Podcast appearances and mentions of Ingrid Bergman

Morocco has beautiful landscapes and movie sets from around the world. My favorite is Casablanca, which stars Humphrey Bogart and Ingrid Bergman. Thank you, everyone in Morocco, for listening. Our impossible need:To understand prayer, we need to understand being humanity.We cry before we are able to talk, but the reasons we cry and talk are the same. We are sinners. The natural state of our sons is selfishness and self-centeredness. We are complicated and bigger on the inside. We are built Biblically upside down. We look to what is best for us as an individual.The results: Estrangement from God, and isolation from one another. Our So What?We long to know others and be fully known by others, beginning with the God-shaped void in our souls.Our impossible solution, next time. Brethren, let's pray for one another."What a man is on his knees before God, that he is and nothing more." Robert Murray M'Cheynee Donation link:https://www.paypal.com/donate/?hosted_button_id=G9JGGR5W97D64Or go to www.freerangepreacheronprayer.com and use the Donations tab.Assistant Editor: Seven Jefferson Gossard.www.freerangepreacheronprayer.comfreerangeprayer@gmail.comFacebook - Free Range Preacher MinistriesInstagram: freerangeministriesAll our Scripture quotes are drawn from the NASB 1977 edition.For access to the Voice Over services of Richard Durrington, please visit RichardDurrington.com or email him at Durringtonr@gmail.comOur podcast art was designed by @sammmmmmmmm23 InstagramSeason 007Episode 054

In Breaking Walls episode 88, we spotlight the 1945-46 season of The Jack Benny Program. This season introduced characters like telephone operators Gertrude and Mabel, press agent Steve Bradley, hot dog vendor Mr. Kitzel, and Ronald and Benita Colman. This season featured guest appearances from Ingrid Bergman, Isaac Stern, Van Johnson, Ray Milland, Peter Lorre, Louella Parsons, Fred Allen, Ed Sullivan and others. It also was the season in which Dennis Day returned from the Navy and one of the most ingenious marketing campaigns in entertainment history took place: The “I Can't Stand Jack Benny” Contest. Highlights: • Jack's slipping ratings • Problems with General Foods • Jack changes sponsors • The War ends and a new season begins • Mabel Flapsaddle & Gertrude Gearshift • Steve Bradley and his big ideas • $10,000 and $646,000 • Jack gets robbed • The Contest • Mail pours in • The Colmans can't stand Jack Benny • Jack's ratings soar • Christmas of 1945 & The Rose Bowl • Fred Allen and the end of the Contest • Isaac Stern • Palm Springs • Van Jackson • Ed Sullivan and the end of the season • King for a Day The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • Sunday Nights at Seven - by Jack and Joan Benny • On The Air: The Encyclopedia of Old-Time Radio - by John Dunning • Network Radio Ratings, 1932-1953 - by Jim Ramsburg • As well as articles from Radio Life on January 27th and February 3rd, 1946 On the interview front: •Jack Benny, Ezra Stone, Kate Smith, Don Wilson, Eliott Lewis, Phil Harris, Frank Nelson and Dennis Day were with Chuck Schaden. Chuck's interviews from an over 39-year career can be listened to for free at SpeakingofRadio.com • Vincent Price and Mel Blanc were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. The full interviews can be heard at GoldenAge-WTIC.org • Dennis Day was also with John Dunning for his 1980s 71KNUS Radio program from Denver. Some of his interviews can be found at OTRRLibrary.org • And Finally Jack Benny, Dennis Day, Phil Harris, Frank Nelson, Don Wilson and Mel Blanc were also with Jack Carney for his early 1980s Comedy Program. Much of this audio was originally taken from a 1972 PBS Documentary on Great Radio Comedians. Thank you Goodmond Danielson for supplying me with the audio. Selected music featured in today's episode was: • Love in Bloom by Bing Crosby • It's Been a Long, Long, Time by the Harry James Orchestra • Chickery Chick by Sammy Kaye with Billy Williams & Nancy Norman • Manhattan Serenade by the Tommy Dorsey Orchestra with Jo Stafford • It Might as Well Be Spring by Larry Stephens • Danny Boy by Dennis Day • Along the Navajo Trail by Bing Crosby and the Andrews Sisters WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers URL - thewallbreakers.com Online Store - jamesthewallbreaker.com/shop/

El 16 de junio se cumplen 70 años del estreno de “Historias de la radio”, uno de los grandes clásicos de nuestro cine que nos toca muy de cerca ya que se rodó en buena parte en nuestra casa, en los antiguos estudios de Radio Madrid de la Cadena SER. Os lo contamos todo sobre esta divertida y entrañable película. Le damos también un repaso a la figura y a la carrera de Ingrid Bergman la actriz sueca a la que el American Film Institute sitúa como la cuarta estrella femenina más importante de la Historia del Cine, solo superada por Katharine Hepburn, Bette Davis y Audrey Hepburn. Charlamos con Rafael Alberola de la Escuela de Cine de la Comunidad de Madrid sobre el programa “La incubadora” que impulsa proyectos cinematográficos. Y la película que nos trae Bourbon esta semana en su sección es “Buffalo Bill” de Cecil B. De Mille, que a pesar de su título no va sobre el famoso cazador de bisontes sino sobre otro legendario personaje del Oeste: Wild Bill Hickok.

A l'occasion du Festival de Cannes, plongez au coeur du star système et découvrez ces couples qui ont crevé l'écran. Ils nous ont fait rêver ou simplement réfléchir à notre conception de l'amour. Plongez dans l'intimité des plus beaux couples d'acteurs et d'actrices avec Alice Deroide. Leur union fut une des plus critiquées de l'histoire du cinéma. Une passion inattendue et intense, entre une superstar d'Hollywood et un réalisateur engagé. Pour eux, aimer c'est scandaliser. Bousculer la morale et s'affranchir des codes du cinéma. Un podcast Bababam Originals Première diffusion : 10 octobre 2019 Learn more about your ad choices. Visit megaphone.fm/adchoices

Morocco has beautiful landscapes and movie sets from around the world. My favorite is Casablanca, which stars Humphrey Bogart and Ingrid Bergman. Thank you, everyone in Morocco, for listening. Our impossible need:To understand prayer, we need to understand being humanity.We cry before we are able to talk, but the reasons we cry and talk are the same. We are sinners. The natural state of our sons is selfishness and self-centeredness. We are complicated and bigger on the inside. We are built Biblically upside down. We look to what is best for us as an individual.The results: Estrangement from God, and isolation from one another. Our So What?We long to know others and be fully known by others, beginning with the God-shaped void in our souls.Our impossible solution, next time. Brethren, let's pray for one another."What a man is on his knees before God, that he is and nothing more." Robert Murray M'Cheynee Donation link:https://www.paypal.com/donate/?hosted_button_id=G9JGGR5W97D64Or go to www.freerangepreacheronprayer.com and use the Donations tab.Assistant Editor: Seven Jefferson Gossard.www.freerangepreacheronprayer.comfreerangeprayer@gmail.comFacebook - Free Range Preacher MinistriesInstagram: freerangeministriesAll our Scripture quotes are drawn from the NASB 1977 edition.For access to the Voice Over services of Richard Durrington, please visit RichardDurrington.com or email him at Durringtonr@gmail.comOur podcast art was designed by @sammmmmmmmm23 InstagramSeason 007Episode 040

