Podcasts about shostakovich

SHOSTAKOVICH: Sinfonía nº 1 en Fa menor, Op. 10 (30.44). Orq. Fil. de San Petersburgo. Dir.: Y. Temirkanov. Preludio y fuga nº 7 en La Mayor, Op. 87 (3.04). D. Shostakovich (p.).Escuchar audio

LiteraturPur #69: Wie verhält sich Kunst zur Macht? Darüber habe ich mit dem Schriftsteller Alain Claude Sulzer und dem Pianisten Oliver Schnyder im Salon LiteraturPur diskutiert. Anlass war das 50ste Todesjahr des russischen Komponisten Dimitri Schostakovitsch, das mit Konzerten und Festivals begangen wurde. Dimitri Schostakowitsch lebte ein Leben im Schatten der Macht, in Angst und Schrecken, in Anpassung und Widerstand. Er war gefangen zwischen künstlerischer Integrität und den Zwängen des stalinistischen Regimes. Was das mit ihm machte und wie es seine Musik beeinflusst hat, das beschreibt der britische Autor Julian Barnes im Roman „Der Lärm der Zeit“. Ein Roman über einen Musiker unter Stress. So beschreibt Julian Barnes, wie Schostakovitsch 1937 nächtelang mit gepacktem Koffer vor dem Lift auf seine Verhaftung wartete. Künstler unter Stress, ein Thema das auch heute immer noch oder wieder aktuell ist. Wie Alain Claude Sulzer und Oliver Schnyder diesen biografischen Roman über Schostakovitsch gelsen haben und wo sie Stress, Widerstand, Angst aber auch Ironie in seiner Musik hören, das war Thema im Salon LiteraturPur. Eine gekürzte Version des Salongesprächs kannst du in dieser Podcastfolge von LiteraturPur nachhören.Julian Barns, Der Lärm der Zeit, im Verlag Kiepenheuer&WitschOliver Schnyder hat diesen Herbst ein grossaritges Schostakowitsch Album veröffentlicht: Shostakovich, Piano Trios & Piano Quintet, Prospero / 2025

La etimología no ayuda, “klubba”, de origen nórdico, “garrote”. Un club, llámalo X, en el que Bowie danza con Marlene Dietrich y Shostakovich mezcla con Offenbach en la voz de Elvis, pero una tranceática rareza puede encender la chispa del futuro. Un club de estilo de las "cat-eye” de Marilyn, -nunca las “ushankas” de Bad Bunny- hasta un biblista de renombre para recordarte que el "pecado original” fue "querer saber “, mientras la conjura de los necios progresa. Un club, una cita con la maravilla , un pie en pared,, un estado mental. Suscribe y espera lo inesperado. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

La etimología no ayuda, “klubba”, de origen nórdico, “garrote”. Un club, llámalo X, en el que Bowie danza con Marlene Dietrich y Shostakovich mezcla con Offenbach en la voz de Elvis, pero una tranceática rareza puede encender la chispa del futuro. Un club de estilo de las "cat-eye” de Marilyn, -nunca las “ushankas” de Bad Bunny- hasta un biblista de renombre para recordarte que el "pecado original” fue "querer saber “, mientras la conjura de los necios progresa. Un club, una cita con la maravilla , un pie en pared,, un estado mental. Suscribe y espera lo inesperado. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

durée : 00:12:01 - Shostakovich, Symphonies Nos 1-15 - Gianandrea Noseda, London Symphony Orchestra - Après neuf ans de collaboration avec le chef Gianandrea Noseda, le London Symphonic Orchestra présente les quinze symphonies de Chostakovitch dans un même coffret. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:11:44 - LE DISQUE CLASSIQUE DU JOUR 26 DEC - Après neuf ans de collaboration avec le chef Gianandrea Noseda, le London Symphonic Orchestra présente les quinze symphonies de Chostakovitch dans un même coffret. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:11:44 - LE DISQUE CLASSIQUE DU JOUR 26 DEC - Après neuf ans de collaboration avec le chef Gianandrea Noseda, le London Symphonic Orchestra présente les quinze symphonies de Chostakovitch dans un même coffret. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:01 - Shostakovich, Symphonies Nos 1-15 - Gianandrea Noseda, London Symphony Orchestra - Après neuf ans de collaboration avec le chef Gianandrea Noseda, le London Symphonic Orchestra présente les quinze symphonies de Chostakovitch dans un même coffret. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:44 - Shostakovich, Prokofiev : Violin Concertos - Daniel Matej?a (violin), Prague Radio Symphony Orchestra, Tomáš Netopil - Après avoir remporté l'édition 2022 de l'Eurovision des jeunes musiciens, Daniel Matejca, l'un des violonistes les plus talentueux de ces dernières années, enregistre son premier album chez Supraphon, accompagné de l'Orchestre symphonique de la radio de Prague sous la direction de Tomas Netopil. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:44 - Shostakovich, Prokofiev : Violin Concertos - Daniel Matej?a (violin), Prague Radio Symphony Orchestra, Tomáš Netopil - Après avoir remporté l'édition 2022 de l'Eurovision des jeunes musiciens, Daniel Matejca, l'un des violonistes les plus talentueux de ces dernières années, enregistre son premier album chez Supraphon, accompagné de l'Orchestre symphonique de la radio de Prague sous la direction de Tomas Netopil. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Dmitri Shostakovich (1906 - 1975) - Quartetto per archi n. 7 in fa diesis minore, op. 1081.      Allegretto2.      Lento3.      Allegro Fitzwilliam QuartetChristopher Nowland, Violino IJonathan Sparey, Violino IIAlan George, ViolaIoan Davies, Violoncello 

