Podcasts about arthouse

Forget the sales gimmicks—“Arthouse” is here to support artists sidelined by the traditional gallery model. In today's episode, our host, Scott “Sourdough” Power, founder of nonprofit media platform Arterial, discusses the concept behind “Arthouse,” an innovative TV series currently in pre-production. This series, which is fiscally sponsored by Arterial, aims to connect artists directly with buyers, eliminating the need for middlemen or galleries.“Arthouse” is all about community engagement. Each episode will feature a family, a couple, or an individual interested in purchasing original art from a local artist but feels intimidated and unsure where to start, often working within a budget of just $500 to $1,000. The “Arthouse” team will meet with prospective buyers in their homes to better understand their needs, tastes, and living situation. Then, he takes them to visit the studios of three talented artists from their community. This immersive experience allows them to learn about the artists' practices and the stories behind their creations. Scott believes that by directly connecting these buyers with local artists, “Arthouse” can recalibrate public perceptions of art ownership and make it more accessible to everyone. He emphasizes the socioeconomic dynamics that often deter people from investing in original artwork, noting that a lack of knowledge and exposure plays a significant role in this issue. By fostering open dialogues about personal tastes and accessibility, he aspires to cultivate a culture where original art is not merely reserved for the elite but is embraced and appreciated by all.Tune into this episode to learn more about “Arthouse,” or subscribe to our newsletter to stay updated on the latest “Arthouse” news.Links mentioned in this episode: ArterialArthouseArtsvilleUSACrewest StudioFirst Friday ExhibitionsNOT REAL ARTNOT REAL ART PodcastRemote Season OneRemote Season Two Sneak PeekScott “Sourdough” PowerFor more information, please visit https://notrealart.com/introducing-arthouse

En este episodio de La Clave Pop, Marysabel Huston conversa con Annasofia, cantante, compositora y productora colombiana, sobre el lanzamiento de su sencillo "Humo", el primer capítulo de un EP conceptual donde cada canción representa una etapa en la construcción emocional de una casa interior.En una charla íntima y poderosa, Annasofia comparte cómo pasó de sentirse perdida creativamente a reconocerse como la arquitecta de su propio proyecto. Nos habla del miedo a producir su propia música, de sanar heridas internas, de su proceso en Art House junto a Julio Reyes Copello, y de cómo artistas como Juanes terminaron colaborando en su música. También revela cómo su hermana dirige sus videos, la influencia de referentes como Yayoi Kusama y Salvador Dalí, y cómo la autenticidad se convirtió en su norte artístico.Una conversación imperdible para quienes están buscando su voz, dentro y fuera de la música.Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: @marysabelhuston TikTok: @marysabelhuston Facebook: Marysabel.HustonX (antes Twitter): @hustonmarysabelYouTube: Marysabel HustonCréditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

Mission Impossible is coming to the Babcock!  Don't miss (what might be) the conclusion to one of the best running action series.  On top of that Brian and Kyler share their thoughts on A Nice Indian Boy and we get a little behind the scenes look into how booking/scheduling films is going at Art House.

Vampir-Horror, afroamerikanische Underdog-Story und dazu noch die Geschichte des Blues: Mit seinem wilden Genre-Cocktail „Sinners“ hat Regisseur und Autor Ryan Coogler einen der Filme des Jahres gedreht. Pia Reiser und Christian Fuchs sprechen ausführlich über den Mix aus Arthouse und Grindhouse mit Blockbuster-Budget, der in kurzer Zeit zu einem Pop-Phänomen wurde. Von den Outlaws in „Sinners“ ist es nur ein Sprung zu einer Misfits-Gang im Comickostüm. „Thunderbolts“ vereint die kriminellen Freaks, Loser und Außenseiter:innen des Marvel Cinematic Universe. Neben der üblichen Superhero-Action erzählt der Film aber auch von Mental Health Themen, Empathie und menschlichem Zusammenhalt. Sendungshinweis: FM4 Film Podcast, 05.05.2025, 0 Uhr

Matthias, Sebastian und Friend-Of-The-Show Gregor Schenker sprechen diesmal über einen Vertreter des afrikanischen Kinos: In "Black Girl" aka "Die Schwarze aus Dakar" (1966) von Regisseur Ousmane Sembène wird die junge Frau Diouana in der senegalesischen Hauptstadt Dakar als von einem französischen Paar als Kindermädchen angeheuert. Diouana verspricht sich einen Ausbruch aus der Armut und der beengten Lebenssituation und reist ihren Arbeitgebern begeistert bis nach Südfrankreich nach. Dort reißt der Abgrund zwischen arm und reich, schwarz und weiß dermaßen auf, dass das Leben für die stille Diouana unerträglich wird.Weitere Links zu unseren Websites und Social Media ⁠https://linktr.ee/filmkammer⁠Emails könnt ihr uns an ⁠filmkammer@buddelfisch.de⁠ sendenHört die Filmkammer überall wo es Podcasts gibt!Coverbild von Gregor SchenkerSoundmix von Sebastian KempkeMusik: "Epilogue (Instrumental Version)" by ⁠Josh Woodward

The month of May has arrived, and a new batch of movies is coming along with it! WEMU's David Fair meets up with Marquee Arts cinema programming director, Nick Alderink to chat about the new films and the latest round of special screenings coming to Ann Arbor!

