Podcasts about Moog

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Latest podcast episodes about Moog

The Data Center Frontier Show
Why MOOG is focused on Liquid Cooling and Motion Control for Data Centers

The Data Center Frontier Show

Play Episode Listen Later Jun 19, 2025 15:11


During the 14-minute interview, Walsh discusses MOOG's legacy in designing and manufacturing high-performance motion control products and how the company's experience with mission critical solutions translates into the data center space. He outlines how intelligent cooling controls and maintenance services contribute to overall data center sustainability and explains what sets MOOG's purpose-built data center products apart from the competition. Walsh also discusses recent advancements in motion control and cooling systems for data centers, including a new ultrasonic sensor that measures cavitation in liquid cooling fluids. During the interview, Walsh shares his thoughts on the rise of liquid cooling across the data center industry and the role MOOG plans to play in this transformation.

ILUSTRA_PRO / El podcast de Ilustrando Dudas
137_Cómo se cocina tu voz artística [con Cristina Daura]

ILUSTRA_PRO / El podcast de Ilustrando Dudas

Play Episode Listen Later Jun 15, 2025 91:19


INFORMACIÓN SOBRE CAMPAMENTO BASE ONLINE ¡Empezamos el 17 de Junio! ➡️ https://ilustrandodudas.com/club-campamento-base-ilustrapro-vivir-de-la-ilustracion/CONSIGUE AQUÍ TU GUÍA "EMPIEZA AQUÍ" PARA APRENDER CÓMO CONVERTIRTE EN ILUSTRAPRO ➡️ https://ilustrandodudas.activehosted.com/f/36CONSIGUE TU PACK DE MEDITACIONES ALINEAR TU MENTE, LÁPIZ Y CORAZÓN PARA DISFRUTAR DE VERDAD DE DEDICARTE A LA ILUSTRACIÓN ➡️ https://ilustrandodudas.activehosted.com/f/10Drawfolio, nuestro sponsor, la mejor plataforma para crear tu primer portfolio web de ilustración sin dolores de cabeza, esponsoriza este programa. Entra en www.drawfolio.com y usa este código de 20% de descuento SSLDUDAS para el primer año de tu suscripción anual, incluido el extra de seguridad SSL.TODOS NUESTROS RECURSOS Y NOVEDADES en www.linktr.ee/iobruApúntate a nuestra newsletter para estar al tanto de todo en https://bit.ly/3a8SSKuY a nuestro canal de Telegram en https://t.me/ilustrandodudasnewsMás información sobre la profesión de la ilustración y sobre el podcast, aliados, colaboradores, recursos y herramientas en www.ilustrandodudas.com/En la entrevista de hoy en la que entrevistamos a Cristina Daura, formada en La Massana y en el Maryland Institute College of Art de Baltimore, ha desarrollado una trayectoria marcada por una voz artística única y muy coherente. Repasamos cómo ha hecho de esa voz su identidad profesional y uno de sus principales recursos para conseguir encargos. Cristina explica que se siente especialmente cómoda trabajando para proyectos musicales y prensa, siempre prefiriendo encargos que le permitan mantener su universo visual. Su voz mezcla lo surrealista con una estética infantil y una dosis intencionada de perversión y oscuridad, integrando una paleta de colores limitada y composiciones narrativas originales, lo que ha sido clave para consolidarse como una ilustradora demandada en medios, marcas (Nike, Moog) y festivales como Razzmatazz o Gutter Festdestacar, en revistas de prestigio como The New York Times, The New Yorker, Die Zeit, Süddeutsche Magazine y El País, así como en editoriales como Penguin, Blackie Books y Anagrama. ¡Espero que disfrutes mucho del programa!Y recuerda, si te ha servido, has aprendido y te has reído, danos amorcico escribiéndonos en los comentarios, compartiendo tus reflexiones y siguiéndonos en todas las redes y plataformas del mundo mundial.CRÉDITOS Entradilla: Joan Llorca www.instagram.com/artnegre Colaborador: Cristina Daura https://www.instagram.com/cdaura/ Canciones de fondo: Bendsound Canción final: Paz Salem - Assirbey

LADYDIVA LIVE RADIO
Best Jazz Artist Dee Brown is Mister Smooth

LADYDIVA LIVE RADIO

Play Episode Listen Later Jun 4, 2025 55:59


Guitarist Dee Brown created a jazzy album of R&B instrumentals on which he adopted the persona of a fictious character called “Mister Smooth,” who is confident, focused, and anchored in equanimity. Writing eight new songs, most of them with his GRAMMY® nominated producer and longtime collaborator Valdez Brantley (Usher, Mary J. Blige, Keith Sweat, Lil Wayne), Brown's sixth album will be released by Innervision Records on March 28. The melody-rich title track will be issued as a single the same day.   Stepping into the “Mister Smooth” character like a method actor while writing and recording the album wasn't much of a stretch for Brown, who is a devout man of faith. The confidence and maturity that he exudes on the recording and is on full display via his guitar work and the compositions he crafted for the set are bolden and empowering. It's a determined mindset purposed with overcoming challenges and adversity while remaining in control - even when the world feels chaotic.          “Mister Smooth embodies a person who is consistently on top of things and maintains control in any situation. Even when faced with uncertainty, he excels at ‘faking it until he makes it,' elevating the experience for everyone involved. I created an album that captures the essence of what it means to be a Mister Smooth. This concept isn't just a reflection of who I am or aspire to be; it represents a powerful attribute that enhances any situation. The name itself resonates with many, making it relatable and appealing. This is perfectly aligned with the type of music we produce and the kind of person with whom we all aspire to be,” said Brown who released multiple singles from the project while he was working on the collection over the last couple of years.   After opening the album with “Mister Smooth,” the Detroit- born and based artist offers a taste of his hometown on “Wes 8Mile,” which he wrote with multi-time Billboard No. 1 chart-topper Blake Aaron who produced the song that was issued as a single. Mike Parlett's saxophone perfectly complements Brown's cool toned electric jazz guitar riffs that invoke jazz guitar legend Wes Montgomery.   “Eight Mile is one of the main streets running through Detroit, and I grew up on the west side of Detroit. The name ‘Wes 8Mile' comes from my guitar hero Wes Montgomery's unique style of playing, which often involved using octaves. An octave is a note that is eight diatonic notes away from the first note, and he would play these two notes together. My goal was to create an up-tempo groove that incorporated both octaves and single note playing, along with a half-step modulation. I also wanted to incorporate an ensemble, which is why I invited saxophonist Mike Parlett to play on the track with Carnell Harrell (keyboards), Mel Brown (bass), and Tony Moore (drums),” explains Brown.   Another collaboration with Aaron resulted in “The Thing Is…” which adds horn player and arranger David Mann, keyboardist Tateng Katindig, and Aaron's rhythm guitar to the ensemble. It was the second single from the album and hit all the major charts.    “Many times, when a conversation is going and someone wants to make a valid point, they will say, 'The thing is...' That is what this song is all about, making a musical valid point that will grab your attention and immediately be noticed," stated Brown.   Brown and Brantley interpret Sister Sledge's rousing anthem “We Are Family,” which includes an imaginative jazz breakdown midway through the disco dancefloor filler.    “My wife suggested that we remake ‘We Are Family' and I immediately thought of Nile Rodgers, the incredible guitarist from the legendary group Chic. I've always admired his rhythm guitar work,” Brown admitted.   Brown sees his Mister Smooth character as someone who would be charming, which inspired the song titled “Charming.”   “This track was developed after I decided we needed to record a slower song. I wanted to incorporate 808 electric drums, Moog synth/bass, and a variety of synthesized sounds reminiscent of the 1990s with a strong emphasis on guitar,” said Brown.   “Finesse” was the first track recorded for the album, yet the song had to go through a process of evolution. Brown explains, “I noticed a problem with the song's chorus. I decided to try an alternative melody, and it seems to work perfectly. So, when you hear the track, if you listen to the lead melody on the big body guitar, that's the new melody and if you listen in the background, there's another melody that is played with my Stratocaster-style guitar that is more like a picking style playing the original melody. They work together perfectly.”   The album's first single was “You Already Know,” which was released as a deep cut during the recording process to keep Brown on radio playlists. His gregarious guitar is slick and proficient as it deftly maneuvers to the fore of a midtempo electric groove.    The vibrant “Charismatic” gets a boost from Merlon Devine's soprano sax. Brown explains, “Initially, Valdez (Brantley) played the flute sound on the track on his keyboard, but I felt we needed a live flute player. Unfortunately, all the flautists we knew were unavailable. I suggested using a soprano saxophone instead and called my good friend, Merlon Devine. We decided to keep the keyboard flute sound after all, but it's Merlon's beautiful soprano sax that really stands out on this track.”   We experience a completely different side of Brown on “4th Dimension,” on which he indulges his rock god guitar alter ego.    “I was kind of a rock ‘n' roller influenced by great bands from the '80s and '90s. I've always loved legendary guitarists like Jeff Beck, Carlos Santana, Jimi Hendrix, and Jimmy Page, and I wanted to create a rocky, funky groove. We started exploring a direction that I don't usually take.   Become a supporter of this podcast: https://www.spreaker.com/podcast/ladydiva-live-radio--2579466/support.

