Podcast appearances and mentions of Annie Ernaux

Parlem amb l'actriu Cristina Plazas sobre el monòleg 'Pura passió', l'adaptació de la novel·la d'Annie Ernaux dirigida per Lucia del Greco que torna a la Sala Atrium. 

Pour conclure l'émission, Annie Ernaux nous lit un texte inédit, écrit pour l'occasion, droit dans les yeux.

Vor über 30 Jahren stand Juliane Köhler zum ersten Mal auf der Bühne des Residenztheaters. Seitdem ist die Staatsschauspielerin dem Publikum in den unterschiedlichsten Rollen auf der Bühne und dem Bildschirm begegnet. Mit Intendant Andreas Beck spricht sie in dieser Folge darüber, wie es ist, wenn ein Theater zum Zuhause wird. Ihr habt Fragen, Anmerkungen oder Wünsche? Wir freuen uns auf eure Nachricht per Mail an onlinekommunikation@residenztheater.de! Mehr zu Juliane: Juliane Köhler (residenztheater.de) BLIND von Lot Vekemans Inszenierung Matthias Rippert Erfolgsdramatikerin Lot Vekemans trifft mit ihrem neuen Stück den Nerv der Zeit. Mit großer Sensibilität erzählt sie von Vater und Tochter, gespielt von Manfred Zapatka und Juliane Köhler, die unvereinbar scheinende Haltungen zu gesellschaftlichen und politischen Themen haben, und fragt, wie diese Konflikte überwunden werden können. Mehr zu BLIND: Blind (residenztheater.de) ERINNERUNG EINES MÄDCHENS von Annie Ernaux Inszenierung und Bühne Silvia Costa Die französische Literaturnobelpreisträgerin Annie Ernaux kreist in ihrer autobiografischen Erzählung um ein prägendes Ereignis, das ihr als «Mädchen» widerfahren ist. Immer wieder kehrt sie erinnernd zurück in jenen Sommer von 1958, bis sie schließlich das Schweigen bricht. In Silvia Costas poetischer Inszenierung verkörpern drei Schauspielerinnen berührend das suchende und sich befreiende Ich der Autorin. Mehr zu ERINNERUNG EINES MÄDCHENS: Erinnerung eines Mädchens (residenztheater.de) JAMES BROWN TRUG LOCKENWICKLER von Yasmina Reza Inszenierung Philipp Stölzl Pascaline und Lionel Hutner sind verzweifelt: Ihr Sohn Jacob hält sich für Céline Dion. Eine Psychiaterin soll ihm helfen. Doch zu ihrer noch größeren Verzweiflung respektiert die Therapeutin Jacobs Selbstbild. Die Komödienspezialistin und Erfolgsautorin Yasmina Reza schreibt mit gewohnt leichter Feder über die schwierige Frage: Wer bin ich? Mehr zu JAMES BROWN TRUG LOCKENWICKLER: James Brown trug Lockenwickler (residenztheater.de) Mehr zu den Veranstaltungen am Residenztheater findet ihr hier: Spielplan | residenztheater.de Residenztheater (@residenztheater) auf Instagram Im Gespräch: Andreas Beck und Juliane Köhler Redaktion: Lea Unterseer, Benedikt Ronge Schnitt: Lea Unterseer, Jan Faßbender Musik: Michael Gumpinger

Quelque 300 écrivains francophones dont deux Prix Nobel de littérature, Annie Ernaux et Jean-Marie Gustave Le Clézio, dénoncent dans une tribune parue mardi 27 mai le "génocide" de la population à Gaza et demandent "un cessez-le-feu immédiat". Ecoutez 2 minutes pour comprendre avec Emilie Baujard du 28 mai 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Quelque 300 écrivains francophones dont deux Prix Nobel de littérature, Annie Ernaux et Jean-Marie Gustave Le Clézio, dénoncent dans une tribune parue mardi 27 mai le "génocide" de la population à Gaza et demandent "un cessez-le-feu immédiat". Ecoutez 2 minutes pour comprendre avec Emilie Baujard du 28 mai 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Quelque 300 écrivains francophones dont deux Prix Nobel de littérature, Annie Ernaux et Jean-Marie Gustave Le Clézio, dénoncent dans une tribune parue mardi 27 mai le "génocide" de la population à Gaza et demandent "un cessez-le-feu immédiat". Ecoutez 2 minutes pour comprendre avec Emilie Baujard du 28 mai 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Quelque 300 écrivains francophones dont deux Prix Nobel de littérature, Annie Ernaux et Jean-Marie Gustave Le Clézio, dénoncent dans une tribune parue mardi 27 mai le "génocide" de la population à Gaza et demandent "un cessez-le-feu immédiat". Ecoutez 2 minutes pour comprendre avec Emilie Baujard du 28 mai 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Quelque 300 écrivains francophones dont deux Prix Nobel de littérature, Annie Ernaux et Jean-Marie Gustave Le Clézio, dénoncent dans une tribune parue mardi 27 mai le "génocide" de la population à Gaza et demandent "un cessez-le-feu immédiat". Ecoutez 2 minutes pour comprendre avec Emilie Baujard du 28 mai 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'autrice et scénariste française de BD Catherine Mory est notre invité pour la nouvelle édition augmentée de la BD "L'incroyable Histoire de la Littérature française" (Les Arènes BD). Annie Ernaux, Romain Gary et Nathalie Sarraute entrent ENFIN dans L'Incroyable Histoire de la littérature française ! Savez-vous que : Hugo faisait tourner les tables ? Balzac a pensé devenir cultivateur d'ananas ? Voltaire appelait ses contes des couillonnades ? Pascal a inventé la première calculette ? Baudelaire se teignait les cheveux en vert ? Duras a caché un résistant nommé François Mitterrand ? Au diable statues vermoulues, perruques poussiéreuses et pourpoints défraîchis : L'Incroyable Histoire de la littérature française raconte, à travers des anecdotes truculentes, la vie et les œuvres des plus grands auteurs français du XVIe au XXe siècle. Cet album passionnant s'adresse aussi bien aux novices qu'aux férus de littérature. Il transformera à jamais votre vision des écrivains qui, bien que géniaux, restent avant tout… des êtres humains. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Die beiden französischen Literaturnobelpreisträger Annie Ernaux und Patrick Modiano warten mit neuen Büchern auf. Ernaux erzählt von der Demenz ihrer Mutter, Patrick Modiano von einer verwirrenden Liebe zu einer Tänzerin. 2014 erhielt Patrick Modiano den Literaturnobelpreis. Er wurde 1945 in der Nähe von Paris geboren. Sein Vater kam aus dem jüdischen Thessaloniki, das im Zweiten Weltkrieg ausgelöscht wurde. Diese Herkunft prägte. Modiano beschäftigte sich vom ersten Buch an mit Erinnerung, Vergessen, Identität und Schuld. Eine Mischung, die nun auch in der verwirrenden Liebe zwischen einer Tänzerin und einem Chansontexter überzeugt, findet SRF-Literaturredaktorin Franziska Hirsbrunner. Im Jahr 2022 hat die französische Schriftstellerin Annie Ernaux den Literaturnobelpreis erhalten. Seither wird ihr Werk nach und nach ins Deutsche übersetzt. So ist jetzt «Ich komme nicht aus der Dunkelheit raus» erschienen, ein Memoir, in dem Ernaux die Demenzerkrankung ihrer Mutter schildert. Sprachlich verdichtet wie immer, halle das Buch lange nach, sagt SRF-Literaturredaktorin Katja Schönherr. Ein berührendes Dokument des Verfalls. Buchhinweise: · Patrick Modiano. Die Tänzerin. Aus dem Französischen von Elisabeth Edl. 96 Seiten. Hanser, 2025. · Annie Ernaux. Ich komme nicht aus der Dunkelheit raus. Aus dem Französischen von Sonja Finck. 106 Seiten. Suhrkamp, 2025.

