Podcast appearances and mentions of Suzanne Ciani

Today's episode features American musician, writer and acivist Alex Maiolo.Alex composes for modular synthesizer under the monikers Action Group, and TRIPLE X SNAXXX. Both projects are equally influenced by Motorik, aka Krautrock music, Suzanne Ciani, Psychedelia, Detroit techno, ambient music, and Giorgio Moroder.He also is a regular contributor to Louder Than War and The Quietus.Ladies and gentlemen, meet the erudite Alex Maiolo...If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

Dimitri and Khalid resume their dive into the deep history of the synthesizer and electronic music, this time covering the late 1960s-early 1970s explosion of the Moog and Buchla synths into popular consciousness. Topics include: More from Trevor Pinch's “Analog Days”, sus acid test graduations, the faux-apocalyptic “Awareness Festival” held amid race riots at SF State, B-52 bombers turning into butterflies, the Diggers Commune and the sounds of space aliens, the Grateful Dead's pivotal role in sound technology innovation, Moog's coming out party at the 1967 Monterey Pop Festival, heckin' Bernie Krause and the curious Scientologist swinger Paul Beaver selling Moogs in LA, UFO hunting around Mt. Shasta, George Harrison screwing over Bernie to make his shitty electronic album, the impact of Wendy Carlos' seminal “Switched On Bach” album, the question of gender and the synthesizer, the labor anxieties triggered by “Switched On Bach” and the Moog, Suzanne Ciani's long strange Buchla trip, synthesizing the sounds of corporate America throughout the 1970s, human-Buchla cathexis, the feminine approach to synthesis, and more. For access to premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad.

What a treat it was to speak with the absolutely wonderful Suzanne Ciani who's really a unique and outstanding woman in the world of electronic music. We get into her early use of psychedelics and chat about spirituality and the inner “little voice” which is her guide in all things. We discuss eternal sounds, how her LP “Seven Waves” was constructed from a huge manuscript. We listen to her snoring cat and chat tennis. In fact there's a lot of tennis talk here which is definitely a first and an area Suzanne is very passionate about. Of course we talk about the exceptional Don Buchla and some of the excentric ways in which his modules behave even from one unit to the next. We also explore his attire. It's amazing to think of the time she came up in time when synthesizers were first emerging and nobody had heard these vast, pure and electric vibrations that were really unlike anything that had come before. In this day and age so much it's taken for granted and yet it all returns in the end to the sea. To the ocean waves which of course she's so known for coaxing in synthetic form so deftly. Im so glad I got to spend a little time with the brilliant Suzanne Ciani. ____________ Thanks to Ableton for their kind support. They are the show sponsors and I do a little nitty ad slot showing off the excellent MPE control possibilities of the Push3 when paired with a compact 7U modular rig via the expert sleepers ES10 ADAT to Euro 8 in 8 out module. Check the push at ableton.com And in fact they are offer a healthy discount to HOWA listeners. It's a coupon code VALID TIL THE END OF FEB 2025 Use code HOWAP320 At checkout for 20% off the Push3 !!!    

    I did not do a Sunday Morning Music mix at all last year

Electronic music pioneer and composer Suzanne Ciani discusses her career highlights in conversation with William Stokes, including early performance struggles due to her determination to present shows in quadraphonic, a career resurgence thanks to Moogfest and why she loves working with the Buchla interface.Chapters00:00 - Introduction01:06 - The First Female To Score A Movie04:01 - Having More Than 20 Albums04:36 - Golden Apples Of The Sun07:55 - Live Performance Struggles11:57 - A Love Of Programming14:09 - Interacting With A Buchla17:14 - A New Way Of Performing Music22:32 - The Buchla 250 MARF25:36 - Making A Comeback At Moogfest29:36 - Creating Spatial Content38:40 - A Meeting Of Art And Science 41:36 - Future Plans"I didn't build the machines, I certainly didn't design them, but I could interact with them and use them, you know, and that's what I liked".#buchla #moogSuzanne Ciani BiogSuzanne is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist who has released over 20 solo albums including "Seven Waves," and "The Velocity of Love," along with a landmark quad LP “LIVE Quadraphonic,” which restarted her Buchla modular performances. Her work has been featured in films, games, and countless commercials as well. She was inducted into the first class of Keyboard Magazine's Hall of Fame alongside other synth luminaries, including Bob Moog, Don Buchla and Dave Smith and received the Moog Innovation Award. Most recently, she is the recipient of the Independent Icon Award from A2IM, The Golden Ear Award and the SEAMUS Award.Suzanne has provided the voice and sounds for Bally's groundbreaking "Xenon" pinball machine, created Coca-Cola's pop-and-pour sound, designed logos for Fortune 500 companies and carved out a niche as one of the most creatively successful female composers in the world. A Life in Waves, a documentary about Ciani's life and work, debuted at SXSW in 2017 and is available to watch on all digital platforms. Ciani is a graduate of Wellesley College and holds a Masters in Music Composition from the University of California, Berkeley.http://sevwave.com/https://transversales.bandcamp.com/album/golden-apples-of-the-sun-3William Stokes BiogWilliam Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more. As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips' Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom. Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I'm always seeking out the most ‘out-there', experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.” Stokes currently lectures in Music Production at City, University of London.https://www.vokagentle.com/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Divendres

Suzanne Ciani - "10th voice: Sound of a Lighted Window" - Voices of Packaged Souls [1970] [Voices Of Packaged Souls" was the first album recorded by Suzanne Ciani, originally pressed up in 1970 as a private edition of just 50 copies.] Stelvio Cipriani - "Seq.17" - L'Uomo Più Velenoso Del Cobra (Original Motion Picture Soundtrack In Full Stereo) Tujiko Noriko - "Endless End" - Shojo Toshi Roland Hollinger - "Entre Les Colonnes De Pierre Figées Par L'éternité" - Bardo Thodol / Prométhée... Aujourd'Hui Phillipe Blanchard - "Variation sur un Horizon Perdu" - Prix International Noroit-Léonce Petitot 1997 v/a Kamal Hassan - "Vikram" - Fire Star: Synth Pop & Electro-Funk From Tamil Films 1985-1989 Lapre - "Septer" - Eins Und Zwei Und Drei Und Vier 2 - Deutsche Experimentelle Pop​-​Musik 1978-87 (V/A) Camille Sauvage - "Knockin' Bells" - 7 Drums Concerto :Zoviet:France: - "Neptune" - Eostre David Rosenboom - "Initial State (excerpt)" - Systems Of Judgment Luciano Berio - "side 2 (excerpt)" - Laborintus 2 Tuty Subarjo & Onny Surjono - "Janjimu" - Album Nostalgia https://www.wfmu.org/playlists/shows/143275

Primer #SensorialRadio del segundo semestre de 2024, paren oreja. I. Novedades de Mabe Fratti, @__sasmo, PARTY DOZEN, @Carlos Giffoni, además repaso de Suzanne Ciani y Burning Witch. II. Afasia regresa con 2 eventos, impro de primera línea, jueves en @peggy_lopez_, viernes en Galeria Sepia GDL. III. @monstruosidades_del_profesor presenta:Slavery Records¿La respuesta hispana a Hi-Fideity, la famosa novela de Nick Hornby?...si bien es la historia de la dueña de una tienda de discos y su día a día, aquí el único romance que se tiene es a la música, así que aunque hay rompimientos amorosos, no son la parte medular de la historia. Mejor adentrémonos en Monstruosidades para saber más del trabajo de Pedro Learreta en su debut: Slavery Records. Producción y conducción: Javier Audirac. Sistema Jalisciense de Radio y Televisión. Visita: www.jaliscoradio.com

If you were watching TV in the 1980s you're probably familiar with the sounds of electronic music pioneer Suzanne Ciani, whose synthesizer compositions became the sonic logos for Coca-Cola, Atari, GE, PBS and dozens of other brands. Ciani has gone on to cultivate new audiences through her quadraphonic concerts that she produces using an updated version of the same synthesizer that she played as a student at UC Berkeley in the late-1960s, the Buchla 200E. We'll talk with Ciani about her career, how California inspires her and hear excerpts from her upcoming concert series that celebrates the 40th anniversary of her breakthrough album “Seven Waves.”

