Podcast appearances and mentions of Arthur Schnitzler

In questa puntata di Shelf. Il posto dei libri Alessandro Barbaglia, Chiara Sgarbi e Manlio Castagna raccontano Via col vento di Margaret Mitchell, Shantaram di Gregory David Roberts e L'ottava vita (per Brilka) di Nino Haratischwili. Ma non solo: il film Eyes Wide Shut di Stanley Kubrick tratto da Doppio sogno di Arthur Schnitzler. La novità della settimana è Il mistero di Kaspar Hauser di Davide Morosinotto.Scopri la puntata e dicci la tua: cosa stai leggendo o ascoltando?SHELF. IL POSTO DEI LIBRIDi Alessandro Barbaglia. Con: Eleonora C. Caruso, Chiara Sgarbi, Manlio Castagna, Marco Ballarè e Petunia Ollister.Realizzato da MONDADORI STUDIOSA cura di Miriam Spinnato, Elena Marinelli, Danilo Di TerminiProgetto grafico di Francesco PoroliMusiche di Gianluigi CarloneMontaggio e post produzione Indiehub studio

New York's hottest new show is THE CIRCUIT, an immersive silent disco ballet. This episode Sarah chats with Josh Zacher, choreographer of The Circuit, the latest creation from New York Theatre Company. Sarah and Josh talk about dance, queer storytelling, and this sexy new show pulsing every Thursday through Sunday now through the end of June on the streets and in the scenic landscape of DUMBO. THE CIRCUIT is an immersive, site-specific silent disco theatrical experience inspired by Arthur Schnitzler's La Ronde. It fuses dance, theater, and a live original score into performance. Audience members wear wireless headphones, hearing a fully realized play—including dialogue, monologues, and a live EDM score—while watching choreography unfold in real time through the streets of DUMBO, Brooklyn. Attendees follow performers along a set route, creating a personal and fluid experience.  Josh Zacher is the Associate Choreographer for Dr Seuss' How The Grinch Stole Christmas National Tour. Josh also has worked at The MUNY, Tuacahn, Seattle's 5th Avenue, Kansas City Starlight, The Ordway, La Mirada, J2 Spotlight, The George, and Inside Broadway. Some of his recent collaborators include Richard J. Hinds, John MacInnis, Sara Edwards, Glenn Casale, Robbie Roby, Michael Heitzman, Denis Jones, Marcia Milgrom Dodge, Rachel Klein, and Chase Brock. Some recent shows include La Cage Aux Folles, The Wizard of Oz, Disney's The Little Mermaid, Esther (World Premiere), and Big Famous (Lab - Choreographer). Josh is also the founder and creator of Stage the Number, a professional style rehearsal workshop and a founding member of The New York Theatre Company. Find Josh's class at Steps On Broadway, Broadway Dance Center, and New York City Center. Performance: National Tour: The Prom, A Chorus Line. Education: NYU/Tisch - BFA www.josh-zacher.com @dancingdudejz @stagethenumber Learn more about your ad choices. Visit megaphone.fm/adchoices