Na Trilogia de Copenhagen, escrita pela dinamarquesa Tove Ditlevsen, publicada no Brasil pela Companhia das Letras (tradução de Heloisa Kahn e Kristin Lie Garrubo), memórias de infância pobre, vícios, amores desastrosos e a luta pela arte se misturam na prosa da autora que narra a própria vida.Neste episódio, Arthur Marchetto, Cecilia Garcia Marcon e Juliana Leuenroth (uma das coordenadoras do projeto Leia Mulheres) discutem como Ditlevsen influenciou a escrita autobiográfica que ecoa hoje em Annie Ernaux e Edouard Louis e a construção de narradoras que influenciaram a escrita da Tetralogia Napolitana, de Elena Ferrante.Então aperta o play e vem conhecer a vida de Tove Ditlevsen!---Links⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apoie o 30:MIN⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Siga a gente nas redes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Já apoia? Acesse suas recompensas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Confira todos os títulos do clube!---Juliana LeuenrothEspanadores (IG)Leia Mulheres (IG)

Engelmeier, Hanna www.deutschlandfunk.de, Büchermarkt

Fuhrig, Dirk www.deutschlandfunk.de, Büchermarkt

Cześć! Po dłuższej przerwie wracamy do Was! Dzięki za cierpliwość: w podzięce odcinek o czterech książkach. Tym razem porozmawiamy o sztuce i obserwacji. Pochylamy się nisko, by przybliżyć Wam książki, które mówią o chwastach, nieoczywistych połączeniach, codziennych zakupach i alternatywnych rzeczywistościach. W odcinku namyślamy się, dużo się śmiejemy i co chwila wracamy myślami do różnych innych książek, które przychodzą nam do głowy. Zapraszamy, porozmawiajmy razem i poobserwujmy książkową rzeczywistość.Za książkę Anki Wandzel dziękujemy wydawnictwu Karakter, a za Annie Ernaux wydawnictwu Czarne. [współpraca reklamowa]Książki, o których mówimy w podkaście:Anka Wandzel, "Sztuka przetrwania", Karakter.Ben Shattuck, "History of Sound", Viking.Annie Ernaux, "Życie zewnętrzne", tłum. Anastazja Dwulit, Czarne.Ted Chiang, "Exhalation", [ukazało się polskie wydanie pod tytułem "Wydech"].Jeśli spodobał Ci się ten odcinek, możesz nam podziękować na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Suppi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Zapłacisz bezpiecznie i bez prowizji Blikiem, przelewem czy kartą.A jeśli chcesz zostać z nami na dłużej: wejdź na nasz profil ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patronite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Jeżeli chcesz dołączyć do naszego grona Matronek i Patronów, będziemy zaszczycone! Dla tych, którzy zdecydują się nas wspierać, mamy spersonalizowane książkowe rekomendacje, newslettery głosowe, podziękowania na stronie i wiele więcej.Zachęcamy do odwiedzin na naszym profilu na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagramie ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠i na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebooku⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, na naszym kanale ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠oraz na naszej ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠stronie internetowej⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Intro: http://bit.ly/jennush

La honte, c'est quoi exactement ? Il y a les petits moments embarrassants devant des inconnus