Barbara Stanwyck In Jack Benny's Spoof of Gaslight!https://youtu.be/jFSaiGCGIeESupport us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

March 18, 1945 - Jack tells a reporter the story of how he discovered Mary back in 1932. They made this episode for TV which aired October 31, 1954. Refrences include the Oscars where Bing Crosby and Ingrid Bergman were winners. They mention the radio shows "Your Hit Parade", "Duffy's Tavern", and "Fibber McGee and Molly", the silent film actress Theda Barra, the bandleader Spike Jones, the old song "Just a Gigolo", the watch company Gruen. Plus the true story of Mary meeting Jack.

As I prepare to record more episodes, I am sharing a conversation I had with former podcast guest Spencer Robelen on his The Hitchcock Gays podcast about Hitchcock's 1945 film Spellbound starring Ingrid Bergman and Gregory Peck. I hope you enjoy getting to know Spencer's podcast, and Scene to Song will be back in two weeks with a new episode. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald.

"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre.  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we psychoanalyze Spellbound, Hitchcock's 1945 film noir mystery dominated by Freudian psychotherapy. Gregory Peck plays an amnesiac doctor and psychiatrist Ingrid Bergman races to unlock his past as z murder investigation threatens to derail his progress.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Selznick International Picture. Directed by Alfred Hitchcock. Produced by David O. Selznick. Written by Angus MacPhail, based on the novel The House of Dr. Edwardes by Hilary Saint George Saunders and Francis Beeding. Starring Ingrid Bergman, Gregory Peck, Michael Chekhov, Leo G. Carroll, Norman Lloyd.. Cinematography by George Barnes. Music by Miklos Rozsa.Ranking: 18 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Spellbound got 1,989 ranking points.

Steve and Cat discuss the problems with automobiles in parking lot. Are they too fast? Our awesome lady of the week is silver screen legend Ingrid Bergman. Netflix's series "Apple Cider Vinegar" is our What Ca Watchin. Shot of the week is White Tea shot, Band of the week is singer Megan Burtt.

"Here's looking at you, kid." For Episode 348, Brandon and David conclude the Romantic Drama series with CASABLANCA. The two discuss how a European trip inspired the story, the early casting rumors, how the war affected the production, and how the film's final scene came about.  Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Julia Roberts and What We're Watching -  (00:00:10) Recap of the Romance Drama Genre (00:07:48) Intro to Casablanca (00:11:38) How Casablanca Got to Production (00:16:51) Favorite Scenes (00:37:38) On Set Life - (01:11:09) Aftermath: Release and Legacy (01:23:59) What Worked and What Didn't (01:32:00 ) Film Facts (01:34:34) Awards (01:39:46) Final Questions on the Movie (01:43:32) Final Genre Questions (01:50:21) Wrapping Up the Episode (01:57:32) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Hollywood stars: they don't make ‘em like they used to. While there are still many fine actors and actresses working in film and television today, very few have the megawatt star power that used to bring audiences to the theaters from the mid- to late 20th Century. And as we move further and further away from the Golden and Silver ages of Tinseltown, the Great Pop Culture Debate podcast wants to determine: who WAS the Best Classic Hollywood Movie Star? We consider 16 film actors and actresses who made their big breaks prior to 1969, including: Cary Grant, Paul Newman, Judy Garland, Ingrid Bergman, Humphrey Bogart, Fred Astaire, Joan Crawford, Katharine Hepburn, Jimmy Stewart, Elizabeth Taylor, Marilyn Monroe, Audrey Hepburn, Bette Davis, Gene Kelly, Gregory Peck, and Barbara Stanwyck. Join host Eric Rezsnyak and GPCD panelists Derek Mekita, Jonny Minogue, and Karissa Kloss as they discuss 16 of the biggest Hollywood legends who made their big breaks prior to 1969. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For more exclusive content, including the warm-up in which we discuss even more iconic Hollywood legends that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Want to play along at home? Download the Listener Bracket and see if your picks match up with ours! Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, Jonny Minogue, Karissa Kloss Producer: Bob Erlenback Editor: Bob Erlenback Theme Music: “Dance to My Tune” by Marc Torch #classicfilm #classicmovies #hollywood #moviestar #goldenage #oscars #elizabethtaylor #katharinehepburn #paulnewman #carygrant #audreyhepburn #marilynmonroe #humphreybogart #ingridbergman #judygarland #jimmystewart #bettedavis #joancrawford Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 76 - “MEMORABLE OSCAR SPEECHES OF THE GOLDEN ERA OF HOLLYWOOD” - 2/24/2025 Winning an Oscar is a dream for most people who work in Hollywood. But you can't just win the Oscar, you have to have a good speech once your name is called and you head to the podium. There have been some great ones — OLIVIA COLEMAN's funny and cheeky speech hit the right tone and who can forget JACK PALANCE's one-arm push-ups or CUBA GOODING's exuberance? There have also been some bad ones — don't we all still cringe a little at SALLY FIELDS' “You like me” speech? As we prepare to celebrate the 97th annual Academy Award ceremony, Steve and Nan look back on some of their favorite Oscar speeches and why they resonate. So put on your tux, don the gown and jewels, pop the champagne, and join us for a fun talk about … well, people talking.  SHOW NOTES:  Sources: “Five Times The Oscars Made History,” January 20, 2017, www.nyfa.edu; “Hollywood History: How World War II Forced the Academy to Rethink the 1942 Oscars,” April 16, 2021, Entertainment Weekly; “Charlie Chaplin vs. America Explores the Accusations that Sent a Star Into Exile,” October 24, 2023, byTerry Gross, www.npr.com; “The Most Memorable Oscar Speeches in Oscar History,” March 6, 2024, by Shannon Carlin, www.time.com;   Wikipedia.com; TCM.com; IMDBPro.com; www.Oscars.org; Movies Mentioned:  Stella Dallas (1938), starring Barbara Stanwyck, John Boles, Anne Shirley, & Alan Hale; Gone With The Wind (1939), starring Vivian Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Hattie McDaniel, Butterfly McQueen, Thomas Mitchell, & Barbara O'Neil; How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara, & Donald Crisp; Sergeant York (1941), starring Gary Cooper, Joan Leslie, & Walter Brennan;  The Devil and Miss Jones (1941), staring Jean Arthur Robert Cummings, & Charle Coburn; Here Comes Mr. Jordan (1941), starring Robert Montgomery, Claude Rains, & Evelyn Keyes; Ball of Fire (1942), starring Barbara Stanwyck & Cary Cooper; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray & Edward G Robinson; Key Largo (1948); starring Humphrey Bogart, Lauren Bacall, Edward G Robinson, Claire Trevor, & Lionel Barrymore; All The King's Men (1948), starring Broderick Crawford, John Ireland, Joanne Dru, & Mercedes McCambridge; Pinky (1949), starring Jeanne Crain, Ethel Waters, Ethel Barrymore, Nina Mae McKinney, & Wiliam Lundigan; Marty (1955); starring Ernest Borgnine. Betsy Blair, Joe Mantell, & Esther Minciotti; The King and I (1956), starring Yul Brenner, Deborah Kerr, Rita Moreno, & Rex Thompson; Elmer Gantry (1960), starring Burt Lancaster, Jean Simmons, Shirley Jones, Arthur Kennedy, Dean Jagger, and Patti Page; West Side Story (1961), Natalie Wood, Richard Beymer, Rita Moreno, George Chikiris, & Russ Tamblyn; Lillies of the Field (1963), starring Sidney Poitier;  In the Heat of the Night (1967)l starring Rod Steiger, Sidney Poitier, & Lee Grant; The Producers (1967), starring Zero Mostel & Gene Wilder; Rosemary's Baby (1968), starring Mia Farrow, John Cassavetes, Ruth Gordon, & Charles Grodin; Faces (1968), starring Gena Rowlands, Lynn Carlin, Seymour Cassel, & John Farley;  The Heart is a Lonely Hunter (1968), staring Alan Arkin, Sondra Locke, Cecily Tyson, Stacey Keach, & Percy Rodrigues; The Last Picture Show (1971), starring Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ellen Burstyn, Ben Johnson, Cloris Leachman, & Eileen Brennan; Murder on the Orient Express (1974), starring Albert Finney, Lauren Bacall, Ingrid Bergman, Sean Connery, Martin Balsam, & Jacqueline Bisset; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever watched a war movie and realized that the actors didn't know how the conflict would turn out? World War 2 movies are like that. When they filmed “Casablanca,” Humphrey Bogart and Ingrid Bergman weren't sure whether the Germans would win or lose.Life can be like that.Matthew 28:20 says, “And surely I am with you always, to the very end of the age.”In your own life, you might be facing some really serious stuff. And it's not unusual to be staring at several problems at once. That's when God's Word is so valuable to us. Jesus has promised us that He will stick right with us all the way through. Human friends often go a long way with us—but only Jesus is sure to never, ever leave us.That's the best way to beat the uncertainties of life. Tell Jesus you can't make it without Him.It's then that the future no longer scares us at all.Let's pray.Lord, we don't know a fraction of what you do, including what our future looks like. We do know that we can trust you, and we thank you for that. In Jesus' name, amen. Change your shirt, and you can change the world! Save 15% Off your entire purchase of faith-based apparel + gifts at Kerusso.com with code KDD15.