"Seven Waves" (1982) - Suzanne Ciani

Featuring guest artist Dream Chambers sharing her experience in the Nashville underground scene. Plus creative influences Pauline Anna Strohm, Kaitlyn Aurelia Smith, Suzanne Ciani, Eardrummer

Pixelated Audio is back from a wonderful weekend at VGMCon in Minnesota! Gene was slated to represent us but along the way drummed up a party including Pernell from Rhythm and Pixels, Carlos from Heroes Three, and Thomas Kresge head of the Game Brass (check out their new album Barrel Brassed)! When in Minnesota do as the Minnesotans do, as the saying goes. We had a fun time talking about all manner of VGM related to the Midwest; the region itself, games about the area and made there, as well as composers from the area. Getting more specific we cover pinball and edutainment in some level of depth before the panel devolves into talking about Shrek, cheese, and endless trips cross country. It's a fun journey through a diverse range of VGM and we hope you enjoy the show we put together. Pardon the noise in the background, it was the best we could do with a portable recorder. Track list 0:00:00 (Bedding) "The Creek" WolfQuest (Minnesota Zoo & Eduweb 2007) by Tim Buzza, additional music by Ben Woolman 0:14:52 (Excerpt) Suzanne Ciani Creates the Soundtrack for a Pinball Machine YouTube 0:15:51 (Excerpt) Xenon gameplay (Bally 1980) all audio by Suzanne Ciani (video courtesy of London Pinball) 0:18:19 "Main Theme" Pin-Bot (Williams 1986) by Chris Granner 0:22:24 "Speak Softly, Love" feat. Slash from The Godfather Pinball (Jersey Jack Pinball 2023) by Thomas Kresge 0:26:38 "New York City (Action)" X-Men Legends (Raven Software 2004) by Rik Schaffer 0:33:34 "Title Theme" Oregon Trail Deluxe (MECC 1993) by Lon Koenig and Larry Phenow 0:36:47 "Gimme Mo' Torque" Vigilante 8: 2nd Offense (DC version, 1999 Luxoflux) by Christian A. Salyer, Eric Klein, Javier Marquez 0:40:26 "Tracking Trouble" Puzzle Agent (Telltale Games 2010) by Disasterpeace / Richard Vreeland) 0:47:04 "Granny Cream's Hot Butter Ice Cream" Hypnospace Outlaw (Tendershoot 2019) by Hot Dad / Erik Helwig / "Chowder Man" 0:49:11 "Kitchen Music" I Am Bread (Bossa Studios 2014) by Black Heron (Leo Chilcott and Murugan Thiruchelvam) 0:54:48 "Protector's Enclave" Neverwinter (Cryptic Studios 2013) by Kevin Manthei 0:58:44 “Let's Break Physics (Main Theme)” Unstable Scientific (Studio Castle Soodalkov TBD) by Super Marcato Bros 1:04:29 "Exploration" WolfQuest by Tim Buzza 1:21:09 "The Creek" WolfQuest by Tim Buzza Additional things mentioned during the talk Minnesota Educational Computing Consortium (MECC) The Story of The Oregon Trail - Gaming Historian YouTube Trailheads: The Oregon Trail's Origins - Twin Cities PBS Ben Hanson travels the roguelike Oregon Trail - Video Game History Foundation R. Philip Bouchard (lead designer of the 1985 Oregon Trail) Personal website | died-of-dysentery.com | Died of Dysentery book, history of the game Minnesota things! Level with Emily Reese podcast home | PA episode with Emily VGMCon Games Done Quick Other things mentioned Airport CEO - game | soundtrack Fight'N Rage - game | soundtrack SML Podcast

‘Pioneer' is a word that often gets overused in the world of music journalism, especially when describing this week's guest, but that's exactly what she is, a pioneer…a true pioneer of electronic music!  Suzanne Ciani speaks to me about the time she met Don Buchla and her memories of him, as well as discussing her early career in new New York, making advertising jingles for huge companies like coca-cola.   She also talks about the recording of ‘Golden Apples Of The Sun' a collaboration with Parisian composer Jonathan Fitoussi, which came out last October      Suzanne Ciani performs in China on May 24th before retiring to the UK for a couple of dates in September. For tickets visit: https://www.sevwave.com/ Synthetic Dreams title music is by Chris Ibbott 

When everyone went scrambling to therapy during lockdown in 2020, what did the therapists think? Find out in this sweet and intimate conversation with Nick Turner, aka the experimental ambient musician Tyresta. I've had lots of musicians who are in Nick's orbit as guests, but he's the first one to really delve into the music-making process, so this could be a good intro to thinking about a genre that can get pretty heady. Find joy in the music and in this episode!Content warning: mom dying, burnout, insomnia, anxiety, modular synthesis, Acceptance and Commitment Therapy, Zen, making instrumental music ABOUT something, joy-curating practices, Suzanne Ciani & Kaitlyn Aurelia Smith's album Sunergy.If you believe in This Is Your Afterlife and want fun bonus episodes, become a patron for $5 or $15/month at patreon.com/davemaher. Follow Nick on IG at @nick__turner.Listen to and buy the newest Tyresta album, Small Hours.Preorder the new Montgomery and Turner album, Sound Is (Our) Sustenance!And if you want to book therapy with Nick, check out his Psychology Today page.Donate to the Chicago Abortion Fund via my page to provide life-saving healthcare to folks who need abortions.Follow this show on IG: @thisisyourafterlife, and get more info at thisisyourafterlife.com. Have thoughts on the show? Email thisisyourafterlifepodcast@gmail.com.Follow me @thisisdavemaher on Instagram and Twitter.All music by This Is Your Afterlife house band Lake Mary.Check out my other podcast, Genre Reveal Party!, where I analyze TV and movies with my friend, writer and cultural critic Madeline Lane-McKinley.

Laura Misch, Suzanne Ciani, Madame Gandhi and Sian O'Gorman talk about their music practices, how they're entwined with nature and technology, the natural muses which inspire their creative process, and imagining futures in which music can have a reciprocal relationship with the environment it is played within. Laura Misch is a multidisciplinary artist and producer from London. She is a singer, songwriter and saxophonist, who also makes audio and video collages. She primarily has a loop-based saxophone practice, and her debut EP Playground was released in 2017. Since then, she has also become interested in including natural surroundings in recordings. In 2021, she composed an immersive outdoor installation in Epping Forest in the UK, eventually soundtracking large-scale tree projections mapped onto buildings in London. Her debut album Sample The Sky came out on October 13th, and it's an ode to care, connection and listening to the natural world. Producer, drummer, artist and activist Madame Gandhi's career has included collaborations with MIA, Kehlani, and Thievery Corporation, and she's also featured on the BBC's 100 Women list. Her activism includes combating menstrual stigma people face around the world, and she's a Harvard graduate to boot.Suzanne Ciani is a musician, sound designer, composer, and record label executive who has made incredible electronic music and sound effects for films and TV. She's worked with quadrophonic sound, and has been pioneering electronic music since the 1970s. Sian O'Gorman is part of the self-managed collective NYX,a collaborative drone choir and otherworldly electric chorus, re-embodying live electronics and vocal techniques. NYX will be recording their debut album later this year.