REVOLUTIONS PER MOVIE
'MOOG' w/ JoE Silva

REVOLUTIONS PER MOVIE

Play Episode Listen Later May 29, 2025 63:10


This week, I'm joined by JoE Silva, the author of The Minimoog Book and host of Athens 411, who chose the film Moog to discuss.We talk about how JoE first met Robert Moog and then went on a 14 year journey to write The Minimoog Book, Rush's Geddy Lee writing the preface to the book, the incredible stories surrounding Sun Ra as one of the first musicians to get a Minimoog, the strange era where digital synths overtook analog synths, how shy and gentle Robert Moog was, Moog's onstage work with Yes, the synth company's humble beginnings, the music industry's fear of synths replacing 'real' musicians, Kraftwerk, why live music was the most important factor for Moog making his instruments, JoE's time with Eno, the amazing early documentary footage of the Moog factory, Bernie Worrell & Rick Wakeman's outdated conversation in the film, DJ Spooky, Taco Bell's 'Island Of Electronicus, Stereolab, our top 3 synth parts of all time and more. So let's set the oscillators to the max on this week's episode of Revolutions Per Movie!JoE SILVA: https://www.athens441.org/aboutTHE BOOK: https://bjooks.com/products/the-minimoog-bookTHE FILM: https://www.youtube.com/watch?v=yRsSSjqZ1ykREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Rock School
Rock School - 06/08/25 (Blues Genres)

Rock School

Play Episode Listen Later May 29, 2025 48:18


"Last week we spoke of Dockery Farms which the birthplace of The Blues. As all music does it was expanded and taken to different places by the musicians who played it. Here is a run down and description of the most popular forms of The Blues."

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Rock School
Rock School - 06/15/25 (No Nukes)

Rock School

Play Episode Listen Later May 29, 2025 41:56


"Back in March of 1979 the movie The China Syndrome came out. Weeks later the Three Mile Island nuclear disaster occurred. This lead to musicians setting up MUSE and holding the NO Nukes concerts, albums and film. We have the entire story including the first time Bruce Springsteen was recorded live."

covid-19 christmas music women death live tiktok halloween black donald trump english ai school social rock coronavirus media japan politics dreams young sound song video russia corona ukraine elon musk stars holidays tour guns killers night fake oscars dead lockdown grammy political court stage restaurants nfts ufos ending quit series fight beatles streaming television kansas city concerts monsters believing saturday night live joe rogan passing elvis killed presidential logo taught trigger fund fights conservatives naturally apollo died tap playlist rockstars grave roses burns rolling stones dates marijuana finger phillips simpsons psychedelics stadiums memoir poison lawsuit serial jeopardy nirvana bots backup liberal managers bruce springsteen fat tariffs wildfires copyright muse bugs tours lsd bus inauguration richards logos petty prom boo eq 2022 johnny cash unplugged mythology rock n roll motown wrapped bug parody deezer commercials halifax ska 2024 jingle rocketman singers strat alley spears chorus yacht robbers lovin autoimmune slander ramones trademark biscuit mccartney papas ringo flute moves edmund revived graceland defamation robert johnson cranberries trademarks lynyrd skynyrd dire straits spinal leap year torpedos live aid groupies booed spoonful wasserman conservatorship sesame stone temple pilots autotune biz markie moog razzies binaural roadie cbgb jovan midnight special 1980 three mile island dlr john lee hooker zal libel busking posthumous bessie smith loggins busker payola dockery contentid pilcher journeymen pricilla 3000 jock jams hipgnosis bizkit rutles zager no nukes journe alone again rock school blind willie mctell vanilli maxs metalica sherley mitchie soundscan at40 alago kslu mugwumps
Authors & Dragons
Dicey Bastards S2E7: The Cuddle Puddle Muddle

Authors & Dragons

Play Episode Listen Later May 28, 2025 60:52


It's time to interogate, or potentially impregnate, some witnesses, and Jorcerer is the sweaty sex blob for the job. Meanwhile, Cabert and Moog face off in an ultimately pointless excersise. Who will win??Dicey Bastards is the actual play podcast with more charisma than a dire worm who used to be your girlfriend but got cursed by a wizard after she wouldn't shut up about that stupid worm question people pretend they ask their boyfriends on the internet. Not much charisma is what I mean, buddy, you were better off without her.Check out our merch! https://www.teepublic.com/?ar_ad=teepublic&ar_adgroup=58700006420472509&ar_campaign=71700000074037014&ar_channel=google&ar_clx=yes&ar_strategy=search&gad_campaignid=1880244643&gad_source=1&gbraid=0AAAAADqCRGZgfX-dxU2RLIKwluivA-mek&gclid=Cj0KCQjwxdXBBhDEARIsAAUkP6iIsw8Ve3fiGA7hNb_NoJuptp9b-CvULc9_nO8pzvPII3ITlhFGTt4aAhKQEALw_wcB&gclsrc=aw.ds&ref_id=13059Become a supporter of this podcast: https://www.spreaker.com/podcast/authors-dragons-comedy-dnd-podcast--5624719/support.

30 Albums For 30 Years (1964-1994)
The Doors-Strange Days

30 Albums For 30 Years (1964-1994)

Play Episode Listen Later May 28, 2025 10:22


(S4 Ep25) The Doors - Strange Days Released September 25, 1967, Recorded between May-August 1967 (Elektra) Strange Days, The Doors' ambitious sophomore album, blends dark, poetic themes with groundbreaking production. Opening with the eerie Moog-driven title track—one of rock's earliest uses of the synthesizer—the album dives into surrealism, alienation, and existential dread. Highlights include hits like “People Are Strange” and “Love Me Two Times,” the experimental “Horse Latitudes,” and the 11-minute epic “When the Music's Over.” Jim Morrison's lyrics, often lifted from his notebooks, showcase a maturing vocal performance. At the same time, Ray Manzarek's keyboards, Robby Krieger's inventive guitar, and John Densmore's jazz-inflected drumming create a rich sonic palette. Despite a mixed initial reception, Strange Days is now regarded as a milestone in psychedelic rock, influencing subsequent genres such as gothic and post-punk. The album's avant-garde cover, atmospheric production by Bruce Botnick, and dense, evocative songwriting confirm The Doors as one of America's most innovative 1960s bands, far more than just Morrison's myth.Signature Songs: "Love Me Two Times,"  "People Are Strange,"   "When The Music's Over"Full Album:  YouTube   Spotify Playlist” YouTube Spotify

Bureau of Lost Culture
The Sonic Explorer of the Psychedelic Frontier

Bureau of Lost Culture

Play Episode Listen Later May 25, 2025 60:00


Doug McKechnie is an unsung pioneer of electronic music, a visionary who traversed the fringes of sound and consciousness at a time when technology, art, and radical thought were colliding to reshape culture.    Emerging from the explosive counterculture scene of San Francisco in the late 1960s, Doug was one of the first musicians to experiment extensively, and the very first to play live, with the Moog synthesiser, using it not merely as an instrument but as a portal into new dimensions of experience.    "I wasn't interested in playing melodies. I wanted to find out what electricity sounded like when it told the truth.” He didn't just make music—he made experiences. He played marathon sets in warehouses, at acid-fueled happenings, art galleries, planetariums, and with The Grateful Dead.  His performances were long-form, trance-like explorations of voltage, feedback, and consciousness—music as transformation.  “Those shows weren't performances. They were portals” His music lay largely hidden for decades until re-released by VG+Records Doug's Music: The Complete San Francisco Moog: 1968-72 San Francisco Moog: 1968-72 Vol. 2 With Thanks to Lee Gardner at VG+ #DougMcKechnie #BureauOfLostCulture #lighshows #sanfrancisco #thegratefuldead #frankoppenheimer #goldengatebridge #ElectronicMusicHistory #ModularSynths #MoogMusic #Psychedelic60s #VintageSynthesizers #UndergroundSounds #modularFrequencies #alanwatts

The Holmes Archive of Electronic Music
Chapter 33, Digital Synthesizers and Samplers

The Holmes Archive of Electronic Music

Play Episode Listen Later May 23, 2025 170:39


Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

The Kevin Karius Show
The Kevin Karius Show - May 23rd, 2025 - Andy Moog

The Kevin Karius Show

Play Episode Listen Later May 23, 2025 16:26


Former NHLer Andy Moog joined the program to discuss the Stanley Cup Playoffs. Hosted on Acast. See acast.com/privacy for more information.