A l'occasion de la Saint-Valentin, découvrez ces couples qui ont crevé l'écran. Ils nous ont fait rêver ou simplement réfléchir à notre conception de l'amour. Plongez dans l'intimité des plus beaux couples d'acteurs et d'actrices avec Alice Deroide. Leur union fut une des plus critiquées de l'histoire du cinéma. Une passion inattendue et intense, entre une superstar d'Hollywood et un réalisateur engagé. Pour eux, aimer c'est scandaliser. Bousculer la morale et s'affranchir des codes du cinéma. Un podcast Bababam Originals Première diffusion : 10 octobre 2019 Learn more about your ad choices. Visit megaphone.fm/adchoices

In which the Mister joins me in reviewing CASABLANCA (1942), from writers Julius J Epstein and Howard Koch from the play by Murray Burnett and Joan Alison, the film is directed by Michael Curtiz.  During WWII, in the Moroccan city of Casablanca, nightclub owner Rick Blaine's (Humphrey Bogart) entire world is shaken when the woman (Ingrid Bergman) who broke his heart years ago walks into his club with her husband, Victor (Paul Henreid).  The film clocks in at 1 h and 42 m, is rated PG and is currently streaming on Max but is also available to buy/rent on Prime Video.  Please note there are SPOILERS in this review.#Casablanca  #MichaelCurtiz  #JuliusJEpstein  #HowardKoch  #MurrayBurnett  #JoanAlison  #HumphreyBogart  #Rick  #IngridBergman  #Ilsa  #PaulHenreid  #Victor  #ClaudeRains  #CaptainRenault  #ConradVeidt  #MajorStrasser  #SydneyGreenstreet  #SignorFerrari  #PeterLorre  #Ugarte  #DooleyWilson  #Sam  #SZSakall  #Carl  #Drama  #Romance  #War  @StreamOnMax  @PrimeVideo  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Support Breaking Walls at https://www.patreon.com/thewallbreakers As Broadway Is My Beat was taking to the air on February 3rd, 1950, snow was on the ground. Three inches had fallen on the 1st. That Friday, nuclear physicist Klaus Fuchs was arrested by agents of Scotland Yard. He was charged with providing American atomic bomb secrets to the Soviet Union. The next day, U.S. Army Lieutenant General Leslie R. Groves testified before a joint congressional committee that, as a result of the secrets Fuchs gave the U.S.S.R., the Soviets had begun development of both atomic and hydrogen bombs. At the Cort Theatre In New York, Katharine Hepburn was starring in a production of Shakespeare's comedy, As You Like It. Located at 138 West 48th Street, The Cort was renamed the James Earl Jones theatre in 2022. Meanwhile The New York Daily News cover showed Ingrid Bergman, who'd just given birth to her son Robin Rossellini. The child was born out of wedlock. She filed for divorce from husband Dr. Peter Lindstrom, and shortly thereafter Stromboli premiered in American theaters. It was accompanied by a great deal of controversy from the affair between Bergman and director Roberto Rossellini. The pair would marry on May 24th, 1950. The biggest international news was coming out of England where a general election was to be held on January 23rd. With that in mind, Elmo Roper took to the air on CBS' The People Speak with more information.