If you were watching TV in the 1980s you're probably familiar with the sounds of electronic music pioneer Suzanne Ciani, whose synthesizer compositions became the sonic logos for Coca-Cola, Atari, GE, PBS and dozens of other brands. Ciani has gone on to cultivate new audiences through her quadraphonic concerts that she produces using an updated version of the same synthesizer that she played as a student at UC Berkeley in the late-1960s, the Buchla 200E. We'll talk with Ciani about her career, how California inspires her and hear excerpts from her upcoming concert series that celebrates the 40th anniversary of her breakthrough album “Seven Waves.” Guests: Suzanne Ciani, music composer, performer

This is Episode 62 of To Etherea and Beyond - An Ethereal New Year. The show broadcasts on Harrogate Community Radio at 9am this Sunday 21st January and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond The show features music by: Maps, Nathan Fake, junodream, JJUUJJUU, Glaring, Japanese Television, Rival Consoles, Konx-Om-Pax, Sheherazaad, Sunstinger, Rainsong, Whitelands, Anthony Pirog, John Frusciante, Svaneborg Kardyb, Suzanne Ciani, Jonathan Fitoussi, Warrington Runcorn New Town Development Plan, Donato Dozzy, Underworld, Martyn Heyne, Drab Majesty, Share, Pye Corner Audio, Andy Bell, Sonic Boom, Bleach Lab and IDLES https://harrogatecommunityradio.online/shows/to-etherea-and-beyond/ This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

This week we talked to UK music scribe Camilla Aisa (Shindig, Rock Collector) about the 2020 music documentary ‘Sisters With Transitors.'  We discuss how 2 seconds of a Suzanne Ciani composition might be one of the most perfect pieces of music of all time, pop thievery vs. true innovators, music that can transform your life, and Camilla's dissertation on the garage/psych music scenes of the Pacific NW. So, let's pull some wires and turn the dial as we discuss one of the greatest music documentaries of all time.CAMILLA AISA:https://twitter.com/camillaaisahttps://www.instagram.com/camillaaisaTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhandHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please rank and review it on your favorite podcast app.Thanks! Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

As with all past ‘Reflection' year-end mixes, I start with a collection of albums, EPs, and compilations I have enjoyed over the past year. Through the process of compiling a mix, tracks are selected from this extensive collection. This ultimately means many of my favorite tracks and albums are often omitted in this process, due to the organic process of compiling a mix, things don't fit, or fall by the wayside. There are many albums I had on high rotation missing from this mix, but I have to stop somewhere. As I say every year, this isn't a definitive ‘best-of' list, but a selection of *some* of my favorite music from the year in one listenable format. It's the most enjoyable way for me to boil down the music I've loved from the year using these self-imposed restrictions, for you to enjoy and hopefully discover more, and for me to reflect on time and time again - like a photograph that captures the year in music. I encourage you to use the mix to explore each artist, listen to the album in full, and explore each label (and check the Buy Music Club list at the bottom). If you want to see the majority of music I've been supporting this year, head over to my Bandcamp collection. For the ASIP year-end label compilation, see the feature and mix here.~Yikes, I crossed the 3-hour mark! Well, that speaks volumes to the amount of great music that was released this year, and I'm already feeling guilty about omissions from this mix. But alas, it needs to stop somewhere, the Holiday's are coming… This edition marks the tenth year in succession (2010 was the first mix but I skipped doing this for two years for some reason) and it is an extremely enjoyable exercise I look forward to every year. Revisiting many of the albums I've purchased throughout the year, and records from my shelf, then taking the time to absorb more recent releases - the process is cathartic (after the slight anxiety that builds knowing I have a beast of a mix to tackle, and hard decisions to be made). Looking back at previous Reflection mixes, I am evidently a creature of habit and seem to gravitate to certain artists more than most over the years (we all have our faves), but I also take a lot of time to dig for new artists and approaches to music in this realm, and this year's edition is probably the most varied in music styles since the Reflection series began. Ambient, field recordings, drone (Power-ambient, even), big saxophones (the flute revival didn't make it ;-), Japanese left-field pop, deep techno, chugging techno, modern classical, experimental, jungle, breaks, dub and more… as you might imagine, this is a 3hr mix that feels more like a showcase than a DJ mix in the traditional sense, as I'm focusing on creating chapters of different styles, but I hope makes for an attentive listen if you've got 3hrs to spare. Am I going to write about all 42 tracks? Not this time, as I don't think there's much I can illustrate other than ‘go listen to that entire album!' but I will make a few observations on themes that emerged as I was going through this process. Firstly, the far corners of Bandcamp are very much alive, so for anyone looking for alternatives given all the talk with Bandcamp this year, please don't hit the escape button and continue to support us- I continued to find so many new labels and artists, some of which are included here such as Liis Ring, Etüüd, ǝɯǝɐ, Azu Tiwaline and not to forget a kick-ass Jungle community throwing out some lovely 90's infused comps. Bandcamp keeps small labels and artists alive right now (only two of these tracks were physical releases and not on Bandcamp - #19 & #42). I spent a lot of time listening to music that would work for the two shows I played in Japan earlier this year, and for those who listened back to one of the sets I posted, you may notice a few similar tracks/artists appearing here again which I've held in high regard since their release, such as Jo Johnson, Field Lines Cartographer and Endurance. On reflection, there was a lot of deepness for me this year that came from preparing for and inspired by those sets, sitting on the edges of techno with lots of synthesizer/Berlin school projects (as well as a couple of artists I got to see in person whilst over there such as Yolabmi and Endurance).There were a couple of glaring omissions from this mix (*checks Bandcamp app most played*) which I had on rotation so much this year that I still wanted to mention, such as Imaginary Softwoods, who was behind one of my favorite tracks of the year, ‘Diagrams of the Universe'. Along with Johnny Nash's Point of Entry - a tranquil guitar-laden affair, both of which never left my turntable for long.The ever-expanding ASIP roster of artists, both alumni and current, had an extremely busy year evidently (I try to restrict their inclusions in this mix where I can otherwise it could be an entire ASIP promo show… hey that's an idea…). bvdub released about ~10 masterpieces, as only he can, flaunting all possible peripherals in his deep arsenal (along with rounding out the Earth House Hold project with us of course). ASC was crazy busy with his quality retro Spatial DnB releases (one of them made it in here). For those who enjoyed Alex Albrecht's debut with us, don't miss his earlier 2023 release. Deepchild released another great textured follow-up to his ASIP debut for those wanting more. 36 continued some rave-esque ambient no doubt inspired by his 9128 recording a few years back. Markus Guentner began an exciting collab project with Joachim Spieth (and also appeared in several other collaborations). RAI kept things relatively reflective with a few Bandcamp specials and recordings from his live tour. Benoit Pîoulard made a beautiful return to Morr Music, and Christian Kleine rounded out the year with a limited vinyl press. Those needing more from our 2023 new signing Mikkel Rev, can check out his earlier album released in January this year. James Bernard had a busy year alongside his wife as Awakened Souls, and found more 90's DAT goodness among many other projects. Mick Chillage released a superb sleeper IDM album in the form of Initial Programs. Dr Atmo's throwback to his early sounds saw a rebirth of one of his most enjoyed albums alongside new remixes. Wanderwelle made their second full-length odyssey for Important Records and Yagya continued to explore uncharted new takes on his sound through his new label imprint. Scanner's innovative repertoire continued to expand and one of my faves of his came in the form of this collab. Hior Chronik published a couple of unreleased gems. And lastly, Ludvig Cimbrelius aka Purl/Illuvia and Arovane managed to sneak onto this mix with a couple of their releases… Two labels who hit home runs for me this year with the majority of their releases. Illian Tape had some extremely great (and varied) electronic releases. And while Mysteries of the Deep's output was relatively choice (quality over quantity), 3 out of the 4 releases made it onto the mix! There are a couple of tracks in the mix from albums that align with what seems to be, the common consensus on some of the ‘best' electronic releases from the year (one of the advantages of my waiting until mid-December to finish this mix is I see what other people are rating highly or what I might've missed) such as James Holden's psychedelic return, and Purelink's amphibious dub LP. But other than those two, I think everyone should find something new among the twists and turns across the 3 hours and 42 tracks.For the mix artwork this year, and after last year's terribly basic AI take (it's come a long way in a year!), I toyed with creating another AI attempt on a “A Strangely Isolated Place” prompt, but you have to spend time to get quality back out of these lil' work gnomes. Every image I created from that prompt ended up being a stereotypical lonely hiker (with 4 fingers I'm sure) strolling through a highly conceptual colorful future universe. Either that or a decrepit shed…So instead, I opted for an image that means much more to me… a wall. Not just any wall though, it's the wall outside of Spread nightclub in Tokyo where I had the pleasure of playing an ambient set this year, meeting new friends, and making some amazing memories.Thanks to all of the artists and labels included here who have soundtracked my year in more ways than one, and the many more I didn't manage to include this time around. Be sure to check the previous year's Reflection mixes for more of the same. Hope you enjoy the listen back at a great year of music. astrangelyisolatedplace · ASIP - Reflection on 2023 Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android appDownload MP3Tracklist:01. Sleep D - Hector (Dreaming) (Butter Sessions) 02. Liis Ring - after-image IV: abborresjön (Breton Cassette) 03. William Selman - Leaky Paradise (Mysteries of the Deep) 04. Etüüd - Õhtute kollane tolm (Self released) 05. TU M' - Monochrome #26 (Line Imprint) 06. Arovane - ypaal (Quiet Details) 07. Field Lines Cartographer - Mountain Icicles (Castles in Space) 08. Dream Dolphin - Gaia (Ethereal Fantasy) (Music from Memory) 09. Salamanda - Nostalgia (Wisdom Teeth) 10. Endurance - Crest v2 (Muzan Editions) 11. Suzanne Ciani & Jonathan Fitoussi - Coral Reef (Transversales) 12. Alex Israel - Vacua (Somnambulant Drift) 13. The Black Dog - The Mundane (Dust Science) 14. Locust - Miriam (Mysteries of the Deep) 15. Niko Tzoukmanis - Way Home (Libreville Records) 16. Jo Johnson - Transience (Mysteries of the Deep) 17. Dasha Rush - Dubby Doo (Raster Noton) 18. ǝɯǝɐ - Andrei Rublev (Secuencias Temporales) 19. Gigi Masin & Rod Modell - Red Hair Girl At The Boat Shop (13) 20. Toki Fuko - Part Two (Astral Industries) 21. shedir - Deer Fluent in the Wind (n5MD) 22. Ayaavaaki & Purl - Distant Lights (Ovum III) (LILA) 23. Bana Haffar - Sit Still (Touch) 24. Mike Lazarev - Tonality Number Two (PITP) 25. Claire Deak - In Defiance of Time (Lost Tribe Sound) 26. Lord of the Isles feat. Ellen Renton - Don't You Ache (AD93) 27. nthng - Unlimited (I) (Self released) 28. Donato Dozzy & Sabla - Flusso III (Gang of Ducks) 29. Sindh - Spyres (Sindh) 30. James Holden - In The End You'll Know (Border Community) 31. Andrea - Audieze (Ilian Tape) 32. ASC & Aural Imbalance - Overcast Skies (Auxiliary) 33. Accelio - The Garden (Sawteeth) 34. Yolabmi - Liquidity (29 Speedway) 35. MPU101 - nurMKS30 (Ilian Tape) 36. Ylia - Ame Agari (Balmat) 37. Azu Tiwaline - Antenna Opening (I.O.T Records) 38. Purelink - We Should Keep Going (Peak Oil) 39. Priori - Top Soil (Rhythm Büro) 40. Hysterical Love Project - Ionian Sea (Motion Ward) 41. Om Unit + TM404 - Microdose Mondays (Acid Test) 42. David - Daybreak (Simpler Times)Buy Music Club List (all tracks available digitally on Bandcamp other than #19 (here) + # 42 (here)

