Podcast appearances and mentions of Arthur Schnitzler

In episode 89 of the Podcast for Social Research, recorded live at BISR Central, BISR faculty Danielle Drori, Jude Webre, and Lauren K. Wolfe sat down following a screening of Stanley Kubrick's controversial final film, Eyes Wide Shut, to discuss its long thirty years in the making, its source material in fin-de-siècle Vienna, and its vision of bourgeois marriage and sexual morality in turn-of-the-millennium New York. Kicking off with behind-the-scenes Hollywood details, Jude adumbrates an argument for the film as an auteur's personal reverie, tracing resonances between it and the enigmatic story of Kubrick's own (second) married life in postwar New York City; Lauren then lets us in on the lurid sexual obsessions of Arthur Schnitzler, on whose 1926 novella Dream Story the film is based, with the interpretive aid of W.G. Sebald; while Danielle guides us through a collective Freudian analysis of the dreams that run through and construct the film's emotional core. With insightful and witty participation from the audience, the talk touches on masculinity within marriage; nudity and nakedness; coitus interruptus; Freud's stages of sexual development; dream as unconscious communication; sex and death; fucking down and marrying up; Nicole Kidman as gay icon; and whether anything of substance appears to have changed in bourgeois sexual morality between circa 1900 and 1999. The Podcast for Social Research is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky  

Leibold, Christoph www.deutschlandfunk.de, Kultur heute

In questo episodio, Gianluca Gatta commenta DOPPIO SOGNO di Arthur Schnitzler, un racconto che esplora il sottile confine tra sogno e realtà attraverso il viaggio notturno di Fridolin, un medico austriaco, che, spinto dalla gelosia, si confronta con le sue fantasie e pulsioni represse. Un libro da cui Stanley Kubrick ha tratto il suo ultimo film EYES WIDE SHUT, con Tom Cruise e Nicole Kidman.

Hörmann, Andi www.deutschlandfunkkultur.de, Lesart

Hörmann, Andi www.deutschlandfunkkultur.de, Lesart

Hörmann, Andi www.deutschlandfunkkultur.de, Lesart

The third episode of our special retrospective 20th season looks back to the awesome movie year of 1999 with the first of two Christmas episodes, on Stanley Kubrick's Eyes Wide Shut. Directed and co-written by Stanley Kubrick (adapted from the novel by Arthur Schnitzler) and starring Tom Cruise, Nicole Kidman, Sydney Pollack and Todd Field, Eyes Wide Shut was the final movie that Kubrick directed before his death.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/eyes-wide-shut-1999), Manohla Dargis in The New York Times (https://archive.nytimes.com/www.nytimes.com/library/film/071699eyes-film-review.html), and Owen Gleiberman in Entertainment Weekly (https://ew.com/article/1999/07/23/eyes-wide-shut-5/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at

O mundo tornou-se novamente exterior, absurdamente exterior, ao ponto de nos causar arrepios, mas a nós, hoje, tudo nos faz mossa. Nestas transfusões de sangue amarelo recebidas dos sistemas digitais, estamos cada vez mais uns bichos de aviário. E dividimos tudo em categorias, e temos infinitos protocolos de segurança, de desinfecção. Cá dentro, aquilo que nos provoca cócegas são as luzes, os sons, todas essas cores a pintalgar o cenário, e os ecrãs com as suas informações habituais. "Superfícies, superfícies, não há perigo se as atravessarmos, se estivermos nelas ou elas em vós. Fazei por continuardes superficiais, com as vossas emissões superficiais para receptores superficiais", aconselha Michaux. Lá fora chove, bátegas d'água, e tudo isso perturba o sinal. Nós mesmos somos afectados, o ambiente torna-se malsão. O espírito, o mecanismo cerebral tropeça, manobrando com dificuldade. Mas o que se há-de fazer? São cada vez mais constantes os temporais. Às vezes acordamos com a sensação de ter engolido uns baldes, e tudo isso nos subiu à cabeça. Esta, meio vacilante, começa a pregar-nos partidas, às vezes dolorosas. Estas nossas consciências subornadas pelo consumo até à letargia têm-se revelado bastante frágeis, escondemo-nos nessas superfícies, e as nossas ideias foram-se adaptando a meros reflexos, sem verdadeira profundidade. Quando falha a luz é uma autêntica catástrofe. E o pior é que sem essas meditações guiadas pela fiada de projectores, o vazio com o seu rumor de penas coloca-se a nosso lado e põe-se a devorar-nos o fígado. De resto, a companhia é terrível. Estamos cercados de toda a espécie de canalhas cuja obra são as suas infindáveis justificações. “Há muitos que, deixando cair um amigo, um amor ou o peso de um dever, se desculpam, a seus próprios olhos, evocando a obrigação de fidelidade para consigo mesmos — que é, muitas vezes, apenas o modo mais cómodo e cobarde de se enganarem a si mesmos. Pois quantas pessoas existirão capazes de conhecer tão exactamente as leis da sua própria evolução para poderem saber se essa infidelidade em relação a uma pessoa ou a uma coisa não era, ao mesmo tempo, o pior que cometeram em relação a si próprios?” Assim o viu Arthur Schnitzler. Vivemos cobardemente encerrados nas mais podres fantasias, sendo evidente como as crenças actuais se mostram cada vez mais débeis. "Aqui o limbo além o paraíso além o inferno/ que cheiro a despegado meu general". Tivemos a ambição de sair a investigar o nunca visto, derrotando cada um dos nossos caprichos, até sentirmos de novo algo que se pareça com um ímpeto famélico, fazendo desabrochar em nós um vício urgente, que nos sustente para o resto dos dias, confiando-nos à desgraça mais certa. Mas nisto tudo, de tanto nos tirarmos o pulso, levarmos em conta os indicadores deste evidente desgaste, que diagnóstico se pode fazer? Alguém ali levantou a mão... Talvez uma pergunta nos pudesse transportar noutra direcção. Mas esse é um dos dramas do nosso tempo. Quem é que ainda formula perguntas com real empenho em que lhe respondam? Descontando as crianças, quase ninguém. De tanto nos cuspirem em cima essa música que faz as vezes da consciência, já não sabemos exactamente onde começa ou acaba a nossa própria cabeça. Desfizeram o nosso juízo de tanto o mexerem com a colher de pau do senso comum. Seria terrível se falhasse a luz, mas talvez, passados uns meses, os pensamentos autónomos ressuscitassem. Estou outra vez a tremer, e sinto a falta de um braço que possa apertar. Deixa-me ler-te uma coisa do avô Teodoro: “Num dos seus ensaios, Aldous Huxley levantou a questão de quem, num lugar de diversão, estará realmente a divertir-se. Com a mesma justiça, pode perguntar-se quem é que a música para entretenimento ainda entretém. Na verdade, parece complementar a redução das pessoas ao silêncio, o desaparecimento da fala como expressão, a incapacidade de se comunicar de todo. Habita as bolsas de silêncio que se desenvolvem entre pessoas moldadas pela ansiedade, pelo trabalho e por uma docilidade pouco exigente. Por todo o lado, assume, sem dar nas vistas, o papel mortalmente triste que lhe coube no tempo e na situação específica dos filmes mudos. É apercebida apenas como música de fundo. Se já ninguém consegue falar, certamente já ninguém consegue ouvir." Já era muito tarde, desta vez. Esta tendência de formarmos bandas de três, andando à chuva, cobrindo distâncias com o vento a soprar e encher as velas do improviso é o que ainda assegura esta noivadiagem. Desta feita, foi o Bruno Peixe Dias quem exumou a estrela sextavada que há no corpo do rio, e trouxe o seu embalo profano habituado a carregar aos ombros filósofos completamente derramados e a soluçar dos prostíbulos até às moradas familiares, inventando pelo caminho as aventuras mais cativantes, de tal modo que as mulheres os acolhem como heróis épicos nesta Ulisseia à deriva. Hoje, não houve festa. Estivemos ali debaixo do telheiro a ouvir o piano ronceiro da chuva, e lá fomos do gargarejo para aclarar a garganta até à serenata que, se não serve para pagar as contas, pelo menos acalora.