Mắt nhắm hờ (Eyes wide shut) là bộ phim cuối cùng của nhà làm phim vĩ đại người Anh, Stanley Kubrick. Tại thời điểm ra mắt (năm 1999), Kubrick đột ngột qua đời khiến cho bộ phim có nhiều tranh luận và câu hỏi bỏ ngỏ. Sau hơn một phần tư thế kỷ, giới hâm mộ đào xới lại tác phẩm vì có nhiều trùng hợp, liên quan tới hồ sơ tỷ phú ấu dâm người Mỹ Epstein. Bề nổi tảng băng Bộ phim phản ánh mối quan hệ vợ chồng bấp bênh trước cám dỗ tình dục. Tài tử Tom Cruise và Nicole Kidman hóa thân vào cặp vợ chồng thượng lưu Bill và Anna sinh sống tại New York. Họ có cuộc sống hoàn hảo đến mức ghen tỵ : chồng là bác sỹ và họ có cô con gái xinh đẹp 7 tuổi. Mọi chuyện thay đổi 180 độ sau khi họ tham dự tiệc Giáng sinh tại dinh thự tỷ phú Victor Ziegler. Những biến cố tại bữa tiệc cộng thêm hơi men, Anna tiết lộ cô từng suýt có mối quan hệ với sỹ quan Hải quân trong một kỳ nghỉ. Ám ảnh bởi câu chuyện vợ kể, Bill dấn thân vào hành trình khám phá bản ngã. Anh gặp gỡ gái điếm trên đường về nhà, vô tình gặp lại Nick, người bạn học trường Y tại quán bar nhỏ. Vị bác sỹ lạc vào thế giới ăn chơi của giới siêu giàu nhờ mật khẩu Nick cung cấp. Bill tận mắt chứng kiện bữa tiệc truy hoan tập thể khi tất cả quan khách đều đeo mặt nạ. Tuy nhiên, Bill bị trục xuất khỏi bữa tiệc do bị lộ danh tính, đồng thời, anh gặp nhiều rắc rối bí ẩn và mối đe dọa. Bill tìm về gia đình, tìm cách đối thoại với Anna để hàn gắn tình cảm. Đan xen giấc mơ và thực tại Trường đoạn ấn tượng và gây sốc nhất phim là bác sỹ Bill chứng kiến bữa tiệc truy hoan hoành tráng theo nghi thức tôn giáo. Hãng Warner Bros phải sử dụng kỹ thuật CGI để làm mờ cảnh nóng nhằm đạt kiểm duyệt R. Giáo chủ giấu mặt trong tông màu đỏ điều khiển nghi thức giữa các cô gái khỏa thân vòng tròn như vật tế thần, sau đó, tỏa đi khắp nơi phục vụ khách trong phòng riêng. Tiệc truy hoan không phải một sự kiện đơn lập, mà là giấc mơ tái hiện buổi tiệc Giáng sinh tại nhà riêng Ziegler nơi Bill chưa nắm được “thâm cung bí sử”. Nhân vật bí ẩn, gái điếm Mandy, không ngẫu nhiên chọn Bill để “mua vui”, mà thực chất cảm ơn anh cứu sống (dưới tên khác Amanda). Khi Bill bị lột mặt nạ và đối mặt với sự trừng phạt, cô gái bí ẩn ra tay can thiệp “Hãy để anh ta đi, tôi sẽ chuộc tội.” Vị giáo chủ nói “Không có gì thay đổi số phận cô ta nữa”, ám chỉ cái chết tất yếu với nhân vật. Nói cách khác, Mandy phải chết để bảo vệ danh tính cho tỷ phú Ziegler và các khách cấp cao. Đạo diễn Stanley sử dụng lời thoại ẩn ý và tâm lý tương đồng giữa hai bối cảnh trên. Giáo chủ chính là hiện thân của tỷ phú quyền lực Ziegler, cô gái cứu mạng Bill chính là Amanda. Trước khi rời khỏi bữa tiệc bí ẩn, vị giáo chủ đe dọa Bill “Nếu anh kể với bất cứ ai những gì nhìn thấy, anh và gia đình anh sẽ có kết cục bi thảm!” Lời nhắn nhủ này khớp logic với đối thoại Ziegler và Bill sau vụ tai nạn phòng tắm “Chuyện này chỉ có hai chúng ta biết.” Cuộc đối thoại trực diện sau đó giữa Bill và Ziegler xác nhận giả thuyết trên. Mặc dù, tỷ phú Ziegler chối bỏ liên quan tới cái chết Mandy nhưng Bill vẫn tin rằng cô bị sát hại. Phần chìm tảng băng Ngụp lặn sâu dưới bề nổi truyện phim, đạo diễn phơi bày mảng tối xã hội thượng lưu, nơi bị đồng tiền chi phối sâu sắc. Thông qua trang phục, bối cảnh quay, màu sắc sử dụng đặc tả thông điệp đó: "Đỏ" tượng trưng tình dục, "Xanh" cho tiền bạc, "Tím" pha trộn cả hai. Qua lăng kính nhân vật chính, bác sỹ chuyên khám bệnh cho giới siêu giàu, khán giả bị ngợp bởi cách tiêu xài hoang phí. Bill sẵn sàng vung tiền cho gái bán hoa mặc dù không qua đêm, trả giá siêu hời thuê trang phục hay thuê tài xế taxi. Tiền bạc dư dả có phải là nguyên nhân sự đổ vỡ hôn nhân và tha hóa đạo đức ? Bill đang chới với giữa làn ranh giới đó, còn tỷ phú Ziegler thì sao ? Hắn là hình mẫu điển hình của giới tài phiệt ăn chơi trác táng. Mở đầu phim, Ziegler sánh đôi với vợ tại tiệc Giáng sinh, chào hỏi vợ chồng Bill niềm nở. Sau đó, lớp mặt nạ Ziegler bị bóc trần khi xảy ra tai nạn giường chiếu với người mẫu khỏa thân tại phòng riêng. Tuyến nhân vật phụ được xây dựng khá cuốn hút, điển hình Nick Nightgale, tay chơi piano bạn học của Bill. Khi Bill nói “Giờ bạn tôi trở thành nghệ sỹ piano” và Nick hóm hỉnh đáp lại “Bạn bè thường gọi tôi vậy.” Khán giả lập tức hiểu ngay rằng anh ta không phải tay chơi piano bình thường. Liên quan tới cả hai bữa tiệc giới siêu giàu, Nick gợi ý cấp mật khẩu cho Bill tới bữa tiệc truy hoan. Đạo diễn ngầm ám chỉ Nick là một “Tú ông” lịch lãm, chuyên cung cấp gái gọi cho các tỷ phú. Hai cô gái trẻ quấn quýt không rời Bill chính là gái điếm mua vui cho quan khách, họ xuất hiện rất nhanh sau khi Nick được gọi. Ngoài ra, nhân vật bí ẩn khác trên ban công, nhận ra sự xuất hiện của Bill, dẫn dắt cô gái khác để hẹn hò riêng. Phải chăng đây là người liên quan tới “Tú ông” Nick ? Thuyết âm mưu với tựa đề “Mắt nhắm hờ” Dưới lớp mặt nạ, khán giả không thể đoán chính xác danh tính nhân vật bí ẩn tại bữa tiệc truy hoan. Đây vừa thủ pháp nghệ thuật của Kubrick, vừa là trò chơi phán đoán sự tương đồng tính cách, logic tâm lý dành cho khán giả. Lạc giữa hai thế giới sáng và tối, nhân vật chính chịu va đập dữ dội giữa đạo đức, ham muốn và sự thật phũ phàng của thế giới thượng lưu. Cách Ziegler đáp trả lạnh lùng Bill về cái chết người mẫu Mandy trên mặt báo: “Cô ta chỉ là gái điếm, chết vì phê ma túy”. Phải chăng số phận con người quá rẻ mạt, đặc biệt những người mẫu nhập cư để làm nô lệ tình dục cho các tỷ phú. Ziegler cũng cảnh báo Bill sẽ không bao giờ biết được danh phận những quan khách đeo mặt nạ tại bữa tiệc. Vì họ có quyền lực tối thượng hay tiềm lực tài chính khủng khiếp ? Thông điệp này làm dấy lên thuyết âm mưu rằng đạo diễn Kubrick ám chỉ tỷ phú ấu dâm Epstein, người đã chết trong tù năm 2019 mang theo vô vàn bí mật. Trên thực tế, đạo diễn chuyển thể rất trung thành tiểu thuyết Câu chuyện Giấc mơ (Rhapsody: A Dream Novel, tựa đề tiếng Đức Traumnovelle) của nhà văn Áo Arthur Schnitzler, phát hành năm 1926. Ông chỉ thay đổi bối cảnh Vienna sang New York cho phù hợp thời đại. Thú vị hơn, tổng thời gian quay phim lên tới 400 ngày, lập kỷ lục Guiness, mang đậm phong cách tỷ mẩn của Kubrick. Dưới góc nhìn bình dị hơn, Bill bị sốc khi ông chủ tiệm thuê đồ sẵn sàng kiếm tiền trên thân xác con gái ruột. “Chúng tôi đã đạt được thỏa thuận.” Đó là cách chủ tiệm thuê đồ nói về hai gã đàn ông sàm sỡ con gái ông đêm trước. Kết thúc phim, Kubrick khiến khán giả cảm giác bất an trước hình ảnh con gái Bill đi theo hai gã đàn ông lạ mặt. Liệu vòng xoáy buôn người và những thế lực ngầm có thể bị đánh bại ? Hình ảnh cô đọng nhất của Mắt Nhắm Hờ có lẽ là bàn billard màu đỏ nơi diễn ra cuộc đối thoại nảy lửa giữa Bill và Ziegler. Nhân vật tỷ phú sử dụng tình dục như một trò chơi kiểm soát quyền lực, xây dựng tài sản và mạng lưới thân cận. Xuyên suốt hành trình phim, nhân vật Bill cuối cùng nhận ra được  rằng mình chỉ là một trong số vô vàn quả bóng trên bàn billard phục vụ lợi ích của giới tài phiệt. Cái giỏi của Kubrick không đưa ra câu trả lời, mà đặt ra nhiều câu hỏi hóc búa cho người xem. (Theo Telegraph, Variety, Wikipedia)