Segunda parte del especial dedicado a las mujeres pioneras en la música electrónica, descubriendo compositoras más contemporáneas que han desarrollado instrumentos más sofisticados y versátiles que les permiten producir sonidos más elaborados y composiciones menos abstractas. Pauline Anna Strom, Janet Beat, Constance Demby, Meg Bowles, Lisa Bella Donna, Suzanne Ciani. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1014.

Musical landscapes have continuously evolved with the rhythm of technological advancements, but have you ever wondered how these profound changes revolutionized music from across different eras, from the early days of recording to today's digital age? In this episode, Xylo chats with five-time Grammy Award-nominated Electronic Music pioneer dubbed as "America's First Female Synth Hero", Suzanne Ciani, about technological changes and evolution in music, embracing change and adapting & navigating the unknown, and challenging norms in the music industry. Follow Suzanne Ciani: Website: www.sevwave.com Instagram: www.instagram.com/sevwave Twitter: www.twitter.com/sevwave Distrokid has kindly offered all MPW listeners a 30% discount off the first year of their annual subscription! Use the following link to redeem the discount: https://distrokid.com/vip/mpw

Siempre me ha intrigado la ausencia de mujeres compositoras en la música en general y también, lógicamente, en la música electrónica en particular. Las artes en general parecen ser cosa de hombres, supongo que por arrastrar prejuicios culturales que relegaban a la mujer a papeles secundarios o simplemente porque las labores prominentes eran desempeñadas habitualmente por hombres. En nuestro canal de Telegram, Oriol mencionó que sería interesante hacer un episodio especial dedicado a las mujeres pioneras en la música electrónica y la verdad es que me la idea me apeteció mucho. Investigando un poco van saliendo nombres que se merecen un reconocimiento y que han jugado un papel destacado en el desarrollo de los precoces instrumentos electrónicos. Su música a menudo es más una amalgama de sonidos experimentales donde se juega con el tono, el timbre o la frecuencia, en lugar de crear una "música bonita", así que os advierto: haremos un ejercicio de arqueología musical, muy interesante para las mentes curiosas y abiertas a conocer en perspectiva aquellos inciertos origenes, para escuchar composiciones extrañas y de difícil comprensión entre otras más amigables. Hoy retrocederemos en el tiempo para rendir un homenaje a algunas de las mujeres pioneras en la música electrónica. Lisa Bella Donna, Johanna M. Beyer, Else Marie Pade, Delia Derbyshire, Pauline Oliveros, Wendy Carlos, Éliane Radigue, Pril Smiley, Suzanne Ciani, Daphne Oram, Constance Demby, Laurie Spiegel, Laurie Anderson, Pauline Anna Strom, Doris Norton, Elsa Stansfield. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1013.