Volvemos a sumergirnos en la mirada tan especial de Stanley Kubrick y eso son siempre palabras mayores. En esta ocasión venimos con su película póstuma, Eyes Wide Shut. Polémica como ninguna, incomprendida en su momento, nos asomamos por los recovecos de este catálogo de las pulsiones humanas para ver como se siente 25 años después de su estreno. Antes de arrancar con su producción, nos vamos a ir a la Viena de comienzos del Siglo XX para conocer la novela en la que se basó, Relato Soñado de Arthur Schnitzler. Después sabremos porqué este film entró en el Libro Guinnes de los Records debido a su extensísimo rodaje, los actores que se quedaron fuera de él por que su contrato expiraba y mil detalles más. Y por supuesto nos iremos junto al Dr. Harford a recorrer la Nueva York nocturna que está oculta, esa al alcance solo de gente de un poder adquisitivo inalcanzable y descubriremos sus más bajas pasiones. Un análisis de un film difícil de analizar, pero del que daremos nuestras humildes opiniones y visiones, deseando conocer las vuestras también. Guillermo se une a Salva Vargas en esta dura tarea, acompáñalos. Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Xama, Javier Ramírez, Rebe Sánchez, La Casa del Acantilado, Shinyoru, José Percius, Diana, Josemaria1975, Francisco Javier Chacón, Kal-el__80, David y Cohaggen. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,49€ al mes: https://acortar.link/emR6gd Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://acortar.link/qhUhCz Premium Mensual: https://acortar.link/gbQ4mp iVoox Plus Mensual: https://acortar.link/y7SDmV Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas, Just Live it, Filmotecast

"Nenhum sonho é apenas um sonho" De Olhos Bem Fechados (1999) é um drama psicológico envolvendo Bill, um médico que aparentemente tem uma vida em casal perfeita e estável, mas que a revelação de sua esposa sobre uma fantasia sexual, o coloca em uma jornada obscura e perturbadora. O filme foi o último filme dirigido por Stanley Kubrick, um dos mais aclamados diretores do cinema ocidental, e é baseado no romance chamado Traumnovelle de Arthur Schnitzler. Nesse episódio do Enquadrando, Fabio Rangel (@fabiomrangel), Rodrigo Carvalho (@_rodcarvalho), Daniel Cavalcanti (@daniaoc) e Caio Gaudio (@caiogaudi0.bsky.social) vão discutir sobre o filme, e no debate você encontra: - Interpretações psicanalíticas para o filme; - Kubrick e suas polêmicas; - A crítica a estrutura capitalista; - A Nicole Kidman. ___ Apoie o Enquadrando em apoia.se/Enquadrando

Am TNL fänkt déi nei Saison mat dem Frank Hoffmann senger Inzenéierung vum Arthur Schnitzler senger "Traumnovelle" un. Den Nicolas Calmes, de Florian Ney an de Jeff Schinker waren sech d'Stéck ukucken – a verroden iech, wéi gelongen dës Inzenéierung vum Kulttext ass.

