Podcast appearances and mentions of ben uri gallery

David Glasser is the two decade Chairman & CEO of the Ben Uri Gallery and Museum in the U.K. and oversaw its recreation as the first full-scale virtual art museum and research center. Ben Uri Gallery and Museum was founded in 1915 in Whitechapel's Jewish ghetto in the East End of London, by émigré Russian artist Lazar Berson who previously exhibited with Chagall in Paris. In 2000, a new strategic direction was built around scholarship and expanding the remit from solely Jewish artists by incorporating the wider, diverse immigrant artist experience in Britain since 1900. Glasser and Zuckerman discuss the Bezalel Academy of Art and Design and the founding goal, museum relevancy in the 21st century, defining distinctive strength, doing a collections audit, being a public benefit, women refugees to the UK post WWII, a safe house for artists, a 24% female artist collection, mainstreaming a museum strategy, how few people actually visit some physical museums, why a digital museum is so compelling, global as the new local, deaccessioning, and being brave enough! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website. If you are interested in creating a custom piece please email custom@bestandcoaspen.com and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email press@hiz.art *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

Czech Routes features the work of 21 painters, printmakers and sculptors, many of whom fled to Britain as racial and political refugees from National Socialism in the 1930s. These include sculptor Anita Mandl and painter-printmaker Käthe Strenitz, just two of the 669 ​Kindertransportees​ rescued by British humanitarian Nicholas Winton. Also represented are works by subsequent generations of Czechoslovakian artists, including Irena Sedlecká, who fled her country’s totalitarian Communist regime in the 60s, as well as those who, between the 1970s and 1990s, have made the positive decision to immigrate to Britain to study and develop professionally. The exhibition showcases work drawn primarily from the Ben Uri Collection alongside external loans from important private collections.Czech Routes runs daily until 21 April and then on Mondays only until 20 May. Viewing is by appointment. Ben Uri Gallery, NW8 0RH. 020 7604 3991. www.benuri.org.uk

We reveal this year's Costa Book Awards shortlists. Critics Alex Clark and Toby Lichtig discuss the books chosen in the five categories: novel, first novel, poetry, biography and children's fiction. Category winners will appear on the programme in January and Front Row will announce the overall prize-winner on 29 January 2019.Documentary maker Sean McAllister reveals what has happened in the week after his film, Northern Soul, was shown on BBC Two. He explains what has happened with Steve Arnott's Beats Bus after his crowdfunding page surpasses its target.Shoplifters, a warm-hearted Japanese film about a family of small-time crooks, won the top prize, the Palme d'Or, at this year's Cannes Festival Film. As it is released into UK cinemas, cultural historian of Japan Dr Chris Harding gives his verdict on the film, its depiction of contemporary Tokyo and the controversy around its success.The Ben Uri Gallery and Museum has seen eleven members of its international advisory panel, including Sir Nicholas Serota – Chair of the Arts Council - resign in protest over the sales of artworks from their collection. David Glasser, the Executive Chair of Ben Uri Gallery and Museum, discusses why he thinks selling works is the only way ensure the establishment's future.Presenter: Kirsty Lang Producer: Ben Mitchell

- Rabbi Yitzchak Schochet tells us why he's been raising funds for the family of murdered Mill Hill shopkeeper Vijay Patel. - Gallery Manager Alix Smith on the 'January Jazz' event that will be taking place at the Ben Uri Gallery. - Chief Executive of Resource, Victoria Sterman talks about ‘The age-less job search' - helping older people back into work. - On the Schmooze we ask how important is it to work with other minority communities? - Our Rabbinic Thought for the Week comes from Rabbi Ben Kurzer of Edgware United Synagogue.

Matthew Sweet joins curator Katy Barron and three photographers, Wolfgang Suschitzky, Dorothy Bohm and Neil Libbert, all now over 75, to explore a show that offers an account of the twentieth century seen through their eyes. Still image then gives way to the moving image as Matthew considers what the much heralded new Carry On film may have to offer and what the original films tell us about the historical and social context from which they emerged. To ponder both the old and the new in Carry Ons he's joined by actress Jacki Piper, film historian Graham McCann and screenwriter David McGillivray. And author and former editor of the Catholic Herald Peter Stanford considers the role of relics as a bone fragment believed to come from St Thomas Becket travels from Hungary to be displayed at Canterbury.Unseen London, Paris, New York 1930s-60s: Photographs by Wolfgang Suschitzky, Dorothy Bohm and Neil Libbert is at the Ben Uri Gallery in London from May 20th to August 27th. Dorothy Bohm also has work on show at the Jewish Museum in London looking at Sixties London from 28 April - 29 August 2016Between 1958 and 1992 there were 31 Carry On films made. Plans have been announced at Cannes to make a series of new films. The fragment of bone is the centrepiece of a week-long pilgrimage in London and Kent. Peter Stanford is the author of books about Judas, the Devil, Cardinal Hume, Catholics and Sex, Heaven, A Life of Christ. Producer: Zahid Warley

With Mark Lawson. The film Prince Avalanche is a tale of two men (played by Paul Rudd and Emile Hirsch) who, as they spend a summer painting the traffic markings on a country highway, share a journey of self-discovery. Novelist M J Hyland reviews. Mark visits a Luton primary school, as the children get to see a Frank Auerbach painting, on loan for the day. The work came from the Ben Uri Gallery as part of the Masterpieces in Schools programme, a partnership between the Public Catalogue Foundation and BBC Learning. Mark joins the children as they prepare to see a masterpiece first-hand, many of them for the very first time, and hears their thoughts about Auerbach's Mornington Crescent, Summer Morning II. Michael Blakemore joined the National Theatre as an Associate Director in 1971 under the leadership of Sir Laurence Olivier. His memoir Stage Blood tells the story of his time at the theatre and reveals the reasons behind his dramatic exit in 1976 after speaking out against Peter Hall's leadership. He reflects on why now was the right time to tell his story. Producer Claire Bartleet.

This video was filmed at Richard Cobden school in Camden LA and explains how the 'Art in the Open' resources created by the Ben Uri Gallery can be used across a variety of Key Stages.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Vitaly Komar was born in Moscow, USSR in 1943, graduated from the Stroganov School of Art and Design in 1967, and has been living in New York since 1978. He was one of the founders of the Sots Art movement (Soviet Pop/Conceptual Art) and a pioneer of multi-stylistic post-modernism (1972-73).Vitaly Komar worked in collaboration with Alex Melamid from 1973 to 2003, exhibiting widely around the world. They were the first Russian artists invited to Documenta 8 in Kassel (1987) and they were also the first Russian artists to receive a grant from the National Endowment for the Arts (1982). After the Symbols of the Big Bang exhibited at the Yeshiva University Museum (New York, 2002-03), Vitaly Komar started New Symbolist works. His project Symbols of the Three -Day Weekend was exhibited at Ronald Feldman Gallery, New York; Matthew Bown Gallery, London; Marina Sandman Gallery, Berlin; Mina Lit!in!!sky Gallery, Denver; Ben Uri Gallery"i? 1/2 The London Jewish Museum of Art (receiving the International Jewish Artist of the Year Award); Humanities Gallery at Cooper Union, New York (with a catalog by Dore Ashton and Andrew Weinstein) in 2005. In 2007, he was a Special Guest of the Moscow Biennale (Marat Guelman Gallery and Tretiakov State Gallery).