Podcasts about studios

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Paul Dashevsky. Serial entrepreneur and founder of Maxwell, a platform focused on Accessory Dwelling Units (ADUs), also known as tiny homes:

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Paul Dashevsky. Serial entrepreneur and founder of Maxwell, a platform focused on Accessory Dwelling Units (ADUs), also known as tiny homes:

Most people who end up in VFX spent years obsessing over frames and film. Ryan Kelsey spent 13 years in telecom in Cincinnati, selling fiber and managed IT services, before stumbling into an industry where studios win Oscars and go bankrupt in the same month. That collision of worlds turns out to be exactly the perspective the business needs right now. Ryan is VP of Sales at Center Grid Virtual Studio, and his outsider's eye cuts through a lot of the noise around cloud infrastructure for creative studios. Why are small VFX shops still running overheating GPU racks in their back offices? Why does a freelancer getting a big render job have nowhere obvious to turn? Why does everyone talk about AI compute without knowing what they're actually doing with it? This conversation, recorded live at the HPA (Hollywood Professional Association) Tech Retreat, ranges from the broken economics of fixed-bid VFX work to what a genuinely boutique cloud partner looks like compared to the AWS-sized behemoths, to Chris's teenage son dragging his friends to see Chainsaw Man while the industry insists nobody goes to the movies anymore. Links: Ryan Kelsey LinkedIn > Center Grid Virtual Studio > HPA Tech Retreat >  Scott Ross book > This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "cggarage" for 10% off)  

Another oldie but a moldy

durée : 00:03:02 - Le nouvel internat de médecine d'Albi - À Albi (Tarn), les internes en médecine du centre hospitalier sont enfin hébergés dans de bonnes conditions. Leurs chambres sont restées dans un été délabré pendant si longtemps, que les étudiants se rendaient à Albi à reculons, ou alors refusaient tout simplement d'y faire leur internat. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Gabi talks to Zeynep Testoni, the talented ceramic artist who runs Soul Clay Studios in Gerringong.If it's local, we're living it every Wednesday on KCR! Listen to Living Local with Gabriela cabral every Wednesday morning at 9am. Recorded 4th march 2026.KCR: live streaming at kcr.org.au or via the Kiama Community Radio App. Contact us: admin@kcr.org.au

Merci Amel Bent d'avoir participé au podcast !Abonnez-vous au podcast ❤️instagram : @julialayaniProd audio, miniature et plein d'autres trucs : Illustre ! Studios ⁠https://agenceillustre.fr⁠Programmateur : Thomas Meunier ❤️ Comment me contacter ? julialayani@gmail.com ❤️Merci ❤️Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

-PISSED About Missing Bun B in the 610 Studios! + Texans Offseason CHARGE! -MORE Texans Breaking News on Friday! TE Dalton Schultz gets an Extension! -Rockets Handed the UGLY Loss Last Night to Short Handed Warriors..!

Dänu Siegrist veröffentlicht mit «Schtärn» sein neuntes Soloalbum und knüpft damit an eine Musiklaufbahn an, die in den frühen 70er‑Jahren begann und ihn zu einer Schlüsselfigur des Berner Mundartrocks machte. Seit den frühen 70erJahren steht Dänu Siegrist auf Bühnen und in Studios, zuerst als Gitarrist der Berner ArtrockBand Lindbergh und kurz darauf als Mitglied der prägenden Mundartgruppe Span, die zum Fundament des Berner Rock wurde. Auch seine enge Zusammenarbeit mit Polo Hofer im Umfeld von «Polo's Schmetterding» trug wesentlich zu seiner Bekanntheit bei. Mit «Schtärn» führt Siegrist diesen Weg weiter und veröffentlicht ein MundartAlbum voller kleiner Beobachtungen und Geschichten, musikalisch geprägt von einer eher akustischen, warmen Grundhaltung. Auf seinem achten Album präsentiert er 13 neue Songs, allesamt von ihm komponiert und durchweg hörenswert. Die 32-jährige Züricherin Pina Palau arbeitet als Assistenzärztin in der Psychiatrie, liebt Parmigiana und Schafe und verpackt kleine Geschichten und Beobachtungen aus dem Alltag in melancholisch-warme erdige Indie-Folk-Songs. Soeben wurde sie bei SRF3 zum Best Talent erkoren und bedankte sich dafür mit einem gelungenen Live-Set. Wenn der Florian mit dem Florian kommt Schnaps dabei heraus. Will heissen: Country-Musiker Florian Fox hat mit dem Mundart-Poprocker Florian Ast zusammengespannt - entstanden ist der Song «Whiskey», eine Geschichte, wie sie das Leben schreibt: melancholisch und doch voller Hoffnung.

Let's Talk - MoviesEpisode 100: Reservoir Dogs (1992) - Rapid ReviewJason Connell revisits the classic 1992 film, Reservoir Dogs, with a rapid review, sharing sharp insights and impressions on why the movie still holds up today.Recorded: 02-15-26Studio: Just Curious MediaListen:BuzzsproutApple PodcastsSpotifyGoogle PodcastsAmazon MusiciHeartRadioTuneInWatch:YouTubeFollow:FacebookInstagramHost:Jason ConnellAffiliates:BuzzsproutRiversideWe Edit Podcasts#justcuriousmedia #letstalkmovies #mrjasonconnell #cinema #classicmovies #movies #moviereviews #film #filmreviews #studios #producers #directors #writers #actors #moviestars #boxoffice #reservoirdogsSend a textSupport the show

In this episode of Novel Spirits, the team delves into the narrative-driven video game: Dispatch. Exploring its unique gameplay mechanics, narrative & character design, and the impact of player choices on the story. It's our first non-written medium review as Novel Spirits and a true recognition of the studio's mantra - books, comics, and games. It's a Mecha-sized adventure with a lot of twists and turns, and definitely an all-time favorite. Play along, or listen along. Either way - enjoy! Remember, if it can be read, it can be reviewed, and it can be done so with a fancy spirit at hand!   Dispatch: https://store.steampowered.com/app/2592160/Dispatch/ 0-0-8 Studios - https://0-0-8studios.com/ Spirits of the Month: https://www.wildturkeybourbon.com/en-us/?gclsrc=aw.ds&gad_source=1&gad_campaignid=1687936318&gclid=Cj0KCQiA7fbLBhDJARIsAOAqhsfYcFQ-29_VhFQM_0TBeawY0sScktl6GfgyKB31C5PDfVsY3xYe10oaAiMDEALw_wcB

The Partner Pulse series kicks off with fresh from the field insights from the Americaneagle.com partnerships team as they break down their latest travels, the AI capabilities reshaping digital experiences, AEO/GEO trends gaining traction, and standout innovations emerging across top technology partners. Tune in to hear what's influencing the industry right now—and the key takeaway every business can put into action today. This podcast is brought to you by Americaneagle.com Studios. Follow this podcast wherever you listen to them! Connect with: Lessons for Tomorrow: Website // Twitter // Instagram // Facebook // YouTube Jerry Boduch: LinkedIn Arlind Rojba: LinkedIn Peter Gavrilos: LinkedIn Catherine Espada: LinkedIn Steven LaGow: LinkedIn

HAL JORDAN & JOHN STEWART ENTER THE DCU!! Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! Coy Jandreau (DC Studios), John Humphrey, & Aaron Alecander are back! The Lanterns Trailer has finally arrived giving us our first look at the HBO True Detective Inspired like series - this will join the slate of Supergirl, Man Of Tomorrow, The Superman universe, and the upcoming Batman Brave & The Bold! Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Emma from Sparo Studios is here to tell you that your logo is not your brand, and your pretty website might be the reason your ads aren't converting. In this episode, Emma and I dig into why brand positioning and UX are the two non-negotiables for eCommerce success, what to look for when your site isn't performing, and how to make sure your ads and your website are actually working together instead of against each other.

Let's talk.

Let's talk.

'Aurora Health Hustle' is back with a new episode! Lynda White & Cocoa Solace are your hosts every Friday and today the topic of discussion is "Boundaries Without Resentment"! Let's get into it! Got questions? Send us an email to: goodmorningaurorail@gmail.comHave a great rest of the day! Good Morning Aurora will return with more news, weather and the very best of Aurora. Subscribe to the show on YouTube at this link: https://www.youtube.com/c/GoodMorningAuroraPodcastThe second largest city's first daily news podcast is here. Tune in 5 days a week, Monday thru Friday from 9:00 to 9:30 am. Make sure to like and subscribe to stay updated on all things Aurora.Threads: https://www.threads.net/@goodmorningaurorailInstagram: https://www.instagram.com/goodmorningaurorailSpotify: https://open.spotify.com/show/6dVweK5Zc4uPVQQ0Fp1vEP...Apple: https://podcasts.apple.com/.../good-morning.../id1513229463Anchor: https://anchor.fm/goodmorningauroraACTV (Aurora Community Television): https://www.aurora-il.org/309/Aurora-Community-TV#fyp #kanecountyil #bataviail #genevail #elginil #aurorail #auroraillinois #cityofaurorail #morningnews #goodmorningaurora #friday #realtalk