This week, we go back to 1999 to talk about Eyes Wide Shut, the final film by the great Stanley Kubrick. Based on the novella “Dream Story” by Arthur Schnitzler, Kubrick weaves a tale of deception, anxiety and murder as the 20th century comes to a close in New York City.   Intro:     “Necromaniacs” – Mike Hill Outro:   “Naval Officer” – Jocelyn Pook

Adapté du roman inachevé d'Arthur Schnitzler, L'Aventurier est un roman graphique captivant qui plonge immédiatement le lecteur dans le destin fascinant d'Aselmo Ringardi, un jeune noble d'Italie du 14e siècle dont la vie prend une tournure aussi surprenante qu'intrigante.Arthur Schnitzler, ce grand auteur autrichien, fils d'un médecin juif renommé, a laissé une œuvre particulièrement riche, mêlant théâtre, récits et essais.Son roman L'Aventurier est resté inachevé, et c'est l'auteur de bandes dessinées italien Alessandro Tota qui, avec Andrea Settimo, en a imaginé la fin.

Unter neuer künstlerischer Leitung und mit einem komplett neuen Team geht's Ende Oktober (30. Oktober - 3. November) in die Biberacher Filmfestspiele! Und jetzt gibt's erste große Namen. Krimi, Thriller und Fantasien TV-Star Axel Milberg zeigt nicht nur seinen neuesten Borowski-„Tatort“, er bekommt auch den Ehrenbiber verliehen und liest aus seiner Biografie. Auch aus der Krimi-Fernsehwelt wird Claudia Michelsen ihren neuesten „Polizeiruf 110“ zeigen. Mina Tander kommt mit der neuen Marc Elsberg-Verfilmung „Helix“ und Nikolai Kinski, Sohn von Klaus Kinski wird mit "Traumnovelle" nach Arthur Schnitzler nach Biberach kommen. Die Biberacher Filmfestspiele werden mit "Bach – Eine Weihnachtsgeschichte" mit Devid Striesow eröffnet. Natürlich gibt's auch wieder spannende Dokumentarfilme, extravagante Debutfilme, einen Sack voller kreativer Kurzfilme, darunter auch von Filmemachern aus Biberach und Ulm – und einen komplett KI-generierten Kurzfilm von Marcel Barsotti, eigentlich als Filmmusiker bekannt. Außerhalb des Wettbewerbs läuft aus der Region der Waldsee-Krimi „Kurschatten“ von Elmar Maronn. Insgesamt werden rund 100 Filmschaffende erwartet - über 50 Filme werden gezeigt. Film-Party am Samstag - Abschlussgala am Sonntag Die Eintrittspreise bleiben gleich. Die Abschlussgala ist wieder sonntags in der Stadthalle Biberach, dafür gibt's am Samstagabend eine große Film-Party im Hotel Kapuzinerhof. Insgesamt geht das neue Team um den neuen Intendanten Douglas Wolfsperger voll positiver Energie in diesen Neustart des traditionsreichen Filmfestivals, das immerhin in seine 46. Runde geht! Zusammen mit dem gelungenen Filmprogramm lässt das auf eine kreative neue Ära hoffen. Alles rund um die Biberacher Filmfestspiele und das gesamte Festival-Programm gibt's hier.

Pesl, Martin Thomas www.deutschlandfunkkultur.de, Fazit

L'histoire se répète-t-elle ? Réflexion sur Le Monde d'Hier, livre testament de Stefan Zweig.Montée des autoritarismes et des nationalismes, retour de l'antisémitisme et du néo-fascisme, tentations génocidaires, élites déconnectées, manipulation de masse et confusion entre vérité et mensonge. Certains aspects de notre époque devraient nous rappeler le début du 20è siècle...On va parlé de Stephan Zweig, de son ouvrage testament « le monde d'hier », et de ce qu'il peut nous enseigner sur le présent et sur ces démons qui se réveillent.Stefan Zweig, né le 28 novembre 1881 à Vienne en Autriche-Hongrie et mort le 22 février 19424 à Petrópolis au Brésil, est un écrivain, dramaturge, journaliste et biographe autrichien.Ami de Sigmund Freud, Arthur Schnitzler, Romain Rolland, Richard Strauss, Émile Verhaeren, Stefan Zweig a fait partie de l'intelligentsia viennoise. Il quitte son pays natal en 1934, en raison de la montée du nazisme et de ses origines juives pour se réfugier à Londres, puis au Brésil où il se suicidera. Son œuvre est constituée essentiellement de biographies, mais aussi de romans et de nouvelles. Dans son livre testament, Le Monde d'hier. Souvenirs d'un Européen, Zweig se fait chroniqueur de cet « âge d'or » de l'Europe et analyse ce qu'il considère comme l'échec d'une civilisation.00:00 Introduction03:23 Stéphane Zweig et Le Monde d'hier10:58 Les cycles de l'histoire12:43 Le monde avant l'accélération15:51 L'Europe insouciante de 190017:42 L'influence de l'époque sur les individus21:28 L'accélération et ses paradoxes23:03 Dualité de l'essor et de la destruction25:10 Les changements brutaux et imprévus34:21 La montée des nationalismes39:54 L'excès de puissance et ses conséquences45:43 L'équilibre entre peur et optimisme---Retrouvez tous les épisodes et les résumés sur www.sismique.frSismique est un podcast indépendant créé et animé par Julien Devaureix.