Early nights, and retreats indoors. The warmth inside, battling the elements to provide safety and serenity as we edge closer to those darker winter months… Track list: Suzanne Ciani & Jonathan Fitoussi - Oceanium o.utlier - Celesta ben bondy - rave girl Loif - Chimes Tellus - Irukandji State Azure - Nexus Gate (2023 Remaster) Furious Frank - Dripp John Tejada - Fight or Flight (feat. March Adstrum) Kilig - How You Holding Up Space Ghost - New World Energy (Ambient Mix) mixed and compiled with love by Hue | @huedj November 2023 Follow us on social media: @itsdelayed www.itsdelayed.com www.facebook.com/itsdelayed www.instagram.com/_____delayed/ www.youtube.com/@_____delayed

Un jeune couple peut-il s'épanouir dans le stress de Wall Street ? Comment le groupe américain Paramore va-t-il sérieusement monter en puissance dès 2024 ? Après le groupe Vidéoclub, quel est la trajectoire de la chanteuse française Adèle Castillon ? Quelle étonnante success story raconte le film « The Beanie Bubble » ? Quel virage prend la pianiste polonaise Hania Rani avec son troisième album ? Présenté en compétition à Cannes, que raconte le film franco-sénégalais « Banel et Adama » ? Où se produira chez nous Suzanne Ciani, figure historique de la musique électronique ? Toutes les réponses sont dans «La semaine des 5 heures » de ce mercredi 11 octobre

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Este verano, Carlos ha escogido 6 piezas para piano bastante alejadas de la música clásica para ver qué tal le sienta a Mario la piña colada que se está tomando… Son obras compuestas e interpretadas en los últimos 40 años por autores internacionales como Suzanne Ciani, Wim Mertens, Kevin Kern y Ludovico Einaudi, aunque también hemos hecho un huequecito a 2 compositores españoles tocados por la varita de la inspiración: Albert Herrero e Iván Toribio. Esperamos que disfrutes con nosotros de un programa con un toque “New Age”, con un instrumento divino y unas melodías que no te sacarás de la cabeza… Así es Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Un nuevo 808 Radio que nos descubre los últimos sonidos de Ejeca, Idoipe o Suzanne Ciani & Jonathan Fitoussi entre muchas otras. Pone en marcha el Generador de Ideas para conocer más sobre nuestra privacidad en redes sociales y El Día Eléctrico nos presenta su álbum debut: “No Solo”. La Lista I: Stelios Vassiloudis - M3M25M4 [Bedrock] Cinthie - Won't U Take Me (Edit) [Heist] Rrose - Feeding Time [Eaux] Hollden - Im Not In Berghain [Kuiper Noise] Len Faki - Tor 8 [Figure] Al Habla: El Día Eléctrico presenta “No Solo”. La Lista II: El Día Electrico - Andre Agassi [Espora Records] Ten Year Lost - Kill yer Heroes [International Chrome] Ramu - Glide [Lost Palms] Bas Relief - Hung Round My Name [Quiet Time] Keita Sano - Sweet [Morris Audio] Eddie Fowlkes - Bahama Man [Rekids] Gratts - Polaroids (Glenn Davis Remix) [Wolf Music Recordings] La Lista III: K-LONE - Love Me A Little [Wisdom Teeth] Ejeca - In & Out [Nothing Else Mathers] ADR - Filth Of Raving [Limousine Dream] NIN3S - Un Tango Type-303 - SMUG [Acid Works] Lyra Valenza - Gameshow [Petrola 80] Generador de Ideas: Privacidad en redes sociales, Paloma de Barrón. La Lista IV: Idoipe - laten [El Tragaluz] Chris Lake - In The Yuma (Four Tet Remix) [Black Book Records] B. Riley - Jackson Roller Raul Alvarez - Binary Groove [Focus Records] François X - Work Hangover [XX Lab] Catnapp - the way back (Diessa Remix) [Monkeytown Records] Suzanne Ciani & Jonathan Fitoussi - Golden Apples of the Sun [Transversales Disques]

In this 4-hour special, we focus on musicians who have used new modular & vintage synths in their studios, with tracks taken from the 80s to the present day, which have been featured on various editions of our previous podcasts. Modular synths, once considered virtually obsolete, have been one of the most surprising growth areas in music technology over the last decade. The main appeal to musicians is obvious: their unrivalled flexibility makes them the most versatile form of an imaginable synthesiser. Customisation is one of the main appeals of modular synthesisers, with small-format and relatively cheap Eurorack is one exciting way that sound connoisseurs are building upon the classic sound technologies of the past while taking advantage of new alternative modules that are jam-packed with never-seen-before features. Download Bios at: https://we.tl/t-WtORXBud2P Playlist Modular & Vintage Synths Special Edition No 235 02.03 Steve Roach ‘Molecules Of Motion' (album Molecules Of Motion) https://steveroach.bandcamp.com/album/molecules-of-motion 12.02 Adrian Beasley ‘MCI' (album Machine Code) https://adrianbeasley.bandcamp.com/album/machine-code 25.04 Lisa Bella Donna ‘Night Flight' (album Night Flight) https://lisabelladonna.bandcamp.com/album/night-flight 34.26 Node ‘Perpetuum Mobile 1' (album Node Live) https://dinrecords.bandcamp.com/album/node-live-din55 47.05 Hélène Vogelsinger ‘Gratitude/Rebirth' (album Contemplation) https://helenevogelsinger.bandcamp.com 54.35 Cosmic Ground ‘Unground II' (album Cosmic Ground Live) ***https://cosmicground.bandcamp.com/album/cosmic-ground-live 01.07.43 Caterina Barbieri ‘Immersive Modular Live Set | Boiler Room x Genelec' ***https://www.youtube.com/watch?v=W25FTlO42V 01.17.02 Saul Stokes ‘Further West' (album LFOUFO) https://saulstokes.bandcamp.com/album/lfoufo 01.24.59 Oktav 'Taxim' https://oktav.bandcamp.com 01.32.23 Redshift ‘A Midnight Clear' (album Ether) *** https://redshift2.bandcamp.com 01.42.43 Synco ‘Mysterious Invention I' (album 85-89) 01.56.33 Brendan Pollard ‘Plinth' (album Isolated Passages Two) https://brendanpollard.bandcamp.com 02.05.54 Scanner ‘The Ascent' (album The Ascent) ttps://dinrecords.bandcamp.com 02.12.29 Ian Boddy ‘Prague 1' (album Modulations) https://dinrecords.bandcamp.com/track/prague-1 02.24.00 Kaitlyn Aurelia Smith ‘Carrying Gravity' (album The Mosaic Transformation) https://kaitlynaureliasmith.bandcamp.com 02.30.56 Suzanne Ciani & Kaitlyn Aurelia Smith ‘A New Day' (album FRKWYS Vol. 13: Sunergy) https://kaitlynaureliasmith.bandcamp.com/album/frkwys-vol-13-sunergy 02.42.25 Arcane ‘Perew's Man' (album Automaton) https://paullawler.bandcamp.com/album/automaton 02.46.08 Bart Hawkins ‘21Pulse Eclipse' (album 21 Pulse Eclipse) https://bart-hawkins.bandcamp.com 02.55.41 Lyonel Bauchet ‘Ambient Pressure' (album The Diver) https://dinrecords.bandcamp.com 03.03.06 Nadia Struiwigh ‘Organic' (album Pax Aurora) https://nousklaer.bandcamp.com/track/starring 03.09.29 Nadia Struiwigh ‘Starring' 03.13.32 Panic Girl ‘Cake On Jupitier' (album Cake On Jupiter) https://panic-girl.bandcamp.com/album/cake-on-jupiter 03.16.54 Michael Stearns ‘Chronos finale' (album Chronos) https://michaelstearns.bandcamp.com/music 03.21.01 Kevin Braheny Fortune ‘Perelandra Dawn' (album Perelandra Dawn) *** https://kevinbrahenyfortune.bandcamp.com 03.28.42 Polypores ‘Of The Sweet Rot' (album Shpongos) https://polypores.bandcamp.com/album/shpongos 03.32.21 Snoopy Over The Hills '4180' (album Ambient Modular 5) https://ambientmodular.bandcamp.com 03.37.37 Onsturicheit ‘Denkbeeldig Tentenkamp' (album In De Nevelen, modular synth) https://belgianneumusik.be 03.45.02 State Azure ‘Chimera' (album Modular Works IV) https://stateazure.bandcamp.com 03.54.48 Omri Cohen 'Time And Time Again' (album Ambient Modular 5) https://ambientmodular.bandcamp.com Edit ***