Let's Talk - MoviesEpisode 99: Basic Instinct (1992) - Rapid ReviewJason Connell revisits the classic 1992 film, Basic Instinct, with a rapid review, sharing sharp insights and impressions on why the movie still holds up today.Recorded: 02-15-26Studio: Just Curious MediaListen:BuzzsproutApple PodcastsSpotifyGoogle PodcastsAmazon MusiciHeartRadioTuneInWatch:YouTubeFollow:FacebookInstagramHost:Jason ConnellAffiliates:BuzzsproutRiversideWe Edit Podcasts#justcuriousmedia #letstalkmovies #mrjasonconnell #cinema #classicmovies #movies #moviereviews #film #filmreviews #studios #producers #directors #writers #actors #moviestars #boxoffice #basicinstinctSend a textSupport the show

EVH Striped Series Frankenstein Relic http://sweetwater.sjv.io/eKk5jZ This is a Sweetwater affiliate link

Matt is joined by Rich Greenfield from LightShed Partners to discuss how David Ellison plans to merge Paramount and Warner Bros. Discovery, how much the cost cutting and consolidation will affect the industry, what will happen to HBO Max, and what success even looks like for this new company in the long term (00:00). Matt finishes the show with a prediction about the new name of the soon-to-be-combined HBO Max and Paramount+ services (33:47). Host: Matt Belloni Guest: Rich Greenfield Producers: Craig Horlbeck and Jon Jones Theme Song: Devon Renaldo The Clyburn family searches for connection in Montana's Madison Valley. The Madison, New Series streaming March 14th - only on Paramount+. ZOOTOPIA 2. FOR YOUR CONSIDERATION FOR BEST ANIMATED FEATURE. Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you're stuck in a golden cage and don't know where to start, book your free 15-minute studio checkup here and let's find the gaps. We get it ... on paper, your studio looks successful. Revenue is solid. Members love the experience. Your community is strong. Being stuck in the Golden Cage is one of the biggest hidden problems in studio growth and gym scaling … and most owners don't realise they're in it. Most studio owners believe scaling requires more leads, better marketing, more ads, more hustle But what if the real bottleneck isn't lead generation? What if it's the lack of scalable fitness business systems underneath your revenue? In this episode of Geronimo Unfiltered, we break down: Why even high-performing gyms can't grow past a certain point The leadership mistake that keeps owners stuck on the floor Why “it's easier if I do it myself” kills scale The hidden gap in most fitness business systems The shift required to move from operator to CEO If you care about: Studio growth Gym scaling Building systems in your fitness business Increasing retention without burnout And ... creating consistency across your team You'll want to listen to this one all the way through. Here's the reality no one talks about when you're a studio owner. You might be: Coaching too many sessions Handling sales yourself Approving everything Fixing small problems daily And then wondering why scaling feels messy. It's not a marketing issue. It's a systems issue. Without the right structure, your gym or studio can grow revenue … but it can't grow freedom. Scaling a gym or studio isn't about doing more. It's about building systems your team can execute without you. If you want to generate more leads, improve retention … and build real fitness business systems without burning out, connect with us at Geronimo Academy. Website: https://thegeronimoacademy.com Instagram (Geronimo): https://www.instagram.com/thegeronimoacademy Instagram (Doza): https://www.instagram.com/hey.doza LinkedIn: https://au.linkedin.com/in/andrewhandosa Chapters 00:00 - The $1M Golden Cage 01:05 - Why successful gyms still feel stuck 03:10 - The missing piece in fitness business systems 08:20 - The 60% execution problem in studios 10:30 - Perfectionism & control in gym leadership 14:00 - Why scaling requires inspection, not effort 17:15 - The leadership shift from coach to CEO 23:30 - The structure behind scalable studio growth 31:00 - Why “I'll just do it myself” kills gym scaling 39:20 - The 30-day breakout challenge 45:20 - How to start scaling properly

Studios are apparently already lining up to make a movie about Prince Andrew, Christian Bale says people get disappointed when they meet him in real life and we find out the Soup of the Day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Very few people in history have had the chance to change the entire world. We all, however, have the ability to positively influence the lives of those around us. Join Norb and Al as we look at ways we can have a meaningful impact on family and friends. Resources:

The story behind the new Flyover movie studios in Rantoul. The studio launched only a few years ago – but it's already being recognized by state leaders for bringing notable economic growth to Illinois.

Send a textOn this episode of the CSZ Podcast, brought to you by Prime IV Louisville, we are coming to you live from the Shoot 360 Studios, Jeremy is joined in studio by Shawn, & virtually by Sam & Wes.The squad will go over the week in Cardinal Athletics! We go over another up & down week for Louisville Men's Basketball, the women's team clinching the 2-seed despite a Sunday afternoon loss, baseball sweeping the Chippewas, & much, much more including our usual shenanigans! You won't want to miss this one! The Cardinal Sports Zone Podcast is brought to you by Prime IV, Shoot 360, Four Pegs, Fitness Market, Cherry Pickin Goods, Planet Fitness, Mossy Oak & Hart Reality, Collision Course Crew, Rally House, Beckmanns FineBladeZ & Josh Jarboe from Remax Reality.Follow us on Twitter:@CardSportZone@Jeremy_CSZ@lvilleshawn@baseboy124@DPence_@joewahman526@WesB_42@WesKeyes_CSZ@IamthehiggyFollow our sponsors on social media:#PrimeIVLouisville#JoshJarboe@PlanetFitness@Rally_House@FitnessMarketKY@course_crew@FourPegsBeer@MossyOak@Shoot360Lou@CherryPickinGds@Zach_Beckmann1Support the show

In episode 3 of the Playbook Podcast, Kaleb and Ty explore the current sports landscape. Highlighting the Springfield College men's and women's basketball teams, the men's volleyball team, the upcoming World Baseball Classic, the NBA's playoff push, and college hoops, Kaleb and Ty give their takes and opinions on these topics and more. Stay tuned for more episodes of the Playbook Podcast, releasing every Monday!

Discover how each of us can contribute to keeping our neighborhoods cleaner, our environment safer, and our economy thriving—one recycled can, bottle, and newspaper.We are joined by Amy Densborn, Program Manager at SWACO—the Solid Waste Authority of Central Ohio. While trash and landfills aren't always easy or exciting topics, SWACO's pioneering efforts are transforming what we throw away into resources that power local communities, spark new markets, and build a greener future.Together, we dig into the incredible breadth of SWACO's programs—from recycling and composting in homes, businesses, and schools, to exciting partnerships that reclaim everything from sports gear to textiles. Amy Densborn shares personal insights, practical tips, and the fascinating backstory behind her passion for materials management. Whether you're wondering what happens to your recyclables, seeking ways to cut down on waste, or curious about the future of sustainability in Ohio, this episode has you covered.If you like this episode, please let us know. We appreciate the feed back, and your support of offset costs of producing the podcast!Here are 3 key takeaways every homeowner, business, and community leader should know:The Power of Community Recycling: SWACO supports more than 97% of single-family households with access to recycling programs in Franklin County. They help bridge the gap for multifamily residences through public drop-off sites, making recycling accessible for all.Innovative Partnerships & Programs: From textile recycling pilots that keep thousands of pounds of clothing out of landfills, to collaborations with nonprofits like Level the Playing Field to repurpose sports equipment—SWACO's creative partnerships drive real community and economic impact.Education Drives Change: There's a myth that recycling doesn't matter—but it's alive and well in Central Ohio! SWACO invests in educational outreach, partners with local haulers, and uses technology (even AI-enabled truck cameras!) to help residents recycle smarter and more often.Key Moments00:00 SWACO's Impact on Trash Crisis06:07 "Advancing Recycling Access"08:47 "Recycling Policy for Multifamily Housing"12:17 Franklin County Recycling Efforts14:31 "Recycling Myths Debunked"18:10 Landfill Tours & Battery Safety20:27 Switch to Rechargeable Batteries23:49 Accessible Athletic Gear for Kids28:24 Domestic Clothing Recycling Pilot29:55 "Community Recycling and Sustainability Efforts"33:56 China's Recycling Ban Impact38:39 "Final Thoughts on Waste Reduction"41:29 "Reusable Hazardous Waste Initiative"We would love to hear from you.Give us your feedback, or suggest a topic, by leaving us a voice message.Email us at hello@lookingforwardourway.com.Find us on Bluesky and Facebook.Please review our podcast on Google!And of course, everything can be found on our website, Looking Forward Our Way.Recorded in Studio C at 511 Studios. A production of Circle 270 Media® Podcast Consultants.https://creativecommons.org/licenses/by-nd/4.0/Copyright 2026 Carol Ventresca and Brett Johnson Mentioned in this episode:Listener DisclaimerThe views and opinions expressed by the experts interviewed on this podcast are their own and do not necessarily reflect the views of the podcast hosts or any affiliated organizations. The information provided in these interviews is for general informational purposes only and should not be considered as professional advice. Listeners are encouraged to consult with qualified professionals for specific advice or information related to their individual circumstances. The podcast host and producers do not endorse or guarantee the accuracy, completeness, or reliability of any information provided by the experts interviewed. Listener discretion is advised.

