Podcasts about Theatre director

Who YOU got? Denzel Washington vs Will Smith?!Returning to the podcast is Franky Corcoran; Canadian Actor, Theatre Director, Writer and host of the "Corcoran Entertainment Show"! In this episode, we get right back to the action from our collab on his show to talk about all things ACTING!: Theatre vs Film, the Marvel Cinematic Universe's future, aftermath of the SAG/Writers strike of 2023 and the current landscape of the Film Industry as a whole. Plus I put him in the hot seat for the "Which Famous Actor would YOU pick" trivia!

CCHS Theatre Director Ray Franz and stars of upcoming production of Rock of Ages

In this episode, we chat with Reji Woods, an actor, director, and producer making his EPAC directorial debut. With a career spanning Broadway, Off-Broadway, national tours, and international stages, Reji has also appeared in TV shows like Orange Is the New Black and The Marvelous Mrs. Maisel, and films like Tapawingo. He's the co-founder of Bending Threads Cabaret Company and founder of Reji Woods Productions. Alongside his performing career, Reji teaches voice and acting in Lancaster County and serves as Theatre Director at Ephrata High School. Tune in to hear more about his creative journey and upcoming projects!

Ricardo Camacho, born in Bogotá in 1948, is a distinguished Colombian theater director and co-founder of Teatro Libre. In 1973, alongside Jorge Plata and others, he established Teatro Libre, aiming to create an independent group dedicated to popular theater as a tool for societal transformation.   Under his direction, the company has staged numerous works by both international and Colombian playwrights, significantly enriching the nation's cultural landscape and today Todd Kramer and Jay Reum get Ricardo to open up about all of that in this episode… even if he is quite humble about his contribution.

KUR News Coordinator Naa Anorkor Nikoi interviews Barbara Vogelgesang, Outreach & Theatre Director, Kutztown Community Partnership, in another installment in our series on the Strand renovation.

What do Wayne Brady, Joey Fatone and Wesley Snipes have in common? They all had the same teacher for theatre class in Central Florida. Karen Rugerio served as the Theatre Director for Dr. Phillips High School for 27 years. During those decades, Rugerio brought up a variety of future stars on screen and stage.   She started at Jones High School when she first came to Orlando. Wesley Snipes was in her first class, "I still talk to him on the telephone all the time." Snipes even flew Rugerio and her partner out when the movie Blade opened in theaters. Snipes also flew her out when he made it on Hollywood's Walk of Fame. Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Scott, Theatre Director and close friend of the late Jon Kenny, joins us to pay tribute to the much loved comedian and actor.

Mina Morita is on a mission to inspire a new crop of Australian theatre directors and to open our stages to a wider range of audiences and artists. She's in Australia to lead a program called Staging the World, and she's directing the Australian premiere season of Yoga Play at the National Theatre of Parramatta and La Boite Theatre.Also, theatre maker Wang Chong's acclaimed one-man show Made in China 2.0 returns to Australia. We find out what's on his Top Shelf. And we explore the origins of Bollywood dance with Professor Pallabi Chakravorty, and Ashley Lobo, a choreographer of more than 20 Bollywood films and the director of A Passage to Bollywood at the OzAsia Festival.

Today Des talks to Graham McKnight, Theatre Director at The Lyceum Theatre in Crewe and Graham discusses the importance of maintaining the Lyceum Theatre and how the performing arts help to promote understanding and respect for different cultures.

Ceri explores the dynamic creative journey of Connal Orton, a versatile talent who's traversed theatre, television, and psychological thrillers. Connal shares his knowledge and personal experiences of creative leadership, embracing risk, and finding joy in the process. From directing plays to executive producing hit TV shows and now crafting gripping novels, Connal's story is a masterclass in adaptability and creative evolution. KEY TAKEAWAYS Embrace serendipity and be open to unexpected opportunities. Many of Connal's career-defining moments came from chance encounters and being willing to try new things. Creative leadership involves articulating the big picture while allowing team members the freedom to handle details, fostering a collaborative environment. Building a loyal audience is crucial. Try to focus on creating emotional connections rather than chasing numbers or trying to appeal to everyone. Feedback is essential, but timing is key, seek input at the right stages and from trusted sources to refine your work effectively. Authenticity in your creative voice and marketing approach can help you stand out and build a dedicated fan base. Playfulness and pushing boundaries can lead to innovative ideas; don't be afraid to be cheeky or irreverent in your work. Transitioning between creative fields can be advantageous, allowing you to apply skills and experiences in fresh ways. Surrounding yourself with talented people and fostering a supportive creative community can elevate your work and open new opportunities. BEST MOMENTS "I often think of the stuff on the wall as being like my sort of holiday photos, which is that they remind me a bit of my own kind of journey." "I want to write something that I think lots of people are going to read and I want those people to find it and love it." "Be your authentic self, if you're going to fail, fail on your own terms and at least believe in the stuff that you're making." "You can't make comedy without enjoying yourself. It's like you don't know whether a joke's funny unless you're laughing at it or not." "Your job very often is to articulate the big stages and let other people look after the detail." "I think what I've kind of learned is...you can be really risqué with things if you do it in the right way and with real confidence." EPISODE RESOURCES @calebcroweauthor @connalo @inkubatorbookshttps://www.calebcrowe.com/ PODCAST HOST BIO With over 30 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Subscribe before September 29 for just £5 per month for the first year! Flexible membership with monthly payments and no pressure to stay. Ready to transform your art career? Subscribe now!  https://cerihand.com/subscribe/ **** Build Relationships The Easy WayOur self-study video course, "Unlock Your Artworld Network,"  offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

