Podcasts about Social research

In this episode of the Podcast for Social Research Anna Kornbluh and Kate Wagner consider the aesthetics of contemporary American fascism in a conversation moderated by BISR's Audrey Nicolaides. The fascism of the moment merges violent delight in destruction with nouveau riche vulgarity, middle class mediocrity, and internet meme culture. Despite incessant callbacks to the 1930s and continued deployment of classic fascist themes, contemporary fascism distinguishes itself from its historical predecessors by its speed, virulence, sites of production, and mode of distribution: the big, beautiful slop machine, hyper-capitalized, decentralized, and algorithmically determined. How does the aesthetic regime of contemporary fascism function? How is it rewiring the libidinal economy of the present, and stacking the deck for capital? What's specific to fascism in the age of polycrisis? What does it mean now to resist by "politicizing aesthetics," as Walter Benjamin once enjoined us to? You can download the episode by right-clicking here and selecting "save as." Or, look us up on Spotify or Apple Podcasts. This episode was produced by Gil Morejon from live audio recorded at Chicago's Twelve Ten Gallery. If you like what you've heard, consider supporting the podcast by becoming a BISR member or subscribing to Brooklyn Institute's Patreon page, where you can enjoy access to all past and future episodes of the Podcast for Social Research.  

While Washington insists pressure is working and Tehran claims resilience; attacks have continued, oil markets are moving, and ships are passing through the Strait of Hormuz despite repeated warnings of disruption.In this episode of The Fourcast Indicators, Matt Frei and Mark Urban unpack why oil prices haven't exploded, whether Iran is losing one of its most powerful bargaining chips, and what the movement of ships in the Gulf tells us about what could happen next.And what does the resignation of UK Defence Secretary John Healey tell us about how the UK is preparing for a more unstable world?They're joined by Yael Selfin, Fellow at the National Institute of Economic and Social Research and Chief Economist at KPMG, to ask whether markets are underestimating the risks - and what this could mean for fuel prices, inflation and the wider economy.

I was so excited for this one, and Nicole did not disappoint. Dr. Nicole LePera, the Holistic Psychologist, trained at Cornell University and the New School for Social Research, is the founder of SelfHealers Circle and the author of three books including the number one New York Times bestseller How to Do the Work. In this conversation, Nicole and I go deep into covert narcissism, how growing up with emotional unavailability shapes every relationship that follows, what re-parenting actually looks like in the body, and why healing is never a straight line from A to B. I had so many personal realisations listening back to this one, about my own relational blueprint, my expectations, and how narcissism in my family has quietly shaped how I show up with others. Connect with Nicole:theholisticpsychologist.comwww.instagram.com/the.holistic.psychologistWORK WITH ME 1:1:❥Softening into self- 3 month 1:1 with Whats App Support:https://marina-yt.mykajabi.com/offers/PAWQhZHu❥❥1:1 Coaching with me: https://docs.google.com/forms/d/e/1FAIpQLSfWcZM5s9c2OjOLwoGMI5jE6rh_JAzjN2d_vCtuVe7e3pVGxw/viewformDOWNLOAD FOR FREE:Stay or Go: 5 Clarity Questions to Reconnect with Your Inner Knowing: https://marinayt.com/stay-or-go-guideAttatchment Practice: Discover the actual blocks beneath the surface so you can actually have the deep intimacy you crave: https://marinayt.com/attachment-practice Connect & Ground: 10 Incredible Somatic Practices for Nervous System Regulation: https://marinayt.com/connect-and-groundAlive & Aligned: 7 Embodiment Practices For Self Connection: https://marinayt.com/alive-and-alignedTrigger to Rooted: A step by step process of working with your triggers: https://marinayt.com/trigger-2-rooted VIEW MY COURSES & RESOURCES:https://marinayt.com/resources CONNECT WITH  ME:Follow me on Instagram:⁠ ⁠www.instagram.com/marina.y.t⁠⁠ Subscribe to YouTube: http://www.youtube.com/@marinatriner Top Episode Quotes:"We all become self-focused when we feel threatened — that's survival. But when someone is consistently unable to hold anyone else's perspective, that's a different pattern entirely." — Dr. Nicole LePera"I was a million miles away, demanding someone feel close to me — while every instinct in my body was pushing them away. That was the contradiction I had to face." — Dr. Nicole LePera"Re-parenting begins in the body. Teaching your nervous system how to come back to safety — that's the foundation everything else is built on." — Dr. Nicole LePera"The familiar thing that's causing harm still feels safer than the unknown thing that might heal you. That's just how a nervous system works." — Dr. Nicole LePera"You don't have to get rid of your past entirely. The goal is to give yourself a choice — to bring forward what still serves you and break free from what's overtaking your present." — Dr. Nicole LePerainner child healing, reparenting, covert narcissism, nervous system healing, somatic healing, childhood emotional neglect, attachment wounds, relational patterns, hypervigilance, emotional attunement, people pleasing, family estrangement, self healing, trauma recovery, embodiment, deep within podcast, Nicole LePera, holistic psychologist, Marina Triner, How to Do the Work

Today we unpack the massive global hack of the Canvas Learning Management System in May 2026 that impacted some 9000 education institutions and stole an estimated 275 million users' data. To discuss this event and its implications with me is Claire Bond Potter. Claire Bond Potter is Professor of History emeritus at The New School for Social Research, author of the Political Junkie Substack, and creator of Why Now?, a political-history podcast . Her latest article in Chronicle of Higher Education is entitled Kill Canvas. Now. freshedpodcast.com/potter -- Get in touch! LinkedIn: @FreshEdpodcast Facebook: FreshEd Email: info@freshedpodcast.com

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

The artist and writer Molly Crabapple joins journalist Spencer Ackerman and BISR's Suzy Schneider in coversation about her new book, Here Where We Live Is Our Country: The Story of the Jewish Bund, which recreates the revolutionary world of the Bundists, and explores the interwoven histories of the Bund, the Russian Revolution, and the Holocaust. What can we learn, she asks, from this short-lived but influential socialist alternative to Zionism? What does this movement have to say about the past and future of the Jewish left, radical diasporas, the politics of assimilation, and the Bund's cultural and intellectual legacy. What can the transnational history of the Bund teach us about working-class organization, education, and culture? How can the Bund's radical vision of solidarity inform liberation struggles in the present? You can download the episode by right-clicking here and selecting "save as." Or, look us up on Spotify or Apple Podcasts. This episode was produced by Ryan Lentini. If you like what you've heard, consider supporting the podcast by becoming a BISR member or subscribing to Brooklyn Institute's Patreon page, where you can enjoy access to all past and future episodes of the Podcast for Social Research.

Send us Fan MailJessica Rigal is a seasoned clinical social worker with over 20 years of experience specializing in trauma care, particularly in hospitals. Raised amidst a milieu of activism and scientific inquiry in New York City during the 60s and 70s, Jessica was introduced to meditation early on, a practice that has become central to her professional and personal life. She studied pre-med and journalism and holds an advanced degree from the New School of Social Research. Jessica is an advocate of blending meditation with Ashtanga yoga, and she actively practices and teaches these methods, emphasizing their therapeutic benefits.Visit Jessica here: https://yogabyjessica.com/Key Takeaways:Jessica Rigal's life reflects a unique blend of activism, scientific curiosity, and holistic healing practices.Meditation and yoga are central to Jessica's approach, offering profound tools for recovery and personal growth.Listening to the body and maintaining a mindfulness practice can be crucial in overcoming physical limitations and improving mental health.Jessica emphasizes a flexible approach to both yoga and life, focusing on finding joy in the present and accepting each moment as it comes.The idea of practice as a reflection of daily life, rather than a set series of poses, invites listeners to integrate mindfulness into every aspect of their being.Thanks for listening to this episode. Check out:

Markus Gabriel ist ein deutscher Philosoph, Buchautor und Vertreter des Neuen Realismus. Er lehrt seit 2009 als Professor an der Universität Bonn. Dort ist er Direktor des Internationalen Zentrums für Philosophie sowie des interdisziplinären Center for Science and Thought. Er ist einer der Gründungsdirektoren des Institute for Philosophy and the New Humanities and New School for Social Research in New York City. Seit 2024 ist er ausserdem Senior Global Advisor am Kyoto Institute of Philosophy und seit 2025 Specially Appointed Professor am Kyoto University Institute for the Future of Human Society.Bücher: Moralische Tatsachen. Warum sie existieren und wir sie erkennen können, C.H.Beck, 2025. Gutes tun. Wie der ethische Kapitalismus die Demokratie retten kann, Ullstein, 2025. Moralischer Fortschritt in dunklen Zeiten. Universale Werte für das 21. Jahrhundert, Ullstein, 2021.Sendehinweis: ORF Radio Vorarlberg am 16.05.2026.

