Podcasts about shostakovich

SHOSTAKOVICH: Suite para orquesta de jazz nº 2 (24.20). Orq. Real del Concertgebouw de Amsterdam. Dir.: R. Chailly. Cuarteto de cuerda nº 7 en Fa sostenido menor, Op. 108 (14.02). Cuarteto Meta4. John Andersson (2.32). Billy Boy (1.32) (8 Canciones tradicionales inglesas y americanas) (selec.). E. Ivanova (sop.), Orq. Sinf. Estatal del Ministerio de Cultura de la Unión Soviética. Dir.: G. Rozhdestvensky. Escuchar audio

SHOSTAKOVICH: Cuarteto de cuerda nº 6 en Sol Mayor, Op. 101 (26.46). A Ana Akhmatova (6 Poemas de Marina Tsvetayeva, Op. 143 A, nº 6) (6.08). O. Wenkel (con.), Orq. Real del Concertgebouw de Amsterdam. Dir.: B. Haitink. 3 Danzas fantásticas (nº 1, 2) (selec.) (2.18). V. Ashkenazy (p.).Escuchar audio

SHOSTAKOVICH: Concierto para violoncello y orquesta nº 2 en Sol Mayor, Op. 126 (33.07). M. Rostropovich (vc.), Orq. Sinf. Estatal de la Unión Soviética. Dir.: E. Svetlanov. Mis poemas (3.23). Diálogo de Hamlet con su conciencia (3.23) (6 Poemas de Marina Tsvetayeva, Op. 143 A) (selec.). O. Wenkel (con.), Orq. Real del Concertgebouw de Amsterdam. Dir.: B. Haitink.Escuchar audio

SHOSTAKOVICH: Cinco días – Cinco noches, Op. 111 (Suite de la música para la película homónima) (30.39). Orq. Sinf. de la Radio de Berlín. Dir.: J. Judd. 6 Romances sobre textos de poetas japoneses (selec.) (Love, Before th suicide, Immodest glance, Fort he first and the last time) (8.34). A. Maslennikov (ten.), Orq. Sinf. Estatal del Ministerio de Cultura. Dir.: G. Rozhdestvensky.Escuchar audio

Attention Bach buffs, Shostakovich stans and Debussy devotees! Head over to Grant Park and you can catch free classical concerts all summer long. But this isn't just an exciting opportunity to revel in the music, it's a chance for up-and-coming orchestral musicians and singers to be a part of the action through the Festival String and Vocal Fellowship. Reset sits down with two fellowship participants: violinist Maria Gabriela Mendez Martinez and violist Joshua Thaver. We also hear from fellowship manager Amelia Sie. For a full archive of Reset interviews, head over to wbez.org/reset.

SHOSTAKOVICH: Concierto para violoncello nº 1 en Mi bemol mayor, Op. 107 (25.59). M. Rostropovich (vc.), Orq. Fil. de Moscú. Dir.: G. Rozhdestvensky. 4 Valses para flauta, clarinete y piano (9.43). The Nash Ensemble. Aforismos, Op. 13 (selec.) (Recitativo, Serenata, Elegía, marcha fúnebre, Estudio) (5.14). E. Varvarova (p.).Escuchar audio

SHOSTAKOVICH: Cuarteto de cuerda nº 5 en Si bemol mayor, Op. 92 (30.26). V. Martínez-Mehner (vl.), A. Tomás Realp (vl.), J. Brown (vla.), A. Tomás Realp (vc.). Cuarteto Casals. 7 Canciones, Op. 127 (selec.) (La tormenta, Signos secretos, La Música) (selec.) (12.28). E. Semenchuk (mez.), Trio Wanderer.Escuchar audio

SHOSTAKOVICH: 24 Preludios para piano, Op. 34 (29.15). O. Mustonen (p.). Berceuse (3.16). Ante una larga separación (2.43) (11 Poemas hebraicos) (selec.). Advertencia (1.06). El padre renegado (2.02). Invierno (3.08) (De la poesía popular hebrea, Op. 79) (selec.). N. Dorlian (sop.), Z. Dolukhanova (mez.), A. Maslennikov (ten.), D. Shostakovich (p.).Escuchar audio