Thinking Cap Theatre's Artistic Director Nicole Stodard talks with Jemma Alix Levy,  Theatre Director and Associate Professor of Acting and Directing at Washington and Lee University about Shakespeare's The Taming of the Shrew. JEMMA'S BIO Jemma Alix Levy is an Associate Professor of Acting and Directing at Washington and Lee University and has directed professionally for over 25 years. She earned degrees from Amherst College, the University of Chicago, and Mary Baldwin University's program in association with the American Shakespeare Center, and she completed The Juilliard School's now-defunct graduate directing program.  Levy's directing work has won critical acclaim across the US and internationally, including for her own companies, Runamuck (Austin, TX), and Muse of Fire Theatre Company (Evanston, IL).  Before her arrival at Washington and Lee University, Jemma taught theatre and directed at Webster University's Conservatory of Theater Arts (MO), Wabash College (IN), Roosevelt University Chicago College for the Performing Arts (IL), Mary Baldwin University (VA), and The Brearley School (NY). Levy has also written adaptations based on the works of Shakespeare, Lope de Vega, and two-time National-Book-Award-nominee Howard Norman.  She is a certified Consent-Forward Artist.  www.jemmalevy.com Support for this program has been provided by the following Funds at the Community Foundation of Broward: John O. and Victoria C. Kirby Fund, Frederick W. Jaqua Fund, The Frederick A. DeLuca Foundation Broward Community Fund. Sponsored in part by the State of Florida through the Division of Arts and Culture and the National Endowment for the Arts, Broward County Cultural Division and a grant from The Our Fund Foundation, an LGBTQ community foundation. --- Support this podcast: https://podcasters.spotify.com/pod/show/thinking-cap-theatre/support

Jerrell L. Henderson is a Theatre Director, Puppeteer, and African American Theatre Historian and Archivist. Through the mediums of theatre and/or puppetry and film, Jerrell seeks to disrupt generational curses of self-hate (i.e. racism, homophobia, religious intolerance, etc.). Intellectually curious and emotionally dexterous, Jerrell is at home in a number of wide-ranging genres including, but not limited to, American Realism, Magical Realism, Traditional and Contemporary Musical Theatre, Poetic Black-Queer Narratives, and Live Spectacle Events. Upcoming projects include directing Ragtime at Metropolis Arts Center this Spring. A recipient of a 2023 Henson Foundation Workshop Grant and the 2022 League of Chicago Theatre's Samuel G. Roberson Fellowship, Jerrell will present an original shadow play titled, AmericanMYTH: Crossroads with Free Street Theatre this Fall. Recent projects include directing Reverie by James Ijames (2022 Pulitzer Prize recipient for Fat Ham) with Azuka Theatre in Philadelphia, co-directing Marys Seacole by Jackie Sibblies Drury with Griffin Theatre in Chicago, and collaborating with The Classical Theatre of Harlem and St. Ann's Warehouse on: When The World Sounds Like A Prayer (https://www.cthnyc.org, walkwithamal.org) in Bryant Park in NYC. Other credits include Mlima's Tale with Griffin Theatre (Jeff Award nomination for Direction and Best Play), The River with BoHo Theatre, and Untitled with Inis Nua (Barrymore Award nomination for Outstanding Direction of a Play). Puppet short films include a filmed version of his signature puppetry piece, I Am The Bear with The Chicago International Puppet Theatre Festival. Other puppet short films include, Hamlin: La Revue Sombre with Heather Henson's Handmade Puppet Dreams and Diamond's Dream with Chicago Children's Theatre. His Juneteenth Puppet Protest: The Welcome Table was featured in the New York Times (June 2020) and his Fall 2020 puppetry celebration of the lives of John Lewis and C.T. Vivian titled, Black Butterfly was later expanded into an educational performance piece with Tria Smith of Guild Row and a student collective working with Urban Growers Collective on Chicago's South Side. He received his MFA in Theatre Directing from Northwestern University (2015), is an artistic associate with Black Lives, Black Words, is a member of Lincoln Center's Directors Lab (2012), and was a Henson Foundation sponsored participant at the Eugene O'Neill National Puppetry Conference (2020). He is on the board of Directors Gathering. (DG) is a national organization based in Philadelphia, PA which offers theatre directors consistent community, resources, and elevation.  As a theatre historian and archivist, Jerrell contributed to Fifty Key Musicals (Routledge Press). He authored the chapter on Shuffle Along (1921) and co-authored the chapter on The Wiz (1975). He also serves as the creator and curator of black_theatre_vinyl_archive on Instagram. black_theatre_vinyl_archive is an extensive collection of vinyl albums which highlight the contributions of members of the African Diaspora in Theatre/Musical Theatre History.  

While some critics believe that plays like Othello and The Merchant of Venice are inherently racist, others argue that they simply portray, perhaps even criticise, the racist attitudes of the time.Wherefore, Shakespeare? is a series that explores the dilemmas, conflicts, and controversies in Shakespeare's major plays.In our fourth instalment, we interrogate Shakespeare's portrayal of race. We also explore the surprising racial dimensions of one of Shakespeare's final plays: The Tempest. We're joined by Wesley Enoch, a Quandamooka man and an award-winning playwright and theatre director, Professor David McInnis who teaches Shakespeare and Early Modern Drama the University of Melbourne, and Professor Jane Montgomery Griffiths, an acclaimed actor and the head of the School of Performing Arts at Collarts.