George Thorogood has played blues rock for worldwide audiences for half a century. George joined us at the Studios of Blues Radio International in September 2025, for a deep dive into his influences and music.Find more at BluesRadioInternational.net

On this episode of Exclusively Van Halen, we're diving into the latest developments surrounding a potential new Van Halen album — and why Sammy Hagar is feeling left out. Alex Van Halen is reportedly working on a project built from unreleased jam session recordings he and his brother Eddie Van Halen created at 5150 Studios. The music itself isn't newly recorded — but it would be brand-new to fans. So far, there's no indication that Hagar — or former bassist Michael Anthony — is actively involved in shaping or finishing the material. While some tracks could potentially feature vocals from past sessions, very little is confirmed about the album's direction, timeline, or even whether it will officially be released. Speaking recently on the Rock of Nations podcast, Hagar and Anthony both said they'd gladly participate in any way that could help complete the record — but they haven't been invited. And reading between the lines, it doesn't sound like that invitation is coming. Hagar admitted he's disappointed. He acknowledged that Alex has every right to move forward however he chooses, but made it clear that being excluded from something carrying the Van Halen name stings — especially when key members are still here and willing to contribute. From what's been reported, the project could feature performances from Alex, Eddie, and possibly Wolfgang Van Halen, who has been central to preserving and honoring his father's musical legacy. If vocals are needed, Wolfgang could potentially step in — or the material may remain instrumental. At this point, the biggest question remains: will fans get a fully realized, high-quality Van Halen release — or something that feels unfinished? One thing seems clear: if this album does arrive, it likely won't include new contributions from Sammy Hagar. And that's where the tension lies. "Exclusively Van Halen" is your ultimate destination for all things Van Halen. From deep dives into the band's legendary history to giveaways and gear showcases, we celebrate one of the greatest rock bands of all time — every week.

A plot twist in Hollywood has taken place in the last 24 hours, but in the spreadsheets rather than on the screens, as Netflix decides it's not willing to counter Paramount–Skydance's US$111bn bid for Warner Bros Discovery. We discuss what this means for the studio house that brought Bugs Bunny, the Looney Tunes, Harry Potter and the DC Universe to audiences worldwide. Vishala Sri-Pathma hears how US President Donald Trump has directed every federal agency to immediately stop using technology from Anthropic, as the row between the White House and the AI developer continues. Meanwhile, with the United States oil blockage of Cuba continuing for nearly a month, Will Grant reports on the economic and humanitarian crisis engulfing the Caribbean country. And as Pokémon celebrates turning 30 with its first ever theme park in Japan - we find out how a kids' craze become a cultural heavyweight. Global business news, with live guests and contributions from Asia, Latin America and the USA. (Picture: The Warner Bros. Studios water tower in Burbank, California, on 11 September 2025. Credit: Allison Dinner / EPA / Shutterstock).

Kruser talks about the potential Paramount purchase of Warner Bros. Studios, what is leading to an increase of heart attacks in people under 55, and asks if toilet paper is becoming too expensive. See omnystudio.com/listener for privacy information.

Bei kaum einem Gast in der Geschichte von OK COOL hat sich die berufliche Biographie so klar in zwei Abschnitte aufgeteilt wie bei Benjamin Lochmann. Zum einen ist er als Mitgründer der Pixel Maniacs ein erfahrener Indie-Entwickler, der 2016 mit seinem Team Chromagun an den Start rollte - eine Hommage an den Rätselklassiker Portal, in dem allerdings nicht Portale, sondern magnetische Farben verschossen werden. Ein Achtungserfolg, der nun, fast zehn Jahre später, zu einer Fortsetzung geführt hat: Chromagun 2 ist größer, hübscher, charmanter und macht Benjamin Lochmann sichtlich stolz. Zum anderen ist da aber auch noch der Sturm-und-Drang-Unternehmer: Mit 16 programmierte Benjamin erste Programme, mit 18 gründete er seine erste Firma, in seinen frühen 20-ern entwickelte er dann hunderte Apps, die vom "SaufTracker" über "Fatty Jump" bis hin zu Frauen- und Männerversteher-Lexikas reichten. All das passierte vor den Pixel Maniacs, spielte aber für die Refinanzierung des Studios auch Jahre nach der letzten App-Veröffentlichung noch eine wichtige Rolle. Im Gespräch mit Dom Schott führt uns Benjamin Lochmann hinter die Kulissen seines Studios und erzählt uns von der Arbeit an Chromagun. Und ja, es wird auch einen Ausflug in die wilden App-Zeiten des Unternehmers geben, in die Jahre als Jungunternehmer - und ins Zillertal geht's auch noch ganz kurz.

