Podcast appearances and mentions of emily parsons lord

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The Confounding Leaving, so heißt die Installation der Künstlerin Emily Parsons-Lord, die wir uns in dieser Episode zeigen lassen: Eine weiße Wand mit drei Knöpfen drauf. Liddy Scheffknecht, eine der beiden Kuratorinnen der Ausstellung "Wenn der Wind weht" im Kunsthaus Wien, erklärt uns was sich hinter dieser Wand befindet. Roughly übersetzt wäre der Titel der Installation Der verwirrende Abgang. Und wenn ihr jetzt an Weinverkostung denkt, dann liegt ihr gar nicht so weit davon entfernt ...

Join Emily Parsons-Lord, finalist in the churchie emerging art prize 2020, in conversation with exhibition curator Talia Smith, exploring the themes and ideas embedded within her practice. Emily Parsons-Lord’s practice is concerned with air and explosions. Recent work has recreated the air from past eras in Earth’s evolution, recreated starlight in coloured smoke, and experimented with pheromones, aerogel, and explosions. She has exhibited both nationally and internationally and participated in Primavera (2016), the NSW Visual Arts Fellowship (2017), Liveworks (2017), Bristol Biennial: In Other Worlds, (2016), John Fries Award (2018), A BROKEN LINK, Central St Martin’s, London (2017), Stuttgart Film Winter Festival for Expanded Media, Firstdraft, and Vitalstatistix, amongst others. https://ima.org.au/exhibitions/the-churchie-emerging-art-prize-2020/

Emily Parsons-Lord : Artist - installation & performance FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Court artist Sharon Gordon is our in-studio artist, Davida Allen's exhibition explores the negative side to motherhood, MoMA director Glenn Lowry on the 200 works brought to the NGV, and Emily Parsons-Lord makes art works out of, and about, air.

Court artist Sharon Gordon is our in-studio artist, Davida Allen's exhibition explores the negative side to motherhood, MoMA director Glenn Lowry on the 200 works brought to the NGV, and Emily Parsons-Lord makes art works out of, and about, air.

Emily Parsons-Lord re-creates air from distinct moments in Earth's history -- from the clean, fresh-tasting air of the Carboniferous period to the soda-water air of the Great Dying to the heavy, toxic air of the future we're creating. By turning air into art, she invites us to know the invisible world around us. Breathe in the Earth's past and future in this imaginative, trippy talk. Hosted on Acast. See acast.com/privacy for more information.

Emily Parsons-Lord re-creates air from distinct moments in Earth's history -- from the clean, fresh-tasting air of the Carboniferous period to the soda-water air of the Great Dying to the heavy, toxic air of the future we're creating. By turning air into art, she invites us to know the invisible world around us. Breathe in the Earth's past and future in this imaginative, trippy talk.

에밀리 파슨스 로드는 뚜렷하게 나뉜 지구 역사의 다양한 공기과 석탄기의 깨끗하고 신선한 향의 공기에서부터 대멸종의 시대의 소다수같은 공기그리고 우리가 창조하는 무겁고 독성있는 미래의 공기까지 재창조해냅니다. 공기를 예술로 승화시킴으로써 파슨스 로드는 우리 주변에 보이지 않는 세계를 보여줍니다. 창의적이고 몽환적인 이야기 속에서 지구의 과거와 미래를를 함께 호흡해보세요.

Emily Parsons-Lord bildet Luft aus verschiedenen Zeitabschnitten der Erdgeschichte nach: von der sauberen, frisch schmeckenden Luft der Karbonzeit über die Sodawasser-Luft aus der Zeit des Großen Sterbens bis hin zu der schweren, giftigen Luft der Zukunft, die wir uns selbst erschaffen. Mit ihrem Projekt, das Luft zu Kunst werden lässt, lädt Parsons-Lord uns auf eine Reise in die unsichtbare Welt um uns herum ein. Dieser einfallsreiche und schräge Vortrag gewährt uns einen ganz besonderen Einblick in die Vergangenheit und die Zukunft unserer Erde.

Emily Parsons-Lord recria o ar a partir de momentos distintos na história da Terra - desde o ar limpo e fresco do período carbonífero até o ar da água de soda da Grande Morte até o ar pesado e tóxico do futuro que estamos criando. Ao transformar o ar em arte, ela nos convida a conhecer o mundo invisível que nos rodeia. Respire o passado e o futuro da Terra nesta palestra imaginativa e instigante.

Emily Parsons-Lord recrée de l'air de différents moments de l'histoire de la Terre -- de l'air propre et frais de la période carbonifère à l'air au goût d'eau gazeuse de l'extinction Permien-Trias, en passant par l'air toxique du futur que nous créons. En transformant l'air en art, elle nous invite à connaître le monde invisible qui nous entoure. Inspirez le passé et le futur de la Terre dans cette présentation imaginative et psychédélique.

Emily Parsons-Lord recrea el aire de momentos distintos de la historia de la Tierra, desde el aire limpio y fresco del período Carbonífero hasta el aire de agua de soda de la Gran Muerte hasta el aire pesado y tóxico del futuro que estamos creando. Al convertir el aire en arte, nos invita a conocer el mundo invisible que nos rodea. Respira el aire terrestre del pasado y del futuro en esta charla imaginativa y alocada.

Emily Parsons-Lord on distilling air from deep history, working with refugees on Christmas Island and talking to a clothes rack. MOGWAI Hungry Face AL BOWLLY Guilty BLIND WILLIE JOHNSON Dark Was The Night, Cold Was The Ground YEO Quiet Achiever Aus VAN MORRISON Caravan NINA SIMONE Rags and Old Iron KUCKA Divinity (Mazde Remix) Aus

On this show we talked to Phillip Keir and the winner of the Keir Choreographic Award and people’s choice award, Genoa Gela. We were also joined by Giselle Stanborough for her regular segment ‘Faymous on the internet’, and Emily Parsons-Lord who chatted about her practice and her Ted X talk. Curated tracks are by Get To Work, the collaborative practice of Tracy Quan, Georgia Taia and Paris Taia.

On this show we are joined by the team behind Mother Spice, Eddie Abd, Marian Abboud and Nisha Shrestha, at Information and Cultural Exchange in Parramatta. Tom Polo came in to chat about his project Painting Live at the Art Gallery of New South Wales as part of Spectrum Now festival. We feature a snippet from the opening of the Adelaide Biennial of Australian Art with Abdul Abdullah. Curated music by Emily Parsons-Lord.