Mắt nhắm hờ (Eyes wide shut) là bộ phim cuối cùng của nhà làm phim vĩ đại người Anh, Stanley Kubrick. Tại thời điểm ra mắt (năm 1999), Kubrick đột ngột qua đời khiến cho bộ phim có nhiều tranh luận và câu hỏi bỏ ngỏ. Sau hơn một phần tư thế kỷ, giới hâm mộ đào xới lại tác phẩm vì có nhiều trùng hợp, liên quan tới hồ sơ tỷ phú ấu dâm người Mỹ Epstein. Bề nổi tảng băng Bộ phim phản ánh mối quan hệ vợ chồng bấp bênh trước cám dỗ tình dục. Tài tử Tom Cruise và Nicole Kidman hóa thân vào cặp vợ chồng thượng lưu Bill và Anna sinh sống tại New York. Họ có cuộc sống hoàn hảo đến mức ghen tỵ : chồng là bác sỹ và họ có cô con gái xinh đẹp 7 tuổi. Mọi chuyện thay đổi 180 độ sau khi họ tham dự tiệc Giáng sinh tại dinh thự tỷ phú Victor Ziegler. Những biến cố tại bữa tiệc cộng thêm hơi men, Anna tiết lộ cô từng suýt có mối quan hệ với sỹ quan Hải quân trong một kỳ nghỉ. Ám ảnh bởi câu chuyện vợ kể, Bill dấn thân vào hành trình khám phá bản ngã. Anh gặp gỡ gái điếm trên đường về nhà, vô tình gặp lại Nick, người bạn học trường Y tại quán bar nhỏ. Vị bác sỹ lạc vào thế giới ăn chơi của giới siêu giàu nhờ mật khẩu Nick cung cấp. Bill tận mắt chứng kiện bữa tiệc truy hoan tập thể khi tất cả quan khách đều đeo mặt nạ. Tuy nhiên, Bill bị trục xuất khỏi bữa tiệc do bị lộ danh tính, đồng thời, anh gặp nhiều rắc rối bí ẩn và mối đe dọa. Bill tìm về gia đình, tìm cách đối thoại với Anna để hàn gắn tình cảm. Đan xen giấc mơ và thực tại Trường đoạn ấn tượng và gây sốc nhất phim là bác sỹ Bill chứng kiến bữa tiệc truy hoan hoành tráng theo nghi thức tôn giáo. Hãng Warner Bros phải sử dụng kỹ thuật CGI để làm mờ cảnh nóng nhằm đạt kiểm duyệt R. Giáo chủ giấu mặt trong tông màu đỏ điều khiển nghi thức giữa các cô gái khỏa thân vòng tròn như vật tế thần, sau đó, tỏa đi khắp nơi phục vụ khách trong phòng riêng. Tiệc truy hoan không phải một sự kiện đơn lập, mà là giấc mơ tái hiện buổi tiệc Giáng sinh tại nhà riêng Ziegler nơi Bill chưa nắm được “thâm cung bí sử”. Nhân vật bí ẩn, gái điếm Mandy, không ngẫu nhiên chọn Bill để “mua vui”, mà thực chất cảm ơn anh cứu sống (dưới tên khác Amanda). Khi Bill bị lột mặt nạ và đối mặt với sự trừng phạt, cô gái bí ẩn ra tay can thiệp “Hãy để anh ta đi, tôi sẽ chuộc tội.” Vị giáo chủ nói “Không có gì thay đổi số phận cô ta nữa”, ám chỉ cái chết tất yếu với nhân vật. Nói cách khác, Mandy phải chết để bảo vệ danh tính cho tỷ phú Ziegler và các khách cấp cao. Đạo diễn Stanley sử dụng lời thoại ẩn ý và tâm lý tương đồng giữa hai bối cảnh trên. Giáo chủ chính là hiện thân của tỷ phú quyền lực Ziegler, cô gái cứu mạng Bill chính là Amanda. Trước khi rời khỏi bữa tiệc bí ẩn, vị giáo chủ đe dọa Bill “Nếu anh kể với bất cứ ai những gì nhìn thấy, anh và gia đình anh sẽ có kết cục bi thảm!” Lời nhắn nhủ này khớp logic với đối thoại Ziegler và Bill sau vụ tai nạn phòng tắm “Chuyện này chỉ có hai chúng ta biết.” Cuộc đối thoại trực diện sau đó giữa Bill và Ziegler xác nhận giả thuyết trên. Mặc dù, tỷ phú Ziegler chối bỏ liên quan tới cái chết Mandy nhưng Bill vẫn tin rằng cô bị sát hại. Phần chìm tảng băng Ngụp lặn sâu dưới bề nổi truyện phim, đạo diễn phơi bày mảng tối xã hội thượng lưu, nơi bị đồng tiền chi phối sâu sắc. Thông qua trang phục, bối cảnh quay, màu sắc sử dụng đặc tả thông điệp đó: "Đỏ" tượng trưng tình dục, "Xanh" cho tiền bạc, "Tím" pha trộn cả hai. Qua lăng kính nhân vật chính, bác sỹ chuyên khám bệnh cho giới siêu giàu, khán giả bị ngợp bởi cách tiêu xài hoang phí. Bill sẵn sàng vung tiền cho gái bán hoa mặc dù không qua đêm, trả giá siêu hời thuê trang phục hay thuê tài xế taxi. Tiền bạc dư dả có phải là nguyên nhân sự đổ vỡ hôn nhân và tha hóa đạo đức ? Bill đang chới với giữa làn ranh giới đó, còn tỷ phú Ziegler thì sao ? Hắn là hình mẫu điển hình của giới tài phiệt ăn chơi trác táng. Mở đầu phim, Ziegler sánh đôi với vợ tại tiệc Giáng sinh, chào hỏi vợ chồng Bill niềm nở. Sau đó, lớp mặt nạ Ziegler bị bóc trần khi xảy ra tai nạn giường chiếu với người mẫu khỏa thân tại phòng riêng. Tuyến nhân vật phụ được xây dựng khá cuốn hút, điển hình Nick Nightgale, tay chơi piano bạn học của Bill. Khi Bill nói “Giờ bạn tôi trở thành nghệ sỹ piano” và Nick hóm hỉnh đáp lại “Bạn bè thường gọi tôi vậy.” Khán giả lập tức hiểu ngay rằng anh ta không phải tay chơi piano bình thường. Liên quan tới cả hai bữa tiệc giới siêu giàu, Nick gợi ý cấp mật khẩu cho Bill tới bữa tiệc truy hoan. Đạo diễn ngầm ám chỉ Nick là một “Tú ông” lịch lãm, chuyên cung cấp gái gọi cho các tỷ phú. Hai cô gái trẻ quấn quýt không rời Bill chính là gái điếm mua vui cho quan khách, họ xuất hiện rất nhanh sau khi Nick được gọi. Ngoài ra, nhân vật bí ẩn khác trên ban công, nhận ra sự xuất hiện của Bill, dẫn dắt cô gái khác để hẹn hò riêng. Phải chăng đây là người liên quan tới “Tú ông” Nick ? Thuyết âm mưu với tựa đề “Mắt nhắm hờ” Dưới lớp mặt nạ, khán giả không thể đoán chính xác danh tính nhân vật bí ẩn tại bữa tiệc truy hoan. Đây vừa thủ pháp nghệ thuật của Kubrick, vừa là trò chơi phán đoán sự tương đồng tính cách, logic tâm lý dành cho khán giả. Lạc giữa hai thế giới sáng và tối, nhân vật chính chịu va đập dữ dội giữa đạo đức, ham muốn và sự thật phũ phàng của thế giới thượng lưu. Cách Ziegler đáp trả lạnh lùng Bill về cái chết người mẫu Mandy trên mặt báo: “Cô ta chỉ là gái điếm, chết vì phê ma túy”. Phải chăng số phận con người quá rẻ mạt, đặc biệt những người mẫu nhập cư để làm nô lệ tình dục cho các tỷ phú. Ziegler cũng cảnh báo Bill sẽ không bao giờ biết được danh phận những quan khách đeo mặt nạ tại bữa tiệc. Vì họ có quyền lực tối thượng hay tiềm lực tài chính khủng khiếp ? Thông điệp này làm dấy lên thuyết âm mưu rằng đạo diễn Kubrick ám chỉ tỷ phú ấu dâm Epstein, người đã chết trong tù năm 2019 mang theo vô vàn bí mật. Trên thực tế, đạo diễn chuyển thể rất trung thành tiểu thuyết Câu chuyện Giấc mơ (Rhapsody: A Dream Novel, tựa đề tiếng Đức Traumnovelle) của nhà văn Áo Arthur Schnitzler, phát hành năm 1926. Ông chỉ thay đổi bối cảnh Vienna sang New York cho phù hợp thời đại. Thú vị hơn, tổng thời gian quay phim lên tới 400 ngày, lập kỷ lục Guiness, mang đậm phong cách tỷ mẩn của Kubrick. Dưới góc nhìn bình dị hơn, Bill bị sốc khi ông chủ tiệm thuê đồ sẵn sàng kiếm tiền trên thân xác con gái ruột. “Chúng tôi đã đạt được thỏa thuận.” Đó là cách chủ tiệm thuê đồ nói về hai gã đàn ông sàm sỡ con gái ông đêm trước. Kết thúc phim, Kubrick khiến khán giả cảm giác bất an trước hình ảnh con gái Bill đi theo hai gã đàn ông lạ mặt. Liệu vòng xoáy buôn người và những thế lực ngầm có thể bị đánh bại ? Hình ảnh cô đọng nhất của Mắt Nhắm Hờ có lẽ là bàn billard màu đỏ nơi diễn ra cuộc đối thoại nảy lửa giữa Bill và Ziegler. Nhân vật tỷ phú sử dụng tình dục như một trò chơi kiểm soát quyền lực, xây dựng tài sản và mạng lưới thân cận. Xuyên suốt hành trình phim, nhân vật Bill cuối cùng nhận ra được  rằng mình chỉ là một trong số vô vàn quả bóng trên bàn billard phục vụ lợi ích của giới tài phiệt. Cái giỏi của Kubrick không đưa ra câu trả lời, mà đặt ra nhiều câu hỏi hóc búa cho người xem. (Theo Telegraph, Variety, Wikipedia)

Nicola May verlässt nach 22 Jahren das Theater Baden-Baden. Sie schätzte die kurzen Wege, das Teamwork und die Nähe zum Publikum. Zum Abschied inszeniert sie dort jetzt „Das weite Land“, eines ihrer Lieblingsstücke von Arthur Schnitzler.