Feßmann, Meike www.deutschlandfunkkultur.de, Studio 9

Feßmann, Meike www.deutschlandfunkkultur.de, Studio 9

Feßmann, Meike www.deutschlandfunkkultur.de, Studio 9

1920-talets författare sörjde inte bara alla döda, utan främst att mänskligheten gått förlorad. Anna Thulin funderar över hur det påverkade romankonsten. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Först publicerad 2020-10-01. Texten är inläst av Sofia Strandberg.Hur mäter man förlusten av ett krig? I kroppar: tio miljoner döda, dubbelt så många sårade och skadade. I platser: ödelagda städer, brända landskap och skyttegravar som djupa, blödande sår. Men platser och kroppar rymmer inte allt. Kanske är det tomheten vi istället bör mäta: det outtalade, minnena som trycks undan och förtvinar, den ekande tystnaden efter de ofödda som aldrig blir till.Ja, första världskriget var ett oöverskådligt trauma för stora delar av världen, och så klart för Europa. Vi kan försöka föra räkenskap över synliga och osynliga förluster, men all sorg kommer ändå inte att rymmas. Ur askan reste sig dock något nytt, inte minst inom den europeiska romankonsten. På 1920-talet skrevs några av århundradets främsta böcker – romaner som Thomas Manns ”Bergtagen”, André Gides ”Falskmyntarna”, Virginia Woolfs ”Mrs Dalloway” och Herman Hesses ”Stäppvargen”. Skildringar av väldigt olika slag, men som har gemensamt att de försökte bearbeta krigets trauma och skildra författarens idéer om samhället och människan. Och trots att de är skrivna i 1900-talets början, har dåtidens romaner mer gemensamt med senare författare än vad man först kan tro.Thomas Mann har kallat människan för ”livets sorgebarn”. I så fall är 1920-talets romaner krigets sorgebarn, skriver journalisten och författaren Åke Lundqvist i sin bok med samma namn. Där skildrar han tiden före och under och efter första världskriget, och djupläser sju romaner från efterkrigstiden – romaner som alla söker ett ljus i mörkret. För hur kunde européerna, som stolt tänkt att de burit på humanitetens och förnuftets fana, falla ut i en sådan katastrof? Det måste vara idéerna det var fel på! Inte främst de politiska idéerna, tänkte författarna, utan de mänskliga grundvalarna.Ja, vad innebär det egentligen att vara människa? Känslan på 1920-talet var att allting stod i sönderfall. Nationer, ekonomi och gamla religiösa och vetenskapliga sanningar. Ingenting gick att lita på. Det gav en längtan tillbaka, efter något ursprungligt och meningsfullt. Man sökte sig till andra länder, till vetenskapen, till svunna civilisationer och inåt sig själv. Mann, Gide, Woolf och Hesse deltog inte i några strider och skrev inte uttryckligen om kriget. Men känslan av förlust var ett arv från kriget. Den vilade som en skugga över de överlevande.På samma sätt fortsätter skuggor att vila över oss. Det ger avtryck i litteraturen.Några böcker om första världskriget kom visserligen tidigt, under själva krigsåren, men det var först med Erich Maria Remarques roman ”På västfronten intet nytt”, från 1929, som genombrottet kom för krigslitteraturen. På samma sätt dröjde det innan andra världskrigets vittneslitteratur om Förintelsen nådde fram till läsarnas medvetande. Kanske tog det tid för publiken att mogna. Kanske för författarna att våga skriva, trygga från hot om våld och plötsliga försvinnanden.1920-talets europeiska författare upplevde inte samma hot, men riskerade att utsättas för censur för att de bröt mot konventioner. De sörjde inte i första hand de miljontals liv som gått till spillo under första världskriget – utan att mänskligheten som helhet gått förlorad. Åke Lundqvist uttrycker det fint i sin bok: ”Samhälleliga andliga värden har dödligt skadats i kriget. Men det ljus som brinner i människan är intakt. Dess förmåga att påverka världens gång må vara oviss. Dock finns den där, som en motkraft. Detta är kärnan i den andliga tro som tjugotalets europeiska idéromaner förmedlar.”Det andliga inuti oss själva. Människan istället för gud. Ja, vi lever fortfarande – eller på nytt – i ett famlande efter andliga värden. Den nya världen har visats sig vara mer globaliserad och sammanknuten än någonsin tidigare, och samtidigt mer fragmenterad och upplöst för individen. Inte underligt att man kan känna sig som Clarissa i Virginia Woolfs ”Mrs Dalloway”, där hon går genom staden, totalt uppslukad och förundrad över alla intryck som möter henne – för att i nästa sekund falla ned i modlöst mörker. Livslusten och meningslösheten lever tätt sida vid sida. För att hitta en plats i samtiden dyker man in i sig själv och lägger ihop skärvor av minnen så att man förstår något om världen.Att dyka ned i sig själv och pussla ihop minnen för att förstå sin samtid…. Visst låter det som en annan litterär genre? Jag tänker såklart på autofiktionen, och undrar om inte vågen av självframställningar har en del gemensamt med förra sekelskiftets litteratur. 1920-talets författare upplevde att de förlorat den gamla sanningen om världen, ja, hela den gamla världen dog i första världskriget. Själva försöker vi navigera mellan falska nyheter, företagens storytelling och sociala mediers polerade yta. Vad är autentiskt när sanningen blivit fiktion? Och vad ska egentligen en roman vara, när allt vi omgärdas av är berättelser?Det är svårt att peka ut vad som är nytt, särskilt som man är mitt uppe i ett skeende, säger den norska litteraturprofessorn Toril Moi i en föreläsning om Karl Ove Knausgård på Lunds Universitet 2019. Men hon pekar på förlusten av sanningen som en avgörande drivkraft för autofiktionens pionjärer, från Annie Ernaux till Knausgård: ”Liksom alla stora konstnärliga rörelser tar också den här upp något oroande i vår kultur, nämligen den ökande produktionen av fiktioner, som nu hotar att drunkna oss i det falska, det oäkta och det overkliga.” Genom att skala av lagren av fiktion vill författarna blottlägga sanningen. Inte den torrt objektiva sanningen, utan den mänskliga och meningsskapande. Inte helt olikt vad 1920-talets författare strävade efter.Det sägs att krigets första offer är sanningen. Men exakt hur mäter man förlusten av ett krig? Den går inte att mäta, är det enkla svaret. Varken i kroppar eller platser eller tomhet. Många av oss som själva förskonats hör ekot av släktingar som överlevde eller som inte gjorde det. Soldater som återvände; eller inte gjorde det. Återigen sover många av oss med någon som vaknar upp i ett skrik mitt i natten när minnena tränger sig på. Att dö är inte svårt, nej, att leva är det svåra. Kanske, i bästa fall, kan litteraturen visa oss en väg.Text: Anna Thulin, journalistTal: Sofia StrandbergLäsning och lyssningÅke Lundqvist: ”Krigets sorgebarn: Om 1920-talets europeiska idéromaner”, Carlssons bokförlag, 2018.”Knausgård: In Search of a New Form” av Toril Moi, föreläsning på Lunds universitet 2019.

What makes an artist great, how does an artist become great? In today's episode of I've been thinking about, I explore the idea of maturity, ageing and process.It seems to me that maturity, ageing in the Arts is actually beneficial. Unlike other professions where ageing is synonymous with decline, with cognitive or physical impairment - people in sports have an early retirement age for that reason, Or former US president Biden wasn't he forced to step down because of his cognitive decline due to his age? That doesn't seem to apply to artists. When it comes to the Arts, age and maturity actually have the opposite effect - we can keep getting better. And there are many examples of this: Irish writer Edna O'Brien lived to 93. French writer Annie Ernaux now 84, won the Nobel prize for literature at the age of 82. Classical pianists only seem to get better with age, they have all the technique of years of practice without the need for showmanship that you sometimes see in younger pianists. I think about artists like Sonia Boyce who represented Britain at the Venice Biennale in her 60s or figurative painter Claudette Johnson also in her 60s. What about American abstract painter Stanley Whitney still making beautiful work at 79 or Indian artist, Arpita Singh. Now 87, I recently went to her solo exhibition at London's Serpentine and her work took my breath away, her use of colour and composition, I felt like I was seeing an entirely new interpretation of artistic expression.I mean as long as you can pick up a paintbrush or pencil, or a camera, the work doesn't and shouldn't stop. And I'm not saying that we have to wait until we're in our 80s to produce works that's meaningful. I'm saying that our process produces the sound and the deeper the process the richer the sound. Music Refs:Ray LaMontagne, JoleneJoni Mitchell, Both Sides Now from 1969Joni Mitchell, Both Sides Now from 2000 Holding up the Ladder links:Find out ways to support the Israel-Palestine project click herePodcast WebsitePodcast IG Hosted on Acast. See acast.com/privacy for more information.

(01:06) Die Architekturbiennale in Venedig öffnet am Wochenende ihre Tore für das Publikum. In diesem Jahr läuft sie unter dem Thema «Intelligenzen». Es geht unter anderem auch darum, welche Lösungsansätze die Architektur gegen den Klimawandel liefert. Weitere Themen: (05:39) Theaterstück «InterEurovision» verbindet den bekannten ESC und den fast vergessenen Intervision Song Contest. (10:04) Berner Theaterfestival «Auawirleben» zeigt Perspektiven von Menschen, die wenig gesehen oder gehört werden. (14:29) «Ich komme nicht aus der Dunkelheit heraus»: Annie Ernaux' Buch über Demenzerkrankung ihrer Mutter erscheint auf Deutsch. (18:45) Papst «Made in USA»: Wer ist Leo XIV.?