I am Rolf Claessen and together with my co-host Ken Suzan I welcome you to Episode 172 of our podcast IP Fridays. Today's interview guests are Co-Founder & CEO of Inception Point AI, Jeanine Whright, and Mark Stignani, who is Partner & Chair of Analytics Practice at Barnes & Thornburg LLP. https://www.linkedin.com/in/jeaninepercivalwright https://www.linkedin.com/in/markstignani Inception Point AI But before the interview I have news for you: The Unified Patent Court (UPC) ruled on Feb 19, 2026, that specialized insurance can cover security for legal costs. This is vital for firms, as it eases litigation financing and lowers financial hurdles for patent lawsuits by removing the need for high liquid assets to enforce rights at the UPC. On Feb 12, 2026, the WIPO Coordination Committee nominated Daren Tang for a second six-year term as Director General. Tang continues modernizing the global IP system, focusing on SMEs, women, and digital transformation. His confirmation in April is considered certain. An AAFA study from Feb 4 reveals 41% of tested fakes (clothing/shoes) failed safety standards. Many contained toxic chemicals like phthalates, BPA, or lead. The study highlights that counterfeiters increasingly use Meta platforms to sell unsafe imitations directly to consumers. China's CNIPA 2026 report announced a crackdown on bad-faith patent and trademark filings. Beyond better examination quality, the agency will sanction shady IP firms and stop strategies violating “good faith” to make China’s IP system more ethical and innovation-friendly. Now, let's hear the interview with Jeanine Whright and Mark Stignani! How AI Is Rewiring Media & Entertainment: Key Takeaways from Ken Suzan's Conversation with Jeanine Wright and Mark Stignani In this IP Fridays interview, Ken Suzan speaks with two repeat guests who look at the same phenomenon from two angles: Jeanine Wright, Co-Founder & CEO of Inception Point AI, as a builder of AI-native entertainment, and Mark Stignani, Partner and Chair of the Analytics Practice at Barnes & Thornburg LLP, as a lawyer advising clients who are trying to use AI without stepping into a legal (or ethical) crater. What emerges is a clear picture: generative AI is not just “another tool.” It is rapidly becoming the default infrastructure for creative work—while the rules around ownership, consent, and accountability lag behind. 1) What “AI-generated personalities” really are (and why that matters) Jeanine's company is not primarily “cloning” real people. Instead, Inception Point AI creates original, fictional personalities—characters with backstories, ambitions, and evolving arcs—then deploys them into the world as podcast hosts and content creators (and eventually actors and musicians). Her key point: the creative work still starts with humans. Writers and creators define the concept, tone, audience, and story engine. What AI changes is speed, cost, and iteration—and therefore what is economically feasible to produce. 2) The “generative content pipeline” isn't a magic button A recurring misconception Ken raises is the idea that someone “pushes a button” and content pops out. Jeanine explains that real production looks more like a hybrid studio: A creative team defines character, voice, format, and storyline. A technical team builds what she calls an “AI orchestration layer” that combines multiple models and tools. The “stack” differs by format: the workflow for a long-form audio drama is different from a short-form beauty clip. This matters because it reframes AI content not as a single output, but as a pipeline decision: which tools, which data sources, which QA, and which governance steps are used—and where human review happens. 3) The biggest legal questions: origin, liability, ownership, and contracts Mark doesn't name a single “top issue.” He describes a cluster of problems that repeatedly show up in client conversations: Training data and “origin story” Clients keep asking: Can I legally use AI output if the tool was trained on copyrighted works? Even if the output looks new, the unease is about whether the tool's capabilities are built on unlicensed inputs. Liability for unintended harm Mark flags risk from AI content that inadvertently infringes, defames, or carries bias. The legal exposure may not match the creator's intent. Ownership and protectability He points to a big gap: many jurisdictions are still reluctant to grant classic IP rights (copyright or patent-style protection) to purely AI-generated material. That creates uncertainty around whether businesses can truly “own” what they produce. Old contracts weren't written for AI A final, practical point: many agreements—talent contracts, author clauses, data licenses—predate generative AI and simply don't address it. That leads to disputes about scope, permissions, and—crucially—indemnities. 4) Are we at a tipping point? The “gold rush” vs. “next creative era” views Jeanine frames AI as “the world's most powerful creative tool”—comparable to previous step-changes like animation, special effects, and CGI. For her, the strategic implication is simple: creators who learn to use AI well will expand what they can build and test, faster than ever. Mark's metaphor is more cautionary: he calls the moment a “gold rush” where technology is sprinting ahead of law. Courts are getting flooded with foundational disputes, while legislation is fragmented—he notes that states may move faster than federal frameworks, and that labor agreements (e.g., union protections) will be a key pressure point. 5) Democratization: more creators, more niche content, more experimentation One of the most concrete themes is access. Jeanine argues AI will: Lower production barriers for independent filmmakers and storytellers. Reduce the need for “hit-making only” economics that dominate Hollywood. Make micro-audience content commercially viable. Her example is intentionally niche: highly localized, specialized content (like a “pollen report” for many markets) that would never have made financial sense before can now exist—and thrive—because the production cost drops and personalization scales. 6) Likeness, consent, and “digital performers”: what happens when AI resembles a real actor? Ken pushes into a sensitive area: what if someone generates a performance that closely resembles a living actor without consent? Mark outlines the current (imperfect) toolbox—because, as he emphasizes, most laws weren't built for this scenario. He points to practical claims that may come into play in the U.S., such as rights of publicity and false endorsement-type theories, and notes that whether something is parody or “too close” can become a major fault line. Jeanine explains her company's operational approach: They focus on original personalities, designed “from scratch.” They build internal checks to avoid misappropriating known names, likenesses, or recognizable identities. If they ever work with real people, the model would be licensing their likeness/voice. A subtle but important business point also appears here: Jeanine expects AI-native characters themselves to become licensable assets—meaning the entertainment economy may expand to include “celebrity rights” for fully synthetic personalities. 7) Ethics: the real line is “deception,” not “AI vs. human” The ethical core of the conversation is not “AI is bad” or “AI is good.” It's how AI is used—especially whether audiences are misled. Mark highlights several ethical risks: Misuse of tools to manipulate faces and content (“AI slop” and political misuse). Displacement of creative workers without adequate transition support. A concern that AI often optimizes toward “statistical averages,” potentially flattening originality. Jeanine agrees ethics must be designed into the system. She describes regular discussions with an ethicist and emphasizes a principle: transparency. Her company discloses when content or personalities are AI-generated. She argues that if people understand what they're engaging with and choose it knowingly, the ethical problem shifts from “AI exists” to “Are we tricking people?” Mark adds a real-world warning: deepfakes are now credible enough to enable serious fraud—he references a case-like scenario where a synthetic video meeting deceived an employee into authorizing a payment. The point is clear: authenticity and verification are no longer optional. 8) The “dead actor” hypothetical: legal permission vs. moral intent Ken raises a provocative scenario: an actor's estate authorizes an AI-generated new performance, but the actor opposed such technology while alive. Neither guest offers a simplistic answer. Jeanine suggests that even if the estate holds legal rights, a company might choose to avoid such content out of respect and because the ethical “overhang” could damage the storytelling outcome. She also notes the harder question: people who died before today's capabilities may never have been able to meaningfully consent to what AI can now do—raising questions about how we interpret legacy intent. Mark underscores the practical contract problem: many rights are drafted “in perpetuity,” but that doesn't automatically settle the ethical question. 9) Five-year forecast: “AI everywhere,” but audiences may stratify Ken closes with a prediction question: in five years, how much entertainment content will significantly involve AI—and will audiences care? Jeanine predicts AI becomes the default creative layer for most content creation. Mark is slightly more conservative on the percentage, but adds an important nuance: the market will likely stratify. Low-cost, high-volume content may become saturated with AI, while premium segments may emphasize “human-made” as a differentiator—especially if disclosure norms become standard. Bottom line for business leaders and creators This interview lands on a pragmatic conclusion: AI will change how content is made at scale, and the competitive edge will go to teams that combine creative taste, operational discipline, and legal/ethical governance. If you're building, commissioning, or distributing content, the questions you can't dodge anymore are: What's the provenance of the tools and data you rely on? Who is responsible when output harms, infringes, or misleads? What rights can you actually claim in AI-assisted work? Do your contracts and disclosures match the new reality? Ken Suzan: Thank you, Rolf. We have two returning guests to the IP Friday’s podcast. Joining me today is Janine Wright and Mark Stignani. Our topic for discussion, how is AI transforming the media and entertainment industries today? We look at the issues from differing perspectives. A bit about our guests, Janine Wright is a seasoned board member, CEO, global COO and CFO. She’s led organizations from startup to a $475 million plus revenue subsidiary of a public company. She excels in growth strategy, adopting innovative technologies, scaling operations and financial management. Janine is a media and entertainment attorney and trial litigator turned technologist and qualified financial expert. She is the co-founder and CEO of Inception Point AI, a growing company that is paving new ground with AI-generated personalities and content through developing technology and story. Mark Stignani is a partner with Barnes & Thornburg LLP and is based in Minneapolis, Minnesota. He is the chair of the data analytics department with a particular emphasis on artificial intelligence, machine learning, cryptocurrency and ESG. Mark combines the power of artificial intelligence and machine learning with his skills as a corporate and IP counsel to deliver unparalleled insights and strategies to his clients. Welcome, Janine and Mark to the IP Friday’s podcast. Jeanine Whright: Thank you. Thank you. Thank you so much for having me and fun to be back. It feels nostalgic to be here. Ken Suzan: That’s right. And you both were on the program. So it’s fantastic that you’re both back again. So our format, I’m going to ask a question to Janine and or Mark and sometimes to both of you. So that’s going to be how we proceed. Let’s jump right in. Janine, your company creates AI-generated actors. For listeners who may not be familiar, can you briefly explain what that means and what’s now possible that wasn’t even two years ago? Jeanine Whright: Sure. Yeah, we are creating AI-generated personalities. So new characters, new personalities from scratch. We design who these personalities are and will be, how they will evolve. So we give them complex backstories. We give them hopes and dreams and aspirations. We every aspect of them, their families, how they’re going to evolve. And in the same way that, say, you know, Disney designs the character for its next animated feature or, you know, an electronic arts designs a character for its next major video game. We are doing that for these personalities and then we are launching them into the world as podcast hosts, content creators on social platforms like YouTube, Instagram and TikTok. And even in the future, you know, actors in feature length films, musicians, etc. Ken Suzan: Very fascinating. Mark, from your practice, what’s the single biggest legal question or dispute you’re seeing clients wrestle with when it comes to AI and media creation? Mark Stignani: Well, I think that, you know, it’s not just one thing, it’s like four things. But most of them tend to be kind of the origin story of AI data or AI tools that they use because, you know, but for the use of AI tools trained on copyrighted materials, the tools wouldn’t really exist in their current form. So a lot of my clients are wondering about, you know, can I legally use this output if it’s built upon somebody else’s IP? The second ask, the second flavor of that is really, is there liability being created if I take AI content that inadvertently infringes or defames or biases there? So there’s the whole notion of training bias from the training materials that comes out. The third phase is really, you know, can I really own this? Because much of the world does not really give IP rights into AI-generated inventions, copyrighted materials. It’s still kind of a big razor. Then at the end of the day, you know, if it’s an existing relationship, does my contract even contemplate this? So everything from authors contracts on up to just use of data rights that predate AI. Ken Suzan: And Janine and Mark, a question to both of you. How would you describe where we are right now in the AI revolution in media and entertainment? Are we approaching a tipping point? And if so, what are the things we need to watch for? Jeanine Whright: Yeah, I definitely think that we’re at a phase where people are starting to come to the realization that AI is the world’s most powerful creative tool. But that, you know, storytelling and point of view is what creates demand and audiences. And AI doesn’t threaten or change that. But it does mean that as people evolve in this medium, they’re very likely going to need to adopt, utilize and figure out how to hone their craft with these AI-generated content and these AI-generated toolings. So this is, you know, something that people have done certainly in the past in all sorts of ways in using new tools. And we’ve seen that make a significant change in the industry. So you look at, you know, the dawn of animation as a medium. You look at use of special effects, computer-generated imagery in the likes of Pixar. And this is certainly the next phase of that evolution. But because of the power of the tool and what will become the ubiquity of the tool, I think that it’s pretty revolutionary and all the more necessary for people to figure out how to embrace this as part of their creative process. Ken Suzan: Thank you, Janine. Mark, your thoughts? Mark Stignani: Yeah, I mean, I liken this to historically to like the California gold rush right now, because, you know, the technology is so far outpaced in any of the legal frameworks that are available. And so we’re just trying to shoehorn things in left and right here. So, I mean, the courts are beginning to start to engage with the foundational questions. I don’t think they’re quite there yet. I just noticed Anthropic got sued again by another group of people, big music group, because of the downloaded works they’ve done. I mean, so the courts are, you know, the courts are certainly inundated with, you know, too many of these foundational questions. Legislatively, hard to tell. I mean, federal law, the federal government is not moving uniformly on this other than to let the gold rush continue without much check and balance to it. Whereas states are now probably moving a lot faster. Colorado, Illinois, even Minnesota is attempting to craft legislation and limitations on what you can do with content and where to go with it. So, I mean, the things we need to watch for any of the fair use decisions coming out here, you know, some of the SAG-AFTRA contract clauses. And, you know, again, the federal government, I just, you know, I got a big shrug going as to what they’re actually going to come up with here in the next 90 to 100 days. So, but, you know, I think they’ll be forced into doing something sooner than later. Ken Suzan: Okay, let’s jump into the topic of the rise of generative content pipelines. My first question to Janine. Studios and production companies are now building what some call generative content pipelines. This is where AI systems produce everything from scripts to visual effects to voice performances. What efficiencies and creative possibilities does this unlock for the industry? Jeanine Whright: Yeah, so this is quite a bit of what we do. And if I could help pull the curtain back and explain a little bit. Ken Suzan: That’d be great. Jeanine Whright: Yeah, there’s this assumption that, you know, somebody is just sitting behind a machine pushing a button and an out pops, you know, what it is that we’re producing. There’s actually quite a bit of humans still in the loop in the process. You know, we have my team as creators. The other half of my team is the technologists. And those creators are working largely at what we describe as the the tip of the sphere. So they’re, of course, coming up with the concepts of who are these personalities? What are these personalities, characters, backgrounds going to be a lot of like rich personality development? And then they’re creating like what are the formats? What are the kind of story arcs? What is the kinds of content that this this character wants to tell? And what are the audiences they’re desiring to reach and what’s most going to resonate with them? And then what we built internally is what we refer to as an AI orchestration layer. So that allows us to pull from basically all of the different models and then all of these different really cool AI tools. And put those together in such a way and combine those in such a way that we can have the kind of output that our creative team envisions for what they want it to be. And at the end of the day, what you what the stack looks like for, say, a long form audio drama, like the combination of LLMs that we’re going to use in different parts of scripting and production and, you know, ideating and all of that. And the kinds of tooling that we use to actually make it and get it to sound good and have the kinds of personality characteristics that we want to be in an authentic voice for a podcast is going to be different than the tech stack and the tool stack that we might use for a short form Instagram beauty tip reel. And so there’s a lot of art in being able to pull all of these tools together to get them to do exactly what you want them to do. But I think the second part of your question is just as interesting as the first. I mean, what is what possibilities is this unlocking? So of course you’re finding efficiencies in the creative production process. You can move faster. You can do things were less expensive, perhaps, and you were able to do it before. But on the creator side, I think one thing that hasn’t been talked about enough is how it is really like blown wide the aperture of what creators can do and can envision. Traditionally, you know, Hollywood podcasting, many of these businesses that become big businesses have become hit making businesses where they need to focus on a very narrow of wide gen pop content that they think is going to get tens of millions, hundreds of millions in, you know, fans and dollars in revenue for every piece of content that they make. So the problem with that is, is that it really narrows the kinds of things that ultimately get made, which is why you see things happening in Hollywood, like the Blacklist, which is, you know, this famous list of really exceptional content that remains unpredited, unproduced, or why you see things like, you know, 70 to 80% of the top 100 movies being based on pre-existing IP, right? Because these are such huge bets that you need to feel very confident that you’re going to be able to get big, big audiences and big, big dollars from it. But with AI, and really lowering the barrier to entry, lowering the costs of production and marketing, the experimentation that you can do is really, really phenomenal. So, you know, my creative team, if they have an idea, they make it, you know, they don’t have to wring their hands through like a green lighting process of, you know, should we, shouldn’t we, like we, we can make an experiment with lots of different things, we can do various different versions of something. We can see what would this look like if I placed it in the 1800s, or what if I gave this character an Australian accent, and it’s just the power of being able to have this creative partner that can ideate with you and experiment with you at rocket speed. With the creators that are embracing it, you can see how it is really fun for them to be able to have this wide of a range of possibility. Ken Suzan: Mark, when you hear about these generative pipelines, what are the immediate red flags or concerns that come to mind from a legal standpoint? How about ethics underlying all of this? Well, Mark Stignani: that was not, that’s the number one red flag because I mean, we are seeing not just that in the entertainment industry, but it literally at political levels, and the kind of the phrase, to turn the phrase AI slop being generated, we’re seeing, you know, people’s facial expressions altered. In some cases, we’re seeing AI tools being misused to exploit various groups of individuals and genders and age groups. So I mean, there’s a whole lot of things ethically that people are using AI for that just don’t quite cover it. Especially in the entertainment industry, I mean, we’re looking at a fair amount of displacement of human workers without adequate transition support, devaluation of the creative labor. I mean, the thing though that I’m always from a technical standpoint is AI is simply a statistical average of most everything. So it kind of devalues the benefit of having a human creator, a human contribution to it. That’s the ethical side. But on the legal side, I see chain of title issues. I mean, because these are built on very questionable IP ownership stages, I mean, in most of these tools, there has been some large copying, training and taking of copyrighted materials. Is it transformational? Maybe. But there’s certainly not a chain of title, nor is there permission granted for that training. I mentioned SAG-AFTRA earlier, I think there’s a potential set of union contract aspects to this that if you know many of these agreements and use sub-licenses for authors and actor agreements, they weren’t written with AI in mind. So that’s another red flag. And also I just think in indemnification. So if we ultimately get to a point where groups are liable for using content without previous license, then who’s liable? Is the tool maker the liable group or the actual end user? So those are probably my top four red flags. But I think ethics is probably my biggest place because just because we can do something from an ethical standpoint doesn’t mean we should. Jeanine Wright: Yeah, if I can respond to both of those points. I mean, one from a legal perspective, just to be very clear, I mean, we are always pulling from multiple different models and always pulling from multiple different sources. And we even have data sources that we license or use for single source of truth on certain pieces of information. So we’re always pulling things together from multiple different sources. We also have built into our process, you know, internal QAing and checking to make sure that we’re not misappropriating the name or likeness of any existing known personality or character. We are creating original personalities there. We design their voice from scratch. We design their look from scratch. So we’re not on our personality side, we’re not pulling or even taking inspiration from existing intellectual property that’s already out there in creating these personalities. On the ethical side, I agree. I mean, when we came out of stealth, we came out of stealth in September. There was certainly quite a bit of backlash from folks in my—I previously co-founded a company in the audio space. I mean, there’s been many rounds of layoffs in audio and in many other parts of the entertainment industry. So I’m very sensitive to the feedback around, like, is this job displacement? I mean, I do think that the CEO of NVIDIA said it right when he said, you’re likely not going to lose your job to AI, but you will lose your job to somebody who knows how to use AI. I think these tools are transforming the way that content is made and that the faster that people can embrace this tooling, the more likely they’re going to be having the kinds of roles that they want in, you know, in content creation and storytelling in the future. And we are hiring. I’m hiring AI video creators, AI audio creators. I’m hiring AI developers. So people who are looking for those roles, I mean, please reach out to me, we would love to work with you and we’d love to grow with you. We also take the ethics very seriously. For the last few months or so, I’ve met regularly with an ethicist, we talk about all sorts of issues around, you know, is designing AI-generated people, you know, good for humanity? And what about authenticity and transparency and deception, and how are we in building in this space going to avoid some of the problems that we’ve seen with things like social media and other forms of technology? So we keep that very top of mind and we try to build on our own internal values-based system and, you know, continue to elevate and include the humanity as part of the conversation. Ken Suzan: Thank you, Janine. Janine, some argue that AI content pipelines will level the field for filmmaking, giving independent creators access to tools that were once available only to major studios. Is that the future you envision? Jeanine Wright: I do think that with AI you will see an incredible democratization of access to technology and access to these capabilities. So I do think, you know, rise of independent filmmakers, you won’t have as many people who are sitting on a brilliant idea for the next fantastic script or movie that just cannot get it made because they will be able to with these tools, get something made and out there, at least to get the attention of somebody who could then decide that they want to invest in it at a studio kind of level in the future. The other thing that I think is really interesting is that I think, you know, AI will empower more niche content and more creators who can thrive in micro-communities. So it used to be because of this hit generation business model, everything needed to be made for the masses and a lot of content for niche audiences and micro-communities was neglected because there was just no way to make that content commercially viable. But now, if you can leverage AI—we make a pollen report podcast in 300 markets, you know, nobody would have ever made that before, but it is very valuable information, a very valuable piece of content for people who really care about the pollen in their local community. So there’s all sorts of ways that being able to leverage AI is making it more accessible both to the creator and to the audience that is looking for content that truly resonates with them. Ken Suzan: Mark, let’s talk about the legal landscape right now. If someone creates an AI-generated performance that closely resembles a living actor without their consent, what legal recourse does that actor have? Mark Stignani: Well, I mean, I think we can go back to the OpenAI Scarlett Johansson thing where, you know, if it’s simply—well, the “walks like a duck, quacks like a duck” type of aspect there. You know, I think it’s pretty straightforward that they need to walk it back. I mean, the US doesn’t have moral rights, really, but there’s a public visage right, if you will. And so, one of the things that I find predominantly useful here is that these actors likely have rights of publicity there, we probably have a Lanham Act false endorsement claim, and you know, again, if the performance is not parody, and it’s so close to the original performance, we probably have a copyright discussion. But again, all of these laws predate the use of AI, so we’re going to probably see new sets of law. I mean, we’re probably going to see “resurrection” frameworks, we’ll probably have frameworks for synthetic actors and likenesses, but the rules just aren’t there yet. So, unfortunately, your question is largely predictive versus well-settled at this point. Ken Suzan: Janine, your company works with AI actors. How do you navigate the questions of consent and likeness compensation when creating digital performers? Jeanine Wright: I mean, if we—so first of all, if we were to work with a person who is an existing real-life person or was an existing real-life person, then we would work with them to license their name and likeness or their voice or whatever aspects of it we were going to use in creating content in partnership with them. Not typically our business model; we are, as I said, designing all of our personalities from scratch and making all of our content originally. So, we’ve not had to do that historically. Now, you know, the flip side is: can I license my characters as if they’re similar to living characters? Like will I be able to license the name and likeness and voice of my AI-generated personalities? I think the answer is yes and we’re already starting to do that. Ken Suzan: Let’s just switch gears into ethics and AI because I find this to be a really fascinating issue. I want to look at a hypothetical. And this is to both of you, Janine and Mark: an AI system creates a new performance by a beloved actor who passed away decades ago, and the actor’s estate authorizes it, but the actor was known to have expressed opposition to such technology during their lifetime. Is this ethical? Jeanine Wright: This feels like a Gifts, Wills, and Trusts exam question. Ken Suzan: It sounds like it, that’s right. Jeanine Wright: Throwing me back to my law school days. Exactly. What are your thoughts? It’d be interesting to see like who has the rights there. I mean, I think if you have the legal rights, the question is around, you know, is it ethical to go against what you knew was somebody’s wishes at the time? I guess the honest answer is I don’t know. It would depend a lot on the circumstances of the case. I mean, if we were faced with a situation like that where there was a discrepancy, we would probably move away from doing that content out of respect for the deceased and out of a feeling that, you know, if this person felt strongly against it, then it would be less likely that you could make that storytelling exceptional in some way—it would color it in a way that you wouldn’t want in the outcome. And I feel like there’s—I mean, certainly going forward and it’s already happening—there are plenty of people I think who have name, likeness, and voice rights that they are ready to license that wouldn’t have this overhang. Ken Suzan: Mark, your thoughts? Mark Stignani: Yeah, I mean, again, I have to kind of go back to our property law—the Rule Against Perpetuities. You know, from a property standpoint to AI rights and likenesses—since most of the digital replica contracts that I’ve reviewed generally do talk about things in perpetuity. But if it’s not written down for that actor and the estate is doing this—is it ethical? You know, that is the debate. Jeanine Wright: Well, gold star to you, Mark, for bringing up the Rule Against Perpetuities. There’s another one that I haven’t heard for many years. This is really taking me back to my law school days. Ken Suzan: It’s a throwback. Jeanine Wright: The other thing that’s really interesting is that this technology is really so revolutionary and new that it’s hard to even contemplate now what it is going to be in a decade, much less for people who have passed away to have contemplated what the potential for it could be today. So you could have somebody who is, perhaps, a deceased musician who expressed concerns about digital representations of themselves or digital music while they were alive. But now, the possibility is that you could recreate—certainly I could use my technology to recreate—that musician from scratch in a very detailed way, trained on tons of different available data. Not just like a digital twin or a moving image of them, but to really rebuild their personality from scratch, so that they and their music could be reintroduced to totally new generations in a very respectful and authentic way to them. It’s hard to know, with the understanding that that is possible, whether or not somebody who is deceased today would or would not agree to something like that. I mean, many of them might want, under those circumstances, for their music to live on. These deceased actors and musicians could live forever with the power of AI technology. Mark Stignani: Yeah, I really just kind of go to the whole—is deep-faking a famous actor the best way to preserve them or keep them live? Again, that’s a bit more of an ethical question because the deep fakes are getting good enough right now to create huge problems. Even zoom meetings in Hong Kong where a CFO was on a call with five synthetic actors who all looked like his coworkers and they sent a big check out based upon that. So again, the technology is getting good enough to fool people. Jeanine Wright: I think that’s right, Mark, but I guess I would just highlight the same way that it always has been: the ethical line isn’t AI versus human, the ethical line is about deception. Like, are you deceiving people? And if people know what it is that they’re getting and they’re choosing to engage with it, then I think it isn’t about the power of the technology. In our business, we have elected—not everybody has—but we have elected to be AI transparent. So we tell people when they listen to our show, we include it in our show notes, we include it on our socials. Even when we’re designing our characters to be very photo-realistic, we make an extra point to make sure that people know that this is AI-generated content or an AI personality. Like, our intention is not to deceive and to be candid. From a business model perspective, we don’t need to. I mean, there’s already people who know and understand that it is AI, and AI is different than people. Because it is AI, there’s all sorts of things that you can do with it that you would not be able to do with a real person. You know, we get people who ask us on the podcast side, we get all sorts of crazy funny requests. You know, people who say, “Can I text with this personality? Can I talk to them on the phone? Can they help me cook in the kitchen? Can they sing me Happy Birthday? Can they show up at my Zoom meeting today because I think my boss would love it?” You know, all sorts of different ways that people are wanting to engage with these characters. And now we’re in the process of rolling out real-time personalities so people will be able to engage with our personalities live. It is a totally different way that people are able to engage with content, and people can, as they choose, decide what kind of content they want to engage with. Ken Suzan: Jeanine and Mark, we’re coming to the end of this podcast. I would love to keep talking for hours but we have to stay to our timetable here. Last question: five years from now, what percentage of entertainment content do you predict will involve significant AI generation, and will audiences care about that percentage? Jeanine? Jeanine Wright: I mean, I would say 99.9%. I mean, already you’re seeing—I think YouTube did a survey—that it was like 90% of its top creators said that they’re using AI as material components of their content creation process. So, I think this will be the default way that content is created. And content that is not made with AI, you know, there’ll be special film festivals for non-AI generated content, and that will be a special separate thing than the thing that everybody is doing now. Ken Suzan: Mark, your thoughts? Mark Stignani: Yeah, I go a little lower. I mean, I think Jeanine is right that we’re seeing, especially in the low-quality content creation and like the YouTube shorts and things like that, you know, there’s so much AI being pushed forward that the FTC even acquired an “AI slop” title to it. I do think that disclosure will become normalized, that the industries will be pushed to say when something is AI and what is not. And I think it’s very much like, you know, do you care about quality or not? If you value the human input or the human factor in this, there will be an upper tier where it’s “AI-free” or low AI assistant. I think that it’s going to stratify because the stuff coming through the social media platforms right now—I can’t be on it right now just because there’s so much nonsense. Even my children, who are without much AI training at all, find it just too unbelievable for them. So, I think it will become normalized, but I think that we’re going to see a bunch of tiers. Ken Suzan: Well, Jeanine and Mark, this has been a fantastic discussion of an ever-evolving field in IP law. Thank you to both of you for spending time with us today on the IP Friday’s podcast. Jeanine Wright: Thank you so much for having me. Mark Stignani: Appreciate your time. Thank you again.

In this episode, Liam and Kyle dive into the travel days they both had to get to Florence, Italy. Both shared their struggles along with the exciting moments in the longest travel days of their lives so far. Towards the end of the episode, they hint at what is to come as they have a lot they want to talk about. All right here on Across The Pond.

Enjoy a lovely conversation with Kennedy Freeman, an animation director, storyboard artist, character designer, and founder of the 2D animation studio Luv Letter Studios, as we discuss the art journey that got her opportunities to work in anime, her out-of-this-world indie animated series Towards Galaxy's End, magical girls, and so much more!Kennedy's Links:Towards Galaxy's End Kickstarter: https://www.kickstarter.com/projects/towardsgalaxysend/towards-galaxys-end-indie-animation-series?ref=profile_created&category_id=29TGE YouTube: https://www.youtube.com/@TowardsgalaxysendofficialTGE Instagram: https://www.instagram.com/towardsgalaxysend/TGE Bluesky: https://bsky.app/profile/towardsgalaxysend.bsky.socialTGE Twitter: https://x.com/TowardsGalaxysPersonal YouTube: https://www.youtube.com/@kenzyxartTikTok: https://www.tiktok.com/@kenzyxartBluesky: https://bsky.app/profile/kenzyxart.bsky.socialInstagram: https://www.instagram.com/kenzyxart/Twitter: https://x.com/kenzyxartTumblr: https://www.tumblr.com/kenzyxartThumbnail Done By: Kennedy FreemanHelp fund my new laptop: https://throne.com/postmodartpod/item/c93d8ef0-f6d1-4f0a-912a-ea970fb3731eCheck out the MERCH SHOP: https://post-modern-art-podcast-shop.fourthwall.com/Join the PostModArtPod Discord server: https://discord.gg/bdg4UFbmm9Join the PMAP Patreon: https://www.patreon.com/pmapIntro Animated by: https://bsky.app/profile/fasado.bsky.socialIntro Song - "Seductive Treasure" - Color of IllusionOutro Song - "Parts In Motion" - Vera Much Stream her EP "Thank U!": https://open.spotify.com/album/3AO61mm8a81osp9FsPpFgv?si=sZ2Pq_aSTbWLzHLwff2RigLinktree (To find other platforms, socials, etc.): https://linktr.ee/PostModernArtPodcastFor business inquiries, contact postmodernartpodcast@gmail.com Showrunners of the podcast are Nathan Ragland and TipsyJHeartsTipsy's Links:Twitter: https://twitter.com/TipsyJHeartsBluesky: https://bsky.app/profile/tipsyjhearts.bsky.socialInstagram: https://www.instagram.com/tipsyjhearts/Patreon: https://www.patreon.com/tipsyjheartsKo-fi: https://ko-fi.com/tipsyjheartsPortfolio: https://tipsyjhearts.wixsite.com/portfolioProduced with A1denArtzAiden's Links:Carrd: https://a1denartz.carrd.co/Tumblr: https://a1denartz.tumblr.com/Bluesky: https://bsky.app/profile/a1denartz.bsky.socialInkblot: https://inkblot.art/profile/a1denartzInstagram: https://www.instagram.com/a1denartz/Go out there and create something special!

In a one-two punch of centibillion-dollar offers, the bidding war for Warner Bros. Discovery is over. David Ellison-owned Paramount will acquire Warner Bros. Discovery. Netflix has lost. Plus, Plaid valued at $8B in employee share sale. The new valuation is a 31% increase from $6.1 billion Plaid reached in April. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Die Medien-Woche Ausgabe 330 vom 27. Februar 2026 Mit Christian Meier https://www.linkedin.com/in/christianmeierpost/ Heute zu Gast ist Christian Meinberger – Chief Digital Officer der LEONINE Studios und Geschäftsführer der i&u Studios https://www.iustudios.de/ https://www.leoninestudios.com/people Wir sprechen über diese Themen: 1 Die Zukunft der Creator Economy / 2 Streaming und die Produzenten / 3 Die neue Doku-Realityserie "Brabus – One Second Wow" SHOWNOTES 1 Creator Economy https://blog.medientage.de/journalismus-am-scheideweg-lokales-darbt-creator-boomen https://www.business-punk.com/brand/creator-economy-am-abgrund-warum-ad-revenue-tot-ist/ https://medieninsider.com/die-creator-economy-ist-maennlich-fuer-redaktionen-ist-das-eine-chance/26912/ 2 Streaming https://www.tagesschau.de/kultur/drama-serien-erobern-das-smartphone-100.html https://www.bpb.de/lernen/bewegtbild-und-politische-bildung/563086/streaming-im-umbruch/ https://www.simon-kucher.com/de/insights/streaming-studie-so-streamt-deutschland 3 Brabus-Serie https://www.brabus.com/de-de/brand/news/osw-doku.html https://www.leoninestudios.com/news/artikel/brabus-one-second-wow-neuartige-doku-reality-serie-bietet-erstmals-exklusiven-einblick-in-die-welt-der-highend-supercars-und-ihrer-macher-10217 https://www.horizont.net/marketing/nachrichten/one-second-wow-warum-die-luxus-mobility-marke-brabus-in-serie-geht-233277 -- Impressum:Diensteanbieter Christian Meier/Stefan Winterbauer Die Medien-Woche Schwiebusser Str. 44 10965 Berlin E-Mail-Adresse: diemedienwoche@gmail.com Stefan Winterbauer Christian Meier Links auf fremde Webseiten: Die Inhalte fremder Webseiten, auf die wir direkt oder indirekt verweisen, liegen außerhalb unseres Verantwortungsbereiches und wir machen sie uns nicht zu Eigen. Für alle Inhalte und Nachteile, die aus der Nutzung der in den verlinkten Webseiten aufrufbaren Informationen entstehen, übernehmen wir keine Verantwortung. ⁠⁠⁠⁠⁠⁠Erstellt mit kostenlosem Datenschutz-Generator.de von Dr. Thomas Schwenke⁠⁠⁠⁠⁠⁠ KontaktmöglichkeitenInhaltlich verantwortlich:Haftungs- und Schutzrechtshinweise Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we sit down with Julia, founder of Dorian — a no-code UGC gaming platform empowering writers, artists, and cosplayers to create and monetize their own games. From raising nearly $20M in venture capital to launching community-owned equity crowdfunding, this conversation explores how user-generated content is reshaping the industry. Backed early by top gaming VCs Dorian is now opening a community round inspired by Fateless' community-owned approach. Reservations are open now, learn more here: https://republic.com/dorianFateless is a dynamic game studio founded by passionate content creators Simon Lockerby (Hellhades), Dan Francis (Phixion), and Hisham Saleh (Sham). Our mission is to create community-driven, immersive RPG Hero Collector games that emphasize player agency, storytelling, and strategic gameplay. Join us as we share our journey from concept to launch and beyond.Support the show

In a special audio-only version of Bronco Studios Live presented by Ford, host Jay Tust gets several viewpoints, for and against, collective bargaining in college sports. He visits with Boise State Director of Athletics Jeramiah Dickey, Athletes.org founder Jim Cavale, college sports writer Matt Brown (extrapointsmb.com), and Boise State law professor Sam Ehrlich.2:10 Jeramiah Dickey, Boise State Director of Athletics, and Jim Cavale, Founder of Athletes.org3:40: What is Athletes.org and what does Jim Cavale hope to achieve with it9:40: Jeramiah Dickey's viewpoint on collective bargaining and what organizations like Athletes.org provide to college athletics11:20: How does an organization like Athletes.org get changes made across different states and different state laws15:50: Why would anyone be for and against employment status in college sports20:30: An Athletic Director's perspective on student-athletes becoming employees 22:20: What is the next step in Athletic Director and University presidents getting moved towards a solution and overcome the current obstacles27:30: How would athletes benefit collective bargaining and why would they want collective bargaining31:00: Are guardrails necessary for college sports, from an Athletic Director's perspective34:20: What is needed for these efforts and what are the results of them in the next 5 years?37:30: An athletic director's perspective on what could happen in the next 5 years?40:25: Will this be led by athletes or schools?42:30: The potential movement and its impact on Olympic sports46:01: How important is it to have these discussions? Encouraged or discouraged on where things stand today?50:40: How to view the “chaotic” moments that happen in the day-to-day of college athletics?52:20: Matt Brown and his trip to Boise a couple years ago53:35: Why is fan engagement so important?55:15: Why did Matt Brown start Extra Points as a newsletter and choose to focus on “off the field” things in college sports?57:35: Thoughts on collective bargaining in college sports and its impact on college football60:00: How realistic is collective bargaining in college football63:10: Why would college athletes view collective bargaining as beneficial to them65:30: What is a realistic timeline for collective bargaining to take place and be completed67:30: How likely is it that laws get changed at the federal level to start the process of moving towards collective bargaining70:30: Does a split in college football facilitate collective bargaining72:30: Defining the standards of what it means to be at the potential split levels of college football75:00: If Matt Brown was in charge of college football, what is one thing he would institute? 77:20: What is one challenge and one opportunity for Boise State going forward?80:00: Sam Ehrlich, Boise State law professor and founder of College Sports Litigation Tracker website81:30: Why he created CollegeSportsLitigationTracker.com83:00: Why he picked sports law as a career path and passion project84:45: Sam Ehrlich's view of the benefits of collective bargaining in college sports87:00: What is preventing collective bargaining from happening in college sports90:30: How college sports has changed since situations like Maurice Clarett was trying to get into the NFL early to what is going on today, as well as the result of what collective bargaining does for leagues and players associations92:00: How collective bargaining would go over in the state of Idaho95:30: Is there a realistic path to laws changing to support collective bargaining in college sports98:00: What does the discussion look like around collective bargaining in college athletics over the next 18-24 months90:45: What happens to CollegeSportsLitigationTracker.com if collective bargaining is instituted in college sportsJim Cavalewww.athletes.orgMatt Brownwww.extrapointsmb.comSam Ehrlichhttps://www.collegesportslitigationtracker.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hey hey BATT Family! Welcome to this Kickstarter preview for Soar! The new 2-5 player bidding game from the mad scientists over at IV Studios, this is an excellent small box filler game. Be sure to check the episode out, hit up their Kickstarter page, and then get in touch with us about what you think about Soar! The link to the Kickstarter campaign is below and we hope you check it out, all three of us really enjoyed Soar.   ---   This episode's segments:   00:00:00 - Intro   00:01:28 - How the Game Plays   00:04:01 - Learning Curve / Ease of Teach   00:05:02 - Artwork / Components / Iconography   00:07:08 - Replayability / Player Count    00:09:31 - What's to Like, What's to Dislike    00:20:20 - Final Thoughts    00:22:11 - Outro     ---   Notes!   1) The Kickstarter Link! https://www.kickstarter.com/projects/ivstudios/fractured-sky-awakening   2) IV Studio's Website: https://shop.iv.studio   3) IV's Discord: https://discord.gg/iv-games-611272410880016390   4) Soar's BGG Link: https://boardgamegeek.com/boardgame/464147/soar   ---   We'd like to thank our sponsors as well:   Grand Gamers Guild! https://grandgamersguild.com. Use Discount Code BATT10 to make sure that we are supported AND you let them know that we sent you.   Secret Door Games! They can be found at https://www.secretdoorgames.org or 215 S. Main St, Elkhart Indiana 46514.   Meeple Source! https://meeplesource.com/?PARTNER=battg Be sure to keep that partner bit (?PARTNER=battg) on the end of any link on their site, and you'll get us our affiliate linking!   Victory Roll Cafe! https://victoryrollcafe.com or 711 W McKinley Ave, Mishawaka, IN 46545.   ---   You can email us at boardallthetimegaming@gmail.com.   We finally put a linktree together! https://linktr.ee/boardallthetime   We can be found at www.boardallthetime.com and on Facebook at Board All The Time.    We're on BlueSky now and loving it! At this point it really feels like BlueSky is for board gaming, so definitely check us out on there at https://bsky.app/profile/boardallthetime.bsky.social   If you would like to check out Mark's Top 100 list, it can be found at: https://boardgamegeek.com/geeklist/347553/top-100-games-2024-edition   If you'd like to help support the show and assist with the hosting costs, you can do so with our Ko-Fi: https://ko-fi.com/boardallthetime   Our Discord server, which is still in Beta, can be joined at https://discord.gg/VbRWEpc6   Theater Geeks! https://www.twitch.tv/theatergeeks   ---   We'd also like to thank SoulProdMusic for the intro/outro music. 

