Podcasts about edinburgh up

Drawing from local archives alongside national and international records, War and Governance in Scotland, 1543-1559: Destruction, Reconstruction and Reform (Edinburgh UP, 2026) by Dr. Amy Blakeway argues that warfare was the defining feature of government and politics in Scotland for the two decades following the death of James V. It demonstrates that beyond the direct effects of invasion, the need to raise unprecedented taxation, as well as warfare's secondary consequences, such as plague and price inflation, disrupted communities throughout Scotland, engendering enhanced social control. These effects endured for many years after the peace of 1550: new laws were passed to manage those who had collaborated with the invaders and taxation remained high.The post-war decade was one of reconstruction, and it was this which drove religious reformation in 1559-60. The book shows that appreciating the scale of the crown's ambition places the Scottish state's development closer to that of its European counterparts. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Today's guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater's spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.” Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt's travel compendium; metonymic possession in Christopher Marlowe's Tamburlaine; “seasoning” in Ben Jonson's city comedies; “stagewreck” in Shakespeare's The Tempest; and “stagework” in the Lord Mayor's Shows. By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.

Today's guest, Matthew Ritger, is the author of Houses of Correction: Carceral Institutions and Humanist Culture in Early Modern England (U Pennsylvania Press, 2026). This book delves into the archival records of Bridewell, Europe's first house of correction, which was overseen by the humanist reformer Richard Grafton. It makes the case that the Bridewell prison and workhouse were central to the history of humanism in ways that both challenge idealized notions of European humanism and illustrate its commitments to civic and Christian reform. The book explores Bridewell's mission to discipline the poor and the “idle” through hard labor, vocational training, and basic education, while also exposing its coercive and exploitative practices, which included whippings, forced labor, and the infliction of fear. Houses of Correction also explores how Bridewell contributed to a broader humanist culture of correction, which united textual methods with practical forms of knowledge, and which extended to rhetorical and textual forms, as well as literary productions. The book's five chapters connect the history and influence of Bridewell to a range of literary texts, including Thomas More's Utopia, Shakespeare's Henry VIII, Measure for Measure, and The Tempest, and Milton's Of Educationand Samson Agonistes. Through its interrogation of the logic of carceral humanism, Houses of Correction demonstrates the crucial role that Bridewell played in cultivating a culture of correction that pervaded humanist education, textual practices, and literary representations. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guest, Matthew Ritger, is the author of Houses of Correction: Carceral Institutions and Humanist Culture in Early Modern England (U Pennsylvania Press, 2026). This book delves into the archival records of Bridewell, Europe's first house of correction, which was overseen by the humanist reformer Richard Grafton. It makes the case that the Bridewell prison and workhouse were central to the history of humanism in ways that both challenge idealized notions of European humanism and illustrate its commitments to civic and Christian reform. The book explores Bridewell's mission to discipline the poor and the “idle” through hard labor, vocational training, and basic education, while also exposing its coercive and exploitative practices, which included whippings, forced labor, and the infliction of fear. Houses of Correction also explores how Bridewell contributed to a broader humanist culture of correction, which united textual methods with practical forms of knowledge, and which extended to rhetorical and textual forms, as well as literary productions. The book's five chapters connect the history and influence of Bridewell to a range of literary texts, including Thomas More's Utopia, Shakespeare's Henry VIII, Measure for Measure, and The Tempest, and Milton's Of Educationand Samson Agonistes. Through its interrogation of the logic of carceral humanism, Houses of Correction demonstrates the crucial role that Bridewell played in cultivating a culture of correction that pervaded humanist education, textual practices, and literary representations. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today's guest, Matthew Ritger, is the author of Houses of Correction: Carceral Institutions and Humanist Culture in Early Modern England (U Pennsylvania Press, 2026). This book delves into the archival records of Bridewell, Europe's first house of correction, which was overseen by the humanist reformer Richard Grafton. It makes the case that the Bridewell prison and workhouse were central to the history of humanism in ways that both challenge idealized notions of European humanism and illustrate its commitments to civic and Christian reform. The book explores Bridewell's mission to discipline the poor and the “idle” through hard labor, vocational training, and basic education, while also exposing its coercive and exploitative practices, which included whippings, forced labor, and the infliction of fear. Houses of Correction also explores how Bridewell contributed to a broader humanist culture of correction, which united textual methods with practical forms of knowledge, and which extended to rhetorical and textual forms, as well as literary productions. The book's five chapters connect the history and influence of Bridewell to a range of literary texts, including Thomas More's Utopia, Shakespeare's Henry VIII, Measure for Measure, and The Tempest, and Milton's Of Educationand Samson Agonistes. Through its interrogation of the logic of carceral humanism, Houses of Correction demonstrates the crucial role that Bridewell played in cultivating a culture of correction that pervaded humanist education, textual practices, and literary representations. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Today's guest, Matthew Ritger, is the author of Houses of Correction: Carceral Institutions and Humanist Culture in Early Modern England (U Pennsylvania Press, 2026). This book delves into the archival records of Bridewell, Europe's first house of correction, which was overseen by the humanist reformer Richard Grafton. It makes the case that the Bridewell prison and workhouse were central to the history of humanism in ways that both challenge idealized notions of European humanism and illustrate its commitments to civic and Christian reform. The book explores Bridewell's mission to discipline the poor and the “idle” through hard labor, vocational training, and basic education, while also exposing its coercive and exploitative practices, which included whippings, forced labor, and the infliction of fear. Houses of Correction also explores how Bridewell contributed to a broader humanist culture of correction, which united textual methods with practical forms of knowledge, and which extended to rhetorical and textual forms, as well as literary productions. The book's five chapters connect the history and influence of Bridewell to a range of literary texts, including Thomas More's Utopia, Shakespeare's Henry VIII, Measure for Measure, and The Tempest, and Milton's Of Educationand Samson Agonistes. Through its interrogation of the logic of carceral humanism, Houses of Correction demonstrates the crucial role that Bridewell played in cultivating a culture of correction that pervaded humanist education, textual practices, and literary representations. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest, Matthew Ritger, is the author of Houses of Correction: Carceral Institutions and Humanist Culture in Early Modern England (U Pennsylvania Press, 2026). This book delves into the archival records of Bridewell, Europe's first house of correction, which was overseen by the humanist reformer Richard Grafton. It makes the case that the Bridewell prison and workhouse were central to the history of humanism in ways that both challenge idealized notions of European humanism and illustrate its commitments to civic and Christian reform. The book explores Bridewell's mission to discipline the poor and the “idle” through hard labor, vocational training, and basic education, while also exposing its coercive and exploitative practices, which included whippings, forced labor, and the infliction of fear. Houses of Correction also explores how Bridewell contributed to a broader humanist culture of correction, which united textual methods with practical forms of knowledge, and which extended to rhetorical and textual forms, as well as literary productions. The book's five chapters connect the history and influence of Bridewell to a range of literary texts, including Thomas More's Utopia, Shakespeare's Henry VIII, Measure for Measure, and The Tempest, and Milton's Of Educationand Samson Agonistes. Through its interrogation of the logic of carceral humanism, Houses of Correction demonstrates the crucial role that Bridewell played in cultivating a culture of correction that pervaded humanist education, textual practices, and literary representations. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Medical Education and the Making of Iraqi Doctors, 1869–1959 (Edinburgh University Press, 2025) by Dr. Sara Farhan offers a rigorous social and cultural history of the formation of medical professionals in modern Iraq and their role in shaping public health institutions. Tracing developments from late Ottoman medical reforms to the establishment of the Medical College of Mosul, the book examines the institutionalization of medical education as a critical element of the social transformation of Iraq. It reveals how shifting imperial, colonial and national frameworks sought to cultivate a cadre of physicians who would serve state and society. These experts, however, often found themselves navigating competing ideological imperatives. This extensively researched study highlights a wealth of rarely consulted sources gathered from 14 archives, family collections, medical journals, student newspapers, film and oral interviews. Drawing on these materials, it interrogates the contradictions inherent in state-driven efforts, wherein doctors functioned as agents of reform and subjects of bureaucratic oversight. Through this, Dr. Farhan reveals the nexus between medical pedagogy, professional authority, public health policy and the broader political transformations that continually redefined medicine in Iraq. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Medical Education and the Making of Iraqi Doctors, 1869–1959 (Edinburgh University Press, 2025) by Dr. Sara Farhan offers a rigorous social and cultural history of the formation of medical professionals in modern Iraq and their role in shaping public health institutions. Tracing developments from late Ottoman medical reforms to the establishment of the Medical College of Mosul, the book examines the institutionalization of medical education as a critical element of the social transformation of Iraq. It reveals how shifting imperial, colonial and national frameworks sought to cultivate a cadre of physicians who would serve state and society. These experts, however, often found themselves navigating competing ideological imperatives. This extensively researched study highlights a wealth of rarely consulted sources gathered from 14 archives, family collections, medical journals, student newspapers, film and oral interviews. Drawing on these materials, it interrogates the contradictions inherent in state-driven efforts, wherein doctors functioned as agents of reform and subjects of bureaucratic oversight. Through this, Dr. Farhan reveals the nexus between medical pedagogy, professional authority, public health policy and the broader political transformations that continually redefined medicine in Iraq. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Medical Education and the Making of Iraqi Doctors, 1869–1959 (Edinburgh University Press, 2025) by Dr. Sara Farhan offers a rigorous social and cultural history of the formation of medical professionals in modern Iraq and their role in shaping public health institutions. Tracing developments from late Ottoman medical reforms to the establishment of the Medical College of Mosul, the book examines the institutionalization of medical education as a critical element of the social transformation of Iraq. It reveals how shifting imperial, colonial and national frameworks sought to cultivate a cadre of physicians who would serve state and society. These experts, however, often found themselves navigating competing ideological imperatives. This extensively researched study highlights a wealth of rarely consulted sources gathered from 14 archives, family collections, medical journals, student newspapers, film and oral interviews. Drawing on these materials, it interrogates the contradictions inherent in state-driven efforts, wherein doctors functioned as agents of reform and subjects of bureaucratic oversight. Through this, Dr. Farhan reveals the nexus between medical pedagogy, professional authority, public health policy and the broader political transformations that continually redefined medicine in Iraq. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Medical Education and the Making of Iraqi Doctors, 1869–1959 (Edinburgh University Press, 2025) by Dr. Sara Farhan offers a rigorous social and cultural history of the formation of medical professionals in modern Iraq and their role in shaping public health institutions. Tracing developments from late Ottoman medical reforms to the establishment of the Medical College of Mosul, the book examines the institutionalization of medical education as a critical element of the social transformation of Iraq. It reveals how shifting imperial, colonial and national frameworks sought to cultivate a cadre of physicians who would serve state and society. These experts, however, often found themselves navigating competing ideological imperatives. This extensively researched study highlights a wealth of rarely consulted sources gathered from 14 archives, family collections, medical journals, student newspapers, film and oral interviews. Drawing on these materials, it interrogates the contradictions inherent in state-driven efforts, wherein doctors functioned as agents of reform and subjects of bureaucratic oversight. Through this, Dr. Farhan reveals the nexus between medical pedagogy, professional authority, public health policy and the broader political transformations that continually redefined medicine in Iraq. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Freedom to Know: Creating Community with Ambedkar, Du Bois, Iqbal, Ramabai and Tagore (Edinburgh University Press, 2025) asks how a (world) community can be created to allow structural minorities equitable access to intellectual and material resources Draws on a range of primary sources Brings the work of W.E.B. Du Bois into conversation with his Indian contemporaries Adds a novel historical perspective to recent scholarship on critical social epistemology Diversifies current ways of doing Indian philosophy Abstract: In this book, Monika Kirloskar-Steinbach studies how Bhimrao Ambedkar (1891-1956), W.E.B. Du Bois (1868-1963), Mohammed Iqbal (1877-1938), Pandita Ramabai (1858-1922) and Rabindranath Tagore (1861-1941) diagnose the epistemic oppression they perceive and experience, their analysis of the coloniality of being as its cause, and their proposals to counter it. Kirloskar-Steinbach explores how these voices seek to co-create a space in which they can experience what it means to be free from the conceptual domination of academic frameworks, relish that freedom with their collaborators and, in the equal participation that that space affords, develop open-ended concepts that help them to resist the coloniality of being. Jessica Zu's personal reflection: This book models for readers and scholars alike on how to practice "hermeneutical democracy." The notion of hermeneutical philosophy resonates strongly with Artruso Escobar's philosophy of "pluri-verse" instead of Eurocentric metaphysics of "uni-verse", Roger Ames's "zeotology" or philosophy of the living in Chinese traditions, and Brook Ziporyn's mystical atheism against the dominant paradigm of "nous as arché". Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Freedom to Know: Creating Community with Ambedkar, Du Bois, Iqbal, Ramabai and Tagore (Edinburgh University Press, 2025) asks how a (world) community can be created to allow structural minorities equitable access to intellectual and material resources Draws on a range of primary sources Brings the work of W.E.B. Du Bois into conversation with his Indian contemporaries Adds a novel historical perspective to recent scholarship on critical social epistemology Diversifies current ways of doing Indian philosophy Abstract: In this book, Monika Kirloskar-Steinbach studies how Bhimrao Ambedkar (1891-1956), W.E.B. Du Bois (1868-1963), Mohammed Iqbal (1877-1938), Pandita Ramabai (1858-1922) and Rabindranath Tagore (1861-1941) diagnose the epistemic oppression they perceive and experience, their analysis of the coloniality of being as its cause, and their proposals to counter it. Kirloskar-Steinbach explores how these voices seek to co-create a space in which they can experience what it means to be free from the conceptual domination of academic frameworks, relish that freedom with their collaborators and, in the equal participation that that space affords, develop open-ended concepts that help them to resist the coloniality of being. Jessica Zu's personal reflection: This book models for readers and scholars alike on how to practice "hermeneutical democracy." The notion of hermeneutical philosophy resonates strongly with Artruso Escobar's philosophy of "pluri-verse" instead of Eurocentric metaphysics of "uni-verse", Roger Ames's "zeotology" or philosophy of the living in Chinese traditions, and Brook Ziporyn's mystical atheism against the dominant paradigm of "nous as arché". Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Freedom to Know: Creating Community with Ambedkar, Du Bois, Iqbal, Ramabai and Tagore (Edinburgh University Press, 2025) asks how a (world) community can be created to allow structural minorities equitable access to intellectual and material resources Draws on a range of primary sources Brings the work of W.E.B. Du Bois into conversation with his Indian contemporaries Adds a novel historical perspective to recent scholarship on critical social epistemology Diversifies current ways of doing Indian philosophy Abstract: In this book, Monika Kirloskar-Steinbach studies how Bhimrao Ambedkar (1891-1956), W.E.B. Du Bois (1868-1963), Mohammed Iqbal (1877-1938), Pandita Ramabai (1858-1922) and Rabindranath Tagore (1861-1941) diagnose the epistemic oppression they perceive and experience, their analysis of the coloniality of being as its cause, and their proposals to counter it. Kirloskar-Steinbach explores how these voices seek to co-create a space in which they can experience what it means to be free from the conceptual domination of academic frameworks, relish that freedom with their collaborators and, in the equal participation that that space affords, develop open-ended concepts that help them to resist the coloniality of being. Jessica Zu's personal reflection: This book models for readers and scholars alike on how to practice "hermeneutical democracy." The notion of hermeneutical philosophy resonates strongly with Artruso Escobar's philosophy of "pluri-verse" instead of Eurocentric metaphysics of "uni-verse", Roger Ames's "zeotology" or philosophy of the living in Chinese traditions, and Brook Ziporyn's mystical atheism against the dominant paradigm of "nous as arché". Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Freedom to Know: Creating Community with Ambedkar, Du Bois, Iqbal, Ramabai and Tagore (Edinburgh University Press, 2025) asks how a (world) community can be created to allow structural minorities equitable access to intellectual and material resources Draws on a range of primary sources Brings the work of W.E.B. Du Bois into conversation with his Indian contemporaries Adds a novel historical perspective to recent scholarship on critical social epistemology Diversifies current ways of doing Indian philosophy Abstract: In this book, Monika Kirloskar-Steinbach studies how Bhimrao Ambedkar (1891-1956), W.E.B. Du Bois (1868-1963), Mohammed Iqbal (1877-1938), Pandita Ramabai (1858-1922) and Rabindranath Tagore (1861-1941) diagnose the epistemic oppression they perceive and experience, their analysis of the coloniality of being as its cause, and their proposals to counter it. Kirloskar-Steinbach explores how these voices seek to co-create a space in which they can experience what it means to be free from the conceptual domination of academic frameworks, relish that freedom with their collaborators and, in the equal participation that that space affords, develop open-ended concepts that help them to resist the coloniality of being. Jessica Zu's personal reflection: This book models for readers and scholars alike on how to practice "hermeneutical democracy." The notion of hermeneutical philosophy resonates strongly with Artruso Escobar's philosophy of "pluri-verse" instead of Eurocentric metaphysics of "uni-verse", Roger Ames's "zeotology" or philosophy of the living in Chinese traditions, and Brook Ziporyn's mystical atheism against the dominant paradigm of "nous as arché". Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Conscripting Breadwinner Soldiers in the Late Ottoman Empire: Family, Law and War (Edinburgh UP, 2026) by Dr. Kate Dannies examines the gender and family dimensions of mobilisation for the First World War in the Ottoman Empire, situating the war in a long-nineteenth-century social history of Ottoman military reform for the first time. It focuses on the military legal concept of muinsizlik (sole breadwinning) and how this concept shaped Ottoman military policy – namely, how militarisation and mobilisation were supported by the exploitation of women's care and social reproductive labour, as well as the extraction of material and physical resources from Ottoman families. In exploring how war worked at the level of the body, the individual and the family, this book demonstrates how Ottoman society and war became imbricated through processes of militarisation that led to significant consequences during the First World War and its aftermath. Based on a gendered reading of Ottoman military and bureaucratic archives, it addresses a pivotal moment in the modern history of the Middle East that has long awaited further study from a bottom-up perspective. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Conscripting Breadwinner Soldiers in the Late Ottoman Empire: Family, Law and War (Edinburgh UP, 2026) by Dr. Kate Dannies examines the gender and family dimensions of mobilisation for the First World War in the Ottoman Empire, situating the war in a long-nineteenth-century social history of Ottoman military reform for the first time. It focuses on the military legal concept of muinsizlik (sole breadwinning) and how this concept shaped Ottoman military policy – namely, how militarisation and mobilisation were supported by the exploitation of women's care and social reproductive labour, as well as the extraction of material and physical resources from Ottoman families. In exploring how war worked at the level of the body, the individual and the family, this book demonstrates how Ottoman society and war became imbricated through processes of militarisation that led to significant consequences during the First World War and its aftermath. Based on a gendered reading of Ottoman military and bureaucratic archives, it addresses a pivotal moment in the modern history of the Middle East that has long awaited further study from a bottom-up perspective. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Conscripting Breadwinner Soldiers in the Late Ottoman Empire: Family, Law and War (Edinburgh UP, 2026) by Dr. Kate Dannies examines the gender and family dimensions of mobilisation for the First World War in the Ottoman Empire, situating the war in a long-nineteenth-century social history of Ottoman military reform for the first time. It focuses on the military legal concept of muinsizlik (sole breadwinning) and how this concept shaped Ottoman military policy – namely, how militarisation and mobilisation were supported by the exploitation of women's care and social reproductive labour, as well as the extraction of material and physical resources from Ottoman families. In exploring how war worked at the level of the body, the individual and the family, this book demonstrates how Ottoman society and war became imbricated through processes of militarisation that led to significant consequences during the First World War and its aftermath. Based on a gendered reading of Ottoman military and bureaucratic archives, it addresses a pivotal moment in the modern history of the Middle East that has long awaited further study from a bottom-up perspective. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Conscripting Breadwinner Soldiers in the Late Ottoman Empire: Family, Law and War (Edinburgh UP, 2026) by Dr. Kate Dannies examines the gender and family dimensions of mobilisation for the First World War in the Ottoman Empire, situating the war in a long-nineteenth-century social history of Ottoman military reform for the first time. It focuses on the military legal concept of muinsizlik (sole breadwinning) and how this concept shaped Ottoman military policy – namely, how militarisation and mobilisation were supported by the exploitation of women's care and social reproductive labour, as well as the extraction of material and physical resources from Ottoman families. In exploring how war worked at the level of the body, the individual and the family, this book demonstrates how Ottoman society and war became imbricated through processes of militarisation that led to significant consequences during the First World War and its aftermath. Based on a gendered reading of Ottoman military and bureaucratic archives, it addresses a pivotal moment in the modern history of the Middle East that has long awaited further study from a bottom-up perspective. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Conscripting Breadwinner Soldiers in the Late Ottoman Empire: Family, Law and War (Edinburgh UP, 2026) by Dr. Kate Dannies examines the gender and family dimensions of mobilisation for the First World War in the Ottoman Empire, situating the war in a long-nineteenth-century social history of Ottoman military reform for the first time. It focuses on the military legal concept of muinsizlik (sole breadwinning) and how this concept shaped Ottoman military policy – namely, how militarisation and mobilisation were supported by the exploitation of women's care and social reproductive labour, as well as the extraction of material and physical resources from Ottoman families. In exploring how war worked at the level of the body, the individual and the family, this book demonstrates how Ottoman society and war became imbricated through processes of militarisation that led to significant consequences during the First World War and its aftermath. Based on a gendered reading of Ottoman military and bureaucratic archives, it addresses a pivotal moment in the modern history of the Middle East that has long awaited further study from a bottom-up perspective. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tunisia's Andalusians: The Cultural Identity of a North African Minority (Edinburgh UP, 2025) tells the captivating story of those Andalusians, descendants of Muslims expelled from Spain in the seventeenth century, who sought refuge in Tunisia. Rather than simply replicating Iberian traditions, Andalusian culture in Tunisia stands as a vibrant and evolving phenomenon, shaped by complex dynamics of interaction and adaptation over four centuries. The book dismantles the romanticised view of Andalusian culture as a mere transplantation of al-Andalus, analysing distinctive cultural features that distinguish Andalusians as an ethnic group within Tunisia's diverse social fabric. Drawing on historical records and contemporary ethnographic data, including personal accounts and family archives, the book sheds light on how Andalusians navigate their unique cultural position amidst a Tunisian national narrative often focused on Arabo-Muslim homogeneity. By examining the complexities of cultural preservation and assimilation, the book offers a nuanced perspective on Andalusian identity, revealing its dynamism and resilience in the face of changing social, political, and economic circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tunisia's Andalusians: The Cultural Identity of a North African Minority (Edinburgh UP, 2025) tells the captivating story of those Andalusians, descendants of Muslims expelled from Spain in the seventeenth century, who sought refuge in Tunisia. Rather than simply replicating Iberian traditions, Andalusian culture in Tunisia stands as a vibrant and evolving phenomenon, shaped by complex dynamics of interaction and adaptation over four centuries. The book dismantles the romanticised view of Andalusian culture as a mere transplantation of al-Andalus, analysing distinctive cultural features that distinguish Andalusians as an ethnic group within Tunisia's diverse social fabric. Drawing on historical records and contemporary ethnographic data, including personal accounts and family archives, the book sheds light on how Andalusians navigate their unique cultural position amidst a Tunisian national narrative often focused on Arabo-Muslim homogeneity. By examining the complexities of cultural preservation and assimilation, the book offers a nuanced perspective on Andalusian identity, revealing its dynamism and resilience in the face of changing