In dieser Folge von "Was liest du gerade?" geht es um zwei der wichtigsten Gegenwartsautorinnen unserer Zeit: die Französin Annie Ernaux und die Amerikanerin Rachel Kushner, die in der kommenden Woche mit ihrem neuen Roman durch Deutschland tourt. Beide haben Neuland in der Literatur betreten. Annie Ernaux führt in ihrem neuen Buch "Ich komme nicht aus der Dunkelheit raus" auf schonungslose Weise Protokoll über den Verfall und das Sterben ihrer Mutter, die an Alzheimer erkrankt war.  Und Rachel Kushner lässt in ihrem Roman "See der Schöpfung" eine abgebrühte amerikanische Undercoveragentin davon erzählen, wie sie in Südfrankreich eine Gemeinschaft von radikalen Öko-Aussteigern und Zivilisationskritikern infiltriert und zu Straftaten anstiftet. Einen lustigen Gastauftritt hat der Schriftsteller Michel Houellebecq, dessen Ton Rachel Kushner erfrischend zu parodieren versteht.  Unser monatlicher Klassiker ist der Roman "Der Meister und Margarita" von Michail Bulgakow. Wer die kongeniale Verfilmung des Romans von Michael Lockshin gesehen hat, die gerade in deutschen Kinos läuft, sollte auch das fantastische Feuerwerk der russischen Literatur nicht verpassen, das von der Kollision eines genialen Künstlers mit der sowjetischen Staatsmacht erzählt.  Unser Zitat des Monats stammt aus der aktuellen Neuübersetzung von Scott Fitzgeralds legendärem Roman "Der große Gatsby" von Bernhard Robben. Das Team von "Was liest du gerade?" erreichen Sie unter buecher@zeit.de. Literaturangaben: Annie Ernaux: Ich komme nicht aus der Dunkelheit raus. Aus dem Französischen von Sonja Finck, 106 Seiten, Suhrkamp, 22 Euro Michail Bulgakow: Meister und Margarita. Aus dem Russischen von Alexander Nitzberg, 608 Seiten, dtv, 15 Euro Rachel Kushner: See der Schöpfung.  Aus dem Englischen von Bettina Abarbanell, 480 Seiten, Rowohlt, 26 Euro Scott Fitzgerald: Der große Gatsby. Aus dem Englischen von Bernhard Robben, 352 Seiten, Penguin, 30 Euro [ANZEIGE] Mehr über die Angebote unserer Werbepartnerinnen und -partner finden Sie HIER. [ANZEIGE] Mehr hören? Dann testen Sie unser Podcast-Abo mit Zugriff auf alle Dokupodcasts und unser Podcast-Archiv. Jetzt 4 Wochen kostenlos testen. Und falls Sie uns nicht nur hören, sondern auch lesen möchten, testen Sie jetzt 4 Wochen kostenlos DIE ZEIT. Hier geht's zum Angebot. 

Hvis du mangler et soundtrack til foråret, skal du bare lytte til den bølge af danske musikere, der i øjeblikket gør sig bemærket internationalt. Navne som Erika de Casier, ML Buch, Molina, Fine, Elias Rønnenfelt, Astrid Sonne og Clarissa Connelly. Det er musik, der er forførende, excentrisk og døsigt – og i dag tager vi dig med ind i de snørklede gange på Københavns hypede alternative musikscene. Vi dykker ned i stemninger, genrer og særpræg. Det er ikke de store, poppede og prangende navne, der stjæler spotlightet – det er nørderne fra musikkonservatoriet. Det er dem, der komponerer og producerer med en drømmende og intuitiv nerve. Producer: Sille Westphal Mads Axelsen, radiovært og PR- og kommunikationsanvarlig på Blagaard Teater, anbefaler Addisons Rae’s ’Headphones’ Agnete Hannibal Petri, manager og har pladeselskabet 15 love, anbefaler Annie Ernaux’ ’Årene’ Nis Bysted, medstifter af pladeselskabet Escho, producer og komponist, anbefaler Walter Giesekings indspilninger af Debussy Vært Lucia Odoom, anbefaler Brian Jonestown Massacres ’Anemone' Link til playliste: https://open.spotify.com/playlist/49Y13mMqQJKdA7xOo506Ds?si=zZcn8emYTVGc2O_ClzmR1QSee omnystudio.com/listener for privacy information.

Romola Garai won her first professional acting roles as a teenager, and since then, her career has taken her in a wide range of dramatic directions. Most recently, she won a 2025 Olivier Award for her role in The Years, a sometimes shocking play based on a novel by Nobel Prize winner Annie Ernaux – and she was competing against herself, with a nomination in the same category for her part in Giant, a play about Roald Dahl.Her previous stage work includes playing Cordelia opposite Ian McKellen's King Lear, and her extensive screen credits include the title role in a BBC adaptation of Jane Austen's Emma. She also won acclaim for The Hour, a drama set behind the scenes of a TV current affairs programme in the 1950s. In 2020, she went behind the camera to write and direct a horror film called Amulet. Romola's music choices include John Taverner, Handel and Keith Jarrett.

Ihre Mutter verschwindet in die Demenz – erst langsam, dann unaufhaltsam. Schon vor fast 40 Jahren hat Annie Ernaux diesen Verlust in ihren Notizen dokumentiert, radikal und ungefiltert. Endlich auch auf Deutsch - und aktueller denn je. Rezension von Theresa Hübner

Sechs neue Bücher für Ostern mit Zombie-Poesie, Geheimagentinnen, Soap-Drama, Munch im Comic und einem queeren Kino-Roman.

A vida de Tati Bernardi é quase toda pública, basta ler seus livros e suas crônicas ou ouvir seus podcasts que logo descobrimos muito sobre ela. Mas o seu livro mais recente, "A Boba da Corte" (Fósforo, 2025), vai mais fundo. Seguindo o gênero da autoficção, tão bem explorado por nomes como Annie Ernaux e Édouard Louis, com esse lançamento o leitor entende de onde veio Tati Bernardi e pra onde ela sempre quis ir. Acontece que ela chegou lá, mas não se sentiu exatamente confortável, como ela conta neste episódio do Podcast da Semana.Além de escritora, Bernardi é roteirista e colunista da Folha de S. Paulo há mais de uma década. Aos 45 anos, já trabalhou com publicidade, com roteiro na Globo, escreveu livros como “Depois a Louca Sou Eu” (2016) e “Você Nunca Mais Vai Ficar Sozinha” (2020), ambos pela Companhia das Letras. E sua voz e ideias são ouvidas nos podcasts Desculpa Alguma Coisa, Calcinha Larga e Meu Inconsciente Coletivo.Na conversa com Gama, e em seu novo livro, Bernardi fala da trajetória de sair do Tatuapé, bairro de classe média da Zona Leste de São Paulo, até comprar um apartamento em Higienópolis, região de alto poder aquisitivo da cidade. Com observações afiadas sobre a elite intelectual e econômica que ela passou a frequentar, o livro rende boas risadas e traz as dores de alguém que nunca se sentiu aceita nesse novo lugar e classe social que ocupa, mas que jamais deixou de fazer piada disso.Roteiro e apresentação: Luara Calvi Anic

NO READING REQUIRED! Tune in to hear Kimberly unpack the many ways that Ernaux celebrates the age gap relationship. The French master offers up philosophical explanations for why older people get with younger ones, incisive analysis of social norms and all the ways in which these liaisons can be empowering--all, of course, while treating us to her stark, arresting, unique prose. Treat yourself to this dip into one woman's world and all the ways we might rethink age difference.