Climate change is coming for all of us and this week it's coming for Tulsa. Today's pick is a stunner from Shida Shahabi, plus some new joints from Suzanne Ciani and BLAKMOTH. Wednesday episodes are exclusively on Patreon. Album of the Day: Shida Shahabi “Living Circle” https://shida-shahabi.bandcamp.com/album/living-circle Additional links for the day: https://suzanneciani.bandcamp.com/album/improvisation-on-four-sequences https://blakmoth.bandcamp.com/album/bourdon-tome-un Brad Rose is the the principal writer and editor-in-chief of Foxy Digitalis, an online music magazine and has run various DIY record labels for the last 30 years. Wednesday episodes are exclusively on Patreon. foxydigitalis.zone patreon.com/foxydigitalis twitter: @foxydigitalis Instagram: @foxy.digitalis Mastodon: foxydigitalis@mastodonmusic.social

No es clásica, ni pop, ni rock, ni jazz, ni folk; pero en realidad tampoco reniega de ninguno de esos estilos. Las «nuevas músicas» se escapan a una clasificación categórica y rigurosa, son algo intangible que puede incorporar elementos de la clásica, del folk, del pop o del jazz pero a la vez no ser nada de eso. Y, por eso, aunque pueda resultar contradictorio, son músicas singulares. raven, Bitchin Bajas, JM Mantecon, George Winston, Andrew Land, Night Gestalt, Jeff Pearce, Kyle Preston, Jonathan Fitoussi, Jonathan Fitoussi & Suzanne Ciani, Jarmodular. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1005.

Comment le scénariste américain a-t-il révolutionné l'industrie des comics et comment le raconte-t-il dans un documentaire ? Avec quel nouveau morceau arrive le chanteur vénézuélo-américain – et hipster - Devendra Banhart ? Comment va-t-on bientôt commémorer les 40 ans de la disparition de Klaus Nomi ? Quelle communauté méconnue explore le passionnant documentaire « Casa Susanna » de Sébastien Lifshitz ? De quel roman s'inspire la mini-série « Esprit d'hiver » avec Audrey Fleurot ? Enfin, comment la musicienne Suzanne Ciani est-elle entrée dans l'histoire de la pub ? Toutes les réponses sont dans « La semaine des 5 heures » de ce vendredi 23 juin

An ambient mix with Suzanne Ciani, Dionisaf, Ghost In The Loop, Keda, Lara Somogyi... Selected & mixed by Absürda

Klang Audio Transcript 020. Written by Tyler Etters. Read the full report at https://www.klangmag.co/suzanne-ciani-live-in-la Sign up for the Zone to participate in the Spring 2023 Call for Audio Works.

Suzanne Ciani is a true pioneer. One of the world's first synth heroes.  “The diva of the diode.”  Ciani began experimenting with electronic music in 1960s California, at a time when to do so wasn't just about a new style of music, but about creating a whole new language: a new form of music with this new technology. Like Delia Derbyshire and Cosey Fanni Tutti and many other female pioneers, it's taken time for the world to catch up and for Ciani to be recognised for quite how significant her cultural contribution runs across how we hear what we hear. Now in her mid seventies, she shows no signs of slowing down, she speaks with Paul about some of the key musical moments in her life: California of the 60s, New York of the 70s, the importance of putting emotion into music and her work in spatial sound. Suzanne Ciani is touring from march to September this year, check out her tourdates herePaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.O

Here we are, three decades later. Same show, new times. In this anniversary episode, I will tell you the story of the program from a personal perspective and we will enjoy the congratulatory messages and music of some very special guests, among them Suzanne Ciani, Andreas Vollenweider, Øystein Sevåg, Deuter, Steve Roach, Robert Rich, Ian Boddy.Heartfelt thanks to our listeners, and wishing you a beautiful transition to 2023!

Suzanne Ciani (https://www.sevwave.com/)returns to Podular Modcast...need I say more? Mama Kel's Gofundme (https://www.gofundme.com/f/kelly-held-medical-assistance?utm_source=customer&utm_medium=copy_link&utm_campaign=p_cf%20share-flow-1) SUPPORT POD MOD ON PATREON (https://www.patreon.com/podularmodcast) SPONSORS After Later Audio:http://afterlateraudio.com/ Patchwerks: https://patchwerks.com/ Bored Brain Music: https://boredbrainmusic.com/ NOVATION: https://novationmusic.com/en/synths/summit WAVEFORM MAGAZINE: https://waveformmagazine.com/ 4ms (https://4mscompany.com/)

The Buchla synthesizer experienced a cultural reemergence through new records from composers Kaitlyn Aurelia Smith and Suzanne Ciani, but for Pittsburgh, the Buchla first arrived in 1969 when composer Morton Subotnick founded the University of Pittsburgh's Electronic Music Studio. This episode charts the studio's history from analog to digital. We hear stories about complications with CBS Musical Instruments, a lost George Romero film, and computers that could play synthesizers. This is the story of the University of Pittsburgh's Electronic Music Studio.

Suzanne Ciani has been a pioneer of electronic music since the early 1970s - Mrs Harris Goes to Paris stars Lesley Manville as a cleaning lady who dreams of owning a Dior dress - Documentary Make Me Famous explores the 80s NYC art scene - Starring Jeff Bridges, The Old Man tells the story of a former CIA operative, whose past catches up with him.