In this NBN episode, host Hollay Ghadery speaks with poet Sharon Israel about her poetry collection, Voice Lesson (Post Traumatic Press). Sharon Israel's poems are full of song and detail, movement and color; the pleasures she brings to the page are many and varied. We are as likely to find Israel's speaker sighting owls in the Catskills, or helping in her dad's butcher shop, as in the world of music implied by the title. In Voice Lesson, Israel's urge is alchemical, so that when she's behind the counter, “scoop[ing] shiny brains into plastic bags” she is also arranging them “carefully like pale jewels.” She's after a kind of transformation, and urges us, “Always make room/for that singing thing/inside you.”  —Daisy Fried, author of Women's Poetry: Poems and Advice Sharon Israel, Sephardic American poet and soprano, was an early recipient of Brooklyn College's Leonard Hecht Poetry Explication Award, was nominated for “Best of the Net” 2016 and won Four Lines' 2020 winter poetry challenge. Her chapbook Voice Lesson was published by Post Traumatic Press. Her work has most recently appeared in Loud Coffee Press among other journals (print and on-line) and anthologies. . Sharon hosts the radio show and podcast, Planet Poet-Words in Space, on WIOX 91.3 FM in the Catskills. All podcast episodes are available on YouTube Music, Spotify and Apple. Sharon is a member of the sound/poetry duo OrphicMix with composer Robert Cucinotta. Sharon has also collaborated with Cucinotta on works for voice, live instruments, and electronics and has premiered several of his works in New York.Sharon has a B.A. from Brooklyn College and an M.S. from the New School of Social Research. She was a local news reporter, feature writer and music critic for Courier-Life publications, Women's ENews and for the late, lamented Brooklyn Phoenix; she worked as a shoe saleswoman, microbiology lab technician, secretary, had a short stint as a municipal bond salesperson, and worked over two decades as a grant writer and development director. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with poet Sharon Israel about her poetry collection, Voice Lesson (Post Traumatic Press). Sharon Israel's poems are full of song and detail, movement and color; the pleasures she brings to the page are many and varied. We are as likely to find Israel's speaker sighting owls in the Catskills, or helping in her dad's butcher shop, as in the world of music implied by the title. In Voice Lesson, Israel's urge is alchemical, so that when she's behind the counter, “scoop[ing] shiny brains into plastic bags” she is also arranging them “carefully like pale jewels.” She's after a kind of transformation, and urges us, “Always make room/for that singing thing/inside you.”  —Daisy Fried, author of Women's Poetry: Poems and Advice Sharon Israel, Sephardic American poet and soprano, was an early recipient of Brooklyn College's Leonard Hecht Poetry Explication Award, was nominated for “Best of the Net” 2016 and won Four Lines' 2020 winter poetry challenge. Her chapbook Voice Lesson was published by Post Traumatic Press. Her work has most recently appeared in Loud Coffee Press among other journals (print and on-line) and anthologies. . Sharon hosts the radio show and podcast, Planet Poet-Words in Space, on WIOX 91.3 FM in the Catskills. All podcast episodes are available on YouTube Music, Spotify and Apple. Sharon is a member of the sound/poetry duo OrphicMix with composer Robert Cucinotta. Sharon has also collaborated with Cucinotta on works for voice, live instruments, and electronics and has premiered several of his works in New York.Sharon has a B.A. from Brooklyn College and an M.S. from the New School of Social Research. She was a local news reporter, feature writer and music critic for Courier-Life publications, Women's ENews and for the late, lamented Brooklyn Phoenix; she worked as a shoe saleswoman, microbiology lab technician, secretary, had a short stint as a municipal bond salesperson, and worked over two decades as a grant writer and development director. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Dr. Nicole LePera is the New York Times bestselling author of How to Do the Work and How to Be the Love You Seek, as well as the workbook How to Meet Your Self. She was trained in clinical psychology at Cornell University and the New School for Social Research and studied at the Institute for Modern Psychoanalysis of Philadelphia. She is a holistic psychologist whose work addresses the connections among the mind, body, and soul, incorporating overall lifestyle and psychological wellness practices. She is the creator of the #SelfHealers movement where people from around the world are joining together in community to take healing into their own hands. Today on the show we discuss: how childhood patterns silently shape your adult relationships, why awareness without action keeps people trapped in self-sabotage, the connection between nervous system regulation and emotional healing, how overachievement and people pleasing are often survival responses, the dangerous trap of relying on external validation for self-worth, and what it actually takes to build healthy relationships through honesty, boundaries and self-connection and much more. ⚠ WELLNESS DISCLAIMER ⚠ Please be advised; the topics related to health and mental health in my content are for informational, discussion, and entertainment purposes only. The content is not intended to be a substitute for professional advice, diagnosis, or treatment. Always seek the advice of your health or mental health professional or other qualified health provider with any questions you may have regarding your current condition. Never disregard professional advice or delay in seeking it because of something you have heard from your favorite creator, on social media, or shared within content you've consumed. If you are in crisis or you think you may have an emergency, call your doctor or 911 immediately. If you do not have a health professional who is able to assist you, use these resources to find help: Emergency Medical Services—911 If the situation is potentially life-threatening, get immediate emergency assistance by calling 911, available 24 hours a day. National Suicide Prevention Lifeline, 1-800-273-TALK (8255) or https://suicidepreventionlifeline.org.  SAMHSA addiction and mental health treatment Referral Helpline, 1-877-SAMHSA7 (1-877-726-4727) and https://www.samhsa.gov Learn more about your ad choices. Visit megaphone.fm/adchoices

Taking a breather from our moment's unrelentingly grim headlines, Abby, Patrick, and Dan return to a favorite analytic thinker – Donald Winnicott (1896-1971) – and begin the first of a two-part episode on one of his most famous papers, “Transitional Objects and Transitional Phenomena” (1951/1953). Winnicott's ostensible subject here is infantile development, and specifically the attachment very young children frequently develop towards a particularly favored object, whether that be a blanket, a stuffed animal, or the like. But Winnicott also imbues an infant's “lovie” with profound significance that goes beyond its material incarnation. Rather than being just another plaything, it holds an essential role in the development of a child's incipient subjectivity, and demands that we think beyond binary distinctions between subject and object, inside and outside, and self and other. As a “transitional object,” it even suggests a kind of template for sophisticated adultg activities ranging from artistic creation to religious rituals to sexual fetishism to addiction and more. Close reading the first six pages of the essay, Abby, Patrick, and Dan unpack Winnicott's deceptively simple prose and delightful lists, exploring how play is in fact neither frivolous nor merely the province of children, but in fact something much more serious, and thinking through the implications of Winnicott's idea of “transitional phenomena” for psychotherapy, education, aesthetics, and more.Works Cited:Donald Woods Winnicott, “Transitional Objects and Transitional Phenomenon,” in Playing and Reality (essay originally published in 1951; Playing and Reality, 1971)Also as mentioned in the episode, the Brooklyn Institute for Social Research's Annual Social is June 4th! Abby is on the host committee and we'll both be there – come join us to support BISR? For more details and tickets: https://thebrooklyninstitute.com/items/events/2026-annual-institute-social/And a link to Abby's summer Brooklyn Institute class, Theories of Consent: Subjectivity and Sexual Ethics: https://thebrooklyninstitute.com/items/courses/new-york/theories-of-consent-subjectivity-and-sexual-ethics-2/Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Find us online:  http://www.ordinaryunhappiness.com X: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: http://www.patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