The Gospel Con Carne podcast is back! Join us this season as Mobile Loaves & Fishes' Founder & CEO, Alan Graham, and his guests tell the untold stories of individuals who have encountered homelessness. We are excited to kick off this season talking with Honey, one of Alan's neighbors who lives in Community First! Village. Honey grew up in a broken home and transitioned into foster care when she was 16. After getting married and having three children, new struggles began to emerge in her life. The combination of divorce, remarriage, losing her home and severe health problems ultimately left Honey in a position of living out of her car with her husband at the time. She eventually found her way home to Community First! Village in 2018, but admits she was still dealing with several bumps in the road. It wasn't until recently that Honey was encouraged by our Art House team to pursue her creative skills. Since then, she has been thriving with jewelry making and is also tapping into new creative outlets that allow her to earn a dignified income.  

Alan, Olivia und Olivier tauchen ein in zwei essenzielle amerikanische Institutionen: Hollywood und das Weisse Haus. Kann die Comedyserie «The Studio» mit ihrer Karikatur der US-Filmindustrie satirisch überzeugen? Und gelingt es Hauptdarstellerin Viola Davis im Prime-Video-Actionfilm «G20», als bewaffnete amerikanische Präsidentin in die Fussstapfen von Harrison Ford in «Air Force One» (1997) und Bill Pullman in «Independence Day» (1996) zu treten?

Thirty years after the film's release, Fresh Kill has been remastered by the Fales Library & Special Collections of New York University. Fresh Kill director/producer Shu Lea Cheang traveled with filmmakers Jean-Paul Jones and Jazz Franklin on a nationwide roadtrip to screen the remastered 35mm print of the film at independent arthouse cinemas across the country, and to engage local communities on issues of environmental racism and activist resistance. Shu Lea Cheang joins moderator Jigna Desai from UCSB's Center for Feminist Futures to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40538]

Thirty years after the film's release, Fresh Kill has been remastered by the Fales Library & Special Collections of New York University. Fresh Kill director/producer Shu Lea Cheang traveled with filmmakers Jean-Paul Jones and Jazz Franklin on a nationwide roadtrip to screen the remastered 35mm print of the film at independent arthouse cinemas across the country, and to engage local communities on issues of environmental racism and activist resistance. Shu Lea Cheang joins moderator Jigna Desai from UCSB's Center for Feminist Futures to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40538]

Thirty years after the film's release, Fresh Kill has been remastered by the Fales Library & Special Collections of New York University. Fresh Kill director/producer Shu Lea Cheang traveled with filmmakers Jean-Paul Jones and Jazz Franklin on a nationwide roadtrip to screen the remastered 35mm print of the film at independent arthouse cinemas across the country, and to engage local communities on issues of environmental racism and activist resistance. Shu Lea Cheang joins moderator Jigna Desai from UCSB's Center for Feminist Futures to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40538]

Thirty years after the film's release, Fresh Kill has been remastered by the Fales Library & Special Collections of New York University. Fresh Kill director/producer Shu Lea Cheang traveled with filmmakers Jean-Paul Jones and Jazz Franklin on a nationwide roadtrip to screen the remastered 35mm print of the film at independent arthouse cinemas across the country, and to engage local communities on issues of environmental racism and activist resistance. Shu Lea Cheang joins moderator Jigna Desai from UCSB's Center for Feminist Futures to discuss the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40538]

Arthouse Doku ist der anspruchsvolle Dokumentarfilm für die Ohren. Mehr Sound - weniger Blabla. Hier erklären die Macher*innen das Konzept.

Today on the show, host Christopher Carr welcomes Anil Prajapati, Managing Director of Lille Aeske Arthouse. Lille Aeske organizes this festival in collaboration with White Rabbit Ink and The Vinguard. It is the 4th Annual May Day Festival, two days of music, two stages, and camping in a beautiful setting along the Hwy 1 coast at Pie Ranch.

Étrange choix que celui du distributeur Art House : faire arriver sur nos écrans français le dernier avatar d'un genre autrefois florissant du cinéma japonais, le film de sabre, avec Le Joueur de Go, de Kazuya Shiraishi. Choix tout aussi étrange que celui de votre émission, qui a choisi d'en faire le sujet de ses débats […]

Olivia und Alan nehmen es ohne Olivier mit zwei Werken mit sehr langen Titeln auf: Hat die Schweizer Dokumentation «Game Over: Der Fall der Credit Suisse» neben ihrer reisserischen Aufmachung auch in Sachen Substanz etwas zu bieten? Und wie erfolgreich sind Netflix und Comedian John Mulaney dabei, mit «Everybody's Live with John Mulaney» das altehrwürdige Live-Talkshow-Format wiederzubeleben? Ausserdem: Mit welchen Filmen lernt man Olivier am besten kennen?

