera comments. Plus, they talk Ben Affleck's surprisingly genius AI move, review Charli xcx's The Moment, and give Ariana Madix her flowers for the perfect response to a gross body-shaming comment. Go to the Betches Podcast YouTube page to watch full length episodes every Friday: Youtube.com/@betchespod   Learn more about your ad choices. Visit megaphone.fm/adchoices

Mercury is in retrograde which can only mean one thing — breakups. From Dak Prescott and Sarah Jane Ramos calling off their wedding to Luka Dončić's fiancée deleting all of her photos with the star hooper, this week gave us nothing but drama in the love department. Plus, Caroline recaps this week's free agency frenzy and CBS' betting analyst, Mackenzie Brooks, gives practical advice on how to actually win your March Madness pool. In this episode of Well Played, we also cover: Who promptly shut down the Joe Burrow and Jessica Alba dating rumors Why some are mad after Sydney Leroux's annual International Women's Day post How Tobin Heath's jersey retirement came full circle, ft. Brandi Chastain Why no one — not even elite athletes like Aryna Sabalenka — is safe from their moms comments on their appearance Send Its: Italians at the World Baseball Classic: https://www.instagram.com/p/DVmhwuWDezX/?hl=en Sydney Leroux's iconic International Women's Day post: https://www.instagram.com/p/DVpJv2Bj8Fs/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ%3D%3D&img_index=6 Steven's Institute lax bros support at spelling bee: https://www.instagram.com/p/DVoQ_QMDij2/ Iridocyclitis: https://www.youtube.com/shorts/oOrWDt1o1gk Practicing sports is embarrassing: https://www.instagram.com/p/DVoQ_QMDij2/ Follow Mackenzie Brooks: @kenzbrooksbets Follow Well Played: @wellplayedbytheskimm Follow Blake: @blaaakkkke Follow Caroline: @cghendy Learn more about your ad choices. Visit megaphone.fm/adchoices

International Women's Day is more than a perfunctory holiday in many parts of Latin America. In Mexico City, for example, more than 120,000 people turned out on Sunday to protest femicide and celebrate the ongoing fight for basic rights for women in the country. In honor of the holiday, this week's episode debuts our female power anthems hall of fame, highlighting women in Latin music whose art challenged the status quo of their time. Plus, some on-the-ground reporting from Anamaria Sayre at the march in Mexico City.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Joe Oltmann Untamed is fired up and diving straight into the fight for real election integrity. The episode opens with Trump himself calling out the SAVE Act. Why the hell can't we get nationwide voter ID when 76% of Black voters, 85% of white voters, and 82% of Latinos support it? Joe lays it bare: Senate Majority Leader John Thune doesn't think it's a real issue, dismisses the groundswell as a "paid influencer campaign," and keeps slow-walking the whole thing with pro forma sessions that block Trump's recess appointments, limited nominee processing, and zero push for bold procedural moves. Hot mic moment? Trump caught complaining Republicans are letting Democrats run the clock down on his entire administration. If Thune won't move, who's really running the show?Then Joe sits down with Jake Lang, January 6th political prisoner and unapologetic patriot, who shares raw stories from the front lines, getting bombed at his own NYC protest, blocked from a press conference after the attack, and watching Capitol Police officers honored on plaques while one gets indicted for rape and sodomy. Jake doesn't hold back on the hypocrisy, the blame-shifting ("white supremacy" excuses for ISIS-inspired violence), and the ongoing war on free speech and truth-tellers.Joe ties it all together with the daily insanity we're living through: Colorado Democrats refusing to define "woman" with XX chromosomes on International Women's Day, Erin fighting tooth-and-nail against the lunacy, and even reports of Israel proposing to outlaw Christianity with prison time for sharing the Gospel. This isn't just talk, it's a no-holds-barred wake-up call that the system is rigged, the clock is ticking, and we have to fight harder than ever to save America. Grab your coffee, hit play, and get ready to get angry, get informed, and get active. You won't walk away the same. Watch now.

We are continuing our conversation with Agnès Callamard, the secretary general of Amnesty International. On Sunday, tens of thousands of women around the world marked International Women's Day by demonstrating against gender-based violence and calling for an end to the U.S.-Israeli war on Iran. And today marks the opening of a major United Nations summit: the 70th Session of the Commission on the Status of Women. This all comes a week after Iraqi human rights defender and feminist advocate Yanar Mohammed was assassinated in Baghdad. She was killed in an attack on her home.

A new study just released in time for International Women’s Day reveals that Gen Z men think a wife should always obey her husband. What’s even more interesting, that’s double the number of what older generations think, with just 13 percent of baby boomers agreeing. What is going on with men under the age of 30? See omnystudio.com/listener for privacy information.

A new study just released in time for International Women’s Day reveals that Gen Z men think a wife should always obey her husband. What’s even more interesting, that’s double the number of what older generations think, with just 13 percent of baby boomers agreeing. What is going on with men under the age of 30? See omnystudio.com/listener for privacy information.

To celebrate International Women's Day on March 8th, and Women's History Month during all of March, we have a short message for you all. We couldn't possibly narrow down one or even 31 women to honor this month, so we'll keep honoring as many as we can, 12 months a year, just like we have been for the last 15 years. xo Susan and Beckett Find a woman to celebrate from our extensive catalog of podcasts on our website, thehistorychicks.com, or however you get your podcasts. Share this mini-episode with a friend, or, if you are so inspired, take a gander at our merch shop, and help support our work. Thank you! Learn more about your ad choices. Visit podcastchoices.com/adchoices