The anxiety you carry, the way you go silent in conflict, the relentless drive that never quite feels like enough, these didn't start with you. They started much earlier, in relationships and environments your body learned to survive before you had words for any of it. And according to Dr. Nicole LePera, until you understand what your nervous system actually encoded in those years, you'll keep bumping into the same walls, the same patterns, the same exhaustion.Dr. Nicole LePera is a clinical psychologist trained at Cornell University and the New School for Social Research, a New York Times bestselling author, and the founder of the global SelfHealers community. Her new book, Reparenting the Inner Child, brings together neuroscience, attachment research, and epigenetics to explain not just why we are the way we are, but how real change actually happens in the body, not just the mind.In this conversation, you'll explore:Why your childhood adaptations were brilliant at the time, and how they became the patterns holding you back nowWhat the inner child actually is (the science, not the cliche), and why insight alone isn't enough to change itThe neuroscience of emotional flooding: what's happening in your body when you can't just calm down, no matter how much you want toWhy midlife is often the moment these old patterns finally surface, and why that's not regression, it's readinessThe epigenetics of stress: how your ancestors' survival adaptations may be running your nervous system todayWhere to actually begin if you want to do this work without needing to excavate everything that happened to you as a childIf you've spent years doing the work and still find yourself reacting in ways that don't feel like you, this conversation will help you understand why, and what to do next.You can find Nicole at: Website | Instagram | Episode TranscriptNext week, we're sharing our conversation with Jon Acuff about why procrastination is not actually your problem and the surprising permission shift that happens when you finally finish what matters most. Follow Good Life Project wherever you get your podcasts so you never miss an episode.Check out our offerings & partners: Join My New Writing Project: Awake at the WheelVisit Our Sponsor Page For Great Resources & Discount Codes Hosted on Acast. See acast.com/privacy for more information.

Unlocked Patreon episode. Support Ordinary Unhappiness on Patreon to get access to all the exclusive episodes. patreon.com/OrdinaryUnhappinessAbby and Patrick welcome Danielle Drori of the Brooklyn Institute for Social Research for the second installment of a two-part series on the thought of French psychoanalyst Jean Laplanche. Together, the three discuss a pivotal chapter in New Foundations for Psychoanalysis, unpacking Laplanche's “universalized” transformation of Freud's seduction hypothesis; Laplanche's “primal situation” and its roots in anthropology and phenomenology; and what these ideas reveal about our invariably messy experiences of parenting, therapy, and more.Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Find us online:  http://www.ordinaryunhappiness.com X: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: http://www.patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

What if your health struggles didn't start with your habits—but with your childhood? In this episode of The Natural Heart Doctor Show Podcast, Dr. Nicole LePera explains how trauma, stress, and nervous system patterns shape your physical health, emotional reactions, and ability to create lasting change.- - - - -About the Guest:Dr. Nicole LePera is a holistic psychologist trained at Cornell University, The New School for Social Research, and the Philadelphia School of Psychoanalysis. She is the founder of the Global Healing Community Self Healer Circle and the author of multiple New York Times bestselling books, including How to Do the Work, How to Meet Yourself, and How to Be the Love You Seek.With over 9 million followers worldwide, she has become a leading voice in bridging psychology, nervous system regulation, and holistic health. Her work focuses on helping individuals understand how early life experiences shape behavior, emotional patterns, and physical health, while offering accessible tools for lasting transformation.Social Handles:Website: https://theholisticpsychologist.com/Instagram: https://www.instagram.com/the.holistic.psychologist/- - - - -Jack Wolfson, DO, FACCWebsites: ⁠⁠⁠https://drjackwolfson.com/⁠⁠⁠; ⁠⁠⁠https://naturalheartdoctor.com/⁠⁠⁠LinkedIn: ⁠⁠⁠https://www.linkedin.com/in/drjackwolfson⁠Ready to move past the confusion and fear of typical heart health approaches? Visit ⁠naturalheartdoctor.com/discovery⁠ to schedule your free discovery call and start your journey toward a 100-year heart with real, evidence-based answers.- - - - -PODCAST Thank you for listening. Please subscribe and share. This podcast is produced by DrTalks.com ⁠https://drtalks.com/podcast-service/

THIS IS PART TWO - Listen to part one hereCONTENT HEADS UP:  This episode contains discussions of death, dying, end-of-life care, and sensitive topics related to mortality, including chosen suicide and medicalization of death and illness. Listener discretion is advised, especially for individuals who may find these topics distressing or triggering. Please prioritize your emotional well-being while engaging with this content.Also, Ali wants to note that when she asks Karen about her thoughts on suicide, she meant to make a disctinction between “chosen” suicide (when someone wants to live but they are in too much physical pain/their body is too deteriorated without hope of recovery) and “suicide under duress” (meaning due to emotional/psychological/spiritual pain, that may or may not be accompanied by an unavoidably dying body, the person does not want to live). Of course facing a death someone does not want can also be considered duress!  SYNOPSIS:What does good acting and dying have in common? In this episode, Ali discusses all things death, dying, and living as bodies with Karen Bellone, Certified End-of-Life Doula and Death Educator. They focus on the interconnectedness of life and death, the significance of conscious living, and the complexities of end-of-life care. Karen shares her experiences working with dying individuals, highlighting the challenges of the dying process, including issues related to dementia and Alzheimer's. They discuss the importance of compassionate and holistic approaches to end-of-life care, emphasizing the need for conscious decision-making aligned with personal values to achieve a good death without regrets. Throughout the conversation, they reflect on the essence of embodiment and the importance of being present in the moment, trusting the intelligence of the body to embrace a richer life and ultimately a better death.  ALI & KAREN EXPLORATION POINTS:-  The concept of a 'good death,' this discussion emphasizes the significance of conscious decision-making and holistic approaches to end-of-life care, challenging societal norms and perceptions surrounding death.  -  The complexities, ethical considerations and medicalization surrounding end-of-life decisions, highlighting the need for open dialogue and support for individuals facing such choices.-  The role of a Death Doula, illuminating the profound support and guidance provided by these compassionate professionals in assisting individuals and families through the dying process, fostering a sense of empowerment and comfort.-  How our physical and emotional bodies communicate and play integral roles in the dying process, highlighting the importance of listening to and honoring the body's wisdom. -  Insights into embracing conscious living, pursuing meaningful experiences, and aligning actions with personal values to cultivate a sense of fulfillment and purpose.-  Sensory experiences shape our perception of life and death, emphasizing the significance of sensory elements in the dying process and fostering connections with loved ones.To be an angel to the podcast, click here: To read more about the podcast, click here: MORE ALI MEZEY:Website BODY MAPPING VIDEO LIBRARYPersonal Geometry® and the Magic of Mat Work Course informationTransgenerational Healing FilmsMORE KAREN BELLONE:Film Website: Website: The Seventh Sense BIO:Founder, Doula, Educator: Karen Bellone, MFA, is a Certified End-of-Life Doula and Death Educator. She is the founder of The Seventh Sense in NY's Hudson Valley, where she is an integral part of a worldwide community that is reigniting the wisdom of death within our modern lives. She is also founder of Exit Strategy for Dying, a monthly Death, Arts and Culture Readers supporting a resource hub to educate and refocus the narrative around death and grief through the lens of arts, culture, storytelling and innovation. Prior to embracing her passion for end-of-life work, Karen has had a long career as an award-winning filmmaker and internationally collected photographer. She received a BFA in Film Production from New York University, and did graduate work with the world-renowned Actors Studio, through their inaugural program at the New School for Social Research.After training and becoming certified with INELDA (International End of Life Doula Association), Karenworked with an innovative hospice in Los Angeles where her skills as a death doula were developed and broadened. In addition to working with patients in various stages of their life journeys, she was responsible for training the volunteer staff, nurses and other hospice and medical professionals to bring more understanding, humanity and compassion into their work with the dying. She spoke regularly with groups, such as the Alzheimer's Project, about the role of the doula at end-of-life, and the space that can be held to bring about ‘a good death'. She believes strongly in the ability to demystify and assuage the fear that surrounds death in our culture and to foster safe passage for the dying, as well as to aid the families and loved ones through grief and bereavement.As a visual artist and storyteller, Karen acquired a multitude of skills throughout her career that unlocked a deep passion for the healing power of visual and auditory perception on human consciousness. She integrated these strengths and resources into tools to bring aid and comfort for those imminently facing their mortality. Working with somatic and sensory awareness, Karen utilizes visual, sound and meditation therapy, personalized guided imagery, and commemoration of the sacred in the form of ritual, legacy and memory work, in order to bring comfort - physically, emotionally, spiritually to celebrate and commemorate the life of the individual. In addition to her ongoing private practice, Karen is currently directing a feature film about living American artist Michelle Stuart, whose work also engages with the elemental and ineffable nature of existence.RESOURCES:Edgar Allan PoeErik EriksonExit strategy for dying (Karen's monthly newsletter)Omega Home NetworkAll...