Vanessa Wagner présente l'album Study Of The Invisible (InFiné). S'il y a une constante chez Vanessa Wagner, c'est bien sa versatilité, au sens où l'entendent les Anglo-Saxons. Parallèlement à sa carrière de musicienne interprétant le grand répertoire soliste, chambriste et concertant sur les scènes du monde entier (et l'enregistrant pour le label La Dolce Volta), celle que Le Monde qualifie de "pianiste la plus délicieusement singulière de sa génération" et que Libération décrit comme "une des pianistes les plus curieuses et captivantes du paysage hexagonal - arpente avec la complicité du label InFiné des chemins tout aussi personnels, mais peut-être plus intimes". Après Statea en 2016, en duo avec le musicien électronique Murcof, elle vient aujourd'hui poursuivre avec Study Of The Invisible le voyage entamé sur son disque solo Inland (2019). Un voyage qui la voit défricher ce répertoire qu'elle est en France, voire en Europe, pratiquement la seule pianiste "classique" à aborder. Un répertoire contemporain et intemporel que l'on qualifiera, pour aller vite, de "minimaliste", mais qui recouvre en réalité une multitude d'univers singuliers et de personnalités musicales souvent hors du commun, toutes générations confondues. Pour composer ce programme, Vanessa Wagner a creusé son passionnant travail de découverte entamé avec Inland, assemblant des pièces rares qui tissent entre elles une mystérieuse histoire. Parmi les 15 stations qui composent ce palpitant périple, les États-Unis se taillent la part du lion. Sous le parrainage de Moondog, le viking aveugle et visionnaire, dont le très "bachien". Prélude en la majeur de 1961 constitue la pièce la plus ancienne du disque, se côtoient les icônes du minimalisme - l'incontournable Philip Glass, l'inclassable Harold Budd, pape de la musique ambient -, les représentants de la première génération de "postminimalistes" - Peter Garland, David Lang ou Julia Wolfe, nés dans les années 1950 - et la jeune garde : Bryce Dessner, Nico Muhly, Timo Andres, nés entre 1976 et 1985. Mais aussi quelques outsideuses de choix : Suzanne Ciani, plus connue (tout est relatif) comme pionnière de la musique électronique ou l'étonnante Caroline Shaw, qui fut en 2013, à 31 ans, la plus jeune lauréate du prix Pulitzer, et dont l'univers va et vient librement entre musiques "savante" et "populaire". Tout aussi inclassables, apparaissent aussi les œuvres et les parcours de l'Italien Ezio Bosso, du Français Melaine Dalibert ou, bien sûr, des frères Brian et Roger Eno, autres musiciens d'entre les mondes.   Ces partitions qui peuvent de prime abord paraître simples techniquement - quoique les Études de Philip Glass ou de Nico Muhly exigent une vélocité extravagante - réclament en réalité de l'interprète - bien davantage que la simple virtuosité : une intériorité, une authentique disposition de l'âme. À l'instar de la musique d'Érik Satie, c'est une musique qu'il appartient à chacun d'habiter en se gardant de la dénaturer. Ainsi l'exploration à laquelle se livre Vanessa Wagner est aussi une quête : "Chercher son intériorité : c'est ce que j'aime de plus en plus dans la musique." Après avoir joué Scriabine, Rachmaninov ou Ravel, explorer l'intensité sans déluge de notes, le dépouillement comme mode d'expression me passionne. Il s'agit pour l'interprète de faire ressortir une vraie atmosphère, une respiration du tempo, une sensualité du son, de mettre une intensité dans chaque intention, et faire vivre et vibrer les espaces entre chaque note. "Ce n'est pas une musique légère, c'est une musique intense émotionnellement, qui va en profondeur, dans laquelle on met une part de son histoire…" Marier à ce degré d'intensité le contrôle - celui du toucher, du son - et l'abandon n'est pas à la portée de tous les instrumentistes. Tel est le sens de Study Of The Invisible : aller chercher ce monde mystérieux qui vit derrière la partition, les liens imperceptibles qui unissent ces silences et ces harmonies, mais aussi ces ressources intérieures que cette musique est capable de mettre à jour. Avec ce disque et ce voyage, Vanessa Wagner dont l'apparente mélancolie s'avère en fin de compte puissamment réconfortante, continue de donner ses lettres de noblesse à une musique qui, mieux que brillante, se révèle avant tout rayonnante et lumineuse.   Et Labelle présente Eclat (InFiné/ Eumolpe), son nouvel album pour quatuor à cordes et électro-maloya avec la participation du quatuor Metavers. Avec Éclat - moment unique d'étincelle de la création - Labelle continue son exploration de l'infinie possibilité de la composition débutée en 2019 avec Orchestre Univers. Son quatrième album studio, centré autour d'un quatuor à cordes, est né lors d'une répétition à laquelle assistait Labelle : assis à côté des cordes, il les observe communiquer entre eux dans un langage sans paroles, presque télépathique, fait de contacts visuels, de hochements de tête et de coups d'archets. Depuis ses débuts, le compositeur aime s'affranchir des règles orchestrales traditionnelles pour expérimenter, innover et "créoliser" son art. "J'ai écrit pour eux comme si j'écrivais pour un groupe de rock." Jeremy précise : "Tu as ta section rythmique, tes deux guitares lead et un seul musicien joue de la basse." Dans la musique classique, le langage entre les musiciens est la clé - la conversation entre les lignes et les musiciens crée quelque chose d'organique et vivant. Ainsi, Labelle écrit aussi les parties électroniques pour qu'elles aient une double fonction : élément musical d'une part, clef de compréhension de l'œuvre d'autre part, devenant ainsi une partie du langage entre les musiciens. Ensemble, ils explorent un son unique où l'orchestration classique rencontre le Maloya, l'électronique moderne rencontre les instruments organiques, l'Afrique rencontre l'Europe, la terre rencontre l'espace. Labelle cherche l'inspiration partout : Mes Mondes a été augmenté d'un quart de ton pour correspondre à la gamme de la musique Gnaoua du Maroc, un morceau très rythmé et hypnotique étroitement lié au Maloya de La Réunion, pays d'origine de l'artiste. Le morceau suivant, Dann Ron Maloya, est une construction jusqu'à RON, la seule fois sur le disque où les quatre musiciens jouent la même ligne, un récit musical de l'état de transe que la musique et la danse Maloya peuvent permettre d'atteindre. Ils s'élèvent et s'élèvent jusqu'à ce qu'ils soient noyés dans la distorsion, ressemblant plus à un solo de guitare rock qu'à un quatuor à cordes. Le titre éponyme Éclat est peut-être celui qui s'inscrit le plus directement dans la lignée du précédent album de l'artiste, Orchestre Univers, évoquant un son cosmique, comme un orchestre suspendu en apesanteur. De nombreuses chansons ont d'abord été enregistrées lors d'une série de concerts, avant que la pandémie ne frappe en 2020, puis réenregistrées, éditées et superposées au cours d'une année de confinement. Sur le disque fini, grâce à un mixage et une production exceptionnelle, il est impossible de distinguer ce qui a été enregistré en direct de ce qui a été enregistré en studio : un témoignage du niveau étonnant de détails apporté à cet album. Pour immortaliser et ajouter la touche finale à cette expérimentation, le disque a été envoyé à Hector Plimmer pour un mixage supplémentaire. La touche jazz et expérimentale du producteur anglais déconstruit encore plus le quatuor à cordes, l'amenant vers un résultat encore plus beau et singulier. Labelle a créé un disque capable d'unir des éléments de rock, de jazz, d'électronique et de musique classique sans jamais perdre l'auditeur, il l'attire en l'introduisant lentement dans un monde où la musique se libère de toutes ses barrières. Ce n'est définitivement plus de la musique classique qu'il compose.   À propos de Labelle  Jeremy Labelle est à l'avant-garde d'une jeune génération de musiciens réunionnais représentant et développant le son Maloya à travers le monde. Après avoir enregistré sa première œuvre orchestrale Orchestre Univers lors de quatre concerts à guichets fermés à La Réunion, Éclat continue cette série de recherches atour de la composition classique et des sons traditionnels de son île. Titres interprétés au Grand studio à RFI - Étude n°16 [Philip Glass] Live RFI Vanessa Wagner voir le clip  - Elude Live RFI Labelle - Prélude N°1 In A Minor [Moondog] Live RFI Vanessa Wagner - Mes Mondes enchainé avec Dann Ron Maloya Live RFI Labelle (4'15'' au total) - Explore ! Live RFI commun Vanessa Wagner et Labelle (Ennéade). Son  Benoît Letirant, Fabien Mugneret, Mathias Taylor (Rediffusion du 5 juin 2022)

Composer, synthesist, producer Kaitlyn Aurelia Smith makes music that blends synthesizers with melodies and connects to external processes in her life like yoga, self learning, science and nature. Her 9th studio album Let's Turn It Into Sound (released on Ghostly) follows on from acclaimed albums like Ears and The Kid, and her collaboration with electronic music pioner Suzanne Ciani. During the record of it, she dubbed it her sentimental robot drama. She spoke with Paul via the Pacific Northwest to talk about her approaches to music and life.This episode is sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.OTo support this show and recieve extra stuff, head on over to Paul's Patreon at:www.patreon.com/paulhanford

Suzanne Ciani is s a five-time Grammy-nominated artist and electronic music pioneer. Her success with electronic music earned her the nickname „Diva of the Diode”. In this episode, we listen to Suzanne Ciani telling her story about life and music.