No palco do Alla Scala de Milão, na abertura de temporada com a ópera de Shostakovich sobre a luta feminista contra a violência dos tranos. Uma crónica de Francisco Sena Santos.

Con Mario Mora | Ponemos la alfombra roja para recibir a una de las pianistas del momento: Yulianna Avdeeva. Su próxima visita a Madrid con los 24 Preludios y Fugas de Shostakovich nos abre las puertas a hablar con ella de esta música, pero también de Chopin, de su paso por el Concurso como concursante y como jurado, de los jóvenes pianistas y de mucho más. Además, noticias con los ganadores del premio Intercentros Melómano y algunas curiosidades.

En La Alboreá con Andrés Salado, la música se convierte en puente entre la sala de conciertos y la magia del cine. Sonarán partituras que, aunque nacieron en el universo clásico, fueron concebidas expresamente para acompañar historias en la gran pantalla.Grandes compositores, en momentos singulares de su trayectoria, aceptaron el desafío de escribir para el séptimo arte. Así, nombres como Honegger, Shostakovich o Saint-Saëns dejaron huellas sonoras que aún hoy vibran con fuerza, demostrando que la música clásica también sabe dialogar con la emoción cinematográfica.Escuchar audio

Mick Rossi has had a burgeoning career spanning decades, genres and artists. We attempt in an hour to cover some decent ground on that amazing career, including Mick’s work with Philip Glass, The Philip Glass Ensemble, Paul Simon, Carly Simon and Hall & Oates to name just a few. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Mick’s recent and (8th or 9th) tour with Paul Simon Mick in action in 2025 with Paul Simon – The Sacred Harp Mick in action with Paul Simon – Wristband Recent work with the Philip Glass and the Philip Glass Ensemble – Floe (Glassworks) Mick with the Philip Glass Ensemble in 2024 – The Grid The late and great Dennis Sandole Touring with Angela Bofill Being approached to play with Philip Glass Philip Glass – La Belle et la Bête Michael Riesman Mick’s keyboard rig with The Philip Glass Ensemble Philip Glass – Orion Philip Glass & Leonard Cohen – Book of Longing On playing Philip Glass’ Music in 12 Parts On conducting a Philip Glass Ensemble show with a couple of hours notice On recording with, and joining, Paul Simon’s band Mick in action with Paul Simon on Cool, Cool River Mick’s keyboard rig with Paul Simon New York’s The Knitting Factory Mick’s prolific solo output including 160 (and why it should have been titled something different) Mick Rossi’s Anti-Matter Live at Barbes Mick with Caleb Wheeler Curtis – Runt Desert Island Discs: Facing You – Keith Jarrett, Symphonies Nos 1-15 – Shostakovich, Self-Titled – Led Zeppelin, Music for Strings, Percussion & Celesta, Five Pieces for Orchestra – Webern Key links: Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our listener survey to help us improve the show, it only takes 90 seconds. Support us on Patreon and receive bonus content Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Mick Rossi, Paul Simon / Philip Glass / Solo Artist appeared first on The Keyboard Chronicles.

How can a small-town coffin maker's side hustle force him to face his prejudice? Anton Chekhov, today on The Classic Tales Podcast.   Welcome to this VINTAGE episode of The Classic Tales Podcast. Thank you for listening.     Have you wanted to try an audiobook and see if you'll like it? Are you apprehensive to spend $15 on an audiobook you might not like? With the audiobook library card, you can sample as many titles as you like until you find one that sticks. For only $9.99 a month, you get unlimited downloads and streaming of the entire Classic Tales Library. No limits, just heavily curated, well produced audio, in so many genres, you're sure to find something that hits that sweet spot. Go to audiobooklibrarycard.com or follow the link in the show notes.   Shostakovich suggested that today's story from Anton Chekhov be made into an opera. I'll let the story speak for itself.       Follow this link to get The Audiobook Library Card for $9.99/month       Follow this link to subscribe to our YouTube Channel:       Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:

SHOSTAKOVICH: Cuarteto de cuerda nº 15 en Mi bemol menor, Op. 144 (34.13). C. Rowland (vl.), J. Sparey (vl.), A. George (vla.), I. Davies (vc.). Cuarteto Fitzwilliam. Passacaglia (Ladi Macbeth de Mtsenk, Op. 29, Acto II) (8.10). Orq. Sinf. de Boston. Dir.: A. Nelsons.Escuchar audio

Classical trumpeter Mary Elizabeth Bowden joins Rick and Ron again for another episode of the Feeding the Starving Artist podcast. Mary Elizabeth is a highly in-demand soloist, praised for her “splendid, brilliant” playing (Gramophone Magazine) and her “pure, refined, and warm” tone (American Record Guide). A Gold Medal Global Music Award Winner, Opus Klassik Nominee, and Yamaha Performing Artist, Bowden works diligently to establish a new repertoire for the trumpet through creative, collaborative commissioning projects and award-winning albums.Highlights of Bowden's recent seasons include her debut with the Santa Fe Symphony, as well as prominent engagements with major international ensembles. During the 2022/2023 season, she performed as a soloist with the Busan Maru International Music Festival Orchestra in Korea and toured five cities in Argentina, performing Assad's Bohemian Queen with the Shenandoah Conservatory Orchestra. She served as faculty at the Norfolk Chamber Music Festival in summer 2022. Other recent performances include four world premiere concertos. Highlights include her debut with the Chamber Orchestra of Philadelphia, where she performs a program including Clarice Assad's Concerto for Trumpet and Orchestra and Shostakovich's Concerto in C minor for Piano, Trumpet, and String Orchestra with pianist Henry Kramer. In another key debut, Bowden appears as a soloist with the Austin Symphony Orchestra, performing Reena Esmail's Rosa de Sal and Assad's Bohemian Queen. With the DuPage Symphony, she premieres a new arrangement of Gala Flagello's Persist, newly arranged for two trumpets, and performs as soloist on Grace Williams' Trumpet Concerto. She debuts with Oregon's Rogue Valley Symphony in Henri Tomasi's Concerto for Trumpet and Orchestra before touring the Fung and Assad concertos to the Anchorage Symphony Orchestra, Seattle Metropolitan Chamber Orchestra, Akron Symphony Orchestra, Lexington Philharmonic, and Wichita Falls Symphony Orchestra.Bowden holds residencies and masterclasses at Oberlin College, Swarthmore College, the University of Michigan, Rogue Valley Symphony Orchestra, Central Michigan University, Michigan State University, Western Michigan University, Haverford College, Grand Valley State University and the Fine Arts Center of Greenville, SC. International engagements bring Bowden to the Isla Verde Bronces International Brass Festival in Argentina, Festival de Metales del Pacifico in Mexico, and Lieksa Brass Week in Finland. Bowden's Chrysalis Chamber Players embark on a U.S. tour of trumpet and string quartet repertoire, presented by Live On Stage, and with Seraph Brass, Bowden is recording an album of new compositions for brass quintet for Tower Grove Records.

SHOSTAKOVICH: Sinfonía nº 15 en La mayor, Op. 141 (41.23). Gran Orq. Sinf. de la RTV de Moscú. Dir.: M. Shostakovich. Danza (7 Danzas de las muñecas) (0.36). M. Jones (p.).Escuchar audio

SHOSTAKOVICH: Cuarteto de cuerda nº 14 en Fa sostenido mayor, Op. 142 (24.55). Cuarteto Beethoven. El Tornillo (suite), Op. 27 A (selec.) (Intermezzo, Danza de la esclava negra, El compromisario, Danza final y Apoteosis) (14.38). Orq. Sinf. de la Radio de Leipzig. Dir.: D. Kitajenko. Organillo (7 Danzas de las muñecas, nº 6) (0.46). M. Jones (p.).Escuchar audio

learn about a composer that just couldn't get it together in his private or professional life

SHOSTAKOVICH: Los jugadores (selec.) (Parte final: El juego) (18.03). V. Rybasenko (baj.), V. Tarkhov (ten.), V. Belikht (baj.), N. Kurpe (ten.), A. Sarkisov (baj.), Y. Radivonik (bar.), Orq. Fil. de Leningrado. Dir.: G. Rozhdestvensky. Katerina Ismailova, Op. 114 (selec.) (Final del tercer acto) (18.34). E. Andreyeva (sop.), V. Radzievski (ten.), E. Boaulavine (baj.-bar.), G. Yefimov (ten.), D. Potapovskaya (sop.), G. Dudarev (baj.). Coro y Orq. del Teatro Musical de Moscú Stanislavsky y Nemirovich Danchenko. Dir.: G. Provatorov.Escuchar audio

