Podcast appearances and mentions of danielle drori

In episode 89 of the Podcast for Social Research, recorded live at BISR Central, BISR faculty Danielle Drori, Jude Webre, and Lauren K. Wolfe sat down following a screening of Stanley Kubrick's controversial final film, Eyes Wide Shut, to discuss its long thirty years in the making, its source material in fin-de-siècle Vienna, and its vision of bourgeois marriage and sexual morality in turn-of-the-millennium New York. Kicking off with behind-the-scenes Hollywood details, Jude adumbrates an argument for the film as an auteur's personal reverie, tracing resonances between it and the enigmatic story of Kubrick's own (second) married life in postwar New York City; Lauren then lets us in on the lurid sexual obsessions of Arthur Schnitzler, on whose 1926 novella Dream Story the film is based, with the interpretive aid of W.G. Sebald; while Danielle guides us through a collective Freudian analysis of the dreams that run through and construct the film's emotional core. With insightful and witty participation from the audience, the talk touches on masculinity within marriage; nudity and nakedness; coitus interruptus; Freud's stages of sexual development; dream as unconscious communication; sex and death; fucking down and marrying up; Nicole Kidman as gay icon; and whether anything of substance appears to have changed in bourgeois sexual morality between circa 1900 and 1999. The Podcast for Social Research is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky  

In episode eight of Faculty Spotlight, hosts Mark DeLucas and Lauren K. Wolfe sit down with Danielle Drori, Associate faculty member (in literature and Judaic studies), Director of Development, and psychoanalyst-in-training. Recently returned from a long-delayed trip to her native Tel-Aviv, Drori discusses the state of Israeli society in the shadow of the war in Gaza, her own vexed relation to her country of birth (including, how it shaped her scholarly interests), and the unexpected resonances of Erich Auerbach's Mimesis in a time of mass destruction. What's humane in Auerbach's historicist method? Is Auerbach's documentation of "civilization" also a lamentation? What sorts of perspectives are afforded by exile?

Episode 64 of the Podcast for Social Research is a live-recording of mezzo-soprano Lucy Dhegrae's sound lecture, Music and Trauma, recently delivered at BISR Central. Between performances of selections from her acclaimed Processing Series, including the frenetic "Dithyramb" and the ethereal "No," Dhegrae talks to BISR faculty Paige Sweet and Danielle Drori about the interrelationship—the push-pull—between trauma, body, psyche, and sound—particularly in the wake of traumatic experience. What does it mean to sublimate trauma, and how is it "felt" and processed in the body? How, moreover, is trauma expressible (and what does Julia Kristeva have to say about it)? How can we understand the difference between language and music, words and sounds? And how can we think about the interrelationship of the voice and the body, of "vibration against bone"?

In episode 57 of the Podcast for Social Research, Ajay Singh Chaudhary, Rebecca Ariel Porte, Danielle Drori, Mark DeLucas, Lauren K. Wolfe, and Michael Stevenson look back at their 2022 in cultural experiences, from high-brow to middle- to low-: visiting NYC landmarks (for the first time), the New York Philharmonic (and David Geffen Hall's questionable acoustics), the Upanishads, diary-keeping (and destroying), Sybille Bedford (vs. Henry James), Lucy Ives's Life is Everywhere, the Xenoblade Chronicles (an allegory for communism?), Pink Floyd, "low-powered" cultural objects, Station 11, Bernadette Mayer, Stockholm's Vasa Museum (a museum dedicated to failure), Chester the dog,  Annie Ernaux, and autofiction—again, and again, and again. 

The second seminar in the Reconsidering Early Jewish Nationalism Sereis. Danielle Drori discusses Zionism and translation, with a focus on Klausner's Life of Jesus Abstract: The literary critic, historian, and Hebrew writer Yosef Klausner has never been as widely known and as celebrated as some of his mentors and interlocutors in the Zionist movement. His competing alliances may explain this. He aligned himself with Jabotinsky's brand of Zionism, admired Herzl, and owed his career as an influential editor to Ahad Ha'am. He also published, in the early 1920s, a controversial Hebrew study of the life and times of Jesus Christ, based on his German-language doctoral dissertation. This presentation will tell the story behind this English translation and revisit some of Klausner's ideas about Jewish history, the Hebrew language, and monotheism. It will suggest that the translation of Klausner's Yeshu ha-notsri, executed by an Anglican priest in Jerusalem shortly after the Hebrew book's publication, allows for reassessing some of the foundational tensions that shaped early Zionist thought: between Semitic and European languages, the Jewish “diaspora” and Jerusalem, and Jews and Christians. Bio: Danielle Drori teaches modern Hebrew literature at Oxford University. She holds a PhD in Hebrew and Judaic Studies from New York University, and has taught at the City University of New York and the Brooklyn Institute for Social Research. Her research focuses on the ties between literary translation and nationalism, bringing together contemporary theories of cultural transfer and the study of modern Hebrew literature. Her writing has appeared in several academic and popular publications, including Prooftexts: a Journal of Jewish Literary History, Dibur: a Literary Journal, and the Los Angeles Review of Books.