Ricky Ian Gordon has written a cycle of songs about flowers. In this episode, we hear one of them. Rachmaninoff wrote a song called “Lilacs.” We hear that, too. Bach opens his Goldberg Variations with an aria (and closes the work with that same aria). Tchaikovsky's wrote a couple of blockbuster arias in The Queen of Spades. And on we go. Gordon, “We should not mind so small a flower” Rachmaninoff, “Lilacs” Bach, Goldberg Variations Tchaikovsky, Lisa's Aria from Act III of “The Queen of Spades” Tchaikovsky, Prince Yeletsky's Aria, Act II, “The Queen of Spades” Tchaikovsky, “It was in early spring” Shostakovich, Prelude in D-flat major Bach-Kempff, Siciliano

SHOSTAKOVICH: Sinfonía nº 8 en Do menor, Op. 65 (Tercer, cuarto y quinto movimientos: Allegro non troppo, Largo y Allegretto) (30.34). Orq. Royal Philarmonic. Dir.: V. Petrenko. Preludio y fuga nº 16 en Si bemol menor, Op. 87 (11.12). D. Shostakovich (p.).Escuchar audio

Eduard Tubin foi um compositor , maestro e coreógrafo estoniano . Tubin escreveu sua Quinta Canção alguns anos depois de deixar a Estônia e se estabelecer na Suécia. Ela carrega a marca de Shostakovich na implacabilidade que permeia e trepida ao longo do primeiro movimento e até mesmo no tênue solo de violino.Apresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.

SHOSTAKOVICH: Sinfonía nº 8 en Do menor, Op. 65 (Primer y segundo movimientos: Adagio-Allegro non troppo, Allegretto) (31.21). Orq. Royal Philarmonic. Dir.: V. Petrenko. 5 Sátiras, Op. 109 (selec.) (Los descendientes, La Sonata a Kreutzer) (arr. para baj. y orq.) (7.04). S. Leiferkus (baj.), Orq. Fil. de Rusia. Dir.: T. Sanderling.Escuchar audio

Programa especial desde la Feria del Libro de Madrid. Nos acompaña Elena Martínez Bavière, Directora editorial de Cátedra y Alianza.SHOSTAKOVICH: El poeta y el zar (6 Poemas de Marina Tsvetayeva, Op. 143 A) (arr. para voz y cuarteto de cuerda) (1.41). Z. Kushpler (mez.), Cuarteto Petersen. Leyenda (2.28). Berceuse (2.43) (Aforismos, selec.). E. Varvarova (p.). Obertura sobre temas populares rusos y kirguises (9.56). Orq. Real del Concertgebouw de Amsterdam. Dir.: B. Haitink. Danza nº 1 (Suite para orquesta de jazz, nº 2) (2.52). Orq. Fil. de Novosibirsk. Dir.: A. Katz.Escuchar audio

SHOSTAKOVICH: Sonata para piano nº 2, Op. 61 (25.22). E, Gilels (p.). Suite sobre temas finlandeses (11.12). Orq. Fil. de Helsinki. Dir.: V. Ashkenazy. Preludio y fuga nº 6 en Si menor, Op. 87 (5.01). D. Shostakovich (p.).Escuchar audio

SHOSTAKOVICH: Sinfonía nº 7 en Do Mayor, Op. 60 “Leningrado” (Segundo y tercer movimientos: Adagio, Allegretto non troppo) (39.25). Orq. Sinf. de Boston. Dir.: A. Nelsons.Escuchar audio

This week's Gramophone podcast is a special focus on one of the most significant of 20th century composers, Dimitri Shostakovich, the 50th anniversary of whose death we mark this year. As our guide to his music we're privileged to have conductor Andris Nelsons, who, together with the Boston Symphony Orchestra, has just reached the end of a journey through all his symphonies, plus the concertos for cello, piano and violin, all recently released by Deutsch Grammophon. Across half an hour of fascinating insight, he tells Editor Martin Cullingford about how he responds to Shostakovich's music and life, and about what makes the composer's music so distinct, and so remarkable.