social, political, and economic circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Tunisia's Andalusians: The Cultural Identity of a North African Minority (Edinburgh UP, 2025) tells the captivating story of those Andalusians, descendants of Muslims expelled from Spain in the seventeenth century, who sought refuge in Tunisia. Rather than simply replicating Iberian traditions, Andalusian culture in Tunisia stands as a vibrant and evolving phenomenon, shaped by complex dynamics of interaction and adaptation over four centuries. The book dismantles the romanticised view of Andalusian culture as a mere transplantation of al-Andalus, analysing distinctive cultural features that distinguish Andalusians as an ethnic group within Tunisia's diverse social fabric. Drawing on historical records and contemporary ethnographic data, including personal accounts and family archives, the book sheds light on how Andalusians navigate their unique cultural position amidst a Tunisian national narrative often focused on Arabo-Muslim homogeneity. By examining the complexities of cultural preservation and assimilation, the book offers a nuanced perspective on Andalusian identity, revealing its dynamism and resilience in the face of changing social, political, and economic circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Tunisia's Andalusians: The Cultural Identity of a North African Minority (Edinburgh UP, 2025) tells the captivating story of those Andalusians, descendants of Muslims expelled from Spain in the seventeenth century, who sought refuge in Tunisia. Rather than simply replicating Iberian traditions, Andalusian culture in Tunisia stands as a vibrant and evolving phenomenon, shaped by complex dynamics of interaction and adaptation over four centuries. The book dismantles the romanticised view of Andalusian culture as a mere transplantation of al-Andalus, analysing distinctive cultural features that distinguish Andalusians as an ethnic group within Tunisia's diverse social fabric. Drawing on historical records and contemporary ethnographic data, including personal accounts and family archives, the book sheds light on how Andalusians navigate their unique cultural position amidst a Tunisian national narrative often focused on Arabo-Muslim homogeneity. By examining the complexities of cultural preservation and assimilation, the book offers a nuanced perspective on Andalusian identity, revealing its dynamism and resilience in the face of changing social, political, and economic circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Tunisia's Andalusians: The Cultural Identity of a North African Minority (Edinburgh UP, 2025) tells the captivating story of those Andalusians, descendants of Muslims expelled from Spain in the seventeenth century, who sought refuge in Tunisia. Rather than simply replicating Iberian traditions, Andalusian culture in Tunisia stands as a vibrant and evolving phenomenon, shaped by complex dynamics of interaction and adaptation over four centuries. The book dismantles the romanticised view of Andalusian culture as a mere transplantation of al-Andalus, analysing distinctive cultural features that distinguish Andalusians as an ethnic group within Tunisia's diverse social fabric. Drawing on historical records and contemporary ethnographic data, including personal accounts and family archives, the book sheds light on how Andalusians navigate their unique cultural position amidst a Tunisian national narrative often focused on Arabo-Muslim homogeneity. By examining the complexities of cultural preservation and assimilation, the book offers a nuanced perspective on Andalusian identity, revealing its dynamism and resilience in the face of changing social, political, and economic circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tunisia's Andalusians: The Cultural Identity of a North African Minority (Edinburgh UP, 2025) tells the captivating story of those Andalusians, descendants of Muslims expelled from Spain in the seventeenth century, who sought refuge in Tunisia. Rather than simply replicating Iberian traditions, Andalusian culture in Tunisia stands as a vibrant and evolving phenomenon, shaped by complex dynamics of interaction and adaptation over four centuries. The book dismantles the romanticised view of Andalusian culture as a mere transplantation of al-Andalus, analysing distinctive cultural features that distinguish Andalusians as an ethnic group within Tunisia's diverse social fabric. Drawing on historical records and contemporary ethnographic data, including personal accounts and family archives, the book sheds light on how Andalusians navigate their unique cultural position amidst a Tunisian national narrative often focused on Arabo-Muslim homogeneity. By examining the complexities of cultural preservation and assimilation, the book offers a nuanced perspective on Andalusian identity, revealing its dynamism and resilience in the face of changing social, political, and economic circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Edith Szanto's Twelver Shi'i Self-Flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab (Edinburgh UP, 2025) is a striking and deeply immersive ethnographic study that takes the reader into the shrine town of Sayyida Zaynab in Syria. This town was a vibrant center of Shi‘i life, pilgrimage, and healing, especially for Iraqi refugees until the 2011 Syrian uprising. By combining meticulous fieldwork conducted between 2004 and 2010 with rich historical and social context, Szanto shows how these contested rituals served as both spiritual expression and pathways to worldly and psychological healing. The book examines controversial Muharram practices, especially self-flagellation, not simply as ritual acts but as deeply meaningful responses to trauma, displacement, and the search for justice and healing. In doing so, Szanto pays close attention to how people actually live their religion: through relationships with saints, engagement with religious authorities, media, ritual performance, and forms of spiritual healing. In this conversation, Szanto and I