Suzanne Ciani is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist who has released over 20 solo albums including "Seven Waves," and "The Velocity of Love," along with a landmark quad LP “LIVE Quadraphonic,” which restarted her Buchla modular performances. Her work has been featured in films, games, and countless commercials as well. She was inducted into the first class of Keyboard Magazine's Hall of Fame alongside other synth luminaries, including Bob Moog, Don Buchla, and Dave Smith, and received the Moog Innovation Award. Most recently, she is the recipient of the Independent Icon Award from A2IM. Suzanne has provided the voice and sounds for Bally's groundbreaking "Xenon" pinball machine, created Coca-Cola's pop-and-pour sound, designed logos for Fortune 500 companies, and carved out a niche as one of the most creatively successful female composers in the world. A Life in Waves, a documentary about Ciani's life and work, debuted at SXSW in 2017 and is available to watch on all digital platforms. Ciani is a graduate of Wellesley College and holds a Masters's in Music Composition from the University of California, Berkeley. http://sevwave.com/   Jazmín Giolito is an audio professional specializing in video games and interactive experiences. Trained in Music Composition and Technologies Applied to Sound Art at the National University of Rosario (Argentina) Jazmín has been a composer for 8 years and has been completely devoted to the video game industry for 4 years. Co-founder of the Aruna Collective and Tiluchi Games studios, she has worked as a sound designer, composer, and VO director for studios in Argentina, Sweden, Lithuania, Israel, and Poland. Among her most recent projects is a collaboration with Plastic Studios. A firm believer in the importance of communities, Jazmín is the lead organizer of Women Game Jam Argentina, a member of the board of directors of Rosario GameDevs, and an active member of Women in Games Argentina. Thanks to her professional career and commitment to the community, she has received scholarships and honors from institutions such as Erasmus +, Different Games, Glitch (Power Leveling Program), Game Industry Conference, and FundAV. Executive Producers: Beckie Campbell & Susan Williams soundgirls.org  Sponsored by QSC https://www.qsc.com

After learning about a severe lack of women and underrepresented producers in mainstream charts, Natalie and Tara embark on an exploration to learn about and highlight those producers that might not be household names. In today's episode, Suzanne Ciani and Sylvia Massy are the first highlighted in the series. 

Listen, take a deep breath, gear down for a minute, let the energy flow like the river and come into a state of calm and collective. We're visiting some of the icons of new age and around. The women of course. We're in the 80s but mixing it up with later artists inspired by these creative synth and modular wizards. I've defenately been inspired by Laurie Anderson to mention one; and in 2010 I had the oportunity to remix her song Only An Expert. There's a YT tip with Suzanne Ciani, a norty kinder sürprise at the end, and the earlybird premiere of a new Phtalo track. Welcome to this music journey. -Phtalo Tracklist: Heidi Mortenson - Flash Back - 2015 Heidi Mortenson - This System - 2017 Alice Coltrane - Rama Rama - 1987 Islaja - Music Is Mine - 2014 Kaitlyn Aurelia Smith - Labyrinth V - 2015 Arca - Manners - 2011 Suzanne Ciani - The Fifth Wave - 1982 Maggi Payne - Awareness - 1985 Laurie Anderson - Late Show - 1986 Phtalo - Re-Verbalize - 2022 Laurie Spiegel - Patchwork - 1980 Xhin - The Secret Closet - 2011 Heidi Mortenson - Aila Util - 2019

In this Episode Lol and Budgie continue our talk with: Zola Jesus with whom, we discuss:Zola in LA - Seattle and Wisconsin / Sacred Bones and family.A Spiritual Strength to ground you / Zola's black metal box in the woods.Lol imagines a desert commune / A post-punk Kibbutz / Budgie acknowledges strong women.Zola battles the male power dynamic and the Dark Witch Goddess archetypeWomen in music - is it getting better? / Zola and the balance of masculine-feminine traits.Progress in the Present! / Is the record industry any better? / As Deviants, We Always find a Way! Budgie rediscovers Malaria and Berlin's community / Zola is channelling Brian Eno & BowieSo much Good music Then - So much Good music Now! / We are in a Transition period.An Emotionally Fertile Ground for Art Exists Now!Dedicated to: Ariane Daniele Forster - Ari Up (17 January 1962 – 20 October 2010)‘ARKHON ‘ - New Zola Jesus Album May 20 via Sacred Bones“ Stick around and then we'll see ”CONNECT WITH US:Curious Creatures:
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Instagram: @CuriousCreaturesOfficial  Lol Tolhurst:  Website: http://www.loltolhurst.comFacebook: @officialloltolhurst  Twitter: @LolTolhurst  Instagram: @lol.tolhurst  
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Instagram: @budgie646Zola Jesus:Website: http://www.zolajesus.comFacebook: @zolajesusofficialInstagram: @zolajesusTwitter: @zolajesusCurious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app. 

Welcome to a refreshed Signal Path! Our new host is Zakia Sewell, an award-winning broadcaster and DJ who has appeared on the BBC, NTS, Tate and Boiler Room. Welcoming a new batch of sonic innovators, she will explore those defining moments that influenced how they think about sound. For our inaugural reboot episode, Zakia chats with modular synth legend Suzanne Ciani. Among the few women on the frontline of electronic music in the 1970s, she went on to become one of the most celebrated artists in her field for her ethereal and future-facing compositions. Over the course of her career, Ciani has earned five Grammy nominations and infiltrated the mainstream through TV ads, Hollywood soundtracks, and pinball machines; paving the way for the new generation of electronic experimenters that followed.

(Scratch, Inez, Sonia, Brigadier Jerry LOVE KFSR)A Rub a Dub a Weh Deh Want - Tappa ZukiePacifico - AfrosoundAutorail - Ochestre BaobabNa Bimaka Te - Orchestre Super MazembeRedencion - Orlando Cachaito LopezLa Fanmi - Lakou MizikTudo o Que Voce Podia Ser - Milton NascimentoFuguei Na Escola - Teta LandoAtoa Atoa - Ronie & Central do BrasilFuwari Fuwa Fuwa - Ruriko OogamiIn the Middle of the Night - Ronald LangestraatNow is the Time - Sisters LoveWorking Together - Patterson SingersStanga - Little SisterIre Feelings - Rupie EdwardsBa Da - Gregory IsaacsAin't Too Proud To Beg - Junior BylesFeel So Good - Toots and the MaytalsDownhill at Last (ex) - Suzanne Ciani(Barb and Jim vs Speed Shifter Tape Echo)Freedom Sounds March 12, 2022

(Nicky Thomas/Sonia/Rafiki)Freak - Tappa ZukieLove Brother Love - Hugh MalcolmNo More War - Beres HammondWar - Wailing SoulThe Beautitude - Slim SmithOnly Love Can Conquer - Prince AllaDeliver Me - Tony TuffN'Diya Ni - Oumou SangareDuumbiyay - Madlib Field RecordingAieda - YamasukiTava Mais Nao Tava - Edson FredericoTorri Wowo - Godwin Ezike and His AmbassadorsAriwo - Chris Ajilo and His CubanosChanchullo - Ruben GonzalezY Que Bien - Juan Pablo Torres y Algo NuevoYou're Gonna Need Me - Dionne WarwickWhat is Success? - Allen ToussaintEwnet Yet Lagegnesh - Bahta Gebre HeywetHonky Tonk - Bill DoggettImpressions - Jack Wilson/Roy Ayers(Suzanne Ciani vs. Brion Lion) Freedom Sounds Back in Action 

Director Lisa Rovner's important new documentary “Sisters With Transistors” explores the stories of electronic music's female pioneers. Indiana has produced many extraordinary women who've made important contributions to electronic music. This week, enjoy music and words from artists including Priscilla Mclean, Suzanne Ciani, Hanna Benn, the all-woman synth rock band Software and more.

Starlight rain upon secret crystal fields, with sounds from Elori Saxi, Suzanne Ciani, Pink Floyd, Harold Budd, Al Gromer Khan and Phelios.