(Apr 29, 2024) Adirondack forest ranger Robbi Mecus died in an ice climbing accident in Alaska last Thursday; former Ivy Ridge students and community members rallied in Ogdensburg on Saturday after a documentary alleges abuse that took place at a now-closed boarding facility; plus, a preview of the Pendragon Theatre's upcoming summer season.

Jenny Sealey has been the artistic director of Graeae Theatre Company since 1997: Graeae is a deaf and disabled-led company and a leader and innovator in accessible theatre. Jenny has directed opera as well as plays, and was the co-director of the 2012 Paralympic opening ceremony. Jenny was born in Nottingham in 1963, the eldest of four sisters. She lost her hearing at the age of seven following a fall at school in which she banged her head. At that time, deaf children were not encouraged to use British Sign Language, and so she taught herself to lip read, and stayed in a mainstream school, although she often found it challenging. She also continued to take ballet lessons, helped by an inspirational teacher who encouraged her to follow the form and movements of the dancer in front of her. She went on to study dance and choreography at Middlesex Polytechnic.After graduation, Jenny worked as an actor before becoming the artistic director of Graeae. In 2022 she was awarded an OBE for services to disability arts. Most recently she returned to acting and toured the UK with Self Raising, her one-woman autobiographical play. Jenny lives in London with her son and partner. DISC ONE: Handel: Messiah, HWV 56, Pt. 2: No. 44, Chorus. Hallelujah, for the Lord God Omnipotent Reigneth. Composed by George Frideric Handel and performed by The Sixteen Choir, conducted by Harry Christophers DISC TWO: Yesterday - The Beatles DISC THREE: Teenage Kicks - The Undertones DISC FOUR: The First Time Ever I Saw Your Face - Roberta Flack DISC FIVE: Because The Night - Patti Smith Group DISC SIX: Spasticus Autisticus – John Kelly and the cast of Reasons to be Cheerful DISC SEVEN: If It Can't Be Right Then It Must Be Wrong – John Kelly and the cast of Graeae's stage production of Reasons To Be Cheerful DISC EIGHT: Days – Kirsty MacCollBOOK CHOICE: The Complete Works of Armistead Maupin LUXURY ITEM: A photography kit CASTAWAY'S FAVOURITE: Handel: Messiah, HWV 56, Pt. 2: No. 44, Chorus. Hallelujah, for the Lord God Omnipotent Reigneth. Composed by George Frideric Handel and performed by The Sixteen Choir, conducted by Harry Christophers Presenter Lauren Laverne Producer Sarah Taylor

Clive Mathibe, Theatre Director, discussed what audiences may expect from #IAmWinnieMandela, a musical-driven play that will premiere at Johannesburg's historic Market Theatre on April 2, 2024, six years after Mama Winnie's death at the age of 81, in the first episode of the concert series.See omnystudio.com/listener for privacy information.

Zain Johnson and CEO and Theatre Director of the iconic Artscape, Marlene le Roux, delve into what's in store for audiences at Artscape this winter and throughout the rest of the year.See omnystudio.com/listener for privacy information.

Kim Carpenter AM is an Australian visual artist, theatre director, designer and devisor. For thirty years he was artistic director of his company, Kim Carpenter's Theatre of Image. During the 1970s, Carpenter designed for the Melbourne Theatre Company and Sydney's Nimrod Theatre Company. He was, for a short period, co-Artistic Director of Nimrod in the early 1980s. In 1988, Kim established Theatre of Image as Sydney's first visual theatre company. Theatre of Image developed into a leading Australian theatre company for children and families, with its productions having a distinctive visual style. In September 2019 he announced the closure of the company. His work includes The Book of Everything which he created with Neil Armfield for Theatre of Image and Belvoir. The production toured Australia and played a season in New York at the New Victory Theatre. In 2019 he adapted and designed The Happy Prince as a ballet for The Australian Ballet. It premiered at the Queensland Performing Arts Centre. Kim Carpenter was made a Member of the Order of Australia in 2013 for significant service to the performing arts. He has devised, directed or designed over 100 productions for theatre, opera, dance, physical theatre, ballet and puppetry. A prolific visual artist also, Kim Carpenter has been represented in Australian and International exhibitions. His next exhibition is a series inspired by William Shakespeare's A Midsummer Night's Dream. This show of works will be exhibited at Maunsell Wickes Gallery Paddington, from April 6th to 21st. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Francesca Zambello is an internationally recognised director of opera and theatre. She is the Artistic Director of The Washington National Opera at the Kennedy Center; a role she has occupied since 2012.  In 2022 she retired from a celebrated role as the General Director of The Glimmerglass Festival in Cooperstown, N.Y., having been appointed in 2010. Francesca has also served as the Artistic Advisor to the San Francisco Opera from 2005–2011 and as the Artistic Director of the Skylight Theatre from 1987–1992. She has since staged new productions at major theatres, festivals and opera houses in Asia, Australia, South America, Europe and the USA. Collaborating with outstanding artists and designers and promoting emerging talent, she takes a special interest in new music theatre works, innovative productions, and in producing theatre and opera for wider audiences. Francesca Zambello has been awarded the Chevalier des Arts et des Lettres by the French government for her contribution to French culture and the Russian Federation's medal for Service to Culture. Other honours for her work include three Olivier Awards from the London Society of Theatres and two Evening Standard Awards. The French Grand Prix des Critiques was awarded to her twice for her work at the Paris Opera. She has received the Medallion Society Award from the San Francisco Opera recognizing 30 years of work for the company. For Opera Australia, Francesca Zambello directed the 2012 Handa Opera on Sydney Harbour production of La Traviata, as well as The Love for Three Oranges in 2016, and West Side Story on Sydney Harbour in 2019, for which she received the Helpmann Award for best direction of a musical. Ms. Zambello has also served as an adjunct professor at Yale University. An American who grew up in Europe, she speaks French, Italian, German, and Russian. She began her career as an Assistant Director to the late Jean-Pierre Ponnelle. Francesca Zambello lives in New York with her wife, Faith Gay, a founding partner of Selendy & Gay and son, Jackson. www.francescazambello.com The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

The Short + Sweet theatre festival 2024 is currently underway, and several members of its production joined me on the show. See omnystudio.com/listener for privacy information.