Theatre director and writer Robert Icke talks to John Wilson about his formative creative influences. Described by Variety magazine as ‘the great hope of British theatre' and with his radical new versions of classic plays, Icke has built a reputation for revelatory productions. Born in Stockton on Tees in 1986, he made his name in 2015 with an epic new version of the Greek tragedy Oresteia, which he had adapted himself. It won several awards and, at 29, Icke became the youngest ever recipient of the Best Director award at the Olivier Awards. More acclaim followed for his 2017 production of Hamlet, starring Andrew Scott, his adaptation of the Arthur Schnitzler play The Doctor, and his new version of Oedipus which transferred to Broadway in 2025. His latest West End production is Romeo and Juliet, starring Sadie Sink of Stranger Things fame. Producer: Edwina Pitman

Send us Fan MailWhat was real and what was a dream in “Eyes Wide Shut”? In this episode, we talk about the use of dreams in films and how it makes the audience feel. We also chat about the source material 1926 German novella ‘Dream Story' by Austrian writer Arthur Schnitzler - and what a character he seemed to be!Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Link to my 2006 OCD paper: https://www.sciencedirect.com/science/article/abs/pii/S0306987706003665 Note: Technically, while Arthur Schnitzler was a physician, he was not a psychiatrist (by training). That said, he did work in a psychiatric ward at one point and he did have a strong interest in understanding the human psyche. _______________________________________ Pre-order Suicidal Empathy: https://lnk.to/SuicidalEmpathy Pre-order signed copy of Suicidal Empathy: https://squarebooks.com/book/9780063446533s _______________________________________ If you appreciate my work and would like to support it: https://subscribestar.com/the-saad-truth https://patreon.com/GadSaad https://paypal.me/GadSaad To subscribe to my exclusive content on X, please visit my bio at https://x.com/GadSaad _______________________________________ This clip was posted on April 10, 2026 on my YouTube channel as THE SAAD TRUTH_2015: https://youtu.be/dEhhWhbHcos _______________________________________ Please visit my website gadsaad.com, and sign up for alerts. If you appreciate my content, click on the "Support My Work" button. I count on my fans to support my efforts. You can donate via Patreon, PayPal, and/or SubscribeStar. _______________________________________ Dr. Gad Saad is a professor, evolutionary behavioral scientist, and author who pioneered the use of evolutionary psychology in marketing and consumer behavior. In addition to his scientific work, Dr. Saad is a leading public intellectual who often writes and speaks about idea pathogens that are destroying logic, science, reason, and common sense.  _______________________________________  

Chris Rubino talks about his work on film and television titles and graphics, and analyzes Stanley Kubrick's Eyes Wide Shut, starring Nicole Kidman and Tom Cruise, based on Arthur Schnitzler's Traumnovelle. Are Dr. William (Cruise) and his wife Alice (Kidman) in the middle of a nightmare or dream, or dealt a terrible hand of horrors in real life? We also talk about the supporting cast, from Marion to Mandy, and touch on the essay, "A Front Row Seat as an Actress in Eyes Wide Shut Reinforces How Much It Anticipated the Epstein Scandal" written by Julienne Davis who portrays Mandy in Eyes Wide Shut.-Chris Rubino is a New York based director who runs an independent creative studio specializing in visual and conceptual solutions for film and television titling, as well as graphics, plus branding and direction for hospitality and spirits video.https://www.chrisrubino.com https://www.chrisrubino.com/4am https://www.chrisrubino.com/work/reel https://www.instagram.com/p/DPRJhQDDqPQ/ -Eyes Wide Shut (1999)https://www.imdb.com/title/tt0120663/https://www.imdb.com/title/tt0120663/fullcredits/ Traumnovelle (1926) by Arthur Schnitzler, basis for Kubrick's moviehttps://amzn.to/4seF4pP -Julienne Davis, Mandy in Eyes Wide Shut, on Kubrick's movie and the Epstein scandalhttps://www.nysun.com/article/a-front-row-seat-as-an-actress-in-eyes-wide-shut-reinforced-how-much-it-anticipated-the-epstein-scandal https://www.imdb.com/name/nm0204924/ -Nicole Kidman on divorce, high heelshttps://youtu.be/tashAHo7s3U?si=wjQtzcpnNtMiOB9I&t=13-Other movies and shows discussed:2001: A Space Odyssey (1968)Barry Lyndon (1975)Blue Valentine (2010)The Handmade's Tale (2017-2025)Michael Clayton (2007)The Place Beyond the Pines (2012)Roofman (2025)The Shining (1980)The Testaments (2026-)

We are right now in a moment when the roaring twenties of our time have finally begun to roar. And the weltgeist is screaming at the top of its voice, about a perversion which we have allowed to fester among the members of the ruling class through our conformity for much too long. We have forgotten to remind them of our dissatisfaction. Thus every screen and newspaper now displays for all to see Die Wiederkehr des Verdrängten.Lacan said once apropo hedonism that there is nothing subversive about losing one's shame. He did this to counter a prevailing myth of his times. It was believed by many in the 60s that perversion was more subversive than hysteria. The idea was that a pervert in his lack of shame can show you how man really is. Unrestrained by normative emotions about right or wrong the cynic tells a higher truth, and makes the great escape from the law without getting caught. But analysis showed that perversion was not “simply an aberration in relation to social criteria, an anomaly contrary to good morals, although this register is not absent, nor is it an atypicality according to natural criteria, namely that it more or less goes astray from the reproductive finality of the sexual union. It is something else in its very structure.The exhibitionist, the pederast, or the sadist does not care about the wishes of the other, the prostitute, the child is a puppet in their fantasy. Authenticity is neither an issue nor a problem in perversion. Only the neurotic and the psychotic worries whether the Other's desire and manifestation of lust is authentic. Freud, who through his practice had been granted access to an empirical archive which contained statements and confessions of the vices of the Wienese ruling class, had drawn a similar conclusion. Practicing analysis with non metaphysical entities, that is to say bodily analysands with real trauma. Hurting people rather than eternal archetypes of human nature or dolls in the astral realm he realised that; “never is the unconscious as inaccessible as in perversion.” For how could they learn about their own becoming when love is an unfortunate project of wanting to be that which the beloved loves, and they instead in their isolation never take the time to wonder what the others might dream about. At the same time that Freud came to these conclusions Arthur Schnitzler's a few blocks away in 1926 wrote the short shorty Traumnovelle which was the basis for Kubrick's Eyes Wide Shut. Here the primitive horde dressed in black tie organises enjoyment around the violation of a prohibition, trying to gain access to an impossible thing, Das Ding, a tabu driven jouissance. But this totem feast only fixes the tabu as to identify the violation of the prohibition and libidinally charge it, it does not transcend it and the pervert never breaks free, hears instead the name-of-the-father even more intrusively, hears his law as if it was his own.  The rituals performed in the manual of Crowley or the Saturnalia brotherhood are a para-praxis, they are pseudo activities, designed to fool the perpetrator. "Do what thou wilt shall be the whole of the Law" simply means that the pervert tries to resolve the conflict between desire and Law by making desire the law of his acts.The pervert's enjoyment consists in challenging the law, but not with the intention of changing it. The pervert is not a revolutionary.The masks, the capes, the jargon and the carnivalesque celebration of the forbidden, obfuscates and eventually forbids the unconscious symptom from expressing itself, that the masters are slaves to their own desires by choice. The time has come to take off their masks and lead them with eyes wide open to the real name of the father that is not the analyst's couch but the guillotine, the garrote of the people that must slowly press against the marrow structure of this exploitation. 

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Writer and critic David Hering joins us from Liverpool to discuss the final film from the ingenious Stanley Kubrick, Eyes Wide Shut. Originally conceived in the 1970s as a follow-up to Kubrick's landmark 2001: A Space Odyssey as a more straightforward sex comedy, the film adapts and updates Arthur Schnitzler's 1926 novella Traumnovelle (Dream Story) into a visually stunning, phantasmagorical, and startlingly prescient dark night of the soul featuring one of Hollywood's then most famous couples that explores the psychosexual anxieties of masculinity and patriarchal power dynamics - upheld by loci of elite influence - that oppress, sublimate, and throttle our desires.We begin by examining the metatextual maelstrom surrounding the film, and how a series of distinct discourses (Kubrick's first film in over a decade, his sudden death shortly after the film's completion, Tom Cruise and Nicole Kidman's tabloid-ready romance) united to produce a landmark film event that was met by a befuddled critical and commercial audience alike. Then, we discuss the film's milieu, its controlled artificiality, and Kubrick's masterful use of repetition to create a uniquely dreamlike essence that beguiles even as it suggests a disquieting world of influence operating just outside of our periphery. Finally, we unpack the film's mysteries and unresolved tensions; how the film's conclusion (and iconic final line) suggest a subtle defiance toward the systems of control that minimize and abstract our libidinal, desirous agency. Follow David Hering on Twitter.Check out David's work at his website.....Our theme song is "Mirror" by Chris Fish.