Rock School
Rock School - 06/01/25 (Dockery Farms)

Rock School

Play Episode Listen Later May 22, 2025 49:59


"Dockery Farms is said to be the place where the Delta Blues began. That is a bold statement but once you hear the research I have gathered it will be hard to argue. Robert Johnson did not sell his soul for great musical talent. He went to Dockery Farms which is still open today and welcoming visitors."

covid-19 christmas music women death live tiktok halloween black donald trump english ai school social rock coronavirus media japan politics dreams young sound song video russia corona ukraine elon musk stars holidays tour guns killers night fake oscars dead lockdown grammy political court stage restaurants nfts ufos ending quit series fight beatles streaming television kansas city concerts monsters believing saturday night live joe rogan passing elvis killed presidential logo taught trigger fund fights conservatives naturally apollo died tap playlist rockstars grave roses burns rolling stones dates marijuana finger phillips simpsons psychedelics stadiums memoir poison lawsuit serial jeopardy nirvana bots backup liberal managers fat tariffs wildfires copyright bugs tours lsd bus inauguration richards logos farms petty prom boo eq 2022 johnny cash unplugged mythology rock n roll motown wrapped bug parody deezer commercials halifax ska 2024 jingle rocketman singers strat alley spears chorus yacht robbers lovin autoimmune slander ramones trademark biscuit mccartney papas ringo flute moves edmund revived graceland defamation robert johnson cranberries trademarks lynyrd skynyrd dire straits spinal leap year torpedos live aid groupies booed spoonful wasserman conservatorship sesame stone temple pilots autotune biz markie moog razzies binaural roadie cbgb jovan midnight special 1980 dlr john lee hooker zal libel busking posthumous bessie smith delta blues loggins busker payola dockery contentid pilcher pricilla journeymen 3000 jock jams hipgnosis bizkit rutles zager journe alone again rock school blind willie mctell vanilli maxs metalica sherley mitchie soundscan at40 alago kslu mugwumps
La matinale d’AF : l’actu des instruments de musique et du matériel audio

Dans cette 186e matinale, on parle de la version compacte du synthé 3rd Wave, de Strymon qui transforme sa pédale ambient en plugin, du Launch Control XL MK3 de Novation et d'un nouveau synthé Moog à moins de 1000€.

Rock School
Rock School - 05/25/25 (Gene Simmons Roadie)

Rock School

Play Episode Listen Later May 15, 2025 42:51


"If you have an extra 12495 dollars lying around then you can be a roadie for Gene Simmons on his solo tour. We will discuss what you must do and if the money is worth it. We will also talk about the average monies paid to real roadies."

covid-19 christmas music women death live tiktok halloween black donald trump english ai school social rock coronavirus media japan politics dreams young sound song video russia corona ukraine elon musk stars holidays tour guns killers night fake oscars dead lockdown grammy political court stage restaurants nfts ufos ending quit series fight beatles streaming television kansas city concerts monsters believing saturday night live joe rogan passing elvis killed presidential logo taught trigger fund fights conservatives naturally apollo died tap playlist rockstars grave roses burns rolling stones dates marijuana finger phillips simpsons psychedelics stadiums memoir poison lawsuit serial jeopardy nirvana bots backup liberal managers fat tariffs wildfires copyright bugs tours lsd bus inauguration richards logos petty prom boo eq 2022 johnny cash unplugged mythology rock n roll motown wrapped bug parody deezer commercials halifax ska 2024 jingle rocketman singers strat alley spears chorus yacht robbers lovin autoimmune slander ramones trademark biscuit mccartney papas ringo flute moves gene simmons edmund revived graceland defamation robert johnson cranberries trademarks lynyrd skynyrd dire straits spinal leap year torpedos live aid groupies booed spoonful wasserman conservatorship sesame stone temple pilots autotune biz markie moog razzies binaural roadie cbgb jovan midnight special 1980 dlr john lee hooker zal libel busking posthumous bessie smith loggins busker payola contentid pilcher pricilla journeymen 3000 jock jams hipgnosis bizkit rutles zager journe alone again rock school blind willie mctell vanilli maxs metalica sherley mitchie soundscan at40 alago kslu mugwumps
The Holmes Archive of Electronic Music
Chapter 32, Other Analog Synthesizers

The Holmes Archive of Electronic Music

Play Episode Listen Later May 15, 2025 110:07


Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Hörspiel
3/3 «Revolution!» von Susanne Janson und Flavio Stroppini

Hörspiel

Play Episode Listen Later May 15, 2025 36:19


Der nächste Anschlag – und diesmal zeigen sich die Terroristen äusserst brutal und skrupellos. Die Polizei befürchtet eine Eskalation. Und nimmt Josi in die Mangel. Die ist in Gedanken aber noch im Tessin: Wer ist der Fremde, dem sie von der Madonna del Sasso in das abgeschiedene Tal gefolgt ist? Wer das Hörspiel im Radio hören will: Freitag, 16.05.2025, 20.00, Radio SRF 1 Die Songs von «Angry Freedom» wurden eigens für das Hörspiel komponiert und von Tessiner Musikern eingespielt. Der Singer-Songwriter Leo Pusterla konnte für die Komposition (zusammen mit dem Musiker Andrea Manzoni) und den Lead-Gesang gewonnen werden. In der RSI-Version des Hörspiels beweist er zudem schauspielerisches Talent: Er spricht den jungen Giuseppe Marin. Alle weiteren Musikstücke im Hörspiel sind Neukompositionen von Dorotea Crameri. Die junge Zürcherin beendet an der ZHdK gerade ihren Masterstudiengang in Komposition für Film, Theater und Medien und arbeitet parallel dazu schon als Freelancerin für Film und Bühne. ____________________ Mit: Anja Andersen Rüegg (Josi), Andrea Bettini (Giuseppe), Mona Petri (Marie), Samuel Streiff (Popa), Ivan Georgiev (Michele), Urs Jucker (Fabian), Jonas Götzinger (Giuseppe jung), Jonathan Ferrari (Fabio), Lou Haltinner (Marie jung), Michael von Burg (Widmer), Sabina Deutsch (Ursina), Mariananda Schempp (FaGe Nele Messerschmidt), Martin Hug (Peter), Antonio Ramon Luque (Punk), Roberto Turri (Wildhüter), Joey Zimmermann (Stammgast Osteria), Fabio Romano (Barista, Barkeeper, Polizist), Anja Schärer (Sarah), Jakob Fessler (Pietro), Christian Zeugin (Moderator), Hanna Girard (Podcasterin) u.v.a. «Angry Freedom»: Leo Pusterla (Komposition, Text, Gesang, Gitarre), Andrea Manzoni (Komposition, Moog, Mix), Matteo Lorenzi (Drums), Andrea Dominoni (Bass) und Flavio Stroppini (Text) ____________________ Übersetzung aus dem Italienischen: Matteo Emilio Baldi – Komposition: Dorotea Crameri – Tontechnik: Tom Willen – Regie: Susanne Janson – Dramaturgie: Lia Schmieder und Wolfram Höll ____________________ Produktion: SRF/RSI 2024 ____________________ Dauer: 36'

Europe 1 - Hondelatte Raconte
[BONUS] - Roland Moog fait son cinéma

Europe 1 - Hondelatte Raconte

Play Episode Listen Later May 11, 2025 27:36


A Strasbourg en mai 1995, Carole Prin, une jeune femme sur le point d'accoucher, disparaît. Elle a appelé son compagnon, Roland, projectionniste dans un cinéma, pour lui dire qu'elle partait à la maternité : elle n'y est jamais arrivée. Depuis, pas de nouvelles. Une information judiciaire pour enlèvement vient d'être ouverte.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Rock School
Rock School - 05/18/25 (Did Not Swear)

Rock School

Play Episode Listen Later May 8, 2025 44:23


"First you need to know there are no swear words in this show. It was this week back in the 60s when the FBI released a letter stating that there were no curse words in the song Louie Louie. But people keep looking. This is a list of songs that were banned or otherwise maligned because someone was sure the singer was cursing. But there was no curse word. It is a long list."

covid-19 christmas music women death live tiktok halloween black donald trump english ai school social rock coronavirus media japan politics dreams young sound song video russia corona ukraine elon musk stars holidays tour guns killers night fake oscars dead lockdown fbi grammy political court stage restaurants nfts ufos ending quit series fight beatles streaming television kansas city concerts monsters believing saturday night live joe rogan passing elvis killed presidential logo taught trigger fund fights conservatives naturally apollo died tap playlist rockstars grave roses burns rolling stones dates marijuana finger phillips simpsons psychedelics stadiums memoir poison lawsuit serial jeopardy nirvana bots backup liberal managers fat tariffs wildfires copyright bugs tours lsd bus inauguration richards logos petty prom boo eq 2022 johnny cash unplugged mythology rock n roll motown wrapped bug parody deezer commercials halifax ska 2024 jingle rocketman singers strat alley swear spears chorus yacht robbers lovin autoimmune slander ramones trademark biscuit mccartney papas ringo flute moves edmund revived graceland defamation robert johnson cranberries trademarks lynyrd skynyrd dire straits spinal leap year torpedos live aid groupies booed spoonful wasserman conservatorship sesame stone temple pilots autotune biz markie moog razzies binaural roadie cbgb jovan midnight special 1980 dlr john lee hooker zal libel busking posthumous bessie smith loggins busker payola contentid pilcher pricilla journeymen louie louie 3000 jock jams hipgnosis bizkit rutles zager journe alone again rock school blind willie mctell vanilli maxs metalica sherley mitchie soundscan at40 alago kslu mugwumps
Hörspiel
2/3 «Revolution!» von Susanne Janson und Flavio Stroppini

Hörspiel

Play Episode Listen Later May 8, 2025 41:08


Und wieder findet ein Anschlag in Zürich statt. Unsicherheit macht sich breit. Und Josis Chef wittert die grosse Story. Doch Josi liefert nicht. Was hält sie zurück? Im Tessin weckt ein namenloser Eigenbrötler das Misstrauen der Einheimischen. Wer das Hörspiel im Radio hören will: Freitag, 09.05.2025, 20.00, Radio SRF 1 Im Hörspiel prallen zwei Welten aufeinander: Hier die Grossstadt Zürich, wo ein Anschlag auf den anderen folgt. Wo sich Unverständnis und Angst in der Bevölkerung breitmachen. Wo die Polizei die Klimaaktivisten in die Mangel nimmt und Josis Arbeitgeber Öl ins Feuer giessen will. Dort ein Tal im Tessin, weit ab vom Schuss, wo ein nicht mehr ganz junger Mann einsam in einem Rustico wohnt, sich mit Wilderei und illegalem Holzschlag über Wasser hält und einmal im Monat zu einer Kapelle fährt und auf jemanden wartet, vergeblich, seit 30 Jahren … ____________________ Mit: Anja Andersen Rüegg (Josi), Andrea Bettini (Giuseppe), Mona Petri (Marie), Samuel Streiff (Popa), Ivan Georgiev (Michele), Urs Jucker (Fabian), Jonas Götzinger (Giuseppe jung), Jonathan Ferrari (Fabio), Lou Haltinner (Marie jung), Michael von Burg (Widmer), Sabina Deutsch (Ursina), Mariananda Schempp (FaGe Nele Messerschmidt), Martin Hug (Peter), Antonio Ramon Luque (Punk), Roberto Turri (Wildhüter), Joey Zimmermann (Stammgast Osteria), Fabio Romano (Barista, Barkeeper, Polizist), Anja Schärer (Sarah), Jakob Fessler (Pietro), Christian Zeugin (Moderator), Hanna Girard (Podcasterin) u.v.a. «Angry Freedom»: Leo Pusterla (Komposition, Text, Gesang, Gitarre), Andrea Manzoni (Komposition, Moog, Mix), Matteo Lorenzi (Drums), Andrea Dominoni (Bass) und Flavio Stroppini (Text) ____________________ Übersetzung aus dem Italienischen: Matteo Emilio Baldi – Komposition: Dorotea Crameri – Tontechnik: Tom Willen – Regie: Susanne Janson – Dramaturgie: Lia Schmieder und Wolfram Höll ____________________ Produktion: SRF/RSI 2024 ____________________ Dauer: 41'

Rock School
Rock School - 05/11/25 (Musician Alcohol Brands)

Rock School

Play Episode Listen Later May 1, 2025 43:56


"This week back in 2007 Sammy Hagar sold an 80 percent stake in his Cabo Wabo tequila for $80 million. Since then it seems every musician or band has their own line of booze. Here is a good long list and where you can buy it."

covid-19 christmas music women death live tiktok halloween black donald trump english ai school social rock coronavirus media japan politics dreams young sound song video russia corona ukraine elon musk stars holidays tour guns killers night fake oscars dead lockdown grammy political court stage restaurants nfts ufos ending quit alcohol series fight beatles streaming television kansas city concerts monsters believing saturday night live musician joe rogan passing brands elvis killed presidential logo taught trigger fund fights conservatives naturally apollo died tap playlist rockstars grave roses burns rolling stones dates marijuana finger phillips simpsons psychedelics stadiums memoir poison lawsuit serial jeopardy nirvana bots backup liberal managers fat tariffs wildfires copyright bugs tours lsd bus inauguration richards logos petty prom boo eq 2022 johnny cash unplugged mythology rock n roll motown wrapped bug parody deezer commercials halifax ska 2024 jingle rocketman singers strat alley spears chorus yacht robbers lovin autoimmune slander ramones trademark biscuit mccartney papas ringo flute moves edmund revived graceland defamation robert johnson cranberries trademarks lynyrd skynyrd dire straits spinal leap year sammy hagar torpedos live aid groupies booed spoonful wasserman conservatorship sesame stone temple pilots autotune biz markie moog razzies binaural roadie cbgb jovan midnight special 1980 dlr john lee hooker zal libel busking posthumous bessie smith loggins busker payola contentid pilcher pricilla journeymen 3000 jock jams hipgnosis bizkit rutles zager journe alone again rock school blind willie mctell vanilli maxs metalica cabo wabo sherley mitchie soundscan at40 alago kslu mugwumps
The Holmes Archive of Electronic Music
Chapter 29, Buchla Analog Synthesizers

The Holmes Archive of Electronic Music

Play Episode Listen Later May 1, 2025 116:03


Episode 170 Chapter 29, Buchla Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 29, Buchla Analog Synthesizers from my book Electronic and Experimental music.   Playlist: MUSIC MADE WITH BUCHLA ANALOG SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Morton Subotnick, “Prelude No. 4” (1966). Early work for piano and electronic tape using sounds created on the Buchla 100. Pianist, Richard Bunger, recorded in 1973 (Buchla tape from 1966). 05:15 01:40 2.     Morton Subotnick, “Silver Apples of the Moon” (Part 1) (1966). First commissioned work of electronic music from Nonesuch Records. 04:23 08:32 3.     Gerry Olds, “4/3 + 1” (1967). Jazz mixed with electronics created on the Buchla 100 at a San Francisco Tape Music Center Concert. 11:19 12:58 4.     Buffy Sainte- Marie, “Better To Find Out For Yourself” and “The Vampire” (1969). Electronic “settings,” processing of Sainte-Marie's voice and guitar done on Buchla 100 modular systems (3 units) used by Michael Czajkowski at the electronic music studio of NYU. 04:39 24:16 5.     Douglas Leedy, “Entropical Paradise” (1970). Sonic environments created by the Moog and Buchla modular synthesizers. 20:09 28:52 6.     George Marsh, “Wind Borne” (1973). Prepared Buchla 200 Synthesizer with sequencing, George Marsh. 08:28 49:06 7.     David Rosenboom and Donald Buchla, “How Much Better If Plymouth Rock Had Landed On The Pilgrims, Section V” (1978). Buchla modular synthesizers by composer Rosenboom and the inventor himself, Donald Buchla. 22:47 57:34 8.     Morton Subotnick, “The Last Dream of the Beast” (1978, 1982, 1984). Featured the Buchla 400. 14:47 01:20:20 9.     Mel Powell, “Three Synthesizer Settings” (1981). Moog and Buchla synthesizers. 08:47 01:35:06 10.   Morton Subotnick, “A Sky of Cloudless Sulphur, Opening” (1980). Buchla 200 and Subotnick's “ghost shadow electronics.” 11:15 01:43:51   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Hörspiel
1/3 «Revolution!» von Susanne Janson und Flavio Stroppini