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/neuroscience

Es war einer der größten Theaterskandale des 20. Jahrhunderts, denn das Thema lautet: Sex. Mit heutigem Blick kann man darin viel über unsere Gegenwart erkennen, findet SWR2 Praktikantin Charlotte Prestel.

Dëse Weekend waren den Nicolas Calmes an de Jeff Schinker sech just ee Stéck ukucken - mee eent, dat mat gutt fënnef Stonnen an dräi Deeler bal méi intensiv war, wéi eng ganz Saison Lëtzebuerger Produktiounen. Mat "Extinction" bréngt de Julien Gosselin den Arthur Schnitzler, den Hugo von Hoffmansthal an den Thomas Bernhard, eng Rave Party, eng biergerlech Demeure an eng Konferenz op d'Bün vum Groussen Theater. Fir deen een ass et Miles Davis an David Foster Wallace an engem Owend, fir deen aneren eng perfekt Illustratioun an dräi Uleef vun engem Joerhonnert, an deem d'Mënschheet sech der Barbarei verkaf huet. Den Nicolas Calmes an de Jeff Schinker mat hiren Andréck.

William Ramsey invites Sean McCann to the show to discuss Arthur Schnitzler's book Traumnovelle & Stanley Kubrick's film Eyes Wide Shut. What elements did Kubrick add? What did he keep? ..and what, if anything was left out from the original story? Digging deeper down the Eyes Wide Shut rabbithole. Find William Ramsey here: https://www.williamramseyinvestigates.com/ ⁠https://podcasts.apple.com/gb/podcast/william-ramsey-investigates/id1388815042⁠ ⁠https://www.williamramseyinvestigates.com/store⁠ Please donate to Sean McCann:⁠⁠⁠⁠⁠ ⁠⁠⁠https://www.buymeacoffee.com/wakethedead⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠https://www.paypal.com/paypalme/seanmccannabis⁠⁠⁠⁠⁠⁠⁠⁠ Visit Wake the Dead's new store! ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://wakethedead.creator-spring.com/⁠⁠⁠ join the Wake the Dead telegram: https://t.me/wakethedeadpodcast join the Wake the Dead guilded server: https://www.guilded.gg/i/kJWaQzmp

From Traumnovelle to Eyes Wide Shut: Investigating the Influence of Arthur Schnitzler on Kubrick's Masterpiece with Sean McCann of the Wake the Dead Podcast. Wake the Dead Podcast: https://podtail.com/podcast/wake-the-dead/

Radijo spektaklis „Lemtingas bilietas“ Artūro Šnitzlerio novelės „Leitenantas Gustlis“ motyvais. Iš vokiečių kalbos vertė Teodoras Četrauskas. Režisierius Juozas Javaitis, garso režisierė Sonata Barčytė-Jadevičienė. Vaidina aktoriai Gintaras Adomaitis, Irmantas Jankaitis ir Jonas Tertelis. 2007 m.

Title: Eyes Wide Shut [Wikipedia] [IMDb] Director: Stanley Kubrick Producer: Stanley Kubrick Writers: Stanley Kubrick, Frederic Raphael (screenplay); Arthur Schnitzler (original novella) Stars: Tom Cruise, Nicole Kidman, Sydney Pollack, Marie Richardson Release date: July 16, 1999 (US) PROMO: Anime Talk (@AnimeTalk12) COLLAB: Abyss Gazing: A Horror Podcast (@VctmsAndVillans) SHOWNOTES: Happy Holidays, Collateral Cinephiles! As we do every year, we linked up with the Victims and Villains podcast network for our holiday special. This year, Josh "Captain Nostalgia" and Mark from Abyss Gazing: A Horror Podcast join us for Christmas to talk Stanley Kubrick's 1999 erotic mystery psychological drama Eyes Wide Shut, starring Tom Cruise and Nicole Kidman. We actually had a varied set of opinions on this film, so as the holiday draws to a close, come hang with us, and also check out the Abyss Gazing side of our seasonal crossover, where we guest hosted on their Rare Exports episode! We'll be back before the end of the year with this year's Holiday Edition of the Director's Cut, as we delve into more Adult Swim Christmas episodes, but we hope all of our listeners had a very Merry Christmas and have a Happy New Year! Collateral Cinema is on Facebook, Instagram, and Twitter, and is on Podbean, Spotify, Apple Podcasts, Google Podcasts, YouTube, iHeartRadio, Chill Lover Radio, and wherever else you get your podcasts! You can listen to Abyss Gazing: A Horror Podcast at victimsandvillains.net, Apple Podcasts, and wherever else you get your podcasts. You can also check out the Victims and Villains network for more podcast content and mental health resources at their website. If you or someone you know is reading this right now and struggling with suicide, depression, addiction, or self-harm—please reach out. Comment, message, or tweet at them. Go to victimsandvillains.net/hope for more resources. Call the suicide lifeline at 1-800-273-8255. Text "HELP" to 741-741. There is hope and you DO have so much value and worth! Collateral Cinema is a Podbean affiliate. Sign up for unlimited podcasting hosting at the following link, and get one month of hosting free: podbean.com/CCinemaPodcast (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