ESSENTIEL – HISTOIRE Annette Wieviorka reçoit l'historien et sociologue Pierre Birnbaum pour son roman « Le roman du malheur. De Vienne à New York, les écrivains juifs au tournant du XXe siècle » aux éditions Gallimard. À propos du livre : « Le roman du malheur. De Vienne à New York, les écrivains juifs au tournant du XXe siècle » paru aux éditions Gallimard Au tournant du XXᵉ siècle, de l'Empire austro-hongrois aux États-Unis, des écrivains juifs s'imposent pour la première fois comme des figures majeures de la littérature mondiale : Stefan Zweig, Joseph Roth, Arthur Schnitzler, Jacob Wassermann, Italo Svevo, Israël Zangwill, Marcel Proust, Albert Cohen, Irène Némirovsky, Henry Roth et bien d'autres prennent la parole pour dire, tout comme leurs confrères non juifs, les rêves de l'enfance, la recherche de l'amour et de l'amitié, mais aussi les affres de la vie, la jalousie, la stupeur de la trahison, le choc de la violence et de la guerre, la peur de l'exil. Eux seuls pourtant savent, en dépit de leur reconnaissance, l'ambiguïté de leur statut, la précarité de leurs succès : ces écrivains demeurent des intrus au sein des sociétés chrétiennes ; leur judéité les met en porte à faux, leur confère un destin incertain. Aucun d'entre eux ne semble non plus se reconnaître dans les idéologies du moment — du sionisme au marxisme. Dans leurs romans comme dans leur vie, leur désir d'assimilation cohabite avec la nostalgie d'un passé, l'attachement à un monde en voie de disparition, laminé par la modernité. Dès lors, comment échapper à ce malheur qui semble coller à leur peau ?

This week we're excited to present a special conversation from the 63rd New York Film Festival between Ethan Hawke and Willem Dafoe, moderated by Film at Lincoln Center programmer Maddie Whittle. This talk is sponsored by The Hollywood Reporter. Two films in this year's NYFF lineup center on artists confronting the passage of time: Richard Linklater's Blue Moon stars Ethan Hawke as the legendary lyricist Lorenz Hart, fretful and embittered at the prospect of his one-time creative partner scaling the heights of musical-theater celebrity; Kent Jones's Late Fame adapts Arthur Schnitzler's novella about a once-upon-a-time New York poet, played by Willem Dafoe, who is intoxicated by the sudden attentions of a coterie of twentysomething would-be literati. Each film taps into extraordinary reserves of wit and melancholy via the contributions of their lead actors, titans of contemporary American cinema and exemplary interpreters of the cultural forces that have defined their respective generations. NYFF was thrilled to bring together Hawke and Dafoe for an in-depth discussion of their craft, their creative philosophies, and their portrayals of aging artists on the brink of an uncertain future. The 63rd New York Film Festival is presented in partnership with Rolex.

Bir rüya hakikate gerçekten daha yakın olabilir mi? Rüyaların medeniyete katkısı nedir? Eksik Olan'ın yeni bölümünde Ömer Çeşit ve Alp Kozanoğlu, Arthur Schnitzler'in edebiyat tarihinde tartışma yaratan eseri Rüya (Traumnovelle)'i ele alıyor. Programda Ömer Çeşit ve Alp Kozanoğlu şu sorulara yanıt arıyor: - Bir düşünce ya da arzu eyleme dönüşmediği sürece masum mudur? - Rüyalar bilinçaltımızı mı yoksa hakikati mi ortaya çıkarır? - Rüyaların medeniyetin gelişimine katkısı nedir? - Sadakat ve dürüstlük ilişkiyi gerçekten ayakta tutabilir mi? - İnsan arzularının sınırı nerededir? Learn more about your ad choices. Visit megaphone.fm/adchoices

Three films in this year's NYFF lineup explore the intersections of quotidian life and the arts, following artists whose efforts to make time and space for their creative passions are thwarted or frustrated by the grind of the everyday. In Kent Jones's Late Fame, adapted from an Arthur Schnitzler novella, a once-upon-a-time New York poet (and now a postal worker) is intoxicated by the sudden attentions of a coterie of twentysomething wannabe poets. In Kelly Reichardt's The Mastermind, set in the 1970s, an aimless art-school dropout executes a comically sloppy heist at a local museum, as if seeking escape from his banal, bourgeois family life. And in Lucio Castro's Drunken Noodles, an art student spends a summer in New York, having a series of serendipitous and erotic encounters around painting, poetry, and writing. Each film dwells in how both the making and consuming of art can force life into a pace incompatible with that of the modern world. Last Sunday at NYFF, Jones, Reichardt, and Castro joined Film Comment editors Devika Girish and Clinton Krute for a conversation exploring the temporality of cinema versus the other arts, the challenge of being a working artist, and the exquisite craft behind their new films.

Min 4: SUPERFILTRO LUCHINI VERANO 2025 Sube el telón la nueva temporada de Estamos de Cine con un capítulo que pivotará en torno a un necesario y pertinente SUPERFILTRO LUCHINI. Y es que hay mucho qué ponderar todo un verano de taquillazos y sensaciones que nos piden a gritos pasar por la camilla de nuestros críticos, Alberto Luchini, Raquel Hernández y Roberto Lancha. "Superman" (2 estrellas) "Los Cuatro Fantásticos" (3 estrellas) "Weapons" (4 estrellas) "Devuélvemela" (3 estrellas) "TRes amigas" (4 estrellas) "EL regreso de Ulises" (4 estrellas) son algunos de los títulos que destaca y valora el equipo del programa de Cine de Radio Castilla-La Mancha. Min 31: LOS ESTRENOS DE LA SEMANA: LOS WARREN A POR EL TOP 1 "Expediente Warren: El último Rito" Cuarta y última entrega de la saga de terror más taquillera de la última década. Patrick Wilson y Vera Farmiga vuelven a ser Ed y Lorraine Warren en un caso que les enfrentará no solo a las fuerzas del mal, sino también a sus propios límites. La película, dirigida por Michael Chaves y producida por James Wan, combina exorcismos, posesiones y atmósferas opresivas con un tono más sombrío y de despedida. La crítica señala cierto desgaste en la fórmula, pero el magnetismo de sus protagonistas y la intensidad de sus escenas siguen garantizando una experiencia escalofriante. Un cierre esperado para una saga que marcó un antes y un después en el cine de terror contemporáneo. CALIFICACIÓN EDC: 3 estrellas Min 41: "ROMERÍA" la nueva película de Carla Simón, cierra su trilogía familiar con una historia profundamente personal. Marina recorre Vigo en busca de los recuerdos de sus padres fallecidos por sida y enfrentará la vergüenza silenciada de su familia. Ovacionada en Cannes, esta obra íntima y emotiva ya está en carrera para representar a España en los Oscar 2026. Carla Simón, con esa mezcla de delicadeza y memoria, vuelve a emocionarnos. CALIFICACIÓN EDC: 4'5 estrellas Min 46: "EL TALENTO" Dirigida por Polo Menárguez y coprotagonizada por Ester Expósito y Pedro Casablanc, adapta con ambición la novela La señorita Else (1924) de Arthur Schnitzler, explorando los dilemas éticos en el seno de la alta sociedad española, a través de una historia cargada de suspenso, música y tensión moral CALIFICACIÓN EDC: 2.5 estrellas Min 48: LO QUE APRENDÍ DE MI PINGÜINO Dirigida por Peter Cattaneo, es una conmovedora comedia dramática basada en hechos reales, protagonizada por Steve Coogan y Jonathan Pryce. El filme adapta las memorias de Tom Michell, un profesor inglés que en 1976 acepta dar clases en una escuela argentina mientras atraviesa una profunda desilusión personal. Su vida dará un giro inesperado al rescatar a un pingüino cubierto de petróleo, quien termina siendo su maestro, amigo y quien acercará al profesor a sus alumnos y a una mayor empatía CALIFICACIÓN EDC: 3 estrellas Min 52: "13 días 13 noches" Intenso y eficaz thriller político-bélico dirigido por Martin Bourboulon (Festival de Cannes 2025, fuera de competición) La adaptación se basa en la autobiografía del comandante francés Mohamed Bida, encargado de coordinar la evacuación de la embajada de Francia en Kabul durante la caída de la ciudad en agosto de 2021. CALIFICACIÓN EDC: 4 estrellas Min 55: LA BSO DEL VERANO, CON ÁNGEL LUQUE Hoy sin tiempo para nuestra sección clásica de bandas sonoras,le hemos pedido a Angel Luque que elija cuál ha sido, según su paladar musical, la mejor banda sonora del verano. ¿Será un pájaro, un avión, un fantástico, un dinosaurio o una joya independiente? Te sacamos de dudas en la guinda del pastel, en el tramo final de este 9x01 de Estamos de Cine, que se viste de largo para vivir la que esperamos sea una gran temporada de radio y de cine. Bienvenidos y feliz escucha.

