Podcasts about art houses

One of the favored places for people like Epstein to park their money is in high end art. There is a lot of privacy in the industry and the people who are facilitating these deals for the most part only care about the bottom line. It is a match made in heaven. Until it isn't.(commercial at 14:33)To contact me:bobbycapucci@protonmail.comsource:https://okmagazine.com/exclusives/christies-sothebys-auction-jeffrey-epstein-picasso-cezanne/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

There are many industries that money launderers use to facilitate their ill deeds. One of the most profitable and succussful theaters to do this is the world of high end art. In this episode, we see how people like Jeffrey Epstein and others like him use the art market to hide funds from the government and any other prying eyes.(commercial at 12:59)to contact me:bobbycapucci@protonmail.comsource:https://news.artnet.com/art-world/pandora-papers-art-shell-companies-2067444Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Dr. Andy Jackson's The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry. Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University's Korean Studies Research Hub here. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dr. Andy Jackson's The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry. Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University's Korean Studies Research Hub here. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Dr. Andy Jackson's The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry. Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University's Korean Studies Research Hub here. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Dr. Andy Jackson's The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry. Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University's Korean Studies Research Hub here. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Dr. Andy Jackson's The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry. Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University's Korean Studies Research Hub here. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Dr. Andy Jackson's The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry. Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University's Korean Studies Research Hub here. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

Dr. Andy Jackson's The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry. Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University's Korean Studies Research Hub here. Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

One of the favored places for people like Epstein to park their money is in high end art. There is a lot of privacy in the industry and the people who are facilitating these deals for the most part only care about the bottom line. It is a match made in heaven. Until it isn't.(commercial at 14:33)To contact me:bobbycapucci@protonmail.comsource:https://okmagazine.com/exclusives/christies-sothebys-auction-jeffrey-epstein-picasso-cezanne/

The Art Walk Porty started yesterday. Under the title of ‘Vessel', it feels like it has  a larger, more ambitious programme than in the past – to get the most from it you need four leaflets. And, as David Calder found out from curator Rosy Naylor, the bounds of this year's event extend well beyond just Portobello.

One of the favored places for people like Epstein to park their money is in high end art. There is a lot of privacy in the industry and the people who are facilitating these deals for the most part only care about the bottom line. It is a match made in heaven. Until it isn't.(commercial at 8:46)To contact me:bobbycapucci@protonmail.comsource:https://okmagazine.com/exclusives/christies-sothebys-auction-jeffrey-epstein-picasso-cezanne/

One of the favored places for people like Epstein to park their money is in high end art. There is a lot of privacy in the industry and the people who are facilitating these deals for the most part only care about the bottom line. It is a match made in heaven. Until it isn't.(commercial at 14:33)To contact me:bobbycapucci@protonmail.comsource:https://okmagazine.com/exclusives/christies-sothebys-auction-jeffrey-epstein-picasso-cezanne/

One of the favored places for people like Epstein to park their money is in high end art. There is a lot of privacy in the industry and the people who are facilitating these deals for the most part only care about the bottom line. It is a match made in heaven. Until it isn't. (commercial at 14:33)To contact me:bobbycapucci@protonmail.comsource:https://okmagazine.com/exclusives/christies-sothebys-auction-jeffrey-epstein-picasso-cezanne/

One of the favored places for people like Epstein to park their money is in high end art. There is a lot of privacy in the industry and the people who are facilitating these deals for the most part only care about the bottom line. It is a match made in heaven. Until it isn't. (commercial at 14:33)To contact me:bobbycapucci@protonmail.comsource:https://okmagazine.com/exclusives/christies-sothebys-auction-jeffrey-epstein-picasso-cezanne/

E wears a pope hat, Brian paints a house, and Ed enjoys a punt.

In today’s episode, Rebecca, Daniel, and Shawn talk to Tori Baker, Salt Lake Film Society (SLFS) President and CEO. They discuss the @homeArts initiative, maintaining audience loyalty to local art houses, the importance of reinforcing theatrical behavior, and what state virtual screening is currently at. Tune in and listen to the long-term potential of virtual screening!

It's September - which means it's time for Art Walk Porty. However, these are not usual times. Some of us seriously wondered if there would an event at all. Those fears were thankfully unfounded - but it is a very different event to that of previous years. There are no Art Houses, for example, and everything is having to be managed to suit the rules on social distancing. But, as we'll hear, it has had the beneficial effect of making the organisers think in depth about the Art Walk, now and into the future!