We're having a weird (but good!) Christmas with the holiday romance of Stanley Kubrick's final film, 1999's Eyes Wide Shut. Join in as we discuss the movie's place in Kubrick's filmography, its use of real-life couple Tom Cruise and Nicole Kidman, the Christmas setting, and the differences between the theatrical and unrated cuts. Plus: How does the movie compare to Arthur Schnitzler's short story? Why did so many people want something else from the movie? Why does Bill Harford constantly show people his medical license? And, most importantly, who choreographed the women at the climactic party? Make sure to rate, review, and subscribe! Next week: Mr. Peabody & Sherman (2014) and our top ten films of 2023! --- Send in a voice message: https://podcasters.spotify.com/pod/show/we-love-the-love/message

Join Host Shane and Co-Host Russell for this week's DQP Film Review as we conclude our Pseudo X-Mas where we will talk about X-Mas movies that aren't X-Mas movies, with Eyes Wide Shut! Written by Stanley Kubrick, Frederic Raphael, and inspired by "Traumnovelle" written by Arthur Schnitzler; Directed by Stanley Kubrick; Starring Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack, and more! Join us on Patreon for just $1 per month, and you can help us continue to talk about movies! patreon.com/draftyQ Check out our Amazon Wishlist! Buy stuff for us! https://www.amazon.com/hz/wishlist/ls/322RUIF15J9O0?ref_=wl_share

It's Christmas time, and there's no need to be afraid.  Unless of course you want to be trapped into making the same film for 400 days, doing 200 retakes of opening a door.  Yes, for this years Christmas Special, we've gone for everybody's heart-warming festive favourite: 1999's EYES WIDE SHUT.  Merry Cruisemas!!!END CREDITS- Presented by Robert Johnson and Christopher Webb- Produced/edited by Christopher Webb- "Still Any Good?" logo designed by Graham Wood & Robert Johnson- Crap poster mock-up by Christopher Webb- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission(c) 2023 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram @stillanygoodpodEmail stillanygood@gmail.comSupport the show

Schnitzlers Stück über Judenfeindlichkeit in der österreichischen Gesellschaft um 1900 als Hörspiel.

Nella produzione di un autore, la corrispondenza e i diari costituiscono una preziosa possibilità di guardare per così dire dietro le quinte della creazione.L'Accademia Austriaca delle Scienze sta lavorando da tempo sulle opere di Arthur Schnitzler, e anche sui diari e sul vasto corpus delle sue lettere.Al microfono di Flavia Foradini, Martin Anton Müller racconta l'impegno a tutto campo, anche con l'aiuto dell'intelligenza artificiale, per offrire sia ai ricercatori che agli appassionati ampi sguardi sul laboratorio creativo di Schnitzler, grazie alla fitta corrispondenza con colleghi e intellettuali di primo piano del tempo, e grazie ai diari tenuti fino a pochi giorni prima della morte, avvenuta il 21 ottobre 1931, all'età di 69 anni. Sullo sfondo scorrono la vita e la carriera del grande scrittore, che fu dapprima medico e poi fondamentale autore in quella Vienna asburgica a cavallo fra ‘800 e ‘900, così propizia alle arti e alle scienze. per approfondire:https://schnitzler-briefe.acdh.oeaw.ac.athttps://schnitzler-tagebuch.acdh.oeaw.ac.at/pdf dei diari:https://www.austriaca.at/arthur_schnitzler_tagebuchancora Schnitzler su Rete Due:Flavia Foradini, Arthur Schnitzler: uno sguardo diagnostico sul mondo

Arthur Schnitzlers Novelle "Fräulein Else" könnte gegenwärtiger nicht sein. Erschienen 1924. Verfasst von einem der großen Erzähler des 20. Jahrhunderts, könnte man sie als Me-Too-Geschichte avant la lettre interpretieren.

Arthur Schnitzlers Novelle "Fräulein Else" könnte gegenwärtiger nicht sein. Erschienen 1924. Verfasst von einem der großen Erzähler des 20. Jahrhunderts, könnte man sie als eine Me-Too-Geschichte avant la lettre interpretieren.

Arthur Schnitzlers Novelle "Fräulein Else" könnte gegenwärtiger nicht sein. Erschienen 1924. Verfasst von einem der großen Erzähler des 20. Jahrhunderts, könnte man sie als eine Me-Too-Geschichte avant la lettre interpretieren.

Arthur Schnitzlers Novelle "Fräulein Else" könnte gegenwärtiger nicht sein. Erschienen 1924. Verfasst von einem der großen Erzähler des 20. Jahrhunderts, könnte man sie als eine Me-Too-Geschichte avant la lettre interpretieren.

Gedanken zum Evangelium von Kardinal Christoph Schönborn, am 9. Juli 2023Matthäus 11,25-30 Können sie beide gleichzeitig im Menschenherzen Platz haben: ein großer Schmerz und eine tiefe Freude? „Die Seele ist ein weites Land“, hat Arthur Schnitzler gesagt. Vieles kann darin zusammenwohnen. Denn das Leben bringt Leid, Schmerz, Enttäuschung, aber hoffentlich immer wieder auch Momente des Glücks und der Freude.

The Dead Are Silent 1907

Casanova's Homecoming

Welcome to DEATH BY ADAPTATION, a bi-weekly book club where we choose one classic book and compare and contrast it against its cinematic adaptations. In this episode, we discuss the 1926 novella TRAUMNOVELLE, a.k.a. DREAM STORY, by Arthur Schnitzler, and its 1999 film adaptation directed by Stanley Kubrick and starring Tom Cruise and Nicole Kidman: EYES WIDE SHUT. Host: Nicolò Grasso Featuring: Ewan Gleadow Music: "The Jazz Piano" Royalty Free Music from Bensound, Remix by Nicolò Grasso Follow the Death by Adaptation podcast on Twitter (@DeathAdaptation) and Instagram (@DeathByAdaptationPod).