Learn more about Michael Wenderoth, Executive Coach: www.changwenderoth.comIn this episode of 97% Effective, host Michael Wenderoth interviews renowned theatre director, Tamzin Townsend, dubbed the 'Queen Midas' of the theatre by the Spanish press. They explore the intersection of theatre and effective communication. Tamzin shares insights on how to establish a powerful presence, manage public speaking fears, and deliver impactful messages. She discusses the importance of rehearsal, individuality, physicality, tone, and energy in presentations, as well as the dangers of multitasking and relying too heavily on your content. Tamzin also delves into her work with women leaders, noting unique challenges they often face, and the strategies they can adopt to overcome them. Tamzin will get you thinking deeply about your energy and the choices at your disposal when you communicate.SHOW NOTES:Tamzin's “turning point” story that brought her to SpainHer most powerful memory in her years of directing“The energy you give is the energy you get back to you”What makes a theater director unique: the art of making choicesRehearsing means getting it wrong – and learning from that“Play with the people in front of you”Tamzin's hard truth: It's not about the contentCan you make mediocre content great?The voice can do so much – use it!Managing time pressure, external and internalThe power of pause, illustrated liveHard to cut your own content? Tamzin's top exercise 5:3:1Play, have some fun!How your audiences receives your fear and angst“The power of warmups”On connecting: “You need to find a way to get in”Inspiring others vs delivering tough or negative newsDelivering bad news: Think about it like taking someone's wisdom teeth out (Remember the pre-… then be clear, quick and congruent)How does tik tok help or hurt us, when it comes to communication and acting?Upping the ante on being fun, dynamic and succinctGetting “ownership of time”Tamzin on differences coaching women leadersWhat will shut your parrot up – and what will help you dial up and own it?Picking a communications trainer, but make sure you rehearseHer new venture Be Liquid, and working with actors, magicians, and comedians at Dramatic Resources in the UK BIO AND LINKS:Tamzin Townsend is a renowned theatre Director and communications trainer. Born in England, Tamzin studied Theatre and Drama Studies at the University of Kent at Canterbury, specialising in theatre direction. Her acclaimed career has spanned directing more than 40 works modern and classical theatre, opera and television, in English and Spanish, in Spain and Latin America – leading the Spanish press to crown her the “Queen Midas” of theatre. Her many successes include El Método Gronholm, by celebrated Catalán playwright Jordi Galceran, which became the biggest box office success at the Marquina Theatre in Madrid of the last decade. Other notable shows include The God of Carnage, Fat Pig, Play it Again Sam, Laponia, Heroes in Madrid's Gran Via, and Closer in Barcelona. Outside the theatre, Tamzin coaches executives and leads corporate communication workshops across Europe through her firm Be Liquid, with Dramatic Resources, and through her work as adjunct professor at IE University and IE Business School in Madrid, Spain. She is fluent in English, Spanish and Catalan and teaches in all three languages. Linked In: https://www.linkedin.com/in/tamzin-townsend-272b53100/Her Communications Training Firm, the new venture Be Liquid (Website in Spanish): https://beliquid.beTamzin's article, The 5 enemies of effective communication: http://tinyurl.com/sjp5z6cyDramatic Resources: https://dramatic-resources.squarespace.com/team-bios#tamzin-townsendHer work at IE University and IE Business School: https://www.ie.edu/university/about/faculty/tamzin-townsend/Interview in 20minutos (Spanish): http://tinyurl.com/msr99fmuMichael's Book, Get Promoted: https://tinyurl.com/453txk74Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Please welcome acclaimed Theatre Director with many a 'Theatrical Banger' to her name, Lucy Pitman-Wallace.  A life in the theatre and her love of Shakespeare in particular began for her at the tender & impressionable age of 8, when her mother ‘laughed in the face of getting a baby-sitter' and took her to see a production of “Measure for Measure. Lucy's passion for ‘dense texts' in particular began from that point on.Lucy has Directed at the National and at the RSC and at many of the Nation's leading Drama schools, with a particular passion for the power of theatre in building community and for mentoring new talent to be introduced to the wonderful world of theatre.A delightful episode including some comedy interruptions from a postman and a temporary Zoom crash - but just as there's 'no script for life' we banter on and push on through majestically!You can even watch our comedy interruptions in all their entertaining glory here:https://vimeo.com/chrisgrimes/lucypitmanwallaceTune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!