A escritora Tati Bernardi apresenta aos ouvintes do 451 MHz o seu novo romance, A Boba da Corte (Fósforo), retrato mordaz do mundinho da elite intelectual paulistana e seus tipinhos inesquecíveis. Leitora de Annie Ernaux, Édouard Louis e outros autores que exploram literariamente suas origens sociais, Tati acrescenta uma dose cavalar de humor ao gênero da autossociobiografia ao narrar o seu percurso do Tatuapé, na zona leste de São Paulo, para Higienópolis, centro de uma bolha que é tão sedutora quanto hipócrita e ridícula. Tati Bernardi é convidada d'A Feira do Livro, que vai acontecer em São Paulo, entre 14 e 22 de junho. O episódio foi realizado com apoio da Lei Rouanet – Incentivo a Projetos Culturais. Seja um Ouvinte Entusiasta e apoie o 451 MHz: https://bit.ly/Assine451

With good sex writing, and TWO age-gap relationships, INTERMEZZO offers Kimberly all sorts of ways to think about female sexual desire. Listen in to hear what Kimberly LOVES about this latest Rooney, and where she thinks the novel fell SHORT. The first of a series of four lectures that will explore Adam Ross's PLAYWORLD, Annie Ernaux's THE YOUNG MAN and Kate Chopin's THE AWAKENING, Kimberly's deep dives will elucidate not only the novel at hand, but larger, timely questions about (older) women and sex.

durée : 00:48:30 - Le Masque et la Plume - par : Jérôme Garcin - Au Mexique des zapatistes, une expérience féminine fondatrice ; de l'échec scolaire à une rencontre avec Annie Ernaux ; un secret familial et le destin tragique d'une arrière-grand-mère ; la découverte bouleversante d'une fortune cachée ; enquête sur une série de meurtres dans l'est de la France…

Hay novelas que te devuelven a tus orígenes como lector, a ese momento fundacional en el que tedas cuenta de que te podrías pasar la vida leyendo esa novela que te ha transformado, abriéndola ycerrándola, una y otra vez. A mí me pasó con El túnel. Y ahora, cuarenta años después, me heencontrado con otra obra que tiene muchos puntos de contacto con el clásico de Ernesto Sabato.Hay un muerto. Un personaje perturbado, una mujer, peleando con la locura que le distorsiona aveces la realidad. Y sobre todo, una historia rica en matices, condensada en apenas 200 páginas quecomprenden un mundo complejo. Y esa es la gran virtud de El final del bosque, publicada por Siruela.En esas 200 páginas entran asuntos como el amor, las relaciones paterno-filiales, el dolor cuando tienes lacerteza de que tu padre se está muriendo, e incluso los pactos de silencio entre tres hermanos, que secitan en el bosque que vio cómo crecían, cuando eran niños.María Fasce es editora. Pero sobre todo, es lectora y mujer a la que su medio siglo de vida ya le haaportado experiencias y riquezas que eran imprescindibles para escribir una novela, queseguramente con treinta años no estaría en condiciones de escribir. Sin la experiencia de perderantes de tiempo a su padre, no habría sido posible que escribiera las páginas memorables en las queLola ve cómo el cáncer repta por el cuerpo de su padre. En la entrevista que le hicimos en Madridse emociona, pero no ya por transmitir la pasión que le produce hablar de El final del bosque, sinode su padre, y en su mirada hay una especie de brillo, el de recuerdos o episodios felicescompartidos con él, y que se han quedado guardados en la memoria, como tesoros.El final del bosque conecta con las emociones íntimas de María, pero también con sus lecturas.La novela rinde un homenaje declarado a Patricia Highsmith, tiene ese aire de thriller en el quesentimos inquietud desde la primera página, desde la primera línea, cuando leemos que “El perroladraba desesperado. Ernesto ya tendría que haberlo sacado a pasear”. Highsmith acompañó a María Fasce en el proceso de escritura, pero también Annie Ernaux, a la que leyó y volvió mientras dabaforma a los personajes de esta novela ganadora del Premio Café Gijón. Y leyéndola percibimostambién con claridad la devoción que siente por John Banville y el gusto por la palabra, por la fraseconstruida con paciencia de artesano, con ese gusto por el detalle, el mismo que usa cuando seretoca el rojo del carmín de los labios antes de que le hagamos la foto que acompaña este reportajede Onda Regional.Una vez acabada la lectura de esta novela tenemos la seguridad de que hay libros y fotografías quete tocan físicamente. El final del bosque es uno de esos libros.

Anjli Mohindra is a brilliant actor, not only Martin's wife in The Fear (coming to screens soon), but she tried to resuscitate him in Vigil, stormed it in The Lazarus Project and is currently on stage at the Harold Pinter in Annie Ernaux's The Years. Anjli talks about meeting Martin on the set of Vigil, the challenges of quirky cars, intimate scenes, her brave and brilliant role in The Years, giving a stunt driver a hernia, and the belief in destiny.Make sure you subscribe and leave a 5 star review! If you'd like to share the times you've been a resourceful rascal, or want to get in touch, send an email to Hello@RestlessNativesPodcast.comPlease review Global's Privacy Policy: https://global.com/legal/privacy-policy

durée : 00:59:11 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - "J'écrirai pour venger ma race", écrit Annie Ernaux dans ses journaux à 22 ans. Elle a dénoncé a posteriori l'orgueil et la naïveté de cette formule. Pourtant elle interroge plus généralement les récits des "transclasses"... Doit-on parler de vengeance ou de revanche ? - réalisation : Nicolas Berger - invités : Chantal Jaquet Philosophe, professeure d'histoire de la philosophie moderne à l'Université Paris 1 Panthéon Sorbonne; Laélia Véron Enseignante-chercheuse en stylistique et langue française à l'université d'Orléans

On the fifth edition of Chi Chi's exclusive Patreon bookclub, we discuss “Happening” by Annie Ernaux. Subscribe to the Patreon to join us next time. patreon.com/imsopopular (S5.E11)

In the wake of #metoo, the French literary scene has been marked by multiple stories of sexual abuse. Books like Vanessa Springora's Consent and Camille Kouchner's The Familia Grande have sparked debates about abuse culture, consent, and the misuse of authority.Neige Sinno's Sad Tiger can be read as part of this line of publications, while also giving the conversation a literary context. While it is necessary to denounce abuse, doing so is also a burden, and Sinno's approach to dealing with her own story is to turn to fiction. Through analysis of literary works by authors like Vladimir Nabokov, Virginia Woolf, Toni Morrison and Virginie Despentes, she explores power and powerlessness, cultural bias, and finding a language to talk about these experiences.Neige Sinno is a French author and doctor of American literature. Sad tiger is her literary breakthrough, both in France and internationally. A bestseller and the winner of a long list of literary prizes, including Prix Femina, Prix Littéraire Le Monde, and Prix Goncourt des lycéens, the book has been endorsed by authors like Annie Ernaux and Kathrine Nedrejord.Hadia Tajik is a Norwegian politician for Arbeiderpartiet, with a background in journalism, human rights, and law. She will meet Sinno for a conversation on abuse culture and misuse of authority, and how to use fiction as a gateway to shared experiences. Hosted on Acast. See acast.com/privacy for more information.