Diesmal geht es um Avowed, Splatter, Lilyhammer, Arthouse, Indiana Jones, Bastis Steamdeck, Twitter, den Gamer Musk und das Problem keiner Probleme. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/AlliterationAmArsch Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

The Blasters & Blades PodcastWe went and got all artsy fartsy with this Art House Adventure by our very own Nick Garber. He did his thing, drew some pretty pictures and waxed poetic about nerdy topics. This was a fun interview, so go check out this episode. Lend us your eyes and ears, you won't be sorry!! Join us for a fun show! We're just a couple of nerdy Army veterans geeking out on things that go "abracadabra," "pew," "zoom," "boop-beep" and rhyme with Science Fiction & Fantasy. Co-Hosts: JR Handley (Author) (Grunt)Nick Garber (Comic Book Artist) (Super Grunt)Madam Stabby Stab (Uber Fan) (Horror Nerd)We work for free, so if you wanna throw a few pennies our way there is a linked Buy Me A Coffee site where you can do so. Just mention the podcast in the comments when you donate, and I'll keep the sacred bean water boiling!Support the Show: https://www.buymeacoffee.com/AuthorJRHandley Our LinkTree: https://linktr.ee/blastersandbladespodcast Today's SponsorCheck out the awesome world of indie comics with Apogee! https://www.apogeecomics.com/ Coffee Brand Coffee Affiliate Support the Show: https://coffeebrandcoffee.com/?ref=y4GWASiVorJZDb Discount Code: PodcastGrunts Coupon Code Gets you 10% off Follow Nick Garber on social mediaNick's Twitter: https://x.com/nickgarberart Nick's Facebook: https://www.facebook.com/nickgarberart Nick's Instagram: https://www.instagram.com/nickgarberart/ Nick's YouTube: https://www.youtube.com/@nickgarberdesigns/featured Nick's TikTok: https://www.tiktok.com/@nickgarberart Follow Apogee Comics on social mediaApogee's Website: https://www.apogeecomics.com/ Apogee's Twitter: https://x.com/apogeecomics Apogee's Facebook: https://www.facebook.com/ApogeeComics/ Apogee's Instagram: https://www.instagram.com/apogeecomics/ Apogee's YouTube: https://www.youtube.com/@apogeecomics2999/featured #scifishenanigans #scifishenaniganspodcast #bbp #blastersandblades #blastersandbladespodcast #podcast #scifipodcast #fantasypodcast #scifi #fantasy #books #rpg #comics #fandom #literature #comedy #veteran #army #armyranger #ranger #scififan #redshirts #scifiworld #sciencefiction #scifidaily #scificoncept #podcastersofinstagram #scificons #podcastlife #podcastsofinstagram #scifibooks #awardwinningscifi #newepisode #podcastersofinstagram #podcastaddict #podcast #scifigeek #scifibook #sfv #scifivisionaries #firesidechat #chat #panel #fireside #religionquestion #coffee #tea #coffeeortea #CoffeeBrandCoffee #NickGarber #NAHA #NicksArtHouseAdventures

Matt, Brian, and Kyler chat about the films that opened at Art House this weekend.

Send us a Question!MOVIE DISCUSSION: Kathryn joins Melvin to discuss The Monkey, one of the first horror hits of the year, and possibly the first of two new Osgood Perkins films in 2025! For a movie whose tagline is "Everybody dies. And that's F#$*ed up.", is it cynical? Or, is a little heart tossed in with this horror comedy? Also, and perhaps most importantly... is it funny? Tune in to find out!Topics:(PATREON EXCLUSIVE) 28-minutes discussing Longlegs, Osgood Perkins' 2024 satanic-panic horror-thriller cop drama, and ponder how it stands with his other films, if it exceeded the hype, and how Melvin compares it to The Blackcoat's Daughter, one of his favorite movies. (PATREON EXCLUSIVE)It's premise is simple, and it's idea is absurd, lending itself to an easily digest horror/comedy.Everything in the film is in service of jokes.The industry is timid around horror/comedy films, but a film with a reasonable budget offers a lot of opportunity.This is Osgood Perkins' first movie with a male-led cast, and the two explore his representation of gender across his filmography.Chuckling over silly deaths.Amidst all the comedy, Osgood Perkins' still makes sure to add a level of heart the film needs to give it decent pacing, both in its metatext as he processes grief and literally as the film showcases a throughline regarding generational trauma.Talking about the ending, and how you can read into the drama if you want.Recommendations:The Ultimate Hitchhiker's Guide to the Galaxy by Douglas Adams (2010) (Book)@Niall.Breen.Comics (Instagram) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Substack Instagram Facebook Group