We welcome Dori Engel. Dori Engel is an Actor and Theatre Director, based in Tel Aviv, Israel. BA in Theatre and Acting from Tel-Aviv University, Graduated with distinction, 2004. Graduate of the course Acting Shakespeare in the Royal Academy of Dramatic Art, London, 2009. Played in several theatres in Israel, among them Haifa Municipal Theatre and the Yiddish National Theatre. Among his main roles: Hamlet (title role), Raskolnikov in Crime and Punishment, Vladimir in Waiting for Godot and David in Love and Money. Dori started directing in 2010, aiming for international collaborations. His show Youth & Will, including artists from different countries, participated in the Edinburgh Fringe Festival 2011. He focuses on adaptations of classical texts, as his version of Kafka's The Trial and the opera The Lesson by composer Israel Sharon, based on Ionesco's play. Dori is highly involved in producing independent artistic projects, which focus on cross-cultural dialogue as means to create understanding and mutual learning. Among his recent directing works is a production of Romeo & Juliet in Hebrew and Arabic – a unique collaboration of Palestinian and Israeli artists, in a piece of political theatre.   Contact Ray at Green Room on Air: greenroomonair@gmail.com Leave a review on Apple Podcasts (iTunes) Visit Green Room On Air website: http://greenroomonair.com Connect with us on Facebook: https://www.facebook.com/raysgreenroom/ Closing Music by Carly Ozard

Summary:We talk about feeling paralyzed by our grief, so today I chat a bit more about this feeling with Henry-Cameron Allen, who has a fascinating personal story. If you don't know what a peregrine is, you can Google it and learn it is a bird. Yet now, for those who have lost a child, the word Peregrine has an entirely new meaning. Listen in...Notes:Henry-Cameron Allen is an Artist, Crooner; Theatre Director; Life Skills Mentor/Counselor; Parenting 2.0's; Global Presence Ambassador; Board Member andDirector of Documentaries & Film Festivals; Executive Director, The Lost Travelers Club; Judge for Scholastic Arts & Writing Awards, School of the Museum of Fine Arts at Tufts University; Waldorf/Steiner School teacher and admissions director; Ordained Spiritual Humanist Clergy. In short, Henry-Cameron Allen is an amazing presence to connect with in our grief.Contact:www.asiliveandgrieve.cominfo@asiliveandgrieve.com Facebook:  As I Live and Grieve Instagram:  @asiliveandgrieve To Reach Henry-Cameron Allen:Website: https://www.henryallen.org/Credits: Music by Kevin MacLeod Support the show

How deep inner reflection translates into clear and energetic outer actions in the process of leading, is something Monica Lizabeth Sanborn portrays in an extremely unique way through this episode. The most unexpected combination of 5 objects that transformed Monica's way of leading through all her endeavours in life of teaching, directing, acting, are broken down into lessons that all of us can take a lot away from. How to avoid the mistake of putting someone on the pedestal and seeking all your answers in them instead of within yourself, to discovering how rewarding it can be to be absolutely authentic, even if that means bringing the unappealing parts of you in front of your team. We can bet that through the whole podcast, you can sometimes even hear her heartbeat, along with Julia's, when deep resonance on what leading truly means begins to unravel.

Well respected director and friend of the show, Sarah Potter is back in the studio along with the cast of her latest action-packed comedy production The Lady Killers. See omnystudio.com/listener for privacy information.

In this episode, Adam and Budi have a great conversation with director, public speaking coach, and podcaster Adriana BaerAdriana has directed for Alley Theatre, Portland Center Stage, Artists Repertory Theatre, Portland Playhouse, Profile Theatre (Artistic Director, 2012-2015), The Cutting Ball Theater (Associate Artistic Director, 2004-2007), and others. She has worked with the Oregon Shakespeare Festival, Opera Boston, The Public Theater, Berkeley Repertory Theatre, San Francisco Circus Center/Pickle Circus, California Shakespeare Theater, and American Conservatory Theater. Among other institutions, she has taught for Portland State University, Columbia University School of the Arts, The Acting Company, and Berkeley Repertory Theatre. She has lectured as a guest speaker at dozens of colleges and universities nationwide. Adriana holds a Bachelor of Arts from Sarah Lawrence College and a Masters of Fine Arts in Directing from Columbia University. She is a member of SDC, the professional union of stage directors and choreographers.She is the cohost of The Wellbeing Workshop's podcast and offers online courses and coaching through Adriana Baer Creative.Adriana lives on a two-acre farm just outside Portland, Oregon with her husband and child, and spends most of her free time digging in the dirt, practicing yoga, and reading.Special offer for Theatre of Others listeners! When you purchase Audition Master Class, you'll get free access to Get In: How to Rock Your MFA & URTA Auditions.* https://www.adrianabaercreative.com/others Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

In this Swing Edition episode, the role of co-host usually played by Mikell will be filled by our friend Michael Avila, who is a Theatre Director with a passion for musicals! In our Swing Edition episodes, one of the Musi-Gals will be replaced by another friend of ours who came to a show with one of us and brought their own insights and experiences. We're so excited for you to get to know Michael - we think you'll love how his creative mind views theatre.