Hörspiel

Play Episode Listen Later May 1, 2025 41:29


Ein Mundarthörspiel, das im Tessin und in Zürich spielt. Eine Anschlagsserie erschüttert die Stadt. Die junge Journalistin Josi ermittelt. Spuren führen ins ökoextremistische Lager, aber auch zu einer ehemaligen Punkband. Und dann sogar in Josis eigene Familiengeschichte … Wer das Hörspiel im Radio hören will: Freitag, 02.05.2025, 20.00, Radio SRF 1 Öko-Extremisten werden hinter den Anschlägen vermutet. Doch Josi Amstutz, Mitarbeiterin des rechtsoffenen Magazins «the right news», vermutet, dass die Geschehnisse mit einem Song der Band «Angry Freedom» zusammenhängen. «Angry Freedom», gegründet von italienischen Einwanderern, gehörte in den 1990ern zur New-Wave-Punkszene und musste sich nach einem Konzert mit tödlichem Ausgang auflösen. Josi taucht bei ihren Nachforschungen in eine Ära der Revolte und der Träume ein. Und stösst dabei auf schmerzhafte persönliche Wahrheiten, die sie sich nie hätte träumen lassen. Dabei hat sie doch mit der eigenen Familie schon genug Schwierigkeiten: Ihre Zieheltern sind tot oder dement, ihren Vater kennt sie nicht, und die ihr entfremdete Mutter Marie versucht sich gerade zurück in Josis Leben zu kämpfen. Für dieses Hörspiel haben SRF und RSI zusammengearbeitet. Das gemeinsam entwickelte Manuskript wurde in zwei Versionen produziert: auf Italienisch und auf Deutsch, verbunden durch eine gemeinsame Musik. Ein Hörspielmehrteiler, der Brücken zwischen gestern und heute und zwischen Deutschschweiz und Svizzera italiana schlägt. ____________________ Mit: Anja Andersen Rüegg (Josi), Andrea Bettini (Giuseppe), Mona Petri (Marie), Samuel Streiff (Popa), Ivan Georgiev (Michele), Urs Jucker (Fabian), Jonas Götzinger (Giuseppe jung), Jonathan Ferrari (Fabio), Lou Haltinner (Marie jung), Michael von Burg (Widmer), Sabina Deutsch (Ursina), Mariananda Schempp (FaGe Nele Messerschmidt), Martin Hug (Peter), Antonio Ramon Luque (Punk), Roberto Turri (Wildhüter), Joey Zimmermann (Stammgast Osteria), Fabio Romano (Barista, Barkeeper, Polizist), Anja Schärer (Sarah), Jakob Fessler (Pietro), Christian Zeugin (Moderator), Hanna Girard (Podcasterin) u.v.a. «Angry Freedom»: Leo Pusterla (Komposition, Text, Gesang, Gitarre), Andrea Manzoni (Komposition, Moog, Mix), Matteo Lorenzi (Drums), Andrea Dominoni (Bass) und Flavio Stroppini (Text) ___________________ Übersetzung aus dem Italienischen: Matteo Emilio Baldi – Komposition: Dorotea Crameri – Tontechnik: Tom Willen – Regie: Susanne Janson – Dramaturgie: Lia Schmieder und Wolfram Höll ____________________ Produktion: SRF/RSI 2024 ____________________ Dauer: 41'

Better Than Yesterday, with Osher Günsberg
What I did when taking a break became more exhausting than working

Better Than Yesterday, with Osher Günsberg

Play Episode Listen Later Apr 27, 2025 14:32


There’s two kinds of people when it comes to holidays.Those who are more than happy to spend two straight weeks napping by the pool, and those who struggle with suddenly not having something to do.Osher is most definitely in the latter cohort.In this episode he shares how over time, he’s had to learn a lot about what to do when he’s not working. Mostly because when he goes too hard in either direction (work or play) - it’s not a good time for me or anyone.::Subscribe to Osher’s Substack here: https://oshergunsberg.substack.com/Join Osher and guests for the next live show - Story Club at The Sydney Comedy Festival - tickets at storyclublive.comMay 11 The Comedy Store, Sydney. Ft: Osher GünsbergZoë Norton-LodgeNat’s What I ReckonHannah ReillyBlair Joscleyne (aka Moog)and Gracie OttoSee omnystudio.com/listener for privacy information.

The Holmes Archive of Electronic Music
Chapter 28, Moog Analog Synthesizers, Part 2

The Holmes Archive of Electronic Music

Play Episode Listen Later Apr 26, 2025 58:53


Episode 169 Chapter 28, Moog Analog Synthesizers, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 2 from my book Electronic and Experimental music.   Playlist: CLASSIC SYNTHESIZER ROCK— FROM TAPE COMPOSITION TO SYNTHESIZERS   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     The Beatles, “Tomorrow Never Knows” (1966). Tape loops and Lennon's voice fed through the rotating Leslie speaker of a Hammond organ. 02:57 01:42 2.     Spooky Tooth and Pierre Henry, “Have Mercy” (1969). Featured tape composition by the French composer of musique concrète as part of a collaborative rock opera. 07:55 04:40 3.     Emerson, Lake, & Palmer, “Lucky Man” (1971). Featured the Moog Modular played by Keith Emerson; one of the first rock hits in which a Moog was the featured solo instrument. 04:39 12:34 4.     Yes, “Roundabout” (1971). Featured the Minimoog, Mellotron, Hammond Organ and other electronic keyboards played by Rick Wakeman. 08:33 17:10 5.     Elton John, “Funeral for a Friend/Love Lies Bleeding” (1973). Featured the ARP 2600 played by Dave Henschel. 11:10 25:42 6.     David Bowie, “Speed of Light” (1977). Produced by Brian Eno. Used an EMS AKS synthesizer and Eventide H910 harmonizer for the electronic effects and sounds. 02:47 36:46 7.     Gary Wright, “Touch and Gone” (1977).  Used Polymoog, Clavinet, Oberheim, and Fender-Rhodes electronic keyboards. 03:58 39:32 8.     Gary Numan, “Cars” (1979).  Early synth-rock success using electronic keyboards without guitar. Multiple Polymoog synthesizers. 03:52 43:28 9.     The Art of Noise, “(Who's Afraid Of?) The Art of Noise” (1984). Art rock devised by Anne Dudley and Trevor Horn exploring the sampling capabilities of the Fairlight CMI. 04:23 47:20 10.   Grace Jones, “Slave to the Rhythm” (1985). Featured the Synclavier programmed and played by Trevor Horn. 09:39 51:43   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

The Holmes Archive of Electronic Music
Chapter 28, Moog Analog Synthesizers, Part 1

The Holmes Archive of Electronic Music

Play Episode Listen Later Apr 26, 2025 32:19


Episode 168 Chapter 28, Moog Analog Synthesizers, Part 1. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 1 from my book Electronic and Experimental music.   Playlist: EARLY MOOG RECORDINGS (BEFORE 1970)   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1.     Emil Richards and the New Sound Element, “Sapphire (September)” from Stones (1967). Paul Beaver played Moog and Clavinet on this album by jazz-pop mallet player Richards, who also contributed some synthesizer sounds. 02:21 01:44 2.     Mort Garson, “Scorpio” (1967) from Zodiac Cosmic Sounds (1967). Mort Garson and Paul Beaver. Incorporated Moog sounds among it menagerie of instruments. Garson went on to produce many solo Moog projects. 02:53 04:04 3.     Hal Blaine, “Kaleidoscope (March)” from Psychedelic Percussion(1967). Hal Blaine and Paul Beaver. Beaver provided Moog and other electronic treatments for this jazzy percussion album by drummer Blaine. 02:20 06:58 4.     The Electric Flag, “Flash, Bam, Pow” from The Trip soundtrack (1967). Rock group The Electric Flag. Moog by Paul Beaver. 01:27 09:18 5.     The Byrds, “Space Odyssey” (1968) from The Notorious Byrd Brothers (1968).  Produced by Gary Usher who was acknowledged for having included the Moog on this rock album, with tracks such as, “Goin' Back” (played by Paul Beaver), “Natural Harmony,” and unreleased track “Moog Raga.” 03:47 10:48 6.     The Monkees, “Daily Nightly” from Pisces, Aquarius, Capricorn, and Jones Ltd. (1967). Moog effects provided by Micky Dolenz of the Monkees and Paul Beaver. 02:29 14:40 7.     Jean Jacques Perrey and Gershon Kingsley, “The Savers,” a single taken from Kaleidoscopic Vibrations (1967). The first Moog album by this duo known for their electro-pop songs. 01:48 17:08 8.     Wendy Carlos, “Chorale Prelude "Wachet Auf" from Switched-On Bach (1968). The most celebrated Moog album of all time and still the gold standard for Moog Modular performances. 03:34 18:54 9.     Mike Melvoin, “Born to be Wild” from The Plastic Cow Goes Moooooog (1969). Moog programming by Paul Beaver and Bernie Krause. 03:03 22:28 10.   Sagittarius, “Lend Me a Smile” from The Blue Marble (1969). This was a studio group headed by Gary Usher, producer of The Byrds, who used the Moog extensively on this rock album. 03:09 25:30 11.   The Zeet Band, “Moogie Woogie” from the album Moogie Woogie(1969). Electronic boogie and blues by an ensemble including Paul Beaver, Erwin Helfer, Mark Naftalin, “Fastfingers” Finkelstein, and Norman Dayron. 02:43 28:40   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Rock School
Rock School - 05/04/25 (Others on Sullivan)

Rock School

Play Episode Listen Later Apr 24, 2025 39:56


"We all know the stories of the Beatles, Doors, Dylan and Stones on Ed Sullivan. However, there are a few more good stories you might find interesting. They are not as big at the main stories, but interesting nonetheless."

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Le Disque classique du jour
Belle Epoque, Joseph Moog

Le Disque classique du jour

Play Episode Listen Later Apr 23, 2025 14:15


durée : 00:14:15 - Belle Epoque, Joseph Moog - Dans ce nouvel opus, Joseph Moog partage avec nous un état d'âme sentimental, sa nostalgie d'une époque pleine de créativité et d'exubérance intellectuelle.

En pistes ! L'actualité du disque classique
Belle Epoque, Joseph Moog

En pistes ! L'actualité du disque classique

Play Episode Listen Later Apr 23, 2025 14:15


durée : 00:14:15 - Belle Epoque, Joseph Moog - Dans ce nouvel opus, Joseph Moog partage avec nous un état d'âme sentimental, sa nostalgie d'une époque pleine de créativité et d'exubérance intellectuelle.