We're long-time admirers of Denny Tedesco's “Wrecking Crew” doc which celebrated the studio musicians of 60s Hollywood, the unseen hands who can be heard on all those Beach Boys and Spector hits. Now he's done something similar with the musicians who were so much part of the success of James Taylor, Carole King and Warren Zevon in the next decade in “The Immediate Family”. We're delighted to have been able to organise a screening of the film at The Art House in Crouch End after which he spoke to David Hepworth about what it was like to grow up married to the music business, how the culture of session players changed over the years, what has kept the likes of Leland Sklar, Danny Kortchmar, Waddy Wachtel and Russ Kunkel at the top of their game for fifty years and whether anybody else is still keeping their craft alive. The film is streaming on a platform near you now!The Immediate Family: https://www.immediatefamilyfilm.com/The Art House: https://www.arthousecrouchend.co.uk/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We're long-time admirers of Denny Tedesco's “Wrecking Crew” doc which celebrated the studio musicians of 60s Hollywood, the unseen hands who can be heard on all those Beach Boys and Spector hits. Now he's done something similar with the musicians who were so much part of the success of James Taylor, Carole King and Warren Zevon in the next decade in “The Immediate Family”. We're delighted to have been able to organise a screening of the film at The Art House in Crouch End after which he spoke to David Hepworth about what it was like to grow up married to the music business, how the culture of session players changed over the years, what has kept the likes of Leland Sklar, Danny Kortchmar, Waddy Wachtel and Russ Kunkel at the top of their game for fifty years and whether anybody else is still keeping their craft alive. The film is streaming on a platform near you now!The Immediate Family: https://www.immediatefamilyfilm.com/The Art House: https://www.arthousecrouchend.co.uk/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We're long-time admirers of Denny Tedesco's “Wrecking Crew” doc which celebrated the studio musicians of 60s Hollywood, the unseen hands who can be heard on all those Beach Boys and Spector hits. Now he's done something similar with the musicians who were so much part of the success of James Taylor, Carole King and Warren Zevon in the next decade in “The Immediate Family”. We're delighted to have been able to organise a screening of the film at The Art House in Crouch End after which he spoke to David Hepworth about what it was like to grow up married to the music business, how the culture of session players changed over the years, what has kept the likes of Leland Sklar, Danny Kortchmar, Waddy Wachtel and Russ Kunkel at the top of their game for fifty years and whether anybody else is still keeping their craft alive. The film is streaming on a platform near you now!The Immediate Family: https://www.immediatefamilyfilm.com/The Art House: https://www.arthousecrouchend.co.uk/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

https://www.vinceliaguno.comVince Liaguno is an award-winning writer, anthologist and editor, and an occasional poet.Vince won the prestigious Bram Stoker Award for UNSPEAKABLE HORROR: FROM THE SHADOWS OF THE CLOSET (Dark Scribe Press 2008), an anthology of queer horror fiction, which he co-edited with Chad Helder. His debut novel, 2006's THE LITERARY SIX, was a tribute to the slasher films of the 80s and won an Independent Publisher Award (IPPY) for Horror and was named a finalist in ForeWord Magazine's Book of the Year Awards in the Gay/Lesbian Fiction category.Vince began writing professionally in 2005 for AUTOGRAPH, a national print magazine for enthusiasts of the titular hobby, where he remained an active contributor through 2009. In 2007, he launched DARK SCRIBE MAGAZINE, where he has remained Editor-in-Chief since the virtual magazine's inception. His many profiles, interviews, and non-fiction pieces have included bestselling authors (Christopher Rice, Bentley Little, Tess Gerritsen, Chelsea Cain), award-winning actors (Julianne Moore, Kathy Bates, Philip Seymour Hoffman, Meg Tilly), music artists (Cyndi Lauper, Terri Nunn of Berlin, the late Laura Branigan), and pop culture retrospectives on TV series such as MELROSE PLACE and WILL & GRACE. A complete list of Vince's published work can be found here.Born in Easton, Pennsylvania, raised in the Princeton area of New Jersey, he now calls the snowy mitten-shaped state of Michigan his home. He is a member — and former Secretary — of the Horror Writers Association (HWA) and the National Book Critics Circle (NBCC).VOX VOMITUS: Sometimes, it's not what goes right in the writing process, it's what goes horribly wrong. Host Jennifer Anne Gordon, award-winning gothic horror novelist and Co-Host Allison Martine, award-winning contemporary romance and speculative fiction novelist have taken on the top and emerging new authors of the day, including Josh Malerman (BIRDBOX, PEARL), Paul Tremblay (THE PALLBEARERS CLUB, SURVIVOR SONG), May Cobb (MY SUMMER DARLINGS, THE HUNTING WIVES), Amanda Jayatissa (MY SWEET GIRL), Carol Goodman (THE STRANGER BEHIND YOU), Meghan Collins (THE FAMILY PLOT), and dozens more in the last year alone. Pantsers, plotters, and those in between have talked everything from the “vomit draft” to the publishing process, dream-cast movies that are already getting made, and celebrated wins as the author-guests continue to shine all over the globe.www.jenniferannegordon.comwww.afictionalhubbard.comhttps://www.facebook.com/VoxVomituspodcast https://twitter.com/VoxVomitus#voxvomitus #voxvomituspodcast #authorswhopodcast #authors #authorlife #authorsoninstagram #authorsinterviewingauthors #livevideopodcast #livepodcast #bookstagram #liveauthorinterview #voxvomituslivevideopodcast #Jennifergordon