In this rewind episode, we explore the concept of weathering — the cumulative, biological toll that chronic stress from living in an unjust society can have on people from marginalized communities. This framework helps explain why health disparities persist, and why they often deepen over time. Our guest is Dr. Arline Geronimus, a member of the National Academy of Medicine and a professor at the University of Michigan's School of Public Health and Institute for Social Research. She is also affiliated with the Center for Research on Ethnicity, Culture and Health, and is the author of Weathering: The Extraordinary Stress of Ordinary Life in an Unjust Society. Dr. Geronimus joins us to unpack the science behind weathering, the lived realities it reflects, and what it means for public health, policy, and equity.

Dr. Nicole LePera is the internationally bestselling author of How to Do the Work and How to Be the Love You Seek, as well as the workbook How to Meet Your Self. She was trained in clinical psychology at Cornell University and the New School for Social Research and studied at the Philadelphia School of Psychoanalysis.She is a holistic psychologist whose work addresses the connection between the mind, body and soul incorporating overall lifestyle and psychological wellness practices. She is the creator of Self Healers Circle, a membership platform where people from around the world join together in community to take healing into their own hands.

CONTENT HEADS UP:  This episode contains discussions of death, dying, end-of-life care, and sensitive topics related to mortality, including chosen suicide and medicalization of death and illness. Listener discretion is advised, especially for individuals who may find these topics distressing or triggering. Please prioritize your emotional well-being while engaging with this content. SYNOPSIS:What does good acting and dying have in common? In this episode, Ali discusses all things death, dying, and living as bodies with Karen Bellone, Certified End-of-Life Doula and Death Educator. They focus on the interconnectedness of life and death, the significance of conscious living, and the complexities of end-of-life care. Karen shares her experiences working with dying individuals, highlighting the challenges of the dying process, including issues related to dementia and Alzheimer's. They discuss the importance of compassionate and holistic approaches to end-of-life care, emphasizing the need for conscious decision-making aligned with personal values to achieve a good death without regrets. Throughout the conversation, they reflect on the essence of embodiment and the importance of being present in the moment, trusting the intelligence of the body to embrace a richer life and ultimately a better death.  ALI & KAREN EXPLORATION POINTS:-  The concept of a 'good death,' this discussion emphasizes the significance of conscious decision-making and holistic approaches to end-of-life care, challenging societal norms and perceptions surrounding death.  -  The complexities, ethical considerations and medicalization surrounding end-of-life decisions, highlighting the need for open dialogue and support for individuals facing such choices.-  The role of a Death Doula, illuminating the profound support and guidance provided by these compassionate professionals in assisting individuals and families through the dying process, fostering a sense of empowerment and comfort.-  How our physical and emotional bodies communicate and play integral roles in the dying process, highlighting the importance of listening to and honoring the body's wisdom. -  Insights into embracing conscious living, pursuing meaningful experiences, and aligning actions with personal values to cultivate a sense of fulfillment and purpose.-  Sensory experiences shape our perception of life and death, emphasizing the significance of sensory elements in the dying process and fostering connections with loved ones.To be an angel to the podcast, click here: To read more about the podcast, click here: MORE ALI MEZEY:Ali's Website BODY MAPPING VIDEO LIBRARYPersonal Geometry® and the Magic of Mat Work Course informationTransgenerational Healing FilmsMORE KAREN BELLONE:Film Website: Website: The Seventh Sense BIO:Founder, Doula, Educator: Karen Bellone, MFA, is a Certified End-of-Life Doula and Death Educator. She is the founder of The Seventh Sense in NY's Hudson Valley, where she is an integral part of a worldwide community that is reigniting the wisdom of death within our modern lives. She is also founder of Exit Strategy for Dying, a monthly Death, Arts and Culture Readers supporting a resource hub to educate and refocus the narrative around death and grief through the lens of arts, culture, storytelling and innovation. Prior to embracing her passion for end-of-life work, Karen has had a long career as an award-winning filmmaker and internationally collected photographer. She received a BFA in Film Production from New York University, and did graduate work with the world-renowned Actors Studio, through their inaugural program at the New School for Social Research.After training and becoming certified with INELDA (International End of Life Doula Association), Karenworked with an innovative hospice in Los Angeles where her skills as a death doula were developed and broadened. In addition to working with patients in various stages of their life journeys, she was responsible for training the volunteer staff, nurses and other hospice and medical professionals to bring more understanding, humanity and compassion into their work with the dying. She spoke regularly with groups, such as the Alzheimer's Project, about the role of the doula at end-of-life, and the space that can be held to bring about ‘a good death'. She believes strongly in the ability to demystify and assuage the fear that surrounds death in our culture and to foster safe passage for the dying, as well as to aid the families and loved ones through grief and bereavement.As a visual artist and storyteller, Karen acquired a multitude of skills throughout her career that unlocked a deep passion for the healing power of visual and auditory perception on human consciousness. She integrated these strengths and resources into tools to bring aid and comfort for those imminently facing their mortality. Working with somatic and sensory awareness, Karen utilizes visual, sound and meditation therapy, personalized guided imagery, and commemoration of the sacred in the form of ritual, legacy and memory work, in order to bring comfort - physically, emotionally, spiritually to celebrate and commemorate the life of the individual. In addition to her ongoing private practice, Karen is currently directing a feature film about living American artist Michelle Stuart, whose work also engages with the elemental and ineffable nature of existence.RESOURCES:Edgar Allan PoeErik EriksonExit strategy for dying (Karen's monthly newsletter)Omega Home NetworkAll the Little DeathsRabbi Leder's book, The Beauty of What RemainsAllen GinsbergHenry Firsco WeissThe Rites of the DyingPhilip ShepherdThis one is for you, Pop: April 12, 1931 - April 15, 2015With my deep love - AM

In this episode of the Podcast for Social Research, Suzanne Schneider and Soraya Batmanghelichi consider the current crisis in Iran, tracing its roots through the touchpoints of twentieth- and twenty-first-century Iranian history. Their conversation ranges over the origins of modern Iranian political and class structures from the eighteenth century to the present, European interventions in the Middle East, the role of the Iranian people in revolutionary change, Iran-U.S. relations and disjunctions,  geopolitical fantasies about Iran and the part it plays as a regional actor, and the very human stakes of inhumane conflicts. You can download the episode by right-clicking here and selecting "save as." Or, look us up on Spotify or Apple Podcasts. This episode was produced by Ryan Lentini. If you like what you've heard, consider supporting the podcast by becoming a BISR member or subscribing to Brooklyn Institute's Patreon page, where you can enjoy access to all past and future episodes of the Podcast for Social Research.

Abby and Patrick welcome returning guest Loren Dent. As co-director of Brooklyn's Greene Clinic, Loren is the ideal person to unpack the history, meaning, and contemporary landscape of community psychoanalysis. Drawing on Brazilian analyst Gabriel Tupenambá's idea of the “institutional circuit,” Loren walks Abby and Patrick through a history extending from Freud's hopes for a “psychoanalysis for the people” to the refugee analyst diasporas of WW2 to the interventions of Jacques Lacan to contemporary efforts to bring a community psychoanalytic orientation to analytic institutions around the United States. As Loren, Abby, and Patrick explore, the idea of community also psychoanalysis raises questions about the communities psychoanalysis can serve, communities it has previously excluded, and psychoanalytic institutions as communities in their own right. Topics include the relationship between theory, practice, and doctrine; differing national histories of psychoanalysis; ego psychology and the question of adaptation; the embededness of signifiers; hierarchies and antagonisms within analytic institutions, as well as efforts to reconstellate them; the complicated stakes of “expanding access”; burnout as both an individual condition and institutional symptom; what drives people to practice psychoanalysis in the first place, and more.More about Loren at the Greene Clinic and about his courses at the Brooklyn Institute for Social Research.Works cited:Gabriel Tupinambá, The Desire of Psychoanalysis, Exercises in Psychoanalytic Thinking.Sigmund Freud, The Question of Lay Analysis.Elizabeth Ann Danto, Freud's Free Clinics: Psychoanalysis and Social Justice 1918-1938.Emily Kuriloff, Contemporary Psychoanalysis and the Legacy of the Third Reich.Resources:Foundation for Community PsychoanalysisPsychoanalytic Institute of Northern California (PINC) Community Psychoanalysis Track & ConsortiumThe Greene ClinicChicago Center for Psychoanalysis & PsychotherapyThe Kedzie Center, ChicagoWashington Baltimore Center for Psychoanalysis, Community Psychoanalysis Certificate ProgramBoston Psychoanalytic Society & Institute Concentration in Community PsychoanalysisDIVISION/Review, Special Issue on Community Psychoanalysis, 2022A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Find us online: http://www.ordinaryunhappiness.com X: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: http://www.patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

Oz Frankel, professor of American history at the New School for Social Research in New York, discusses his book Coca Cola, Black Panthers and Phantom Jers: Israel in the American Orbit 1967-1973.