explore specific Muharram practices, including self-flagellation, the wedding of Qasim, and other ritualized forms of mourning, as well as gendered dynamics in who participates and why. We discuss what these practices looked like on the ground—what Muharram in Sayyida Zaynab felt like, how different communities understood and debated these rituals, and what purposes they served for those who participated in them. We talk about the Zaynabiyya seminary and how changes in its physical and institutional structure reshaped how knowledge was taught and who held authority. We also discuss relationships with saints, spiritual healers like Shaykh Abu Ahmad, and the ways that media, music, and ritual performance mediate piety. Szanto also treats us to reflecting on some of her experiences observing and engaging with these rituals. This book is essential reading for anyone interested in Islamic studies generally, Shi‘i studies, Middle Eastern religious life, or the ways that communities navigate devotion, trauma, and healing through ritual. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Edith Szanto's Twelver Shi'i Self-Flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab (Edinburgh UP, 2025) is a striking and deeply immersive ethnographic study that takes the reader into the shrine town of Sayyida Zaynab in Syria. This town was a vibrant center of Shi‘i life, pilgrimage, and healing, especially for Iraqi refugees until the 2011 Syrian uprising. By combining meticulous fieldwork conducted between 2004 and 2010 with rich historical and social context, Szanto shows how these contested rituals served as both spiritual expression and pathways to worldly and psychological healing. The book examines controversial Muharram practices, especially self-flagellation, not simply as ritual acts but as deeply meaningful responses to trauma, displacement, and the search for justice and healing. In doing so, Szanto pays close attention to how people actually live their religion: through relationships with saints, engagement with religious authorities, media, ritual performance, and forms of spiritual healing. In this conversation, Szanto and I explore specific Muharram practices, including self-flagellation, the wedding of Qasim, and other ritualized forms of mourning, as well as gendered dynamics in who participates and why. We discuss what these practices looked like on the ground—what Muharram in Sayyida Zaynab felt like, how different communities understood and debated these rituals, and what purposes they served for those who participated in them. We talk about the Zaynabiyya seminary and how changes in its physical and institutional structure reshaped how knowledge was taught and who held authority. We also discuss relationships with saints, spiritual healers like Shaykh Abu Ahmad, and the ways that media, music, and ritual performance mediate piety. Szanto also treats us to reflecting on some of her experiences observing and engaging with these rituals. This book is essential reading for anyone interested in Islamic studies generally, Shi‘i studies, Middle Eastern religious life, or the ways that communities navigate devotion, trauma, and healing through ritual. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Edith Szanto's Twelver Shi'i Self-Flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab (Edinburgh UP, 2025) is a striking and deeply immersive ethnographic study that takes the reader into the shrine town of Sayyida Zaynab in Syria. This town was a vibrant center of Shi‘i life, pilgrimage, and healing, especially for Iraqi refugees until the 2011 Syrian uprising. By combining meticulous fieldwork conducted between 2004 and 2010 with rich historical and social context, Szanto shows how these contested rituals served as both spiritual expression and pathways to worldly and psychological healing. The book examines controversial Muharram practices, especially self-flagellation, not simply as ritual acts but as deeply meaningful responses to trauma, displacement, and the search for justice and healing. In doing so, Szanto pays close attention to how people actually live their religion: through relationships with saints, engagement with religious authorities, media, ritual performance, and forms of spiritual healing. In this conversation, Szanto and I explore specific Muharram practices, including self-flagellation, the wedding of Qasim, and other ritualized forms of mourning, as well as gendered dynamics in who participates and why. We discuss what these practices looked like on the ground—what Muharram in Sayyida Zaynab felt like, how different communities understood and debated these rituals, and what purposes they served for those who participated in them. We talk about the Zaynabiyya seminary and how changes in its physical and institutional structure reshaped how knowledge was taught and who held authority. We also discuss relationships with saints, spiritual healers like Shaykh Abu Ahmad, and the ways that media, music, and ritual performance mediate piety. Szanto also treats us to reflecting on some of her experiences observing and engaging with these rituals. This book is essential reading for anyone interested in Islamic studies generally, Shi‘i studies, Middle Eastern religious life, or the ways that communities navigate devotion, trauma, and healing through ritual. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Edith Szanto's Twelver Shi'i Self-Flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab (Edinburgh UP, 2025) is a striking and deeply immersive ethnographic study that takes the reader into the shrine town of Sayyida Zaynab in Syria. This town was a vibrant center of Shi‘i life, pilgrimage, and healing, especially for Iraqi refugees until the 2011 Syrian uprising. By combining meticulous fieldwork conducted between 2004 and 2010 with rich historical and social context, Szanto shows how these contested rituals served as both spiritual expression and pathways to worldly and psychological healing. The book examines controversial Muharram practices, especially self-flagellation, not simply as ritual acts but as deeply meaningful responses to trauma, displacement, and the search for justice and healing. In doing so, Szanto pays close attention to how people actually live their religion: through relationships with saints, engagement with religious authorities, media, ritual performance, and forms of spiritual healing. In this conversation, Szanto and I explore specific Muharram practices, including self-flagellation, the wedding of Qasim, and other ritualized forms of mourning, as well as gendered dynamics in who participates and why. We discuss what these practices looked like on the ground—what Muharram in Sayyida Zaynab felt like, how different communities understood and debated these rituals, and what purposes they served for those who participated in them. We talk about the Zaynabiyya seminary and how changes in its physical and institutional structure reshaped how knowledge was taught and who held authority. We also discuss relationships with saints, spiritual healers like Shaykh Abu Ahmad, and the ways that media, music, and ritual performance mediate piety. Szanto also treats us to reflecting on some of her experiences observing and engaging with these rituals. This book is essential reading for anyone interested in Islamic studies generally, Shi‘i studies, Middle Eastern religious life, or the ways that communities navigate devotion, trauma, and healing through ritual. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Edith Szanto's Twelver Shi'i Self-Flagellation Rites in Contemporary Syria: Mourning Sayyida Zaynab (Edinburgh UP, 2025) is a striking and deeply immersive ethnographic study that takes the reader into the shrine town of Sayyida Zaynab in Syria. This town was a vibrant center of Shi‘i life, pilgrimage, and healing, especially for Iraqi refugees until the 2011 Syrian uprising. By combining meticulous fieldwork conducted between 2004 and 2010 with rich historical and social context, Szanto shows how these contested rituals served as both spiritual expression and pathways to worldly and psychological healing. The book examines controversial Muharram practices, especially self-flagellation, not simply as ritual acts but as deeply meaningful responses to trauma, displacement, and the search for justice and healing. In doing so, Szanto pays close attention to how people actually live their religion: through relationships with saints, engagement with religious authorities, media, ritual performance, and forms of spiritual healing. In this conversation, Szanto and I explore specific Muharram practices, including self-flagellation, the wedding of Qasim, and other ritualized forms of mourning, as well as gendered dynamics in who participates and why. We discuss what these practices looked like on the ground—what Muharram in Sayyida Zaynab felt like, how different communities understood and debated these rituals, and what purposes they served for those who participated in them. We talk about the Zaynabiyya seminary and how changes in its physical and institutional structure reshaped how knowledge was taught and who held authority. We also discuss relationships with saints, spiritual healers like Shaykh Abu Ahmad, and the ways that media, music, and ritual performance mediate piety. Szanto also treats us to reflecting on some of her experiences observing and engaging with these rituals. This book is essential reading for anyone interested in Islamic studies generally, Shi‘i studies, Middle Eastern religious life, or the ways that communities navigate devotion, trauma, and healing through ritual. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Scholars have long viewed intelligence as the preserve of nation states. Where the term ‘private sector intelligence' is used, the focus has been overwhelmingly on government contractors. As such, a crucial aspect of intelligence power has been overlooked: the use of intelligence by corporations to navigate and influence the world. Where there has been academic scrutiny of the field, it is seen as a post-9/11 phenomenon, and that a state monopoly of intelligence has been eroded. Beyond States and Spies: The Security Intelligence Services of the Private Sector (Edinburgh UP, 2024) by Dr. Lewis Sage-Passant demonstrates - through original research - that such a monopoly never existed. Private sector intelligence is at least as old as the organised intelligence activities of the nation state. Beyond States and Spies offers a comparative examination of private and public intelligence, and makes a compelling case for understanding the dangers posed by unregulated intelligence in private hands. Overall, this casts new light on a hitherto under investigated academic space. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Scholars have long viewed intelligence as the preserve of nation states. Where the term ‘private sector intelligence' is used, the focus has been overwhelmingly on government contractors. As such, a crucial aspect of intelligence power has been overlooked: the use of intelligence by corporations to navigate and influence the world. Where there has been academic scrutiny of the field, it is seen as a post-9/11 phenomenon, and that a state monopoly of intelligence has been eroded. Beyond States and Spies: The Security Intelligence Services of the Private Sector (Edinburgh UP, 2024) by Dr. Lewis Sage-Passant demonstrates - through original research - that such a monopoly never existed. Private sector intelligence is at least as old as the organised intelligence activities of the nation state. Beyond States and Spies offers a comparative examination of private and public intelligence, and makes a compelling case for understanding the dangers posed by unregulated intelligence in private hands. Overall, this casts new light on a hitherto under investigated academic space. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Sex Work in Southeast Asia explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book's scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge. Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network