Welcome to Episode 155!  For the first time we're covering a 70s sleeper which Cash has never seen before.  Now he is the student on his own show.  The crew takes a leap of faith on a film which has been hailed as "criminally underseen".  If David Lynch had made a Zombie film, this would be it.  We hope you enjoy the Horror 101 treatment of Messiah of Evil from 1974!Show Highlights:01:00 Prelude to Terror...06:38  Picking tonight's film...11:00  They say that Nightmares are Dreams Perverted...13:30  Arletty Getting Gas...16:45  Arriving at The Beach House...18:30  Blind/Mute Art Dealer...20:00  The Seven Seas...22:40  You Have to Burn Him...23:55  I Let Them Stay...26:40  Laura's Escape...31:00  That Wasn't My Father...32:50  Creepy Movie Theatre...35:55 Deteriorating...36:40  Father Descends...42:00  Beach House Massacre...44:35  No one Will Hear You Scream!47:08  Scoring the Film...58:00 Conclusion!  Thanks for Listening!

Matt, Brian, and Kyler talk about the new horror film at Art House, plus who we think will win this Sunday!

David and David are back again, and this week David goes a bit Art House-y to watch Memoir of a Snail. He then reviews the randomly chosen movie, 2002's Rollerball. Also, sweeties... what did David eat - something marshmallowy perhaps? If you would like to receive this podcast earlier, get longer episodes as well as exclusive episodes and get the chance to ask David Edwards movie questions LIVE every Saturday - then head over to patreon.com/davidearl Learn more about your ad choices. Visit podcastchoices.com/adchoices

Charlie Peacock is a legendary musician, producer, and songwriter. His impact on the music industry spans decades. A Grammy-winning producer and a visionary artist, he's worked with some of the most influential names in music. But even more importantly, Charlie is known for his generosity and hospitality, pouring into the lives and work of artists through the Art House and other creative endeavors. His passion for nurturing talent and fostering deep artistic and spiritual conversations has shaped countless musicians and writers. In his new memoir, Roots and Rhythm, he shares his own journey, offering a rich reflection on music, faith, and the creative life. In this episode, Charlie and Jonathan Rogers talk about success, identity, embracing failure and suffering, and navigating more than one economy at a time.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.

What does it take to build high-quality, affordable workforce housing in today's challenging real estate market? In this episode of Multifamily Collective, I sit down with Riaz Taplin, Founder of Riaz Capital, to talk about real estate innovation, market trends, and the future of housing in urban America.

En este episodio, Shakti y Eliu visitan a Joaquina en Art House (el estudio de Julio Reyes donde Joaquina y muchos grandes artistas graban sus canciones). Hablamos sobre el proceso creativo detrás de sus videoclips y el lanzamiento de su esperado álbum. Joaquina también nos cuenta cómo nació su amor por la música, la historia de su primera canción y su transición del homeschool a trabajar con Julio Reyes, su primer contrato, ganar un Grammy, y la inolvidable experiencia de cantar junto a Andrea Bocelli PARTE 2 de este episodio disponible a partir del JUEVES en Patreon: patreon.com/laparejamasaburridadelmundo