EPISODE 72 - “CHATTING CLASSIC CINEMA WITH JOURNALIST MAUREEN LENKER” - 1/27/2024 In this week's episode, Steve and Nan welcome award-winning journalist MAUREEN LENKER. Maureen, who is currently a Senior Writer for Entertainment Weekly, has a deep passion and knowledge of classic cinema and has made 1930s Hollywood the setting for her new novel, “His Girl Hollywood.” Join us as Maureen discusses her career, her passion for cinema, her most inspirational classic films, and all the tea about her new novel. SHOW NOTES:  Sources: It Happened One Fight (2023), by Maureen Lee Lenker; His Girl Hollywood (2025), by Maureen Lee Lenker; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Swing Time (1936) - starring Fred Astaire & Ginger Rogers; Gone with the Wind (1939), starring Vivien Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, & Hattie McDaniel; His Girl Friday (1940), starring Rosalind Russell, Cary Grant, Ralph Bellamy, Gene Lockhart, Helen Mack, & John Qualen; The Philadelphia Story (1940), starring Katharine Hepburn, Cary Grant, James Stewart, Ruth Hussey, Virginia Weidler, Mary Nash, John Howard, & Roland Young; Casablanca (1942), starring Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Peter Lorre, Sydney Greenstreet, & Dooley Wilson; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, & Miriam Hopkins; Outrage (1950). Starring Mala Powers, Tod Andrews, Robert Clarke, Lillian Hamilton, & Rita Lupino; Singing in the Rain (1952), starting Gene Kelly, Debbie Reynolds, Donald O'Connor, Jean Hagan, Rita Moreno, Cyd Charisse, & Millard Mitchell; West Side Story (1952), starring Natalie Wood, Richard Beymer, Rita Moreno, George Chakiras, & Russ Tamblyn; The Quiet Man (1952), starring John Wayne, Maureen O'Hara, Mildred Natwick, Barry Fitzgerald, & Patrick McLaglen; White Christmas (1954), starring Bing Crosby, Danny Kaye, Rosemary Clooney, Vera Ellen, Dean Jagger, Mary Wickes, & Anne Whitfield; It's Always Fair Weather (1955), starring Gene Kelly, Cyd Charisse, Dan Dailey, Michalre Kidd, & Delores Gray; Mary Poppins (1964), starring Julie Andrews, Dick Van Dyke, David Tomlinson, & Glynis Johns; The Sound of Music (1965), starring Julie Andrews, Christopher Plummer, Eleanor Parker, Chairman Carr, Richard Haydn, & Peggy Wood; Then Princess Bride (1987), starring Cary Elwes, Robin Wright, Billy Crystal, Mandy Patinkin, & Wallace Shawn; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Morocco has beautiful landscapes and movie sets from around the world. My favorite is Casablanca, which stars Humphrey Bogart and Ingrid Bergman. Thank you, everyone in Morocco, for listening. Our impossible need: To understand prayer, we need to understand being humanity. We cry before we are able to talk, but the reasons we cry and talk are the same. We are sinners. The natural state of our sons is selfishness and self-centeredness. We are complicated and bigger on the inside. We are built Biblically upside down. We look to what is best for us as an individual. The results: Estrangement from God, and isolation from one another. Our So What? We long to know others and be fully known by others, beginning with the God-shaped void in our souls. Our impossible solution, next time. Brethren, let's pray for one another. "What a man is on his knees before God, that he is and nothing more." Robert Murray M'Cheynee Donation link: https://www.paypal.com/donate/?hosted_button_id=G9JGGR5W97D64 Or go to www.freerangepreacheronprayer.com and use the Donations tab. Assistant Editor: Seven Jefferson Gossard. www.freerangepreacheronprayer.com freerangeprayer@gmail.com Facebook - Free Range Preacher Ministries Instagram: freerangeministries All our Scripture quotes are drawn from the NASB 1977 edition. For access to the Voice Over services of Richard Durrington, please visit RichardDurrington.com or email him at Durringtonr@gmail.com Our podcast art was designed by @sammmmmmmmm23 Instagram Season 007 Episode 017

Trump, stanotte l'inauguration day. Jovanotti tra Sanremo e il concerto in bici. La Ferrari di Ingrid Bergman, la relazione tra Anna Magnani e Roberto Rossellini. Ospite in studio Gianluca Torre.

Programar los Retro Tuesdays de Caribbean Cinemas fue uno de mis mayores placeres del 2024, por lo que me llena de muchísima emoción poder anunciarles que el proyecto de cine de repertorio continúa y se expande en el 2025, con más películas, más cines y más clásicos proyectados en la pantalla grande. La cartelera arranca el próximo 14 de enero con la presentación de la obra maestra de Stanley Kubrick, 2001: A Space Odyssey. Estrenado en 1968, el filme fue producto de una estrecha colaboración entre el renombrado cineasta, el autor de ciencia ficción, Arthur C. Clarke, y el visionario Douglas Trumbull, cuyos revolucionarios efectos especiales cambiaron para siempre el séptimo arte. Esta proyección marcará la primera vez que hacemos una exhibición en una sala CXC, con la mejor imagen y sonido posible, para ofrecerles una experiencia verdaderamente inolvidable. Dos semanas después, el 28 de enero, conmemoramos el 35 aniversario de uno de los principales largometrajes de la década del 1990: Goodfellas, de Martin Scorsese, un nombre que prácticamente es sinónimo del arte cinematográfico. Con las actuaciones estelares de Ray Liotta, Robert De Niro y Joe Pesci, las película se inspira en la verdadera historia de Henry Hill, un hombre de ascendencia irlandesa que se involucró con la mafia italiana y terminó colaborando con las autoridades federales. Luego, en febrero, celebramos el “mes del amor” con dos películas para los enamorados. El martes 11 se proyectará The Notebook, el fan favorite del 2004, que conquistó los corazones del público a través del tumultuoso romance protagonizado por Ryan Gosling, Rachel McAdams, James Garner y Gena Rowlands. Y más adelante, el 25 de febrero, la pantalla grande brillará con dos de los rostros más icónicos del cine, cuando Humphrey Bogart e Ingrid Bergman nos cautiven con sus inolvidables actuaciones en el clásico de 1942, Casablanca. Los Retro Tuesdays regresan nuevamente a las salas Plaza Las Américas, los martes a las 7:00 p.m., y este ciclo se expandirá a los teatros de Plaza del Caribe, Arecibo y Western Plaza, para el disfrute de los cinéfilos de otras áreas de la Isla. Tal y como hicimos en las pasadas seis ediciones, las funciones de Plazas Las Américas -en las que estaré sirviendo de coanfitrión junto a Marcial Feliciano, de Caribbean Cinemas- serán proseguidas por un juego interactivo de Movie Trivia, para poner a prueba el conocimiento del público sobre los filmes que acaban de ver, y habrá premios para los primeros tres lugares. Los boletos ya están a la venta en www.caribbeancinemas.com. Y esto es solo el comienzo. Tenemos reestrenos MUY nítidos planificados para el 2025, así que separen desde ya los martes en la noche para que no se pierdan ninguno. Nos vemos en el cine. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit marioalegre.substack.com/subscribe