In a busy week for play openings in London, THE YEARS arrived at the Harold Pinter Theatre for its West End transfer, having originally played at the Almeida.The play, adapted by Eline Arbo, based on Les Années by Annie Ernaux, follows the story of a woman living in France between the 1960s and 2000s and depicts the evolution in society from her perspective.Check out this full review for Mickey-Jo's thoughts on this staggering, and occasionally challenging piece of theatre.•00:00 | introduction01:27 | synopsis / overview07:25 | performances13:46 | impactful scene16:24 | creative choices•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

I kjølvannet av #metoo har den franske offentligheten vært preget av en rekke historier om seksuelle overgrep. Gjennom bøker som Vanessa Springoras Samtykket og Camille Kouchners Den store familien, har temaer som overgrepskultur, seksuell lavalder, samtykke, og maktmisbruk blitt problematisert.Trist tiger av Neige Sinno (til norsk ved Egil Halmøy) skriver seg inn i denne rekken utgivelser, samtidig som boka tar samtalen til et litterært nivå. Varslingen er nødvendig, men også tung, og for å ta et oppgjør med sin egen overgrepshistorie, går Sinno til skjønnlitteraturen. Ved å analysere verk av blant annet Vladimir Nabokov, Virginia Woolf, Toni Morrison og Virginie Despentes, utforsker hun makt og maktesløshet, forutinntatte sannheter i kulturen, og hvordan man skal finne et språk for å snakke om denne typen erfaringer.Neige Sinno er en fransk forfatter, med doktorgrad i amerikansk litteratur. Trist tiger ble hennes store gjennombrudd både i Frankrike og internasjonalt.Boka ble en bestselger og vant en lang rekke priser, blant annet Prix Femina, Prix Littéraire Le Monde, og Prix Goncourt des lycéens (tilsvarende Ungdommens Kritikerpris her i Norge), og har blitt trukket fram av forfattere som Annie Ernaux og Kathrine Nedrejord.Hadia Tajik er stortingsrepresentant og justispolitisk talsperson for Arbeiderpartiet, med utdannelse innen journalistikk, menneskerettigheter og rettsvitenskap. Her møtes Sinno og Tajik til samtale om overgrepskultur og maktmisbruk, og å bruke litteraturen som inngang til levde erfaringer.Samtalen er på engelsk. Hosted on Acast. See acast.com/privacy for more information.

El acontecimiento es uno de los libros más íntimos de Annie Ernaux, una novela muy breve (poco más de cien páginas), pero muy intensa. La novela empieza cuando la autora está en la sala de espera de un médico. Se ha hecho una prueba de VIH, porque ha tenido relaciones con un hombre que ella piensa que puede ser de riesgo y quiere quedarse tranquila. Cuando empieza la novela, ya se ha hecho la prueba y está esperando que le den los resultados. Mientras está esperando con esa pequeña incertidumbre, se acuerda de algo que le ocurrió muchos años atrás, en 1963, y que es este acontecimiento que da título al libro.

'Bad Hombre' de Pola Oloixarac (Random House) es una novela , podría ser un reportaje, pero se impone la ficción que no afecta a los hechos. Podemos darle muchas vueltas al género literario de este libro, pero lo que es seguro es que no va a pasar desapercibido. Pola no se corta y entra de lleno en las polémicas cancelaciones de hombres que tienen que ver más con sospechas que con hechos, con las condenas que no hace falta probar. Ella cree que este tipo de acciones hacen un flaco favor al feminismo. Sabe que su libro es provocador, pero no le importa. Ella narra historias que le han contado hombres y mujeres que son o fueron de su entorno o que se pusieron en contacto con ella. Es una novela con la que acabas discutiendo ¿Pero acaso no es bueno debatir? Seguro que sí. Además de su libro, Pola Oloixarac nos ha donado dos libros que cree que todo el mundo debe leer: 'El mundo deslumbrante' de Siri Husvedt (Seix Barral) y  'Pálido fuego' de Vladimir Nabokov (Anagrama) . Antes, Antonio Martínez Asensio, nuestro bibliotecario, nos trajo 4 libros relacionados con la actualidad: 'Sobre la tiranía: 20 lecciones que aprender del siglo XX " de Timothy Snyder (Galaxia Gutemberg),  'El valle de las flores' de Niviaq Korneliussen (Sexto Piso),  'Hojas de hierba' de Walt Whiman (Alianza) y 'Matar a un ruiseñor' de Harper Lee (Harper Collins). En el capítulo de novedades, Pepe Rubio trajo dos y un premio. Las dos novedades: 'Una vida ' de Alejandro Palomas (Destino) y 'Orbital' de Samantha Harvey (Anagrama). El premio, el Alfaguara 2025 que se acaba de fallar: 'Arderá el viento" de Guillermo Saccomano (Alfaguara). Del programa 'Un libro una hora' de Martínez Asensio nos quedamos con 'La flecha negra' de Robert Louis Stevenson (Alianza Editorial). Y finalmente los oyentes de Hoy por Hoy nos han donado 'El bosque animado' de Wenceslao Fernández Florez (Austral) y 'La verguenza' de Annie Ernaux (Cabaret Voltaire y Tusquets) 

On this episode of Shelf Care: The Podcast, host Susan Maguire talks to Katie Clausen, a Chicagoland children's librarian, about what it's like to be on the front lines of a book banning, who offers some tips and suggested language for dealing with a challenge. Then, on a lighter note, Susan talks to Audio Editor Heather Booth about what she's been reading (and listening to) and loving lately. Here's what we talked about: Interview with Kelly Jensen in Episode 22 Foundations of Intellectual Freedom, by Emily Knox Kate Messner's Letter to Parents The Secret History of the Rape Kit: A True Crime Story, by Pagan Kennedy. Read by Claire Danes. The Use of Photography, by Annie Ernaux and Marc Marie. Translated by Alison L. Strayer. Read by Tavia Gilbert. The Suite Spot, by Trish Doller. Read by Sarah Naughton. Birding with Benefits, by Sarah T. Dubb. Read by Mia Hutchinson-Shaw and Evan Sibley. How Does That Make You Feel, Magda Eklund? by Anna Montague. Read by Cynthia Nixon. Nightbitch, by Rache Yoder. The Payback, by Kashana Cauley. The Survivalists, by Kashana Cauley. Other helpful resources for dealing with contentious book challenges: The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About, by Mel Robbins (A useful book for work and personal development, especially for helping to take book challenges less personally.) Quick Tips & Language When Someone Wants to Challenge Materials Handling Book Challenges

