Podcasts about everybody comes

Lee Michaels speaks with Pastor Ron Knight, of Northern California Grace Fellowship, about the importance of leaning on the word of God in perilous times. See omnystudio.com/listener for privacy information.

Rilo and Garden discuss the world of Noir films, slow speed chases and how some questions are better left unanswered. In these parts, if you need something done, “Everybody Comes to Hank’s”. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The streets of Cairo are full of intrigue and adventure, and neither is in short supply at the Cafe Tambourine run by Rocky Jordan. Jack Moyles stars as the tough ex-pat club owner who can't help but get tangled up in exotic mysteries. We'll hear "A Stranger to the Desert" (originally aired on CBS on September 4, 1949) and "The Big Heist" (originally aired on November 10, 1949).

This week, Livin Loud is joined by two very special guests: "Straight Talk's" very own Nikki Boyer & CJay! This week they discuss Hollywood in 2020, mental wellness during Covid, honoring friendship, and so much more. Follow Nikki Boyer on IG @nikkiboyer Follow CJay on IG @cjaylyfe Follow us on IG @livinloudnyc Check us out at welivinloud.com Contact us at livinloudpodcast@gmail.com WRITE IN: mobi-nyc.com/maria

We're hitting the old familiar places this week as we revisit "It's Only a Paper Moon"!New York Times bestselling author David Mack returns to the show this week to discuss an episode of Star Trek: Deep Space Nine that explores one man's struggle to come to terms with loss and fear. Nog has survived the Siege of Ar-558 but at the cost of his leg and his self-confidence. When he turns to the holodeck for escape, he'll find that Vic Fontaine is more than just a singing hologram and that the key to life isn't winning or losing but choosing to continue playing the game.When Aron Eisenberg passed away in 2019, the world didn't just lose a husband and father and friend to many Star Trek fans; it also lost a performer of surprising depth and passion. Aron was a man who had experienced tragedy in his own life and when called upon to portray Nog's suffering, he imbued the role with an honest emotion that makes this one of DS9's finest hours. Not to be outdone, veteran performer James Darren brings his charm and musical talents to a role that is so much more than a holodeck subroutine. "Moon" is an episode that showcases two of the series's "supporting cast" but is an episode vital to Deep Space Nine's themes of the cost of war and the healing that comes after. On this episode, we talk about the conception and creation of "Moon" from Dave's perspective as co-writer, the original "Everybody Comes to Quark's" pitch, the episode's rarified status as one of Trek's few "sequels", the bravery of Aron Eisenberg as a performer, the toll that combat takes on servicemen and women, the multi-talented James Darren, the sometimes convoluted way in which TV writers collaborate, and the lack of individual ego in the writing staff that elevated the show's material.We also discuss having Ron Moore leave you hanging, "'Touched By An Angel' meets 'The Equalizer'", having your sub-plot take over the story, the apparently forgettable films of the '30s, the aesthetic of orthopedia devices in the Federation, Hitler walking out of your Axis and Allies hologame, "Commando Geordi", holodeck doggie bags, Dave talks about the things he tries to avoid when writing Trek, his work on "Lower Decks", and he shares a life-threatening experience that helped inspire the episode!There's no magic left in this steak!Follow Dave on Twitter and check out his other work!http://www.twitter.com/davidalanmackhttp://www.davidmack.proPre-order Dave's latest Dark Arts book, "The Shadow Commission"!https://amzn.to/3a34zm6Please consider becoming an organ donor!http://www.organdonor.govLearn the story behind your favorite Trek stories with Backtrekking!http://www.twitter.com/backtrekkingCroon with us on Facebook and Twitter and the Just Enough Trope Discord!http://www.facebook.com/eistpodhttp://www.twitter.com/eistpodhttps://discord.gg/UeytGNPBuy us a new casino on Patreon!http://www.patreon.com/eistpodSubscribe to the show on iTunes!https://itunes.apple.com/us/podcast/enterprising-individuals/id1113165661?mt=2

We're hitting the old familiar places this week as we revisit "It's Only a Paper Moon"!New York Times bestselling author David Mack returns to the show this week to discuss an episode of Star Trek: Deep Space Nine that explores one man's struggle to come to terms with loss and fear. Nog has survived the Siege of Ar-558 but at the cost of his leg and his self-confidence. When he turns to the holodeck for escape, he'll find that Vic Fontaine is more than just a singing hologram and that the key to life isn't winning or losing but choosing to continue playing the game.When Aron Eisenberg passed away in 2019, the world didn't just lose a husband and father and friend to many Star Trek fans; it also lost a performer of surprising depth and passion. Aron was a man who had experienced tragedy in his own life and when called upon to portray Nog's suffering, he imbued the role with an honest emotion that makes this one of DS9's finest hours. Not to be outdone, veteran performer James Darren brings his charm and musical talents to a role that is so much more than a holodeck subroutine. "Moon" is an episode that showcases two of the series's "supporting cast" but is an episode vital to Deep Space Nine's themes of the cost of war and the healing that comes after. On this episode, we talk about the conception and creation of "Moon" from Dave's perspective as co-writer, the original "Everybody Comes to Quark's" pitch, the episode's rarified status as one of Trek's few "sequels", the bravery of Aron Eisenberg as a performer, the toll that combat takes on servicemen and women, the multi-talented James Darren, the sometimes convoluted way in which TV writers collaborate, and the lack of individual ego in the writing staff that elevated the show's material.We also discuss having Ron Moore leave you hanging, "'Touched By An Angel' meets 'The Equalizer'", having your sub-plot take over the story, the apparently forgettable films of the '30s, the aesthetic of orthopedia devices in the Federation, Hitler walking out of your Axis and Allies hologame, "Commando Geordi", holodeck doggie bags, Dave talks about the things he tries to avoid when writing Trek, his work on "Lower Decks", and he shares a life-threatening experience that helped inspire the episode!There's no magic left in this steak!Follow Dave on Twitter and check out his other work!http://www.twitter.com/davidalanmackhttp://www.davidmack.proPre-order Dave's latest Dark Arts book, "The Shadow Commission"!https://amzn.to/3a34zm6Please consider becoming an organ donor!http://www.organdonor.govLearn the story behind your favorite Trek stories with Backtrekking!http://www.twitter.com/backtrekkingCroon with us on Facebook and Twitter and the Just Enough Trope Discord!http://www.facebook.com/eistpodhttp://www.twitter.com/eistpodhttps://discord.gg/UeytGNPBuy us a new casino on Patreon!http://www.patreon.com/eistpodSubscribe to the show on iTunes!https://itunes.apple.com/us/podcast/enterprising-individuals/id1113165661?mt=2

Michael Bay pitches his remake of Casablanca, we watch Casablanca & speak to an eighteenth-century pornographer on the time phone. SHOW NOTES Michael Benjamin Bay (born February 17, 1965) is an American filmmaker known for directing and producing big-budget, high-concept action films characterized by fast cutting, stylistic visuals and extensive use of special effects, including frequent depictions of explosions. Casablanca is a 1942 American romantic film directed by Michael Curtiz based on Murray Burnett and Joan Alison's unproduced stage play Everybody Comes to Rick's. John Wilkes (17 October 1725 – 26 December 1797) was a British radical, journalist and politician. He was first elected a Member of Parliament in 1757. In the Middlesex election dispute, he fought for the right of his voters—rather than the House of Commons—to determine their representatives.

Travel to Cairo and make sure to grab a drink at the Cafe Tambourine - the nightclub owned and operated by Rocky Jordan. Jack Moyles stars as the expat and adventurer cut from the Casablanca cloth, with Jay Novello as the ever-watchful Captain Sam Sabayya of the Cairo police. We'll hear "Up in Flames" (originally aired on CBS on December 19, 1948) and "Journey to Nashier" (originally aired on CBS on June 26, 1949).

Episode 225: “Everybody Comes and Comes Again” This week Host Dave Bledsoe gets Old Time Religion which is an off brand of bourbon that gives him alcohol poisoning. Again. On the show this week, we examine the Chosen One, King of Israel and Tangerine Messiah and why he keeps getting away with it. (Besides Mitch Fucking McConnell.) Along the way we head to Church to learn a little about why Evangelical Christians are all in on the ungodliest man to be President since William Howard Taft. (Zoroastrian scum!) We discover the origin story of the Second Coming (The big one, not the one you get by popping two Viagra.) We learn how we are living in the End Times thanks to the guy who starred on Barney Miller. (Not Abe Vigoda, the other one.) Then we head to 6th Century BCE Persia to learn how one of the most powerful Emperors of Persia is exactly like Donald J Trump. (Many of his statues are as bronzed as Don!) Finally, we talk about why our friends the Evangelicals are not only fine with all the crazy things our “President” is doing, but actually cheering him all the way in doing them! Turns out, the Apocalypse is really really good for them. Additionally, we include the full list of all of us who will NOT be Raptured and in fact will be minions of the Antichrist. (See Above) Our Sponsor this week is SecondHand Messiah, second hand prophet store, easy credit terms because we take it on faith. We open the show with Wayne Allen Root explaining the divinity of Donald Trump and close with Delilah Witt inviting us to her dance party. Show Theme: https://www.jamendo.com/track/421668/prelude-to-common-sense The Show on Twitter: https://twitter.com/TheHell_Podcast The Show on Facebook: https://www.facebook.com/whatthehellpodcast/ The Show on Soundcloud https://soundcloud.com/david-bledsoe-4 www.whatthehellpodcast.com Give us your money on Patreon https://www.patreon.com/Whatthehellpodcast The Show Line: 347 687 9601 Closing Music: https://www.youtube.com/watch?v=Q9bPy1k_9PY Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the show Bryan Dressel, Nick "Starman" Friedemann, and Matt "Constantine" Dykes talk one of Graham's favorite episodes, which is unfortunate timing as Graham couldn't make it. Darn those jobs! Anyway, this is probably one of the best episodes of the season, or at least a decent episode if you're Nick. Darn that hat! INTRO MUSIC COURTESY Bradley David Parsons inspired by JG Thrilwell RESEARCH COURTESY Brok Holliday

Best Pick with John Dorney, Jessica Regan, Tom Salinsky and special guest Deborah Frances-White Episode 28: Casablanca Released 13 February 2019 For this episode, we watched Casablanca, live at the Cinema Museum in London. The screenplay was credited to Julius and Philip Epstein and Howard Koch, and it was directed by Michael Curtiz, based on the unproduced play Everybody Comes to Rick’s by Murray Burnett and Joan Alison. It starred Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre and Madeleine Lebeau. As well as Best Picture, it won for its screenplay and direction. Many thanks to our hosts, the Cinema Museum in Kennington. http://www.cinemamuseum.org.uk Next time we will be discussing Gone with the Wind. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n

White Sox pitching coach Don Cooper visits with Mark Carman and Harry Teinowitz on the heels of the bombshell announcement of Michael Kopech's UCL tear and probable Tommy John surgery.  He also discusses Lucas Giolito and Reynaldo Lopez, and what a step forward for them would look like next year, finding a solution to the starting staff's walk problem this season, balancing the roles of "coach" vs. "friend" with his guys, and more.

With Ryke lost in Europe, the cast moves forward. This week they talk about the rest of the Commander 2015 cards and they also take a look at a listener submitted Standard deck. Stick around until the end to find out why we don't get preview cards!

Of all the podcasts in all the world, 1942's Casablanca had to be talked about on this episode of Zach on Film. Casablanca is a 1942 American romantic drama film directed by Michael Curtiz and based on Murray Burnett and Joan Alison's un-produced stage play Everybody Comes to Rick's. The film stars Humphrey Bogart, Ingrid Bergman, and Paul Henreid; and features Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, and Dooley Wilson. Set during World War II, it focuses on a man torn between, in the words of one character, "love and virtue". He must choose between his love for a woman and helping her Czech Resistance leader husband escape the Vichy-controlled Moroccan city of Casablanca to continue his fight against the Nazis. Story editor Irene Diamond convinced producer Hal Wallis to purchase the film rights to the play in January 1942. Brothers Julius J. and Philip G. Epstein were initially assigned to write the script. However, despite studio resistance, they left after the attack on Pearl Harbor to work on Frank Capra's Why We Fight series. Howard Koch was assigned to the screenplay until the Epsteins returned. Casey Robinson assisted with three weeks of rewrites, but his work would later go uncredited. Wallis chose Curtiz to direct the film after his first choice, William Wyler, became unavailable. Filming began on May 25, 1942, and ended on August 3, and was shot entirely at Warner Bros. Studios in Burbank, with the exception of one sequence at Van Nuys Airport in Van Nuys. Although Casablanca was an A-list film with established stars and first-rate writers, no one involved with its production expected it to be anything out of the ordinary. It was just one of hundreds of pictures produced by Hollywood every year. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

Of all the podcasts in all the world, 1942's Casablanca had to be talked about on this episode of Zach on Film. Casablanca is a 1942 American romantic drama film directed by Michael Curtiz and based on Murray Burnett and Joan Alison's un-produced stage play Everybody Comes to Rick's. The film stars Humphrey Bogart, Ingrid Bergman, and Paul Henreid; and features Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, and Dooley Wilson. Set during World War II, it focuses on a man torn between, in the words of one character, "love and virtue". He must choose between his love for a woman and helping her Czech Resistance leader husband escape the Vichy-controlled Moroccan city of Casablanca to continue his fight against the Nazis. Story editor Irene Diamond convinced producer Hal Wallis to purchase the film rights to the play in January 1942. Brothers Julius J. and Philip G. Epstein were initially assigned to write the script. However, despite studio resistance, they left after the attack on Pearl Harbor to work on Frank Capra's Why We Fight series. Howard Koch was assigned to the screenplay until the Epsteins returned. Casey Robinson assisted with three weeks of rewrites, but his work would later go uncredited. Wallis chose Curtiz to direct the film after his first choice, William Wyler, became unavailable. Filming began on May 25, 1942, and ended on August 3, and was shot entirely at Warner Bros. Studios in Burbank, with the exception of one sequence at Van Nuys Airport in Van Nuys. Although Casablanca was an A-list film with established stars and first-rate writers, no one involved with its production expected it to be anything out of the ordinary. It was just one of hundreds of pictures produced by Hollywood every year. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.