The FOOSA Festival/Fresno Summer Orchestra Academy - Scriabin Poem of Ecstasy, Shostakovich 11

SHOSTAKOVICH: Sinfonía nº 7 en Do Mayor, Op. 60 “Leningrado” (Primer y segundo movimientos: Allegretto y Moderato – Poco Allegretto) (38.57). Orq. Sinf. de Boston. Dir.: A. Nelsons. Nº 4 La ciudad duerme (3.01) (7 Canciones, Op. 127). C. Montier (vl.), C. Gaugue (vla.), C. Coq (p.).Escuchar audio

SHOSTAKOVICH: Cuarteto de cuerda nº 4 en Re Mayor, Op. 83 (25.12). V. Martínez-Mehner (vl.), A. Tomás Realp (vl.), J. Brown (vla.), A. Tomás Realp (vc.). Cuarteto Casals. Obertura festiva, Op. 96 (6.12). Orq. Sinf. de Boston. Dir.: A. Nelsons. Nº 5 Sonnet (3.02). Nº 6 The king´s campaign (0.47) (6 Romances sobre textos de poetas británicos, Op. 62 A) (arr. para voz y orq.). A. Saifulin (baj.), Orq. Sinf. Estatal del Ministerio de Cultura de la Unión Soviética. Dir.: G. Rozhdestvensky.Escuchar audio

SHOSTAKOVICH: Concierto para violín y orquesta nº 2 en Do sostenido menor, Op. 129 (29.26). D. Oistrakh (vl.), Orq. Fil. de Moscú. Dir.: K. Kondrashin. Preludio y fuga nº 20 en Do menor, Op. 87 (10.12). D. Shostakovich (p.).Escuchar audio

Pieces by Haydn, Beethoven, Mendelssohn, Brahms, Debussy, Dohnányi, Shostakovich & Casarrubios performed by groups from Merit School of Music and the Music Institute of Chicago Academy. The post Chamber music for strings: Spizella Quartet, Luscinia Trio, Vermilion String Quartet appeared first on WFMT.

SHOSTAKOVICH: Sonata para violín y piano, Op. 134 (31.21). D. Oistrakh (vl.), S. Richter (p.). 5 Canciones sobre poemas de Dolmatovsky, Op. 98 (12.21). F. Kuznetsov (baj.), Y. Serov (p.).Escuchar audio

SHOSTAKOVICH: Sonata para piano nº 1 en Re Mayor, Op. 12 (12.31). Y. Avdeeva (p.). Michurin, Op. 78 A (23.59). Coro y Gran Orq. Sinf. de la RTV de la Unión Soviética. Dir.: M. Shostakovich. El padre abandonado (2.10). Invierno (3.05) (11 Poemas Hebraicos para soprano, contrlato, tenor y piano). N. Dorliak (sop.), Z. Doloukhanova (con.), A. Maslennikov (ten.), D. Shostakovich (p.).Escuchar audio

SHOSTAKOVICH: Sinfonía nº 6 en Si menor, Op. 54 (28.32). Orq. Fil. de San Petersburgo. Dir.: Y. Temirkanov. 24 Preludios y fugas, Op. 87 (nº 5 en Re Mayor, nº 3 en Sol Mayor) (5.56). D. Shostakovich (p.).Escuchar audio

SHOSTAKOVICH: Cuarteto de cuerda nº 3 en Fa Mayor, Op. 73 (31.08). L. Hagen (vl.), R. Schmidt (vl.), V. Hagen (vla.), C. Hagen (vc.). Cuarteto Hagen. To a song (3.55). In the fields (3.30) (6 Romances sobre textos de poetas británicos, Op. 62 A) (arr. para voz y orq.). A. Saifulin (baj.), Orq. Sinf. Estatal del Ministerio de Cultura de la Unión Soviética. Dir.: G. Rozhdestvensky.Escuchar audio

SHOSTAKOVICH: Trío para violín, violoncello y piano nº 2 en Mi menor, Op. 67 (26.22). O. Kagan (vl.), N. Gutman (vc.), S. Richter (p.). 2 Fábulas, Op. 4 (7.25). G. Borisova (mez.), Orq. Sinf. Estatal de la Unión Soviética. Coro de Cámara del Conservatorio Piotr Ilych Tchaikovsky de Moscú. Orq. Fil. de Moscú. Dir.: G. Rohzdestvensky. Nocturno (Aforismo nº 3, Op. 13) (2.03). E. Varvarova (p.).Escuchar audio

SHOSTAKOVICH: Sinfonía nº 5 en Re menor, Op. 47 (43.18). Orq. Sinf. Nac. de Washington. Dir.: M. Rostropovich.Escuchar audio

Working amidst political and personal setbacks, Mieczysław Weinberg (1919-96) flourished as a composer, admired by Shostakovich and championed by the leading Soviet musicians of the day. His death in Moscow in 1996, however, went largely unnoticed. More happily, his extensive catalogue has recently secured an increasing number of performances and recordings, witness this Naxos release of his complete music for cello and orchestra, works written largely during the earlier part of his maturity. Raymond Bisha introduces the Cello Concertino, the Cello Concerto, and the Fantasia for Cello and Orchestra.