SHOSTAKOVICH: Sinfonía nº 14 en Sol menor, Op. 135 (Parte II: En la cárcel de La Sante, La respuesta de los cosacos zaporogos al sultán de Constantinopla, O Delvig, Delvig, La muerte del poeta, Pieza final) (21.14). M. Kasrashvili (sop.), A. Safiulin (baj.), orq. Sinf. Estatal del Ministerio de Cultura de la URSS. Dir. G. Rozhdestvensky. Suite de ballet nº 1 (selec.) (Ronmance, Polka, Vals badinage, Galop) (9.33). Orq. Sinf. de Rusia. Dir.: M. Gorenstein. Suite de ballet nº 2 (selec.) (Romance sentimental, Finale-Galop) (6.33). Orq. Fil. de Minsk. Dir.: W. Mnatsakanov. 3 Danzas fantásticas, Op. 5 (4.19). E. Varvarova (p.).Escuchar audio

SHOSTAKOVICH: Sinfonía nº 14 en Sol menor, Op. 135 (Parte I: De profundos, Malagueña, Loreley, El suicida, Alerta, Mirad, señora) (27.12). M. Kasrashvili (sop.), A. Safiulin (baj.), orq. Sinf. Estatal del Ministerio de Cultura de la URSS. Dir. G. Rozhdestvensky. Suite de ballet nº 2 (selec.) (Vals, Adagio, Polka, Primavera vals) (13.24). Orq. Fil. de Minsk. Dir.: W. Mnatsakanov.Escuchar audio

SHOSTAKOVICH: Cuarteto de cuerda nº 12 en Re bemol Mayor, Op. 133 (27.01). Cuarteto Borodin. El Tornillo (suite), Op. 27 A (selec.) (Obertura, Danza del burócrata, Danza del cochero, Tango) (14.32). Orq. Sinf. de la Radio de Leipzig. Dir.: D. Kitajenko.Escuchar audio

Classical trumpeter Mary Elizabeth Bowden joins Rick and Ron in another episode of the Feeding the Starving Artist podcat. Mary Elizabeth is a highly in-demand soloist, praised for her “splendid, brilliant” playing (Gramophone Magazine) and her “pure, refined, and warm” tone (American Record Guide). A Gold Medal Global Music Award Winner, Opus Klassik Nominee, and Yamaha Performing Artist, Bowden works diligently to establish a new repertoire for the trumpet through creative, collaborative commissioning projects and award-winning albums.Highlights of Bowden's recent seasons include her debut with the Santa Fe Symphony, as well as prominent engagements with major international ensembles. During the 2022/2023 season, she performed as a soloist with the Busan Maru International Music Festival Orchestra in Korea and toured five cities in Argentina, performing Assad's Bohemian Queen with the Shenandoah Conservatory Orchestra. She served as faculty at the Norfolk Chamber Music Festival in summer 2022. Other recent performances include four world premiere concertos. Highlights include her debut with the Chamber Orchestra of Philadelphia, where she performs a program including Clarice Assad's Concerto for Trumpet and Orchestra and Shostakovich's Concerto in C minor for Piano, Trumpet, and String Orchestra with pianist Henry Kramer. In another key debut, Bowden appears as a soloist with the Austin Symphony Orchestra, performing Reena Esmail's Rosa de Sal and Assad's Bohemian Queen. With the DuPage Symphony, she premieres a new arrangement of Gala Flagello's Persist, newly arranged for two trumpets, and performs as soloist on Grace Williams' Trumpet Concerto. She debuts with Oregon's Rogue Valley Symphony in Henri Tomasi's Concerto for Trumpet and Orchestra before touring the Fung and Assad concertos to the Anchorage Symphony Orchestra, Seattle Metropolitan Chamber Orchestra, Akron Symphony Orchestra, Lexington Philharmonic, and Wichita Falls Symphony Orchestra.Bowden holds residencies and masterclasses at Oberlin College, Swarthmore College, the University of Michigan, Rogue Valley Symphony Orchestra, Central Michigan University, Michigan State University, Western Michigan University, Haverford College, Grand Valley State University and the Fine Arts Center of Greenville, SC. International engagements bring Bowden to the Isla Verde Bronces International Brass Festival in Argentina, Festival de Metales del Pacifico in Mexico, and Lieksa Brass Week in Finland. Bowden's Chrysalis Chamber Players embark on a U.S. tour of trumpet and string quartet repertoire, presented by Live On Stage, and with Seraph Brass, Bowden is recording an album of new compositions for brass quintet for Tower Grove Records.