“HITCHCOCK's COLLABORATORS FROM THE GOLDEN AGE” - (068) ALFRED HITCHCOCK, the iconic “Master of Suspense,” loved to work with certain actors over and over again. Often, he had very complicated relationships with his actors. (Just ask TIPPI HEDREN!) However, he managed to form great working relationships with stars like JAMES STEWART, GRACE KELLY, INGRID BERGMAN, and CARY GRANT. This week, we take a fun look at some of the actors who he loved to work with. So, which actor did he put in more of his films than anyone else? The answer may surprise you. SHOW NOTES:  Sources: Cary Grant (2020), by Scott Eyman;  Hitchcock's Heroines (2018), by Caroline Young; Hitchcock's British Films (2010), by Maurice Yacowar; It's Only A Movie: Alfred Hitchcock a Personal Biography (2006), by Charlotte Chandler; Alfred Hitchcock: A Life in Darkness and Light (2003), by Patrick McGilligan; Ingrid Bergman: My Story (1980), by Ingrid Bergman and Alan Burgess; "Alfred Hitchcock & Cary Grant Together: Twisted image,” by Kevin Maher, www.top10filmlists.com; “Alfred Hitchcock's Most Frequent Collaborators, Ranked,” January 21, 2024, by Alice Caswell, ScreenRant.com; “The Relationship Between Alfred Hitchcock and Cary Grant, Explained,” January 16, 2023, by Heather Lawton, MovieWeb; “Leo G. Carroll,” Actor, 80, Dead, October 19, 1972, New York Times; “Miss Clare Greet, Actress, 47 Years; British Stage Favorite Dies,” February 15, 1939, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; RogerEbert.com; Movies Mentioned:  The Ring (1927), starring Carl Brisson & Ian Hunter; Blackmail (1929), starring John Longden; The Manxman (1929), starring Anne Ondra; Murder! (1930), starring Herbert Marshall; Ellstree Calling (1930), starring Will Fyffe; Juno and the Paycock (1930), starring Sara Allgood & Barry Fitzgerald; The Skin Game (1931), starring Edmund Gwenn; The Man Who Knew Too Much (1934), starring Peter Lorre; Sabotage (1936), starring Sylvia Sidney; Young and Innocent (1937), starring Nova Pilbeam; Jamaica Inn (1939), starring Charles Laughton & Maureen O'Hara; Rebecca (1940), starring Joan Fontaine, Laurence Olivier, & Judith Anderson; Suspicion (1941), starring Cary Grant & Joan Fontaine; Shadow of a Doubt (1943), starring Joseph Cotten & Teresa Wright; Spellbound (1945), starring Gregory Peck & Ingrid Bergman; Notorious (1946), starring Ingrid Bergman & Cary Grant; The Paradine Case (1947), starring Gregory Peck, Alida Valli, & Ann Todd; Under Capricorn (1949), starring Ingrid Bergman, Joseph Cotten & Michael Wilding; Stage Fright (1950), starring Marlene Dietrich & Jane Wyman; Strangers on a Train (1951), starring Farley Granger, Robert Walker & Ruth Roman; To Catch A Thief (1955), starring Cary Grant & Grace Kelly; Anastasia (1956) starring Ingrid Bergman, Yul Brynner, & Helen Hayes; North by Northwest (1959), starring Cary Grant & Eva Marie Saint; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode Tim is joined by Helen O'Hara (Editor-at-Large for Empire) to discuss Michael Curtiz's Casablanca (1942). –––––––––––––––––––––––––––––– Casablanca is =63 on the Sight & Sound critic's list. You can read Helen's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can support the pod by joining Moving Pictures' Patreon channel here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Follow us on Bluesky @top100pod.bsky.social or on Instagram @thetop100pod Get in touch via emai: top100pod@gmail.com –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos

This week Harrison will review "The Bells of St. Mary's" (1945) starring Bing Crosby and Ingrid Bergman and directed by Leo McCarey #bingcrosby #IngridBergman #leomccarey #reelyoldmovies Join my Discord!: https://discord.gg/VWcP6ge2 Social Media Links: https://linktr.ee/reelyoldmovies Full Livestream: https://www.youtube.com/live/7QMQpZHiex4?si=5zmAPCH3a-jgB52b

The Bells of St.Mary's (1945) Ingrid Bergman, Bing Crosby Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

Juan Manuel de Prada pone el foco en la actriz sueca, Ingrid Bergman para un nuevo capitulo de sus depradados. Personajes con un lado oscuro en su vida. 

Welcome back to Film Haven Reviews!!! This week we are concluding out "Ingrid Bergman" theme with the famous Alfred Hitchcock film Notorious (1946). While I very much enjoyed this movie, I found myself a little surprised at how high the critical ratings are. On imdb this film has a 100 Metascore and that seems a little overblown to me. However, I still gave this movie a 7.5/10 for being a highly entertaining spy romance and filled with some good camerawork and great performances from Bergman and Grant. For my full written review feel free to follow my instagram: https://www.instagram.com/film_haven_reviews/ 

Welcome back to Film Haven Reivews!!! This week we are continuing out Ingrid Bergman theme with the influential pychological thriller Gaslight (1944). I really appreciated this film for its authenticity and its accuracy in portraying psychological abuse. The film's narrative trajectory was fascniating to watch and resulted in a very satisfying conclusion. I gave this film an 8.5/10 for great set design, convincing acting, and a unique hook.For my full written review feel free to follow my instagram: https://www.instagram.com/film_haven_reviews/ 

Ingrid Bergman: She sustained extreme heartache as a child and slipped into a land of make-believe as a way to cope. And that led her straight onto the stage and screen. She was always reaching for something else. Always looking for adventure. She lived life fully. Listen now! Image Source: IMDB Episode sources: A book titled Ingrid Bergman: A Life From Beginning to End by the Hourly History Series; a documentary titled Ingrid Bergman: In Her Own Words, directed by Stig Bjorkman; history.com, biography.com, an article in Closer from February 2, 2020; IMDB

Welcome back to Film Haven Reviews!!! This week we are starting a new "Ingrid Bergman" theme with the WWII contemporary classic Casablanca (1942). I had heard this film was overrated but was pleasantly surprised to find that its actually a delightful film filled with incredible craft, convincing acting, and unique setting. I gave this film an 9/10 for its precendence and its ability to withstand the test of time. This film is simply timeless. For my full written review feel free to follow my instagram: https://www.instagram.com/film_haven_reviews/ 

Although her father was director Roberto Rossellini and her mother was actress Ingrid Bergman, Isabella Rossellini had little desire to work in the film industry when she arrived in New York City at 19 years old. She was sure that fashion was her calling—and by her late 20s, a few years after studying costume design at Manhattan's Finch College, she was appearing as a model in magazines such as Vogue and Interview. Not long after, Rossellini decided to join the family business: she was cast in her first American film in the early 1980s, before starring in David Lynch's haunting 1986 thriller, "Blue Velvet." Over the last few decades, Rossellini has only further demonstrated the breadth of her talent, working as a producer and director while still modeling and acting, most recently in the papal drama "Conclave," in which she co-stars alongside Ralph Fiennes, Stanley Tucci, and John Lithgow. On this week's episode of "Table for Two," the actress joins host Bruce Bozzi to discuss her relationship to her parents' work, how her style has changed with age, and why she went back to school in her mid-50s.See omnystudio.com/listener for privacy information.

