Podcast appearances and mentions of Henry James

Welcome to Episode 245! A highlight of this episode, if you want to call it that, is our discussion of Henry James's ghost story, “The Jolly Corner,” from THE PENGUIN BOOK OF GHOST STORIES. Chris also read his novella, “The Turn of the Screw,” so we actually talk about two Henry James stories. We're sorry. Haha. We jest, but in all honesty, we struggled with James's writing style, even if we thought the plots were engaging. If you're a Henry James fan, what are we missing? We'd love to hear from you! The image for this episode is a selfie we took in front of Henry James's portrait at the Isabella Stewart Gardner Museum in Boston earlier this year. It was painted in 1911 by his nephew, William “Billy” James. We had much more fun reading and discussing “The Birds” by Daphne Du Maurier. There's a new collection of Du Maurier's short stories out, AFTER MIDNIGHT: THIRTEEN TALES FOR THE DARK HOURS, which prompted our buddy read of this suspenseful tale of increasing dread. We plan on watching Alfred Hitchcock's adaptation of the same name before the next episode. In our “Just Read” segment, we also talk about: THE LAST RESORT by Erin Entrada Kelly THE DOGS OF VENICE by Steven Rowley AFTERTASTE by Daria LaVelle AGNES GREY by Anne Brontë In Biblio Adventures, we were thrilled to make it to the Yale Repertory Theatre in New Haven, CT, to see SPUNK. Zora Neale Hurston dreamed of seeing her short story, published in 1925, adapted for the stage. It took one hundred years to happen, but her wish has come true. As always, there's more “inside.” Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2025/episode245

Concluding the Baby Bobby Franco Halloween Mindset Takeover is Jack Clayton's The Innocents, adapted from Henry James' Turn of the Screw. We got into creepy kids, cinematography and editing, sexual ghosts, and literary horror. Then, on Malcolm in the Middle, we talked about After the Hunt, Prince of Darkness, Fade to Black, and Bob Dylan's The Unknown.

Gabriella Belli"Vedova Tintoretto. In dialogo"Palazzo Madama, Torinowww.palazzomadamatorino.itFino al 12 gennaio 2026 Palazzo Madama – Museo Civico d'Arte Antica di Torino e la Fondazione Emilio e Annabianca Vedova di Venezia presentano la mostra “Vedova Tintoretto. In dialogo” a cura di Gabriella Belli e Giovanni Carlo Federico Villa. Un eccezionale percorso espositivo concepito per accostare l'arte di due grandi pittori veneziani, ciascuno tra i massimi interpreti della propria epoca – Jacomo Robusti detto il Tintoretto (Venezia, 1518-1594) ed Emilio Vedova (Venezia, 1919-2006) – letti in parallelo, così da affrontare lo sviluppo dell'opera di Vedova nel suo confronto con quello che è stato il maestro d'elezione, indagando similitudini e temi consonanti (o dissonanti) alla base delle singole scelte espressive.Tintoretto è stato fondativo per la formazione artistica di Vedova e la mostra a Palazzo Madama sottolinea l'impeto e la forza dell'articolato rapporto che lega i due artisti attraverso l'accostamento di capolavori del maestro rinascimentale e dell'artista informale. Il progetto dell'esposizione prende avvio dalla straordinaria opportunità di ospitare a Torino una delle opere conclusive, e paradigmatiche, della parabola umana e artistica di Tintoretto: l'Autoritratto del 1588, in prestito dal Musée du Louvre. Una tela che è stata più di un modello iconografico, rappresentando, come si evince dalle interpretazioni di Edouard Manet – che la replica e la considera il più bel quadro al mondo – e dagli scritti di Jean-Paul Sartre, una sorta di identificazione poetica e concettuale per molti artisti.  Tintoretto è infatti l'interprete di una narrazione pittorica capace di arrivare al nostro tempo mettendo insieme “Il disegno di Michelangelo, e il colorito di Tiziano”, esaltato nel corso dei secoli dal genio romantico dell'inglese Ruskin (1819-1900) – “non sono mai stato così completamente annichilito di fronte a una mente umana come lo sono stato oggi, di fronte a Tintoretto” – e dalle penne di Goethe, Stendhal o Henry James. Scriveva Emilio Vedova rispetto al suo grande maestro: “Tintoretto è stato una mia identificazione. Quello spazio appunto una sede di accadimenti. Quella regia a ritmi sincopati e cruenti, magmatici di energie di fondi interni di passioni di emotività commossa (…)”E per Vedova Tintoretto è la quotidianità di una consuetudine con Chiese, Scuole e Palazzi di Venezia in cui cercare e trovare il proprio Maestro, l'unico che gli rivela il segreto per trasformare la tecnica da merostrumento espressivo di belle forme in una lama affilata capace di incidere nella storia. Da lui Vedova trae ispirazione per temi e contenuti, ricava basilari insegnamenti per dominare lo spazio della tela, tradurre in colore la luce delle sue composizioni, modellare nel gesto rapido senza esitazioni le forme, che scaturiscono dal suo nuovo segno, che già nel 1948 lascia ogni tentazione figurativa per risolversi nell'astrazione. Giungendo infine alla sequenza indimenticabile dell'opera …in continuum, compenetrazioni/traslati '87/'88 riprova di quanto l'incontro di una vita abbia reso grande anche il discepolo, gli abbia offerto lo slancio necessario per andare oltre. La mostra Vedova Tintoretto. In dialogo, allestita nell'Aula del Senato del Regno d'Italia, presenta una cinquantina di capolavori tra tele di Emilio Vedova e opere di Tintoretto quali le clamorose ancone dei Camerlenghi, straordinario prestito dalle Gallerie dell'Accademia di Venezia o, ancora, alcune delle opere del celeberrimo ciclo delle Metamorfosi ora conservate alle Gallerie Estensi di Modena. Il serrato dialogo tra i due artisti si sviluppa a partire dai disegni giovanili di Vedova del 1936 passando per le tele degli anni Quaranta e Cinquanta dedicate alla riflessione su dipinti di Tintoretto quali la Moltiplicazione dei pani e dei pesci (da Tintoretto) (1942), La crocifissione (da Tintoretto) (1947), (studio da Sogno di San Marco di Tintoretto) (1956), e a quelle degli anni Ottanta. A completare il dialogo e l'esposizione è Vedova con la monumentale installazione …in continuum, compenetrazione/traslati '87/'88: più di cento grandi tele, assemblate le une con le altre in uno sviluppo che sfiderà la verticalità della sala del Senato, testimonianza dell'evoluzione di Vedova che continua con potenza visionaria il suo confronto col maestro ideale.Catalogo della mostra "Vedova Tintoretto. In dialogo": Silvana Editoriale www.silvanaeditoriale.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Chris, Jamie and Marsh discuss what the f Silent Hill f is about, get systemic in Sword Hero, jump ship in Jump Space, try to pronounce “photogrammetry” correctly while discussing Mind Diver AND take a cathartically large dump on Alien: Earth. Silent Hill f Big-time ambiguity intertext: Henry James’ Turn of the Screw I’ve always [...]

Esta semana, Antonio Martínez Asensio nos trae 'Otra vuelta de tuerca', de Henry James, a la sala de lectura en tres minutos de la Biblioteca de Hoy por Hoy.

Das zweite Kapitel unserer Reise durch das filmische Schaffen von Regisseurin Jane Campion beginnt wiederum mit einer Geduldsprobe, denn ihre Adaption von Henry James' PORTRAIT OF A LADY (The Portrait of a Lady, 1996) ist zwar luxuriös ausgestattet und starbesetzt, aber hinter der hochglänzenden Fassade so leer wie die toten Augen von John Malkovich. Da gefällt uns HOLY SMOKE (1999) schon besser, obwohl wir auf die Frage, was die Regisseurin wohl geritten hat, als sie beschloss, Kate Winslet und Harvey Keitel in den australischen Outback zu schicken, keine vollends befriedigende Antwort finden. Deutlich eindeutiger sind die Botschaften im Psychothriller IN THE CUT (2003), der zwar ebenfalls weder die Kritik begeisterte noch die Kinokassen klingeln ließ, dafür aber Meg Ryan und Mark Ruffalo glänzen lässt, dass unsere Äuglein strahlen. Doch die ganz große Begeisterung bleibt auch hier einseitig ...

Das zweite Kapitel unserer Reise durch das filmische Schaffen von Regisseurin Jane Campion beginnt wiederum mit einer Geduldsprobe, denn ihre Adaption von Henry James' PORTRAIT OF A LADY (The Portrait of a Lady, 1996) ist zwar luxuriös ausgestattet und starbesetzt, aber hinter der hochglänzenden Fassade so leer wie die toten Augen von John Malkovich. Da gefällt uns HOLY SMOKE (1999) schon besser, obwohl wir auf die Frage, was die Regisseurin wohl geritten hat, als sie beschloss, Kate Winslet und Harvey Keitel in den australischen Outback zu schicken, keine vollends befriedigende Antwort finden. Deutlich eindeutiger sind die Botschaften im Psychothriller IN THE CUT (2003), der zwar ebenfalls weder die Kritik begeisterte noch die Kinokassen klingeln ließ, dafür aber Meg Ryan und Mark Ruffalo glänzen lässt, dass unsere Äuglein strahlen. Doch die ganz große Begeisterung bleibt auch hier einseitig ...

In The Portrait of a Lady, Henry James borrows from Eliot, Austen, folktales and potboilers, but ‘the thing that he took from nowhere was Isabel Archer'. James transformed the 19th-century novel through his evocation of Isabel, a woman who wants and suffers in a profoundly new (and American) way. Deborah Friedell and Colm Toíbín join Tom to discuss the novel that established Henry James as ‘the Master'. They dissect James's and his characters' complicated motivations, the significance of his 1905-6 revisions, and the ways in which a ‘primitive plot' irrupts in a painstakingly subtle and stylish novel. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ Further reading in the LRB: Colm Toíbín on Henry James: ⁠https://www.lrb.co.uk/the-paper/v30/n01/colm-toibin/a-man-with-my-trouble⁠ Ruth Bernard Yeazell on Henry James's life and notebooks: ⁠https://www.lrb.co.uk/the-paper/v10/n01/ruth-bernard-yeazell/the-henry-james-show⁠ James Wood on The Portrait of a Lady: ⁠https://www.lrb.co.uk/the-paper/v34/n19/james-wood/perfuming-the-money-issue⁠ Next time on Novel Approaches: 'Kidnapped!' by Robert Louis Stevenson. LRB Audiobooks Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksna

This two-part video series provides a deep historical analysis of Moralistic Therapeutic Deism (MTD), tracing its ingredients from 19th-century New England intellectual and social revolutions to its status as America's de facto civic religion. We argue that MTD collapsed when the sexual and moral revolutions forced a devastating fracture between its Christian heritage and its core principles of self-actualization and benevolence, leading to the polarized political landscape of today.Moralist Therapeutic Deism Part 1 - https://www.youtube.com/watch?v=5eHYMzanOvs&t=4679s @triggerpod   @InterestingTimesNYT   @JonathanPageau   @PaulVanderKlay 00:00:00 - Introduction and Recap00:10:07 - MTD, Chicago, and Obama00:13:00 - Cornell as Microcosm00:25:15 - Tim Keller on programatic secularism00:35:55 - Mainline Christianity00:37:45 - Wokeness and MTD00:47:05 - MTD and Partisanship00:49:20 - Arena vs Agent00:51:00 - Donald Trump 00:56:15 - Nationalism vs Globalism01:03:40 - Who killed MTD?01:05:55 - Competing Arenas01:08:25 - The future of Christian NationalismIn this video I mention:Aaron Renn, Abraham Lincoln, Albert Baker, Alfred, Allen C. Guelzo, Amos, Andrew Jackson Davis, Ann Lee, Anagarika Dharmapala, Arthur Conan Doyle, Athanasius, Barack Obama, Benjamin Franklin, Billy Graham, Black Lives Matter, Bud, Buddha, Calvin, Cathleen Falsani, Catherine Fox, Charles B. Rosna, Charles Carroll Bonney, Charles Haddon Spurgeon, Charlie Kirk, Christian Smith, Christopher Pearse Cranch, Clement of Alexandria, Conrad Grebel, Constantine, David Bentley Hart, Deepak Chopra, Donahoe, Donald Trump, Eddie Lincoln, Eleanor Roosevelt, Elijah Muhammad, Eliott, Elizabeth Cady Stanton, Elizabeth Keckley, Ellen Todd, Emilie Todd Helm, Emanuel Swedenborg, Epictetus, Erica Kirk, Ernst Troeltsch, Ezra Klein, Fanny Hayes Platt, Faustus Socinus, Finney, Fox Sisters, Franz Anton Mesmer, Fred Shuttlesworth, Frederick the Wise, Friedrich Nietzsche, Galen, George Barna, George Fox, George W. Bush, Gregory of Nyssa, Henry Clay, Henry David Thoreau, Henry James, H. P. Blavatsky, H. Richard Niebuhr, Harriet Beecher Stowe, Harold Ockenga, Harry Emerson Fosdick, Helen Schucman, Hosea Ballou, J. Gresham Machen, Jacob Blake, James, James Comey, James Lindsay, James Russell Lowell, Jared Sparks, Jean H. Baker, Jenkin Lloyd Jones, Jesus Christ, Jim Lindsay, John, John Adams, John Bunyan, John D. Rockefeller, John Henry Barrows, John Locke, John Milton, John Murray, John Stott, Jonathan Edwards, Jordan Peterson, Joseph Priestly, Joseph Smith, Judith Skutch, Julius Dresser, Kant, Karl Menninger, Karlstadt, Kate Fox, Kenneth Minkema, Koot Hoomi, Kyle Rittenhouse, Lelio Socinus, Leonard Zusne, Lou Malnatis, Luke Thompson (  @WhiteStoneName  ), Lyman Beecher, Madame Blavatsky, Margaretta Fox, Marianne Williamson, Mark Parker (  @MarkDParker  ) , Mark Twain, Mary Baker Eddy, Mary Todd Lincoln, Matt Herman, Meister Eckhart, Melinda Lundquist Denton, Mesmer, Micah, Michael Bronky, Michael Servetus, Monophysite, Morya, Moses, Nancy Pelosi, Napoleon Bonaparte, Nettie Colburn Maynard, Newton, Niccolò Machiavelli, Nicholas of Cusa, Norman Vincent Peale, Oprah, Origen, Paul, Paul Tillich, Paul Vanderlay, Phineas Parkhurst Quimby, Plotinus, Proclus, Ralph Waldo Emerson, Ramakrishna, Rick Warren, Robert Schuller, Robin D'Angelo, Rod Dreher, Ronald Reagan, Ross Douthat, Rowan Williams, Rudolf Steiner, Samuel Johnson, Septimus J. Hanna, Shailer Mathews, Shakers, Shadrach, Socrates, Soyen Shaku, Swami Vivekananda, Tad Lincoln, Tertullian, Thomas Aquinas, Thomas Jefferson, Thomas Starr King, Tracy Herman, Virchand Gandhi, Victoria Woodhull, Warren Felt Evans, William Ellery Channing, William James, William Lloyd Garrison, William Newton Clarke, Willie Lincoln, Winthrop, Zwingli.

Some books are long, some are short, but certain works feel abundant—overflowing with rhythm, atmosphere, and depth that can't be exhausted in a single reading. In this episode we are joined by Lori Feathers, and we set as our foundation Henry James's The Portrait of a Lady to explore what makes a work abundant. We move through other examples, asking what defines abundances, how it differs from size or ambition, and why these books matter.We've got some fantastic author-focused episodes lined up for the foreseeable future, and we want to give you plenty of time to dive in if you'd like to read along with us. These episodes come around every ten episodes, and with our bi-weekly release schedule, you'll have a few months to get ready for each. Here's what we have in store:* Episode 125: Flannery O'Connor* Episode 135: William Faulkner* Episode 145: Elizabeth Taylor* Episode 155: Naguib MahfouzThere's no rush—take your time, and grab a book (or two, or three) so you're prepared for these as they come!Join the Mookse and the Gripes on DiscordWant to share your thoughts on these upcoming authors or anything else we're discussing? Join us over on Discord! It's the perfect place to dive deeper into the conversation—whether you're reading along with our author-focused episodes or just want to chat about the books that are on your mind.We're also just now in our third novella book club, where we're reading The Prime of Miss Jean Brodie, by Muriel Spark. It's a fantastic book, and we'd love to have you join the discussion. It's a great space to engage with fellow listeners, share your insights, and discover new perspectives on the books you're reading.ShownotesWhat are we reading?* Lori: * The Ambassadors, by Henry James* Miss MacIntosh, My Darling, by Marguerite Young* The Logos, by Mark De Silva* Paul: * My Heart Is a Chainsaw, by Stephen Graham Jones* Seeing Further, by Esther Kinsky, translated by Caroline Schmidt* Not Even the Dead, by Juan Gómez Bárcena, translated by Katie Whittemore* Trevor: * Good and Evil, and Other Stories, by Samanta Schweblin, translated by Megan McDowell* The Secret of Secrets, by Dan BrownOther* The Republic of Consciousness Prize* Across the Pond Podcast* The Big Book Project* Involutions of the SeashellThe Mookse and the Gripes Podcast is a bookish conversation hosted by Paul and Trevor. Every other week, we explore a bookish topic and celebrate our love of reading. We're glad you're here, and we hope you'll continue to join us on this literary journey!A huge thank you to those who help make this podcast possible! If you'd like to support us, you can do so via Substack or Patreon. Subscribers receive access to periodic bonus episodes and early access to all new episodes. Plus, each supporter gets their own dedicated feed, allowing them to download episodes a few days before they're released to the public. We'd love for you to check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