Today, I am excited to welcome you to this conversation with Charlie Peacock. Charlie is a gifted musician, producer, and storyteller whose life and art intertwine in the most captivating way. In this episode, we're going to dive deep into the roots and rhythms that have shaped Charlie's remarkable journey. We'll uncover the hidden history of his family's racial identity, explore the formative experiences that forged his singular musical talent, and trace the sacred dance between his spirituality and artistry. This is a winding, improvisational odyssey - filled with moments of reckoning, redemption, and the irrepressible drive to create. And in sharing it with us, Charlie invites us to reflect on our own roots, to listen for the rhythms that course through our veins, and to consider how the very things that make us who we are might also be the wellspring of our most profound expressions. So get ready because we're about to embark on a journey through the landscape of a life fully, beautifully lived. So join us as we discover roots and rhythm.Charlie Peacock is a 6x Grammy Award–winning, Billboard Chart–topping music producer, composer, and recording artist. He is responsible for developing and producing the Americana-Folk duo The Civil Wars and the bands Switchfoot and The Lone Bellow. Charlie is a co-founder of the Art House, Wedgwood Circle, and founder/director Emeritus of the Commercial Music Program at Lipscomb University. He has produced music for film and television, including A Walk to Remember, Chris Cornell's "Misery Chain" from the soundtrack of 12 Years a Slave, and "Hush," the title theme to the AMC drama Turn: Washington's Spies. Named by Billboard's Encyclopedia of Record Producers as one of the 500 most important producers in music history, Charlie is also a three-time recipient of the Gospel Music Award for Producer of the Year. His songwriter credits include two multiplatinum evergreen songs, “Every Heartbeat” (Amy Grant) and “In the Light” (DC Talk). His books include Why Everything That Doesn't Matter, Matters So Much, New Way to Be Human, At the Crossroads, and a contribution to It Was Good: Making Music to the Glory of God. Charlie is the Sr. Music Editor for Christianity Today and host of the Christianity Today Podcast, Music and Meaning. Notably, Charlie's songs and productions exceed 25 million sales. Eerdmans will publish his memoir, Roots & Rhythm, on February 4, 2025. He has been married to author Andi Ashworth for nearly fifty years and they have two grown, married children and four grandchildren.Charlie's Book:Roots and RhythmSubscribe to Our Substack: Shifting CultureConnect with Joshua: jjohnson@allnations.usGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeConsider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on the support the show link belowEmail jjohnson@allnations.us, so we can get your creative project off the ground! Support the show

“As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.” Despite spending years fighting against the notion that puppets were nothing more than “children's entertainment,” Jim Henson found his greatest success thus far working on a television show aimed at toddlers: the groundbreaking educational series SESAME STREET. But before he got there, Jim went on a years long detour into the world of experimental filmmaking, work that would ultimatley influence many of the inserts that he'd film for SESAME STREET. In this episode, we'll discuss Henson's work on short films such as TIME PIECE and experimental television programs like YOUTH ‘68 and THE CUBE — not to mention his brief flirtation with opening a psychedlic nightclub and his time spent onstage in Las Vegas — before taking a deep dive into his involvement with SESAME STREET, a program that would change television, and the Muppets, forever. ASSOCIATE PRODUCERS: Andrew C. | Andy Lancaster | asotirov | Benjamin Yates | Caverly | Curt M. | Elton Novara | Interzone78 | Jackson_Baker | Justin V. | lolodrummer | Nate Izod | Nathan Kelley | qoheleth | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net

Fri, 31 Jan 2025 12:47:35 +0000 https://extravaganca.podigee.io/74-new-episode 33b6899ad11af0529a00cd7a1209575e 74 full The Electronic Art House Podcast! no #techno #house #techhouse #ibiza #clubsound #electronicarthouse #minimal #extravaganca #afterhour #electronicpodcast

Send us a textIn this episode, we celebrate the life and work of the late David Lynch. Mr. Lynch was one of the most innovative and intuitive artists who tackled cinema. Co-hosts Nicholas Ybarra and Bella Efstratis discuss the inspiring approach from David Lynch and three of his most memorable films.We start with Lynch's audacious debut feature film, Eraserhead.Second, we explore the underbelly of the American dream in the sinister Blue Velvet. Finally, we rack our brains trying to figure out the haunting mysteries of Mulholland Drive. Let us know what you think of these films and/or what your favorite David Lynch film is. Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Filmmaker, Actor and Documentarian Raphael Sbarge stops by and talks about his new podcast with Greg Laemmle called  @InsidetheArthouse  as well as his film "Only in Theaters" . We also discuss his passion for seeing films in theaters and supporting indie cinema through the podcast. Make sure to check out his links below: Website: https://insidethearthouse.com/ Facebook: https://www.facebook.com/insidethearthouse/ Catch "Only in Theaters" on streaming: https://tubitv.com/movies/100013124/only-in-theaters

I speak with Raphael Sbarge (Co-Producer and Co-Host of Inside the Arthouse) about the state of the arthouse and the magic that theatrical experience brings. Subscribe to YPA Reviews for more content. @ypareviews Go to https://www.ypareviews.com/ to read my written reviews and stay up to date on all of my newest podcasts and YouTube content. Follow Me on Twitter and Instagram @ypareviews

Send us a textThe Criterion Break returns this week! On this episode, the three Criterion Compadres reminisce over the year that was at The State Theatre in Sioux Falls. In its fourth year since reopening, the State has become a hub for local moviegoers looking for a lovingly crafted theatrical experience. The guys chat about their standout moments from the last year including birthday mystery movies, thrilling late night horror movies, immortal classics restored in beautiful 4K, and incredible new releases including a 2024 horror comedy that is actually taking this year's award season by storm! The hosts also reflect on the growing community of movie lovers in the Sioux Falls area and how the State has become just what we've all needed!Blake can be found on Letterboxd @therealjohng. Derrick can be found on Instagram AND Letterboxd @dervdude.Follow Fat Dude Digs Flicks across social media:Facebook - Fat Dude Digs FlicksInstagram - FatDudeDigsFlicksTwitter - FatDudeFlicksTikTok - FatDudeDigsFlicksLetterboxd - FatDudeFlicksSubscribe to this podcast on Apple Podcasts, Spotify, Amazon Music, Goodpods, or wherever you get your podcasts. Search for Fat Dude Digs Flicks and click on that subscribe button. Please take a second to rate and review the show, while you're at it!Subscribe to the Fat Dude Digs Flicks YouTube channel and send a thumbs up or two my way!If you'd like to contact me for any recommendations, questions, comments, concerns, or to be a future guest, you can send an email to FatDudeDigsFlicks@gmail.com. Support the show