TALK TO ME, TEXT ITEver wondered what makes "Casablanca" a timeless classic worth an 'A' rating? Join us as we kick-start our morning discussing the movie's captivating romance and suspense, while appreciating its subtle storytelling that stands in stark contrast to today's cinematic excesses. We ponder over Ingrid Bergman's beauty and the depiction of women on screen, both then and now. As Humphrey Bogart fans, we're set for a movie marathon and can't wait to share our thoughts on what's next: "The Maltese Falcon." Along the way, we sneak in some tidbits about our personal lives, including new adventures with little Cameron and a nostalgic trip down memory lane to a snowless ski outing.Shifting gears, we tackle recent political tensions, scrutinizing cabinet picks and the unexpected maneuvers involving Matt Gaetz and Bondi from Florida. With political parties seemingly in a game of chess, we express our frustrations at the slow pace of change and even toy with the idea of forming a new "Firebrand" party to shake things up. To cap it all off, we indulge in a light-hearted chat about what graces our nightstands—from nostalgic clock radios to a trusty book or two—revealing the personal items that bring us comfort as the day comes to an end. Exit bumper Not A Democracy Podcast Network made by @FuryanEnergySupport the showTip Jar for coffee $ - Thanks Blog - Carol ReMarksX - Carol ReMarks Instagram - Carol.ReMarksFacebook Page - Carol ReMarks Blog

Join Alex and returning guest host Dr. Wind Goodfriend in a discussion of the psychological concepts found in the amazing psychological thriller Gaslight (1944) — THE origin of the word de jour "gaslighting" ! The film stars award-winning Ingrid Bergman and Charles Boyer, as woman who's reality is being warped by her conniving and selfish husband, respectively. Within the psychological manipulation of gaslighting, the hosts also explore the ways emotional and psychological abuse is carried out in these kinds of relationships and even discuss a new scale that aims to help folks determining if they/re under the gaslighting spell! Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), or Threads/Instagram (@cinemapsych_podcast). We'd love to hear from you! Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo! Legal stuff: 1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended). 2. Intro and outro music by half.cool ("Gemini"). Used under license. 3. Film reel sound effect by bone666138. Used under license CC BY 3.0.

Alfred Hitchcock teams up with Ingrid Bergman and Gregory Peck for a bizarre thriller/romance, while David Lean produces one of the all-time weepies with leads Celia Johnson and Trevor Howard. Connect with us: Never Did It on YouTube: https://www.youtube.com/@neverdiditpod Never Did It on Letterboxd: https://letterboxd.com/bradgaroon/list/never-did-it-podcast/ Brad on Letterboxd: https://letterboxd.com/bradgaroon/ Jake on Letterboxd: https://letterboxd.com/jake_ziegler/ Never Did It on Facebook: https://www.facebook.com/neverdiditpodcast Hosted by Brad Garoon & Jake Ziegler

Humanity's struggle with good and evil is personified in the 1941 film starring Spencer Tracy, Ingrid Bergman and Lana Turner in “Dr. Jekyll and Mr. Hyde.”

Charles Boyer and Ingrid Bergman in Gaslight! https://archive.org/download/Gaslight_628/Fanny_by_Gaslight_1945.mp4 Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

After rising to fame as the world's highest-paid model in the early ‘80s, Isabella Rossellini broke away from convention with daring and experimental film roles in “Blue Velvet” and “Death Becomes Her.” In recent years, she's continued to follow her instincts by opening up her own hobby farm and only choosing to pursue projects that challenge her, like her new film, “Conclave,” which lifts the curtain on the Vatican's mysterious ceremony to elect a new pope. Isabella sits down with Tom Power to talk about the film, her early life growing up in Rome as the daughter of Ingrid Bergman and Roberto Rossellini, and how she got into the family business.

October 17, 1943 - Jack Benny is back from his USO trip to Casablanca and recounts a story similar to the motion picture of the same name. Rochester sings "As Time Goes By". Plus Jack talks with his new writers. References include Humphrey Bogart and Ingrid Bergman, Red Skelton, Burns and Allen, Fred Allen, and BVD brand of men's underwear.

The timeless classic Casablanca from 1942 closes our Money Shot arc with one of Roger Ebert's top films of all time. Featuring iconic performances from Humphrey Bogart, Ingrid Bergman, and Claude Rains, the film deftly portrays the confusion and chaos of World War II even in a seemingly far-flung Moroccan city. Thorin, Richard, and Monte discuss the themes of self-sacrifice, lost love, and duty to a higher cause that permeate the movie as well as explaining important historical context. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brian & Stéphane are Back, Spreading Mischief, Mayhem, and Loads of Laughs!Buckle up for a wild ride in the fifth installment of the Twilight Manors series! Brian and Stéphane embark on an unforgettable journey to New Orleans via Amtrak—Stéphane to dazzle at a Powder Puff Convention, and Brian to soak up the city's vibrant chaos. But their adventure takes a jaw-dropping turn when the train is hijacked by the outrageous Barbie Liberation Front!As the pair are plunged into the heart of Texas, they encounter a bizarre cast of characters: a jubilant hooker, a man with an unusual affection for sheep, a curious peeping Tom, a woman claiming to own Ingrid Bergman's DNA, and a footsie-loving Mennonite woman. Each character adds to the madness.The craziness escalates upon their arrival in New Orleans, where the convention reveals its own set of troubles. Someone is kidnapping chihuahuas, and the stakes couldn't be higher.Join Brian and Stéphane as they navigate through a whirlwind of opera, voodoo, tortoise painters, biker gals, killer chefs, and the biggest ding-dong on this side, or any side, of the Mississippi. Oh, and don't miss Stéphane taking a cure for his homosexuality—SPOILER ALERT: it doesn't work!Dive headfirst into Twilight Manors in Palm Springs: The Great New Orleans Powder Puff Caper for a side-splitting, page-turning adventure you won't want to miss!Support this show http://supporter.acast.com/houseofmysteryradio. Become a member at https://plus.acast.com/s/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

This week we jump ahead to Under Capricorn, which practically feels modern after having spentabout14 weeks in the 20s and 30s. This 1949 period drama stars Joseph Cotton and Ingrid Bergman as a married couple in 19th Century Australia. An Irishman comes Down Under and begins unravelling the mysteries of their relationship. Details: A Transatlantic Picture, produced by Hitchcock and Sidney Bernstein. Screenplay by James Birdie, with adaption by Hume Cronyn based on the novel by Helen Simpson, via the play by John Colton and Margaret Linden. It stars Joseph Cotton, Ingrid Bergman, Michael Wilding and Margaret Leighton. Cinematography by Jack Cardiff. Ranking: 39 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Under Capricorn got 799 ranking points.

