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A cunning plan is needed to infiltrate the prison island and free Moog. Although if a cunning plan is not available, a stupid one will do.Become a supporter of this podcast: https://www.spreaker.com/podcast/authors-dragons-comedy-dnd-podcast--5624719/support.Featuring Drew Hayes, John g Hartness, Rick Gualtieri, Robert Bevan, Joseph Brassey, Steve Wetherell, EM Kaplan, MK Gibson and more! Check out more adventures and fun dumb stuff at www.authorsanddragons.com
This week we take a look at one of the most influential musicians in electronic music and certainly on those composers working on the Commodore 64. Come with us then on a magical journey of light harps, Moogs, and songs that seem to go on forever as we wait patiently for Cousteau on our beach of electronic enigmas and dive into the world of Jean-Michel Jarre. Find us here: https://zappedtothepast.com/ If you would like to help us out and join our Patreon, find it here: https://www.patreon.com/zappedtothepast If you want to buy a Coffee for Zapped to the Past, go here: https://ko-fi.com/zappedtothepast Need our links in one place - you can do that too: https://online.pubhtml5.com/oowg/grrx/#p=1 Additional links mentioned in the Podcast: Discography | Discover all albums of Jean-Michel Jarre Yie Ar Kung Fu (C64) Main Theme Magnetic Fields, Pt. 4 Jarre arr. by Rob Hubbard - Zoolook (Oscilloscope View) Zoolook (new mastering) https://deepsid.chordian.net/?file=/MUSICIANS/G/Gibson_Tony/Jammin.sid&subtune=10 https://deepsid.chordian.net/?file=/MUSICIANS/C/Crowther_Antony/Son_of_Blagger.sid&subtune=2 https://deepsid.chordian.net/?file=/MUSICIANS/D/Daglish_Ben/L_O_C_O.sid&subtune=1 https://deepsid.chordian.net/?file=/MUSICIANS/H/Hansford_Graham/Trollie_Wallie.sid&subtune=3 https://deepsid.chordian.net/?file=/MUSICIANS/C/Cooksey_Mark/Bomb_Jack.sid&subtune=1 https://www.lemon64.com/game/captain-blood https://www.youtube.com/watch?v=eCPOZRG-yGs&list=RDeCPOZRG-yGs&start_radio=1 John Keating - The Uknown Planet John Keating - Space Agent Shibolet Whip Blow (Remastered) Ancestors Last Ninja 2 (C64) tune "inspired" by "Midnight in Tula" Last Ninja 2, The Mansion OST Alchemy of the Heart Gary's Recommendations “Switched on Rock” 1969 and all the Moog-related albums that sprang up in early 70s Isao Tomita “Snowflakes Are Dancing” 1974 “Firebird” 1976 Walter/Wendy Carlos “Switched On Bach” 1968 “The Well-Tempered Synthesizer” 1969 “Sonic Seasonings” 1972 “A Clockwork Orange” 1972 Tangerine Dream “Atem” 1972 “Zeit” 1972 “Phaedra” 1974 “Rubycon” 1975 “Stratosfear” 1976 “Sorceror OST” 1977 “Encore” 1977 Edgar Froese “Epsilon In Malaysian Pale” 1975 “Ages” 1978 “Stuntman” 1979 Klaus Schulze “Irrlicht” 1972 “Cyborg” 1973 “Black Dance” 1974 “Moondawn 1976 Vangelis “Heaven and Hell” 1975 “Albedo 0.39” 1976 “Spiral” 1977 Kraftwerk “Ralk & Florian” 1973 “Autobahn” 1974 “Radioactivity” 1975 “Trans Euro Express” 1977 “The Man Machine” 1978 Brian Eno “Evening Star” 1975 (with Robert Fripp) “Another Green World” 1975 “Ambient 1” 1979 Popol Vuh “Affenstunde” 1970 “Seligpreisug” 1973 Harmonia “Musik Von Harmonia” 1974 Manuel Göttsching “Inventions for Electric Guitar” 1975 John Carpenter “Assault on Precinct 13 OST” 1976 Absolute Everywhere - In Search of the Ancient Gods (concept album on the work of Daniken) 1976 William Sheller (French composer) “Lux Aeterna” 1972 Yellow Magic Orchestra “Yellow Magic Orchestra” 1979 Steve Hillage “Rainbow Dome Musick” 1979 Laurie Anderson “Big Science” 1982 Gershon Kingsley - “Popcorn” 1969 Joe Meek/The Tornados - “Telstar” 1962 The Shadows - “Apache” 1960 One-off melodic instrumental hits! Krautrock bands - Neu! / Faust / Can / La Dusseldorf / Harmonia / Kluster/Cluster. The “Berlin” school - Tangerine Dream / Klaus Schulze / Ashra - emphasis on long form improvisations. Jarre added melody and “pop” elements to this way of working. Modern composers: Stockhausen / Erik Satie / John Cage / Arvo Part / John Adams / Henryk Gorecki Minimalists: Steve Reich / Philip Glass / Terry Riley modular synthesists: Don Buchla / Suzanne Ciani Avant-garde composers in the electro-acoustic fields: Eliane Radigue / Alvin Lucier (“Sitting in a Room”) / Xenakis / Stockhausen / Pierre Henry / Edgard Varèse / Pierre Schaeffer and musique concrete and all that bollocks https://thequietus.com/interviews/bakers-dozen/jean-michel-jarre-favourite-albums-interview/
In Shaping Sounds, visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology while helping create some of the most significant and influential music of our time.Beginning on the set of his first film, Ciao! Manhattan, with Andy Warhol superstar Edie Sedgwick, Margouleff captures the tragic beauty of New York's East Village and Warhol's Factory as he discovers a powerful new way to score his movie: the Moog synthesizer. This discovery leads him to meet a studio engineer who would become his long-time partner, Malcolm Cecil, with whom he would collaborate to invent the world's largest analog synthesizer, 'TONTO' (The Original New Timbral Orchestra). Together, Margouleff and Cecil used TONTO to help unleash Stevie Wonder's genius on his era-defining classic albums Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale.In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround, developing new mixing techniques for home theaters that brought some of Hollywood's biggest blockbusters to life.Shaping Sounds is so much more than a chronicle of music history. It's a story about creativity, collaboration, and artistic courage. Margouleff interweaves his personal experiences with the teachers, friends, mentors, and influences that shaped him, revealing how empathy and curiosity fueled his life's work. This memoir is a rich and entertaining narrative of a key period in music history that brings readers deep into the world of record and film production and will inspire new generations of music-makers and dreamers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
"The new owners of Fender since 2020 are attempting to own the copyright on the Stratocaster body. A German court has taken them part of the way but most experts don't believe it will hold up to scrutiny. Nonetheless, Fender has sent Cease and Desist letters to multiple guitar makers telling them to stop production, call back orders and destroy stock. Fender may have just committed brand suicide because history is not on their side."
While the rest of the Dicey Bastards plan their next move, Moog finds himself in a battle for prison colony supremacy. Become a supporter of this podcast: https://www.spreaker.com/podcast/authors-dragons-comedy-dnd-podcast--5624719/support.Featuring Drew Hayes, John g Hartness, Rick Gualtieri, Robert Bevan, Joseph Brassey, Steve Wetherell, EM Kaplan, MK Gibson and more! Check out more adventures and fun dumb stuff at www.authorsanddragons.com
1 SubKillers - Feel Me 2 Maxuka - Flexing 3 Nylo - Waiting 4 Bollock Boyz - Family Polyester 5 Vital Drums - Different Star 6 AndrewFx - Melodies 7 Bowser - Mercurial 8 BeatLoaf - Just the Same 9 Booyaaa! (Open Your Mind) - Amazon II 10 Masson - Music is life vs all night-bootie 11 Teletekst - Broken Heart Club 12 MOA HAL - Heart Is Heavy 13 Enrico Stanziano - Drum Stupefacente 14 Red Alfa - Gunshot Rewind 15 Scuffed, Benji Wild - Shots Fired 16 Arkyn (UK) - The Quest 17 Bollock Boyz - DJ Wars 18 Duality, Arkyn (UK) - Original Memory 19 Zevyman - Space Journey 20 Duality - Full Spectrum 21 DJ Rap - DJ Rap Mc Hooligan The Lickshot 22 Evil Quest - Memories of Raves gone bye 23 DJ RAidER - Miracle VIP 2002 24 The Moog, MC Conrad - Jungle Muffin feat. MC Conrad (Pete Cannon Remix) 25 Johnny My Sound -Johnny B 26 Distracted Society - Shouts Going Out 27 Evil Quest - Storm in a tea cup 28 Solistier - Velichor 29 RYNB - Let You Go 30 Halogenix, SOLAH - Want U Bad 31 Breakage - Wonder 32 L-Side - Leaving 33 DJ SS, Nichenka Zoryana - Locomotive 34 Aaron Horn, Opal Blue - Missing The 35 Prodigal - Listen 36 I-Dren - Make We Start It 37 Viridity - Up To Fate 38 Telm & Wilson - Flowing 39 Trail, SOLAH - I_ll Be There 40 The Moog, MC Conrad - Jungle Muffin feat. MC Conrad (JL-ONE Remix) 41 Alec Soren, Climpo - It Was You 42 Mystific - Love To Give 43 Soultec, SubSid - Expression 44 Fluid Form - Heart Of The Congo 45 Soultec, SubSid - Look Around 46 Medicine - Make It Smooth 47 TanKee - Before Sunrise 48 Rogue Planet (US) - Echoes In The Groove 49 Dave Damage, Anwius - Shivers 50 Scatterbrain, Syren Rivers, Indigo Reign - Seasons Change 51 Poison Chang - Poison Chang Love The Woman DJ Rap Remix 52 Kings Of The Rollers, Shanice Forster - No Place Like Home 53 DJ Direkt - Beat The Empire
"It is no secret that music contracts can be rather brutal on artists. Often the stories focus on not getting paid but there is also the interesting idea of a lawsuit ordering a musician to fill his or her contract and record what we are calling a court ordered album. We have multiple examples plus one where the band was paid NOT to record an album."
"Sony Music Publishing confirmed an agreement to acquire Blackstone's Recognition Music Group catalog for $3.5 billion. The Red Hot Chili Peppers just sold their catalog for $300 million. Other Funds are raising billions to start buying. These buyers are called Music Rights Funds. I became interested in how these Funds actually made money. How does one invest and can I sell my own music. I have the answers for you."
"The New York Times released their 30 Greatest Living American Songwriters list a short while ago. I know online lists usually have some click bait to start conversation but this list was overtly egregious. Not for who was on it. It was who was left off. We will go over the list and play some artists that should have been on there."
Rediffusion En 1995, à Strasbourg, la compagne de Roland Moog, projectionniste d'une salle de cinéma, disparaît sans laisser de trace. La jeune femme était sur le point d'accoucher. Pendant des jours, des mois, des années, Roland Moog va maintenir sa version. Il ne sait pas ce qui a pu arriver à la mère de son futur enfant. Mais dit-il la vérité ? Roland Moog aurait-il quelque chose à se reprocher ? Caroline Nogueras nous raconte ce terrible fait divers a marqué les annales judiciaires dans les années 90... Un podcast Bababam Originals Ecriture : Virginie Guedj Voix : Caroline Nogueras Learn more about your ad choices. Visit megaphone.fm/adchoices
Hallo Freunde hier kommt eine neue Episode meiner Échos Nocturnes Mix Serie... Diesmal mit Dj Armela aus Barcelona, Spanien. Enjoy It
"Many summer tours are having to scale back or cancel altogether. The nickname given to this practice is Blue Dot Fever. It is named after the blue dots that appear on unsold seats when a ticket buyer uses Ticketmaster. It has become indicative of a larger societal and financial concern that is leading to people not being able to attend live music. We will explain."
In Shaping Sounds, visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology while helping create some of the most significant and influential music of our time.Beginning on the set of his first film, Ciao! Manhattan, with Andy Warhol superstar Edie Sedgwick, Margouleff captures the tragic beauty of New York's East Village and Warhol's Factory as he discovers a powerful new way to score his movie: the Moog synthesizer. This discovery leads him to meet a studio engineer who would become his long-time partner, Malcolm Cecil, with whom he would collaborate to invent the world's largest analog synthesizer, 'TONTO' (The Original New Timbral Orchestra). Together, Margouleff and Cecil used TONTO to help unleash Stevie Wonder's genius on his era-defining classic albums Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale.In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround, developing new mixing techniques for home theaters that brought some of Hollywood's biggest blockbusters to life.Shaping Sounds is so much more than a chronicle of music history. It's a story about creativity, collaboration, and artistic courage. Margouleff interweaves his personal experiences with the teachers, friends, mentors, and influences that shaped him, revealing how empathy and curiosity fueled his life's work. This memoir is a rich and entertaining narrative of a key period in music history that brings readers deep into the world of record and film production and will inspire new generations of music-makers and dreamers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
"This is a requested topic from a friend. He wondered if we had ever discussed steel drums. We had not so we did a show. We have some history and some discussion of tuning and prices. There are also a lot of songs that use the steel drum you may not have noticed before."
Mexican restaurant began in Philipstown After 25 years of serving his trademark Mexican cuisine at locations in Philipstown, Fishkill, Beacon and Wappingers Falls, Luis Pinto, the owner and affable presence at the Maya Café on Route 9, has sold the business. He and his restaurant had come a long way since his days growing up in Merida, the largest city on Mexico's Yucatan peninsula. "It had about 250,000 people when my family moved to Dallas when I was 15," recalled Pinto, 69. "Now it's a city of 1.5 million!" In 2000, Pinto moved to Philipstown, where he still lives, and a year later opened the Maya Café in Perc's Plaza (now Philipstown Plaza) on Route 9. "It was the best thing that happened in my life," said Pinto, who still runs into his original customers. "They told me it was the best Mexican food they had ever had." They were also fond of his spiked "Mexican lemonade," which he provided at no charge. The café initially didn't have a liquor license, but a wine store next door made it easy to bring your own. The staff consisted of Pinto and a friend. In 2005, he moved the restaurant up Route 9 to Fishkill, where he purchased Moog's Farm Restaurant. Steve Carlson, a Philipstown contractor, renovated the building. It was a significant expansion. At Perc's Plaza, the cafe served 30 to 35 people. In Fishkill, Pinto could seat up to 140. Pinto learned to cook in his mother's kitchen in Mexico and from his grandmother, who prepared meals for the employees at the family bakery and grocery. "My grandfather was the best baker in Merida," Pinto said. "He made everything by hand and supplied 40 stores." As a high school junior in Dallas, Pinto worked as a dishwasher in a Mexican restaurant. As he took on more duties, he became known as "the king of nachos." In 1986 Pinto met his wife, Joni, while working at a hotel in Cancun. The Buffalo native spoke no Spanish, but the two operated a stall at a Cancun market, where they sold tacos, and Pinto served his favorite recipe, cochinita pibil. "It's a typical Yucatan dish," he said. After marinating a pig with sour orange for a day and adding spices, it's wrapped in banana leaves, buried in a charcoal pit and roasted for several hours. Pinto said he has kept his café menu "pretty authentic," but he didn't use much oil and included plenty of vegetables. He traveled to Mexico regularly to purchase about 90 pounds of spices per trip. "You can get the same spices here, but the quality isn't the same," he said. He still enjoys cooking and creating dishes. One of his Saturday night favorites has been salmon and avocado stuffed with shrimp, surrounded by fruit. Pinto operated a Maya Café in Beacon for a year in 2006. He ran a Wappingers Falls location for 15 years until it closed in 2025. Last month, Pinto sold the Fishkill restaurant to the Van Wyck Restaurant Group. "I'm at a point in my life where I want to visit my daughter and grandchildren in Dallas more," he said. "Joni retired 10 years ago, and I want to travel with her." Pinto said he had his children and grandchildren in mind when he kept a small piece of the business as part of the sale. He will continue to be a presence at the café for a while, but the 60-hour workweeks are over.
"On April 16 2026 A federal jury in Manhattan found that Ticketmaster and its parent company Live Nation have been acting as a monopoly. The case is wide ranging involving 33 states and the District of Columbia. Live Nation will not appeal any of the verdicts. We will discuss what is a monopoly and what these decisions could mean for the future."
Full automation and AI on the factory floor are great, but the line still doesn't run without people who can feel a part click into place wrong or hear a tool burn.That space between what technology can repeat and what only an operator can sense is the art of precision manufacturing.Recorded live from The Manufacturing Exchange at ARTISANworks in Rochester, NY for the Rochester stop on the Rust Belt Renaissance Tour, Chris is joined on stage by three guests who think about that space every day. Matthew Bradley is Program Director at Moog Inc., a 75-year-old Buffalo-based motion control company building out a brand-new 150,000-square-foot machine shop. James Greer is Lead Sourcing Rep at X-Bow Systems, the non-traditional solid rocket motor manufacturer. Chris Brown, SVP of Sales, joins from Fathom Digital Manufacturing, one of the largest on-demand digital manufacturing platforms in North America.They talk through where automation creates value and where applying it too aggressively produces scrap. Matt walks through the philosophy his team is using to pull together routings, eliminate setups, and rethink "we've always done it this way" inside Moog's new facility. James shares what he looks for when grading a supplier within 60 seconds of walking the floor, the regional pockets of the US where manufacturing talent is gathering, and why the mix of people on machine shop floors is more varied than people assume.For anyone scaling a precision shop, evaluating suppliers, trying to figure out where the operator ends and the machine should begin, or thinking about the art of manufacturing, this is a look at how three working leaders are navigating that line right now.In this episode, find out:The parts of precision manufacturing that will always need a human, and why feel still beats sensors when tolerances run into the millionthsWhere the art shows up in novel parts and the unfamiliar problems no simulation, CAM program, or AI catches the first time throughWhy Moog calls its experienced machinists a "critical, precious resource" and how that framing shapes the company's plan to double headcount over the next decadeHow a Moog servo valve goes together, and why an interference fit clicking is the cue that something is already wrongWhat Chris Brown means when he says "the human brain is what needs to solve that problem," and where Fathom puts that into practiceWhat outsiders miss about Upstate New York's manufacturing scene, from optics to aerospace to motion controlHow shop culture and the way owners invest in their people decide whether the next generation of machinists staysEnjoying the show? Please leave us a review here. Even one sentence helps. It's feedback from Manufacturing All-Stars like you that keeps us going!Tweetable Quotes:"There's certain things, especially in the precision motion control world, that we just haven't been able to figure out, and frankly, we don't think we're gonna be able to. There is always gonna have to be a human in there to feel and understand what's going on." — Matthew Bradley, Program Director, Moog Inc."If you ask five engineers to solve one problem, there'll be 10 answers in 20 hours of argument. So time box that time, understand that sometimes your gut's Right. Trust it and move forward." — Chris Brown, SVP of Sales, Fathom Digital Manufacturing"What that owner did is he invested in his people. He said, 'I don't want you to go out and get a personal loan and give your money away to some financial institution. I don't want you to go get a mortgage. I'll buy your house.' So he bought all of his employees their homes through their work. He invested in his people. That story stuck with me." — James Greer, Lead Sourcing Rep, X-Bow SystemsLinks & mentions:Fathom Digital Manufacturing, one of the largest on-demand digital manufacturing platforms in North America, providing 25+ advanced manufacturing technologies and support services across additive manufacturing, injection molding, CNC machining, and sheet metal fabrication.Moog Inc., worldwide designer, manufacturer, and integrator of precision motion control components and systems, headquartered near Buffalo, NY.X-Bow Systems, leading non-traditional producer of solid rocket motors, offering both traditional SRMs and advanced additive manufacturing solutions.ARTISANworks, the art-centric event space in Rochester, NY where The Manufacturing Exchange (and this episode) was held.Make sure to visit http://manufacturinghappyhour.com for detailed show notes and a full list of resources mentioned in this episode. Stay Innovative, Stay Thirsty.
Dat gifft 'n ganzen Barg Lüüd, de dor in Momang jüst so mit tositt as ick: Verköhlung. Hosten, Schnöben, maddelig ween. Un de Schiet will eenfach ni opholn. Dree Weeken geiht dat al. To Arbeid sleep ick mi dor je mit, dor sitt ick je hoch, warm un dröög. Overs veele Sooken truu ick mi in Oogenblick ni: Radfohrn, buuten rümnusseln, wenn dat windi is un sowat. Ni mol to'n Maifüüer bün ick ween. Wat 'n Truuerspeel. Besünnern morns, direkt no't Opstohn is dat slimm. All de Wegen to'n Luft holn sünd denn dicht. Un denn bün ick an hosten un an japsen un an piepen un an stöhn‘. Wurr ick to de Tied an Strand liggen, wurrn fuurts hunnert Hölpers mit Baggers kom‘, mi „Timmy“ nööm un versööken mi to retten. Na jo, an un för sick versöcht je veele, de ick dreep, mi to retten: „Oh, büst Du verköhlt? Du muttst Kamillntee mit Hönig drinken!“ Annere seggt Minztee, weller annere Brennettel. „Warmed Beer, un denn fuurts to Bett. Dat hölpt“, heuer ick ook mol. Oder ick schall Zwiebeln lütthacken, mit Zucker mischen un den Sud dorvun wechneihn. Een hett seggt: „Drink Salbeitee. Un denn glieks achteran muttst Du fief minuten summen. ‚Mmmmmm‘.“ Jo, nä is klor. „Un Knooblook, kau Knooblook, je mehr je beter!“ Wadenwickels mit Quark mutt ick mi moken, seggt se. Hitt‘ Woter mit Holunder un Tümian oder Ingwer mutt ick suupen. Ick mutt sloopen un an de frische Luft spazeern gohn. Äh, wat? Beides tosom? Schweeten mutt ick, düt mutt ick, dat mutt ick. Jung, wat ick allns mutt. Veellicht noch op een Been hüppen mit Waschbenzin gurgeln un dorbi La Paloma fleuten. Man weet dat ni. Haueha. Wenn ick all dat moken wurr wat ick so „mutt“, denn kreeg ick 'n Knütten in Moog‘ un 'n Flotten Otto. Hmm, veellicht dink ick denn je ni mehr an mien Verköhlung. Wohrschienli is dat de Trick. Oder ick summ den ganzen Dag, denn kann ick ni heuern, wat ick allns mutt. Overs lot man. Ick freu mi je, dat anner Lüüd sick üm mi sorgt. Liekers, verköhlt ween kann ganz scheun anstreng't ween. Un datt ni blots wegen Hosten un Snöben… In düssen Sinn
WeBringTheMusic is BACK, kicking things off with a smooth tale by Cosby MoogSocial media platforms Facebook: Cosby Moog Instagram: cosby_moog Threads: cosby_moog Bookings inquiries Email: cosbymoog@gmail.com Call No: +27 81 888 8967#Time4House #WeBringTheMusic #letthebeathitthem For everything Time4House ----- https://linktr.ee/time4house
"Just a bit of fun this week. Nobody is perfect so it is pretty easy to hear mistakes in recorded music. Here are some of the big ones in rock and hopefully some you did not know. Once you hear them, you cannot unhear them."
Send us Fan MailHe walks away from house arrest and convinces himself it's a great adventure, a cat and mouse chase where he is smarter than the police. Bart Upchurch drifts through Raleigh and the NC State campus on borrowed keys and borrowed time, reading under trees, checking out Moby-Dick, and writing diary entries that swing from political anger to an almost unbearable loneliness. It's the kind of true crime story where the details feel ordinary until you realize how close danger is in every scene.Then the case turns. Neil Henderson starts talking, investigators retrace the murder night step by step, and the search for the missing baseball bat becomes a race between evidence and escape. Stakeouts fail, rumors spread, and officers work angles that are both methodical and messy, from campus alerts to disguised searches in the woods. When the bat is finally found, the net tightens fast.A thunderstorm becomes the backdrop for the moment everything changes: a patrol officer spots a suspicious figure, Bart tries a false identity, and police search the backpack that carries books, tapes, and a knife. What follows is a last burst of flight, a hard stop, an interrogation room, and the instant a first-degree murder warrant lands with full weight. If you're drawn to investigative twists, fugitive psychology, and the realities behind a manhunt, listen now, then subscribe, share the show, and leave a review so more people can find The Murder Book. Support the show
In this exciting HEP-isode, the boys discuss the perils of mixed fleet leasing, Kenworth's jaw-dropping TourAmerica paint scheme celebrating America's 250th birthday, and MOOG Construction stops by to tell us more about their new ZQUIP technology, which allows a single machine to operate on diesel, gas, or battery electric power. PLUS: the original Roto Sweep!
"The International Federation of the Phonographic Industry has released its 2026 State of the Industry Report. There are some pretty big take aways including stances on AI and the fact that the music industry is now more profitable than ever before. We will explore the findings."
James Richmond and Julian Rodgers dive into the world of modular synthesis, explaining what it is and how it fits into both studio production and live performance. They explore the process of creating unique sounds from scratch, the challenges of patch recall and share practical advice for anyone looking to get started with modular gear.Chapters00:00 - Introduction00:52 - Modular Synth Definition01:50 - Semi-Modular02:59 - James' Modular Synthesis Work04:05 - Reaktor And Max07:32 - The Appeal Of Modular09:54 - Generating Your Own Sounds11:24 - Creating A System13:11 - Software Vs Hardware Systems14:02 - Creating Brand New Sounds16:16 - Stochastic Modulation21:31 - Handling Recall22:57 - Gigging With Modular26:42 - Preparing For Performance28:12 - East Coast Vs West Coast29:44 - Practical Performance Challenges31:34 - Careful Onstage Monitoring33:08 - Starting Out In Modular37:08 - Affordable Synthesis#NIreaktor #cycling74max #makenoisemaths #mutableinstrumentsrings #mutableinstrumentsclouds #doepfer #verbosJames Richmond BiogJames Richmond is a composer, producer and audio engineer working across electronic and guitar-based music. He is the guitarist and producer for Liam Vincent & The Odd Foxes, has released experimental electronic work under the name Euclidean Circuits and has a solo project called The Deathbird. He also develops bespoke audio tools through EventFieldAudio and writes about music production, studio systems and monitoring from his hybrid modular and analogue studio.https://www.jamesrichmond.com/https://www.facebook.com/jamesrichmondaudio/https://twitter.com/octatonichttps://www.instagram.com/jamesrichmondaudioJulian Rodgers BiogJulian Rodgers is a freelance writer and audio engineer with a background in live sound. After many years working in education introducing new users to Pro Tools, he now lives by the sea in West Cornwall, where he plays keyboards in a couple of bands. He also plays bass and guitar equally badly, and remains an enthusiastic collector of microphones and opinions about all things audio.https://www.linkedin.com/in/julian-rodgers-04621926Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
"The former head of Interscope and Geffen records Jimmie Ivine said that streaming has had its time. Spotify will see its demise soon. Whether you believe that or not, the question is what comes next. After Spotify. Many have suggest this next step in music evolution. We will tell you what Ivine said and offer up some possibilities for after Spotify."
WBEN's Tom Puckett on Moog's contribution to Artemis full 60 Tue, 14 Apr 2026 08:00:00 +0000 2nmtRYcpNzF5OaCCW4JduH8IWAcF8pHh news & politics,news WBEN Extras news & politics,news WBEN's Tom Puckett on Moog's contribution to Artemis Archive of various reports and news events 2024 © 2021 Audacy, Inc. News & Politics News False https://player.amperwavepodcasting.com?f
Moog's Craig Owczarcak on contributions to Artemis, now and in the future full 368 Tue, 14 Apr 2026 07:45:00 +0000 xQ1rlUZyFPOkeOUG5hxxtk8Ec2radc0X news & politics,news WBEN Extras news & politics,news Moog's Craig Owczarcak on contributions to Artemis, now and in the future Archive of various reports and news events 2024 © 2021 Audacy, Inc. News & Politics News False https://player.ampe
On today's supremely clever episode of Quick Charge, we talk with engineers from MOOG about diesel, natural gas, and battery power – and how the ability to use any or all of the above on a single machine can help fleets decarbonize at lower cost, and with lower risk than buying different machines for each fuel. The ability to operate a single machine and swap out a power or energy module that can convert it from diesel to electric to hydrogen as needed has been the calling card of MOOG's ZQUIP technology for all the years we've been covering it, and the latest oil war is just making the ZQUIP concept even harder to ignore. Check out some of the articles we've written about these guys in the past, below, then let us know what you think about this sort of modular power plant in the comments. Source Links Moog modular battery concept for heavy equipment is too smart to ignore ZQUIP modular power lets job sites switch from diesel to EV on the same machine CASE eliminates “messy middle” worries with ZQUIP battery swap tech E-quipment highlight: ZQUIP heavy equipment battery swap demo BONUS: 2024 ZQUIP interview on The Heavy Equipment Podcast Prefer listening to your podcasts? Audio-only versions of Quick Charge are now available on Apple Podcasts, Spotify, TuneIn, and our RSS feed for Overcast and other podcast players. New episodes of Quick Charge are (allegedly) recorded several times per week, most weeks. We'll be posting bonus audio content from time to time as well, so be sure to follow and subscribe so you don't miss a minute of Electrek's high-voltage podcast series. Got news? Let us know!Drop us a line at tips@electrek.co. You can also rate us on Apple Podcasts and Spotify, or recommend us in Overcast to help more people discover the show. If you're considering going solar, it's always a good idea to get quotes from a few installers. To make sure you find a trusted, reliable solar installer near you that offers competitive pricing, check out EnergySage, a free service that makes it easy for you to go solar. It has hundreds of pre-vetted solar installers competing for your business, ensuring you get high-quality solutions and save 20-30% compared to going it alone. Plus, it's free to use, and you won't get sales calls until you select an installer and share your phone number with them. Your personalized solar quotes are easy to compare online and you'll get access to unbiased Energy Advisors to help you every step of the way. Get started here.
"I found a cheeky online piece where the author was using funny put downs to describe some popular bands. Tourist Rock. Ring Tone Rap. Yallternative. So I put it to the Facebook and received a much longer list. I call then Genre Insults and we have a bunch for you."
"I ran across an article that listed three songs that people listen to only to wait for just that one section. It mentioned the drum break in the Phil Collins song In the Air Tonight. I knew exactly what it was talking about and immediately had five examples from my own collection. I put it to Facebook and now I have a slew of examples."
Moog's Jim Steffan on Artemis II full 1085 Thu, 02 Apr 2026 20:30:30 +0000 KKxdUwj5Hy1EIl3lU1MWMiTayrGg9g7E news WBEN Extras news Moog's Jim Steffan on Artemis II Archive of various reports and news events 2024 © 2021 Audacy, Inc. News False https://player.amperwavepodcasting.com?feed-link=https%3A%2F
Tony Rolando is a self-taught electronic musical instrument designer who started his career by obsessively reading amateur radio books at a public library, playing in bands, and by working for Moog synthesizers. He is the co-founder of Make Noise Music – a highly regarded manufacturer of synthesizers and modules best known for its innovative and unique designs. Thanks to his deep passion for sound exploration and experimentation, he has played a pivotal role in shaping the sonic landscape for contemporary electronic music, and has opened doors to more musical possibilities for musicians and producers Learn more about your ad choices. Visit megaphone.fm/adchoices
Mark Connolly interviews Oilers/Bruins/Stars/Habs legendary goaltender Andy Moog in the latest instalment of the Got Yer Back Alumni podcast. Andy provides a health update before we get to his meteoric rise from junior hockey in Billings, Montana to a Stanley Cup Final in a few short years. We dig into the tandem/partnership with Grant Fuhr, his NHL holdout and involvement with the 1988 Olympics in Calgary, and more! Plus, Zubie gets to fulfill a lifelong dream by leading a (not so rapid) Rapid Fire Q&A about pregame meals, goalie masks, the People's Court and a whole lot more!See omnystudio.com/listener for privacy information.
"Major record companies are suing SUNO and Udio over song usage to create AI tunes. The one big thing the companies are looking for is a Walled Garden, the idea that what is created on SUNO will stay on SUNO. It cannot be taken and spread around. One company has already settled but it goes much deeper than that."
Tony Rolando is a self-taught electronic musical instrument designer who started his career by obsessively reading amateur radio books at a public library, playing in bands, and by working for Moog synthesizers. He is the co-founder of Make Noise Music – a highly regarded manufacturer of synthesizers and modules best known for its innovative and unique designs. Thanks to his deep passion for sound exploration and experimentation, he has played a pivotal role in shaping the sonic landscape for contemporary electronic music, and has opened doors to more musical possibilities for musicians and producers Learn more about your ad choices. Visit megaphone.fm/adchoices
The dance floor is where Harry Styles does his therapy, and this album is the session notes. Four years after Harry's House, Styles returns with Kiss All the Time, Disco Occasionally, a record built from minimal ingredients: live drums, Moog bass, nylon guitar, and synth sequences that stretch across entire songs without a drop in sight. This is Styles' anti-drop album. Where classic disco era dance celebrated collective joy, Styles uses the dance floor as a stage for self-examination. Links: Newsletter, YouTubeSongs discussed: Harry Styles – "Aperture" Ice Spice – "In Ha Mood" PinkPantheress – "Boy's a Liar" Zara Larsson – "Midnight Sun" LCD Soundsystem – "Dance Yrself Clean" LCD Soundsystem – "Someone Great" LCD Soundsystem – "Oh Baby" Harry Styles – "Pop" Harry Styles – "Sign of the Times" David Bowie – "Space Oddity" Elton John – "Rocket Man" Harry Styles – "Dance No More" Chic – "Good Times" Stevie Nicks – "Edge of Seventeen" Simon & Garfunkel – "Keep the Customer Satisfied" Paul Simon – "You Can Call Me Al" Harry Styles – "Carla's Song" Paul Simon – "Kathy's Song" Simon & Garfunkel – "Bridge Over Troubled Water" Harry Styles – "Are You Listening Yet?" DJO – "Basic Being Basic" Harry Styles – "Season Two, Weight Loss" Sons of Kemet – "Play Mas" Harry Styles – "Coming Up Roses" Harry Styles – "American Girls" LCD Soundsystem – "American Scum" LCD Soundsystem – "Drunk Girls" Harry Styles – "As It Was" Learn more about your ad choices. Visit podcastchoices.com/adchoices
Send a textA cold case sharpens when a simple sketch turns into a lever. We open the Von Stein murder file with fresh eyes, bringing the SBI back into the room and laying out a clear plan: protect the few secrets that still hold power, then set a ruse to test what the suspects don't know they're revealing. The hinge point is a map—handwriting that echoes a guarded clue—and the patience to let a small moment move a heavy investigation.We walk through Chris's well-practiced timeline: a Sunday of beer and cards, a late return to bed, missing keys, and a campus police ride that threads him from dorm to hospital to Smallwood. Along the way, we note the friction points that matter: a sudden decision to park in a far, well-lit lot weeks after a theft, and a set of stories that tidy up just as new details slip out. When we ask him to draw the neighborhood, he does, and twice writes a name in a way that could tie him tighter than he intends. It's not a confession; it's a comparison. Strategy over spectacle.From there, the circle widens. Bruce paints a picture of friendship, Dungeons & Dragons marathons, and the gravitational pull of Moog: bright, charismatic, fueled by drugs and chaos. He frames Chris as easily led yet affectionate toward his parents, complicating any neat motive. Hank meets us in a rain-soaked doorway with guarded half-answers and multiple versions of the crime story—burglary, assault, murder—raising questions about what changed and why. Money hums under the surface: talk of stock percentages, a new car, big weekends, and the image-management that young men perform when they want to be seen as flush.The thread pulling tight is absence. Multiple voices can't place Moog on the crucial night, and that negative space becomes a lead of its own. We close by shifting from cold calls to a warmer trail: a probation officer who knows his habits and haunts, someone who can map the person as precisely as Chris mapped the streets. That's the heartbeat of this chapter—maps everywhere. Neighborhoods, friend groups, timelines, and the thin lines of ink that can tip a case. Listen, then tell us: which small detail changed your mind? If this story drew you in, follow, share, and leave a review so more listeners can join the investigation. Support the show
"I ran across an article listing musicians who are in both the Rock and the Country Halls of Fame. There aren't many. When I started looking into it further I found that the people on the list were in multiple other Halls of Fame as well. I wanted to find out what musician is in the most Halls. There is a clear winner."
A Scottish cult hero. A seven-minute pseudo-electronic epic. A song literally called “Gang Bang.” This episode dives into Next (1973) by the Sensational Alex Harvey Band, a glam-adjacent, piano-driven, theatrical rock album that turned Cleveland into a true-believer city while barely registering anywhere else. If you've ever wondered how a band could sound like AC/DC fronted by a cabaret singer, this one's for you.The conversation unpacks how Next won a community poll over Santana, Mountain, and Babe Ruth, then zooms into what makes this record so strange and so compelling: Alex Harvey's gravelly, Bon Scott–adjacent vocal sneer; Hugh McKenna's barroom piano at the center of the mix; Zal Cleminson's clown-faced guitar theatrics; and a tracklist that veers from swampy 70s glam rock to French-tango whorehouse drama to 50s sock-hop pastiche. The hosts dig into the band's ties to Cleveland's WMMS, the album's inclusion in 1001 Albums You Must Hear Before You Die, and why “The Faith Healer” feels like a proto-electronic blueprint hiding inside a 70s hard rock record.Along the way, they wrestle with whether Next is a fully realized album or a brilliantly messy collision of pub-rock instincts and art-rock ambition. Is this bar-band filler padded with covers, or the sound of a band inventing a theatrical rock universe on the fly? If you're into Alice Cooper (early band era), Slade, Mott the Hoople, AC/DC's Bon Scott years, or even the weirder corners of 70s glam and proto-metal, this episode will hit that sweet spot between grit, camp, and cult.Episode Highlights:- 0:00 – Swampsnake (intro clip) – Setting the scene with the swampy, bluesy glam groove that defines the album's tone and why this 70s poll got “weird in the best way.”- 1:40 – The 70s album poll – Santana, Mountain, Babe Ruth, and why the community rallied hard behind the Sensational Alex Harvey Band.- 7:40 – Cleveland adopts a Scottish band – WMMS, the Agora, and how Next became a regional obsession that most of America never knew existed.- 15:16 – Album backstory – Vertigo Records, Phil Wainman's production, Tear Gas origins, and how a late-30s Alex Harvey ends up making this wild second album.- 22:02 – Glam, grit, and piano – How the Bon Scott–style vocal snarl, barrelhouse piano, and theatrical arrangements hold the chaos together.- 27:27 – First-listen confusion – From glam rock to 50s throwback to French chanson: why Next doesn't make sense until you've lived in it for a few spins.- 30:05 – “Next” (track) – The Jacques Brel cover as French-tango whorehouse showpiece, Casablanca vibes, and the album's most overtly theatrical moment.- 32:14 – “Vambo Marble Eye” – Bo Diddley groove, wah-drenched guitar nastiness, and the band's most swaggering barroom-meets-art-rock blend.- 33:40 – “The Faith Healer” – Seven minutes of loops, Moog textures, and slow-build arrangement that feels like a prototype for later electronic and industrial music.- 34:37 – Rocky Horror energy – Why Next feels like an alternate soundtrack to a 70s midnight movie musical.- 36:42 – What doesn't work? – The “pub-rock reflex”: “Giddy Up a Ding Dong” as sock-hop filler and the tension between bar band roots and art-rock ambition.- 40:35 – “Gang Bang” – Explicit lyrics, 70s shock value, consent, and how this track compares to hair metal's sleazier moments.- 46:44 – Is this an album, EP, or chaos? – Final verdicts: worthy album vs. killer four-song EP, and which tracks make the cut.- 49:45 – For fans of… – Framing SAHB alongside Alice Cooper, Slade, Jake E. Lee–era party rock, and theatrical 70s glam for modern listeners.- 54:49 – How to dig deeper – Box-set rumors, the Framed/Next CD pairing, and why this is a band you probably had to see live.If you love 70s glam rock, proto-metal, theatrical rock, and cult classic albums that sit somewhere between barroom grit and art-school weirdness, this episode is for you.
"Luminate is a company that tracks the Entertainment Industry pointing out data analytics and trends. Their 2025 report has come out and it points to overall listenership being up. Listening to new music is way down. There are also some interesting data points regarding AI."
"The internet loves lists. The click bait ones often choose to list the worst of something and choose the best of it just to upset the audience for engagement. I can usually ignore these but this one really bugged me for some reason. I'll tell you the list and debunk it and offer some of mine."
"The Rockin 1000 is a project that started in Italy as gag to create a video of 1000 musicians playing Learn to Fly in order to get the Foo Fighters to come and put on a concert. It has since grown into full scale concerts across Europe. On January 31 the Rockin 1000 played their first concert in America, in New Orleans, and I was part of the band. Let me tell you the story."
En 1995, à Strasbourg, la compagne de Roland Moog, projectionniste d'une salle de cinéma, disparaît sans laisser de trace. La jeune femme était sur le point d'accoucher. Pendant des jours, des mois, des années, Roland Moog va maintenir sa version. Il ne sait pas ce qui a pu arriver à la mère de son futur enfant. Mais dit-il la vérité ? Roland Moog aurait-il quelque chose à se reprocher ? Caroline Nogueras nous raconte ce terrible fait divers a marqué les annales judiciaires dans les années 90... Un podcast Bababam Originals Ecriture : Virginie Guedj Voix : Caroline Nogueras Learn more about your ad choices. Visit megaphone.fm/adchoices
"Every year I hear people complaining that the NFL makes lousy picks for the Super Bowl halftime show. If the picks are lousy then ratings must tank. But they do not. In fact the halftime show has never been better watched. We have a long list of ratings and demographics to show that the NFL seems to know what they are doing."
"We are coming into tax season so Tammy and will talk about paying the government. The HITS Act is now in full swing. Foreign governments are changing their tax codes for musicians and we also have a list of what you might not have known was tax deductible."
Parisian based duo Atomic moog join our waves serious with an entry recorded as a live improv in an intimate ambient room at Springkell, Scotland in November 2025. An enchanting session awaits the listener delving into the heart of Atomic moogs creative energy for a one of a kind take on ambient textures. Follow : https://soundcloud.com/atomic-moog https://www.instagram.com/atomic__moog/
"In our New Year show we related an article that suggested that 3D spatial audio was going to be popular in 2026. Tammy asked for an explanation of 3D audio so here it is. We have examples of both new songs and classic music that has been remixed into a spatial audio format."
"A report from Spikerz, an Israeli company that tracks hacking, suggests that in 2025, music hacks were a sizeable number of methods bad actors were using to extract money from unsuspecting persons and companies. We have the numbers and multiple examples."
"This is our second of two year opening shows. We will cover new Public Domain availability, anniversaries for this new year and some predictions for 2026."
With the fate of the entire ship on the line, stakes are high and the capacity to give a *** is inversely low. Become a supporter of this podcast: https://www.spreaker.com/podcast/authors-dragons-comedy-dnd-podcast--5624719/support.Featuring Drew Hayes, John g Hartness, Rick Gualtieri, Robert Bevan, Joseph Brassey, Steve Wetherell, EM Kaplan, MK Gibson and more! Check out more adventures and fun dumb stuff at www.authorsanddragons.com