(00:00:55) Schauspielhaus Zürich zeigt «Fräulein Else» frei inszeniert nach Arthur Schnitzler. (00:05:24) Inszenierungen in einen Testlauf schicken - das geschieht am Try-Out-Festival «Hecht jetzt?» in Zürich. (00:09:44) «Young Adult»-Romane boomen bei jungen Leserinnen und Lesern: Festival «Booklovers» in Lausanne rechnet auch an zweiter Ausgabe mit Ansturm. (00:14:11) Début von Stéphane Ly-Cuong: Die Musical-Komödie «Dans la Cuisine des Nguyen».

Dieses neuartige Fortbewegungsmittel begeisterte den Wiener Schriftsteller und Arzt Arthur Schnitzler ungemein: das Bicycle, prosaisch bald Fahrrad genannt. 1893 schaffte sich Schnitzler ein solches Gefährt an und begann fortan Prater, Donauauen und das Wiener Umland unsicher zu machen.

This winter, The Baxter Studio stages La Ronde — a bold, funny, and emotionally layered exploration of intimacy in the modern world. Director Leila Henriques joins the Afternoon Drive to discuss her reimagining of Arthur Schnitzler’s 1897 classic, now set in contemporary Cape Town. With a DJ weaving music through every encounter, the play dives into the shifting dynamics of sex, power, and human connection. Leila shares how this Fleur du Cap award-winning production balances raw themes with subtlety and style, inviting audiences to reflect on the performances we all give — on stage and off. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Radijo spektaklis „Lemtingas bilietas“ Artūro Šnitzlerio novelės „Leitenantas Gustlis“ motyvais. Iš vokiečių kalbos vertė Teodoras Četrauskas. Režisierius Juozas Javaitis, garso režisierė Sonata Barčytė-Jadevičienė. Vaidina aktoriai Gintaras Adomaitis, Irmantas Jankaitis ir Jonas Tertelis. 2007 m.

El dramaturgo y director de escena nos presenta 'La Patética', una obra inspirada en diarios y cartas del compositor ruso y en la novela 'Morir', de Arthur Schnitzler. Una reflexión luminosa sobre aprender a morirse, celebrar la vida, buscar la gloria y trascender. También una reivindicación de los derechos LGTBIQ+ en estos tiempos de fascismos y ultraderecha

In episode 89 of the Podcast for Social Research, recorded live at BISR Central, BISR faculty Danielle Drori, Jude Webre, and Lauren K. Wolfe sat down following a screening of Stanley Kubrick's controversial final film, Eyes Wide Shut, to discuss its long thirty years in the making, its source material in fin-de-siècle Vienna, and its vision of bourgeois marriage and sexual morality in turn-of-the-millennium New York. Kicking off with behind-the-scenes Hollywood details, Jude adumbrates an argument for the film as an auteur's personal reverie, tracing resonances between it and the enigmatic story of Kubrick's own (second) married life in postwar New York City; Lauren then lets us in on the lurid sexual obsessions of Arthur Schnitzler, on whose 1926 novella Dream Story the film is based, with the interpretive aid of W.G. Sebald; while Danielle guides us through a collective Freudian analysis of the dreams that run through and construct the film's emotional core. With insightful and witty participation from the audience, the talk touches on masculinity within marriage; nudity and nakedness; coitus interruptus; Freud's stages of sexual development; dream as unconscious communication; sex and death; fucking down and marrying up; Nicole Kidman as gay icon; and whether anything of substance appears to have changed in bourgeois sexual morality between circa 1900 and 1999. The Podcast for Social Research is produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky  

Leibold, Christoph www.deutschlandfunk.de, Kultur heute

Hörmann, Andi www.deutschlandfunkkultur.de, Lesart

Hörmann, Andi www.deutschlandfunkkultur.de, Lesart

The third episode of our special retrospective 20th season looks back to the awesome movie year of 1999 with the first of two Christmas episodes, on Stanley Kubrick's Eyes Wide Shut. Directed and co-written by Stanley Kubrick (adapted from the novel by Arthur Schnitzler) and starring Tom Cruise, Nicole Kidman, Sydney Pollack and Todd Field, Eyes Wide Shut was the final movie that Kubrick directed before his death.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/eyes-wide-shut-1999), Manohla Dargis in The New York Times (https://archive.nytimes.com/www.nytimes.com/library/film/071699eyes-film-review.html), and Owen Gleiberman in Entertainment Weekly (https://ew.com/article/1999/07/23/eyes-wide-shut-5/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at

"Nenhum sonho é apenas um sonho" De Olhos Bem Fechados (1999) é um drama psicológico envolvendo Bill, um médico que aparentemente tem uma vida em casal perfeita e estável, mas que a revelação de sua esposa sobre uma fantasia sexual, o coloca em uma jornada obscura e perturbadora. O filme foi o último filme dirigido por Stanley Kubrick, um dos mais aclamados diretores do cinema ocidental, e é baseado no romance chamado Traumnovelle de Arthur Schnitzler. Nesse episódio do Enquadrando, Fabio Rangel (@fabiomrangel), Rodrigo Carvalho (@_rodcarvalho), Daniel Cavalcanti (@daniaoc) e Caio Gaudio (@caiogaudi0.bsky.social) vão discutir sobre o filme, e no debate você encontra: - Interpretações psicanalíticas para o filme; - Kubrick e suas polêmicas; - A crítica a estrutura capitalista; - A Nicole Kidman. ___ Apoie o Enquadrando em apoia.se/Enquadrando

This week, we go back to 1999 to talk about Eyes Wide Shut, the final film by the great Stanley Kubrick. Based on the novella “Dream Story” by Arthur Schnitzler, Kubrick weaves a tale of deception, anxiety and murder as the 20th century comes to a close in New York City.   Intro:     “Necromaniacs” – Mike Hill Outro:   “Naval Officer” – Jocelyn Pook

Pesl, Martin Thomas www.deutschlandfunkkultur.de, Fazit

L'histoire se répète-t-elle ? Réflexion sur Le Monde d'Hier, livre testament de Stefan Zweig.Montée des autoritarismes et des nationalismes, retour de l'antisémitisme et du néo-fascisme, tentations génocidaires, élites déconnectées, manipulation de masse et confusion entre vérité et mensonge. Certains aspects de notre époque devraient nous rappeler le début du 20è siècle...On va parlé de Stephan Zweig, de son ouvrage testament « le monde d'hier », et de ce qu'il peut nous enseigner sur le présent et sur ces démons qui se réveillent.Stefan Zweig, né le 28 novembre 1881 à Vienne en Autriche-Hongrie et mort le 22 février 19424 à Petrópolis au Brésil, est un écrivain, dramaturge, journaliste et biographe autrichien.Ami de Sigmund Freud, Arthur Schnitzler, Romain Rolland, Richard Strauss, Émile Verhaeren, Stefan Zweig a fait partie de l'intelligentsia viennoise. Il quitte son pays natal en 1934, en raison de la montée du nazisme et de ses origines juives pour se réfugier à Londres, puis au Brésil où il se suicidera. Son œuvre est constituée essentiellement de biographies, mais aussi de romans et de nouvelles. Dans son livre testament, Le Monde d'hier. Souvenirs d'un Européen, Zweig se fait chroniqueur de cet « âge d'or » de l'Europe et analyse ce qu'il considère comme l'échec d'une civilisation.00:00 Introduction03:23 Stéphane Zweig et Le Monde d'hier10:58 Les cycles de l'histoire12:43 Le monde avant l'accélération15:51 L'Europe insouciante de 190017:42 L'influence de l'époque sur les individus21:28 L'accélération et ses paradoxes23:03 Dualité de l'essor et de la destruction25:10 Les changements brutaux et imprévus34:21 La montée des nationalismes39:54 L'excès de puissance et ses conséquences45:43 L'équilibre entre peur et optimisme---Retrouvez tous les épisodes et les résumés sur www.sismique.frSismique est un podcast indépendant créé et animé par Julien Devaureix.

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eric Kandel was born in Vienna in 1929. In 1938 he and his family fled to Brooklyn, where he attended the Yeshiva of Flatbush. He studied history and literature at Harvard, and received an MD from NYU. He is a professor of biochemistry at Columbia University, and won the 2000 Nobel Prize in Medicine for his research on memory. In addition to his science textbooks, Kandel has written several books for a general readership, including In Search of Memory: The Emergence of a New Science of Mind (2007), and The Disordered Mind: What Unusual Brains Tell Us About Ourselves (2018).  In 2012 he spoke to the Institute about his book The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present (Random House, 2012). About the book:  At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today. The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women's unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death. Kandel tells the story of how these pioneers--Freud, Schnitzler, Klimt, Kokoschka, and Schiele--inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today's cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/neuroscience

William Ramsey invites Sean McCann to the show to discuss Arthur Schnitzler's book Traumnovelle & Stanley Kubrick's film Eyes Wide Shut. What elements did Kubrick add? What did he keep? ..and what, if anything was left out from the original story? Digging deeper down the Eyes Wide Shut rabbithole. Find William Ramsey here: https://www.williamramseyinvestigates.com/ ⁠https://podcasts.apple.com/gb/podcast/william-ramsey-investigates/id1388815042⁠ ⁠https://www.williamramseyinvestigates.com/store⁠ Please donate to Sean McCann:⁠⁠⁠⁠⁠ ⁠⁠⁠https://www.buymeacoffee.com/wakethedead⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠https://www.paypal.com/paypalme/seanmccannabis⁠⁠⁠⁠⁠⁠⁠⁠ Visit Wake the Dead's new store! ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://wakethedead.creator-spring.com/⁠⁠⁠ join the Wake the Dead telegram: https://t.me/wakethedeadpodcast join the Wake the Dead guilded server: https://www.guilded.gg/i/kJWaQzmp

From Traumnovelle to Eyes Wide Shut: Investigating the Influence of Arthur Schnitzler on Kubrick's Masterpiece with Sean McCann of the Wake the Dead Podcast. Wake the Dead Podcast: https://podtail.com/podcast/wake-the-dead/

Radijo spektaklis „Lemtingas bilietas“ Artūro Šnitzlerio novelės „Leitenantas Gustlis“ motyvais. Iš vokiečių kalbos vertė Teodoras Četrauskas. Režisierius Juozas Javaitis, garso režisierė Sonata Barčytė-Jadevičienė. Vaidina aktoriai Gintaras Adomaitis, Irmantas Jankaitis ir Jonas Tertelis. 2007 m.

Title: Eyes Wide Shut [Wikipedia] [IMDb] Director: Stanley Kubrick Producer: Stanley Kubrick Writers: Stanley Kubrick, Frederic Raphael (screenplay); Arthur Schnitzler (original novella) Stars: Tom Cruise, Nicole Kidman, Sydney Pollack, Marie Richardson Release date: July 16, 1999 (US) PROMO: Anime Talk (@AnimeTalk12) COLLAB: Abyss Gazing: A Horror Podcast (@VctmsAndVillans) SHOWNOTES: Happy Holidays, Collateral Cinephiles! As we do every year, we linked up with the Victims and Villains podcast network for our holiday special. This year, Josh "Captain Nostalgia" and Mark from Abyss Gazing: A Horror Podcast join us for Christmas to talk Stanley Kubrick's 1999 erotic mystery psychological drama Eyes Wide Shut, starring Tom Cruise and Nicole Kidman. We actually had a varied set of opinions on this film, so as the holiday draws to a close, come hang with us, and also check out the Abyss Gazing side of our seasonal crossover, where we guest hosted on their Rare Exports episode! We'll be back before the end of the year with this year's Holiday Edition of the Director's Cut, as we delve into more Adult Swim Christmas episodes, but we hope all of our listeners had a very Merry Christmas and have a Happy New Year! Collateral Cinema is on Facebook, Instagram, and Twitter, and is on Podbean, Spotify, Apple Podcasts, Google Podcasts, YouTube, iHeartRadio, Chill Lover Radio, and wherever else you get your podcasts! You can listen to Abyss Gazing: A Horror Podcast at victimsandvillains.net, Apple Podcasts, and wherever else you get your podcasts. You can also check out the Victims and Villains network for more podcast content and mental health resources at their website. If you or someone you know is reading this right now and struggling with suicide, depression, addiction, or self-harm—please reach out. Comment, message, or tweet at them. Go to victimsandvillains.net/hope for more resources. Call the suicide lifeline at 1-800-273-8255. Text "HELP" to 741-741. There is hope and you DO have so much value and worth! Collateral Cinema is a Podbean affiliate. Sign up for unlimited podcasting hosting at the following link, and get one month of hosting free: podbean.com/CCinemaPodcast (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

We're having a weird (but good!) Christmas with the holiday romance of Stanley Kubrick's final film, 1999's Eyes Wide Shut. Join in as we discuss the movie's place in Kubrick's filmography, its use of real-life couple Tom Cruise and Nicole Kidman, the Christmas setting, and the differences between the theatrical and unrated cuts. Plus: How does the movie compare to Arthur Schnitzler's short story? Why did so many people want something else from the movie? Why does Bill Harford constantly show people his medical license? And, most importantly, who choreographed the women at the climactic party? Make sure to rate, review, and subscribe! Next week: Mr. Peabody & Sherman (2014) and our top ten films of 2023! --- Send in a voice message: https://podcasters.spotify.com/pod/show/we-love-the-love/message

Join Host Shane and Co-Host Russell for this week's DQP Film Review as we conclude our Pseudo X-Mas where we will talk about X-Mas movies that aren't X-Mas movies, with Eyes Wide Shut! Written by Stanley Kubrick, Frederic Raphael, and inspired by "Traumnovelle" written by Arthur Schnitzler; Directed by Stanley Kubrick; Starring Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack, and more! Join us on Patreon for just $1 per month, and you can help us continue to talk about movies! patreon.com/draftyQ Check out our Amazon Wishlist! Buy stuff for us! https://www.amazon.com/hz/wishlist/ls/322RUIF15J9O0?ref_=wl_share

It's Christmas time, and there's no need to be afraid.  Unless of course you want to be trapped into making the same film for 400 days, doing 200 retakes of opening a door.  Yes, for this years Christmas Special, we've gone for everybody's heart-warming festive favourite: 1999's EYES WIDE SHUT.  Merry Cruisemas!!!END CREDITS- Presented by Robert Johnson and Christopher Webb- Produced/edited by Christopher Webb- "Still Any Good?" logo designed by Graham Wood & Robert Johnson- Crap poster mock-up by Christopher Webb- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission(c) 2023 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram @stillanygoodpodEmail stillanygood@gmail.comSupport the show