Sección con Franss e Ivo Delgado que forma parte de "Críticos en Serio" Hoy en el pódcast, viajamos a 1961 para analizar Suspense (The Innocents), adaptación inquietante de la novela corta Otra vuelta de tuerca de Henry James. Una película en blanco y negro que hace del silencio, de las sombras y de la duda sus mejores armas. ¿Un cuento victoriano de fantasmas… o una pesadilla psicológica de represión y deseo? No busquéis sustos fáciles ni efectos digitales: sólo un jardín envenenado, unos susurros a media noche… y una institutriz que mira demasiado con fantasmas que son siluetas estáticas acechando. Pero para hablar de esta cinta tengo dos siluetas pero que no son estáticas: Frans de Frecuencia Global y Héctor de los Tres Amigos Películas mencionadas: The sadness The Turning (Otra vuelta de tuerca) Devuélvemela The Long Walk Loop Track The Conjuring The rule of Jenny Pen Together Sudarios Una vuelta de tuerca Los últimos juegos prohibidos Recomendaciones de películas con niños mal rolleros Cromosoma 3 (Filmin) Operación Miedo (Filmin) de Mario Bava El pueblo de los malditos (Filmin) Buenas noches mamá (Prime Video) Bosque Maldito (Prime Video) El espinazo del diablo ¿Quién puede matar a un niño? Eden Lake El hijo También nos podéis encontrar aquí: Spotify: https://open.spotify.com/show/52i1iqZ56ACal18GPkCxiW Apple Podcasts: https://podcasts.apple.com/es/podcast/los-tres-amigos/id1198252523 Youtube: https://www.youtube.com/channel/UC3zK2XsnpHDGRujSTWHpL8Q Amazon Music: https://music.amazon.com/podcasts/e0b56d4f-4537-47e0-a252-9dfe56b5a490/los-tres-amigos Grupo de Telegram: https://t.me/LosTresAmigos https://www.facebook.com/LosTresAmigosPodcast/ Instagram: lostresamigospodcast Bluesky: @los3amigospodcast.bsky.social X / Twitter: @tresamigospod Threads: lostresamigospodcast Letterbox: https://letterboxd.com/LosTresAmigos/ #TheInnocents #Terror #Horror #OtraVueltaDeTuerca #TerrorEuropeo #TerrorBritánico #1961

Hoy en el pódcast, viajamos a 1961 para analizar Suspense (The Innocents), adaptación inquietante de la novela corta Otra vuelta de tuerca de Henry James. Una película en blanco y negro que hace del silencio, de las sombras y de la duda sus mejores armas. ¿Un cuento victoriano de fantasmas… o una pesadilla psicológica de represión y deseo? No busquéis sustos fáciles ni efectos digitales: sólo un jardín envenenado, unos susurros a media noche… y una institutriz que mira demasiado con fantasmas que son siluetas estáticas acechando. Pero para hablar de esta cinta tengo dos siluetas pero que no son estáticas: Frans de Frecuencia Global y Héctor de los Tres Amigos Películas mencionadas: The sadness The Turning (Otra vuelta de tuerca) Devuélvemela The Long Walk Loop Track The Conjuring The rule of Jenny Pen Together Sudarios Una vuelta de tuerca Los últimos juegos prohibidos Recomendaciones de películas con niños mal rolleros Cromosoma 3 (Filmin) Operación Miedo (Filmin) de Mario Bava El pueblo de los malditos (Filmin) Buenas noches mamá (Prime Video) Bosque Maldito (Prime Video) El espinazo del diablo ¿Quién puede matar a un niño? Eden Lake El hijo

This week, Cam & Dylan dive into The Innocents (1961) — the gothic ghost story that proves kids are always the scariest part of any horror movie. Directed by Jack Clayton and based on Henry James's novella The Turn of the Screw, this black-and-white creepfest is so atmospheric it'll make you check your windows for Victorian orphans. We'll talk about Deborah Kerr playing a governess who really should've swiped left on this job, how the film's use of shadows and silence still feels scarier than half the jump-scare factory movies today, and why this was considered “too intense” for 1961 audiences (spoiler: it still holds up). As always, expect Cam & Dylan to lace in jokes, 90s kid references, and probably an argument over which is creepier: a possessed child… or a Furby. So grab your popcorn, dim the lights, and let's get extra with The Innocents. Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y=

The Sound of Henry James – Part 2Performances begin this Thursday, and Matt is back with more music from our new adaptation of The Turn of the Screw. This time, he shares the rest of the score—unveiling the melodies and moods that shape Henry James's ghost story for the stage.Support The Conner & Smith Show on Patreon:https://www.patreon.com/ConnerandSmith?utm_campaign=creatorshare_fan

The Pitt, una nuova serie tv ambientata durante un unico, lungo turno in un pronto soccorso, ridefinisce il concetto di medical drama. I nuovi traffici illeciti del Sud-est asiatico sono al centro del reportage Asia criminale di Emanuele Giordana e Massimo Morello (Baldini+Castoldi). All'Opera di Roma va in scena The turn of the screw di Benjamin Britten, un'opera lirica del 1954 tratta dall'omonimo racconto di fantasmi di Henry James. Man è il titolo del nuovo libro fotografico dell'artista e curatore olandese Erik Kessels, ossessivo collezionista e studioso di fotografia vernacolare, ovvero le immagini create da gente comune con macchine non professionali.CONJonathan Zenti, podcaster che cura la rubrica Audio su Internazionale Emanuele Giordana, giornalista Christian Raimo, scrittore e insegnanteGiovanna D'Ascenzi, photo editor di Internazionale Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.The Pitt: https://www.youtube.com/watch?v=X9-1IiQceJw&t=106s Asia criminale: https://www.youtube.com/watch?v=vGIQCxZJQwY&t=1345s The turn of the screw: https://www.youtube.com/watch?v=8C3coObn6IIErik Kessels: https://www.youtube.com/watch?v=7_Yjf5l1G9kCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Hey Kingslingers! Remember us! We're back for this special bonus episode, taking a look at the newest King adaptation: The Long Walk. We covered this book in season 3 of the show, so you know we had to come back to chat about the movie! If you miss us, I hope you've checked out Flanagan's Wake where we're still going strong every week. We're currently reading through some Henry James in preparation for our study of Flanagan's The Haunting of Bly Manor. Come join us! Check out the show schedule: https://tinyurl.com/244c4ejm Get Merch: https://doofmedia.myshopify.com/ Support us on Patreon: https://patreon.com/doofmedia Stay updated with Flanagan's Wake: https://bsky.app/profile/flanaganswakepod.bsky.social Message us at flanaganswakepod@gmail.com Edited by Scott Daly Original music created by Matt Freeman