Better Than Yesterday, with Osher Günsberg
How I traded bagels for a baby - my last ever meal of gluten

Better Than Yesterday, with Osher Günsberg

Play Episode Listen Later Apr 20, 2025 18:58


It’s Monday, and Osher’s got a story about the time he traded bagels for having a baby, and the mortifying experience of being emasculated by a plastic cup. Story Club Tickets at storyclublive.comMay 11 The Comedy Store, Sydney.Ft: Osher GünsbergZoë Norton-LodgeNat’s What I ReckonHannah ReillyBlair Joscleyne (aka Moog)and Gracie OttoSee omnystudio.com/listener for privacy information.

Rock School
Rock School - 04/27/25 (Payola)

Rock School

Play Episode Listen Later Apr 17, 2025 43:13


"A story about the Payola Hearings came up in a music history feed and it occurred to me that we have never done a show on Payola. It is a rather interesting story of companies acting in their own interest with the backing of the government. You may think Payola is bad but I believe I can change your mind."

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Rarified Heir Podcast
RHP Episode #231: Jon Klages (Enoch Light)

Rarified Heir Podcast

Play Episode Listen Later Apr 15, 2025 90:11


Today on another encore episode of the Rarified Heir Podcast, we are talking to musician Jon Klages, grandson of musician and Hi-Fi proponent and record label owner Enoch Light. Our conversation with Jon began with understanding just who his grandfather was. A classically trained musician, Enoch founded his first group, Enoch Light & His Orchestra & later Enoch Light and the Light Brigade before World War II. Wildly popular in upper class New York society, Light went on to found one of the most unique independent record labels, well, ever. Vinyl collectors today will know Light's Command Records & Project 3 firstly for its unique, minimalist artwork from renowned artist Josel Albers. From classical to pop to Space Age Bachelor Pop to popular soundtrack hits and more, Light was nothing if not proficient. From albums like Persuasive Percussion to The Private Life of a Private Eye, Lights albums were visually stunning first and foremost. But take a listen to any of his albums from composers as varied as Doc Severinson, Dick Hyman, Tommy Mottola & the landmark album from The Free Design, the albums were recorded for the best audio fidelity available. The albums sound terrific. We discuss this with Jon & loved hearing about how his own mother played a role in all these recordings too. If you love the Moog, horns, Bossa Nova and more mid-sixties exotica, you must find these albums for your collection. We also talk to Jon about his experiences in the studio with his grandfather as well as his own recordings. Part of the fabled Hoboken indie scene of the 1980s, Jon release a new album in 2021, Fabulous Twilight and has a new album coming in 2025 as well. We discuss how Jon became a singer/songwriter, how his passion for being around music led to a career in it and much more. Plus, we hear much about Jon's father, a seven-time Emmy winner for lighting design who worked with everyone from Muhammad Ali to Ernie Kovacs. This is one episode you do not want to miss and it's happening right now. Take a listen to the Rarified Heir Podcast with Jon Klages, right now.            

Rock School
Rock School - 04/20/25 (Tariffs and Music)

Rock School

Play Episode Listen Later Apr 10, 2025 44:43


"At the time of this recording, President Trump has paused the Tariffs but for China. Even so, the tariffs will have a marked effect on the cost of almost everything dealing with music including instruments to records to touring to streaming."

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Rock School
Rock School - 04/13/25 (Booed off Stage)

Rock School

Play Episode Listen Later Apr 3, 2025 36:17


"Tool was just roundly booed off the stage at their own festival. Seems they promised two separate sets over two night and did not deliver. But it is not just them. You will not believe some other bands who were booed off stage as well."

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Rock School
Rock School - 04/06/25 (Who Are the Names in Song Titles)

Rock School

Play Episode Listen Later Mar 27, 2025 40:03


"There are a lot of songs that have famous people in their titles. We wanted to know who some of the lesser known people named in titles are. The internet did not disappoint. We have a good long list."

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Rush Rash with Chaz N Schatz
Episode 64. Countdown

Rush Rash with Chaz N Schatz

Play Episode Listen Later Mar 24, 2025 67:43


With no guest and nothin but time to kill, Chaz N Schatz get on to a busy news week, celebrate the release of Rush 50, and get schooled by Geddy Lee himself on the proper way to pronounce Moog. And the wheel gives us Countdown off 1982's Signals. Grab yer toque and let's honor the love we feel for all our Canadian friends on a music-filled episode for all Rushians!And as always, we don't want you to forget ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rushvault.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and our friends at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RushIsABand.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, as well as our sponsors ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Danforth & Pape⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Podcastle.ai⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ , and Rushbot at ⁠⁠⁠⁠⁠⁠⁠⁠perplexity.ai⁠⁠⁠⁠⁠⁠⁠⁠. The Scratch List - go see these bands and scratch that itch to hear Rush music live - this list is growing all the time!!UKScotland⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Moving Pictures Scotland⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RUSHfest Scotland⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠England⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leoni Jane Kennedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠North AmericaUSA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YYNOT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Second Contact⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Steel Revenge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Solar Federation⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Accidental Breakdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rush Archives⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mood Lifters⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lotus Land⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dumb Love⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Vapor Trail⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rash⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Discs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠A Farewell To Kings⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Analog Kids⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠STAVO⁠⁠Canada⁠⁠⁠⁠⁠RUSHfest Canada⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠New World Men⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠2112⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YYC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Permanent Waves⁠⁠⁠⁠⁠⁠⁠⁠⁠South AmericaBrazil⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RUSHfest Brazil⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rush news, general nonsensical disorderly conduct, lack of regard for correctness or truth, and reckless endangerment of your whole-brain. This is one of two of the only podcasts dedicated to increasing opioid release in your anterior insula, your anterior cingulate cortex (ACC), and your posterior cingulate cortex (PCC), in addition to the basal ganglia and the thalamus...and all that that implies.  Some thick North Jersey accents and they give you some royalty-free sound effects and movie clips too - what more do you need to indulge your urge to scratch?!  Join us - you know where to scratch - blah, blah...RushRash.

Cities and Memory - remixing the sounds of the world
Dreams of the bell tower watchman

Cities and Memory - remixing the sounds of the world

Play Episode Listen Later Mar 23, 2025 10:04


"I very carefully listened to scores of recordings before settling on this one and it captured my imagination instantly. It's incredibly rich and mysterious. What was documented in this field recording transports us, I think, to a place both ancient and instantly present. We hear footfalls climbing rickety stairs. In the distance bells toll. And in the foreground a sonorous voice intones a repeated phrase, mysteriously. It was my clear favourite and I hope we've done it justice.    "The recording is from Spain and although Sylvia has visited the country, I have not yet been there myself. We have friends who live in the ancient city of Tarifa and they have often spoken of the magic of this place - particularly the spectacular religious processions and other traditional sacred rituals. The field recording seems to conjure this for us, quite movingly so. I hope my composition and our recording underscores and enhances that sense of mystery, of faith, of ritual.   "There is very little enhancement to this particular field recording aside from looping it and lightly adding reverb in places. We were committed to keeping it out front as the most present piece of sound throughout. Listening repeatedly, I began to compose, beginning with an underscoring on synth - a sine pad in a kind of four-voice drone. Using that as our basic track, I continued with further instrumentation: bass, a kind of twinkling, echoing guitar figure and two further tracks of a deep Moog synth played live through a Vox AC-30 amplifier and a large double-speaker cabinet, both parts rising and falling in swells. At that point I sent the track to Sylvia in France. It was the first time she had heard the field recording and, partly of Spanish extraction herself, she instantly recognized it as being from Spain. She added a whispered echo of that mysterious repeated phrase, just the word “siempre”. Sylvia and I continued by recording wordless vocals in four parts, like a distant choir. Finally, Summer's voice joins, rising above them. All of the instrumentation and vocals slowly fade up into the mix in support of the field recording itself, in what we hope illustrates this track's very title - the dream of the trusted watchman of this ancient bell tower.       "There is, we hope, a decidedly spiritual component to our work. And this field recording certainly engaged that part of us. Bipolar Explorer is a project begun and now continued in dedication to our cofounder Summer Serafin who passed away age 31 after a tragic accident in 2011. We often say that our work is of, for and about Summer, which is to say that it finds its inspiration and narrative in dedication but also includes her. Our treasure trove of Summer's isolated vocals make it possible to fly her in as we build and compose new works. Indeed, you hear her on this very track. I think that great loss brings us to question what we believe - of our lives, of the world, of what may be beyond. It's a very personal journey but we're all of us on one and sometimes artistic expression can bring that to bear, bring the disparate together so we don't feel so alone. Perhaps (and I personally and fervently believe) there's more to our lives than we can know. Perhaps our lives are more than we can see. Perhaps time is not static. Perhaps in that sense we are forever. These sounds from Spain moved us yet again to compose a piece that we hope reflects that very thing: perhaps we are all forever. Perhaps we get a hint of that in dreams. Bipolar Explorer is Summer Serafin (vocals, spoken word), Michael Serafin-Wells (guitars, bass, sine pad, Moog synth, tape loops, vocals) and Sylvia Solanas (vocals, spoken word).  Clerecia Towers, Salamanca reimagined by Bipolar Explorer. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

ITSPmagazine | Technology. Cybersecurity. Society
How Technology is Changing the Way We Make Music: A Look Inside Columbia University's Groundbreaking Computer Music Center | A Conversation with Seth Cluett | Music Evolves with Sean Martin

ITSPmagazine | Technology. Cybersecurity. Society

Play Episode Listen Later Mar 21, 2025 38:48


Guest and HostGuest: Seth Cluett, Director of Columbia University's Computer Music Center | On LinkedIn: https://www.linkedin.com/in/seth-cluett-7631065/ | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/seth-cluettHost: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesMusic and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center's rich history, its role in advancing music technology, and how it continues to shape the future of sound.The Legacy and Mission of the Computer Music CenterThe CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world's oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett's leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what's possible in sound and music.One of the center's guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.Exploring the Labs and StudiosThe episode also includes a tour of the labs and studios, showcasing some of the center's groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world's first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.The tour also features Columbia's electronic music studio, which houses synthesizers from Buchla, Serge, and Moog—the latter being developed by Bob Moog, who was once an undergraduate at Columbia. The center's modern design emphasizes a seamless workflow between analog and digital technologies, allowing students to quickly create, process, and experiment with sound.Another key space is the immersive media and spatial audio research facility, which features a 12.1-channel loudspeaker sphere for ambisonic sound, along with a 32-capsule microphone that captures highly detailed audio environments. This technology is not only shaping music but also fields like virtual reality, data sonification, and interactive media.The Future of Music TechnologyLooking ahead, Cluett highlights the increasing interplay between AI, machine learning, and music composition. While some companies promote AI-generated melodies, he believes that truly expressive, human-driven composition remains essential. The role of technology, he argues, is not to replace human creativity but to enable new forms of expression. The CMC is at the forefront of this shift, experimenting with real-time audio processing, interactive performance systems, and embedded sensors that enhance live music experiences.As music and technology continue to merge, Columbia's Computer Music Center remains a key player in shaping the future of sound. Whether through pioneering hardware, software innovation, or fostering the next generation of creative minds, the center proves that music technology is not just about engineering—it's about expression, accessibility, and the pursuit of artistic joy.

Rock School
Rock School - 03/30/25 (Revenge Songs)

Rock School

Play Episode Listen Later Mar 20, 2025 38:50


"We hit a thread that listed some songs that were written for revenge. A single Google Search later and we had a good long list. And it is not just Taylor Swift."

covid-19 christmas music women death live tiktok halloween black english ai school social rock coronavirus media japan politics dreams young sound song video russia corona ukraine elon musk stars holidays tour guns killers night fake songs oscars dead lockdown taylor swift grammy political court stage restaurants revenge nfts ufos ending quit series fight beatles streaming television kansas city concerts monsters believing saturday night live joe rogan passing elvis killed presidential logo taught trigger fund fights conservatives naturally apollo died tap playlist rockstars grave roses burns rolling stones dates marijuana finger phillips simpsons psychedelics stadiums memoir poison lawsuit serial jeopardy nirvana bots backup liberal managers fat wildfires copyright bugs tours lsd bus inauguration richards logos petty prom eq 2022 johnny cash unplugged mythology rock n roll motown wrapped bug parody deezer commercials halifax ska 2024 jingle rocketman singers strat alley spears chorus yacht robbers lovin autoimmune slander ramones trademark biscuit mccartney papas ringo flute moves edmund google search revived graceland defamation robert johnson cranberries trademarks lynyrd skynyrd dire straits spinal leap year torpedos live aid groupies spoonful wasserman conservatorship sesame stone temple pilots autotune biz markie moog razzies binaural roadie cbgb jovan midnight special 1980 dlr john lee hooker zal libel busking posthumous bessie smith loggins busker contentid pilcher pricilla journeymen 3000 jock jams hipgnosis bizkit rutles zager journe alone again rock school blind willie mctell vanilli maxs metalica sherley mitchie soundscan at40 alago kslu mugwumps
Voices of Esalen
Cosmic Frequencies: Doug McKechnie's Avant-Garde Moog Performance at Esalen (late 1960s)

Voices of Esalen

Play Episode Listen Later Mar 17, 2025 58:42


Once again, we're diving deep into the Esalen archives to share a fascinating historical recording - this one featuring electronic music pioneer Doug McKechnie. In the late 1960s and early '70s, Doug McKechnie was at the cutting edge of musical innovation, harnessing the revolutionary Moog synthesizer to create mesmerizing sounds. McKechnie was a contemporary of iconic figures like Wendy Carlos, known for the 1968 record "Switched-on Bach," a collection of pieces by Bach that were performed by Carlos on the Moog synthesizer. This album, which won a Grammy for Classical Album of the Year, played a key role in bringing synthesizers to popular music. McKechnie was also tied to the Grateful Dead, contributing to the band's most experimental album, "Aoxomoxoa.” He also played at Altamont, not really a feather in anyone's cap, but it shows the breadth of his growing popularity, and that of the Moog synthesizer. Moogs are characterized by distinctive electronic timbres and pulsating rhythms, as well as hypnotic sequences. They are very much a part of the psychedelia of the late 1960s, fitting right in with the oil light shows, pop art, face paint and neon day glo colors of the time. The Moog's ability to generate evocative psycho-acoustic atmospheres allowed musicians like McKechnie to tap into the exploration of internal landscapes that seemed to naturally occur during psychedelic adventures. The performance you're about to hear was recorded live at Esalen in the late 1960s, preserved for decades on half inch to reel, then dusted off, digitized, and transported to you via the magic of podcasting. So sit back, relax, and let the Moog take you on a trippy auditory journey to a pivotal moment in musical and technological history.

Rock School
Rock School - 03/23/25 (Survived Plane Crash)

Rock School

Play Episode Listen Later Mar 13, 2025 42:56


"It seems that lately that are more plane crashes and close calls than we have had in a while. There are many stories of musicians dying in plane crashes but what we have here are stories of survival over multiple crashes and air mishaps."

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Rock School
Rock School - 03/16/25 (British Copyright)

Rock School

Play Episode Listen Later Mar 6, 2025 41:35


"This is something we should keep a good eye on. In an effort to become a leading force in AI the government in the UK is strongly considering rewriting their copyright laws to allow all copyrighted material including music to be offered fully to all AI companies. I know it sounds fake but it is not."

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Authors & Dragons
Dicey Bastards S2 E2: A Bad Hand

Authors & Dragons

Play Episode Listen Later Mar 5, 2025 61:36


It's time for Stan to indulge in his incredibly destructive gambling habit, and with no one to babysit Moog, murder is definitely on the cards! Meanwhile Cabert and Klaudia need to rush back with their shocking news, as soon as they stop at this fancy restaurant, obviously.Dicey Bastards is the actual play D&D podcast for people who want an entire fried octopus in their Bloody Mary. Featuring Drew Hayes, Rick Gualtieri, Robert Bevan, EM Kaplan, MK Gibson, and Steve Wetherell. That's right, the internet's finest comedy fantasy writers who also appear on this podcast!Hey, you're still reading? Excellent! Join us on Patreon or check out our merch store. Money is a prison. Free yourself! Give it to us!Become a supporter of this podcast: https://www.spreaker.com/podcast/authors-dragons-comedy-dnd-podcast--5624719/support.

Rock School
Rock School - 03/09/25 (Musicians and Autoimmune)

Rock School

Play Episode Listen Later Feb 27, 2025 43:16


"Brian Setzer of the Stray Cats announced he is dealing with an unnamed autoimmune disease that has taken his ability to play guitar. This is certainly not the first time something like this has happened. We have a list of musicians who are in a battle that has taken away their ability to play."

covid-19 christmas music women death live tiktok halloween black english ai school social rock coronavirus media japan politics dreams young sound song video russia corona ukraine elon musk stars holidays tour guns killers night fake oscars dead lockdown grammy political court stage restaurants nfts ufos ending quit series fight beatles streaming television kansas city concerts monsters believing saturday night live joe rogan passing elvis killed presidential logo taught trigger fund fights conservatives naturally apollo died tap playlist rockstars grave roses burns rolling stones dates marijuana finger phillips simpsons psychedelics stadiums memoir poison lawsuit serial jeopardy nirvana bots backup liberal managers fat wildfires copyright musicians bugs tours lsd bus inauguration richards logos petty prom eq 2022 johnny cash unplugged mythology rock n roll motown wrapped bug parody deezer commercials halifax ska 2024 jingle rocketman singers strat alley spears chorus yacht robbers lovin autoimmune slander ramones trademark biscuit mccartney papas ringo flute moves edmund revived graceland defamation robert johnson cranberries trademarks lynyrd skynyrd dire straits spinal leap year torpedos live aid groupies spoonful wasserman conservatorship sesame stone temple pilots autotune biz markie moog razzies binaural roadie cbgb jovan midnight special 1980 stray cats dlr john lee hooker zal libel busking posthumous bessie smith loggins busker contentid pilcher brian setzer pricilla journeymen 3000 jock jams hipgnosis bizkit rutles zager journe alone again rock school blind willie mctell vanilli maxs metalica sherley mitchie soundscan at40 alago kslu mugwumps
Abandoned Albums
ROCKY O'REILLY of OPPENHEIMER

Abandoned Albums

Play Episode Listen Later Feb 26, 2025 78:33


Oppenheimer was an indie pop band from Belfast, Northern Ireland. The band was made up of musicians Shaun Robinson and Rocky O'Reilly. Robinson and O'Reilly were previously members of the now disbanded Belfast group, Torgas Valley Reds. They met in 2003, in Belfast. O'Reilly had been mixing sound and recording Torgas Valley Reds, whom Robinson drummed for. Inspired by their mutual love for Moog synthesizers, vocoders, and airhorns, O'Reilly and Robinson formed Oppenheimer in late 2004, using O'Reilly's spare room to record three songs, which they sent to their favourite labels. And lucky for us, they found a home at Bar None Records. Many thanks to Mark at Bar None Records for making this happen.

The Rare Life
181: Kait's Story | Fertility Struggles, A Surviving Twin, + “What Could Have Been”

The Rare Life

Play Episode Listen Later Feb 20, 2025 44:28


When Kait Parrish found out she was pregnant with twins, she imagined matching outfits, sibling giggles, and the life she had always dreamed of. Instead, at 24 weeks, she gave birth to two fragile babies fighting for survival in the NICU. Then, two weeks later, she lost one of them.In this raw and deeply personal episode, Kait shares the heartbreak of losing Avery, the terrifying rollercoaster of Addie's early medical battles, and how her perspective on parenting shifted when she became pregnant again. We also talk about the complexity of raising a medically complex child alongside a non-disabled sibling, and the emotions that come with it all.From NICU trauma to navigating life after loss, Kait's story is one of resilience, heartbreak, and unexpected love. If you've ever felt like your parenting journey didn't go as planned, you'll find so much to relate to here.Plus, our 2nd Annual Friends and Family Fundraiser is live! We're not asking for your funds, only that you share this fundraiser with your friends, family, and community that may want to contribute. Thank you so much! We couldn't do this without you!And a big thank you to MOOG, our sponsor for this episode! Links:Help us continue The Rare Life by asking your community to donate to our Friends and Family Fundraiser between Feb 14-Feb 28!Visit MOOG's website to see the many ways they support families like ours!Fill out our contact form to join upcoming discussion groups!Follow Alyssa and Erica at @caffeinated_caregivers!Follow us on Instagram @the_rare_life!Donate to the podcast or Contact me about sponsoring an episode.Follow the Facebook page.Join the Facebook group Parents of Children with Rare Conditions.Access the transcript on the website here.And if you love this podcast, please leave us a rating or review in your favorite podcast app!

Rock School
Rock School - 03/02/25 (Limp Bizkit Lawsuit)

Rock School

Play Episode Listen Later Feb 20, 2025 36:45


"Fred Durst and the members of Limp Bizkit have brought a rather substantial lawsuit against their record company for unpaid royalties. I know it is Limp Bizkit but the suit goes back to before streaming to when artists had lousy deals and if it is upheld in court, could lay bare much of what was going on in the 90s."

covid-19 christmas music women death live tiktok halloween black english ai school social rock coronavirus media japan politics dreams young sound song video russia corona ukraine elon musk stars holidays tour guns killers night fake oscars dead lockdown grammy political court stage restaurants nfts ufos ending quit series fight beatles streaming television kansas city concerts monsters believing saturday night live joe rogan passing elvis killed presidential logo taught trigger fund fights conservatives naturally apollo died tap playlist rockstars grave roses burns rolling stones dates marijuana finger phillips simpsons psychedelics stadiums memoir poison lawsuit serial jeopardy nirvana bots backup liberal managers fat wildfires copyright bugs tours lsd bus inauguration richards logos petty prom eq 2022 johnny cash unplugged mythology rock n roll motown wrapped bug parody deezer commercials halifax ska 2024 jingle rocketman singers strat alley spears chorus yacht robbers lovin slander ramones trademark biscuit mccartney papas limp bizkit ringo flute moves edmund revived graceland defamation robert johnson cranberries trademarks lynyrd skynyrd dire straits spinal leap year torpedos live aid groupies spoonful wasserman fred durst conservatorship sesame stone temple pilots autotune biz markie moog razzies binaural roadie cbgb jovan midnight special 1980 dlr john lee hooker zal libel busking posthumous bessie smith loggins busker contentid pilcher journeymen pricilla 3000 jock jams hipgnosis bizkit rutles zager journe alone again rock school blind willie mctell vanilli maxs metalica sherley mitchie soundscan at40 alago kslu mugwumps
Rock School
Rock School - 02/23/25 (Adele Copyright Lawsuit)

Rock School

Play Episode Listen Later Feb 13, 2025 42:18


"It seems impossible that a judge in Brazil could stop streaming services worldwide from playing a song due to a copyright concern. That is what is happening now to Adele. If other countries stand by the injunction then it could have a rather wide ranging concerns."

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Rock School
Rock School - 02/16/25 (My New Book)

Rock School

Play Episode Listen Later Feb 6, 2025 49:24


"I wrote a book. It is titled We Will Try and Get That On For You. My Life in Personality Radio. It is a memoir of radio in the 80s and 90s when I did it for real. In this show we will tell you where you can get it and play some excerpts from the Audible audio version."

covid-19 christmas music women death live tiktok halloween black english ai school social rock coronavirus media japan politics dreams young sound song video russia corona ukraine elon musk stars holidays tour guns killers night fake oscars dead lockdown grammy political court stage restaurants nfts ufos ending quit series fight beatles streaming television kansas city concerts monsters believing saturday night live joe rogan passing elvis killed presidential logo taught trigger fund fights conservatives naturally apollo died audible tap playlist rockstars grave roses burns new books rolling stones dates marijuana finger phillips simpsons psychedelics stadiums memoir poison lawsuit serial jeopardy nirvana bots backup liberal managers fat wildfires copyright bugs tours lsd bus inauguration richards logos petty prom eq 2022 my life johnny cash unplugged mythology rock n roll motown wrapped bug parody deezer commercials halifax ska 2024 jingle rocketman singers strat alley spears chorus yacht robbers lovin slander ramones trademark biscuit mccartney papas ringo flute moves edmund revived graceland defamation robert johnson cranberries trademarks lynyrd skynyrd dire straits spinal leap year torpedos live aid groupies spoonful wasserman conservatorship sesame stone temple pilots autotune biz markie moog razzies binaural roadie cbgb jovan midnight special 1980 dlr john lee hooker zal libel busking posthumous bessie smith loggins busker contentid pilcher journeymen pricilla 3000 jock jams hipgnosis rutles zager journe alone again rock school blind willie mctell vanilli maxs metalica sherley mitchie soundscan at40 alago kslu mugwumps
Subliminal Jihad
*PREVIEW* [#233] SEKRET MACHINE MUSIC VI: Feminine Synthesis & The Electronic Explosion

Subliminal Jihad

Play Episode Listen Later Jan 31, 2025 8:38


Dimitri and Khalid resume their dive into the deep history of the synthesizer and electronic music, this time covering the late 1960s-early 1970s explosion of the Moog and Buchla synths into popular consciousness. Topics include: More from Trevor Pinch's “Analog Days”, sus acid test graduations, the faux-apocalyptic “Awareness Festival” held amid race riots at SF State, B-52 bombers turning into butterflies, the Diggers Commune and the sounds of space aliens, the Grateful Dead's pivotal role in sound technology innovation, Moog's coming out party at the 1967 Monterey Pop Festival, heckin' Bernie Krause and the curious Scientologist swinger Paul Beaver selling Moogs in LA, UFO hunting around Mt. Shasta, George Harrison screwing over Bernie to make his shitty electronic album, the impact of Wendy Carlos' seminal “Switched On Bach” album, the question of gender and the synthesizer, the labor anxieties triggered by “Switched On Bach” and the Moog, Suzanne Ciani's long strange Buchla trip, synthesizing the sounds of corporate America throughout the 1970s, human-Buchla cathexis, the feminine approach to synthesis, and more. For access to premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad.

Rock School
Rock School - 02/09/25 (Music and the LA Wildfires)

Rock School

Play Episode Listen Later Jan 30, 2025 42:02


"The LA Wildfires have devastated multiple communities. The number of not only musicians but producers and orchestras and studios and engineers affected is vast. There are some big names but mainly those who simply made their living in music. We will talk about it and how you can help if you wish."

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