In this epsiode, Budi and Adam sit down with Eugene Ma to discuss his practice spanning many decades, and many countries and continents. Eugene Ma is a theatre director, actor and teacher with an inter-disciplinary background. Born in Toronto, brought up in Hong Kong and based primarily in New York - Eugene continues to perform, direct, and teacher internationally.Enchanted many years ago by the ingenuity of the Clown and virtuosic transformations in Commedia dell'Arte, Eugene embarked on and completed a two-year teaching apprenticeship with Christopher Bayes, making him one of a selected few "Bayes-certified" physical acting teachers in America. During the apprenticeship, Eugene served as Chris' teaching assistant and musical director for Clown and Commedia classes as well as student productions at Yale School of Drama, the Juilliard School as well as summer and corporate workshops, infusing more musicality into the curriculum as a tool to open up the actor's imagination and sensitivity.Eugene is currently on faculty at Columbia School of the Arts, where he teaches clown in the MFA Acting program.  Spring 2020 he will be teaching clown at Yale School of Drama, to the second year MFA actors.  Previous teaching engagements include workshops and classes at Yale's Undergraduate Theater Studies Program, Professional Performing Arts School (Arts High School) in Midtown Manhattan, St. Andrew's College in Canada.  He has also served as an advisor on several directing projects at New York University.Eugene is Resident Director at the Flea Theatre, developing works with the robust resident acting company under the mentorship of Artistic Director Niegel Smith. His acting credits include Theatre for a New Audience, Oregon Shakespeare Festival, and Berkely Rep.Having been trained as a pianist (ABRSM Gr. 8), organist and composer at a young age at the Yamaha Music Foundation in Hong Kong, Eugene still recalls his first composition assignment being motific explorations inspired by a picture of a large zoo on the music stand as he captured the journey of zoo-going as well as channeling the essence of different animals. As a result of his very aural-based training, impulsively framing and supporting a story with relatable motifs -- not the most complex and intricate musical structures -- has always been the priority and strength in Eugene's musical work. At age 9, he was selected to represent Hong Kong to attend the Junior Original Accessible travel podcast Accessible travel podcasts are the place to be to listen to all things relative to...Listen on: Apple Podcasts SpotifySupport the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Today on Television Times we welcome the multi talented Steve Keyworth, making this episode a tale of two Steves. Not only is he an accomplished Theatre Director, Steve has also written over fifty hours of television and radio including Eastenders, Casualty and over sixty episodes of Doctors including the groundbreaking storyline within 'The Joe Pasquale Problem'. He also co-wrote the the Film 'Breaking the Bank' starring Kelsey Grammar, a subject about which he has plenty to say. We also cover Steve's stand up career as well as his curating of Flight 5065, whereby a different act performed in each pod of the London Eye including Damon Albarn and Jo Brand. We also discuss the lack of social distancing around urinals and share our joint opinions on baked potatoes.Follow us on Instagram & Twitter (links below):All music written and performed in this podcast by Steve Otis Gunn,Please buy my book 'You Shot My Dog and I Love You' available in all good book shops and online.Podcast Socials:Tik Tok: https://www.tiktok.com/@tvtimespodInsta: https://www.instagram.com/tvtimespodYoutube: https://www.youtube.com/@tvtimespodTwitter: https://twitter.com/tvtimespodSteve Otis Gunn's Socials:Insta: https://www.instagram.com/steveotisgunnTwitter: https://www.twitter.com/steveotisgunnFacebook: https://www.facebook.com/steveotisgunn.antisocialSteve Keyworth's Socials:Insta: https://www.instagram.com/stevekeyworthTwitter: https://twitter.com/stevekeyworthProduced by Steve Otis Gunn for Jilted Maggotwww.jiltedmaggot.com Hosted on Acast. See acast.com/privacy for more information.

Lindy Hume, AM, is one of Australia's leading directors, acknowledged internationally for fresh interpretations of a wide variety of repertoire, and for progressive artistic leadership of a number of Australian arts organisations, including Opera Queensland (2012-2017), Sydney Festival (2010-2012) and Perth International Arts Festival (2004-2007). She was also the first Artistic Director of West Australian Opera (1992-96), Artistic Director of Victoria State Opera and then OzOpera (1996-2001). Lindy has most recently been Creative Director of the Four Winds Easter Festival, Bermagui and is currently Artistic Director of the 10 Days on the Island Festival, Tasmania 2019-2023. In 2021 Lindy Hume was appointed a Member of the Order of Australia for significant service to the performing arts, particularly to opera. After a hugely successful year in 2021, during which Lindy directed The Marriage of Figaro for New Zealand Opera, Madama Butterfly for Welsh National Opera and The Barber of Seville for State Opera South Australia, 2022 saw her continuing in her roles as Creative Director of the Four Winds Easter Festival and Artistic Director of the 10 Days on the Island Festival, Tasmania as well as developing a new staged presentation of Schubert's Die Winterreise for Musica Viva's national tour of the work with Alan Clayton, which was also seen at the Barbican, in London. Lindy's production of Rigoletto was also presented by Opera Philadelphia. As a director, Lindy has created more than 50 major productions across Australasia including Carmen, Don Giovanni, Fledermaus, La Périchole and Les pêcheurs de perles (Opera Australia), Orlando, Trouble in Tahiti and The Barber of Seville (OzOpera), Alcina and Orpheus in the Underworld (West Australian Opera), Carmina Burana (State Opera of South Australia/The Australian Ballet), Idomeneo (Pinchgut Opera), Rigoletto and Lucia di Lammermoor (NBR New Zealand Opera). European productions include La bohème (Deutsche Staatsoper in Berlin, which was telecast live throughout Europe), Tolomeo (Musiektheater Transparant in Belgium), Radamisto (Handel Festspiele and Opernhaus Halle), A Streetcar Named Desire and Norma (Opera Theatre St Gallen in Switzerland), Così fan tutte (Guildhall School of Music and Drama in London), and Albert Herring and Phaedra (Aldeburgh Festival in the UK). She made her American debut in 2004 directing The Barber of Seville for Houston Grand Opera, returning in 2009 and 2013 to direct Rigoletto and Die Fledermaus respectively. Her production of “Cenerentola” was produced by NBR New Zealand Opera in 2015 and presented by Oper Leipzig and in San Diego in 2016. Lindy is recognised as a champion of new Australian work across a range of genres. As Artistic Director of OzOpera, she commissioned the MDTV project, award-winning screen operas with ABC TV, and major Australian works including Paul Grabowsky's Love in the Age of Therapy and Richard Mills' Batavia (with Opera Australia and the Melbourne Centenary of Federation Festival). In 2007, she commissioned and directed the world première of Richard Mills/Timberlake Wertenbaker's opera The Love of the Nightingale. New Australian work, a focus on contemporary Indigenous culture, the development of a distinctive regional identity and celebration of local communities have been fortes of her tenure as Artistic Director of the Perth International Arts Festival 2004-2007 and as Festival Director of the 2010-2012 Sydney Festival. Lindy has just directed a new production of Mozart's Idomeneo, in a co-production between Victorian Opera and Opera Australia. The production has just finished a season at the Palais theatre in Melbourne and will be seen in Sydney from February 20th to March 15th in 2024.It will be a part of the thrilling Summer season programmed by Lindy as Guest Creative Director. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts.