Cellist Sheku Kanneh-Mason was born in Nottingham in 1999 into a big musical family. He and his six siblings all grew up learning classical instruments, and appeared on Britain's Got Talent in 2015. Sheku first made his mark as a solo performer the following year when he won the BBC Young Musician Of The Year competition. In 2018 a global audience of over a billion watched him perform live at the wedding of the Duke and Duchess of Sussex. Since then he has received two classical Brit awards, An MBE for services to music, and performed at the Proms every year since 2017. His book The Power Of Music charts his creative journey, whilst his new album - his fifth release - includes recording of works by Shostakovich and Britten. Sheku talks to John Wilson about the early influence of his paternal grandfather, a classical music lover who encouraged an appreciation of chamber music, including Schubert's Trout Quintet. Sheku also discusses his cellist heroes Jacqueline du Pré and Mstislav Rostropovich and explains how the music of reggae superstar Bob Marley has been an inspiration throughout his life.Producer: Edwina Pitman

SHOSTAKOVICH: Cuarteto de cuerda nº 2 en La Mayor, Op. 68 (33.10). S. Schmidt (vl.), N. Schmidt (vl.), R. Glassl (vla.), B. Schmidt (vc.). Cuarteto Mandelring. 6 Piezas para niños, Op. 69 (4.48). H. Sánchez Anzola (p.). Canto de la joven (De la poesía popular hebrea, Op. 79) (2.26). N. Dorlian (sop.), D. Shostakovich (p.).Escuchar audio

SHOSTAKOVICH: Concierto para violín y orquesta nº 1 en la menor, Op. 77 (34.33). D. Oistrakh (vl.), Orq. Fil. de la Radio Checa. Dir.: Y. Mravinsky. El amor del capitán Lebiadkin (4 Poemas del Capitán Lebiadkin, Op. 146) (4.11). F. Kuznetsov (baj.), Y. Serov (p.).Escuchar audio

SHOSTAKOVICH: El canto de los bosques, Op. 81 (36.30). M. Kotliarov (ten.), N. Storojev (baj.), The New London Children's Choir, Coro del Festival de Brighton, Orq. Royal Philarmonic de Londres. Dir.: V. Ashkenazy. Tras una larga separación (De la poesía popular hebrea, Op. 79) (2.41). N. Dorlian (sop.), Z. Dolukhanova (mez.), A. Maslenikov (ten.), D. Shostakovich (p.).Escuchar audio

SHOSTAKOVICH: Quinteto para piano y cuerda en Sol menor, Op. 57 (29.45). D, Tsyganiv (vl.), V. Chirinski (vl.), V. Borissovski (vla.), S. Chirinski (vc.). Cuarteto Beethoven. D. Shostakovich (p.). Sátiras, Op. 109 “Cuadros del pasado) (selec.) (El despertar de la primavera, Malentendido) (arr. para baj., y orq.) (7.23). S. Leiferkus (baj.), Orq. Fil. de Rusia. Dir.: T. Sanderling.Escuchar audio

SHOSTAKOVICH: Sinfonía nº 4 en Do menor, Op. 43 (Segundo y tercer movimientos: Moderato con moto, Largo – Allegro) (35.29). Orq. Sinf. de la BBC. Dir.: G. Rohzdestvensky. Lamento por un niño difunto (2.41). Canción de cuna (3.15). (De la poesía popular hebrea, Op. 79). N. Dorlian (sop.), Z. Dolukhanova (mez.), A. Maslennikov (ten.), D. Shostakovich (p.).Escuchar audio