Buy the book here, or here. Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990 examines how political violence and resistance was represented in arthouse and cult films from 1960 to 1990. This historical period spans the Algerian war of independence and the early wave of postcolonial struggles that reshaped the Global South, through the collapse of Soviet Communism in the late 1980s. It focuses on films related to the rise of protest movements by students, workers, and leftist groups, as well as broader countercultural movements, Black Power, the rise of feminism, and so on. The book also includes films that explore the splinter groups that engaged in violent, urban guerrilla struggles throughout the 1970s and 1980s, as the promise of widespread radical social transformation failed to materialize: the Weathermen and the Black Liberation Army in the United States, the Red Army Faction in West Germany and Japan, and Italy's Red Brigades. Many of these movements were deeply connected to culture, including cinema, and they expressed their values through it.  Twelve authors, including film critics and academics, deliver a diverse examination of how filmmakers around the world reacted to the political violence and resistance movements of the period and how this was expressed on screen. This includes looking at the production, distribution, and screening of these films, audience and critical reaction, the attempted censorship or suppression of much of this work, and how directors and producers eluded these restrictions. Including over two hundred illustrations, the book examines filmmaking movements like the French, Japanese, German, and Yugoslavian New Waves; subgenres like spaghetti westerns, Italian poliziotteschi, Blaxploitation, and mondo movies; and films that reflect the values of specific movements, including feminists, Vietnam War protesters, and Black militants. The work of influential and well-known political filmmakers such as Costa-Gavras, Gillo Pontecorvo, and Glauber Rocha is examined alongside grindhouse cinema and lesser-known titles by a host of all-but-forgotten filmmakers, including many from the Global South that deserve to be rediscovered. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arthouse horror is not something that receives the showcase that it should here on our show. So for the whole month of January we are proud to bring you Arthouse Horror Month! Kicking off with the 2019 Robert Eggers Movie the lighthouse we take a look at arguably the most artistic film of the last two decades. Starring Robert Pattinson and Willem Defoe, The Lighthouse tells the story of Ephraim Winslow who starts work as an assistant to the lighthouse keeper Thomas Wake. The money is good but the conditions are less than desirable and over time we get to witness the full descent into Alcoholism and madness. This episode contains our review of the movie, behind the scenes production facts and your comments in "Caption This" We also announce the winner of our long running competition. We would love to hear your thoughts on the episode so please use the comments section to share your thoughts. Most importantly we hope you enjoy our first episode of 2025 and our dive into the weird and eerily beautiful world that this movie creates.

We're closing out 2024 with a returning special guest whose career touches on everything that makes movies special!Raphael Sbarge joins Ian for a wide-ranging conversation about growing up in the New York theatre scene; being one of the original Sesame Street kids; stepping into fame with the Risky Business cast; and carving a wholly new path as an Emmy-winning documentary filmmaker--which led to his co-creating the Inside the Arthouse podcast with arthouse theater royalty, Greg Laemmle!The guys also talk about the evolution of Risky Business; its mirror-universe relationship to The Graduate; and why it's just as relevant 41 years later! If you've ever wondered what it's like to put a documentary together, navigate a dinner with Sean Penn at his most Method, or trust Tom Cruise with your life while driving at top speed down Michigan Avenue, this is the show for you!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow Links:Watch the Risky Business (1983) trailer.Order Criterion's recent 4K release of Risky Business!Catch up with (and subscribe to) Raphael's great new podcast, Inside the Arthouse, with Greg Laemmle!Watch Ian and Sujewa's conversation with Raphael and Greg, in promotion of the doc that started it all, Only in Theaters!As mentioned in the show, Ian and Cole Rush reviewed Risky Business a few years ago, for their "Late Screening" series. Give a listen!

Today Alex and I dive deep into The Tango Lesson (1997), Sally Potter's polarizing exploration of tango and artistic expression. From dissecting its surreal, dreamlike sequences to debating its portrayal of gender dynamics and power struggles, we leave no stone unturned. Is it a masterpiece of arthouse cinema or a frustrating watch with outdated aesthetics? We break down the film's symbolism, performances, and impact on the tango community—past and present. If you've seen The Tango Lesson or are curious about its legacy, this episode is for you! Join my private FaceBook Group: https://www.facebook.com/groups/sotangoworld Questions/comments? Reach out to me⁣⁣⁣⁣ Web: imsotango.com⁣ Email: connect@imsotango.com⁣⁣⁣⁣ Instagram @‌imso_tango *Music courtesy of La Santa Calavera: “Un Día Nos Veremos” https://open.spotify.com/artist/4Ekzhqyp6d4CpdNqp6Wh3W

Our 300th episode is upon us, and we decided we were going to try to answer the question. You say you want to get into horror but The Exorcist is not scary enough and you have already seen Scream? We have some suggestions for you. Or maybe you are just getting into genre cinema and you want to test yourself and push your boundaries. We have something for you, too.This show is not just for those who are new to horror cinema. We know the majority of you are longtime horror lovers. The great thing about horror is there is so much of it. There are countless subgenres and sub-subgenres. We even have ideas for those of you who have been watching scary movies since they were little.So, what movies did we discuss? We talk exploitation, arthouse horror, Lovecraftian terrors, creature features, remakes, hard to find frights, horror icons, and even vampires. This episode is truly for everyone. When you are done listening to our 300th episode, you will definitely have ideas as to what to watch. Then, you can pour through our catalog to find even more treasures. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

HOW TO MAKE GRAVY, the adaptation of the classic Paul Kelly song is your taste of Australian Christmas melancholy cinema this festive season. Stars of the film and icons of cinema HUGO WEAVING and DANIEL HENSHALL wander into the Last Video Store to pick up a rental combo of their favourite films. A great chat with a couple of dream guests. Between them they've starred in films like The Matrix, Snowtown, Lord of the Rings, Acute Misfortune, The Adventures of Priscilla Queen of the Desert Proof, The Babadook, These Final Hours and V for Vendetta. And we're not just listing those for the Search Engine Optimisation (ok, maybe a bit). Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here's Hugo and Dan's picks.See omnystudio.com/listener for privacy information.

Owen and Mikey hold down the fort on tonights show, while Ty deals with the snow and plays DND. We Discuss: Plane Movies : Civil War and Twisters. Both Awful hear why… How do Adult Movie theaters stay in business? Are they all money laundering fronts? How Many snacks do you really need on an hour plane flight? Owen's Mr. Blobby Shirt scares a child Trimming Pubes in the hotel Forgetting to turn on airplane mode Art House P0rn House The Oh No Radio Show | Call Live @ 407-906-6466 | Live shows every Thursday at 8:30 PM EST @ Twitch.tv/onrslive

We interview editor and author Andrew Nette about his new book, co-edited with Samm Deighan, “Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990” You can buy the book at PM Press: https://pmpress.org/index.php?l=product_detail&p=1656 Amazon: https://www.amazon.com/Revolution-35mm-Political-Resistance-Grindhouse-ebook/dp/B0CRNHVK68 Andrew's Substack newsletter: https://andrewnette.substack.com/ X: @Pulpcurry Bluesky: @pulpcurry.bsky.social Instagram: @pulpcurry Letterboxd: https://letterboxd.com/AndrewNette/

Mike welcomes Samm Deighan and Andrew Nette, co-editors of Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990, from PM Press.  The book explores revolutionary cinema across the globe. They discuss the themes and politics of the films covered in the book, highlighting how cinema has been used to challenge authority, incite change, and reflect social struggles. It's a deep dive into cinema as a tool for revolution, with insights from two of the leading voices in the field of film criticism.Order your copy from PM Press at https://bit.ly/3Ai6y8x Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Mike welcomes Samm Deighan and Andrew Nette, co-editors of Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990, from PM Press.  The book explores revolutionary cinema across the globe. They discuss the themes and politics of the films covered in the book, highlighting how cinema has been used to challenge authority, incite change, and reflect social struggles. It's a deep dive into cinema as a tool for revolution, with insights from two of the leading voices in the field of film criticism.Order your copy from PM Press at https://bit.ly/3Ai6y8x Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Charlie Peacock is a renowned figure in the music industry for his solo albums, production work, songwriting and his record label RE:Think, which launched Switchfoot and Sarah Mason. Outside of the music industry spotlight he and his wife Andi Ashworth were creating a very unique space in Nashville called The Art House. Their experiences with The Art House inspired their recent book, "Why Everything That Doesn't Matter, Matters So Much: The Way of Love in a World of Hurt." Leah actually worked at The Art House more than 20 years ago, so we were eager to talk with Charlie and Andi about this book. To hear the full hour-long interview, visit our Patreon. In the Patreon-only version of this episode, Charlie also shares which collaborator he considers one of the best songwriters in the world.Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336.If you want more seasons of Rock That Doesn't Roll, you can support us on Patreon. https://www.patreon.com/rtdrYou can connect with us on Instagram or by emailing RTDRpod@gmail.comSign up for our Substack to keep up with show developments.Buy RTDR merch here.