Live from The Gospel According To Heather press event, I interviewed Director & Choreographer, Rachel Klein.In this interview, Rachel pulled back the curtain to reveal:How The Gospel According To Heather found its way to herWhat she related to most about the showOne rule she lives byVisit my website, Call Me Adam dot com, for behind-the-curtain story you won't hear in the interview!In The Gospel According To Heather, Heather Krebs just wants a boyfriend. But how can she even navigate her way through high school if she might be the New Messiah? A small town in Ohio grapples with politics, religion and teenage romance in this eclectic pop musical.The Gospel According To Heather plays at Theater 555 in NYC through the newly extended date of July 16, 2023.*At The Gospel According To Heather press event, members of the media were given a sneak peak of this new Off-Broadway Musical. More on Rachel Klein:Rachel Klein is a NYC based director, coined "Endlessly Clever," (The New York Post), "Nothing short of brilliant," (Broadway World) and of whose work The New York Times has stated: "What makes this show pop is the bracing vision of its director, Rachel Klein."Rachel's direction and choreography have been seen all over New York City including at the House of Yes, (le) Poisson Rouge, the Highline Ballroom, the National Arts Club, La MaMa, Night of 1000 Stevies, the Hiro Ballroom, Dumbo Dance Festival, the Kitchen, and the Slipper Room. Some of Rachel's credits include: Red Roses, Green Gold, Coming: A Rock Musical of Biblical Proportions, The Anthem, Around the World in 80 Days, Gay Bride of Frankenstein, & Symphony of Shadows.Rachel holds a degree in Theatrical Direction from Columbia College, is a member of the SDC, a member of Musical Theatre Factory, and attended The Actor's Gymnasium School of Circus Arts, as well as The International Directors Symposium in Spoleto, Italy.Special Thanks:Richard Hillman PRTheme Song by Bobby CroninPodcast Logo by Liam O'DonnellEdited by Adam RothenbergMore Call Me Adam:Website: www.callmeadam.comFacebook: @CallMeAdamNYCInstagram: @CallMeAdamNYC

On today's MADM, we're featuring Tammy Pierchoski with STAAR Theatre at Antoinette Hall! Sponsor: Athens Bible School AthensBible.com

As they get used to a life of luxury on The Disney Dream, Bush and Richie have a mystery to solve in today's episode. Bush has been animal spotting, and the Theatre Director for the ship talks about the current production of Beauty and the Beast.