SHOSTAKOVICH: Preludio y fuga nº 23 en Fa Mayor, Op. 87 (6.05). D. Shostakovich (p.). Sinfonía nº 4 en Do menor, Op. 43 (Primer movimiento Allegretto poco moderato – Presto) (26.29). Orq. Sinf. de la BBC. Dir.: G. Rohzdestvensky. La ciudad duerme (7 Canciones, Op. 127) (2.57). E. Semenchuk (mez.), C. Montier (vl.), C. Gaugue (vla.), Trio Wanderer.Escuchar audio

SHOSTAKOVICH: Cuarteto de cuerda nº 1 en Do Mayor, Op. 49 (14.14). R. Aharonian (vl.), S. Lomovsky (vl.), I. Naidin (vla.), V. Blashin (vc.). Cuarteto Borodin. Hamlet, Op. 32 A (21.26). Orq. Sinf. de Gotemburgo. Dir.: N. Järvi. La canción de la joven (11 Poemas hebraicos) (2.28). N. Dorliak (sop.), Z. Doloukhanova (con.), A. Maslennikov (ten.), D. Shostakovich (p.).Escuchar audio

SHOSTAKOVICH: La Edad de Oro, Op. 22 A (Suite) (15.47). Orq. Sinf. de Gotemburgo. Dir.: N. Järvi. La Nariz, Op. 15 A (Suite). J. Jindrak (bar.), L. Loebl (bar.), B. Avksentiev (balalaika), Orq. Fil. Checa. Dir.: G. Rozhdestvensky.Escuchar audio

SHOSTAKOVICH: Concierto para piano y orquesta de cuerda, nº 1 en Do menor, Op. 35 (22.13). Y. Bronfman (p.), T. Stevens (tp.), Orq. Fil. de Los Ángeles. Dir.: E. Pekka Salonen. Preludio y Fuga nº 2 en La menor, Op. 87 (1.58). Preludio y Fuga nº 12 en Sol sostenido menor, Op. 87 (7.39). Preludio y Fuga nº 13 en Fa sostenido Mayor, Op. 87 (7.47). D. Shostakovich (p.).Escuchar audio