In this episode, Matt & Lauren speak with Kristine Ajrouch, PhD - a new member of our CAPRA leadership team. Kristine is a Research Professor at the Institute for Social Research whose work focuses on aging, health, immigration and family in the United Statues and the Middle East; social networks over the life course; and Arab American identity and well-being. Kristine discusses a recent article that examined an intervention to improve outcomes among Arab American caregivers who provide care to a family member living with dementia. She also shares what this work teaches us about caregiving as a family system rather than the responsibility of a single individual. The transcript for this episode can be found here. Link of Interest: Kristine Ajrouch Faculty Profile Article referenced in podcast: Ajrouch KJ, Barada FM, Janevic MR, Antonucci TC. Supporting Arab-American Families Living With Dementia: Testing a Culturally Adapted Program. J Appl Gerontol. 2025 Apr;44(4):515-519. doi: 10.1177/07334648241281153. Epub 2024 Sep 23. PMID: 39313309. You can subscribe to Minding Memory on Apple Podcasts, Spotify, or wherever you listen to podcasts. Hosted on Acast. See acast.com/privacy for more information.

In this shortcast edition of the Podcast for Social Research, recorded live as part of BISR's Occasional Evenings event series, BISR's Isi Litke and Rebecca Ariel Porte talk with documentarian Ted Kennedy about his film, B.F. Skinner Plays Himself, composed of found footage from a never-released educational film about the famed radical behaviorist. The conversation covers the political contexts for radical behaviorism, its legacies and missed opportunities, and the behaviorist resistance to psychoanalytic perspectives. The three also consider documentary aesthetics, working with found footage, and what studying Skinner as a documentary subject can teach us about the conditions that produce new behaviors. This episode was produced by Ryan Lentini. Learn more about upcoming courses on our website. Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky.  

Until the 7th of May, the BBC will be looking into how the Senedd election is unfolding on social media feeds across Wales.On this episode of Walescast, Ben Summer from the News Impact Team, joins Fliss and James to explain how.Using data and analysis from the National Centre for Social Research, he has set up six social media profiles for fictional voters based in different parts of Wales.Ben is hoping they can give us a glimpse into the type of content people are being shown.The full series of Undercover Voters will be available online on BBC Wales and Ben will be returning to Walescast weekly to provide updates.It is based on a project by Marianna Spring who originally came up with this idea and used it in experiments for the Americast podcast and the 2024 UK General Election.

"Trauma isn't just what happened to us. It's more so about the support we may or may not have had to navigate the emotional fallout of what happened." Nicole LePera, Ph.D., is the creator of the worldwide @theholisticpsychologist movement, and the author of multiple bestselling books including How to Do the Work and her newest, Reparenting the Inner Child. She was trained in clinical psychology at Cornell University and the New School for Social Research and studied at the Philadelphia School of Psychoanalysis. Her work has reached tens of millions of people on social media, who are waking up to the idea that healing doesn't happen in a therapist's office alone. 00:00 — How to recognize your inner child 04:05 — Redefining childhood trauma 06:09 — How parenting has shifted over time 10:00 — Safety as a foundation 14:30 — Why children internalize a parent's anger  18:10 — How ownership & awareness can lead to reparenting 20:21 — Epigenetics: when the trauma didn't start with you 22:55 — Why insight alone doesn't create change 24:19 — Embracing discomfort & developing resilience 26:01 — Navigating difficult relationships 29:53 — What acceptance actually looks like 37:03 –– Emotional dysregulation & numbness 40:16 — What you can do to start healing right now Find Nicole LePera on Instagram here: https://www.instagram.com/the.holistic.psychologist/  Buy her book here: https://a.co/d/04SVp4tW We hope you enjoy this episode, and feel free to watch the full video on YouTube! Whether it's an article or podcast, we want to know what we can do to help here at mindbodygreen. Let us know at: podcast@mindbodygreen.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Palestinian journalist from Gaza Ahmed Alnaouq is joined by renowned historian and author Vijay Prashad. Through the lens of hyper-imperialism, they unravel U.S. foreign policy—from Venezuela to Gaza, Iran to Greenland—and the global rise of the far right.Venezuela's president was abducted last week in a U.S. military operation that left at least 80 people dead, including 32 Cubans tasked with protecting President Nicolás Maduro. Just days earlier, Israel's prime minister — international fugitive Benjamin Netanyahu, wanted by the International Criminal Court for war crimes — departed Washington, D.C., after being warmly received by U.S. officials.Vijay has written more than forty books, including Washington Bullets and The Darker Nations: A People's History of the Third World. He is the executive director of Tricontinental: Institute for Social Research, chief correspondent for Globetrotter, and chief editor of LeftWord Books in New Delhi.Support independent, Palestinian-led media from as little as £1 per month: https://www.palestinedeepdive.com/p/support

For more on this our Economics and Public Affairs Editor, David Murphy.

Welcome back to Minding Memory! In today's episode, Lauren & Matt speak with Dr. Laura Zahodne – a professor of psychology at the University of Michigan and an affiliate of the Institute for Social Research. She's a clinical neuropsychologist by training and studies how psychosocial experiences shape late life, cognitive health, and risk of neurodegenerative disease. Also, a new member of our CAPRA leadership team! In this episode, we'll get to know Laura a little better and talk with her about one of her research studies, the Neighborhood Racial Income Inequality in Cognitive Health, which looks at the association between racial income differences and a variety of cognitive measures. The transcript for this episode can be found here. Links of Interest: Laura Zahodne Faculty Profile Introduction to the Michigan Cognitive Aging Project Articles Referenced in Podcast: Zahodne LB, Sol K, Scambray K, Lee JH, Palms JD, Morris EP, Taylor L, Ku V, Lesniak M, Melendez R, Elliott MR, Clarke PJ. Neighborhood racial income inequality and cognitive health. Alzheimers Dement. 2024 Aug;20(8):5338-5346. doi: 10.1002/alz.13911. Epub 2024 Jun 27. PMID: 38934219; PMCID: PMC11350017. Hu Y, Elliott MR, Meier HCS, Chen L, Walters ME, Sol K, Zahodne LB. The impact of census-tract level mortgage discrimination on cognitive function: accounting for measurement instability in small-area data via joint modeling. Am J Epidemiol. 2025 Nov 4;194(11):3258-3266. doi: 10.1093/aje/kwaf131. PMID: 40522478; PMCID: PMC12634109. You can subscribe to Minding Memory on Apple Podcasts, Spotify, or wherever you listen to podcasts. Hosted on Acast. See acast.com/privacy for more information.

We are living through difficult times, tough times, and we're not alone. Genocide, catastrophic capitalist climate collapse, increasing inequality, unapologetic imperial dreams and white supremacist policies unleashed, fascism on the rise—people all over the world are suffering, they get hurt and they get hard. Our rage and our sadness for all the unnecessary suffering, while understandable, can easily lead to despair and worse. But despair is deactivating, distorting, and destructive—a weapon of the powerful. Activism is a necessary antidote to despair, and activism opens a practical space where hope can come alive. Join us in conversation with one of the most joyful freedom fighters we know: Vijay Prashad, director of Tricontinental: Institute for Social Research—a primer about everything that matters! Vijay is the author of forty books, including The Darker Nations: A People's History of the Third World, The Poorer Nations: A Possible History of Global South, and (with Grieve Chelwa) How the International Monetary Fund Suffocates Africa. He is an editor at LeftWord Books (New Delhi), Inkani Books (Johannesburg), and La Trocha (Santiago).