SHOSTAKOVICH: Sinfonía nº 13 en Si bemol menor, Op. 113 (Tercer, cuarto y quinto movimientos: En la tienda, Temores, Carreras) (32.19). A. Eisen (baj.), Coro de la República de Rusia, Orq. Fil. de Moscú. Dir.: K. Kondrashin. Suite de balklet nº 1 (selec.) (Vals lírico, Danza) (4.32). Orq. Sinf. de Rusia. Dir.: M. Gorenstein.Escuchar audio

Longtime listeners of Sticky Notes know that Shostakovich's 10 symphony was the inaugural piece covered on the show. It's been 8 years(!) since that show, so I've totally re-written the episode and had the privilege of presenting this new version live with the Aalborg Symphony Orchestra last week in Aalborg. Shostakovich, like so many composers before him, was obsessed with musical codes and messages, with songs that expressed two or more meanings, with ideas that were at once black and white and profoundly complex. This also describes Shostakovich himself, a man who was incredibly guarded with his public persona, and even his private persona as well. It is impossible to know anything for sure with Shostakovich, and to me therein lies the greatest strength of his music. The 10th symphony has been described as a portrayal of the Stalin years, as a portrayal of obsessive love, as a requiem, as sarcastic, as humorous, as agonizing, as triumphant, as, as, as….and the truth is that like all of the greatest works of Western Classical music, it is all of those things and so much more. It is a work of profound intensity, grabbing you from the start and not letting go for nearly 50 minutes, which makes sense considering that the piece was written in the shadow of another momentous event, the death of Joseph Stalin. There are very few experiences like hearing Shostakovich's 10th symphony live, and it is the kind of piece that, by the end of it, leaves you a slightly different person than you were when it started. Today on the show, we're going to be talking about a wide range of topics, from orchestral color to Joseph Stalin, from symphonic form to obsessive love, and much more. Join us!

SHOSTAKOVICH: Sinfonía nº 13 en Si bemol menor, Op. 113 (Primer y segundo movimientos: Babi-Yar, Humor) (21.58). A. Eisen (baj.), Coro de la República de Rusia, Orq. Fil. de Moscú. Dir.: K. Kondrashin. Cuarteto de cuerda nº 13 en Si bemol menor, Op. 138 (22.33). G. Kremer (vl.), T. Zehetmair (vl.), N. Imai (vla.), B. Pergamenschikov (vc.).Escuchar audio

The Right Honourable Sir Keir Starmer is the seventh Labour Prime Minister of the United Kingdom.Prior to his political career, he was a barrister and served as Director of Public Prosecutions. He was elected as a Member of Parliament in 2015 and became Labour leader in 2020.A former Guildhall School of Music scholar, Sir Keir Starmer is a flautist but also played piano, recorder, and violin in his youth.He shares his love of music including works by Beethoven, Mozart, Shostakovich and Brahms.Presenter: Michael Berkeley Producer: Clare Walker

SHOSTAKOVICH: La Nariz, Op. 15 A (Suite de la ópera homónima) (22.25). J. Jindrak (bar.), L. Loebl (ten.), B. Avksentiev (balalaika), Orq. Fil. Checa. Dir.: G. Rozhdestvensky. Cuarteto de cuerda nº 11 en Fa menor, Op. 122 (16.03). Cuarteto Fitzwilliam. Vals nº 3: Tempo di valse (4 Valses para flauta, clarinete y piano) (2.34). P. Davies (fl.), M. Collins (cl.), I. Brown (p.).Escuchar audio

2026 TOK Essay Title 3: Is the power of knowledge determined by the way in which the knowledge is conveyed? Discuss with reference to mathematics and one other area of knowledge. Can knowledge stand on its own, or does its impact entirely depend on the packaging? That is the provocative challenge of the 2026 TOK Essay Title 3: "Is the power of knowledge determined by the way in which the knowledge is conveyed?" This question is particularly complex when applied to Mathematics, where facts are absolute yet their transformative power often lies hidden behind specialized notation and formal proofs. To navigate this question, I've brought back one of our sharpest and most valued podcast guests to help us dissect how the delivery system shapes the destiny of knowledge. Guest: Mr. Kevin Hoye (TOK & IB English Literature Teacher) Music: Our school orchestra performance of Shostakovich, May 2025

SHOSTAKOVICH: La ejecución de Stepan Razin, Op. 119 (25.32). Shenyang (baj.-bar.), Coro Académico del Estado de Letonia, Orq. Fil. de Helsinki. Dir.: V. Ashkenazy. 2 Piezas para octeto de cuerda, Op. 11 (Prelude: Adagio, Scherzo: Allegro molto) (10.38). L. Hagen (vl.), T. Zehetmair (vl.), A. Bik (vl.), D. Philips (vl.), V. Hagen (vla.), H. Beyerle (vla.), C. Hagen (vc.), M. Stocker (vc.). Vals scherzo nº 2: Allegretto scherzando (4 Valses para flauta, clarinete y piano) (2.53). P. Davies (fl.), I. Brown (p.).Escuchar audio

SHOSTAKOVICH: Cuarteto de cuerda nº 10 en La bemol Mayor, Op. 118 (24.48). Cuarteto Pacifica. Lady Macbeth de Mtsenk (selec.) (9.23). G. Vishnevskaya (sop.), Orq. Sinf. de Londres. Dir.: I. Markevitch. 4 Valses para flauta, clarinete y piano (nº 1 y 4) (4.02). P. Davies (fl.), M. Collins (cl.), I. Brown (p.).Escuchar audio

SHOSTAKOVICH: Sinfonía nº 12 en Re menor, Op. 112 “El año 1917” (41.13). Orq. Sinf. Estatal del Ministerio de Cultura de la Unión Soviética. Dir.: G. Rozhdestvensky. Jenny (6 Romanzas, Op. 62, nº 4) (1.32). F. Kuznetsov (baj.), Y. Serov (p.).Escuchar audio

SHOSTAKOVICH: Sinfonía nº 11 en Sol menor, Op. 103: Año 1905 (Tercer y cuarto movimientos: In Memoriam, Tocsin) (26.28). Orq. Fil. de Leningrado. Dir.: E. Mravinsky. Aria de Marfa “Silij Potainija” (Khovanschina, Acto II) (5.47). E. ZAremba (mez.), Orq. Sinf. de Berlín. Dir.: L. Shambadal. 7 Danzas de las muñecas (selec.) (Vals lírico, Gavotte, Romance, Poljka, Pequeña bailarina) (7.34). M. Jones (p.).Escuchar audio

SHOSTAKOVICH: Sinfonía nº 11 en Sol menor, Op. 103: Año 1905 (Primer y segundo movimientos: La plaza del Palacio, Enero) (34.11). Orq. Fil. de Leningrado. Dir.: E. Mravinsky. 6 Romanzas, Op. 62 (selec.) (Sir Walter Relaigh to his sonne, Oh wert thou in the claud blast, Soneto nº 46) (8.22). F. Kuznetsov (baj.), Y. Serov (p.).Escuchar audio

SHOSTAKOVICH: Zoya, Op. 64 A (Suite extraída de la música original de la película homónima) (28.30). Orq. Fil. de Helsinki. Dir.: V. Ashkenazy. El gran rayo (Ópera incompleta) (selec.) (15.47). Y. Friov (ten.), V. Gukov (ten.), V. Rumyantsev (ten.), N. Myasoedov (bar.), N. Konovalov (baj.), A. Obraztsov (baj.). Coro de Cámara y Orq. Sinf. Estatal del Ministerio de Cultura de la Unión Soviética. Dir. G. Rozhdestvensky.Escuchar audio

SHOSTAKOVICH: Cuarteto de cuerda nº 9 en Mi bemol Mayor, Op. 117 (25.46). Cuarteto Jerusalem. Canciones españolas, Op. 100 (selec.) (Adió, Granda, Ronda, Morena salada, Sueño) (9.23). O. Borodina (sop.), S. Skigin (p.). Pirigov, Op. 76 A (Suite de la música de la película homónima) (Scherzo) (2.35). Orq. Sinf. de la RTVE Belga. Dir.: J. Serebrier.Escuchar audio

In this engaging episode of Guy Shrink, host Bill Rothman sits down with Zak Vassar, CEO of the Toledo Symphony Orchestra, to explore why men should embrace the symphony as a powerful antidote to the chaos of modern life. Vassar shares his passion for classical music, emphasizing its ability to cut through the noise of "doomscrolling" and digital distractions, offering a visceral and authentic experience that fosters emotional depth and presence. From the transformative power of live performances to their role in enhancing leadership skills, this episode highlights how symphonic music can inspire men to feel deeply, think differently, and reconnect with what truly matters. Vassar recommends three must-hear works—Beethoven's Ninth Symphony, Shostakovich's Fifth Symphony, and Tchaikovsky's Sixth Symphony—for their profound narratives of resilience, defiance, and vulnerability. These pieces, he argues, resonate with the male psyche, addressing struggles like anxiety, professional pressures, and personal identity. By attending a symphony, men can escape the urgency of daily life, tap into a primal connection, and walk away sharper and more grounded. Tune in to discover how the symphony can be a game-changer for mental clarity and emotional strength.   Connect with the Guy Shrink Podcast across all platforms here: https://linktr.ee/guyshrink 

SHOSTAKOVICH: Sinfonía nº 10 en Mi menor, Op. 93 (tercer y cuarto movimientos: Allegretto, Andante-Allegro) (27.02). Orq. del Teatro Mariinski. Dir.: V. Gergiev. Andante-Allegro (Sinfonía nº 10 en Mi menor, Op. 93) (arr. para p. a cuatro manos) (11.43). D. Shostakovich (p.), M. Vainberg (p.). Canciones españolas, Op. 100 (selec.) (Estrellita, Primer encuentro) (5.34). O. Borodina (sop.), S. Skigin (p.).Escuchar audio

SHOSTAKOVICH: Sinfonía nº 10 en Mi menor, Op. 93 (Primer y segundo movimientos: Moderato, Allegro) (27.02). Orq. del Teatro Mariinski. Dir.: V. Gergiev. Allegro (Sinfonía nº 10 en Mi menor, Op. 93) (arr. para p. a cuatro manos) (3.46). D. Shostakovich (p.), M. Vainberg (p.). Pirigov, Op. 76 A (Suite de la música de la película homónima) (Introduction, Scene) (7.40). Orq. Sinf. de la RTVE Belga. Dir.: J. Serebrier.Escuchar audio

SHOSTAKOVICH: Sinfonía nº 9 en Mi bemol Mayor, Op. 70 (24.13). Orq. Fil. de Moscú. Dir.: K. Kondrashin. Cuarteto de cuerda nº 8 en Do menor (21.32). Cuarteto Borodin.Escuchar audio

This episode, we are thrilled to be joined by the artist William Kentridge. Born in 1955 in Johannesburg, South Africa - a city where he also now lives and works - William grew up under the pall of Apartheid. This experience deeply informs his practice, which frequently questions the historical record and examines the inequities and absurdities of our world.Working across multiple media, he combines drawing, writing, film, performance, and other collaborative practices to create works of art that are grounded in history, yet maintain a space for contradiction and uncertainty.In one of his now-signature techniques, William photographs his charcoal drawings and paper collages over time, recording scenes as they evolve. Working without a script or storyboard, he plots out each animated film, preserving every addition and erasure. This is visible, for instance, in the series Self Portrait as a Coffee Pot, which William launched on the online streaming service MUBI last year. In this nine-part series, he opens the doors to his Johannesburg studio to lay bare his creative process, reflecting on culture, history, and political memory as he does so.William's genre defying talents have also led him to create operas and theatrical productions since the 1990s. Of his many productions, we've been lucky to see a few, including his 2010 production for the Metropolitan Opera of Shostakovich's The Nose, as well as his 2023 production in Paris of "Waiting for the Sibyl."William's work has been exhibited in museums around the world, including the MoMA in New York, the Albertina in Vienna, the Louvre in Paris, and the Royal Academy of Arts in London, among many others. He is also, of course, in the collections of major museums across the globe. Most recently, here in New York, William presented a solo exhibition at Hauser and Wirth titled, “A Natural History of the Studio.”William is represented by Hauser and Wirth and Goodman Galleryhttps://www.hauserwirth.com/artists/william-kentridge/https://goodman-gallery.com/artists/william-kentridgeFollow us on Instagram for episode updates and exclusive behind the scenes content https://www.instagram.com/artfromtheoutsidepodcastSome artists discussed in this episodeHenri MatisseAlberto GiacomettiJackson PollockJacques Lecoq

With three weeks remaining of this year's BBC Proms, Jeffrey Boakye and Anna Phoebe present a Proms-themed edition. Studio guests are the celebrated trumpeter Alison Balsom, who'll be performing in this year's Last Night of the Proms, and bassoonist, Radio 3 and Proms presenter Linton Stephens. Expect music from the Proms and beyond as we head from a live, scaled-back Springsteen anthem to the Outer Hebrides, via Mendelssohn, Shostakovich and Andrew Lloyd Webber. Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Born in the USA (live) by Bruce Springsteen 2nd movement of the Symphony No 10 in E Minor by Dmitri Shostakovich Superstar from Jesus Christ Superstar by Andrew Lloyd Webber & Tim Rice Andante: 2nd movement of the Violin Concerto in E minor by Felix Mendelssohn Hùg air a' Bhonaid Mhòir (Celebrate the Big Bonnet) by Julie Fowlis Other music in this episode:A Night on the Bare Mountain by Modest Mussorgsky Trumpet Concerto in E flat major by Johann Nepomuk Hummel The Lovecats by The Cure Born in the USA by Bruce Springsteen I Don't Know How to Love Him by Andrew Lloyd Webber & Tim Rice, sung by Yvonne Elliman Touch the Sky (from the film Brave) by Julie FowlisYou can listen to every Prom and unmissable moments from across the season on BBC Sounds. Just search ‘Proms'.