Casanova's Homecoming

The Dead Are Silent 1907

**SPOILERS**A second look at Eyes Wide Shut. As more than two decades have passed, Eyes Wide Shut has continued to captivate and seduce audiences the way its source material, “Dream-Story” enchanted Stanley Kubrick and became his final masterpiece. Journey with us as we tail the Harford family down the rabbit hole and explore the bouquet of occult and religious symbolism running throughout Eyes Wide Shut.In this episode we discuss:Arthur Schnitzler's “Traumnovelle”Controversial ChangesStanley Kubrick's Symbolic LanguageMise-En-SceneName AnalysisDuck season or rabbit season??The Star of InannaWhere the Rainbow EndsBill's Secret PreferencesDominoSymbolism of the Christmas TreeThe Fate of HelenaIn the extended episode available at www.patreon.com/TheWholeRabbit we discuss:The PaintingsA Coat of ErmineThe InitiationSecrets of The Ritual SequenceRed CloakThe NetSub RosaLarry CelonaThe Toy StoreEach host is responsible for writing and creating the content they present.Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitMusic By Spirit Travel Plaza:https://open.spotify.com/artist/30dW3WB1sYofnow7y3V0YoSources:Kubrick Obituary by Larry Celona:https://nypost.com/1999/03/09/kubrick-happy-joking-just-before-death/Jeffery Epstein Obituary by Larry Celona:https://nypost.com/2019/08/10/convicted-pedophile-jeffrey-epstein-dead/33 Degrees of Eyes Wide Shut:https://33degreesofeyeswideshut.wordpress.com/Duck, Duck, Penis:https://www.google.com/amp/s/nypost.com/2017/05/06/dont-be-fooled-ducks-are-sadistic-raping-monsters/amp/Tom Cruise Gay:https://gayety.co/why-people-think-tom-cruise-is-gayStanley Kubrick advertising:http://www.visual-memory.co.uk/amk/doc/0077.htmlA Deep Analysis of Eyes Wide Shut:https://idyllopuspress.com/idyllopus/film/ews_two.htmInanna:https://www.worldhistory.org/article/215/inannas-descent-a-sumerian-tale-of-injustice/Support the show

Book Vs. Movie: Eyes Wide ShutThe 1999 Classic Stanley Kubrick Film Vs. The 1926 Short Story by Arthur Schnitzler Do you know the password? The inside password? The Margos look at the 1999 Stanely Kubrick film Eyes Wide Shut, which was released after the director's death in March and at the SAME time as The Blair Witch Project and is one of the most debated of his works. A sex drama about an impossibly beautiful couple (then married Tom Cruise and Nicole Kidman), the film explores the themes of marriage, fidelity, identity, consequences, and …masks? This is either one of the best films of Kubrick's career or the dullest. Let's get ready to discuss! Having bought the rights to the German author Arthur Schnitzler's novella Traumnovelle/Rhapsody: A Dream novel in 1968, Kubrick wanted to create a masterpiece about love, sex, and identity but often felt he was not ready to film the version in his mind. When he met Cruise and Kidman in 1996, he finally met his essential “Bill and Alice Hartford,” two extraordinarily beautiful people who can convey insecurity and lust. (He tried filming with Harvey Keitel and Jennifer Jason Leigh, but they both had to leave production when he took longer than they had time to commit to the project.) The shooting began officially in November 1996 in England as Kubrick (a Bronx native) moved there in the 1970s to avoid flying to any set. It finally wrapped in June 1998, becoming one of (if not THE) longest film production of all time. Kubrick was able to show his final version before his death, and from there, we get controversies about how “final” this version was. The 1925 original story is very close to the filmed adaptation about a couple who attend a masquerade ball and then confess/or deal with urges to confess infidelity. The masks, orgies, and walking around in a stressful state of being are similar to the 1999 film, as is much of the original dialogue. Which did we like better, the 1926 novella and the 1999 film? You have to listen to find out!!In this ep the Margos discuss:The films of the late Stanley Kubrick and why Eyes Wide Shut was so controversialCritic's reaction to the film (including Roger Eberts's outburst at an Eyes Wide Shut critic's screening) The chemistry between the leadsThe explicit sex scenes and nudityWhat is this story really about?The cast: Tom Cruise (Dr. William “Bill” Harford,) Nicole Kidman (Alice Hartford,) Sydney Pollack (Victor Ziegler,) Todd Field (Nick Nightingale,) Marie Richardson (Marion Nathanson,) Sky du Mont (Sandor Szavost,) Rade Serbedzijja (Milch,) Thomas Gibson (Carl,) Vinessa Shaw (Domino,) Fay Masterson (Sally,) Alan Cumming (Hotel Desk Clerk,) Leelee Sobieski (Milch's daughter,) Julienne Davis (Mandy,) Madison Eginton (Helena,) Abigail Good and Gary Goba (naval officer.) Clips used:“What's the second password?” Eyes Wide Shut original 1999 trailer.Dr. Bill and Alice, before the partyBill & Alice flirting at the partyAlice confessors her secret Danish crush Domino meets Dr. BillAlice has a bad dreamAlan Cumming!Mr. Milliach, after the partyDr. Bill and Alice at the endRoger Ebert in 2000Music by Jocelyn Pook and Chris Isaak Bad Bad Thing Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie: Eyes Wide ShutThe 1999 Classic Stanley Kubrick Film Vs. The 1926 Short Story by Arthur Schnitzler Do you know the password? The inside password? The Margos look at the 1999 Stanely Kubrick film Eyes Wide Shut, which was released after the director's death in March and at the SAME time as The Blair Witch Project and is one of the most debated of his works. A sex drama about an impossibly beautiful couple (then married Tom Cruise and Nicole Kidman), the film explores the themes of marriage, fidelity, identity, consequences, and …masks? This is either one of the best films of Kubrick's career or the dullest. Let's get ready to discuss! Having bought the rights to the German author Arthur Schnitzler's novella Traumnovelle/Rhapsody: A Dream novel in 1968, Kubrick wanted to create a masterpiece about love, sex, and identity but often felt he was not ready to film the version in his mind. When he met Cruise and Kidman in 1996, he finally met his essential “Bill and Alice Hartford,” two extraordinarily beautiful people who can convey insecurity and lust. (He tried filming with Harvey Keitel and Jennifer Jason Leigh, but they both had to leave production when he took longer than they had time to commit to the project.) The shooting began officially in November 1996 in England as Kubrick (a Bronx native) moved there in the 1970s to avoid flying to any set. It finally wrapped in June 1998, becoming one of (if not THE) longest film production of all time. Kubrick was able to show his final version before his death, and from there, we get controversies about how “final” this version was. The 1925 original story is very close to the filmed adaptation about a couple who attend a masquerade ball and then confess/or deal with urges to confess infidelity. The masks, orgies, and walking around in a stressful state of being are similar to the 1999 film, as is much of the original dialogue. Which did we like better, the 1926 novella and the 1999 film? You have to listen to find out!!In this ep the Margos discuss:The films of the late Stanley Kubrick and why Eyes Wide Shut was so controversialCritic's reaction to the film (including Roger Eberts's outburst at an Eyes Wide Shut critic's screening) The chemistry between the leadsThe explicit sex scenes and nudityWhat is this story really about?The cast: Tom Cruise (Dr. William “Bill” Harford,) Nicole Kidman (Alice Hartford,) Sydney Pollack (Victor Ziegler,) Todd Field (Nick Nightingale,) Marie Richardson (Marion Nathanson,) Sky du Mont (Sandor Szavost,) Rade Serbedzijja (Milch,) Thomas Gibson (Carl,) Vinessa Shaw (Domino,) Fay Masterson (Sally,) Alan Cumming (Hotel Desk Clerk,) Leelee Sobieski (Milch's daughter,) Julienne Davis (Mandy,) Madison Eginton (Helena,) Abigail Good and Gary Goba (naval officer.) Clips used:“What's the second password?” Eyes Wide Shut original 1999 trailer.Dr. Bill and Alice, before the partyBill & Alice flirting at the partyAlice confessors her secret Danish crush Domino meets Dr. BillAlice has a bad dreamAlan Cumming!Mr. Milliach, after the partyDr. Bill and Alice at the endRoger Ebert in 2000Music by Jocelyn Pook and Chris Isaak Bad Bad Thing Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine