Podcasts about grigori kozintsev

Episode 7 Strange Sounds from the Movies 1931-1972     Title, Director, composer Country Year Track Instrument Story Alone (Odna), Grigori Kozintsev and Leonid Trauberg, music by Dmitry Shostakovich Russia 1931 “The Snowstorm” Theremin Perhaps the film sound film to incorporate a Theremin in its score. The audio for this part of the film has been lost but we have this reconstruction by Mark Fitz-Gerald based on Shostakovich's score. The work was recorded in 2006 and features Barbara Buchholz playing both tracks of Theremin. Le Roman D'un Tricheur (leh-ROH-mah deh TREE-shure)(The Story of a Cheater) by Sacha Guitry (GIE-tree), music by Adolphe Borchard France 1936 Short sequence while traveling on a train. Ondes Martenot Played by Ginette Martenot, sister of Maurice Martenot. Spellbound, Alfred Hitchcock, music by Miklós Rózsa (MICK-los ROSE-ah) US 1945 The dream sequence from the Spellbound suite. Theremin This recording was by Al Goodman and his orchestra and featured Hoffman, who was in the original soundtrack a year earlier. Note that there is a vocalist doubling the Theremin but at a higher octave. Spellbound, Alfred Hitchcock, Miklós Rózsa US 1945 The dream sequence from the Spellbound suite. Theremin For comparison, a recording from 1958 by Raymond John Heindorf and his orchestra. The fidelity is a little better on this track and the theremin is played without the added vocalist. The Day the Earth Stood Still, Robert Wise, music by Bernard Hermann US 1951 Gort / The Visor / The Telescope Theremin Samuel Hoffman again, on Theremin and a wonderful orchestral score by Hermann. The Day the Earth Stood Still, Robert Wise, music by Bernard Hermann US 1951 The Captive, Terror Theremin Here is Hermann again, with Hoffman on Theremin and a Hammond Novachord in the ending part. Forbidden Planet, Fred McLeod Wilcox, music by Louis and Bebe Barron US 1956 Main Title Handmade circuits The Barrons had their own private studio for making electronic sounds and music for television, commercials, and motion pictures. Forbidden Planet, Fred McLeod Wilcox, music by Louis and Bebe Barron US 1956 Battle with the Invisible Monster Handmade circuits See above Forbidden Planet, Fred McLeod Wilcox, music by Louis and Bebe Barron US 1956 Ancient Krell Music Handmade circuits See above Music from One Step Beyond, music by Harry Lubin US 1960 Fear Trautonium The instrument had ribbon controllers to make the gliding notes entirely possible and measure against notes of the scale so that the musician could hit his notes accurately. Raumpatrouille - Space Patrol – The Fantastic Adventures of the Spaceship Orion, Theo Mezger and Michael Braun, music by Peter Thomas Germany 1966 Outside Atmosphere Siemens "ThoWiephon" Thomas created a musical instrument called "ThoWiephon.” It was a small, upright device with 12 oscillators and a three-octave keyboard. Girl on a Motorcycle, Jack Cardiff, music by Les Reed UK 1968 Dream Tape composition Electronic music composition for this film starring Marianne Faithful was credited as being made at Shepperton and Putney. Girl on a Motorcycle, Jack Cardiff, music by Les Reed   UK 1968 Surrender to a Stranger Tape composition, oscillators As above. Sebastian, David Greene, music by Jerry Goldsmith and Tristram Cary. UK 1968 Sputnick Code Tape composition The only contribution to this soundtrack not credited to Jerry Goldsmith was this number by Tristram Cary, a British composer with his own electronic music studio.   