The second seminar in the Reconsidering Early Jewish Nationalism Sereis. Danielle Drori discusses Zionism and translation, with a focus on Klausner's Life of Jesus Abstract: The literary critic, historian, and Hebrew writer Yosef Klausner has never been as widely known and as celebrated as some of his mentors and interlocutors in the Zionist movement. His competing alliances may explain this. He aligned himself with Jabotinsky’s brand of Zionism, admired Herzl, and owed his career as an influential editor to Ahad Ha’am. He also published, in the early 1920s, a controversial Hebrew study of the life and times of Jesus Christ, based on his German-language doctoral dissertation. This presentation will tell the story behind this English translation and revisit some of Klausner’s ideas about Jewish history, the Hebrew language, and monotheism. It will suggest that the translation of Klausner’s Yeshu ha-notsri, executed by an Anglican priest in Jerusalem shortly after the Hebrew book’s publication, allows for reassessing some of the foundational tensions that shaped early Zionist thought: between Semitic and European languages, the Jewish “diaspora” and Jerusalem, and Jews and Christians. Bio: Danielle Drori teaches modern Hebrew literature at Oxford University. She holds a PhD in Hebrew and Judaic Studies from New York University, and has taught at the City University of New York and the Brooklyn Institute for Social Research. Her research focuses on the ties between literary translation and nationalism, bringing together contemporary theories of cultural transfer and the study of modern Hebrew literature. Her writing has appeared in several academic and popular publications, including Prooftexts: a Journal of Jewish Literary History, Dibur: a Literary Journal, and the Los Angeles Review of Books.

This episode of New Books in Jewish Studies features Maya Barzilai, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of Golem: Modern Wars and Their Monsters (New York University Press, 2016). This timely book traces the evolution of the golem, a clay monster animated by a rabbi to serve and protect his community, from its presence in literature, drama, and cinema in the 1920s to its use as a reference in Israeli and American cultures during the second half of the 20th century. Barzilai has also published a short article in The Forward last November, in which she has shown how the golem was used as a metaphor in the recent US presidential elections to describe Donald Trump as well as the media that “created” him. Danielle Drori is a doctoral student at New York University. Her research focuses on the politicization of translation in early 20th century Hebrew literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of New Books in Jewish Studies features Maya Barzilai, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of Golem: Modern Wars and Their Monsters (New York University Press, 2016). This timely book traces the evolution of the golem, a clay monster animated by a rabbi to serve and protect his community, from its presence in literature, drama, and cinema in the 1920s to its use as a reference in Israeli and American cultures during the second half of the 20th century. Barzilai has also published a short article in The Forward last November, in which she has shown how the golem was used as a metaphor in the recent US presidential elections to describe Donald Trump as well as the media that “created” him. Danielle Drori is a doctoral student at New York University. Her research focuses on the politicization of translation in early 20th century Hebrew literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of New Books in Jewish Studies features Maya Barzilai, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of Golem: Modern Wars and Their Monsters (New York University Press, 2016). This timely book traces the evolution of the golem, a clay monster animated by a rabbi to serve and protect his community, from its presence in literature, drama, and cinema in the 1920s to its use as a reference in Israeli and American cultures during the second half of the 20th century. Barzilai has also published a short article in The Forward last November, in which she has shown how the golem was used as a metaphor in the recent US presidential elections to describe Donald Trump as well as the media that “created” him. Danielle Drori is a doctoral student at New York University. Her research focuses on the politicization of translation in early 20th century Hebrew literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of New Books in Jewish Studies features Maya Barzilai, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of Golem: Modern Wars and Their Monsters (New York University Press, 2016). This timely book traces the evolution of the golem, a clay monster animated by a rabbi to serve and protect his community, from its presence in literature, drama, and cinema in the 1920s to its use as a reference in Israeli and American cultures during the second half of the 20th century. Barzilai has also published a short article in The Forward last November, in which she has shown how the golem was used as a metaphor in the recent US presidential elections to describe Donald Trump as well as the media that “created” him. Danielle Drori is a doctoral student at New York University. Her research focuses on the politicization of translation in early 20th century Hebrew literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of New Books in Jewish Studies features Maya Barzilai, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of Golem: Modern Wars and Their Monsters (New York University Press, 2016). This timely book traces the evolution of the golem, a clay monster animated by a rabbi to serve and protect his community, from its presence in literature, drama, and cinema in the 1920s to its use as a reference in Israeli and American cultures during the second half of the 20th century. Barzilai has also published a short article in The Forward last November, in which she has shown how the golem was used as a metaphor in the recent US presidential elections to describe Donald Trump as well as the media that “created” him. Danielle Drori is a doctoral student at New York University. Her research focuses on the politicization of translation in early 20th century Hebrew literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of New Books in Jewish Studies features Maya Barzilai, Assistant Professor of Hebrew Literature and Jewish Culture at the University of Michigan and the author of Golem: Modern Wars and Their Monsters (New York University Press, 2016). This timely book traces the evolution of the golem, a clay monster animated by a rabbi to serve and protect his community, from its presence in literature, drama, and cinema in the 1920s to its use as a reference in Israeli and American cultures during the second half of the 20th century. Barzilai has also published a short article in The Forward last November, in which she has shown how the golem was used as a metaphor in the recent US presidential elections to describe Donald Trump as well as the media that “created” him. Danielle Drori is a doctoral student at New York University. Her research focuses on the politicization of translation in early 20th century Hebrew literature. Learn more about your ad choices. Visit megaphone.fm/adchoices