Neha and Shruti discuss Brooklyn, a historical novel about a young woman who immigrates from Ireland to America in the 1950s, through the themes of family and duty. We discuss the character of Eilis Lacey and her passivity, Tóibín's spare writing style, and the various forces pulling at the characters in this book. We also draw comparisons to Henry James, and share a few thoughts on the movie adaption.Links:The Coldest Place on Earth [London Review of Books]Books Mentioned & Shelf DiscoveryThe Portrait of a Lady by Henry JamesWashington Square by Henry JamesHello Beautiful by Ann NapolitanoAnother Country by James BaldwinGiovanni's Room by James BaldwinA Tree Grows in Brooklyn by Betty SmithIf you would like to get additional behind-the-scenes content related to this and all of our episodes, subscribe to our free newsletter.We love to hear from listeners about the books we discuss - you can connect with us on Instagram or by emailing us at thenovelteapod@gmail.com.This episode description contains links to Bookshop.org, a website that supports independent bookstores. If you use these links we may earn a small commission at no additional cost to you. Hosted on Acast. See acast.com/privacy for more information.

The Turn of the Screw received its world premiere at Creative Cauldron in 2015, as part of the “Bold New Works for Intimate Stages” initiative. This musical adaptation of the Henry James classic ghost story was hailed by critics as “hypnotic and unnerving.” The story follows a governess who takes a position caring for two children on a remote country estate. She soon has eerie encounters...​Told through the musical genius of Conner and Smith, Creative Cauldron's revival of this chilling psychological thriller will keep audiences on the edge of their seats!Music by Matt ConnerLibretto & Lyrics by Stephen Gregory Smith

What does Henry James sound like when set to music? In this episode, Matt shares tracks from our new musical inspired by The Turn of the Screw and walks us through how he found the melodies, moods, and motifs that bring James's words to life. We explore the sparks of inspiration behind the score, the challenges of capturing James's haunting ambiguity in song, and how music transforms the ghostly atmosphere of the novella for the stage.Support The Conner & Smith Show on Patreon here:https://www.patreon.com/ConnerandSmith?utm_campaign=creatorshare_fan

In this episode, we put our own script for The Turn of the Screw to the test — running it through ChatGPT for a side-by-side analysis with Henry James's original novella. What did we preserve from James's haunting classic, and where did we take creative liberties? From framing devices to ghostly ambiguity, we explore the choices that make our adaptation uniquely theatrical while staying true to the spirit of the source. If you've ever wondered how a literary masterpiece evolves when it moves to the stage, this episode gives you both the blueprint and the behind-the-scenes perspective on our Creative Cauldron production.Support The Conner & Smith Show on Patreon here:https://www.patreon.com/ConnerandSmith?utm_campaign=creatorshare_fan

Hello, film freaks! McQuarrying is being postponed another week – sorry Valkyrie fans! – as David and Mary discuss the first two films of Ethan Coen and Tricia Cooke's “lesbian B-movie trilogy” Drive-Away Dolls and Honey Don't. Hot lesbian babes, cool cars, spicy quips, steamy sex, graphic murder, inhuman depravity, genre exercises, and Henry James! […]

In this episode, we're giving you Henry James 101 — a crash course in the life, style, and legacy of one of literature's most complex storytellers. From his mastery of psychological nuance to his lasting influence on modern fiction, we'll unpack what makes James essential reading. Then, we pivot to the stage with a sneak peek into our latest production of his chilling classic The Turn of the Screw at Creative Cauldron. Whether you're new to James or revisiting his haunting world, this episode blends literary insight with behind-the-scenes perspective on bringing his work to life in 2025.Support The Conner & Smith Show on Patreon here:https://www.patreon.com/ConnerandSmith?utm_campaign=creatorshare_fan

Trollope enthusiasts Tom Crewe and Dinah Birch say they could have chosen any one of his 47 novels for this episode, so it's no wonder Elizabeth Bowen called him ‘the most sheerly able of the Victorian novelists'. They settled on The Last Chronicle of Barset: a model example of Anthony Trollope's gift for comedy, pathos, social commentary and masterful dialogue. At the heart of Last Chronicle is a mystery: how did the impoverished Reverend Crawley get his hands on a cheque for £20 that no one can account for, and is he capable of theft? The scandal has dire repercussions not only for Reverend Crawley, but the whole county: his ostracision raises broader questions about inequity in the church; it sparks rifts between his daughter, her would-be husband and his parents; and it gives his young relative Johnny Eames an excuse to flee the entanglements of London high society for the continent, in search of the only man who may be able to solve the puzzle. Although it's the final book in the Barchester series, Last Chronicle can be read as a standalone novel, and Tom and Dinah join Thomas Jones to explore its sensitivities, ambivalences and sheer readability. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ Further reading in the LRB: John Sutherland: Trollopiad ⁠⁠https://www.lrb.co.uk/the-paper/v14/n01/john-sutherland/trollopiad⁠⁠ Richard Altick: Trollope's Delight ⁠⁠https://www.lrb.co.uk/the-paper/v06/n08/richard-altick/trollope-s-delight⁠⁠ Next time on Novel Approaches: 'The Portrait of a Lady' by Henry James. LRB Audiobooks Discover audiobooks from the LRB: ⁠⁠⁠⁠https://lrb.me/audiobooksna

This week, your deadicated hosts cover the classic Gothic novel Henry James' THE TURN OF THE SCREW, and its film adaptation THE INNOCENTS (1961)! We discuss director Jack Clayton, the incredible cinematography from Freddie Francis, and how to turn a vague novel into a cohesive film. The film stars Deborah Kerr, Peter Wyngarde, Megs Jenkins, Michael Redgrave, Pamela Franklin and Martin Stephens. It's a biggie of an episode! Will your hosts reveal themselves as apparitionists or non-apparitionists? The one thing we definitely agree on: Miss Giddens is not okay! Context setting 00:00; Synopsis 1:10:12; Discussion 1:27:04; Ranking 2:12:50

“Are you waving the flag at me?” The Cold War Cinema team returns to look at Samuel Fuller's 1954 noir masterpiece, Pickup on South Street, with special guest Stephen Gillespie, film critic and cohost of The STACKS and I'm Thinking of Spoiling Things. When small-time thief Skip McCoy picks the wrong pocket on a busy subway car, he quickly becomes the most popular lowlife in town, trailed by crooked cops, the feds, and a Communist spy ring.  Join Stephen and hosts Jason Christian and Paul T. Klein as they discuss: Why J. Edgar Hoover hated this movie. How the film makes sense of Cold War paranoia through its critique of American ideological systems  Pickup on South Street's depiction of the down-and-out and three-time losers that populate America's urban landscapes, and how the film suggests they got there. Writer-director Samuel Fuller's provocative and ultimately idealist politics _____________________ Each episode features book and film recommendations for further exploration. On this episode:  Stephen recommends Samuel Fuller's film Dead Pigeon on Beethoven Street (1972) and Kenneth Lonergan's Margaret (2011). Paul recommends Samuel Fuller's film I Shot Jesse James (1949) and Peter Brooks' book The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. Jason recommends Samuel Fuller's film Shock Corridor (1963) and J. Hoberman's book An Army of Phantoms: American Movies and the Making of the Cold War. Check out Stephen Gillespie's two podcasts, I'm Thinking of Spoiling Things and The STACKS, and read his reviews of films and video games at Step Printed (stepprinted.com). Find him on Letterboxd at https://letterboxd.com/stephenage/. _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.  For more from your hosts: Follow Jason on Bluesky at @JasonChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic.  Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas. Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!  

Merriam-Webster's Word of the Day for August 31, 2025 is: simpatico • sim-PAH-tih-koh • adjective Simpatico typically describes two or more people or things with shared qualities, interests, etc. It can also describe someone who is agreeable or likeable. // Even though they weren't always simpatico with regard to the direction of their company, the pair managed to be successful partners for more than 35 years. See the entry > Examples: “From the early 2010s, when he was a young teen rapper in Chicago ... Chief Keef was flooding his Instagram with self-documentation, all of which is essentially gone now. Enter Eduard Taberner Pérez, an amateur archivist and professional graphic designer, who compiled ‘Sosa Archive,' a limited-run art book that gathers several thousand photos pulled from Keef's Instagram, presenting then in visually simpatico grids of 12.” — Jon Caramanica, The New York Times, 5 Mar. 2025 Did you know? Simpatico, which comes ultimately from the Latin noun sympathia, meaning “sympathy,” was borrowed into English from both the Italian simpatico and Spanish simpatico. In those languages, the word has been chiefly used to describe people who are well-liked or easy to get along with. Early uses of the word in English reflected those of their forebears, as in Henry James's 1881 novel The Portrait of a Lady, in which one character says of another's dying cousin, “Ah, he was so simpatico. I'm awfully sorry for you.” In recent years, however, the word has gained an additional sense describing things or people who get along well or work well together.

Today's episode marks a very fun development in the Lit With Charles universe: my first repeat podcast guest! Caitlin Macy  is an American writer known for her sharp portrayals of class, privilege, and social dynamics – especially of New York City's elite. So, when I visited the States a few weeks ago, I knew I wanted to make time to chat with her. Caitlin is a fantastic writer, and I found her thoughts on literature (and four book selections) absolutely fascinating.Lit with Charles loves reviews. If you enjoyed this episode, I'd be so grateful if you could leave a review of your own, and follow me on Instagram at @litwithcharles. Let's get more people listening – and reading!Caitlin Macy's four books were:The Great Gatsby, F Scott Fitzgerald (1925)Collected Stories, John Cheever (1978)Runaway, Alice Munro (2004)The Portrait of a Lady, Henry James (1881)

Subscribe to get access to the full episode, the episode reading list, and all premium episodes! www.patreon.com/OrdinaryUnhappinessAbby and Patrick turn to the next of Freud's cases in Studies on Hysteria: the story of Miss Lucy R. It's a short treatment – nine weeks – and an even shorter read – fifteen pages – and so the story of this English governess haunted by phantom smells often goes neglected. But as Abby and Patrick explain, her case marks a key shift in Freud's clinical practice (away from hypnosis) and a succinct demonstration of his core therapeutic techniques. Lucy R's case also suggests something profound about the interlocking relationships between memories and repression, and between the history of symptoms and the course of treatment. Plus: noses, a rare novel about Lucy's nose, and tantalizing connections to Henry James's novella The Turn of the Screw about the haunting (or madness) of an English governess.Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:  Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

With special guest Longinus, the boys drink and review a local IPA, then continue their "Shortcut to the classics" series with a review of "Daisy Miller" by Henry James. What makes Daisy so fascinating — and so frustrating? We discuss her headstrong independence, the social rules she challenges, and how her choices lead to tragedy. Along the way, we explore themes of innocence vs. experience, cultural clashes between Americans and Europeans, and James's subtle commentary on class, gender, and reputation.We also share our takes on whether Daisy is a victim of society or the author of her own downfall — and why Daisy Miller still sparks debate more than a century later.So pour yourself a drink, settle in, and join us for literary analysis with a conversational twist.More at ... https://www.pigweedandcrowhill.com/https://www.youtube.com/playlist?list=PLYAjUk6LttQyUk_fV9F46R06OQgH39exQ#HenryJames #DaisyMiller #literature

Galley Beggar Press wants your short story; gearing up for Henry James at The Big Book Project; and we talk to writer Issa Quincy about his recent novel Absence, a cross-border exploraton of marginalization, published by Two Dollar Radio.Thank you for listening! If you like what you hear, give us a follow at: X: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonInstagram: Across the Pond, Galley Beggar Press, Interabang Books, Lori Feathers, Sam JordisonFacebook: Across the Pond, Galley Beggar Press, Interabang BooksBluesky: @acrossthepondbooks.bsky.socialThe Big Book Project https://substack.com/@thebigbookprojectTheme music by Carlos Guajardo-Molina

Writer/Director Toby Jones is our guest on today's podcast, on behalf of his new hilarious film, AJ Goes to the Dog Park. It's a micro-budget comedy set in Fargo with the highest jokes-per-minute rate I've seen in ages. We got into making movies with your friends, Stella, staging for comedy, and a lot more. Then, on MiTM, we talked about Solaris, the Slumber Party Massacre films, Bitter Moon, and Henry James. 00:00 - Toby Jones interview 40:45 - Malcolm in the Middle Go see AJ Goes to the Dog Park!! https://www.musicboxfilms.com/film/aj-goes-to-the-dog-park/ Get an extra episode of every week for $5/mo at patreon.com/extended_clip

Vita e libri di Henry James, scrittore inglese noto per romanzi come Ritratto di signora o Giro di vite sul tema della moralità e della coscienza.

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, Alicia Rix charts Henry James's return to an unrecognisable homeland; and David Horspool on a Victorian conman and a contemporary swimmer.'Henry James Comes Home: Rediscovering America in the Gilded Age', by Peter Brooks'On Writers and Writing: Selected Essays', by Henry James, edited by Michael Gorra'Swimmingly: Adventures in Water', by Vassos AlexanderProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

What do we see in others that we cannot admit in ourselves? In Henry James's haunting tale, a woman recounts her fascination with two people who have each witnessed a ghost. She delays their meeting for years, caught between longing and fear, until it is too late. Names are withheld, but emotions are not. Beneath the surface of polite society, something older stirs—jealousy, desire, and the quiet undoing of the self. ⭐ Join my Patreon ⭐ https://patreon.com/barcud Go here for a library of ad-free stories, a monthly members only story and early access to the regular stories I put out.  You can choose to have ghost stories only, or detective stories or classic literature, or all of them for either $5 or $10 a month.  Many hundreds of hours of stories. Who needs Audible? Or, if you'd just like to make a one-off gesture of thanks for my work https://buymeacoffee.com/10mn8sk First published as "The Way It Came" in 1896, the story was later retitled "The Friends of the Friends." Henry James (1843–1916) was an American-born author whose subtle, psychologically complex stories often explore the limits of perception and the tensions of social life. His ghost stories are never merely spectral; they are studies of the mind in shadow. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello, my name is Eric LeMay, a host on New Books in Literature, a channel on the New Books Network. Today I interview Jennifer Kabat. Kabat is writer I've followed and admired for decades. T.S. Eliot once said of Henry James, "He had a mind so fine that no idea could violate it." Kabat has a mind so sweeping, so generous that no detail escapes it. She writes of history, ecology, art, science, time, place, and epochs with a painter's attention and a poet's heart. Her latest book is called Nightshining: A Memoir in Four Floods (Milkweed, 2025). She is also the author of The Eighth Moon: A Memoir of Belonging and Rebellion. Her writing has appeared in McSweeney's, BOMB, The New York Review, Los Angeles Review of Books, The Believer, Virginia Quarterly Review, Granta and The White Review, among many others. Today, she takes us from the first trees to appear on our plant to the aspirations of scientists amid the Cold War to the floods that ravaged her hometown, where she also serves on her local fire department. Enjoy my conversation with Jennifer Kabat. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Hello, my name is Eric LeMay, a host on New Books in Literature, a channel on the New Books Network. Today I interview Jennifer Kabat. Kabat is writer I've followed and admired for decades. T.S. Eliot once said of Henry James, "He had a mind so fine that no idea could violate it." Kabat has a mind so sweeping, so generous that no detail escapes it. She writes of history, ecology, art, science, time, place, and epochs with a painter's attention and a poet's heart. Her latest book is called Nightshining: A Memoir in Four Floods (Milkweed, 2025). She is also the author of The Eighth Moon: A Memoir of Belonging and Rebellion. Her writing has appeared in McSweeney's, BOMB, The New York Review, Los Angeles Review of Books, The Believer, Virginia Quarterly Review, Granta and The White Review, among many others. Today, she takes us from the first trees to appear on our plant to the aspirations of scientists amid the Cold War to the floods that ravaged her hometown, where she also serves on her local fire department. Enjoy my conversation with Jennifer Kabat. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hello, my name is Eric LeMay, a host on New Books in Literature, a channel on the New Books Network. Today I interview Jennifer Kabat. Kabat is writer I've followed and admired for decades. T.S. Eliot once said of Henry James, "He had a mind so fine that no idea could violate it." Kabat has a mind so sweeping, so generous that no detail escapes it. She writes of history, ecology, art, science, time, place, and epochs with a painter's attention and a poet's heart. Her latest book is called Nightshining: A Memoir in Four Floods (Milkweed, 2025). She is also the author of The Eighth Moon: A Memoir of Belonging and Rebellion. Her writing has appeared in McSweeney's, BOMB, The New York Review, Los Angeles Review of Books, The Believer, Virginia Quarterly Review, Granta and The White Review, among many others. Today, she takes us from the first trees to appear on our plant to the aspirations of scientists amid the Cold War to the floods that ravaged her hometown, where she also serves on her local fire department. Enjoy my conversation with Jennifer Kabat. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this episode, I speak with Merve Emre, renowned author and literary critic, on Henry James's "The Portrait of a Lady". I hope you enjoy our conversation.

Tonight, we'll read the first chapter to “The Portrait of a Lady” written by Henry James and published in 1880. It is one of James's most popular novels and is regarded by critics as one of his finest. The novel follows Isabel Archer, a spirited and idealistic young American who travels to Europe in search of experience and independence. When she unexpectedly inherits a fortune, her circumstances shift dramatically—but so too do the stakes of her freedom. Henry James uses Isabel's story to explore the quiet perils of autonomy, as she is gradually drawn into a web of manipulations and choices that test the boundaries of her self-determination. James wrote “The Portrait of a Lady” during his middle period, after moving to Europe himself, and the novel reflects his deepening interest in psychological realism and the nuances of cultural contrast. The book stands as a key work in the development of the modern novel, notable for its subtle characterization and moral ambiguity. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Circumstance made him a legend of the quizzing world, but Siddhartha Basu is a man of many parts. He joins Amit Varma in episode 420 of The Seen and the Unseen to talk about life, India, the art of asking questions and the answers he has found. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Siddhartha Basu on Wikipedia, Twitter, Instagram and IMDb. 2. Tree of Knowledge, DigiTok. 3. Quizzitok on YouTube. 4. Middlemarch -- George Eliot. 5. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 6. Gita Press and the Making of Hindu India — Akshaya Mukul. 7. Episodes of The Seen and the Unseen featuring Ramachandra Guha: 1, 2, 3, 4, 5, 6. 9. The Life and Times of KP Krishnan — Episode 355 of The Seen and the Unseen. 10. The Life and Times of Vir Sanghvi — Episode 236 of The Seen and the Unseen. 11. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity — Manu Pillai. 12. The Forces That Shaped Hinduism — Episode 405 of The Seen and the Unseen (w Manu Pillai). 13. How to Become a Tyrant -- Narrated by Peter Dinklage. 14. What Is Populism? -- Jan-Werner Müller. 15. The Populist Playbook -- Episode 42 of Everything is Everything. 16. 20,000 Leagues Under the Sea -- Richard Fleischer. 17. The Hedgehog And The Fox — Isaiah Berlin. 18. Trees of Delhi : A Field Guide -- Pradip Krishen. 19. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 20. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 21. Stage.in. 22. Dance Like a Man -- Mahesh Dattani. 23. How Old Are You? -- Rosshan Andrrews. 24. The Mehta Boys -- Boman Irani. 25. A Portrait of the Artist as a Young Man -- James Joyce. 26. Massey Sahib -- Pradip Krishen. 27. Derek O'Brien talks to Siddhartha Basu -- Episode 6 of the Quizzitok Podcast. 28. Kwizzing with Kumar Varun. 29. Ivanhoe, Treasure Island and Black Beauty. 30. Jane Austen, Walter Scott, Charles Dickens, John Steinbeck, Albert Camus, Jean-Paul Sartre, Charles Baudelaire, Arthur Rimbaud, Allan Ginsberg, Jack Kerouac, James Joyce, TS Eliot and Vivekananda. 31. Ramayana and Mahabharata -- C Rajagopalachari. 32. Paradise Lost -- John Milton. 33. Morte d'Arthur -- Alfred Tennyson. 34. Death of a Salesman -- Arthur Miller. 35. Salman Rushdie, Amitav Ghosh, Mukul Kesavan, Rukun Advani, Vikram Seth, Shashi Tharoor, Jhumpa Lahiri, I Allan Sealy, Arundhati Roy and William Dalrymple. 36. The Trotter-nama -- I Allan Sealy. 37. The Everest Hotel -- I Allan Sealy. 38. The Life and Times of Altu-Faltu -- Ranjit Lal. 39. Mr Beast on YouTube. 40. The Spectacular Life of Prahlad Kakar — Episode 414 of The Seen and the Unseen. 41. Ramki and the Ocean of Stories -- Episode 415 of The Seen and the Unseen. 42. Adolescence -- Created by Stephen Graham & Jack Thorne. 43. Anora -- Sean Baker. 44. Jerry Seinfeld on the results of the Seinfeld pilot. 45. Scam 1992 -- Hansal Mehta. 46. Dahaad -- Created by Reema Kagti & Zoya Akhtar. 47. The Delhi Walla -- Mayank Austen Soofi. 48. Flood of Fire -- Amitav Ghosh. 49. The Shadow Lines -- Amitav Ghosh. 50. The God of Small Things -- Arundhati Roy. 51. Shillong Chamber Choir. 52. The Waste Land -- TS Eliot. 53. Omkara, Maqbool and Haider -- Vishal Bhardwaj. 54. A Tale of Two Cities -- Charles Dickens. 55. William Shakespeare and Henry James. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Your Time Starts Now' by Simahina.

Tonight's reading comes from Watch and Ward. Written by Henry James and published in 1878, this story looks at a young man who adopts a young girl after a tragic event and raises her as his own daughter My name is Teddy and I aim to help people everywhere get a good night's rest. Sleep is so important and my mission is to help you get the rest you need. The podcast is designed to play in the background while you slowly fall asleep. For those new to the podcast, it started from my own struggles with sleep. I wanted to create a resource for others facing similar challenges, and I'm so grateful for the amazing community we've built together.

El alquiler fantasma (The Ghostly Rental) —también publicado en español como: El fantasma que pagaba alquiler— es un relato de fantasmas del escritor norteamericano Henry James (1843-1916), publicado originalmente en la edición de septiembre de 1876 en la revista Scribner's Monthlyy luego reeditado en la antología de 1948: Los cuentos de fantasmas de Henry James (The Ghostly Tales of Henry James). El alquiler fantasma, uno de los cuentos de Henry James más reconocidos, relata la historia de un joven sumamente curioso, nuevo en la aldea, que durante uno de sus largos paseos descubre una casa embrujada en las afueras. El fantasma de este relato tiene menos que ver con lo sobrenatural y lo paranormal que con una mirada más psicológica del propio protagonista, algo frecuente en la obra de Henry James, y que alcanzó su máxima expresión en Otra vuelta de tuerca (The Turn of the Screw). Análisis de: El Espejo Gótico https://elespejogotico.blogspot.com/2009/11/el-alquiler-fantasma-henry-james.html Texto del relato extraído de: https://elespejogotico.blogspot.com/2009/11/el-alquiler-fantasma-henry-james.html Musicas: - 01. Mind Tricks - Experia (Epidemic) - 02. Dark Music - The Sealed Kingdom (Epidemic) Nota: Este audio no se realiza con fines comerciales ni lucrativos. Es de difusión enteramente gratuita e intenta dar a conocer tanto a los escritores de los relatos y cuentos como a los autores de las músicas. ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/352537 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

This week on The Horror, we hear the June 27, 1969, broadcast from Beyond Midnight.  Based on The Ghostly Rental, by Henry James, here's The House. Listen to more from Beyond Midnight https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/TheHorror1224.mp3 Download TheHorror1224 | Subscribe | Spotify | Support The Horror If you enjoy The Horror and would like to help support it, visit donate.relicradio.com for more information. Thank You!