It begins with a single, panicked phone call about a fallen parent or a flickering memory, but it is quickly becoming the defining white noise of a nation. As the American population ages and family structures splinter, a quiet domestic struggle has escalated into a pressing national inquiry: Who is actually responsible for our elders?New insights from the University of Michigan suggest that while the American heart remains committed to the ideal of family-led care, the American household is running out of resources to provide it. Sarah Patterson, a sociologist and demographer at the Institute for Social Research, joined the Michigan Minds podcast to talk about a high-stakes collision between universal moral values and a "math problem" that no longer adds up.Q: Is the traditional family safety net fraying under the weight of several modern demographic shifts. So I would say that our expectations for family is pretty universal. This is a widely held belief among many people, many nations, that families should help older adults with their care. But as you said, it's becoming sort of a math problem because older adults' families are changing. So we have higher rates of what's known as gray divorce or getting divorced later in life. Family estrangement has become a big topic. For instance, Oprah has been talking about it, so it's a big topic in the public. And there's these sort of family changes that are happening for older adults that call into question what our expectations might be in this changing sort of demographic environment.My research is concerned with how we think about these expectations for families when families are changing… There is a question about whether these sorts of values will persist into the future as there's more pressure on smaller families to take care of older adults in the U.S.Michigan Minds is produced by Greta Guest and hosted by Michigan News staff. Jeremy Marble is the audio engineer and Hans Anderson provides social media animations. Listen to all episodes of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Worker Centered: Allyship & Action in the Contemporary Labor Movement (Oxford UP, 2024) is a close-to-the-ground, ethnographic narrative of a workplace organizing campaign at a company whose workforce was primarily low wage and immigrant. The book details the overall strategy of the campaign and its ultimate failure to win its core demands. The organization used an innovative strategic model and insisted on the importance of worker leadership. And yet allies and staff participated in a campaign that, although continually framed as such, was decidedly not led by workers. Ultimately, Worker Centered challenges conventional notions of political representation, inviting reflection on the complexities of organizing the marginalized and speaking on their behalf. Our guest Biko Koenig is an Assistant Professor in the Government and Public Policy programs at Franklin & Marshall college in Lancaster, PA. He is also co-founder of Research Action, a worker-owned research and organizing firm that performs research and analysis for unions, solidarity economy organizations, community groups and social justice campaigns. Trained as an ethnographer and qualitative specialist at the New School for Social Research, Koenig's research investigates questions of political behavior and mobilization that centers the experiences of everyday actors as they seek to challenge status-quo power relationships. My co-host today is Joe Zerilli, and MA student in the Communication program at Oakland University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Worker Centered: Allyship & Action in the Contemporary Labor Movement (Oxford UP, 2024) is a close-to-the-ground, ethnographic narrative of a workplace organizing campaign at a company whose workforce was primarily low wage and immigrant. The book details the overall strategy of the campaign and its ultimate failure to win its core demands. The organization used an innovative strategic model and insisted on the importance of worker leadership. And yet allies and staff participated in a campaign that, although continually framed as such, was decidedly not led by workers. Ultimately, Worker Centered challenges conventional notions of political representation, inviting reflection on the complexities of organizing the marginalized and speaking on their behalf. Our guest Biko Koenig is an Assistant Professor in the Government and Public Policy programs at Franklin & Marshall college in Lancaster, PA. He is also co-founder of Research Action, a worker-owned research and organizing firm that performs research and analysis for unions, solidarity economy organizations, community groups and social justice campaigns. Trained as an ethnographer and qualitative specialist at the New School for Social Research, Koenig's research investigates questions of political behavior and mobilization that centers the experiences of everyday actors as they seek to challenge status-quo power relationships. My co-host today is Joe Zerilli, and MA student in the Communication program at Oakland University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Worker Centered: Allyship & Action in the Contemporary Labor Movement (Oxford UP, 2024) is a close-to-the-ground, ethnographic narrative of a workplace organizing campaign at a company whose workforce was primarily low wage and immigrant. The book details the overall strategy of the campaign and its ultimate failure to win its core demands. The organization used an innovative strategic model and insisted on the importance of worker leadership. And yet allies and staff participated in a campaign that, although continually framed as such, was decidedly not led by workers. Ultimately, Worker Centered challenges conventional notions of political representation, inviting reflection on the complexities of organizing the marginalized and speaking on their behalf. Our guest Biko Koenig is an Assistant Professor in the Government and Public Policy programs at Franklin & Marshall college in Lancaster, PA. He is also co-founder of Research Action, a worker-owned research and organizing firm that performs research and analysis for unions, solidarity economy organizations, community groups and social justice campaigns. Trained as an ethnographer and qualitative specialist at the New School for Social Research, Koenig's research investigates questions of political behavior and mobilization that centers the experiences of everyday actors as they seek to challenge status-quo power relationships. My co-host today is Joe Zerilli, and MA student in the Communication program at Oakland University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Worker Centered: Allyship & Action in the Contemporary Labor Movement (Oxford UP, 2024) is a close-to-the-ground, ethnographic narrative of a workplace organizing campaign at a company whose workforce was primarily low wage and immigrant. The book details the overall strategy of the campaign and its ultimate failure to win its core demands. The organization used an innovative strategic model and insisted on the importance of worker leadership. And yet allies and staff participated in a campaign that, although continually framed as such, was decidedly not led by workers. Ultimately, Worker Centered challenges conventional notions of political representation, inviting reflection on the complexities of organizing the marginalized and speaking on their behalf. Our guest Biko Koenig is an Assistant Professor in the Government and Public Policy programs at Franklin & Marshall college in Lancaster, PA. He is also co-founder of Research Action, a worker-owned research and organizing firm that performs research and analysis for unions, solidarity economy organizations, community groups and social justice campaigns. Trained as an ethnographer and qualitative specialist at the New School for Social Research, Koenig's research investigates questions of political behavior and mobilization that centers the experiences of everyday actors as they seek to challenge status-quo power relationships. My co-host today is Joe Zerilli, and MA student in the Communication program at Oakland University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

The study by the Economic and Social Research institute, found that the rate of retrofits is too slow and that energy efficency measures aren't delivering the expected level of carbon savings. Dr Ciaran Byrne is the Director of National Retrofit with the sustainable energy authority.

This weeks discussion thematically compliments and follows on our previous episode on Marxism and China (episode 64 - give it a listen!).Sitting down with Tings Chak, we examine China's radical transformations from 1949 until today by centering a few questions: how was the mass alleviation of poverty accomplished in China? Is it an ongoing process? What does “socialist construction” have to do with it? Is China socialist? What kinds of contradictions has Chinese economic development faced? And how has China's rapid and radical improvement in living standards shaped it's place in the world? And what does this all mean for the global south in 2026?Tings Chak is the Asia co-coordinator and art director of Tricontinental: Institute for Social Research. She is an editor of Wenhua Zongheng: A Journal of Chinese Contemporary Thought and is currently pursuing her doctorate at Tsinghua University in Beijing.Find Tings on social media at:X: @t_ings @tri_continentalinstagram: @tingschak @thetricontinentalSome links:Poverty alleviation: https://thetricontinental.org/studies-1-socialist-construction/Chinese Revolution historical overview: https://mronline.org/2024/10/01/seventy-five-years-of-the-chinese-revolution/Wenhua Zongheng latest on Trump: https://thetricontinental.org/wenhua-zongheng-2025-2-trump-2-0-global-order/Go To Yan'an: Culture and National Liberation: https://thetricontinental.org/dossier-yanan-forum/

According to a December 2025 report from the Centre for Future Work, fossil fuel jobs in Canada are in decline and will likely continue to drop in the years to come. Not just because of climate policy, but because of technology, economic changes, resource limits and corporate greed. As director of the Centre for Future Work Jim Stanford explains, many fossil fuel workers are close to retirement, and surveys show they're most interested in early retirement options and transition plans supported by unions. The issue of fossil fuel jobs in decline isn't about whether or not they will continue to decline (they will), but about how to manage the transition fairly for workers.  About our guest  Jim Stanford is economist and director of the Centre for Future Work, a progressive labour economics institute based in Vancouver. He has a PhD in economics from the New School for Social Research in New York, and also holds economics degrees from Cambridge University and the University of Calgary. He is the author of Economics for Everyone, which has been translated into six languages. If you like the show please consider subscribing on Apple Podcasts, Spotify, YouTube and now: subscribe to rabble on Patreon to hear exclusive bonus episodes of rabble radio.

Matt Grossman joins The Great Battlefield podcast to talk about his career at Michigan State as Professor of Political Science, Director of The Institute for Public Policy and Social Research, and also hosting the Science of Politics podcast, and writing books about American politics.

Joanne Hsu, director of the University of Michigan Surveys of Consumers and research associate professor at the Institute for Social Research, specializes in the fields of household finance, consumer sentiment and the impact of economic expectations on the national economy. Hsu joins the Michigan Minds podcast to discuss her findings on current consumer sentiment, offering insight into persistent high prices and how the labor market is shaping the way Americans manage their budgets today.How do you see consumers responding to these additional budget constraints?The number one factor on consumers' minds is the persistence of high prices and tariffs are a major factor in that. Inflation, however, has come down, so Inflation being the rate of change of prices as opposed to just the price level itself, so inflation has slowed down quite a bit since 2022.But that doesn't mean prices have come down; prices have remained high and that's something that consumers continue to be very frustrated about. The thing is, we all want prices to come down, but historically speaking, it's really hard for prices to come down without something catastrophic happening in the economy, like a major recession. And a major recession will surely affect everyone in a very negative way.I think sometimes it can be hard for people who watch the macroeconomy, including policymakers, to square the fact that inflation has come down, but people are still so unhappy about how prices are eroding away at their living standards.Michigan Minds is produced by Greta Guest and hosted by Juan Ochoa. Jeremy Marble is the audio engineer and Hans Anderson provides social media animations. Listen to all episodes of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Subscribe to get access to the full episode, the episode reading list, and all premium episodes! www.patreon.com/OrdinaryUnhappinessAbby and Patrick welcome Danielle Drori of the Brooklyn Institute for Social Research for the second installment of a two-part series on the thought of French psychoanalyst Jean Laplanche. Together, the three discuss a pivotal chapter in New Foundations for Psychoanalysis, unpacking Laplanche's “universalized” transformation of Freud's seduction hypothesis; Laplanche's “primal situation” and its roots in anthropology and phenomenology; and what these ideas reveal about our invariably messy experiences of parenting, therapy, and more. Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:  Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

Abby and Patrick welcome Danielle Drori of the Brooklyn Institute for Social Research for the first in a two-part miniseries introducing the work of psychoanalyst Jean Laplanche (1924-2012). A brilliant clinician and theorist in his own right, Laplanche combined a critical reading of Freud with insights drawn from anthropology, the history of science, and Western philosophy to revolutionize how many analysts saw questions of sexuality, development, language, and more. Yet while incredibly influential in France and beyond, Laplanche's thought has only made limited inroads among clinicians and theorists in the English-speaking world. In this episode, Danielle, Abby, and Patrick introduce the figure of Laplanche, narrating his biography and discussing everything from his place in French critical theory to his encyclopedic scholarship of Freud (together with Jean Pontalis) to his disagreements with Lacan. They then sketch out some of Laplanche's key ideas, with particular attention to his critique of Freud's “seduction theory.” As they explain, Laplanche's revision of that concept into a “generalized” model of seduction allows him and his contemporary interpreters to suggest some radical ways for thinking about questions of trauma, subjectivity, language, sexuality, and more. In Part Two (out next Saturday), the three get granular by close-reading key sections in Laplanche's New Foundations for Psychoanalysis. Texts Cited:Jean Laplanche and Jean-Bertrand Pontalis, The Language of PsychoanalysisJean Laplanche, New Foundations for PsychoanalysisDominique Scarfone, A brief introduction to the work of Jean LaplancheAvgi Saketopoulou and Ann Pellegrini, Gender Without IdentityAvgi Saketopoulou, “Laplanche, an introduction by Dominique Scarfone.” Review essay in The International Journal of Psychoanalysis, 99(3), 778–786.Sándor Ferenczi, Confusion of tongues between adults and the child: The language of tenderness and of passionHave you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/ordinaryunhappiness Twitter: @UnhappinessPod Instagram: @ordinaryunhappiness Patreon: patreon.com/OrdinaryUnhappiness

The attacks of September 11, 2001 were used by the powerful in the government and the bought media in the most manipulative and shameless way, whipping up Islamaphobia and xenophobia to justify and accelerate a rush to war. This would be a war without boundaries, justified battlefields, or any identifiable end-point—a “war on terror.” The war-makers never elaborated on the objectives of their war—where it would be fought, how it would be conducted, or how it could be won—simply that it would be a crusade against faceless and nameless evil-doers wherever they might be lurking. The message boomed forth: shut up, salute, and march in step with a revitalized imperialist project. Remarkably, amidst the manufactured frenzy and panic in every direction, an antiwar movement was brought to life that created a significant counter-narrative that stood up against the tide. We're joined in conversation with co-host Jeff Jones and Jeremy Varon, an activist-scholar, Professor of History at the New School for Social Research in New York, and author of Our Grief is not a Cry for War, a social history of the movement against the “war on terror.”

January 22, 2026 - During the first segment Vernon interviews Stacey Sutton, PhD., Associate Professor of Urban Planning & Policy at the University of Illinois Chicago. Dr Sutton and Vernon will discuss how cooperatives and solidarity economies can transform cities and advance racial and economic justice. In the second segment Vernon will discuss the relationship between Dr. Martin Luther King Jr.'s moral and economic philosophy, the African humanist principle of Ubuntu, and the role of cooperative economics in advancing what Dr. King described as the Beloved Community.  Stacey Sutton, PhD is an Associate Professor in the Department of Urban Planning and Policy at the University of Illinois Chicago, where she also directs the Solidarity Economy Research, Policy & Law Project and serves as Director of Applied Research and Strategic Partnerships for UIC's Social Justice Initiative. Her work focuses on community economic development, economic democracy, worker-owned cooperatives, solidarity economies, and racial and economic justice. Dr. Sutton's research explores how local governments and grassroots movements can support cooperative ownership and equitable economic systems, as well as how punitive urban policies disproportionately affect marginalized communities. She is the author of research on “cooperative cities” and leads the Real Black Utopias project examining Black-centered solidarity economy ecosystems. Dr. Sutton holds a PhD in Urban Planning and Sociology from Rutgers University, an MBA from New York University, an MS from the New School for Social Research, and a BA from Loyola University.

In this episode of The Watchung Booksellers Podcast, author Cleyvis Natera and author/photographer/translator Erika Morillo discuss writing in English and Spanish and the process of translation from one to the other. Cleyvis Natera is the author of Neruda on the Park and The Grand Paloma Resort. She was born in the Dominican Republic, migrated to the United States at ten years old, and grew up in New York City. She holds a BA from Skidmore College and a MFA from New York University. Her writing has won awards and fellowships from the International Latino Book Awards, PEN America, the Bread Loaf Writers' Conference, The Kenyon Review's Writers Workshops, the Vermont Studio Center, the Hermitage Artist Retreat, Rowland Writers Retreat, and the Virginia Center for the Creative Arts. She is currently a Fulbright Specialist. She lives with her husband and two young children in Montclair, NJ.Erika Morillo is a writer, photographer, and translator born and raised in the Dominican Republic and based in Jersey City. Her work focuses on family narratives, identity, and the possibilities of image-text publications. Her photographs have been published and exhibited nationally and internationally, and her books are in the collections at the Whitney Museum of American Art Library, MoMA Archives and Library, The Met Library, and The International Center of Photography Library, among others. She has taught workshops at the Center for Book Arts, International Center of Photography, Columbia University, CHAVÓN School of Design, and Dominican Writers Association. She holds an MA in sociology from The New School for Social Research and an MFA from Image Text Ithaca (now Image Text M.F.A. at Cornell University). Books:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