EPISODE 55 - “Favorite Classic Films of the 1950s ” - 09/30/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1950s was a real transitional decade for classic films. As we got further away from WW2, and the Cold War began to rise up prominently, there was a cynicism across the land that influenced the content of many Hollywood movies. Films took on a grittier, more realistic feel, and the subject matters were darker and more controversial. It was the decade that sparked masterpieces like “Sunset Boulevard,” “All About Eve,” “From Here To Eternity,” “Cat On A Hot Tin Roof,” “A Streetcar Named Desire,” “Anatomy of a Murder,” “ Strangers on a Train,” “Shane,” and “High Noon.” Listen as Steve and Nan talk about some special 1950s films that inspire them. SHOW NOTES:  Sources: TCM.com; IMDBPro.com; Wikipedia.com; NewYorkTimes.com RogerEbert.com Movies Mentioned:  No Man of Her Own (1950), starring Barbara Stanwyck, John Lund, and Richard Denning; In A Lonely Place (1950), starring Humphrey Bogart and Gloria Grahame; A Place In The Sun (1951), starring Montgomery Cliff, Elizabeth Taylor, and Shelley Winters; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, Thelma Ritter, and Richard Kiley; Witness For the Prosecution (1957), starring Charles Laughton, Tyrone Power, Marlene Dietrich, and Elsa Lanchester; A Face In The Crowd (1957), starring Andy Griffith, Patricia Neal, Lee Remick, Walter Matthau, and Anthony Franciosa; Big Country (1958), starring Gregory Peck, Jean Simmons, Carroll Baker, Burl Ives, Charles Bickford and Charlton Heston; Indiscreet (1959), starring Cary Grant and Ingrid Bergman; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Señores y señoras, cartas de una leyenda. De un ícono, de una estrella en el sentido más cabal y menos frívolo del término. De una mujer de convicciones fuertes, que se negó a ser solo una cara bonita -bellísima por cierto- y se convirtió en una de las grandes actrices de la historia del cine mundial. Me refiero a Ingrid Bergman. Huérfana a una edad muy temprana, la sueca comenzó a actuar para vencer su traumática timidez. Y vaya si lo logró. Terminó ganando tres premios Oscar y protagonizando películas icónicas como “Casablanca”, “Te querré siempre” y “Por quién doblas las campanas”, además de ser una de las musas de Alfred Hitchcock. “El mundo venera la originalidad”, era una de sus máximas, que intentó cumplir hasta el día de su muerte. En su vida privada, si es que puede existir tal cosa en una figura tan pública, intentó huir de los estereotipos. De fiel esposa, de buena madre y de mujer intachable. Este episodio contiene dos cartas suyas. Una de amor y otra de desamor. La primera es de amor, de ilusión y va dirigida a Petter Lindstrom, su primer esposo, a pocos días de la boda. Por cierto, un casamiento que terminó en escándalo porque ella se enamoró del director de cine Roberto Rosellini. La segunda carta va dirigida a Rosellini y está plagada de los sinsabores que también tuvo ese vínculo. Lee la actriz y cineasta Alejandra Reyes. * Amor mío, único, espléndido y maravilloso: sería admirable que estuvieras en mi camerino y yo pudiera sentarme en tu regazo. Sin ti todo resulta insulso. Han de transcurrir cinco horas para que nos veamos y once días para que nos casemos. ¡El tiempo no pasa! ¿Cómo lo soporto? ¡Ojalá pudiera besarte uná y mil veces! Jamás me abandonarás, ¿verdad? Yo jamás me separaré de tí. Quiero estar contigo siempre, siempre, siempre. Faltan únicamente once días para nuestro enlace. Tengo que reunirme ahora con los fotógrafos, pero no dejaré de pensar en ti. ¡Qué atractivo eres! ¡Qué superior a los demás hombres! Estoy loca por ti. No puedo contenerme. Dentro de cinco horas y once días, seré tuya... Tuya... Ingrid * Telefoneé diez veces diarias como una tonta. Me gusta pasar las noches en blanco en conversación, como a usted. ¿Dónde parará la libertad de que hablo, si debo estar todas las noches en casa a las dos? También es una tontería telefonear a un hotel que se halla en íntimo contacto con la prensa. Descubrí a mi regreso de las montañas que se ha escrito demasiado sobre nosotros. Y en la ciudad se dice que mi matrimonio ha fracasado y que de ahora en adelante usted hará todas mis películas. Se rumora que le seguí a Nueva York: un nuevo triángulo dramático ha surgido en Hollywood. Y así, por el estilo, se expresa la prensa sensacionalista. Como ello me apena, no quiero echar más leña al fuego con conferencias telefónicas cotidianas. Entiéndame y ayúdeme. No tuve tiempo para despedirme de la gente y ponerme sentimental, por lo menos, hasta que vi a Peter en el aeropuerto, solitario y silencioso. Una vez más advertí mi egoísmo, y ahora, mientras estoy aquí, no hago más sino ir al teatro y esperar, una vez más. Todo el mundo me pregunta qué hay entre nosotros dos. Por eso, me encerré en mi habitación a contemplar su fotografía. Aún lo sigo haciendo. Ingrid

EPISODE 52 - "BIG SCREEN TO SMALL SCREEN: CLASSIC CINEMA'S TV REMAKES." (052) - 09/09/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** Sometimes, a classic film is primed for being turned into a successful television series — think “M*A*S*H*,” “Alice,” “In The Heat of the Night,” or “Peyton Place.” But this isn't always the case. There have been many classic films turned into TV shows with less-than-stellar results. Does anyone remember the “Casablanca" TV show on ABC with Starsky & Hutch star DAVID SOUL filling in for HUMPHREY BOGART? Don't worry, nobody else does either! This week, we take a look at a few of the TV series that were based on classic movies that didn't quite hit the mark. SHOW NOTES:  Sources: Television Series of the 1950s (2016), by Vincent Terrace; Encyclopedia of TV Shoes: 1925 - 2010 (2011), by Vincent Terrace; The Complete Directory To Prime Time Network TV Shows (1988), by Time Brooks and Earle F. Marsh; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Operation Petticoat (1959), starring Cary Grant, Tony Curtis, Dina Merrill, and Arthur O'Connell; Halloween (1978), starring Jamie Lee Curtis and Donald Pleasence; Topper (1937), starring Cary Grant, Constance Bennett, Roland Young, and Billie Burke; How To Marry A Millionaire (1953), starring Marilyn Monroe and Jane Russell; The Third Man (1949), starring Joseph Cotten, Orson Welles, Trevor Howard, and Alida Valli; My Sister Eileen (1942), starring Rosalind Russell and Janet Blair; My Sister Eileen (1955), starring Janet Leigh, Betty Garrett, and Jack Lemmon; Please Don't Eat The Daisies (1960), starring Doris Day and David Niven; The Ghost and Mrs. Muir (1947), starring Gene Tierney and Rex Harrison; Casablanca (1942), staring Humphrey Bogart, Ingrid Bergman, Paul Henreid, Peter Lorre, and Sydney Greenstreet; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fique na companhia de Tom Hanks, Matt Damon, Channing Tatum, Humphrey Bogart, Ingrid Bergman e Ivan Sant'Anna.Ser Antagonista é fiscalizar o poder. Apoie o jornalismo Vigilante:   https://bit.ly/planosdeassinatura  Acompanhe O Antagonista no canal do WhatsApp.  Boletins diários, conteúdos exclusivos em vídeo e muito mais.   https://whatsapp.com/channel/0029Va2S...   Ouça O Antagonista | Crusoé quando quiser nos principais aplicativos de podcast.  Leia mais em www.oantagonista.com.br | www.crusoe.com.br 