ILP# 435 2/22/2026https://lordsofgaming.net/LORDS AFTER DARK on Insider Game App! ANDROID: https://play.google.com/store/apps/details?id=com.insidergaming.appIOS: https://apps.apple.com/us/app/insider-gaming/id67539846481) ADVANCEDGG Use Code "IRONLORD" for 10% off https://advanced.gg/pages/partner-ironlords?_pos=12) VALARI PILLOW Use Code "ILP15" valari.gg/?ref=ironlordspodcastroundtable3)  ILP MERCH: https://ironlordspodcast-shop.fourthwall.com/collections/allsofgaming.net/4) NZXT & IRON LORDS PC Use Affiliate LINK: https://nzxt.co/Lords5) HAWORTH Gaming Chairs & ILP Use Affiliate LINK: https://haworth.pxf.io/4PKj7M*********************************************************00:00 - ILP#435 Pre-Show18:54 - ILP#435 Show Start24:15 - ILP Panel Intros (First Stream ends at 01:04:08)01:04:09 - 2nd Stream Resumes01:15:00 - Phil Spencer Retires & Discussing His Legacy01:32:39 - Parris Lilly Joins The Realm01:38:57 - Kidsmoove Joins The Realm01:42:52 - Tesla Tidbits Joins The Realm01:48:33 - Lord Cognito Talks Phil's Xbox Legacy02:03:06 - Sarah Bond Resigns & Path Blocked?02:13:28 - Destin Legarie Joins The Realm02:31:22 - Jez Corden Joins The Realm02:40:12 - Asha Sharma & Matt Booty Xbox Regime02:54:25 - King David Thoughts On Phil & Asha Regime change3:19:09 - Jez Thoughts On Xbox Community 03:23:27 - Future Of Xbox Thoughts03:45:26 - ILP Future Without Phil & Sarah LOL04:14:33 - Lord Cognito New Xbox Regime Concerns04:46:43 - Blupoint Games Shut Down By Sony05:16:36- ILP#435 Outro*********************************************************Welcome to The Iron Lords Podcast!Be sure to visit www.LordsOfGaming.net for all your gaming news!ILP Spotify: open.spotify.com/show/6XRMnu8Tf1fgIdGlTIpzsKILP Google Play:play.google.com/music/m/Iz2esvyqe…ron_Lords_PodcastILP SoundCloud: @user-780168349ILP Itunes: itunes.apple.com/us/podcast/iron-…uiR-IgF6cE9EQicIILP on Twitter: twitter.cm/IronLordPodcastILP on Instagram: www.instagram.com/ironlordspodcast/ILP DESTINY CLAN:www.bungie.net/en/Clan/Detail/178626The Iron Lords and the Lords of Gaming have an official group on Facebook! Join the Lords at:www.facebook.com/groups/194793427842267www.facebook.com/groups/lordsofgamingnetwork/Lord COGNITO--- twitter.com/LordCognitoLord KING--- twitter.com/kingdavidotwLord ADDICT--- twitter.com/LordAddictILPLord SOVEREIGN--- twitter.com/LordSovILPLord GAMING FORTE---twitter.com/Gaming_ForteILP YouTube Channel for ILP, Addict Show & all ILP related content: www.youtube.com/channel/UCYiUhEbYWiuwRuWXzKZMBxQXbox Frontline with King David: www.youtube.com/@xboxfrontlineFollow us on Twitter @IronLordPodcast to get plugged in so you don't miss any of our content.

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Hollywood is freaking out after a hyper-realistic AI video of Brad Pitt and Tom Cruise fighting. It was created with a two-line prompt using a new tool from TikTok's parent company. Studios and actors' unions are calling it copyright theft and an existential threat to the entire film industry. If one person with a laptop can generate a blockbuster-level action scene in minutes… what happens to writers, actors, and the thousands of people who make movies for a living? Are we watching the future of entertainment or the beginning of the end for Hollywood as we know it?

Rubicon - Carlin Alford comes in to discuss his new Political Podcast Straight Down the Middle which will be on SiriusXM via The Rubicon & The Lance Jay Radio Network and produced by Paragon 7ven Studios

Send a textOn this episode of the CSZ Podcast, brought to you by Prime IV Louisville, we are coming to you live from the Shoot 360 Studios, Jeremy is joined in studio by Joey, Shawn and via Restream by WesThe squad will go over the week in Cardinal Athletics. We talk about all the losses UofL took this week, victory vs GT, Rapid fire, the Baseball teams trip to Texas & much, much more including our usual shenanigans! You won't want to miss this one! The Cardinal Sports Zone Podcast is brought to you by Prime IV, Shoot 360, Four Pegs, Fitness Market, Cherry Pickin Goods, Planet Fitness, Mossy Oak & Hart Reality, Collision Course Crew, Rally House, Beckmanns FineBladeZ & Josh Jarboe from Remax Reality.Follow us on Twitter:@CardSportZone@Jeremy_CSZ@lvilleshawn@baseboy124@DPence_@joewahman526@WesB_42@WesKeyes_CSZ@IamthehiggyFollow our sponsors on social media:#PrimeIVLouisville#JoshJarboe@PlanetFitness@Rally_House@FitnessMarketKY@course_crew@FourPegsBeer@MossyOak@Shoot360Lou@CherryPickinGds@Zach_Beckmann1Support the show

ABOUT THE EPISODE --Dan and Don RETURN to Reel Therapy to discuss the first season of "A Knight of the Seven Kingdoms" by HBO Max. Is it a return to form for "Game of Thrones" or are we wishing that they bury the IP like a rotting corpse? We discuss that and more plus stick around for the end to hear Daniel and Donavon reminisce about Bioware's "Mass Effect".TABLE OF CONTENTS --00:00:00 - About the Episode00:00:40 - Greetings00:04:48 - A Knight of the Seven Kingdoms - Season One Overview00:38:25 - Before We GoABOUT THE SHOW - A Knight of the Seven Kingdoms --Set nearly a century before the events of Game of Thrones, A Knight of the Seven Kingdoms follows the adventures of Ser Duncan the Tall (“Dunk”) and his young squire, Egg. Based on George R.R. Martin's Tales of Dunk and Egg novellas, the series trades sprawling wars for intimate character-driven storytelling, exploring honor, loyalty, and political intrigue across the Seven Kingdoms. As Dunk and Egg journey from tourneys to courtly conflicts, their bond is tested against the quiet tensions brewing in Westeros long before dragons return to the skies.FIND US --For everything Reel Therapy and 241 Studios, check out our website:LINK: https://www.241studios.com/Follow us on:Instagram: @reeltherapy_podcastFacebook: https://www.facebook.com/reeltherapypodTikTok: @reeltherapy_pod

In this week's episode of the Playbook Podcast, Kaleb and Ty discuss everything sports, from Springfield College athletics to the hottest news in the pros. The two give their takes on the Springfield College basketball teams and the men's volleyball team, spring training and the upcoming MLB season, the current landscape of the NBA and tanking, and a huge weekend in college basketball. To close things out, the students discuss their hottest takes in the sports world. Be on the lookout for more weekly episodes, releasing every Monday!

Nick and Rogan Plays Games discuss Bluepoint shutting down, PS6 reportedly delayed to 2028/2029, and more!Link to RoganPlaysGames Tiktok: https://www.tiktok.com/@roganplaysgames0:00 Intro2:07 Housekeeping7:47 PlayStation Shuts Down PlayStation Studios43:17 Rumor: PS6 Delayed to 2028/20291:00:56 Pokemon Day Predictions1:08:33 Steam Deck OLED's are sold out 1:12:03 FF7 3make is Playable 1:21:44 Replaced Delayed To April Link To The Patreon: https://www.patreon.com/CoOp64Link to Discord, Merch AND MORE: https://linktr.ee/co_op64Intro Music By Jamie Vere

Send a textWe're back with another fun show this week. We discuss some of the topics hitting the Disney & Universal Resorts. Plus Trip Reports from the Disney Cruise Line and Warner Bros Studio Tour.Join us in our completely free Discord https://discord.gg/4nAvKTgcRnCheck out all of our amazing sponsors!Getaway Todayhttps://www.getawaytoday.com/?referrerid=8636If you want to book a Disney Vacation, please use our friends at Getaway Today. Also, if you call 855-GET-AWAY and mention Walt's Apartment, you will get a special dose of magic Where In The Park The Podcast-“Discover the history behind the details of Disney parks and more on the Where In The Park podcast”https://whereinthepark.comCheck Out Sunken City Designs - from the mind of Louis Medinahttps://sunkencitydesigns.bigcartel.com

Send a textHollywood Hotwife: Behind the Scenes at WIFEY Studios | Episode 232In this episode of The Swing Nation Podcast, the top-rated podcast about non-monogamy and swinging, Dan and Lacy take you inside one of their most unforgettable experiences yet.The duo travels to Los Angeles, California to the studio of WIFEY, a luxurious adult content platform where real hot wife couples step onto a Hollywood-style set to live out their fantasies in a high-end, professionally produced environment. They recap the entire trip and pull back the curtain on what it was really like filming a professional adult scene at WIFEY Studios — from the high-end production quality and thoughtful direction to the atmosphere and intentionality behind every detail. They share how the experience felt emotionally and mentally, with Lacy opening up about stepping into a fantasy on camera and navigating the vulnerability that comes with it. Together, they reflect on the excitement, nerves, empowerment, and deep connection they experienced throughout the process.Whether you're curious about the professional adult industry, the hot wife dynamic, or what really happens behind the scenes of a polished lifestyle production, this episode delivers an honest, behind-the-curtain look at blending fantasy, trust, and high-level production into one unforgettable experience.- The Swing Nation - Main Website Quick Navigation Website: -- (Find all our social media links & more!)- Swinger Society - Our Website to meet, connect & events Swinger Society Discord Our Facebook Group- Swinger Websites -Kasadie 90 day free trialUsername: TheSwingNation SDC 14 day free trial Username: TheSwingNation** Use code 36313 for 14 days free! **- Merch & More -Order Your Merch Here!- Lacy's Fun Links -VIP OnlyFansPREMIUM OnlyFans-- THANK YOU TO OUR SPONSORS --IKNOWMYSTATUS: Test Like a Porn StarUse Code LifeStyle and get 15% OFFShameless Care: ED MedicationUse Code TSN at checkout for $15 off your order!Promescent® Make Love Longer, It's Time for Great SexUse Code SwingNation for 5% off!Sing it Bikinis:  adjustable one-size styles, thoughtfully crafted to flatter every body type.Support the show- Thank you for the support! -