Jeannette talks to renowned theatre director, Luke Kernaghan, on the ways in which he has harnessed the power of his creativity to unlock success, the value of connections and how networking has accelerated his journey of growth, and why following your passions is the key to lifelong happiness when it comes to your career choice. KEY TAKEAWAYS There is no substitute for authenticity, and you cannot truly be yourself until you've asked the internal questions required. Sometimes the forces that drive us are difficult to identify, and manifest themselves through instinct. We should always listen to our inner voice. If we are able to identify our passions, and forge a career in that sector, then working becomes a privilege, and fulfilment is far easier to achieve. Theatre in particular, thrives upon community. Those who are in the field, raise each other up and encourage support from all sides. BEST MOMENTS 'Your energy is incredible. You clearly love what you do' 'My journey was not linear' 'You don't go into theatre to make money!' This is the perfect time to get focused on what YOU want to really achieve in your business, career, and life. It's never too late to be BRAVE and BOLD and unlock your inner BRILLIANCE. If you'd like to jump on a free mentoring session just DM Jeannette at info@jeannettelinfootassociates.com or sign up via Jeannette's linktree https://linktr.ee/JLinfoot VALUABLE RESOURCES Brave, Bold, Brilliant podcast series - https://podcasts.apple.com/gb/podcast/brave-bold-brilliant-podcast/id1524278970     Luke Kernaghan Instagram - https://www.instagram.com/kernaghanluke/?hl=en ABOUT THE GUEST Luke Kernaghan is a freelance theatre director, working extensively within the UK and internationally. He started his career as an actor in devised and physical theatre companies, performing mainly in Europe, before moving into directing. He has directed for theatres such as The National Theatre of Scotland, The Royal Shakespeare Company, The Abbey Theatre in Ireland, Seensee in Seoul South Korea, The National Theatre of Mexico, The Donmar, The Jamie Lloyd Company and ATG. Recent productions include the award-winning(*) musical The Stamping Ground (featuring the songs of Runrig), The US premiere tour of How The Hell Did I Get Here? starring Downton Abbey's Lesley Nicol, and co-written by the multiplatinum-selling and Emmy-nominated songwriter Mark Mueller. His production of Katie Honan's one-woman-show How To Fall Flat On Your Face won two Greenroom Awards(**) in Ireland, and is transferring to Dublin in winter 2023. A graduate of Oxford University, with a BA Joint Honours in French and Spanish, Luke also earned a Diploma in Theatre Studies from the École Internationale de Théâtre Jacques Lecoq in Paris. Luke gained an MA in Directing from the Central School of Speech and Drama in London, and trained on the National Theatre's Director's Course. ABOUT THE HOST Jeannette Linfoot is a highly regarded senior executive, property investor, board advisor, and business mentor with over 25 years of global professional business experience across the travel, leisure, hospitality, and property sectors. Having bought, ran, and sold businesses all over the world, Jeannette now has a portfolio of her own businesses and also advises and mentors other business leaders to drive forward their strategies as well as their own personal development. Jeannette is a down-to-earth leader, a passionate champion for diversity & inclusion, and a huge advocate of nurturing talent so every person can unleash their full potential and live their dreams.  CONTACT THE HOST Jeannette's linktree - https://linktr.ee/JLinfoot https://www.jeannettelinfootassociates.com/ YOUTUBE - https://www.youtube.com/channel/UCtsU57ZGoPhm55_X0qF16_Q LinkedIn - https://uk.linkedin.com/in/jeannettelinfoot Facebook - https://uk.linkedin.com/in/jeannettelinfoot Instagram - https://www.instagram.com/jeannette.linfoot/ Email - info@jeannettelinfootassociates.com Podcast Description Jeannette Linfoot talks to incredible people about their experiences of being Brave, Bold & Brilliant, which have allowed them to unleash their full potential in business, their careers, and life in general. From the boardroom tables of ‘big' international businesses to the dining room tables of entrepreneurial start-ups, how to overcome challenges, embrace opportunities and take risks, whilst staying ‘true' to yourself is the order of the day.Travel, Bold, Brilliant, business, growth, scale, marketing, investment, investing, entrepreneurship, coach, consultant, mindset, six figures, seven figures, travel, industry, ROI, B2B, inspirational: https://linktr.ee/JLinfootSee omnystudio.com/listener for privacy information.

In less than 10 minutes, you'll learn from Bradlee W. Skinner about how his journey from homeless pizza delivery driver to Theatre Director and teacher advocate brought  on a passion for educator health. Bradlee speaks openly about his mental health and how seeking help brought him back to education and the ability to help thousands of students and fellow teachers. Watch this rapid-fire 10-minute Fireside Chat during your break, commute, or downtime — you won't be wasting your time! Bradlee, a.k.a. Phony Stark, is an educational thought leader, former assistant principal, a playwright, author, a perspective giving speaker, and an expert in school culture and climate. He is known for his quick wit, creative thought, and humorous personality.

Paul Savas joined me to talk about his work at the Trike Theatre in Arkansas. We talked about how theatre training helps children develop skill sets that can benefit them no matter what they choose to do in life. We also discussed the need for inclusivity as well as the importance of the arts. I've known Paul for more than two decades. Listen in as we have fun chatting about the arts; we both lived abroad as kids and I even share the story of when I put my foot right in my mouth at dinner with Paul! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Wheeler is the director of the upcoming production of "CLUE" presented by TCTA at the BeeKay Theatre beginning April 14. Jason talks about the cast, crew, and how it is all coming together nicely. He also talks about the set design and how everyone should find the show visibly pleasing as the mystery unfolds. Tickets are available online at www.TCTonStage.com. Send your show thoughts, ideas, and suggestions to Media@TehachapiCityHall.com. 

He was the theater teacher and director at Booker's Visual and Performing Arts High School for 22 years, has directed shows at nearly every theatre house on the Suncoast, has won so many awards, we don't have room to list them here, and now he is working on a brand new project called On the Roof featuring the music of Carole King and James Taylor to open at the Venice Theatre in January.Join Amanda Schlachter and Robyn Bell on this week's Suncoast Culture Club podcast as they interview the incomparable Scott Keys in a quest to find his story, passions, and inspirations. What you will find is the end of one era is the beginning of another!Come along and join the club!• Venice Theatre Website & Facebook & Instagram & YouTube & Twitter & Trip Advisor• The Players Centre for the Performing Arts Website & Facebook & Instagram & YouTube• Booker VPA Website• SCF Theatre Program Website & Facebook Page & Instagram• Manatee Performing Arts Center Website & Facebook & Twitter & YouTube• Asolo Repertory Theatre Website & Facebook & Instagram & YouTubeSupport the show

On this episode of The Arts Effect Podcast we are joined by the GCM Memorial Theatre Company to talk about their upcoming show, "Spongebob, the Musical". We are joined by Theatre Director, Gina Martin along with student actors Ashton Rohus (Spongebob) and Hunter Teal (Patrick).

Elisabeth Wurm has many roles including but not limited to an IT Recruiter, Theatre Director, and Enneagram Coach. In this episode, we jump into when the repressed self-preservation instinct has to be worked on for survival and everyday living. Elisabeth shares the power of improv and recognizing the importance of shame in types.   Elisabeth's link www.notjustenneacoach.com    Milton's Links and Handles: This episode is sponsored by Betterhelp. If you are struggling BetterHelp can help. You'll receive 10% off your first month when you sign on using https://betterhelp.com/doit. Join KCEP Program: https://kaizen-enneagram-community.mn.co/ KaizenCareers.com