On the day of a national anti-ICE general strike, host Esty Dinur is in conversation with writer Sophie Lewis about her book, Enemy Feminisms: TERFs, Policewomen, and Girlbosses Against Liberation.  Lewis reckons with the white supremacy of bourgeois feminism but refuses to “be evicted from the house of feminism” because she doesn't want to cede ground to TERFS, femonationalists, and other enemy feminisms. Meanwhile, Lewis wants to recover histories of anti-fascist, anti-colonial, insurgent, and undercommons feminism. Dinur points to women like Kristi Noem, Pam Bondi, Caroline Levitt, Madeleine Albright, Condoleezza Rice, Hillary Clinton, and even Kamala Harris who have supported wars all over the world, and wonders, “are these the women I've fought for?” Lewis also discusses the right to pleasure within the gender liberation struggle, the mythology of feminist figures like Mary Wollstonecraft and May French Sheldon, “feminist misogyny,” and family liberation. Sophie Lewis is a self described ex-academic, writer, left activist and adoptive Philadelphian (transplanted from Europe). She is the author of several books, including Full Surrogacy Now, Abolish the Family, Enemy Feminisms, and the forthcoming essay collection FEMMEPHILIA. Sophie’s essays also appear everywhere from the New York Times to n+1 and the London Review of Books. She teaches short courses on social philosophy and theory online at the Brooklyn Institute for Social Research, and you can find her newsletter at patreon.com/reproutopia or browse her archive at lasophielle.org/. Sophie is currently working on a book for Penguin, The Liberation of Children (2027). Featured image of the cover of Enemy Feminisms, available from Haymarket Books.  Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Refusing Eviction from the House of Feminism appeared first on WORT-FM 89.9.

Welcome to another Class Unity speaker event. Today we will be joined by authors Vijay Prashad and Michael Hudson to discuss hyper-imperialism, imperialism, and the state of global politics. Michael Hudson is a professor of economics at the University of Missouri–Kansas City, a researcher at the Levy Economics Institute at Bard College, and the author of many books and papers on political economy, the history of economics, economic history, finance, and imperialism. Vijay Prashad is an Indian author, journalist, political commentator, and Marxist. He is the executive-director of Tricontinental: Institute for Social Research, editor of LeftWord Books, Chief Correspondent at Globetrotter, and a senior non-resident fellow at Chongyang Institute for Financial Studies, Renmin University of China. For donations, educational courses and membership inquiries, please visit us at ClassUnity.org

Historian and journalist Vijay Prashad talks with Steve about why Antonio Gramsci still matters. Listeners to this podcast know that we have a pretty good grasp of the monetary system. But we're constantly working to expand our understanding of the systemic underpinnings of real power. How else will we be able to seize it? For help, we turn to Gramsci. According to Vijay, Gramsci was doing class forensics. His core puzzle was brutal and practical: why did big chunks of Italy's working-class bail on their own unions and parties and drift into fascism? That's the real origin story of “cultural hegemony,” “common sense,” and the whole Gramscian toolbox: figuring out how consent gets manufactured and how counterrevolution recruits. Vijay takes us through Gramsci's political development and his imprisonment under Mussolini, where he wrote his seminal Prison Notebooks. Then they get into Gramsci's key concepts: hegemony (borrowed from Lenin and, per Vijay, more than a “culture theory”), the necessity of a Leninist-type party as the modern Prince, and the need to build alliances to create working-class leadership over society. After taking a hard look at the left in the US, Steve and Vijay discuss the limits of electoral politics and the missing infrastructure for a serious battle of ideas. It's a wide-ranging conversation about class power, organizing, and what it actually takes to change how people understand the world they're living in. Vijay Prashad is the Executive Director of the Tricontinental Institute for Social Research. He is a historian, journalist, and author of forty books, including Washington Bullets: A History of the CIA, Coups, and Assassination; Red Star over the Third World; and The Darker Nations: A People's History of the Third World. thetricontinental.org @vijayprashad on X

All Home Care Matters and our host, Lance A. Slatton were honored to welcome Pam Cusick as guest to the show.   About Pam Cusick, Senior Vice President at Rare Patient Voice:   Pam Cusick is an experienced research professional with more than 30 years of expertise in study design, implementation, and analysis. Her background in public health communications and research, coupled with her passion for patient advocacy, dovetail with Rare Patient Voice's mission and vision. She hopes to expand Rare Patient Voice's panels to include all patients and caregivers who want to share their opinions and impact their disease category.   Pam earned a BA in Psychology from Sweet Briar College, and a MA in Psychology from the New School for Social Research. She is Past-President of the Board of Directors and Scientific Advisory Council Lead for the Horses and Humans Research Foundation. In addition, Pam has recently been named a Laureate by the Insights Association! This recognition, given by peers across the industry, is a true lifetime honor—and she is "still taking it all in."   As Senior Vice President, Pam's focus is on the continued growth and success of RPV, with an eye on client services, business development, and oversight of patient outreach, panel management, and marketing.   About Rare Patient Voice:   Rare Patient Voice, LLC connects patients and family caregivers of rare and non-rare diseases with opportunities to share their opinions with companies and researchers by participating in all types of research studies. These include surveys and phone interviews, online bulletin boards, focus groups, clinical trials, and more.   While RPV began with a focus on rare diseases, we now welcome patients and family caregivers living with all medical conditions. We currently cover more than 1,500 rare and non-rare diseases and conditions. Over the years, we have paid patients and family caregivers over $15 million for participating in research.   We work with thousands of organizations, patient advocacy groups, and individuals to spread the word about RPV. Since launching in the United States in 2013, RPV has expanded across the globe. We now recruit patients and caregivers for research studies in the United States, United Kingdom, Canada, Germany, Italy, France, Spain, Australia, and New Zealand.    

Hi friends, happy Wednesday! So the other day, I was googling jelly beans. Don't ask why, I was in a mood. But I ended up falling down a rabbit hole, and suddenly… I was reading about Ronald Reagan.  Apparently, Reagan was *obsessed* with jelly beans. I guess he started eating them as a way to quit smoking. He swapped cigarettes for jelly beans. Inspired.  But once he was hooked, he never looked back. There were jelly beans on Air Force One. Jelly beans in the Oval Office. Jelly beans sent to space with astronauts, I am not joking.  At this point I stumbled onto a quote about his wife, Nancy Reagan, and let me just say...America may have called her the First Lady, but Hollywood had a slightly different title for her. If you know, you know. So today, I've got quite a story for you. Blow jobs, secret weapon deals, astrology, and a very intense power couple.  This man ignored a literal pandemic, while letting his wife schedule national security briefings based on his horoscope. So join me for the Dark History of Ronald Reagan. Let's get into it. I sometimes talk about my Good Reads in the show. So here's the link if you want to check it out. IDK. lol: https://www.goodreads.com/user/show/139701263-bailey ________ FOLLOW ME AROUND Tik Tok: https://bit.ly/3e3jL9v Instagram: http://bit.ly/2nbO4PR Facebook: http://bit.ly/2mdZtK6 Twitter: http://bit.ly/2yT4BLV Pinterest: http://bit.ly/2mVpXnY Youtube: http://bit.ly/1HGw3Og Snapchat: https://bit.ly/3cC0V9d Discord: https://discord.gg/BaileySarian RECOMMEND A STORY HERE: cases4bailey@gmail.com Business Related Emails: bailey@underscoretalent.com Business Related Mail: Bailey Sarian 4400 W. Riverside Dr., Ste 110-300 Burbank, CA 91505 ________ This podcast is Executive Produced by: Bailey Sarian and Joey Scavuzzo Head Writer: Katie Burris Research provided by: Elizabeth Hyman and Xander Elmore Special thank you to our Historical Consultant: Claire Potter, Professor of History emerita at The New School for Social Research, and author of the Political Junkie Substack Director: Brian Jaggers Edited by: Julien Perez Additional Editing: Maria Norris Hair: Angel Gonzalez Makeup: Roni Herrera ________ Shop my favorite bras and underwear at https://www.skims.com. After you place your order, be sure to let them know I sent you! Select "podcast" in the survey and be sure to select my show in the dropdown menu that follows. Get started today at https://www.stitchfix.com/darkhistory and get 20% off your first order when you buy five or more items.  Get focused. Ditch the Glitch with Zero Sugar and Zero Crash from Liquid I.V. Tear. Pour. Live More. Go to https://www.liquidiv.com and get 20% off your first order with code DARKHISTORY at checkout.  The best way to cook just got better. Go to https://www.hellofresh.com/DARKHISTORY10FM now to Get 10 Free Meals + a Free Item for Life! One per box with active subscription. Free meals applied as discount on first box, new subscribers only, varies by plan.