**SPOILERS**A second look at Eyes Wide Shut. As more than two decades have passed, Eyes Wide Shut has continued to captivate and seduce audiences the way its source material, “Dream-Story” enchanted Stanley Kubrick and became his final masterpiece. Journey with us as we tail the Harford family down the rabbit hole and explore the bouquet of occult and religious symbolism running throughout Eyes Wide Shut.In this episode we discuss:Arthur Schnitzler's “Traumnovelle”Controversial ChangesStanley Kubrick's Symbolic LanguageMise-En-SceneName AnalysisDuck season or rabbit season??The Star of InannaWhere the Rainbow EndsBill's Secret PreferencesDominoSymbolism of the Christmas TreeThe Fate of HelenaIn the extended episode available at www.patreon.com/TheWholeRabbit we discuss:The PaintingsA Coat of ErmineThe InitiationSecrets of The Ritual SequenceRed CloakThe NetSub RosaLarry CelonaThe Toy StoreEach host is responsible for writing and creating the content they present.Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitMusic By Spirit Travel Plaza:https://open.spotify.com/artist/30dW3WB1sYofnow7y3V0YoSources:Kubrick Obituary by Larry Celona:https://nypost.com/1999/03/09/kubrick-happy-joking-just-before-death/Jeffery Epstein Obituary by Larry Celona:https://nypost.com/2019/08/10/convicted-pedophile-jeffrey-epstein-dead/33 Degrees of Eyes Wide Shut:https://33degreesofeyeswideshut.wordpress.com/Duck, Duck, Penis:https://www.google.com/amp/s/nypost.com/2017/05/06/dont-be-fooled-ducks-are-sadistic-raping-monsters/amp/Tom Cruise Gay:https://gayety.co/why-people-think-tom-cruise-is-gayStanley Kubrick advertising:http://www.visual-memory.co.uk/amk/doc/0077.htmlA Deep Analysis of Eyes Wide Shut:https://idyllopuspress.com/idyllopus/film/ews_two.htmInanna:https://www.worldhistory.org/article/215/inannas-descent-a-sumerian-tale-of-injustice/Support the show