Quem será o novo interprete do James Bond, famoso agente 007?Quanto tempo alguém conseguiu ficar sem dormir?Nas sugestões de livros, séries e filme, fique na companhia de Tom Hanks, Matt Damon, Channing Tatum, Humphrey Bogart, Ingrid Bergman e Ivan Sant'Anna.E você ainda responde ao nosso dilema do Café Pelando, lembrando de já deixar a sua curtida aqui no vídeo e compartilhar com seus amigos!Ser Antagonista é fiscalizar o poder. Apoie o jornalismo Vigilante:   https://bit.ly/planosdeassinatura  Acompanhe O Antagonista no canal do WhatsApp.  Boletins diários, conteúdos exclusivos em vídeo e muito mais.   https://whatsapp.com/channel/0029Va2S...   Ouça O Antagonista | Crusoé quando quiser nos principais aplicativos de podcast.  Leia mais em www.oantagonista.com.br | www.crusoe.com.br 

New episode out now! We delve into the strange dreamscape of David Lynch's 1986 film Blue Velvet. We discuss how the movie was conceived mostly through thoughts and feelings, and while it feels like a somewhat creepy nostalgia-tinted stream of consciousness, it has a fairly straightforward mystery plot after it all plays out. We reaffirm that Lynch is “still weird” and has his subversive way of examining the world, wonder which drugs were involved in making the movie, enjoy the nebulous pocket universe of a 1950s/1980s time period, and really understand how it received a polarized reception from critics and movie fans alike. We were emotionally unprepared for the film but had a good discussion debating the themes of “traumatized innocence”, misogyny, perversion, generational trauma, and men being creeps. Katy tells a story about the first time she saw Top Gun, Carrie shares a fact about a pickled ear in a jar, Maddy is a connoisseur of cute butts, and Mack gives some important tips to keep in mind when visiting Bunker Hill. We also talk about weird de-aging CGI, speculate on a Lynchian Return of the Jedi, try impressions of a famous bird, and share our favorite cheap beers. We would like to give a special thank you to Jason Henson, a friend of Carrie's, for his dossier of great information on the movie! Thank you Jason! Enjoy the episode listeners! TW: Sexual assault, domestic abuse, rape, drug use, voyeurism, coerced sex work, trafficking, misogyny, stalking, body mutilation, bullying, police corruption  Show Notes and Sources: David Lynch Theater YouTube Laura Dern Song Video (the Laura Dern part begins 2:05):  Gay Men's Chorus of Los Angeles Take The Stage | 2020 Spirit Awards Tumblr post Katy mentioned about the changes in film lighting techniques and practice: here “Blue Velvet: AN INTERVIEW WITH DAVID LYNCH” by Laurent Bouzereau and David Lynch, from Cinéaste , 1987, Vol. 15, No. 3 (1987), p. 39. JSTOR link here Jason Henson's Letterboxd  Jason's Sources for Carrie's dossier: Wild Card with Rachel Martin from NPR: David Lynch says he 'died a death' over the way his 'Dune' film turned out "Eraserhead is my most Spiritual Film" - David Lynch Wikipedia for Ronnie Rocket IndieWire article by Jamie Righetti: “‘Blue Velvet' Remembered: Isabella Rossellini and Kyle MacLachlan Praise David Lynch's On-Set Environment” Wikipedia for Ingrid Bergman about her relationship with Roberto Rossellini here Interview Magazine Dennis Hopper Part Two By Peter M. Brant and Tony Shafrazi The News Observer New NC film grant program comes with strings attached By Colin Campbell NYT contemporary review by Janet Maslin Blue Velvet | Review by Pauline Kael Washington Post contemporary review By Paul Attanasio  The 2022 edition of Sight & Sound Magazine's Greatest Films of All Time poll Box Office Mojo info

EPISODE 48 - “STEVE & NAN'S FAVORITE CLASSIC FILMS OF THE 1940s ” - 08/12/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1940s was a phenomenal times for movies. Auteurs like ALFRED HITCHCOCK, GEORGE STEVENS, WILIAM WYLER, and BILLY WILDER were coming into their own with important and personal films that changes the landscape of cinemas. Also, stars like BETTE DAVIS, KATHARINE HEPBURN, CARY GRANT, and HENRY FONDA were defining the screen roles that would make them legends. This week, Nan and Steve will discuss and dissent a few of their very favorite films of the most golden of all decades in film.  SHOW NOTES:  Sources: Preston Sturges By Preston Sturges: His Life in His Words (1991), by Preston Sturges and Sandy Sturges; George Cukor: A Double Life (2013), by Patrick McGilligan; Raoul Walsh: The True Adventures of Hollywood's Legendary Director (2013), by Marilyn Ann Moss; Robert Rossen: The Films and Politics of a Blacklisted Idealist (2013), by Alan Casty; Michael Curtiz: A Life In Film (2021), by Alan K. Rode; Possessed: The Life of Joan Crawford (2010), by Donald Spoto; George Stevens: The Films of a Hollywood Giant (2019), by Neil Sinyard; Wild Bill Wellman: Hollywood Rebel (2015), by Wiliam Wellman, Jr; Stanwyck (1994), by Axel Madsen; Fonda: My Life (1981), by Henry Fonda; Ingrid Bergman: My Story (1980), by Ingrid Bergman and Alan Burgess; Cary Grant: A Brilliant Disguise (2020), by Scott Eyman; Ida Lupino: A Biography (1996), by William Donati; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Christmas In July (1940), starring Dick Powell, Ellen Drew, William Demarest, Raymond Walburn, Jimmy Conlin, Rod Cameron, and Franklin Pangborn; Penny Serenade (1941), starring Cary Grant, Irene Dunne, Beulah Bondi, and Edgar Buchanan; The Lady Eve (1941), starring Barbara Stanwyck, Henry Fonda, Charles Coburn, William Demarest, and Eugene Pallette; High Sierra (1941), starring Humphrey Bogart, Ida Lupino, Joan Leslie, Cornel Wilde, Arthur Kennedy, Henry Travers, and Alan Curtis; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Harry Morgan, Mary Beth Hughes, Anthony Quinn, Jane Darwell, William Eythe, and Harry Davenport; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, Angela Landbury, and Dame May Witty; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, eve Arden, and Bruce Bennett; All The Kings Men (1949), starring Broderick Crawford, John Ireland, Joanne Dry, Anne Seymour, and John Derek; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices