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Guitar Nerds is sponsored by ROTOSOUND - Making history since 1958, and ACS CUSTOM - the go-to brand for ear protection, moulded earplugs and in-ear monitors!If you're in UK why not enjoy 15% off ACS Custom earplugs and in-ear monitors with discount code: GUITARNERDS15Hello dear listener,This week I'm joined by Matt Knight, and we're talking all about his trip to Japan and his inevitable slew of incredibly cool and super rare pedal purchases using his emergency credit card! Hosted on Acast. See acast.com/privacy for more information.
Alissa Coram and Mike Webster walk through Friday's market action and discuss key stocks to watch in Stock Market Today. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Moog CEO Pat Roche on expansion plans full 505 Fri, 14 Aug 2026 18:41:50 +0000 BzFGtgp2eJPGHqPxdR8L6K7olKIsywdS news WBEN Extras news Moog CEO Pat Roche on expansion plans Archive of various reports and news events 2024 © 2021 Audacy, Inc. News https://player.amperwavepodcasting.com?feed-link=https%3A
Special Episode – Interview with Pat and Dan of The Tea Club, July 2026 When Technology Meets the Body: T-Club's Most Personal Album Yet Rarely does a band wrestle so openly with what it means to be human. T-Club's sixth album *Chasm* was born from grief, health struggles, and one genuinely unsettling piece of performance art involving a prosthetic ear surgically implanted into an artist's arm. Recorded at Big Blue North studio in Utica, New York, the band worked with producer Jeff Aderman (who also helmed their previous album "If When") to capture something raw and alive. They recorded to two-inch tape, often live in the room, inside a converted church that gave the sessions a natural, atmospheric quality. Candles, lighting, and intentional ambience shaped the final sound in ways that modern remote recording simply cannot replicate. What makes Chasm genuinely interesting, interesting in a way that goes beyond typical prog rock ambition, is how it balances three distinct sonic worlds: organic rock, clean electronic textures, and stripped-down acoustic pieces. Vintage synthesizers like the Yamaha DX7 and Moog equipment give certain tracks a deliberately pristine, unsettling quality. Can a band of ten years together finally sound like one unified voice? The answer here seems to be yes, with keyboard player Joe contributing three original songs to the record. Tune in to hear the full story behind Chasm. BlueSky: @progpala.bsky.social X: @progpala Instagram: www.instagram.com/progressivepalaver/ Facebook: www.facebook.com/ProgPala YouTube: www.youtube.com/channel/UCw_Xxit3…cJ_7Z__w/featured Theme music provided by: Dave DeWhitt
Continuing our I Love the 90s series, we move on to 1992, when Batman Returns and Wayne's World ruled the multiplex and Bill Clinton got saxy on The Arsenio Hall Show. Don and Dude drop the needle on one gritty, G funk hip hop album and one crushing heavy metal release that show the evolution of both genres, connecting both records to a world of the Dream Team dominating the Olympics, Mortal Kombat draining quarters at the arcade and Johnny Carson signing off from The Tonight Show.The AlbumsDr. Dre – The Chronic (1992)After leaving Ruthless Records and co-founding Death Row Records with Suge Knight, Dr. Dre used his solo debut to introduce G-funk, building slow, heavy grooves from Parliament-Funkadelic samples, live keyboards and Moog synthesizer lines. The album opens with the mission-statement intro "The Chronic," moves through the diss track "Fuck wit Dre Day," the cruising anthem "Nuthin' but a 'G' Thang" that introduced Snoop Doggy Dogg, and the Grammy winning "Let Me Ride," before closing on the hidden bonus cut "Bitches Ain't Shit." Shaped by the tension of the 1992 Los Angeles riots and Dre's split from Ruthless, The Chronic plays as a genre defining record that launched Snoop's stardom and set the template for West Coast hip hop.Megadeth – Countdown to Extinction (1992)Formed by Dave Mustaine after leaving Metallica, Megadeth used its fifth album, produced by Max Norman and released July 14, 1992 on Capitol Records, to trade pure thrash speed for tighter song structures and broader themes of war, addiction and environmental destruction. The record opens with the aggressive "Skin o' My Teeth," moves through the signature single "Symphony of Destruction," the internally conflicted "Sweating Bullets," and the farm crisis ballad "Foreclosure of a Dream," before closing on the ambitious, thrash leaning "Ashes in Your Mouth." Recorded in Los Angeles the same week as the Rodney King riots, Countdown to Extinction hit No. 2 on the Billboard 200 and became Megadeth's commercial breakthrough, proving technical metal could thrive alongside grunge.Diggin AlbumsFinn Wolfhard – Fire From The Hip (2026):The Stranger Things actor's second solo album, co-written and co-produced with Clay Frankel, Cadien Lake James and Colin Croom, pairs bright, hook filled indie rock guitars with introspective songwriting about growing up and changing relationships.Jeffrey Gaines – Jeffrey Gaines (1992):The Harrisburg singer songwriter's self-titled debut, produced by David Kershenbaum, introduced his soulful blend of acoustic driven rock, heartfelt ballads and expressive vocals on standout tracks like "Hero in Me" and "Headmasters of Mine."Echo & the Bunnymen – Apples for Isaac (2026):The Liverpool post punk band's first collection of new songs since 2014's Meteorites, produced by Ian McCulloch, features drumming from Blondie's Clem Burke on ten of its eleven tracks, recorded before his death in 2025.Billy Strings – So Much for Goodbyes (2026):The flatpicking bluegrass guitarist's new album, produced alongside T Bone Burnett in their first collaboration together, is dedicated to his late mother Debra Apostol, whose own artwork appears on the cover.Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back."Are you crying? Are you crying? ARE YOU CRYING? There's no crying! THERE'S NO CRYING IN BASEBALL!" - Jimmy Dugan (Tom Hanks), A League of Their Own (1992).
"This is the second to last Rock School show and I'm using it to pitch my 4th album, Widow Maker, which went live last week on Spotify and Apple Music. I hope you enjoy it and I hope to see you all next week for the final Rock School Show."
Wie in jedem Sommer sprechen Hannes und Holger auch in diesem Jahr wieder mit Geographinnen und Geographen aus der Praxis. Nachdem Motto: Was macht man eigentlich so als Geograph?" spricht Holger in dieser Folge mit Georg Moog von SSP Consult über Berufseinstieg, GIS-Kenntnisse und die Zusammenarbeit mit Ingenieuren.
"Every list of the best bands contains the same bands in the top 20 so I made a new list. I looked at several best band lists and eliminated those top 20 bands. My list gets rid of the obvious choices and gives many lesser known bands a chance. See what you think."
"Tammy and I have decided to retire from our jobs and also from creating the Rock School Radio show. I know this is the 744th show on PRX but it's actually our 997th show overall. We will do this show and three more, ending on our 1000th show. To that end, in this show we will announce some musicians who might be retiring soon themselves. We will list the oldest people touring this summer."
In this episode, Dave and Chris take a two-for-one deep dive into George Harrison's “Here Comes the Sun” and its lesser-known companion (or sequel?) “Here Comes the Moon.” We explore the songs' origins, lyrics, inspiration, unique musical elements (Moog synthesizer!), Ringo's problems playing the meter changes, and a surprise uncredited co-writer for "Here Comes the Moon." As usual, we mention notable covers — from the Concert for Bangladesh and SNL to versions by Nina Simone, Yusuf/Cat Stevens, Peter Tosh and more — and speculate as to why "Here Comes The Sun" is the most-streamed Beatles song while "Here Comes The Moon" is a hidden gem. Check out the links below to buy the items mentioned in the episode: Abbey Road (anniversary lp) https://amzn.to/4ykBw9a Let It Roll (vinyl) https://amzn.to/4gy0Ge4 George Harrison (vinyl) https://amzn.to/44WRSHq our Amazon Storefront https://a.co/d/02mzfR62 (As an Amazon Associate we earn from qualifying purchases) Cover Songs mentioned in the episode: Here Comes the Sun (official video) https://www.youtube.com/watch?v=KQetemT1sWc Take 9 https://www.youtube.com/watch?v=oIt8GN2sr4I Lost guitar solo https://www.youtube.com/watch?v=mMXDOWRUR7M Concert for Bangladesh https://www.youtube.com/watch?v=v5G26sTxMlo&list=RDv5G26sTxMlo&start_radio=1 Paul Simon & George Harrison on SNL November 20,1976 https://www.youtube.com/watch?v=KEgBMTMUanU&list=RDKEgBMTMUanU&start_radio=1 Live in Japan https://www.youtube.com/watch?v=Q54DO0B2atc&list=RDQ54DO0B2atc&start_radio=1 Richie Havens 1971 https://www.youtube.com/watch?v=P_Kq-2Xs8NY&list=RDP_Kq-2Xs8NY&start_radio=1 Nina Simone 1971 https://www.youtube.com/watch?v=T9gMsdNQSUM&list=RDT9gMsdNQSUM&start_radio=1 Sergio Mendes 1975 https://www.youtube.com/watch?v=dq8qEnTGtWg&list=RDdq8qEnTGtWg&start_radio=1 The Runaways 1980 https://www.youtube.com/watch?v=yubiSnR9Zkk&list=RDyubiSnR9Zkk&start_radio=1 Womack & Womack 1985 https://www.youtube.com/watch?v=f5twzxHZVHE&list=RDf5twzxHZVHE&start_radio=1 Voodoo Glow Skulls 1994 https://www.youtube.com/watch?v=vIPjTtPCls8&list=RDvIPjTtPCls8&start_radio=1 Lou Rawls 1998 https://www.youtube.com/watch?v=jd_YDU1NzFo Nick Cave 2002 - from I am Sam https://www.youtube.com/watch?v=uT9YgfdgUVI&list=RDuT9YgfdgUVI&start_radio=1 Travis 2002 https://www.youtube.com/watch?v=Za0ib4r0d5g&list=RDZa0ib4r0d5g&start_radio=1 Joe Brown concert for George 2003 https://www.youtube.com/watch?v=cTwWpkLEHCA&list=RDcTwWpkLEHCA&start_radio=1 John Entwistle 2003 Songs From The Material World (Tribute To George Harrison) https://www.youtube.com/watch?v=F3e8MotBOoE&t=6s GeorgeFest version - Perry Ferrell - https://www.youtube.com/watch?v=ilQuPQF5zSM&list=RDilQuPQF5zSM&start_radio=1 Yo Yo Ma & James Taylor 2021 https://www.youtube.com/watch?v=qgO7BqAeeYk&list=RDqgO7BqAeeYk&start_radio=1 Jon Bon Jovi - 2021 https://www.youtube.com/watch?v=L5b5A8Tr9P0&list=RDL5b5A8Tr9P0&start_radio=1 Yusuf/Cat Stevens 2023 https://www.youtube.com/watch?v=iCF7opEbEw0 George Benson 1969 (Here Comes the Sun/I Want You (She's So Heavy) https://www.youtube.com/watch?v=b6IDWgIjH6I Peter Tosh Here Comes The Sun monomix https://www.youtube.com/watch?v=mrNzCP0f30Y George Benson https://www.youtube.com/watch?v=0aLnb6FBWbI&list=RD0aLnb6FBWbI&start_radio=1 Here Comes The Moon https://www.youtube.com/watch?v=cu1dvIwk6pc Here Comes the Moon demo https://www.youtube.com/watch?v=PhvGr5Db1DU
Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears this Fall, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I've composed for this purpose. In this episode, we will hear Jazz Drums Electric—Early 1970s. This was a live drumming session played by my friend John Scarpulla back around 1971. We recorded this in his room in Philadelphia. I then added some shortwave and Moog modular sounds as overdubs. John is a truly stellar jazz drummer and he is still active in multiple bands. A big thank you to John for agreeing to let me post this podcast. Thanks for listening and see you next time.
Whiskeys: High West Cask Collection Whiskey Finished in Sauvignon Blanc Barrels • High West Cask Collection Whiskey Finished in Chardonnay Barrels • High West Cask Collection Whiskey Finished in Petite Sirah Barrels • High West Cask Strength Blend of Straight Whiskeys Tangents: Marty and Rachel get high in the west with us for a wine-soaked trek into the mountains of Utah! • Rachel isn't actually Japanese (or a geisha) • Ignorance never stopped Ed (or America) before • High West history • We're considering giving out The Chancellor Award from the Whiskey Tangent Society • Our High West origin story • Once again, Ed doesn't speak French • Black (box wine) is slimming • We're recording remotely at Marty and Rachel's house • Apparently, “new shoe” and “Mormon marital sheet” are tasting notes now • #dolltangent • Stop trying to make “Fijian wine” a thing • Ed's granddaughter thinks expensive whiskey is dumb (and she's right) • Marty and Rachel meet-cute Scott and Ed (thanks Anders!) • Rachel thinks we're fabulous • The springs got sprung • Top 10 Fun Facts About Utah • I'm kidding, it's a joke! • Sorry, any kind of ambrosia is gross • Anybody remember Geno's? • Marty didn't get a tilde this time • Jeff and Marty have a sword fight • Zoey is the quietest Siberian Husky ever • Apparently, “New wooden porch swing” is a tasting note now • Ed kums violently • The Bangtail cocktail identifies as apple Music Credits: Whiskey on the Mississippi, Hyperfun, and French Café by Kevin MacLeod from https://incompetech.com • Jungle Roll by Winnie the Moog from https://filmmusic.io
"For an experiment, I denoted the last ten generations and attempted to define the song of their generation. Some were easy and some quite difficult. I offer five possibilities first and then pick. See if I made the correct choice."
TC PODCAST W/ JEN CRUZ Jen Cruz is a Barcelona-based DJ and producer whose sonic identity is defined by a timeless blend of Detroit techno, house, and high-energy hardgroove. Her performances include Sisyphos Berlin, Frida's Pier, Moog, Macarena Club, Brunch in the City, Apolo, Razzmatazz, Input, Florida 135, The Garage of The Bass Valley, Sala Zero, The Bassement Club, Hivernacle, Delirium Festival, and a long list of other clubs and festivals where we have had the opportunity to see her and enjoy her music and her incredible connection with the dance floor. She also has articles and interviews in DJ Mag Spain and Time Out Lisbon, and received the Best Emerging Artist award from Bridge 48 in 2022. Now, Jen Cruz delights us with her unique personality and style, and continues to shape what she has always wanted: to be herself, define her essence, and develop her career as a producer, already seeing her music on international labels. TRACKLIST: 1. Robert Hood - Psychic 2. Clotur - Friction State 3. Martin Landsky - Sanctified 4. Rene Wise - Flow 5. Will & Ink - Second Wilson 6. Jen Cruz - Cruix 7. Samuel L Session - Guepa Guepita 8. Sven Vath - Steel (Marco Carola Remix) 9. Patrick Skoog - A2 10. Androman - Departed 11. Stojche - Staccato Tube 12. Future Shock 13. Sina XX - Crave Control 14. This Is My Life 15. Sirko Muller - Linear Motion (Stojche's Retake) 16. Ben Sims - Snapshot '99 (Jen Cruz Remix) 17. Impulse 18. CRYME - BB IT'S YOU Follow JEN CRUZ here: Instagram: https://soundcloud.com/jen_cruz_techno Soundcloud: https://www.instagram.com/jen__cruz
"I was talking about the Paul is Dead conspiracy theory in class one day and the students began asking me if I knew about THIS theory. And then THIS theory. We went on for 30 minutes and then I did some research. There were so many theories I had never heard of. Hopefully they are new to you as well. We have a long list."
Jean Motell – Ski nautique (Canicule Edit) [The Analog Lounge] "Je n'irai pas chez le psy... je préfère le ski nautique." Dive headfirst into "Mode Nautique" with this exclusive Canicule Edit. Jean Motell delivers a hypnotic, retro-chic anthem where the sharp irony of a psychological breakaway meets the absolute glamour of the 1970s French Riviera. Driven by an intoxicating vocal hook that rejects therapy in favor of speed and saltwater, the track literally submerges itself during heavily filtered underwater breaks before resurfacing under a blazing, mid-summer sun. Locked at our signature 108 BPM tempo, this session fuses a heavy analog Moog bassline, vintage disco-funk guitar licks, and warm tape saturation that gives the mix its humid, sun-drenched, and premium texture. The Track Profile: The Scene: A vintage Riva Super Aquarama cutting through the waves at full throttle, black acetate sunglasses, a chilled cocktail sweating on the teak deck, and the sudden urge to leave it all behind to stay underwater. The Sound: Nostalgic French Touch, analog disco-funk grooves, subaquatic low-pass filters, and deep electronic warmth. The Destination: Somewhere between Saint-Tropez and Lake Como during a massive summer heatwave. [ Stream the Full Session on SoundCloud / Apple Podcasts ] ⚓ The Ultimate Jet-Set Nautical Essential: An analog mix this rich in subaquatic frequencies and texturized details shouldn't be wasted on standard smartphone speakers. Whether you are commanding the deck of a private yacht, in transit first-class over the Atlantic, or lounging by an infinity pool, flawless acoustic isolation is mandatory. To capture every single filter sweep and the raw roundness of this "Canicule Edit," discover the pinnacle of high-fidelity portable audio: the Bang & Olufsen Beoplay H95 headphones. Crafted with custom titanium drivers and ultra-soft lambskin leather ear cushions, they offer elite active noise cancellation and studio-grade definition to cut you off from the world... and let you hide underwater, too.
Moulz & Mel declare that Black Milk's "Piano Moog" is oozing with potential during their review of Synth Or Soul.Full episode: https://www.patreon.com/raprankings/posts/rap-rankings-s18-161926501
"When you listen to Van Halen or Extreme or Steely Dan you expect a great guitar solo. The point of this show is to offer some examples of totally unexpected solos. These are solos in a song or a genre or by an artists that it seems to be coming out of nowhere. "
A cunning plan is needed to infiltrate the prison island and free Moog. Although if a cunning plan is not available, a stupid one will do.Become a supporter of this podcast: https://www.spreaker.com/podcast/authors-dragons-comedy-dnd-podcast--5624719/support.Featuring Drew Hayes, John g Hartness, Rick Gualtieri, Robert Bevan, Joseph Brassey, Steve Wetherell, EM Kaplan, MK Gibson and more! Check out more adventures and fun dumb stuff at www.authorsanddragons.com
This week we take a look at one of the most influential musicians in electronic music and certainly on those composers working on the Commodore 64. Come with us then on a magical journey of light harps, Moogs, and songs that seem to go on forever as we wait patiently for Cousteau on our beach of electronic enigmas and dive into the world of Jean-Michel Jarre. Find us here: https://zappedtothepast.com/ If you would like to help us out and join our Patreon, find it here: https://www.patreon.com/zappedtothepast If you want to buy a Coffee for Zapped to the Past, go here: https://ko-fi.com/zappedtothepast Need our links in one place - you can do that too: https://online.pubhtml5.com/oowg/grrx/#p=1 Additional links mentioned in the Podcast: Discography | Discover all albums of Jean-Michel Jarre Yie Ar Kung Fu (C64) Main Theme Magnetic Fields, Pt. 4 Jarre arr. by Rob Hubbard - Zoolook (Oscilloscope View) Zoolook (new mastering) https://deepsid.chordian.net/?file=/MUSICIANS/G/Gibson_Tony/Jammin.sid&subtune=10 https://deepsid.chordian.net/?file=/MUSICIANS/C/Crowther_Antony/Son_of_Blagger.sid&subtune=2 https://deepsid.chordian.net/?file=/MUSICIANS/D/Daglish_Ben/L_O_C_O.sid&subtune=1 https://deepsid.chordian.net/?file=/MUSICIANS/H/Hansford_Graham/Trollie_Wallie.sid&subtune=3 https://deepsid.chordian.net/?file=/MUSICIANS/C/Cooksey_Mark/Bomb_Jack.sid&subtune=1 https://www.lemon64.com/game/captain-blood https://www.youtube.com/watch?v=eCPOZRG-yGs&list=RDeCPOZRG-yGs&start_radio=1 John Keating - The Uknown Planet John Keating - Space Agent Shibolet Whip Blow (Remastered) Ancestors Last Ninja 2 (C64) tune "inspired" by "Midnight in Tula" Last Ninja 2, The Mansion OST Alchemy of the Heart Gary's Recommendations “Switched on Rock” 1969 and all the Moog-related albums that sprang up in early 70s Isao Tomita “Snowflakes Are Dancing” 1974 “Firebird” 1976 Walter/Wendy Carlos “Switched On Bach” 1968 “The Well-Tempered Synthesizer” 1969 “Sonic Seasonings” 1972 “A Clockwork Orange” 1972 Tangerine Dream “Atem” 1972 “Zeit” 1972 “Phaedra” 1974 “Rubycon” 1975 “Stratosfear” 1976 “Sorceror OST” 1977 “Encore” 1977 Edgar Froese “Epsilon In Malaysian Pale” 1975 “Ages” 1978 “Stuntman” 1979 Klaus Schulze “Irrlicht” 1972 “Cyborg” 1973 “Black Dance” 1974 “Moondawn 1976 Vangelis “Heaven and Hell” 1975 “Albedo 0.39” 1976 “Spiral” 1977 Kraftwerk “Ralk & Florian” 1973 “Autobahn” 1974 “Radioactivity” 1975 “Trans Euro Express” 1977 “The Man Machine” 1978 Brian Eno “Evening Star” 1975 (with Robert Fripp) “Another Green World” 1975 “Ambient 1” 1979 Popol Vuh “Affenstunde” 1970 “Seligpreisug” 1973 Harmonia “Musik Von Harmonia” 1974 Manuel Göttsching “Inventions for Electric Guitar” 1975 John Carpenter “Assault on Precinct 13 OST” 1976 Absolute Everywhere - In Search of the Ancient Gods (concept album on the work of Daniken) 1976 William Sheller (French composer) “Lux Aeterna” 1972 Yellow Magic Orchestra “Yellow Magic Orchestra” 1979 Steve Hillage “Rainbow Dome Musick” 1979 Laurie Anderson “Big Science” 1982 Gershon Kingsley - “Popcorn” 1969 Joe Meek/The Tornados - “Telstar” 1962 The Shadows - “Apache” 1960 One-off melodic instrumental hits! Krautrock bands - Neu! / Faust / Can / La Dusseldorf / Harmonia / Kluster/Cluster. The “Berlin” school - Tangerine Dream / Klaus Schulze / Ashra - emphasis on long form improvisations. Jarre added melody and “pop” elements to this way of working. Modern composers: Stockhausen / Erik Satie / John Cage / Arvo Part / John Adams / Henryk Gorecki Minimalists: Steve Reich / Philip Glass / Terry Riley modular synthesists: Don Buchla / Suzanne Ciani Avant-garde composers in the electro-acoustic fields: Eliane Radigue / Alvin Lucier (“Sitting in a Room”) / Xenakis / Stockhausen / Pierre Henry / Edgard Varèse / Pierre Schaeffer and musique concrete and all that bollocks https://thequietus.com/interviews/bakers-dozen/jean-michel-jarre-favourite-albums-interview/
"Back on May 31st Black Crowes frontman Chris Robinson chided an audience for chanting USA. Much of the audience then walked out. I wondered if this had happened before and it certainly did. We have multiple examples of an audience turning on the performer and vice versa. For many we have the audio from the stage."
In Shaping Sounds, visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology while helping create some of the most significant and influential music of our time.Beginning on the set of his first film, Ciao! Manhattan, with Andy Warhol superstar Edie Sedgwick, Margouleff captures the tragic beauty of New York's East Village and Warhol's Factory as he discovers a powerful new way to score his movie: the Moog synthesizer. This discovery leads him to meet a studio engineer who would become his long-time partner, Malcolm Cecil, with whom he would collaborate to invent the world's largest analog synthesizer, 'TONTO' (The Original New Timbral Orchestra). Together, Margouleff and Cecil used TONTO to help unleash Stevie Wonder's genius on his era-defining classic albums Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale.In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround, developing new mixing techniques for home theaters that brought some of Hollywood's biggest blockbusters to life.Shaping Sounds is so much more than a chronicle of music history. It's a story about creativity, collaboration, and artistic courage. Margouleff interweaves his personal experiences with the teachers, friends, mentors, and influences that shaped him, revealing how empathy and curiosity fueled his life's work. This memoir is a rich and entertaining narrative of a key period in music history that brings readers deep into the world of record and film production and will inspire new generations of music-makers and dreamers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
"The new owners of Fender since 2020 are attempting to own the copyright on the Stratocaster body. A German court has taken them part of the way but most experts don't believe it will hold up to scrutiny. Nonetheless, Fender has sent Cease and Desist letters to multiple guitar makers telling them to stop production, call back orders and destroy stock. Fender may have just committed brand suicide because history is not on their side."
While the rest of the Dicey Bastards plan their next move, Moog finds himself in a battle for prison colony supremacy. Become a supporter of this podcast: https://www.spreaker.com/podcast/authors-dragons-comedy-dnd-podcast--5624719/support.Featuring Drew Hayes, John g Hartness, Rick Gualtieri, Robert Bevan, Joseph Brassey, Steve Wetherell, EM Kaplan, MK Gibson and more! Check out more adventures and fun dumb stuff at www.authorsanddragons.com
1 SubKillers - Feel Me 2 Maxuka - Flexing 3 Nylo - Waiting 4 Bollock Boyz - Family Polyester 5 Vital Drums - Different Star 6 AndrewFx - Melodies 7 Bowser - Mercurial 8 BeatLoaf - Just the Same 9 Booyaaa! (Open Your Mind) - Amazon II 10 Masson - Music is life vs all night-bootie 11 Teletekst - Broken Heart Club 12 MOA HAL - Heart Is Heavy 13 Enrico Stanziano - Drum Stupefacente 14 Red Alfa - Gunshot Rewind 15 Scuffed, Benji Wild - Shots Fired 16 Arkyn (UK) - The Quest 17 Bollock Boyz - DJ Wars 18 Duality, Arkyn (UK) - Original Memory 19 Zevyman - Space Journey 20 Duality - Full Spectrum 21 DJ Rap - DJ Rap Mc Hooligan The Lickshot 22 Evil Quest - Memories of Raves gone bye 23 DJ RAidER - Miracle VIP 2002 24 The Moog, MC Conrad - Jungle Muffin feat. MC Conrad (Pete Cannon Remix) 25 Johnny My Sound -Johnny B 26 Distracted Society - Shouts Going Out 27 Evil Quest - Storm in a tea cup 28 Solistier - Velichor 29 RYNB - Let You Go 30 Halogenix, SOLAH - Want U Bad 31 Breakage - Wonder 32 L-Side - Leaving 33 DJ SS, Nichenka Zoryana - Locomotive 34 Aaron Horn, Opal Blue - Missing The 35 Prodigal - Listen 36 I-Dren - Make We Start It 37 Viridity - Up To Fate 38 Telm & Wilson - Flowing 39 Trail, SOLAH - I_ll Be There 40 The Moog, MC Conrad - Jungle Muffin feat. MC Conrad (JL-ONE Remix) 41 Alec Soren, Climpo - It Was You 42 Mystific - Love To Give 43 Soultec, SubSid - Expression 44 Fluid Form - Heart Of The Congo 45 Soultec, SubSid - Look Around 46 Medicine - Make It Smooth 47 TanKee - Before Sunrise 48 Rogue Planet (US) - Echoes In The Groove 49 Dave Damage, Anwius - Shivers 50 Scatterbrain, Syren Rivers, Indigo Reign - Seasons Change 51 Poison Chang - Poison Chang Love The Woman DJ Rap Remix 52 Kings Of The Rollers, Shanice Forster - No Place Like Home 53 DJ Direkt - Beat The Empire
"The New York Times released their 30 Greatest Living American Songwriters list a short while ago. I know online lists usually have some click bait to start conversation but this list was overtly egregious. Not for who was on it. It was who was left off. We will go over the list and play some artists that should have been on there."
"Sony Music Publishing confirmed an agreement to acquire Blackstone's Recognition Music Group catalog for $3.5 billion. The Red Hot Chili Peppers just sold their catalog for $300 million. Other Funds are raising billions to start buying. These buyers are called Music Rights Funds. I became interested in how these Funds actually made money. How does one invest and can I sell my own music. I have the answers for you."
"It is no secret that music contracts can be rather brutal on artists. Often the stories focus on not getting paid but there is also the interesting idea of a lawsuit ordering a musician to fill his or her contract and record what we are calling a court ordered album. We have multiple examples plus one where the band was paid NOT to record an album."
Rediffusion En 1995, à Strasbourg, la compagne de Roland Moog, projectionniste d'une salle de cinéma, disparaît sans laisser de trace. La jeune femme était sur le point d'accoucher. Pendant des jours, des mois, des années, Roland Moog va maintenir sa version. Il ne sait pas ce qui a pu arriver à la mère de son futur enfant. Mais dit-il la vérité ? Roland Moog aurait-il quelque chose à se reprocher ? Caroline Nogueras nous raconte ce terrible fait divers a marqué les annales judiciaires dans les années 90... Un podcast Bababam Originals Ecriture : Virginie Guedj Voix : Caroline Nogueras Learn more about your ad choices. Visit megaphone.fm/adchoices
"Many summer tours are having to scale back or cancel altogether. The nickname given to this practice is Blue Dot Fever. It is named after the blue dots that appear on unsold seats when a ticket buyer uses Ticketmaster. It has become indicative of a larger societal and financial concern that is leading to people not being able to attend live music. We will explain."
In Shaping Sounds, visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology while helping create some of the most significant and influential music of our time.Beginning on the set of his first film, Ciao! Manhattan, with Andy Warhol superstar Edie Sedgwick, Margouleff captures the tragic beauty of New York's East Village and Warhol's Factory as he discovers a powerful new way to score his movie: the Moog synthesizer. This discovery leads him to meet a studio engineer who would become his long-time partner, Malcolm Cecil, with whom he would collaborate to invent the world's largest analog synthesizer, 'TONTO' (The Original New Timbral Orchestra). Together, Margouleff and Cecil used TONTO to help unleash Stevie Wonder's genius on his era-defining classic albums Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale.In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround, developing new mixing techniques for home theaters that brought some of Hollywood's biggest blockbusters to life.Shaping Sounds is so much more than a chronicle of music history. It's a story about creativity, collaboration, and artistic courage. Margouleff interweaves his personal experiences with the teachers, friends, mentors, and influences that shaped him, revealing how empathy and curiosity fueled his life's work. This memoir is a rich and entertaining narrative of a key period in music history that brings readers deep into the world of record and film production and will inspire new generations of music-makers and dreamers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
"This is a requested topic from a friend. He wondered if we had ever discussed steel drums. We had not so we did a show. We have some history and some discussion of tuning and prices. There are also a lot of songs that use the steel drum you may not have noticed before."
"On April 16 2026 A federal jury in Manhattan found that Ticketmaster and its parent company Live Nation have been acting as a monopoly. The case is wide ranging involving 33 states and the District of Columbia. Live Nation will not appeal any of the verdicts. We will discuss what is a monopoly and what these decisions could mean for the future."
Full automation and AI on the factory floor are great, but the line still doesn't run without people who can feel a part click into place wrong or hear a tool burn.That space between what technology can repeat and what only an operator can sense is the art of precision manufacturing.Recorded live from The Manufacturing Exchange at ARTISANworks in Rochester, NY for the Rochester stop on the Rust Belt Renaissance Tour, Chris is joined on stage by three guests who think about that space every day. Matthew Bradley is Program Director at Moog Inc., a 75-year-old Buffalo-based motion control company building out a brand-new 150,000-square-foot machine shop. James Greer is Lead Sourcing Rep at X-Bow Systems, the non-traditional solid rocket motor manufacturer. Chris Brown, SVP of Sales, joins from Fathom Digital Manufacturing, one of the largest on-demand digital manufacturing platforms in North America.They talk through where automation creates value and where applying it too aggressively produces scrap. Matt walks through the philosophy his team is using to pull together routings, eliminate setups, and rethink "we've always done it this way" inside Moog's new facility. James shares what he looks for when grading a supplier within 60 seconds of walking the floor, the regional pockets of the US where manufacturing talent is gathering, and why the mix of people on machine shop floors is more varied than people assume.For anyone scaling a precision shop, evaluating suppliers, trying to figure out where the operator ends and the machine should begin, or thinking about the art of manufacturing, this is a look at how three working leaders are navigating that line right now.In this episode, find out:The parts of precision manufacturing that will always need a human, and why feel still beats sensors when tolerances run into the millionthsWhere the art shows up in novel parts and the unfamiliar problems no simulation, CAM program, or AI catches the first time throughWhy Moog calls its experienced machinists a "critical, precious resource" and how that framing shapes the company's plan to double headcount over the next decadeHow a Moog servo valve goes together, and why an interference fit clicking is the cue that something is already wrongWhat Chris Brown means when he says "the human brain is what needs to solve that problem," and where Fathom puts that into practiceWhat outsiders miss about Upstate New York's manufacturing scene, from optics to aerospace to motion controlHow shop culture and the way owners invest in their people decide whether the next generation of machinists staysEnjoying the show? Please leave us a review here. Even one sentence helps. It's feedback from Manufacturing All-Stars like you that keeps us going!Tweetable Quotes:"There's certain things, especially in the precision motion control world, that we just haven't been able to figure out, and frankly, we don't think we're gonna be able to. There is always gonna have to be a human in there to feel and understand what's going on." — Matthew Bradley, Program Director, Moog Inc."If you ask five engineers to solve one problem, there'll be 10 answers in 20 hours of argument. So time box that time, understand that sometimes your gut's Right. Trust it and move forward." — Chris Brown, SVP of Sales, Fathom Digital Manufacturing"What that owner did is he invested in his people. He said, 'I don't want you to go out and get a personal loan and give your money away to some financial institution. I don't want you to go get a mortgage. I'll buy your house.' So he bought all of his employees their homes through their work. He invested in his people. That story stuck with me." — James Greer, Lead Sourcing Rep, X-Bow SystemsLinks & mentions:Fathom Digital Manufacturing, one of the largest on-demand digital manufacturing platforms in North America, providing 25+ advanced manufacturing technologies and support services across additive manufacturing, injection molding, CNC machining, and sheet metal fabrication.Moog Inc., worldwide designer, manufacturer, and integrator of precision motion control components and systems, headquartered near Buffalo, NY.X-Bow Systems, leading non-traditional producer of solid rocket motors, offering both traditional SRMs and advanced additive manufacturing solutions.ARTISANworks, the art-centric event space in Rochester, NY where The Manufacturing Exchange (and this episode) was held.Make sure to visit http://manufacturinghappyhour.com for detailed show notes and a full list of resources mentioned in this episode. Stay Innovative, Stay Thirsty.
WeBringTheMusic is BACK, kicking things off with a smooth tale by Cosby MoogSocial media platforms Facebook: Cosby Moog Instagram: cosby_moog Threads: cosby_moog Bookings inquiries Email: cosbymoog@gmail.com Call No: +27 81 888 8967#Time4House #WeBringTheMusic #letthebeathitthem For everything Time4House ----- https://linktr.ee/time4house
"Just a bit of fun this week. Nobody is perfect so it is pretty easy to hear mistakes in recorded music. Here are some of the big ones in rock and hopefully some you did not know. Once you hear them, you cannot unhear them."
Send us Fan MailHe walks away from house arrest and convinces himself it's a great adventure, a cat and mouse chase where he is smarter than the police. Bart Upchurch drifts through Raleigh and the NC State campus on borrowed keys and borrowed time, reading under trees, checking out Moby-Dick, and writing diary entries that swing from political anger to an almost unbearable loneliness. It's the kind of true crime story where the details feel ordinary until you realize how close danger is in every scene.Then the case turns. Neil Henderson starts talking, investigators retrace the murder night step by step, and the search for the missing baseball bat becomes a race between evidence and escape. Stakeouts fail, rumors spread, and officers work angles that are both methodical and messy, from campus alerts to disguised searches in the woods. When the bat is finally found, the net tightens fast.A thunderstorm becomes the backdrop for the moment everything changes: a patrol officer spots a suspicious figure, Bart tries a false identity, and police search the backpack that carries books, tapes, and a knife. What follows is a last burst of flight, a hard stop, an interrogation room, and the instant a first-degree murder warrant lands with full weight. If you're drawn to investigative twists, fugitive psychology, and the realities behind a manhunt, listen now, then subscribe, share the show, and leave a review so more people can find The Murder Book. Support the show
In this exciting HEP-isode, the boys discuss the perils of mixed fleet leasing, Kenworth's jaw-dropping TourAmerica paint scheme celebrating America's 250th birthday, and MOOG Construction stops by to tell us more about their new ZQUIP technology, which allows a single machine to operate on diesel, gas, or battery electric power. PLUS: the original Roto Sweep!
"The International Federation of the Phonographic Industry has released its 2026 State of the Industry Report. There are some pretty big take aways including stances on AI and the fact that the music industry is now more profitable than ever before. We will explore the findings."
James Richmond and Julian Rodgers dive into the world of modular synthesis, explaining what it is and how it fits into both studio production and live performance. They explore the process of creating unique sounds from scratch, the challenges of patch recall and share practical advice for anyone looking to get started with modular gear.Chapters00:00 - Introduction00:52 - Modular Synth Definition01:50 - Semi-Modular02:59 - James' Modular Synthesis Work04:05 - Reaktor And Max07:32 - The Appeal Of Modular09:54 - Generating Your Own Sounds11:24 - Creating A System13:11 - Software Vs Hardware Systems14:02 - Creating Brand New Sounds16:16 - Stochastic Modulation21:31 - Handling Recall22:57 - Gigging With Modular26:42 - Preparing For Performance28:12 - East Coast Vs West Coast29:44 - Practical Performance Challenges31:34 - Careful Onstage Monitoring33:08 - Starting Out In Modular37:08 - Affordable Synthesis#NIreaktor #cycling74max #makenoisemaths #mutableinstrumentsrings #mutableinstrumentsclouds #doepfer #verbosJames Richmond BiogJames Richmond is a composer, producer and audio engineer working across electronic and guitar-based music. He is the guitarist and producer for Liam Vincent & The Odd Foxes, has released experimental electronic work under the name Euclidean Circuits and has a solo project called The Deathbird. He also develops bespoke audio tools through EventFieldAudio and writes about music production, studio systems and monitoring from his hybrid modular and analogue studio.https://www.jamesrichmond.com/https://www.facebook.com/jamesrichmondaudio/https://twitter.com/octatonichttps://www.instagram.com/jamesrichmondaudioJulian Rodgers BiogJulian Rodgers is a freelance writer and audio engineer with a background in live sound. After many years working in education introducing new users to Pro Tools, he now lives by the sea in West Cornwall, where he plays keyboards in a couple of bands. He also plays bass and guitar equally badly, and remains an enthusiastic collector of microphones and opinions about all things audio.https://www.linkedin.com/in/julian-rodgers-04621926Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
"The former head of Interscope and Geffen records Jimmie Ivine said that streaming has had its time. Spotify will see its demise soon. Whether you believe that or not, the question is what comes next. After Spotify. Many have suggest this next step in music evolution. We will tell you what Ivine said and offer up some possibilities for after Spotify."
On today's supremely clever episode of Quick Charge, we talk with engineers from MOOG about diesel, natural gas, and battery power – and how the ability to use any or all of the above on a single machine can help fleets decarbonize at lower cost, and with lower risk than buying different machines for each fuel. The ability to operate a single machine and swap out a power or energy module that can convert it from diesel to electric to hydrogen as needed has been the calling card of MOOG's ZQUIP technology for all the years we've been covering it, and the latest oil war is just making the ZQUIP concept even harder to ignore. Check out some of the articles we've written about these guys in the past, below, then let us know what you think about this sort of modular power plant in the comments. Source Links Moog modular battery concept for heavy equipment is too smart to ignore ZQUIP modular power lets job sites switch from diesel to EV on the same machine CASE eliminates “messy middle” worries with ZQUIP battery swap tech E-quipment highlight: ZQUIP heavy equipment battery swap demo BONUS: 2024 ZQUIP interview on The Heavy Equipment Podcast Prefer listening to your podcasts? Audio-only versions of Quick Charge are now available on Apple Podcasts, Spotify, TuneIn, and our RSS feed for Overcast and other podcast players. New episodes of Quick Charge are (allegedly) recorded several times per week, most weeks. We'll be posting bonus audio content from time to time as well, so be sure to follow and subscribe so you don't miss a minute of Electrek's high-voltage podcast series. Got news? Let us know!Drop us a line at tips@electrek.co. You can also rate us on Apple Podcasts and Spotify, or recommend us in Overcast to help more people discover the show. If you're considering going solar, it's always a good idea to get quotes from a few installers. To make sure you find a trusted, reliable solar installer near you that offers competitive pricing, check out EnergySage, a free service that makes it easy for you to go solar. It has hundreds of pre-vetted solar installers competing for your business, ensuring you get high-quality solutions and save 20-30% compared to going it alone. Plus, it's free to use, and you won't get sales calls until you select an installer and share your phone number with them. Your personalized solar quotes are easy to compare online and you'll get access to unbiased Energy Advisors to help you every step of the way. Get started here.
"I found a cheeky online piece where the author was using funny put downs to describe some popular bands. Tourist Rock. Ring Tone Rap. Yallternative. So I put it to the Facebook and received a much longer list. I call then Genre Insults and we have a bunch for you."
"I ran across an article that listed three songs that people listen to only to wait for just that one section. It mentioned the drum break in the Phil Collins song In the Air Tonight. I knew exactly what it was talking about and immediately had five examples from my own collection. I put it to Facebook and now I have a slew of examples."
Tony Rolando is a self-taught electronic musical instrument designer who started his career by obsessively reading amateur radio books at a public library, playing in bands, and by working for Moog synthesizers. He is the co-founder of Make Noise Music – a highly regarded manufacturer of synthesizers and modules best known for its innovative and unique designs. Thanks to his deep passion for sound exploration and experimentation, he has played a pivotal role in shaping the sonic landscape for contemporary electronic music, and has opened doors to more musical possibilities for musicians and producers Learn more about your ad choices. Visit megaphone.fm/adchoices
"Major record companies are suing SUNO and Udio over song usage to create AI tunes. The one big thing the companies are looking for is a Walled Garden, the idea that what is created on SUNO will stay on SUNO. It cannot be taken and spread around. One company has already settled but it goes much deeper than that."
Tony Rolando is a self-taught electronic musical instrument designer who started his career by obsessively reading amateur radio books at a public library, playing in bands, and by working for Moog synthesizers. He is the co-founder of Make Noise Music – a highly regarded manufacturer of synthesizers and modules best known for its innovative and unique designs. Thanks to his deep passion for sound exploration and experimentation, he has played a pivotal role in shaping the sonic landscape for contemporary electronic music, and has opened doors to more musical possibilities for musicians and producers Learn more about your ad choices. Visit megaphone.fm/adchoices
The dance floor is where Harry Styles does his therapy, and this album is the session notes. Four years after Harry's House, Styles returns with Kiss All the Time, Disco Occasionally, a record built from minimal ingredients: live drums, Moog bass, nylon guitar, and synth sequences that stretch across entire songs without a drop in sight. This is Styles' anti-drop album. Where classic disco era dance celebrated collective joy, Styles uses the dance floor as a stage for self-examination. Links: Newsletter, YouTubeSongs discussed: Harry Styles – "Aperture" Ice Spice – "In Ha Mood" PinkPantheress – "Boy's a Liar" Zara Larsson – "Midnight Sun" LCD Soundsystem – "Dance Yrself Clean" LCD Soundsystem – "Someone Great" LCD Soundsystem – "Oh Baby" Harry Styles – "Pop" Harry Styles – "Sign of the Times" David Bowie – "Space Oddity" Elton John – "Rocket Man" Harry Styles – "Dance No More" Chic – "Good Times" Stevie Nicks – "Edge of Seventeen" Simon & Garfunkel – "Keep the Customer Satisfied" Paul Simon – "You Can Call Me Al" Harry Styles – "Carla's Song" Paul Simon – "Kathy's Song" Simon & Garfunkel – "Bridge Over Troubled Water" Harry Styles – "Are You Listening Yet?" DJO – "Basic Being Basic" Harry Styles – "Season Two, Weight Loss" Sons of Kemet – "Play Mas" Harry Styles – "Coming Up Roses" Harry Styles – "American Girls" LCD Soundsystem – "American Scum" LCD Soundsystem – "Drunk Girls" Harry Styles – "As It Was" Learn more about your ad choices. Visit podcastchoices.com/adchoices
"I ran across an article listing musicians who are in both the Rock and the Country Halls of Fame. There aren't many. When I started looking into it further I found that the people on the list were in multiple other Halls of Fame as well. I wanted to find out what musician is in the most Halls. There is a clear winner."
A Scottish cult hero. A seven-minute pseudo-electronic epic. A song literally called “Gang Bang.” This episode dives into Next (1973) by the Sensational Alex Harvey Band, a glam-adjacent, piano-driven, theatrical rock album that turned Cleveland into a true-believer city while barely registering anywhere else. If you've ever wondered how a band could sound like AC/DC fronted by a cabaret singer, this one's for you.The conversation unpacks how Next won a community poll over Santana, Mountain, and Babe Ruth, then zooms into what makes this record so strange and so compelling: Alex Harvey's gravelly, Bon Scott–adjacent vocal sneer; Hugh McKenna's barroom piano at the center of the mix; Zal Cleminson's clown-faced guitar theatrics; and a tracklist that veers from swampy 70s glam rock to French-tango whorehouse drama to 50s sock-hop pastiche. The hosts dig into the band's ties to Cleveland's WMMS, the album's inclusion in 1001 Albums You Must Hear Before You Die, and why “The Faith Healer” feels like a proto-electronic blueprint hiding inside a 70s hard rock record.Along the way, they wrestle with whether Next is a fully realized album or a brilliantly messy collision of pub-rock instincts and art-rock ambition. Is this bar-band filler padded with covers, or the sound of a band inventing a theatrical rock universe on the fly? If you're into Alice Cooper (early band era), Slade, Mott the Hoople, AC/DC's Bon Scott years, or even the weirder corners of 70s glam and proto-metal, this episode will hit that sweet spot between grit, camp, and cult.Episode Highlights:- 0:00 – Swampsnake (intro clip) – Setting the scene with the swampy, bluesy glam groove that defines the album's tone and why this 70s poll got “weird in the best way.”- 1:40 – The 70s album poll – Santana, Mountain, Babe Ruth, and why the community rallied hard behind the Sensational Alex Harvey Band.- 7:40 – Cleveland adopts a Scottish band – WMMS, the Agora, and how Next became a regional obsession that most of America never knew existed.- 15:16 – Album backstory – Vertigo Records, Phil Wainman's production, Tear Gas origins, and how a late-30s Alex Harvey ends up making this wild second album.- 22:02 – Glam, grit, and piano – How the Bon Scott–style vocal snarl, barrelhouse piano, and theatrical arrangements hold the chaos together.- 27:27 – First-listen confusion – From glam rock to 50s throwback to French chanson: why Next doesn't make sense until you've lived in it for a few spins.- 30:05 – “Next” (track) – The Jacques Brel cover as French-tango whorehouse showpiece, Casablanca vibes, and the album's most overtly theatrical moment.- 32:14 – “Vambo Marble Eye” – Bo Diddley groove, wah-drenched guitar nastiness, and the band's most swaggering barroom-meets-art-rock blend.- 33:40 – “The Faith Healer” – Seven minutes of loops, Moog textures, and slow-build arrangement that feels like a prototype for later electronic and industrial music.- 34:37 – Rocky Horror energy – Why Next feels like an alternate soundtrack to a 70s midnight movie musical.- 36:42 – What doesn't work? – The “pub-rock reflex”: “Giddy Up a Ding Dong” as sock-hop filler and the tension between bar band roots and art-rock ambition.- 40:35 – “Gang Bang” – Explicit lyrics, 70s shock value, consent, and how this track compares to hair metal's sleazier moments.- 46:44 – Is this an album, EP, or chaos? – Final verdicts: worthy album vs. killer four-song EP, and which tracks make the cut.- 49:45 – For fans of… – Framing SAHB alongside Alice Cooper, Slade, Jake E. Lee–era party rock, and theatrical 70s glam for modern listeners.- 54:49 – How to dig deeper – Box-set rumors, the Framed/Next CD pairing, and why this is a band you probably had to see live.If you love 70s glam rock, proto-metal, theatrical rock, and cult classic albums that sit somewhere between barroom grit and art-school weirdness, this episode is for you.
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