Book Vs. Movie: Eyes Wide ShutThe 1999 Classic Stanley Kubrick Film Vs. The 1926 Short Story by Arthur Schnitzler Do you know the password? The inside password? The Margos look at the 1999 Stanely Kubrick film Eyes Wide Shut, which was released after the director's death in March and at the SAME time as The Blair Witch Project and is one of the most debated of his works. A sex drama about an impossibly beautiful couple (then married Tom Cruise and Nicole Kidman), the film explores the themes of marriage, fidelity, identity, consequences, and …masks? This is either one of the best films of Kubrick's career or the dullest. Let's get ready to discuss! Having bought the rights to the German author Arthur Schnitzler's novella Traumnovelle/Rhapsody: A Dream novel in 1968, Kubrick wanted to create a masterpiece about love, sex, and identity but often felt he was not ready to film the version in his mind. When he met Cruise and Kidman in 1996, he finally met his essential “Bill and Alice Hartford,” two extraordinarily beautiful people who can convey insecurity and lust. (He tried filming with Harvey Keitel and Jennifer Jason Leigh, but they both had to leave production when he took longer than they had time to commit to the project.) The shooting began officially in November 1996 in England as Kubrick (a Bronx native) moved there in the 1970s to avoid flying to any set. It finally wrapped in June 1998, becoming one of (if not THE) longest film production of all time. Kubrick was able to show his final version before his death, and from there, we get controversies about how “final” this version was. The 1925 original story is very close to the filmed adaptation about a couple who attend a masquerade ball and then confess/or deal with urges to confess infidelity. The masks, orgies, and walking around in a stressful state of being are similar to the 1999 film, as is much of the original dialogue. Which did we like better, the 1926 novella and the 1999 film? You have to listen to find out!!In this ep the Margos discuss:The films of the late Stanley Kubrick and why Eyes Wide Shut was so controversialCritic's reaction to the film (including Roger Eberts's outburst at an Eyes Wide Shut critic's screening) The chemistry between the leadsThe explicit sex scenes and nudityWhat is this story really about?The cast: Tom Cruise (Dr. William “Bill” Harford,) Nicole Kidman (Alice Hartford,) Sydney Pollack (Victor Ziegler,) Todd Field (Nick Nightingale,) Marie Richardson (Marion Nathanson,) Sky du Mont (Sandor Szavost,) Rade Serbedzijja (Milch,) Thomas Gibson (Carl,) Vinessa Shaw (Domino,) Fay Masterson (Sally,) Alan Cumming (Hotel Desk Clerk,) Leelee Sobieski (Milch's daughter,) Julienne Davis (Mandy,) Madison Eginton (Helena,) Abigail Good and Gary Goba (naval officer.) Clips used:“What's the second password?” Eyes Wide Shut original 1999 trailer.Dr. Bill and Alice, before the partyBill & Alice flirting at the partyAlice confessors her secret Danish crush Domino meets Dr. BillAlice has a bad dreamAlan Cumming!Mr. Milliach, after the partyDr. Bill and Alice at the endRoger Ebert in 2000Music by Jocelyn Pook and Chris Isaak Bad Bad Thing Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie: Eyes Wide ShutThe 1999 Classic Stanley Kubrick Film Vs. The 1926 Short Story by Arthur Schnitzler Do you know the password? The inside password? The Margos look at the 1999 Stanely Kubrick film Eyes Wide Shut, which was released after the director's death in March and at the SAME time as The Blair Witch Project and is one of the most debated of his works. A sex drama about an impossibly beautiful couple (then married Tom Cruise and Nicole Kidman), the film explores the themes of marriage, fidelity, identity, consequences, and …masks? This is either one of the best films of Kubrick's career or the dullest. Let's get ready to discuss! Having bought the rights to the German author Arthur Schnitzler's novella Traumnovelle/Rhapsody: A Dream novel in 1968, Kubrick wanted to create a masterpiece about love, sex, and identity but often felt he was not ready to film the version in his mind. When he met Cruise and Kidman in 1996, he finally met his essential “Bill and Alice Hartford,” two extraordinarily beautiful people who can convey insecurity and lust. (He tried filming with Harvey Keitel and Jennifer Jason Leigh, but they both had to leave production when he took longer than they had time to commit to the project.) The shooting began officially in November 1996 in England as Kubrick (a Bronx native) moved there in the 1970s to avoid flying to any set. It finally wrapped in June 1998, becoming one of (if not THE) longest film production of all time. Kubrick was able to show his final version before his death, and from there, we get controversies about how “final” this version was. The 1925 original story is very close to the filmed adaptation about a couple who attend a masquerade ball and then confess/or deal with urges to confess infidelity. The masks, orgies, and walking around in a stressful state of being are similar to the 1999 film, as is much of the original dialogue. Which did we like better, the 1926 novella and the 1999 film? You have to listen to find out!!In this ep the Margos discuss:The films of the late Stanley Kubrick and why Eyes Wide Shut was so controversialCritic's reaction to the film (including Roger Eberts's outburst at an Eyes Wide Shut critic's screening) The chemistry between the leadsThe explicit sex scenes and nudityWhat is this story really about?The cast: Tom Cruise (Dr. William “Bill” Harford,) Nicole Kidman (Alice Hartford,) Sydney Pollack (Victor Ziegler,) Todd Field (Nick Nightingale,) Marie Richardson (Marion Nathanson,) Sky du Mont (Sandor Szavost,) Rade Serbedzijja (Milch,) Thomas Gibson (Carl,) Vinessa Shaw (Domino,) Fay Masterson (Sally,) Alan Cumming (Hotel Desk Clerk,) Leelee Sobieski (Milch's daughter,) Julienne Davis (Mandy,) Madison Eginton (Helena,) Abigail Good and Gary Goba (naval officer.) Clips used:“What's the second password?” Eyes Wide Shut original 1999 trailer.Dr. Bill and Alice, before the partyBill & Alice flirting at the partyAlice confessors her secret Danish crush Domino meets Dr. BillAlice has a bad dreamAlan Cumming!Mr. Milliach, after the partyDr. Bill and Alice at the endRoger Ebert in 2000Music by Jocelyn Pook and Chris Isaak Bad Bad Thing Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Originally a play in 1910, written by Arthur Schnitzler (b. May 1863 - d. October 1931). Then a silent movie in 1921, directed by Cecil B. DeMille. This episode aired Monday, August 22, 1938 on CBS Radio. Story: Before the World War in Vienna, socialite Anatol Spencer, finding his relationship with his wife Vivian lackluster, goes in search of excitement. With his friend Max, Anatol discusses the problem that a man never can know for sure whether or not a woman is faithful to him. He argues that, irrespective of love, women by their very nature can never be true. Adapted by, Directed by, and Starring: Orson Welles. Remaining cast: William Alland, Ray Collins, Arlene Francise, Alice Frost, Helen Lewise, Dan Seymour (announcer), Bernard Herrmann (conductor) : : : : : My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES. Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot. Thank you for your support. https://otr.duane.media/ (https://otr.duane.media) | Instagram https://www.instagram.com/duane.otr/ (@duane.otr)

Er war voll unbändiger Energie, voll Lust aufs Leben und voll Angst, er traute sich selbst nicht über den Weg und niemand anderem: Egon Schiele ist sicherlich eine der wichtigsten und schillerndsten Künstlerfiguren am Anfang unserer Moderne. Worin liegt seine Außergewöhnlichkeit, was machte er mit dem Bleistift und dem Pinsel sichtbar, was anderen verborgen blieb? Das diskutieren Florian Illies und Giovanni di Lorenzo in der neuesten Folge des Podcasts "Augen zu". Es war ein kurzes Leben, aber eines im Geschwindigkeitsrausch. Von 1890 bis 1918 lebte Egon Schiele nur – aber in den zwölf Lebensjahren, die ihm ab seinem Wechsel auf die Wiener Kunstakademie 1906 blieben, schuf er über 3.000 Werke auf Papier und über 300 Gemälde. Schiele war von einer ungeheuren Rastlosigkeit, er konnte nicht still sitzen, er zog Grimassen, wenn er sich selbst malte, verdrehte sich, als sei das Leben ein einziges Schleudertrauma. Erst als er 1911 Wally Neuzil im Atelier seines Förderers Gustav Klimt kennenlernt und sie zu ihm überwechselt, erst als Modell, dann als Geliebte, kommt eine gewisse Ruhe in seine furiose Kunst. Er lässt sich Zeit, ihren Körper nachzuzeichnen und er schaut auf sich selbst in seinen zahllosen Selbstbildnissen nicht immer nur mit den aufgerissenen Augen des Entsetzens. Wien um 1900 – das war ein singulärer Zeitpunkt, an dem die Welt neu durchschaut wurde: Sigmund Freud blickte in die Seelen, Ludwig Wittgenstein ins Gehirn, Karl Kraus bis zu den Sprachwurzeln, Arthur Schnitzler in die Herzkammern, Georg Trakl hörte das Gras wachsen und Arnold Schönberg die Tonlagen der Zukunft. Und zwischen dem malenden Berserker Oskar Kokoschka und dem elegischen Frauenausschmücker Gustav Klimt betrat plötzlich dieser Egon Schiele die Bühne und entdeckte in seiner Kunst Mann und Frau neu als Körper. Die Zeitgenossen waren verschreckt von seiner Drastik und Sexualisierung – doch Schiele antwortete mit seiner Privatmythologie: "Auch das erotische Kunstwerk hat Heiligkeit". Wie blicken wir heute auf diese Darstellungen der Frau? Silke Hohmann, Kunstkritikerin des Magazins "Monopol", äußert sich im Podcast zu der Frage, wie Schieles Zeichnungen und Gemälde innerhalb der Geschlechterdiskurse unserer Gegenwart bestehen können. Mit Schiele wird die erotische Aktzeichnung zu einem autonomen Kunstwerk – und das Selbstbildnis zu einem Schlachtfeld, zu einem ewigen, zweifelnden "Ecce Homo". Aus den Ruinen des Subjekts baute er ein neues Weltbild und lehrte, dass Leben eben Lust und Leiden heißt – auch deshalb ist Egon Schieles Faszinationskraft bis heute ungebrochen. Es geht um tiefe Traurigkeit in seinem Werk, um Ernst und Würde – und er kann all das eben nicht nur in den Körpern finden, sondern auch in einem Buchenwald und in den Häuserlandschaften Böhmens, in die er sich zurückzog, um sich von sich selbst zu erholen. Er stirbt an der Spanischen Grippe, als der Erste Weltkrieg endete. Doch seinen Kampf für einen Platz im ewigen Kanon der Kunstgeschichte des 20. Jahrhunderts hat er gewonnen. Lob, Kritik, Anmerkungen? Schreiben Sie uns gern an augenzu@zeit.de

Hablamos con el escritor y columnista David Jiménez Torres de El mal dormir, un ensayo amenísimo y lleno de referencias literarias sobre el sueño, la vigilia y el cansancio con el que ha ganado el I Premio de No ficción que convoca la editorial Libros del Asteroide. Antes, leemos un fragmento de Una casa propia (Ed. Literatura Random House), la última entrega de la autobiografía en construcción de Deborah Levy, en la que la escritora británica sigue profundizando en su condición de mujer y escritora.  Ignacio Elguero nos habla de otros dos títulos: Volver la vista atrás (Ed. Alfaguara), novela del colombiano Juan Gabriel Vásquez sobre la relación entre el director de cine Sergio Cabrera y su padre; y Todos los cuentos, volumen de la editorial Seix Barral que reúne todos los relatos de la escritora estadounidense Lorrie Moore. Javier Lostalé nos recomienda la lectura de Relato soñado (Ed. Alianza), novela corta de Arthur Schnitzler que inspiró la película Eyes wide shut y que ahora publica Alianza Editorial junto a otros títulos del escritor austríaco. Además, tomamos el pulso del gusto lector de nuestra audiencia, que esta semana se decanta por los clásicos.  Para terminar, Mariano Peyrou dedica su sección a iluminar la obra del poeta y filósofo Miguel Marinas, fallecido recientemente, al que recordamos con ayuda de sus amigos, los también poetas y críticos literarios Miguel Casado, Antonio Ortega, Olvido García Valdés, Ildefonso Rodríguez y Pedro Provencio.  Escuchar audio

Editor's Note: We wanted to take a moment to acknowledge some of the terrible events in the news recently. Our guest, Bilge Ebiri, is a staffer at New York Magazine, and the editors there have assembled a great resource via The Strategist entitled 61 Ways to Donate in Support of Asian Communities. Please take a look and donate if you can. Be kind to each other, always. LINK: https://nym.ag/3vysZz3 *** Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we're trying something new - again!. This is the second episode of what we are calling The Final Frame. Here we will dissect the final film of a great, well-respected filmmaker, wrapped in the context of said filmmaker's entire career. Our subject today: the insurmountable Stanley Kubrick. His final film: Eyes Wide Shut, starring Tom Cruise and Nicole Kidman. Released in 1999, this adaptation of Arthur Schnitzler's 1926 novella Traumnovelle was given a plum, summer blockbuster release by its studio Warner Bros. It was sold as a salacious piece of work from arguably the world's greatest filmmaker (who passed away months before the film's release) starring the biggest couple in Hollywood. Conor and I were humbled to be joined by the lovely Bilge Ebiri, film critic for New York Magazine and Vulture. Bilge discusses his great piece of reporting, “An Oral History of an Orgy,” in which he dives deep into the inception, evolution, and creation of one of the most iconic scenes in the film. We chat about the movie's initial reception, its dwindling box office, and two-decade long rehabilitation. Additional topics include how many times I've watched Eyes Wide Shut, that ranking of every Tom Cruise that Bilge did for Rolling Stone, Roger Ebert and Martin Scorsese's early defense of the picture, the eccentricities of Stanley Kubrick, and posisiting what a Luis Bunuel-directed Eyes Wide Shut would look like. Much is referenced from the book Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film, by by Robert P. Kolker and Nathan Abrams, and to a lesser degree co-screenwriter Frederic Raphael's controversial memoir Eyes Wide Open. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!