Lawrence of Arabia, David Lead, music by Maurice Jarre UK 1962 That is the Desert Ondes Martenot Here we have two of Jarre's uses of the Ondes Martenot, the first to provide atmosphere for a desert scene and the second a rendering of the title theme on the electronic instrument. Lawrence of Arabia, David Lead, music by Maurice Jarre UK 1962 Lawrence and the Bodyguard Ondes Martenot As above. Billion Dollar Brain, Ken Russell, music by Richard Rodney Bennett US 1967 Anya 2 Ondes Martenot Richard Rodney Bennett composed the music that included passages played on the Ondes Martenot. The Heart is a Lonely Hunter, Robert Ellis Miller, music by Dave Grusin US 1968 Married People Ondioline Dave Grusin arranged this tune for the Ondioline, a monophonic electronic organ invented in 1948. The Name of the Game is Kill, Gunnar Hellström, music by Stu Phillips US 1968 Main Title Moog Modular Synthesizer Stu Phillips employed Paul Beaver to overdub tracks of the Moog Modular synthesizer onto music recorded with other instruments. On Her Majesty's Secret Service US 1969 James Bond Theme Moog Modular Synthesizer Working with composer John Barry, Phil Ramone produced this part for the Moog and played the synthesizer in real-time with the orchestra. Follow Me, Gene McCabe, music by Stu Phillips US 1969 Hawaii—Waimea-Straight Down Tape composition, multi-instrumental mix Another track by Stu Phillips for this surfing movie. Andromeda Strain, The, Robert Wise, music by Gil Melle., US 1971 The Piedmont Elegy Percussotron and tape composition Gil Melle and his Percussotron. There is a delightful promotional video of him demonstrating the Percussotron on YouTube. Andromeda Strain, The, Robert Wise, music by Gil Melle. US 1971 Strobe Crystal Green Percussotron and tape composition As above. Sacco and Vanzetti, Giuliano Montaldo, music by Ennio Morricone Italy 1971 La Sedia Elettrica Synket Music by Ennio Morricone using the Synket, a small tabletop synthesizer.   Solaris, Andrey Tarkovsky, music by Eduard Artemiev US 1972 Movement 2 ANS photoelectronic synthesizer Eduard Artemiev used the ANS synthesizer, a photoelectronic musical instrument created by Russian engineer Evgeny Murzin from 1937 to 1957. Solaris, Andrey Tarkovsky, music by Eduard Artemiev US 1972 Movement 14 ANS photoelectronic synthesizer As above.     This episode's Archive Mix in which I play two tracks at the same time to see what happens:   Track 1: Sim Gets Hit from The Name of the Game is Kill, by Stu Phillips. Track 2: The Summer House from Girl on a Motorcycle, electronic sound effects created at the Putney studios in London.  

Why make a political arts programme? In this episode of Suite (212) Extra, hosts Juliet Jacques and Tom Overton discuss today's arts broadcasting and left-wing podcast scenes, and the place of Suite (212) and Resonance 104.4fm within it; how British modernist writers worked with TV and radio; how mainstream media leftists fought to establish a tradition of radical but popular cultural criticism; and plans for future shows, including a call for Gunnersaurus to come on Suite (212). SELECTED REFERENCES Larry Achiampong - http://www.larryachiampong.co.uk Battleship Potemkin (dir. Sergei Eisenstein, 1925) Walter Benjamin Anya Berger - https://frieze.com/article/life-margins John Berger Joseph Beuys Ernst Bloch Café Calcio - https://www.mixcloud.com/Resonance/playlists/cafe-calcio/ Hélène Cixous Jean Cocteau JONATHAN COE, Like a Fiery Elephant: The Story of B.S. Johnson (2004) - https://www.theguardian.com/books/2005/jul/10/biography.jonathancoe CYRIL CONNOLLY, Enemies of Promise (1938) Adam Curtis - http://www.bbc.co.uk/blogs/adamcurtis Douglas Davis - https://www.moma.org/artists/40384 The Fall (group) Good Morning Mr Orwell (dir. Nam June Paik, 1984) - https://www.youtube.com/watch?v=SIQLhyDIjtI Rayner Heppenstall - https://www.3ammagazine.com/3am/the-connecting-door/ Sheila Heti The Hooting Yard on the Air - https://www.mixcloud.com/Resonance/playlists/hooting-yard/ Hour of the Furnaces (dir. Fernando Solanas, 1968) - https://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/greatest-films-all-time-essays/light-my-fire-hour-furnaces Ignota Press In Our Time (BBC radio) Influx Press B. S. Johnson on Samuel Johnson (ITV, 1972) JAMES JOYCE, Ulysses (1922) JULIET JACQUES, Trans: A Memoir (2015) JOE KENNEDY, Authentocrats (2018) - http://review31.co.uk/essay/view/64/the-great-northern-morlock-hunt Chris Kraus Kusama’s Self-Obliteration (dir. Jud Yalkut, 1967) - https://www.youtube.com/watch?v=n6wnhLqJqVE Deborah Levy - https://www.newstatesman.com/culture/2013/07/things-i-dont-want-know-powerful-feminist-response-orwells-why-i-write Christopher Logue - https://en.wikipedia.org/wiki/Christopher_Logue London Film-Makers’ Co-op Manufacturing Consent: Noam Chomsky and the Media (dir. Mark Achbar & Pete Wintonick, 1992) - https://www.youtube.com/watch?v=AnrBQEAM3rE So Mayer Jonathan Meades - https://vimeo.com/meadesshrine Media Democracy - https://soundcloud.com/media-democracy-pod Bill Morrison Oli Mould Simon Munnery’s Experimental Half Hour (Resonance FM show) The New Babylon (dir. Grigori Kozintsev & Leonid Trauberg, 1929) - https://www.youtube.com/watch?v=cyOhcTuFYe0 New Socialist - https://newsocialist.org.uk/people-are-intelligent-and-we-shouldnt-assume-otherwise/ Novara Media Clive Nwonka Oasis Oberhausen festival - http://www.thewhitereview.org/feature/oberhausen-film-festival/ Only Artists (BBC radio) - https://www.youtube.com/watch?v=n6wnhLqJqVE GEORGE ORWELL, Animal Farm (1945) Jordan Peterson - https://soundcloud.com/chapo-trap-house/episode-194-fck-12-feat-shuja-haider-and-elon-musk-31818 Politics Theory Other - https://soundcloud.com/poltheoryother Jacques Prévert Project O. Ann Quin Reel Politik - https://soundcloud.com/reelpolitikpodcast JEAN-JACQUES ROUSSEAU, The Social Contract (1762) MARC SAPORTA, Composition No. 1 (1962) - https://www.3ammagazine.com/3am/maybe-you-should-start-again/ WILLIAM SHAKESPEARE, Richard III (c.1593) So Solid Crew The Spice Girls David Stubbs Suite (212) (dir. Nam June Paik, 1975) - https://www.eai.org/titles/suite-212 JEAN-PHILIPPE TOUSSAINT, Football (2018) - https://www.ft.com/content/a65b540c-1767-11e6-b197-a4af20d5575e JEAN-PHILIPPE TOUSSAINT, Zidane’s Melancholy (2007) - http://unrealisedfutures.tumblr.com/post/133790326925/zidanes-melancholy-by-jean-philippe-toussaint Turn! Turn! Turn! (dir. Jud Yalkut, 1966) - https://www.youtube.com/watch?v=hXB-DlrQub0 The War Game (dir. Peter Watkins, 1965) Ways of Seeing (dir. Mike Dibb, 1972) Rosie Wilby - https://www.rosiewilby.com/radio

Despite decades of censorship and neglect, Peter Watkins (http://pwatkins.mnsi.net/) has created a body of work that marks him out as one of the UK’s greatest filmmakers. Born in Surrey in 1935, Watkins began his career pioneering the ‘docu-drama’ in two works for the BBC: historical drama Culloden (1964) about the final battle in the Jacobite rebellion, and The War Game (1965), speculating about a nuclear attack on the UK. The BBC refused to broadcast the latter, and after his feature film Privilege (1968) had a poor commercial and critical reception, Watkins spent the rest of his career in exile. In his theoretical writing, teaching and filmmaking, Watkins has challenged the ‘monoform’ – a standardisation of Mass Audio-Visual Media that barrages its audience with a rapid flow of changing images and sounds, with the intention of preventing any real contemplation. Joining Juliet to discuss Watkins' work is Gareth Evans, former editor of Vertigo magazine and adjunct Moving Image Curator at Whitechapel Gallery. Watkins on the monoform and the global media crisis: https://www.closeupfilmcentre.com/library/documents/the-dark-side-of-the-moon-the-global-media-crisis/ SELECTED REFERENCES FILMS BY PETER WATKINS The Forgotten Faces (1960) - https://player.bfi.org.uk/subscription/film/watch-the-forgotten-faces-1961-online Culloden (1964) - https://www.youtube.com/watch?v=mkxW-nB0nNU The War Game (1965) - https://www.bbc.co.uk/iplayer/episode/p02zy7nt/the-war-game Privilege (1966) - https://player.bfi.org.uk/rentals/film/watch-privilege-1967-online The Gladiators (1969) - https://www.slantmagazine.com/film/review/the-gladiators Punishment Park (1971) - https://www.theguardian.com/theguardian/2005/jul/08/4 Edvard Munch (1974) - https://www.filmcomment.com/blog/art-of-the-real-edvard-munch-by-peter-watkins/ The Journey (1987) - https://www.youtube.com/watch?v=xsYLt9bSRbw The Freethinker (1992-94) - http://seul-le-cinema.blogspot.com/2012/01/freethinker.html La Commune (2000) - https://www.youtube.com/watch?v=LZ1S18jsyyw WILLIAM BLAKE, ‘Jerusalem’ Blowup (dir. Michelangelo Antonioni, 1966) BERTOLT BRECHT, The Days of the Commune (1955) - http://daysofthecommune.com/pages/play.html A Clockwork Orange (dir. Stanley Kubrick, 1971) GUY DEBORD, ATTILA KOTÁNYI & RAOUL VANEIGEM, ‘Thesis on the Paris Commune’ (1962) – http://www.bopsecrets.org/SI/Pariscommune.htm End of Days (dir. Peter Hyams, 1999) Future Revolutions: New Perspectives on Peter Watkins (2018) - https://wolfberlin.org/en/wolf-shop/book-new-perspective-on-peter-watkins-future-revolutions If … (dir. Lindsay Anderson, 1968) It Happened Here (dir. Kevin Brownlow & Andrew Mollo, 1965) - https://www.bfi.org.uk/news-opinion/news-bfi/interviews/it-happened-here-kevin-brownlow Jubilee (dir. Derek Jarman, 1978) V. I. LENIN, ‘Lessons of the Commune’ (1911) – https://www.marxists.org/archive/lenin/works/1908/mar/23.htm The Living Dead (dir. Adam Curtis, 1995) - https://www.youtube.com/watch?v=4xoM6-1SWl4 Manfred Mann KARL MARX, ‘The Civil War in France’ (1871) – https://www.marxists.org/archive/marx/works/1871/civil-war-france/index.htm Ralph Miliband - https://www.marxists.org/archive/miliband/index.htm The New Babylon (dir. Grigori Kozintsev & Leonid Trauberg, 1929) - https://www.youtube.com/watch?v=cyOhcTuFYe0 O Lucky Man! (dir. Lindsay Anderson, 1973) Stanisław Przybyszewski - https://en.wikipedia.org/wiki/Stanisław_Przybyszewski Role of a Lifetime (dir. Deimantas Narkevičius, 2003) - https://www.youtube.com/watch?v=69EREtDfYoM August Strindberg Threads (dir. Mick Jackson, 1984) West of the Tracks (dir. Wang Bing, 2002) - https://theartsofslowcinema.com/2017/05/16/west-of-the-tracks-wang-bing-2003/ Who is America? (TV series, 2018) ÉMILE ZOLA, La Débâcle (1892) - https://readingzola.wordpress.com/2014/01/14/la-debacle-the-downfall/

Melvyn Bragg and guests discuss Shakespeare's best known, most quoted and longest play, written c1599 - 1602 and rewritten throughout his lifetime. It is the story of Hamlet, Prince of Denmark, encouraged by his father's ghost to take revenge on his uncle who murdered him, and is set at the court of Elsinore. In soliloquies, the Prince reveals his inner self to the audience while concealing his thoughts from all at the Danish court, who presume him insane. Shakespeare gives him lines such as 'to be or not to be,' 'alas, poor Yorick,' and 'frailty thy name is woman', which are known even to those who have never seen or read the play. And Hamlet has become the defining role for actors, men and women, who want to show their mastery of Shakespeare's work. The image above is from the 1964 film adaptation, directed by Grigori Kozintsev, with Innokenty Smoktunovsky as Hamlet. With Sir Jonathan Bate Provost of Worcester College, University of Oxford Carol Rutter Professor of Shakespeare and Performance Studies at the University of Warwick And Sonia Massai Professor of Shakespeare Studies at King's College London Producer: Simon Tillotson.

Melvyn Bragg and guests discuss Shakespeare's best known, most quoted and longest play, written c1599 - 1602 and rewritten throughout his lifetime. It is the story of Hamlet, Prince of Denmark, encouraged by his father's ghost to take revenge on his uncle who murdered him, and is set at the court of Elsinore. In soliloquies, the Prince reveals his inner self to the audience while concealing his thoughts from all at the Danish court, who presume him insane. Shakespeare gives him lines such as 'to be or not to be,' 'alas, poor Yorick,' and 'frailty thy name is woman', which are known even to those who have never seen or read the play. And Hamlet has become the defining role for actors, men and women, who want to show their mastery of Shakespeare's work. The image above is from the 1964 film adaptation, directed by Grigori Kozintsev, with Innokenty Smoktunovsky as Hamlet. With Sir Jonathan Bate Provost of Worcester College, University of Oxford Carol Rutter Professor of Shakespeare and Performance Studies at the University of Warwick And Sonia Massai Professor of Shakespeare Studies at King's College London Producer: Simon Tillotson.