Mivel jár, ha valaki szegény munkáscsaládból indulva válik a párizsi csúcsértelmiség tagjává? És hogyan lehet utólag feldolgozni azt a folyamatot, ahogy egy fiatal hátrahagyja családját és közegét? Tavaly ősszel jelent meg magyar nyelven a francia filozófus, Didier Eribon Visszatérés Reimsbe című önéletelemző könyve, melynek alapanyagát saját és családja élettörténete, homoszexualitása, hátrányos társadalmi helyzete adta, és melynek egyik központi motívuma a címben is idézett mondat. A Nem rossz könyvek podcast élő felvételén Eribon könyvéről a fordítóval, Fáber Ágoston szociológussal beszélgettünk. Többek között osztályárulásról, szégyenről, és arról, hogy mennyibe kerül egy anya megmentése. Fáber Ágoston egyszer már volt vendégünk, akkor Édouard Louis életművéről volt szó, és Louis neve most is sokat előkerült Annie Ernaux nevével együtt. Louis és Ernaux műveiről korábban már a 444-en is írtunk, ajánljuk ezeket a cikkeket is a podcast mellé. Az epizódot élőben, a Replika társadalomtudományi folyóirat lapszámbemutatóján vettük fel, ezért ér véget a megszokottnál kurtábban. 00.00 Kisvárosi munkáscsaládból a párizsi értelmiségi világ csúcsáig: ki is Didier Eribon? 4.28 Eribon, Louis, Ernaux: mi lehet az oka, hogy három francia szerző ennyire hasonlóan vizsgálja saját élettörténetét? 9.20 A sok átfedés mellett mik a különbségek Louis és Eribon története között? 12.55 És miért lettek ennyire sikeresek, mit tudnak, ami miatt ennyien olvassák őket? „Az önmagunkról szóló ömlengés nem azonos az önmagunkkal kapcsolatos szociológiai-pszichológiai reflexióval.” 15.50 Miért nem elégséges eszköz saját családtörténete megértéséhez a pszichológia Eribon számára? 19.00 Miért volt az, hogy Eribon előbb tudott írni arról, hogy meleg, mint hogy munkáscsaládból származik? „Eribon története, hogy hogyan vált azzá, akivé válnia kellett, és hogy hogyan vált azzá, amit nem tudott elviselni.” 23.10 Baloldaliság, és a feszültség, ha közben valaki minden áron hátra akarja hagyni a saját közegét: a felismerés, hogy az a munkásság, aminek a könyvek szerint lennie kéne, az nem ugyanaz, amibe ő beleszületik. És miért pártoltak át olyan sokan a baloldalról a szélsőjobbhoz? 31.55 A rengeteg feszültség, és a kérdés, hogy akkor pont nekik miért sikerült. 36.30 Fenn lehet-e tartani egy családot, ha a gyerekek közben ennyire messzire kerülnek szüleiktől a társadalomban? 39.50 Női sorsok, anyák szerepe, és mennyibe kerül egy anya megmentése? Továbbra is várjuk a könyv- és témaötleteket a facebookos csoportunkban! Addig is további könyves tartalmakért ajánljuk Anna Instagramját és Bence Nemrosszkönyvek Instagramját, ahonnan a podcast nevét is kölcsönöztük. A műsor meghallgatható a 444 Spotify- és Apple Podcast-csatornáján is.See omnystudio.com/listener for privacy information.

Det här var ett smakprov, för att bli prenumerant kostar det 39 kr i månaden på https://underproduktion.se/envargsokersinpod Om det uppstår problem mejla support@underproduktion.se Liv har forskat om yngre mäns levnadsvillkor genom att titta på Paradise Hotel. Caroline har läst Den unge mannen av Annie Ernaux och har en spaning om yngre mäns sjunkande status, samt hur bra Annie Ernaux är på sex. Dessutom: Björn Werner och den nya tidens hypergami.

After a seismic event leaves the world shattered, an unnamed narrator at the end of a mediocre acting career struggles to regain the ability to walk on ground that is in constant motion. When her alluring younger housemate, Tala, disappears, what had begun as an obsession grows into an impulse to kill, forcing the narrator to confront the meaning of the ruptures that have suddenly upended her life. The drive to find and eliminate Tala becomes an existential pursuit, leading back in time and out into a desolate, dust-covered city, where the narrator is targeted by charismatic “healing” ideologues with uncertain motives. Torn between a gnawing desire to reckon with the forces that have made her and an immediate need to find the stability to survive, she is forced to question familiar figurations of light, shadow, authenticity, resistance, and the limits of personal transformation in an alienated, alienating world. Darkly comic, deeply resonant, and hallucinatory in tone, An Earthquake Is a Shaking of the Surface of the Earth (Soft Skull, 2024) will appeal to readers of Annie Ernaux, Dionne Brand, and Sheila Heti. Anna's most recent book is Participation. A poet and a translator, Anna has won the James Laughlin Award for her poetry and shared the 2021 International Booker Prize with David Diop for his novel At Night All Blood is Black. A student of plants and herbalism, she is a member of the publishing collective Ugly Duckling Presse and a cofound of Bushel Collective. Recommended Books: Poupeh Missaghi, Sound Museum Renee Gladman, My Lesbian Novel Mari Ruti, A World of Fragile Things  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a seismic event leaves the world shattered, an unnamed narrator at the end of a mediocre acting career struggles to regain the ability to walk on ground that is in constant motion. When her alluring younger housemate, Tala, disappears, what had begun as an obsession grows into an impulse to kill, forcing the narrator to confront the meaning of the ruptures that have suddenly upended her life. The drive to find and eliminate Tala becomes an existential pursuit, leading back in time and out into a desolate, dust-covered city, where the narrator is targeted by charismatic “healing” ideologues with uncertain motives. Torn between a gnawing desire to reckon with the forces that have made her and an immediate need to find the stability to survive, she is forced to question familiar figurations of light, shadow, authenticity, resistance, and the limits of personal transformation in an alienated, alienating world. Darkly comic, deeply resonant, and hallucinatory in tone, An Earthquake Is a Shaking of the Surface of the Earth (Soft Skull, 2024) will appeal to readers of Annie Ernaux, Dionne Brand, and Sheila Heti. Anna's most recent book is Participation. A poet and a translator, Anna has won the James Laughlin Award for her poetry and shared the 2021 International Booker Prize with David Diop for his novel At Night All Blood is Black. A student of plants and herbalism, she is a member of the publishing collective Ugly Duckling Presse and a cofound of Bushel Collective. Recommended Books: Poupeh Missaghi, Sound Museum Renee Gladman, My Lesbian Novel Mari Ruti, A World of Fragile Things  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After a seismic event leaves the world shattered, an unnamed narrator at the end of a mediocre acting career struggles to regain the ability to walk on ground that is in constant motion. When her alluring younger housemate, Tala, disappears, what had begun as an obsession grows into an impulse to kill, forcing the narrator to confront the meaning of the ruptures that have suddenly upended her life. The drive to find and eliminate Tala becomes an existential pursuit, leading back in time and out into a desolate, dust-covered city, where the narrator is targeted by charismatic “healing” ideologues with uncertain motives. Torn between a gnawing desire to reckon with the forces that have made her and an immediate need to find the stability to survive, she is forced to question familiar figurations of light, shadow, authenticity, resistance, and the limits of personal transformation in an alienated, alienating world. Darkly comic, deeply resonant, and hallucinatory in tone, An Earthquake Is a Shaking of the Surface of the Earth (Soft Skull, 2024) will appeal to readers of Annie Ernaux, Dionne Brand, and Sheila Heti. Anna's most recent book is Participation. A poet and a translator, Anna has won the James Laughlin Award for her poetry and shared the 2021 International Booker Prize with David Diop for his novel At Night All Blood is Black. A student of plants and herbalism, she is a member of the publishing collective Ugly Duckling Presse and a cofound of Bushel Collective. Recommended Books: Poupeh Missaghi, Sound Museum Renee Gladman, My Lesbian Novel Mari Ruti, A World of Fragile Things  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

After a seismic event leaves the world shattered, an unnamed narrator at the end of a mediocre acting career struggles to regain the ability to walk on ground that is in constant motion. When her alluring younger housemate, Tala, disappears, what had begun as an obsession grows into an impulse to kill, forcing the narrator to confront the meaning of the ruptures that have suddenly upended her life. The drive to find and eliminate Tala becomes an existential pursuit, leading back in time and out into a desolate, dust-covered city, where the narrator is targeted by charismatic “healing” ideologues with uncertain motives. Torn between a gnawing desire to reckon with the forces that have made her and an immediate need to find the stability to survive, she is forced to question familiar figurations of light, shadow, authenticity, resistance, and the limits of personal transformation in an alienated, alienating world. Darkly comic, deeply resonant, and hallucinatory in tone, An Earthquake Is a Shaking of the Surface of the Earth (Soft Skull, 2024) will appeal to readers of Annie Ernaux, Dionne Brand, and Sheila Heti. Anna's most recent book is Participation. A poet and a translator, Anna has won the James Laughlin Award for her poetry and shared the 2021 International Booker Prize with David Diop for his novel At Night All Blood is Black. A student of plants and herbalism, she is a member of the publishing collective Ugly Duckling Presse and a cofound of Bushel Collective. Recommended Books: Poupeh Missaghi, Sound Museum Renee Gladman, My Lesbian Novel Mari Ruti, A World of Fragile Things  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

“Ben Okurum”un yeni bölümünde Türkiye'de de çok okunan, Nobel Ödüllü Fransız yazar Annie Ernaux ve onun başyapıtı olarak kabul edilen Seneler var. Deniz Yüce Başarır, 1940 doğumlu yazarı, onunla aynı yıl doğan, başka bir ülkede de olsa, onun geçtiği yollardan geçen ülkemizin en önemli yazarlarından biriyle Oya Baydar ile konuşuyor. Ernaux'nun kendine özgü otobiyografi eserlerini, geçmişi, hatırlamanın yollarını konuşan ikilinin sohbeti edebiyatseverleri çok mutlu edecek. Ve tabii kitaptan çarpıcı bölümler de yine Başarır'ın sesinden dinleyenlerle buluşacak.

RU322: ANNA MOSCHOVAKIS ON HER NEW NOVEL AN EARTHQUAKE IS A SHAKING OF THE SURFACE OF THE EARTH http://www.renderingunconscious.org/psychoanalysis/ru322-anna-moschovakis-on-her-new-novel-an-earthquake-is-a-shaking-of-the-surface-of-the-earth/ Rendering Unconscious episode 322 YouTube https://youtu.be/5r_ese2y8rI?si=bZUdE_RtObh77QsL Anna Moschovakis joins us to discuss her new novel An Earthquake Is a Shaking of the Surface of the Earth https://amzn.to/4gBS6aV Check out her UPCOMING EVENTS https://badutopian.com/events/ ANNA MOSCHOVAKIS works with poetry and prose as a writer, editor, translator, publisher, teacher and designer. Other books include Participation, Eleanor, or, The Rejection of the Progress of Love, and poetry books They and We Will Get Into Trouble for This and You and Three Others Are Approaching a Lake, winner of the James Laughlin Award from the Academy of American Poets. She has also translated Albert Cossery's The Jokers, Annie Ernaux's The Possession, and various others. She is a member of the publishing collective Ugly Duckling Presse, and co-founder of Bushel Collective, an experimental mixed-use storefront space in Delhi, NY. https://badutopian.com Follow her at Instagram https://www.instagram.com/goodutopian/ Dr. Vanessa Sinclair is presenting “Cinema as Mirror: Film as Projective Surface” at the online international conference “(De)Montage of the Subject in Cinema and Psychoanalysis” 14th of December 2024, hosted by Psychoanalysis & Cinema Club of Buenos Aires. Begins 10AM Buenos Aires (8AM NYC) https://psiconferencia.tilda.ws Wednesday, December 18th Dr. Sinclair will present “Der Doppelgänger, the Artist & Creative Will: The work of psychoanalyst Otto Rank explored through artists Breyer P-Orridge, Val Denham, Pierre Molinier & Ovartaci” at The Last Tuesday Society, Victor Wynd Museum at 8PM London time. https://thelasttuesdaysociety.org/event/der-doppelganger-the-artist-creative-will-a-zoom-talk-by-dr-vanessa-sinclair/ Kenneth Anger: American Cinemagician with Carl Abrahamsson, Begins February 2: https://www.morbidanatomy.org/classes/ Watch all of Carl's films at The Fenris Wolf Substack. https://thefenriswolf.substack.com Join us in London for the book launch for Meetings with Remarkable Magicians: Life in the Occult Underground by Carl Abrahamsson at Watkins Books, February 27th. https://www.watkinsbooks.com/event-details/meetings-with-remarkable-magicians-life-in-the-occult-underground-carl-abrahamsson Then on February 28th, join us at Freud Museum, London for “Be Careful What You Wish For – Female & Male Existential Malaise and Hysteric Approaches in ‘The Substance' and ‘Seconds'. https://www.freud.org.uk/event/be-careful-what-you-wish-for-female-male-existential-malaise-and-hysteric-approaches-in-the-substance-and-seconds/ Support Rendering Unconscious Podcast: Patreon: https://www.patreon.com/vanessa23carl Substack: https://vanessa23carl.substack.com Make a Donation: https://www.paypal.com/donate/?business=PV3EVEFT95HGU&no_recurring=0¤cy_code=USD Rendering Unconscious is also a book series! The first two volumes are now available: Rendering Unconscious: Psychoanalytic Perspectives vols. 1 & 2 (Trapart Books, 2024). https://amzn.to/4eKruV5 Rendering Unconscious Podcast is hosted by Dr. Vanessa Sinclair, a psychoanalyst based in Sweden, who works with people internationally: http://www.drvanessasinclair.net Instagram: https://www.instagram.com/renderingunconscious/ TikTok: https://www.tiktok.com/@renderingunconscious Blusky: https://bsky.app/profile/drsinclair.bsky.social The song at the end of the episode is “There is Only One Libido” from the album This Is Voyeurism by Vanessa Sinclair and Pete Murphy. Available at Pete Murphy's Bandcamp Page. https://petemurphy.bandcamp.com Our music is also available at Spotify and other streaming services. https://open.spotify.com/artist/3xKEE2NPGatImt46OgaemY?si=jaSKCqnmSD-NsSlBLjrBXA Image: anna moschovakis

This week, Lauren Elkin on a Nobel Prize-winner's obsession with images; and Judith Flanders assesses bold claims about the origins of contemporary English.'The Use of Photography', by Annie Ernaux and Marc Marie, translated by Alison L. Strayer'La Langue Anglaise N'existe Pas: C'est du français mal prononcé', by Bernard CerquigliniProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.