This year’s Art Walk Porty is bigger than ever – and full of surprises. This is ‘art’ in its broadest possible sense. For example, you will be able to walk into someone’s house, sit down by a window and listen to the sounds of a night walk through the Amazon jungle. You’ll be able to take part in walks and cycle rides through parts of the area you may never have visited before. And while it officially lasts just a short time in September, aspects of it will last all though until next year’s Art Walk.

On this week's episode we discuss three new films: Mary Queen of Scots, Ben is Back and Vice.  We also touch on the specialty box office, the short list for Documentary & Foreign Film nominations are out, how to properly restore WWI footage, South Korean thrillers, tricky Netflix thumbnails and our #CedarLee3 picks for Best Actors of 2018. Art House News At the specialty box office this weekend, Barry Jenkins' If Beale Street Could Talk dominated the Art Houses of NYC and LA.  The Academy of Motion Picture Arts and Sciences released their short list for Best Documentary and Best Foreign Film of 2018. New Films Mary Queen of Scots (Josie Rourke) Ben is Back (Peter Hedges) Vice (Adam McKay)  #CedarLee3 We continue our end of the year coverage by discussing our picks for best performances by an actor in 2018.  This week we rave about John David Washington (BlackKklansman), Ben Foster (Leave No Trace), Lakeith Stanfield (Sorry to Bother You), Richard E. Grant (Can You Ever Forgive Me?) and Ethan Hawke (First Reformed). Tell us about your favorites @CedarLeeTheatre using #CedarLee3.

Join co-hosts Mark McNease and Rick Rose as we talk about cat behavior (and a behaviorist), fabulous art houses you must visit, Horseface Nation, and the final rush to the midterms. 

Events like the Art Walk Porty make Portobello a great place to live. There are dozens of artists living here – painters, sculptors, ceramic makers and so many more with such diverse talents. This is the now annual opportunity to see what they’re producing and perhaps acquire something unique. This year, the Art Walk is four years old. Its theme is ‘PLEASURE GROUND’ with a mix of live music, writing, walks, installation and film screenings as well as everything else, as David Calder’s been finding out.

Nick, Makenzie, Tyler, and Nadeem discuss the recent news surrounding MoviePass, what Art Houses are trying to preserve in theater exhibition, their ideal movie-watching environments, and always, their Movie Magic Moments of the Week

Art House Proprietor and Real Estate Developer, Dylan Ahrens talks about house venues, the concept of the Art Houses and what gentrifications looks like on his side of fence. The new format of the show includes weekly rants on the state of things which is called ‘the Dispatch’! Dispatch: Steve Bannon’s recent battle with the Trump Administration has forced him to step down. But he did reveal some things about the Presidency in his statements! --- Support this podcast: https://anchor.fm/taboo-table-talk/support

This week, Stephen goes to the movies with his friend George Geanopulos. They discuss their experiences at the art house theaters in Boston, carefully chronicling the pros and cons of each. Along the way, they compare their theatergoing preferences, explain the horrors of the Emerson media room, and dig into the details of George's upbringing. Plus, George shares his Oscar nomination predictions from 2 weeks ago!

What would you think about a club where the only rules are "to love art and to be kind to each other?"  Where everyone must follow these rules, including teachers and parents!  These are the rules of the New Zealand Children's Art Houses. Join us as Sister Jenna interviews Shona Hammond Boys, Founder and National Director of the New Zealand Children's Art House Foundation. Shona's work in establishing and supporting the development of childrens art houses in New Zealand and around the world earned her the Queen's Service Medal. An artist, teacher and musician, Shona has world traveled, and and held international and national appointments. She is an outspoken advocate for childrens art in the community. Shona authored the book entitled, "Oku Moe Moea" (The Dream Which Is Bigger Than I AM) and directed the film based on the book to premiere at the New Zealand Embassy in Washington, D.C. on July 6, 2015. Shona has been an advisor to the International Child Art Foundation since its inception in 1997 and continues to work globally to support and encourage children's creative opportunities worldwide. Shona is the recipient of the 2015 World Childrens Award, the President of the US Volunteer Service Award, and the 2014 New Zealand of the Year Award. Visit www.arthouse.org.nz. Get the Off the Grid Into the Heart CD by Sister Jenna.  Like America Meditating on FB & follow us on Twitter. Download our free Pause for Peace App