Thu, 17 Apr 2025 23:00:00 +0000 https://seesee.podigee.io/s3e18-andrei-ionita 8b306c6e95ffcb5e607b501afe394bac In this episode, we have an in-depth conversation with Andrei Ioniță, the prodigious Romanian cellist and winner of the 2015 International Tchaikovsky Competition. We explore the emotional profundities and rich spectrum of colors that the cello can evoke, and how it reflects the subtleties of human emotion. Andrei shares his thoughts on playing Bach, discussing the personal connection he has with his instrument and his journey as a musician. He also reflects on the nuances of gut strings, the importance of good posture for a cellist, the physical sensation of the cello resting against his body, and how this intimate embrace influences emotional expression and depth of sound, particularly in the intense, low register passages. In this episode dedicated to music, Andrei also discusses his Romanian heritage and how the voice of Romania speaks through his bow, offering a personal insight into his cultural identity. In this episode, he takes us inside his experience during the 15th Tchaikovsky Competition and talks about his most difficult decisions as a musician. Most powerfully, Andrei opens up about how he conveys his whole soul through his music, sharing the courage it takes to be vulnerable and break through at the highest emotional peaks, only to let go and invite the listener into a shared human experience through his playing. This episode is a real treat for the ears and the heart! Andrei Ioniță's carrier it's a journey of emotional reflection and artistic courage – You'll understand what it is meant to “play from the gut”. Website: https://www.andreiionitacellist.com https://www.haefligerproduction.com/andrei-ionita https://www.symphonikerhamburg.de/laeiszhalle-orchester-symphoniker-hamburg/andrei-ionita-135 Instagram: ionita_andrei94 Facebook: Andrei Ioniță - Cellist This episode's Playlist and Playlist's credits: · Papandopulo, Boris. Rhapsodia Concertante: I. Introduzione Tempo Libero. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Tchaikovsky, Pyotr Ilyich. Variations on a Rococo Theme, Op. 33 (var. VII e Coda : Allegro vivo). Performed by Cellist Andrei Ioniță and the Münchener Philharmoniker conducted by Valery Gergiev recorded at the Philharmonie im Gasteig (Munich, Germany), on May 12, 2017 20:00 © A Coproduction by Munich Philharmonic Orchestra & Telmondis // In Association with medici.tv & Takt1 https://www.youtube.com/watch?v=-6dyn2LRxVo · Brett, Dean. 11 Oblique Strategies No. 1. Listen to the Quiet Voice. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brett, Dean. 11 Oblique Strategies No. 5. What are the Sections Sections of? Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 G Major, BWV 1007: I. Prelude. Performed byAndrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 in G Major BWV 1007: III. Courante. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Concertino in modo antico, OP.56 II Aria. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo:Works for Piano & Strings, CPO-555106-2, 2021.CD · Dmitri, Shostakovich. Sonata for Cello and Piano in D Minor, Op.40. The XV International Tchaikovsky Competition. Performed by Andrei Ioniţă: Cellist and Seong-Jin Cho: Pianist. Concert recorded at the Salle des Combins (Verbier, Switzerland), on July 25, 2018. © Idéale Audience with the participation of medici.tv https://www.youtube.com/watch?v=iHPd1dN89bM · Dmitri, Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 4. Allegro con moto. Performed by Andrei Ionuț Ioniță with the Mariinsky Theatre Symphony Orchestra conducted by Valery Gergiev. The XV International Tchaikovsky Competition's Winners' Concert. Recorded at the Great Hall of the Moscow Conservatory, on July 2, 2015. © MUSEEC/medici.tv https://www.youtube.com/watch?v=zzaCNTlJciI · Dmitri Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 with the Draft. Performed by Andrei Ionuț Ioniță Orchestra of the Shostakovich State Academic Saint Petersburg Philharmonic conducted by Nikolai Alexeev. Cello: Final Round - Candidate #2 - First Prize - Recorded at the Grand Hall of the Saint Petersburg Philharmonia, on June 28, 2015, 7:45 p.m. https://www.youtube.com/watch?v=QfkQt0gSiJI · Henryson, Svante. Black Run. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Enescu, George: Piano Quartet No. 1 in D Major, Op. 16: II Andante mesto. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Fauré, Gabriel: Piano Quartet No. 1 in C Minor, Op. 15: III Adagio. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD https://www.youtube.com/watch?v=ktTHMbFcyp4 · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Rhapsodia Concertante: III. Danza. Allegro. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD Albums: Available in all Platforms https://open.spotify.com/intl-de/album/3Cqhwf6m3Gl8i0HfDTzln1 https://www.naxos.com/CatalogueDetail/?id=C5463 https://open.spotify.com/intl-de/artist/4ITCrIEQbzQVUO8CPHhdLP 3 18 full no Cellist,World famous orchestras,world famous conductors,Tchaikovsky Competition,Bach,Shostakovich,Enescu,Fauré,Gut strings,Posture Dr. Cecilia Ponce Rivera

Few other works in the canon occupy a place like this symphony by Dmitri Shostakovich. John Banther and Evan Keely dive into history as they show you what to listen for, Shostakovich's perilous circumstances, and what clues he could have left for all of us in the music.Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

SHOSTAKOVICH: Sinfonía nº 3 en Mi bemol Mayor, Op. 20 “Primero de Mayo” (26.20). Coro de la República de Rusia, Orq. Fil. de Moscú. Dir.: K. Kondrashin. Preludio y Fuga nº 1 en Do Mayor, Op. 87 (4.45). Preludio y Fuga nº 4 en Mi menor, Op. 87 (8.22). D. Shostakovich (p.).Escuchar audio

SHOSTAKOVICH: Sinfonía nº 2 en Si Mayor, "Octubre, Dedicatoria Sinfónica" (20.59). Orq. Fil. de Londres. Dir.: B. Haitink. Suite de jazz nº 1 (8.13). Orq. de Filadelfia. Dir.: M. Jansons. 7 Canciones, Op. 127 (selec.) (nº 1 La canción de Ofelia, nº 2 Hamayun, el pájaro profeta, nº 3 Estábamos juntos) (9.32). E. Semenchuk (mez.), Trio Wanderer.Escuchar audio

SHOSTAKOVICH: Trío para violín, violoncello y piano (12.27). J.-M. Phillips Varjabedian (vl.), R. Pidoux (vc.), V. Coq (p.). Trío Wanderer. La caída de Berlín, Op. 82 A (23.52). Coro de Cámara, Orq. Sinf. de la RTV Belga. Dir.: J. Serebrier. Lamento a la muerte de un niño (Poema hebraico para soprano, contralto, tenor y piano nº 1) (2.45). N. Dorliak (sop.), Z. Doloukhanova (con.), A. Maslennikov (ten.), D. Shostakovich (p.).Escuchar audio