Donald Macleod explores Dmitri Shostakovich's life during the years of World War II, a period indelibly linked to his most famous work – the ‘Leningrad' symphony - which became an international symbol of resistance against the Nazis when it was performed by an orchestra suffering from the effects of starvation during the siege of the city.Music Featured:Funeral march in Memory of Victims of the Revolution Piano Concerto No 2 in F Major, Op 102 (2nd mvt, Andante) Lady Macbeth of Mtsensk District (Act IV, Vstaváy! Po mestám! Zívo!) Symphony No 5 in D minor, Op 47 (4th mvt, Allegro non troppo) Piano Quintet in G minor, Op 57 (1st mvt, Prelude – Lento) Symphony no 7, Op.60 “Leningrad” (2nd mvt, Moderato) King Lear (excerpt) The tale of the priest and his servant Balda, Op 36 (Finale) Symphony No 1 in F minor, Op 10 (2nd mvt, Allegro) Rothschild's violin (excerpt) Piano Sonata No 1, Op 12 Symphony No 7 in C Major, Op 60 “Leningrad” (1st mvt, Allegretto) Counterplan, Op 33 (Song of the Counterplan) The Golden Age Suite, Op 22a (2nd mvt, Adagio) Preludes, Op 34 (Nos 9-13) Romances on English poets, Op 62 Sonata No 2 in D minor, Op 61 (3rd mvt, Moderato) Moscow-Chryomushki, Op 105 (1st mvt, A Spin through Moscow) Zoya Suite, Op 64a (1st mvt, Song about Zoya) Cello Concerto No 1 in E flat major, Op 107 (2nd mvt, Moderato) Symphony No 8, Op 65 (4th mvt, Largo) Piano Trio No 2 in E minor, Op 67 (4th mvt, Allegretto) Four Pushkin Romances (No 1, Rebirth) String Quartet No 2 in A major, Op 68 (3rd mvt, Valse Allegro) Symphony No 9 in E-flat major, Op 70 (5th mvt, Allegretto) Violin Concerto No 1 in A minor, Op 99 (1st mvt, Nocturne) From Jewish Poetry (No 8, Winter) Symphony No 13 (1st mvt, Babi Yar. Adagio)Presented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Dmitry Shostakovich (1906-1975) https://www.bbc.co.uk/programmes/m002gdl6And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Nos acompaña Esther García productora ejecutiva y durante décadas directora de producción de El deseo, la productora de los hermanos Almodóvar que este año cumple cuatro décadas. Además, conocemos distintas propuestas culturales: La Compañía de Circo EIA presenta su espectáculo de circo contemporáneo La piedra de madera justo en la muralla griega de Empúries; el Festival de Teatro Clásico de Mérida estrena Memorias de Adriano bajo la dirección de Beatriz Jaén y también recodaremos a la figura de Hércules Poirot, el detective más famoso de Agatha Christie. En nuestro rincón de música clásica Inko Martín recorre la trayectoria del compositor británico Max Richter y con Martín Llade repasamos vida y obra de Shostakovich cuando se cumplen cincuenta años de su fallecimiento. Escuchar audio

The first year of the siege of Leningrad that began in September 1941 marked the opening stage of a 900-day-long struggle for survival that left over a million dead. The capture of the city came tantalizingly close late that year, but Hitler paused to avoid costly urban fighting. Determined to starve Leningrad into submission, what followed was a winter of unimaginable suffering for ordinary citizens and defenders alike. First-hand accounts from Soviet and German soldiers, many never previously published, together with those of the civilians trapped in the city detail the relentless specter of death which defined life in and around Leningrad. Today’s guest is Prit Buttar, author of “To Besiege a City: Leningrad 1941-42.” Personal vignettes give a glimpse into the reality of life in a city under siege. The teenage volunteer climbers, weak from hunger, scaling the slender spire of the Peter and Paul Fortress to shroud it in camouflage as the German bombers circle overhead like vultures. Or the soldier trombonist completing a long day on the front line to perform Shostakovich’s epic Seventh Symphony alongside a starving and sickly orchestra – an act of defiance broadcast to defenders and attackers alike.See omnystudio.com/listener for privacy information.

Russian composer Dmitri Shostakovich was one of the greatest musicians of the 20th century. But in 1936, Joseph Stalin attended a performance of Shostakovich's opera, Lady Macbeth of Mtsensk. The Soviet leader was unimpressed and left early. Days later, the state newspaper Pravda published a scathing review titled 'Muddle instead of music', castigating the music as bourgeois. Shostakovich was blacklisted from public life, and feared for his safety during Stalin's ongoing purges. The traditional style of his comeback Symphony No 5 in 1937 was a hit with the authorities, and Shostakovich's reputation was restored. But his true intentions are hugely debated – some experts argue the Fifth Symphony was a cleverly veiled act of dissent. Fifty years on from the composer's death, his son Maxim Shostakovich unfolds the mystery with Ben Henderson.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Dmitri Shostakovich and his son Maxim Shostakovich. Credit: Express/Getty Images)

Attention Bach buffs, Shostakovich stans and Debussy devotees! Head over to Grant Park and you can catch free classical concerts all summer long. But this isn't just an exciting opportunity to revel in the music, it's a chance for up-and-coming orchestral musicians and singers to be a part of the action through the Festival String and Vocal Fellowship. Reset sits down with two fellowship participants: violinist Maria Gabriela Mendez Martinez and violist Joshua Thaver. We also hear from fellowship manager Amelia Sie. For a full archive of Reset interviews, head over to wbez.org/reset.