Boston Mayor Michelle Wu joins for Ask The Mayor.Then NBC Sports Boston anchor/reporter Trenni Casey discusses an NCAA $2.8 billion settlement, the Red Sox Mookie Betts trade getting Trump's attention and the Women's Final Four. CNN's John King zooms in for the latest national political headlines.Plus, Andris Nelsons & Chad Smith of the Boston Symphony Orchestra join ahead of a Friday Yo-Yo Ma performance of the works of Shostakovich.

Edward Seckerson's personal choice of Shostakovich's 10th Symphony.

We reconnect with Seattle Symphony's Assistant Principal Cellist and From the Top alum Nathan Chan who joins Peter and our teen cellist for a Shostakovich polka. We also meet an accomplished young violinist who demonstrates some difficult bowing and a teen guitarist from Portland plays a rare duo with Peter.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

It's hard to overstate the depth of the connection between Dmitri Shostakovich and the legendary cellist Mstistlav Rostropovich. Shostakovich and Rostropovich were extremely close friends, and Shostakovich wrote and dedicated several works to him, including the piece we're going to talk about today, the first Cello Concerto. Rostropovich had been desperate to get Shostakovich to write a concerto for him, but Shostakovich's wife had one simple piece of advice: if you want Shostakovich to write something for you, don't talk to him about it or even mention it. So Rostropovich waited and waited, until July of 1959, when he was asked by Shostakovich to come to Leningrad to try out a new Cello Concerto. Shostakovich played through the piece for Rostropovich, turned to him, and asked him if he liked it. Rostropovich apparently told Shostakovich that he “had been shaken to the core.” Shostakovich, in his famously modest way, then shakily asked Rostropovich if he could dedicate the concerto to him. Rostropovich immediately agreed, and then rushed off to learn the concerto as quickly as possible. He learned the entire concerto in 3 days, then returned to Shostakovich and played it for him by heart. The concerto is practically stamped with Rostropovich's name, which is why I'll be using a recording of a live performance of Rostropovich during the show today, though I must say I also recommend a pretty great modern recording by a certain cellist who is also my sister, Alisa Weilerstein. This concerto has always been one of my favorites; it is compact, powerful, punchy, beautiful, intense, concentrated, and tremendously exciting. For me, it is one of Shostakovich's most Beethovenian works, in its lean power and its obsession with a single motive. Today on this fundraiser sponsored show, we'll talk through this fantastic concerto, and explore just what makes its momentum so inevitable and so thrilling from start to finish. Join us!

An appetizing, eclectic program. Charity is represented by a sturdy American song: “If I Can Help Somebody.” Malice is represented by a movement from Walton's Symphony No. 1, marked “Presto con malizia.” Much to listen to and absorb. Shostakovich, “A Spin through Moscow” from “Moscow, Cheryomushko” Fauré, “Clair de lune” Beethoven, “Abscheulicher!,” from “Fidelio” Walton, Symphony No. 1, Scherzo: Presto con malizia Ruby (?), “I'm Against It” Hoiby, “Winter Song” Hoiby, “There came a wind like a bugle” Androzzo, “If I Can Help Somebody” Gubaidulina, “Glorious Percussion”

Voici un épisode bonus spécial de Sticky Notes en français, en avant-première de mes concerts avec l'Orchestre National de Lille, présentant la 13e symphonie de Shostakovich. Si vous souhaitez écouter la version anglaise de cet épisode, elle est disponible dans les archives. Je m'excuse pour toute mauvaise prononciation en cours de route, et j'espère que vous l'apprécierez ! This is a special bonus episode of Sticky Notes in French ahead of my concerts with the Orchestre National de Lille, featuring Shostakovich's 13th symphony. If you would like to listen to the English version of this episode, it is available in the archives. Apologies for any mis-prononciations along the way, and I hope that you enjoy it! 

We meet a 16-year-old composer from Chicago who is mentored by composer Jessie Montgomery and is also passionate about architecture. We hear a soprano perform a love song by Debussy. Finally, we meet a teen cellist who performs Shostakovich's dynamic Cello Sonata in D Minor.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy