Podcasts about earth stood still

Amer Rez is back with filmmaker and comedian Miguel McKenna for a hilariously unfiltered, free-flowing conversation recorded live right outside the M Hotel. They bypass the usual podcast pleasantries and dive straight into a chaotic blend of deep-cut cinema and everyday absurdities. Whether they are breaking down the physical mechanics of swimming and the realities of dealing with uneven leg lengths, or debating the logistics of balancing dinner timelines with dating in your thirties, the chemistry is fast, loose, and completely authentic.For the film buffs, Miguel delivers his definitive, non-negotiable list of 10/10 cinematic masterpieces—trading thoughts on everything from *The Elephant Man* and *Zodiac* to the atomic-age terror of the 1951 classic *The Day the Earth Stood Still*. The conversation spins wildly from high-brow movie analysis into the surreal, touching on UFO disclosures, corporate conspiracy theories hidden inside *Monsters, Inc.*, and a gold-tier workplace story involving a legendary Lebanese coworker who claims to be a national karaoke champion for his rendition of Prince's *Purple Rain*. It's a hilarious, fast-paced hour of sharp commentary and great storytelling that feels exactly like catching up with your funniest friends.

This week the Earth Station Trek crew takes a bit of a thematic shoreleave to revisit one of the classics of sci-fi film, “The Day the Earth Stood Still” (1951) starring Michael Rennie, Patricia Neal, and a guy in a big robot costume. We’ll review the movie and see what Trek connections we can find […] The post BEYOND TREK: The Day the Earth Stood Still (1951) – Earth Station Trek – Episode 263 appeared first on The ESO Network.

This week the Earth Station Trek crew takes a bit of a thematic shoreleave to revisit one of the classics of sci-fi film, "The Day the Earth Stood Still" (1951) starring Michael Rennie, Patricia Neal, and a guy in a big robot costume. We'll review the movie and see what Trek connections we can find in it. Earth Station Trek is a part of the ESO Podcast Network, Executive Producer Mike Faber. #startrek #thedaytheearthstoodstill #MichaelRennie #PatriciaNeal

Today we're talking about one of the key films of the Cold War, The Day The Earth Stood still. In the film a humanoid alien, Klaatu, delivers a message to Earth - live peacefully or else. Through Klaatu's interactions with humans we look at our society through a mile high (or 200 million “earth miles”?) lens. It's a good snapshot of Cold War America and fears for the future - utopia or destruction…and it's up to us (which isn't promising, as we'll see). On some levels it seems like beauty pageant tier politics, but digging a little deeper it brings up questions of the use of force in order to shape the world as you want it. This is one of the best sci-fi films ever made. Enjoy.

Send us Fan MailNot everything has to be remade but it does get one anywayToday were talking about:A visitor arrives from beyond the stars. He brings a message. We immediately make it worse.Governments panic. Scientists negotiate. Humanity continues to be itself.The planet is sick — and we are the problem.Judgment isn't coming. It's already here.The Day the Earth Stood Still

It's 75 years since The Thing from Another World crawled onto movie screens, so to celebrate this seminal year in sci-fi cinema we've taken another look at that, The Day the Earth Stood Still and When Worlds Collide Presented by J.R. Southall, with Matt Barber and Steve Hatcher

This week, Hackaday's Elliot Williams and Kristina Panos met up over assorted beverages to bring you the latest news, mystery sound results show, and of course, a big bunch of hacks from the previous seven days or so. In the news, there's quite a bit to talk about. Regarding Hackaday Europe, you can rest assured that the talks will be announced soon. The Green-Powered Challenge is still underway, and we need your entry to truly make it a contest. You have until April 24th to enter, so show us what you can do with power you scrounge up from the environment! As usual, we published a handful of April Fool's posts, which you may or may not find amusing. And finally -- no fooling -- our own Tom Nardi wrote up the Artemis moon launch, and is going to update the post every day until the mission ends. On What's That Sound, we can score one for Kristina, which brings her record to approximately three wins and sixty-eight losses. She knew without a doubt that the dialogue was from the Day the Earth Stood Still (1951). Oh, what? There was a remake in 2008? Kristina should get bonus points, then. After that, it's on to the hacks, beginning with the basics of making clean enclosures that are decidedly not 3D-printed, a couple of sweet lo-fi cameras, and a nice way to tame the tape when it comes to SMT parts. We also discuss a clock that marks time in a mathematical way, watch an electro-permanent magnet in action, and improving soda by turning it into mead. Finally, we discuss the solar balconies taking Europe by storm, and Copilot's terrifying terms of service. Check out the links over on Hackaday to follow along, and as always, tell us what you think about this episode in the comments!

This week, Hackaday's Elliot Williams and Kristina Panos met up over assorted beverages to bring you the latest news, mystery sound results show, and of course, a big bunch of hacks from the previous seven days or so. In the news, there's quite a bit to talk about. Regarding Hackaday Europe, you can rest assured that the talks will be announced soon. The Green-Powered Challenge is still underway, and we need your entry to truly make it a contest. You have until April 24th to enter, so show us what you can do with power you scrounge up from the environment! As usual, we published a handful of April Fool's posts, which you may or may not find amusing. And finally -- no fooling -- our own Tom Nardi wrote up the Artemis moon launch, and is going to update the post every day until the mission ends. On What's That Sound, we can score one for Kristina, which brings her record to approximately three wins and sixty-eight losses. She knew without a doubt that the dialogue was from the Day the Earth Stood Still (1951). Oh, what? There was a remake in 2008? Kristina should get bonus points, then. After that, it's on to the hacks, beginning with the basics of making clean enclosures that are decidedly not 3D-printed, a couple of sweet lo-fi cameras, and a nice way to tame the tape when it comes to SMT parts. We also discuss a clock that marks time in a mathematical way, watch an electro-permanent magnet in action, and improving soda by turning it into mead. Finally, we discuss the solar balconies taking Europe by storm, and Copilot's terrifying terms of service. Check out the links over on Hackaday to follow along, and as always, tell us what you think about this episode in the comments!

This week, Hackaday's Elliot Williams and Kristina Panos met up over assorted beverages to bring you the latest news, mystery sound results show, and of course, a big bunch of hacks from the previous seven days or so. In the news, there's quite a bit to talk about. Regarding Hackaday Europe, you can rest assured that the talks will be announced soon. The Green-Powered Challenge is still underway, and we need your entry to truly make it a contest. You have until April 24th to enter, so show us what you can do with power you scrounge up from the environment! As usual, we published a handful of April Fool's posts, which you may or may not find amusing. And finally -- no fooling -- our own Tom Nardi wrote up the Artemis moon launch, and is going to update the post every day until the mission ends. On What's That Sound, we can score one for Kristina, which brings her record to approximately three wins and sixty-eight losses. She knew without a doubt that the dialogue was from the Day the Earth Stood Still (1951). Oh, what? There was a remake in 2008? Kristina should get bonus points, then. After that, it's on to the hacks, beginning with the basics of making clean enclosures that are decidedly not 3D-printed, a couple of sweet lo-fi cameras, and a nice way to tame the tape when it comes to SMT parts. We also discuss a clock that marks time in a mathematical way, watch an electro-permanent magnet in action, and improving soda by turning it into mead. Finally, we discuss the solar balconies taking Europe by storm, and Copilot's terrifying terms of service. Check out the links over on Hackaday to follow along, and as always, tell us what you think about this episode in the comments!

Send us Fan MailWe catch up with animation historian and producer Arnold Leibovit on his newly restored, re-edited Blu-ray release of The Puppetoon Movie, built from a 4K scan of the original 35mm negative. We also dig into the legacy of George Pal, the new documentary and other extras, and a live theater event that brings classic sci-fi and Puppetoons back to the big screen. Purchase The Puppetoon Movie Director's Cut Blu-rayAlso available from Amazon:The Puppetoon Movie Volume 3 Limited EditionThe Day The Earth Stood Still Screening Event Info on FacebookTICKETS to Screening LINKThe Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  tim@theextras.tv

The Day the Earth Stood Still was a film released in 1951. It tells the story of an alien visitor coming to Earth with an important message for mankind. Humanity fears him, but the greatest threat to them is their own paranoia. In this episode we discuss this film. We talk about the characters and […] The post The 42cast Episode 279: Klaatu Barada Nikto appeared first on The ESO Network.

In episode 2020, Jack and Miles are joined by comedian and host of Go Fact Yourself, J. Keith van Straaten, to discuss… Pete Hegseth’s Pentagon Is Spending Billions On War... And Millions On Lobster, Trump Playing 4D Checkers Baby With Save Act, Old Habits…Iran/Midterms, Is Hollywood’s UFO Trend A Government PSYOP? And more! Is the Iran war really costing the US $2bn per day? Pentagon Should Focus on Defense Priorities, not Lavish Dinners, After Historic $93.4B “Use-It-or-Lose-It” September Pete Hegseth Blew Billions on Fruit Basket Stands, Chairs, and Crab Hollywood Is Suddenly Taking UFOs Seriously, With Rival “Disclosure” Projects in the Works (Exclusive) ‘A lot of stories but very few facts’: sceptics push back on buzzy UFO documentary MAGA Congresswoman Claims UFOs Might Be ‘Interdimensional Beings’ UFOs, Aliens & Steven Spielberg's 20-Year Obsession Close Encounters: Cultural Impact Claim: NASA tried to stop Spielberg's 'Close Encounters of the Third Kind' CIA Influence on 'The Day the Earth Stood Still' The Day the Earth Stood Still: Rejected by the US Air Force, but aided by the CIA? LISTEN: blackbird by Victoria CanalSee omnystudio.com/listener for privacy information.

⭐Between Midnight and Dawn (1950) - Buddy-Cop Film Noir (Plot Synopsis) ⭐

Edward Perotti joins Tami Goveia once again as co host and discusses the film The Day the Earth Stood Still (1951). Some Like it Classic is on all social medium platforms!

The gang discuss their favorite movies & Mack tells them where they are wrong. Movies include The Day the Earth Stood Still, The Mothman Prophecies, The Omega Man & The 13th Warrior, among others. Also, two fans drop by to talk about their encounter with a wealthy ghost.  Special Guest: Barry Z.

The gang discuss their favorite movies & Mack tells them where they are wrong. Movies include The Day the Earth Stood Still, The Mothman Prophecies, The Omega Man & The 13th Warrior, among others. Also, two fans drop by to talk about their encounter with a wealthy ghost. Special Guest: Barry Z.Become a supporter of this podcast: https://www.spreaker.com/podcast/paranormal-uk-radio-network--4541473/support.

Send a textWeighing in on what the listeners are weighing in on...  This time poems and songs abound about "The Day the Earth Stood Still", a possible reason for using the term "bodega", and the pineapple pizza paradox is explored once again.Look at us on InstagramFollow us on Twitter (or don't we're not really there - and you probably shouldn't be either. And yeah, we know, the dumb name changed)Hit us up with comments and suggestions at horrorcurious@gmail.comRate! Review! Recommend!

Send us a textTaking it back 50's sci-fi style. Spoiler alert, an alien comes to Earth with a robot named Gort. Spoiler spoiler alert, that's not what makes the Earth stand still. It was our feet? Check out our coverage of "When The Earth Stood Still" to find out. Look at us on InstagramFollow us on Twitter (or don't we're not really there - and you probably shouldn't be either. And yeah, we know, the dumb name changed)Hit us up with comments and suggestions at horrorcurious@gmail.comRate! Review! Recommend!

Part 2 starts up pretty crazy guys we continue talking about lots of geographic Changes that are going on in the world lots of Trump lots of Epstein lots of corruption lots of tyrants lots of dictators lots of delusion and to fix all that we got lots of God . And then we finish off with John Lennon talking to us about the "theys " and Love is true.

welcome back everyone. christ is king and America #1 .

The Deadly Spawn (1983) & Metamorphosis: The Alien Factor (1990) A cult fan favorite of the 1980s low-budget monster boom, The Deadly Spawn is best remembered for one of the era's most distinctive creature designs. Its semi-sequel, Metamorphosis: The Alien Factor, is a scrappy and underrated follow-up that's still a lot of fun, and long overdue for a proper Blu-ray upgrade. Behind both films is Ted A. Bohus, a true multi-man of independent genre cinema. Beyond producing and directing, Bohus has also been a vital chronicler of film history and technique through his magazines SPFX and Candid Monsters, publications that routinely reveal how much there still is to discover about movies we think we already know. In this episode, he sits down with us to talk about The Deadly Spawn, Metamorphosis, and the realities of working in the low-budget, independent filmmaking world, sharing more than a few hard-earned lessons for aspiring filmmakers along the way. We also dive into his work as a publisher, including the deep-research, damn-near-a-book issues of Candid Monsters, which take exhaustive looks at some of our favorite classic films. So sit back and enjoy a conversation packed with great stories, sharp insights, and a genuine love for the messy, fascinating world of making movies and magazines. Films mentioned in this episode: Angry Red Planet (1959), The Alien Factor (1978), The Alligator People (1959), Avatar: Fire and Ash (2025), Black Scorpion (1957), The Blob (1958), The Day the Earth Stood Still (1951), The Deadly Spawn (1983), Destination Fame (2012), Dr. Jekyll and Mr. Hyde (1931), Fiend (1980), Forbidden Planet (1956), Freaks (1932), Friday the 13th (1980), Gog (1954), Gorgo (1961), Hell on Earth (2010), Hideous Sun Demon (1958), The House of Haunted Hill (1959), The Invisible Boy (1957), It's a Wonderful Life (1946), King Kong (1933), Kronos (1957), The Maze (1953), Metamorphosis (1990), Metamorphosis: The Alien Factor (1990), Mighty Joe Young (1949), The Monster of Piedras Blancas (1959), Nightbeast (1982), Primate (2025), Regenerated Man (1994), Son of Kong (1933), Star Wars (1977), Them (1954), The Tingler (1959), Tobor the Great (1954), Vampire Vixens from Venus (1995)

We're coming in this week like a flying saucer into Earth's atmosphere with a movie that's both way ahead of its time and also incredibly dated. Flying saucer movies could be a dime a dozen in the atomic age, but only a few managed to capture the public's imagination like this week's movie. This is the template for a lot of sci-fi to come, even though it suffers from some haphazard execution and some frankly terrible acting. Make sure you're on Gort's good side and don't get vaporized as we discuss The Day the Earth Stood Still on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken "Prelude and Outer Space" from the film The Day The Earth Stood Still, written and composed by Bernard Herrmann and conducted by Joel McNeely. © 1951 Twentieth Century Fox Film Corporation, 2003 Varese Sarabande Records, Inc. Excerpt taken from the main title to the film A Face in the Crowd, composed and conducted by Tom Glazer & Budd Schulberg and performed by the Warner Bros. Studio Orchestra. Copyright 1957 Warner Bros. Entertainment Inc. All Rights Reserved.

Greetings, Programs! Meet designer, writer, curator, and historian Tim Lapetino, who's the Creative Director at Atari. Armed with a passion for digital and visual culture, Tim shares insights about 1982's Tron, its production, sequels, and video games. We also discuss WarGames, classic sci-fi, artificial intelligence, and The Big Lebowski. This episode was originally released for our 1st Season in July 2024 and during this recording, Tim was working on a Visual History of Tron book, in mid-pitch mode.-Tim Lapetino is an award-winning designer and author who has helped brands tell their stories through design and writing. Tim enjoys working with geeky brands and their passionate fans, telling stories and inspiring generations of collectors, creators, programmers, tastemakers, and artists. His best-selling book, Art of Atari, has been published in four languages, and his writing appears in publications worldwide. https://www.timlapetino.com/ https://www.instagram.com/timlapetino/ https://www.linkedin.com/in/timlapetino/ -Tron (1982)https://www.imdb.com/title/tt0084827/ https://www.nytimes.com/1982/07/09/movies/disney-tron.html -Other movies and shows discussed:The Big Lebowski (1998)The Black Hole (1979)The Day the Earth Stood Still (1951)Photo Tronology (2011)The Shining (1980)Time After Time (1979)Time Bandits (1981)Tron: Ares (2025)Tron: Legacy (2010)Tron: Uprising (2012-2013)WarGames (1983)

Drama on a SundayFirst,  a look at this day in History.Then, Dragnet starring Jack Webb,  originally broadcast January 4, 1953, 73 years ago, The Big Mask Part 2.  The Black Masked Bandit eludes the efforts of the cops to track him down. It's as if he knows what the law is planning next.Followed by Suspense, originally broadcast January 4, 1959, 67 years ago, Don't Call Me Mother starring Agnes Moorehead.  A possessive mother is determined to break up her son's marriage. Then, Lux Radio Theater, originally broadcast on January 4, 1954, 72 years ago, "The Day The Earth Stood Still," starring Michael Rennie and Jean Peters.  An alien from space gives mankind a final chance to achieve world peace—the adaptation of the 1951 movie.  Finally,  Fibber McGee and Molly, originally broadcast January 4, 1955, 71 years ago, Sold At Auction.   There's an army surplus auction, and Fibber wins...ten gallons of house paint. Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! Find the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

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Drinking a One-Two Punch In an earlier episode, I mentioned that between the ages of five and eight, my older brother used to take me to the Saturday afternoon matinees at a large movie theatre near our home in Northeast Philadelphia. Those outings were magical — the darkened theatre, the smell of popcorn, and the giant screen that opened windows to worlds far beyond my own. As I shared before, I saw some of the great science fiction classics of the 1950s, films that made an indelible impression on my young mind — impressions that, in some ways, have stayed with me ever since. In that earlier episode, we explored Invasion of the Body Snatchers, a film that warned of a future where human beings had become emotionless replicas — walking robots in human form. In this episode, we'll turn our attention to two other remarkable science fiction classics that touched me on a deep, existential level. The first is The Day the Earth Stood Still — a film that offered a profound vision of the power of human choice in the effort of our survival. The second is The Incredible Shrinking Man — a film that took me inward, toward the mystery of identity, consciousness, and what existence really means. The Day the Earth Stood Still The Day the Earth Stood Still opens in Washington, D.C., where a flying saucer lands on the National Mall, instantly drawing the attention of both the military and the public. From the ship emerges a calm, human-like visitor named Klaatu, who announces that he has come in peace, bearing a message to aid humanity. But when he reaches into his suit and pulls out a small, unfamiliar device, a nervous soldier panics and fires his rifle, wounding him. In that instant, a towering robot named Gort steps out of the ship and begins to disintegrate the soldiers' weapons with a blinding energy ray. The chaos halts only when Klaatu, wounded but composed, commands Gort to stop. He then explains that the device he was holding had been a gift intended for the President of the United States — a symbol of peace, not threat. Klaatu Among Humans Klaatu is rushed to Walter Reed Army Hospital, where he requests an audience with the world's leaders to deliver an urgent message. But the atmosphere of Cold War paranoia makes cooperation impossible. Frustrated by political barriers, Klaatu escapes the hospital and disguises himself as an ordinary man named “Mr. Carpenter.” He rents a room in a boarding house, where he befriends a young widow, Helen Benson, and her curious son, Bobby. Through his time with them — especially his friendship with Bobby — Klaatu experiences the rhythms of ordinary American life: simple kindness, curiosity, and fear. Eventually, he meets the brilliant Professor Barnhardt, a scientist modeled after Albert Einstein, who recognizes Klaatu's sincerity and agrees to help gather the world's leading scientific minds. Demonstration of Power To prove the seriousness of his mission, Klaatu arranges a global demonstration. At precisely noon, all electrical power across the planet ceases for thirty minutes. Lights go dark, cars stall, machinery grinds to a halt — the world itself seems to stop. Only essential systems like hospitals and airplanes in flight remain untouched. For half an hour, the human race stands still, witnessing a power far beyond its own. Conflict and Revelation Despite his peaceful purpose, Klaatu is relentlessly hunted by the military, who see him as a threat. When he tries to return to his spaceship, soldiers open fire, gravely wounding him. But before this, he had given Helen specific instructions: if anything happens to him, she must go to Gort and say the words — “Klaatu barada nikto.” Helen bravely delivers the message. Gort obeys, retrieves Klaatu's body, and revives him using alien technology. When Klaatu awakens, he tells Helen that his revival may be temporary — for only the Divine Power, not science, holds true authority over life and death. Final Warning In the film's climactic moment, Klaatu addresses the assembled scientists, revealing the full purpose of his visit. His people, he explains, monitor planets across the galaxy. Earth's combination of nuclear weapons and emerging rocket technology has made it a danger not only to itself but to all intelligent life. Klaatu's civilization lives in peace — but that peace is maintained by an interstellar police force of powerful robots like Gort. Any planet that threatens the balance of life will face destruction. Then he delivers his unforgettable warning: “The decision rests with you. We shall be waiting for your answer. The choice is simple — join us and live in peace, or pursue your present reckless course and face obliteration. We shall be waiting for your answer.” With that, Klaatu bids farewell, boards his spacecraft with Gort, and departs into the heavens — leaving humanity to decide its fate. Even though I was still just a little kid, I could barely move at the end of that movie. I remember sitting there, completely still, deeply shaken by the realization that we — the human race — are actually a very primitive species, and that there may exist an intelligence in the universe far more advanced and powerful than our own. Of course, the most unforgettable moment, was when Klaatu demonstrates his power by literally stopping all electricity on Earth for thirty minutes. Trains grind to a halt, factories fall silent, cars stall in the streets, and even wristwatches freeze in time. In that single moment, the entire world is brought to its knees, forced to experience its utter helplessness before a power infinitely greater — and yet, astonishingly, not malevolent, but filled with wisdom and compassion. Throughout the story, human beings are shown as anxious and paranoid, their decisions shaped by fear and greed. The aliens, by contrast, are calm, wise, and profoundly compassionate — beings who have long transcended the primitive impulses that still dominate us. Beneath the surface of the film runs a clear message: we are not the ultimate masters we imagine ourselves to be. And humanity is in critical need of a vast expansion of consciousness. Perhaps the wisest response to such a revelation is not more fear or aggression, but the openness that comes from true humility — the humility to listen, to learn, and to evolve. For this unknown force has shown us that it holds complete power over us, and yet it extends a hand of understanding. Its message could not be clearer — simple, urgent, and eternal: Evolve… or die. So, this brings us to the second film in today's episode, The Incredible Shrinking Man, which, to quote old hippie parlance, really did a major number on my head. Opening and Setup Scott Carey, a happily married, ordinary man, is vacationing on a boat with his wife, Louise. While sunbathing, he is suddenly enveloped by a strange, mist-like cloud. Six months later, he begins to feel unwell and notices his clothes fitting loosely. Soon, he realizes he is actually shrinking. Medical tests confirm that exposure to a combination of radioactive fallout and insecticide has altered his cellular structure, causing his body to continuously diminish in scale. Public Curiosity and Growing Despair As Scott becomes smaller, he loses his job and, eventually, his confidence. He becomes a media spectacle, dubbed “The Incredible Shrinking Man” by the press. His humiliation and helplessness deepen with every inch he loses. Though Louise still loves him deeply, their relationship grows increasingly strained as he withdraws emotionally. When he befriends Clarice, a kind-hearted circus performer with dwarfism, he finds brief solace and understanding — someone who truly empathizes with his plight. But that comfort vanishes when he realizes he is shrinking even smaller than her, confirming that his condition is unstoppable. Life in the Dollhouse Eventually, Scott becomes only a few inches tall and is forced to live in a dollhouse. Louise continues to care for him tenderly, but tragedy strikes when she steps out of the house, leaving him vulnerable. Their cat attacks, and in a frantic struggle for survival, Scott narrowly escapes — only to be knocked into the basement, where he is presumed dead. The Basement Odyssey Trapped in the basement and now only fractions of an inch tall, Scott begins a desperate struggle for survival. The familiar surroundings of his home transform into an immense and hostile wilderness. He faces epic battles against a giant spider, treacherous climbs over towering obstacles, and a constant search for crumbs of food and droplets of water. These scenes are both terrifying and deeply symbolic: Scott must rediscover his will to live in a world that continually threatens his existence. Existential Revelation As he continues to shrink beyond visible size, Scott experiences a profound spiritual awakening. He realizes that, though he is becoming infinitely small, he is still part of the infinite itself — connected to all creation. His fear dissolves into awe. He looks up at the stars and understands that size and scale are irrelevant in the cosmic order. And then he expresses his realization of the ultimate truth: “To God, there is no zero. I still exist.” Themes and Legacy When I first saw The Incredible Shrinking Man at around age eight, the experience was life-altering — though I was far too young to understand it intellectually. All I knew was that something vast and wordless had opened inside me. I didn't yet grasp its meaning; I simply felt it. Now, after many decades of personal growth and reflection, the film's message has come much more into focus. At its core, The Incredible Shrinking Man is a meditation on human vulnerability and ultimate transcendence. It begins as science fiction but ends as metaphysics — a journey from disintegration and despair to the realization of unity with the infinite. Its closing message is both humbling and exalting: that meaning endures even after form disappears. Beneath its pulp title and mid-1950s imagery lies a profoundly spiritual story about surrender, humility, and rediscovery — the timeless truth that even in the smallest particle of existence, the whole of creation still lives and breathes. Let's take a quick look at some of its deeper foundations. 1. The Fall of the Modern Everyman Scott Carey begins as the quintessential postwar American male — successful, confident, rational, and in control. But his sudden exposure to a mysterious radioactive mist destabilizes everything he relies upon. What follows is not merely a biological crisis but a metaphysical one. His physical shrinking mirrors the collapse of the ego — the gradual erosion of all external definitions of self: status, power, sexuality, and ultimately, even visibility itself. In many spiritual traditions, this marks the first stage of awakening: the unmaking of identity. The process can be terrifying, for it strips away everything that seems to guarantee one's existence. In this light, Scott's shrinking becomes a symbolic descent — the unraveling of the false self that must precede illumination. 2. The Basement as the Underworld When Scott falls into the basement, he has crossed into the mythic underworld — the inner realm where the soul confronts death and transformation. The ordinary objects surrounding him — spiders, matchsticks, droplets of water — are transformed into archetypes of the forces that test endurance and faith. Alone and unseen, he learns to survive not through domination but through adaptability, humility, and reverence for life in all its forms. Each confrontation with danger becomes an initiation. The basement is not a hell of punishment but a monastery of awakening, where the noise of the world falls away and consciousness begins to sense its unity with the Infinite. 3. The Vanishing Point and the Infinite As Scott continues to shrink, the story turns ever inward. The scale of his physical world expands into the scale of cosmic awareness. Matter, space, and spirit dissolve into a single continuum. His final revelation — that to God there is no zero — is a moment of pure, non-dualistic insight. He understands that although everything external is, by nature, impermanent, existence itself is indestructible; even the smallest particle contains the totality of being. This realization echoes the mystical experiences described by saints and sages across the ages: the Buddhist awakening to emptiness as fullness, the Sufi union with the Beloved, the Christian mystic's merging with divine light. What vanishes is not life, but the illusion of separateness. 4. A Science-Fiction Upanishad In its closing moments, the film transcends genre entirely. Scott's voice — serene and wonder-struck — becomes that of one who has passed through the dark night of the soul and emerged into awareness of the infinite. The stars above him mirror the subatomic worlds below, revealing the same pattern in every scale. He is no longer shrinking in the human sense but expanding into boundless consciousness. This is why the ending feels paradoxically uplifting: Scott disappears physically, yet spiritually he is reborn. His final words echo the timeless insight of the mystics — that what is eternal has no dependency on what is external. One rises and falls. The other was, is, and always will be. 5. The Lesson for the Modern Mind When I first saw The Incredible Shrinking Man, I had no idea what I was truly witnessing. Yet even as a child, I felt something profoundly stirring within me — something I could not name but would spend decades watching it unfold. Viewed through the lens of our own age, the film remains a radical challenge to the modern cult of control. It reminds us that meaning is not achieved by conquering the universe but by awakening to our unity with the power behind it. Scott's journey invites us to recognize that the smallest life, the faintest breath, participates equally in the infinite. The film closes not with fear but with awe. It whispers what every true mystic has discovered: that when the external self dissolves, the soul begins to expand — and, incredibly, the Infinite knowingly smiles behind it all, welcoming us home. So I had, in fact, seen two remarkable films with two powerful messages. In the first, The Day the Earth Stood Still, we were shown that we human beings are not the ultimate power in the universe — far from it. Yet within our limitations lies the capacity, and the choice, to evolve to the next level of awareness… or to face the bitter consequences of refusing to grow. And in The Incredible Shrinking Man, we are offered the counterpoint: even if we lose everything, there remains within us an indestructible identity — our connection to the infinite consciousness behind all creation. So even though you may lose everything, in reality, you have merged with the great essence of all there is. Well, that's quite a lot to digest, so let's let this be the end of today's episode. As always, keep your eyes, mind, and heart open — and let's get together again in the next one.

In this episode, we beam back to 1951 to explore the enduring legacy of The Day The Earth Stood Still, a sci-fi landmark that fused Cold War anxiety with cosmic diplomacy. From the casting of Michael Rennie as the enigmatic Klaatu to the cryptic command that launched a thousand theories—“Klaatu barada nikto”—we unpack the film's cultural resonance and behind-the-scenes revelations. Tony dives into the film's production secrets, including the surprising contributor behind Professor Barnhardt's blackboard equation, the actor who nearly broke character with laughter, and the unexpected architectural pedigree behind the spaceship's interior. Plus, we examine the Department of Defense's real-world reaction to the film's message and the haunting resurrection of Klaatu—what it meant then, and what it still stirs today.

This week Harrison will review "The Day The Earth Stood Still (1951) & (2008)" Review with Alex Figueroa of Geeks and Flix and Action Movie Guys Podcast#daytheearthstoodstill #patricianeal #keanureeves #jenniferconnelly #robertwise #scottderrickson #reelyoldmoviesAlex's Socials:Geeks and Flix YouTube: https://www.youtube.com/@GeeksandFlixGeeks and Flix Instagram: https://www.instagram.com/geeksandflix/Action Movie Guys Spotify: https://open.spotify.com/show/6k3xFlPAsbYqvwnINLy5i6?si=567b7023d0d34616Join my Discord!: https://discord.gg/VWcP6ge2Donate to my Streamlab here: https://streamlabs.com/sl_id_ff883caf-a8d0-3d7b-980b-9557565e1fe3/tipSocial Media Links: https://linktr.ee/reelyoldmovies

Episode 99 - It's a new month here at MRAC, and for September Pete is bringing us the OG version of classic sci-fi films that have been re-did... or remade. For week 1 we watched and discussed The Day the Earth Stood Still (1951), a classic science fiction film about an alien that comes to earth with his giant robot friend to warn the earthlings about their behavior. After some nerding out on the accuracy of the science in this 1950's work of fiction, we get into this one. And as always we encourage you to skip the remake and watch the OG. Tune in soon for week 2 where we watched and discussed The Time Machine (1960)email us at mracfilmclub@gmail.com

Introduction If you're returning to the series after our break, let me extend a warm welcome back as we begin this new season. As you may remember, we're preparing to launch the multi-pronged release of our next project, The NeuroHarmonic Method: Harmonize Your Intelligence – Transform Your Life. This work represents several years of focused effort to create a personal growth resource that the everyday person can understand and apply. It weaves together timeless insights from what has long been called the Wisdom of the Ages with the powerful findings of modern neuroscience, presenting it with enhanced scientific credibility. It is designed to spark meaningful, positive shifts in awareness that elevate every part of a person's life, regardless of previous training or time constraints. And critically, everything in the NeuroHarmonic Method is rooted in what I have studied and practiced for over fifty years. So, this is not just a set of abstract theories; it is verified by practical experience, tested across decades of living through diverse circumstances, and it only grows stronger with time, especially in the areas that matter most. We'll be exploring it in episodes throughout this new season and as a basic introduction, we're going to offer a few of its fundamental ideas for your consideration. As always with our podcast, take what resonates, set aside what doesn't, and notice what changes arise within, because the path of real inner growth is always based on individual self-discovery. Childhood Memories and the Power of Film Personally, in my own life, I've often found that the extraordinary reveals itself within the ordinary. With that in mind, let's look at some ordinary childhood memories of mine, which eventually revealed a set of questions to me that helped form the foundations of the way I began to look at life. So, when I was a boy—maybe six or seven—my older brother would take me to the Saturday matinees at a big neighborhood movie theater called the Benner, which was an easy walk from our house. Now, this was a very different time. For a quarter you could spend the afternoon wrapped in an adventure on the big screen, and for another dime, you could top it off with a generous box of popcorn. The ritual never changed. The music swelled, the house lights dimmed, the curtains parted, and suddenly we were transported into another world—larger than life in every way. Remember, this was still the fairly early days of television, which we watched on a little black-and-white 17-inch screen. And even that was seen to be a marvel! By contrast, in the theater, the images were enormous, the sound powerful, and each year the technology seemed more impressive. In that simple setting, with popcorn in hand and my feet barely reaching the floor, without knowing it, I absorbed certain themes that would shape me for the rest of my life. Yes, there were plenty of cowboy serials and cliffhangers, but every so often a real cinematic treasure would slip into the Saturday lineup. Even though I was far too young to understand them, I sat through classics like Heaven Knows, Mr. Allison, Witness for the Prosecution, and Anatomy of a Murder. Most of it was over my head, but the searing drama, augmented by the scale of the image, the light and the sound, created a total immersion that left quite an impression. Three Science-Fiction Masterpieces Among the countless movies I'd seen, three science-fiction masterpieces stood apart, striking me in a way that went far deeper than the rest. Looking back, I realize they were planting seeds within me — seeds that would eventually grow and inspire a lifelong quest for higher meaning. Those three films were Invasion of the Body Snatchers, The Incredible Shrinking Man, and The Day the Earth Stood Still. In this episode, we're going to take a closer look at Invasion of the Body Snatchers. We'll save the other two films for a later time. But as we do, I invite you to see them not just as vintage sci-fi relics from a bygone era, but as vehicles that ask profound questions like: What is it that truly makes us human? Do we have an authentic self,  capable of bringing lasting fulfillment, or are we merely personas we construct to navigate the world? And is there something more to us than just body and mind — something connected to a greater reality, beyond time and space? The Story Unfolds So, Invasion of the Body Snatchers begins in a quiet California town, where people begin to suspect that some of their close friends and relatives suddenly don't seem to be quite themselves anymore. Nobody can quite describe the phenomenon but it's very strange. Outwardly, everything seems normal: people have the same faces, the same voices, the same routines. Yet something essential seems to be missing. Then, a troubling secret is revealed to the audience — the unsettling difference is that these oddly changed people actually have no emotions. No joy, no sorrow, no anger, no happiness — no feelings at all. None. Then an even more sinister revelation is revealed. Alien pods have begun appearing in garages, backyards, and basements. Over a short time, each pod morphs into an exact replica of the person it lies near. Once the replication process is complete and the targeted human falls asleep, the replicant executes a complete takeover. It absorbs everything — memories, thoughts, opinions, habits, even the most intimate gestures. By morning, the original human is gone, replaced by the replicant double. In a seamless transition, it steps into the former person's life as though nothing had changed. Everything is the same except the replicant feels nothing. Although it is hard to tell, the chilling truth is that it is, in essence, a living robot. The Replicant World As the replicant population grows, these new beings begin to communicate among themselves. They proclaim how much better life has become now that all inner feeling has been erased. To them, the truth is obvious: without emotions such as anger, jealousy, greed, lust, and fear, life runs more smoothly. With those troublesome impulses gone, they believe order can finally be established in the world. As the plot unfolds, some of the remaining humans begin to grasp the terrifying truth. Determined not to lose themselves to the emotionless replicants, they fight desperately against the spreading invasion. The tension escalates as the struggle becomes a battle for the very essence of humanity. In the original 1956 film, the story ends on a hopeful note, suggesting that the humans might prevail after all. But in the 1978 remake, the conclusion is far darker. There, the replicant doubles are shown to be unstoppable, destined to take over the world — leaving the human race, as we know it, doomed. Reflections and Questions When I first saw the remake, I was surprised — even unsettled — by the change in the ending. Why would the studio alter the story so drastically? What had shifted in those twenty-two years to move the perspective from hope to despair? Perhaps it was nothing more than market dynamics — after all, fear always sells better than hope. As the old newspaper adage goes: if it bleeds, it leads. But perhaps the shift points to something deeper — a reflection of the cultural mood at the time, or even a stage in the unfolding evolution of human consciousness. Maybe one day that perspective will shift again, back toward hope, as awareness continues to grow. Who knows? Anyway, for me as a child, even through the eyes of a seven-year-old, the film stirred something deeper. It made me begin to wonder about the phenomenon of inner feeling — and what it truly means to be human. Of course, without the burden of negative emotions like anger, jealousy, or fear, life might seem easier. But what about the positive feelings? Would they have to be erased as well? Talk about throwing the baby out with the bathwater! In essence, the peace the replicants proclaimed was deeply chilling. It painted a picture of a society where routines and order remained intact, but individual personhood quietly disappeared. Yes, such a world might look peaceful, quiet, and orderly — filled with well-behaved, human-like figures. But the “peace” being offered was really the peace of the grave: a world of perfect appearances, populated by flawless facsimiles. In reality, they were the walking dead. Fast Forward to Today So, given the warning sounded back in 1957, fast forward to our world today. Where are we now? We may not have alien pods growing in our basements, fashioning replacements for our bodies, but what have we become? And even more importantly, what are we becoming? Look around. So many of us have been absorbed — not by alien doubles, but by the ever-present glow of screens, from the smallest in our hands to the largest on our walls. Meanwhile, our attention is consumed by endless scrolling, fed by social feeds of sound bites, emojis, and dopamine-driven clicks. And all of this is fueled by the constant bombardment of commercial messaging designed to sell us products — a barrage that has now gone completely off the charts. Back in 1957, the average person was exposed to about 350 ads per day, or roughly 25 per hour. Of those, about 20% were problem-solving in nature, framed with a negative bias, while the other 80% were aspirational or lifestyle-based. Now today, the numbers have spiraled out of control. We are now hit with between 8,000 and 10,000 ads per day — about 600 ads per hour. Even more disturbing is the shift in tone: nearly 70% of these are negative, problem-solving ads built on anxiety and fear, while only 30% lean toward the positive. Put another way, each of us is now exposed to about five negatively framed ads every single minute of every waking day. That is a lot of negative messaging. And we don't even have time here to fully explore what that does to our thoughts, our feelings, and ultimately our sense of truly being human. The Human Question So, back to the two questions – what have we become? And what are we becoming? With this tech invasion the bottom line is that we seem to be less and less able to think for ourselves. And less able to feel the positive inner feelings that are at the very essence of our being. Oh sure, we have incredibly easy access to feelings – like anger, fear, outrage, cynicism, and frustration. We're so good at feeling bad that we can get into any negative state at the literal drop of a hat. But tenderness? Compassion? Wonder? It seems like they've been filed away in a dirty room in the basement. It has almost become a way of being — drifting into the haze of robotic conformity, marching to the beat of an overwhelmingly negative bias, and losing touch with the higher understandings that define what it truly means to be human. After all, both timeless wisdom and modern neuroscience remind us of the immense value of being touched once again by the better angels of our nature. The Remedy So, what's the remedy for this modern day invasion of the body snatchers? It is not more noise. Not more programming. Not more frantic searching. The remedy is rediscovery. Rediscovery of our higher nature. Rediscovery of positive thoughts and feelings. Rediscovery of the simple wonder of being alive in the now. And rediscovery of the Indwelling Presence that is always within you, waiting to be uncovered. This is not just poetry. Neuroscience confirms that practices of awareness and presence change the brain itself — strengthening circuits of compassion, focus, and resilience. Here the sages and scientists meet: the truth is that you are more than a body, more than a mind. You are consciousness itself, capable of awakening to your true nature. But of course, knowing this is not enough — it must be experienced. And this is where NeuroHarmonics enters the picture, with its blend of simple but profound understandings paired with practices that are clear, natural, and incredibly easy to integrate. Remember, this path isn't about hard work. This is about transformation. Closing Well, so much for science, as well as science fiction. We'll end this episode here. As always, keep your eyes, mind, and heart open, and let's get together in the next one.

Send us a textYears into their relationship Wolfie, Ravenshadow, and MZ find themselves at a crossroads as they move to the country. With tensions already flaring, an encounter with an unnatural force threatens to corrupt their lives, their loathing, and their run of consecutive shows. On Episode 685 of Trick or Treat Radio we discuss the film Together from director Michael Shanks! We also talk about the very long storied history of the Amityville films, plagiarism in cinema, and the process of building a relationship into a single entity. So grab your girth certificate, unbox your colorectal kit, and strap on for the world's most dangerous podcast!Stuff we talk about: Presence, Conjuring: Last Rites, Good Boy, haunted house movies, Amityville Horror, David Sandberg, Lights Out, The Autopsy of Jane Doe, Dead Stream, all the Amityville movies, Superman, DCU, James Gunn, Marvel Filmmaking, The Ghostbreaker, The Hound of the Baskervilles, The Blob, Endangered Species, Witchboard 2, Stigmata, Stir of Echoes, Malevolence, Resident Evil: Apocalypse, Black Sheep, Deadgirl, Resident Evil: Afterlife, Almost Human, A Low Budget Nightmare, Psycho Goreman, Joe Begos, Slumber Party Massacre, Masters of Horror, Ryan Phillipe, Way of the Gun, 54, James Duval, Night of the Living Dead Contagion, May, Donnie Darko, That Thing You Do, Jonathan Schaech, Chris Columbus, Gremlins, The VVitch, Polly Holliday, Joe Perry, The Lost Boys, Lords of Salem, Doomwatch, Torso, Alligator, The Tell Tale Heart, The Day the Earth Stood Still, The Haunting, RIP Scott Spiegel, Thou Shall Not Kill… Except, Intruder, Renee Estevez, The West Wing, Emilio Estevez, Addams Family Reunion, GLOW, Community, Marc Mero, Chavo Guerrero, Coca-Cola-rectol, Cologuard, trailer reactions, 28 Years Later: The Bone Temple, Warm Bodies, Fright Night, The Thing, Society, Brian Yuzna, Together, Allison Brie, Dave Franco, James Franco, body horror, plagiarism, living in sin, codependence, The Sexy Skeksis, Spice Girls, Barbarian, Love Justin Long Time, Weapons, Zach Cregger, Robot Chicken, Josh Brolin, Carnivale, The Sexy Skeksis, Stuck in a Hole, Girth Certificate, Conjuring Karen, and Don't Plagiarize Me Bro!Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Billy Gray is an actor, motorcycle speedway racer, and inventor.  You may know him best as Bud Anderson from the hit television show, Father Knows Best (1954-1960).  From his earliest film roles, Billy stood out as a kid actor who consistently brought great depth to the characters he created.  Whether playing Doris Day's mischievous little brother in On Moonlight Bay (1951) and By the Light of the Silvery Moon (1953), Dan Dailey's wise-cracking son in The Girl Next Door (1953), or Michael Rennie's trusted young ally in The Day the Earth Stood Still (1951), Billy Gray never played the same character twice.  His uncanny ability to bring his roles to life underscored a talent developed well beyond his years. Listen as Shannon and Billy discuss his fascinating life in Hollywood, speedway racing, and innovation.

Yep. We're doin' that one. Watch it here The Day the Earth Stood Still,

Melanie and Ed discuss the 1951 sci-fi classic The Day the Earth Stood Still and explore why Klaatu's quiet alien warning still resonates.

In this episode of Ron's Amazing Stories, we head back to the golden age of science fiction cinema, exploring the 1951 masterpiece The Day the Earth Stood Still. Get ready to dive into its rich history, cultural impact, and timeless message of peace. Plus, enjoy the Lux Radio Theater adaptation featuring Michael Rennie reprising his role as Klaatu. Introduction: Ron sets the stage with a journey into The Day the Earth Stood Still, directed by Robert Wise, with insights into its message, characters, and influence on the genre. Origins: Discover the origin story, "Farewell to the Master" by Harry Bates, the inspiration behind the film. Learn about Michael Rennie's portrayal of Klaatu and the enigmatic robot Gort. Radio Adaptation: Relive the 1954 Lux Radio Theater rendition, bringing the story to life through suspenseful narration and authentic sound effects. Closing Thoughts: Ron wraps up with reflections on Michael Rennie's career and the enduring legacy of the film. It's not just about aliens and robots; it's about the profound message of peace that resonates across generations. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at . Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod () and is Licensed under . Other pieces are in the public domain. You can find great free music at which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from , stream it on or on the mobile version of . Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on . Check your local listing or find the station closest to you at this . Social Links: Contact Links:

Robert, Nat, and Cody accept an offer we can't refuse in 1951's THE DAY THE EARTH STOOD STILL. Time tracks: 0:00:00 - THE DAY THE EARTH STOOD STILL Discussion 1:09:56- Next Movie and Outro

On our 50th episode we're discussing an anime where the watch could ACTUALLY be considered the mech, Giant Robo: the Day the Earth Stood Still (1992) with special guest Z-Ace. Let's launch into it! Mechs discussed: Giant Robo Ishinryu Akatsuki Uranus Neptune Gallop GR2 All images: on our website. Content warnings for this episode: physical and gun violence, light blood, child endangerment/abuse, apocalyptic energy crises, racially evocative imagery, and nazi imagery. Join OSG's Discord here, and consider supporting us on Ko-Fi here. On the Shoulders of Giants is hosted by Alice (she/her), Brian (he/they), and Niko (she/her). You can find us on Bluesky @osgpod, TikTok @osg_pod, YouTube @osg_pod, and Tumblr @osg-pod. Visit our website at osgpod.com and send questions/feedback to questions@osgpod.com. Our theme is “She Loves Your Fusion” by PartyFactor. Other royalty-free sound effects also sourced from Pixabay. Any and all clips of copyrighted media are included for transformative use in commentary, and On the Shoulders of Giants makes no claim of ownership on any sampled audio. If you've read this far, please consider leaving us a 5-star review on your podcatcher of choice. It really means a lot!

The Blob (1958) & The Blob (1988) Continuing our theme of taking a deep dive into an original film and its remake, this time we're looking at a pair with exactly 30 years between them: The Blob, from 1958, and its 1988 remake. A lot had changed in those three decades, especially on the technical side, with advancements in special makeup effects definitely upping the ante on what we see on screen. But the remake also retains much of the same small-town feel and trappings of the original. With these two entries, it's interesting to see the similarities just as much as how the remake plays out as its own creature; sometimes winking at the original, but ultimately leaving its own gelatinous footprint. For those out there that love to hate on remakes, here's yet another pair that break the mold and had given us two entertaining entries. Sit back and enjoy! Films mentioned in this episode: 4-D Man (1959), Beware! The Blob (1972), The Beyond (1981), The Blob (1958), The Blob (1988), The Brood (1979), Dark Star (1974), Daughter of Horror (1955), Day the Earth Stood Still (1951), Dinosaurus! (1960), Equinox (1970), Eraserhead (1977), Eyes of Laura Mars (1978), The Fly (1986), Forbidden Planet (1956), Fright Night 2 (1988), Funeral Home (1980), Giant Gilla Monster (1959), Ghost of Dragstrip Hollow (1959), The Horror at Party Beach (1964), I Was a Teenage Frankenstein (1957), I Was a Teenage Werewolf (1957), Jaws (1975), Little Shop of Horrors (1986), Master of Horror (1965), Nightbreed (1990), Nightmare on Elm Street 3: Dream Warriors (1987), Return of the Living Dead (1985), Robocop (1987), Rock Rock Rock! (1956), Scanners (1981), Schlock (1973), Scream (1996), Them (1955), The Thing (1982), Videodrome (1983)

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew review a trio of films. First up the film that Jim has been giddy with anticipation and Bryce has been dreading, Mission Impossible: Final Reckoning. Then another Disney's, we have no original ideas so lets turn one of our animated properties into a live action film, Lilo and Stitch. And then finally a film about friendship called Friendship. Then in Rage or Dare Jim and Bryce were forced to watch The Day the Earth Stood Still.  Not the excellent original from 1951 but the 2008 Keanu Reeves version. Good luck with that boys! Introduction-0:00 The Amazing Murman Predicts-1:45 In Cinema Mission Impossible: Final Reckoning-6:27 Lilo and Stitch (2025)-24:31 Friendship (2024)-19:42 Murman Minute-49:33 Open Rage Jim's open rage-Fountain of Youth-56:34 Bryce's open rage-$28 for Friendship-59:24 Rage or Dare The Day the Earth Stood Still (2008)-1:05:40 Bryce pulls another suspect film from Jim's Bag-1:15:28 Outro-1:16:52 Thanks Ragers for listening to our film review podcast. Rage On!!! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

THE DAY THE EARTH STOOD STILL (1951)—A flying saucer lands in Washington, D.C., carrying Klaatu, a humanoid alien, and Gort, his powerful robot enforcer. Klaatu brings a dire warning: humanity must abandon its violent ways or face destruction. As the world reacts with fear and aggression, Klaatu moves among humans to understand them, forming a … Continue reading Ep. 07-34: The Day the Earth Stood Still (1951) REDUX →

The Martians are coming! Don't trust anyone! So it goes when a young boy descends into a nightmare of tentacled alien heads, mind-controlled parents, and Martians in green pajamas. And it's all shot in surreal, colorful imagery. Grab your telescopes, get in your tank, and cover your necks - we're digging into this seminal, yet underseen, sci-fi film that influenced the likes of Spielberg, Scorsese, Dante, Cameron, and more. Then, if that wasn't enough, Peter Lorre trims his lilacs on the Poverty Row Picture Show covering the John Carradine classic, Bluebeard (1944). What a time to be alive! Thanks for listening!If you enjoy Camp Kaiju, please leave a rating and review. Subscribe to campkaijupodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or leave a comment at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠Instagram (@camp_kaiju)⁠; or call the Kaiju Hotline at ⁠⁠⁠(612) 470-2612⁠⁠⁠.Visit ⁠⁠⁠⁠⁠⁠Patreon.com/campkaiju⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for perks and merchandise.We'll catch ya next time for Species (1995) - a very '90s flick about an alien-woman hybrid looking for a mate in Los Angeles. Things get... weird. Can't wait!TRAILERSInvaders from Mars (1953); The War of the Worlds (1953); It Came from Outer Space (1953); Invasion of the Body Snatchers (1956); The Day the Earth Stood Still (1951); The Amazing Colossal Man (1957); Invaders from Mars (1986)SHOUT OUTS & SPONSORSSubstack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film Criticism by Matthew Cole Levine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plays by Vincent S. HannamWatch the Skies! TCM doc about 1950s sci-fiJohn Sayles introduction to "Invaders from Mars" from TCMAn Army of Phantoms by J Hoberman⁠⁠⁠⁠⁠⁠⁠Zack Linder & the Zack Pack ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Camp Kaiju: Monster Movie Podcast. Invaders from Mars (1953) movie review. Hosted by Vincent Hannam, Matthew Cole Levine. Camp Kaiju: Monster Movie Podcast, produced by Vincent S. Hannam; © 2025 Vincent S. Hannam, All Rights Reserved.

Easter falls on 4/20 this year so we've got HIPPY JESUS and SPACE JESUS with JESUS CHRIST SUPER STAR (1973) and THE DAY THE EARTH STOOD STILL (1951). We've got Hippy Jesus screaming in the desert and Space Jesus getting shot at by jittery soldiers in Cold War Washington D.C. All this plus Carl Anderson delivering the performance of a lifetime as Judas Iscariot and GORT, the giant silver robot, melting tanks and cannons. This episode has Philena singing "I Don't Know How to Love Him" and Bob saying "Gort Klaatu Barada Nikto" to make her stop. What's the Buzz? We are buzzed. Before we get into the High Holiday weed pairings, Bob reviews FREAKY TALES, a movie that's hopefully still playing somewhere, because you should get really high and see it. Cory fills us in on his big move to Arkansas where he has found a wonderland of storied fast food chains that we do not have in California, Philena fills us in on the new build your own icecream sandwich joint in the Valley, and Bob recounts playing for a dive bar filled with Nazi skinheads with the Disneyland fireworks going off in the distance. And if that wasn't enough, we are joined by Sage, who has thoughts on JESUS CHRIST SUPERSTAR. Come back in May for The PhilenApocalypse III in Super 3D with TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (1995) and HURRICANE BIANCA (2016). Subscribe on your favorite podcast app so you don't miss it. Hosts: Cory Sklar, Bob Calhoun & Greg Franklin Special appearance by Sage Porter courtesy of Sage Porter Enterprises, LLC Greg Franklin is on assignment Old Movies for Young Stoners Theme by Chaki the Funk Wizard. Used with permission. "Come to My Seminar" by Count Dante and the Black Dragon Fighting Society used with permission. Handel's "Messiah," "It Was a Time" by Track Tribe and "The Quantum Realm" by The Whole Other courtesy of YouTube Audio Library Trailer and archival audio via of Archive.org. Web: www.oldmoviesforyoungstoners.com Bluesky: @oldmoviesystoners.bsky.social Instagram/Facebook (Meta): oldmoviesforyoungstoners TikTok: @oldmoviesforyoungstoners Contact: oldmoviesforyoungstoners AT gmail DOT com

Have you ever wondered how the human species would react when aliens reveal themselves? So have lots of scifi writers and directors! This week, the ladies chat about one of the earliest versions of this plot device The Day the Earth Stood Still (1951).Love the show? Please subscribe, rate, and review us here. Also, check out our website: www.seeyounextweekinspace.com and follow us on Instagram @seeyounextweekinspaceHosts: Amy and Sarah WalshEditor: Amy WalshProducers: Amy and Sarah WalshArt: Riley Brown

On this episode of Your History Your Story, we are honored to have Billy Gray as our guest. Billy began his acting career at a young age, becoming widely recognized for his portrayal of Bud Anderson on the 1950s television classic “Father Knows Best.” He also made a significant impact with his role as Bobby Benson in the 1951 science fiction film “The Day the Earth Stood Still.” Beyond acting, Billy pursued diverse interests, becoming a skilled speedway motorcyclist, inventor and businessman. This April, Billy will make his inaugural appearance at the Missouri Cherry Blossom Festival in Marshfield, Missouri. Music: "With Loved Ones" Jay Man Photo(s): Courtesy of Billy GraySupport Your History Your Story: Please consider becoming a Patron or making a donation via PayPal. - THANK YOU!!! YHYS Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YHYS PayPal: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YHYS: Social Links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YHYS: Join our mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #yhys #yourhistoryyourstory #history #storytelling #podcast #njpodcast #youhaveastorytoo #jamesgardner #historian #storytellerFor more information about Billy Gray:BillyGrayOfficial.comcherryblossomfest.comOther story of interest:S6 Ep18 Jim Thorpe: Legendary American Athletehttps://youtu.be/QTHxvTU1p1s

This week, Mitch Ringenberg joins me to review the Oz Perkins movie The Monkey in a feature review and then, in this week's secondary review, we discuss the documentary Grand Theft Hamlet, which is now available on PVOD and on MUBI. We also talk a bit about the passing of George Armitage, Clayface director news, On Cinema at the Cinema, Severance season 2, and more.   Timestamps Show Start - 00:28 Introducing Mitch - 02:15 Early 2025 Genre Movies - 03:41 News Before the Reviews - 13:40 Severance Season 2 - 26:32   Feature Review The Monkey (2025) - 36:26 Spoiler - 1:10:25   Secondary Review Grand Theft Hamlet (2025) - 1:33:08   Potpourri Mitch: The Punisher (1989) - 2:02:05 Mitch: Bloody Muscle Body Builder in Hell (1995) - 2:07:02 Matt: On Cinema at the Cinema - 2:08:35   Closing the Ep - 2:17:22 Patreon Clip - 2:18:49   Related Links George Armitage Dies: ‘Grosse Pointe Blank' & ‘Miami Blues' Director Was 82 James Watkins Lands ‘Clayface' Directing Gig   My 2025 Podcast and Writing Archive Immediate Reaction - Captain America: Brave New World (2025) - Feb 17, 2025 Patreon Companion Episodes Collection Companion Ep - OV466 - The Day the Earth Stood Still (2008) & Scare Me (2020) - Feb 16-17, 2025 Patreon - Severance Episode Reviews   Mitch's Letterboxd Mitch's Writing on Midwest Film Journal Mitch's Review of 'Salem's Lot (2024)   Indianapolis Theaters Alamo Drafthouse Indy Kan-Kan  Living Room Theaters Keystone Art  Flix Brewhouse   Ways to Support Us Support Us on Patreon for Exclusive Content Official OV Merch Buy Me A Coffee Obsessive Viewer Obsessive Viewer Presents: Anthology Obsessive Viewer Presents: Tower Junkies As Good As It Gets - Linktree Start Your Podcast with Libsyn Using Promo Code OBSESS   Follow Us on Social Media My Letterboxd | YouTube | Facebook | Twitter Instagram | Threads | Bluesky | TikTok | Tiny's Letterboxd   Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II (Firmware: 1.5.0) Mitch: Blue Yeti USB Mic via Google Meet Episode Homepage: ObsessiveViewer.com/OV468   Next Week on the Podcast OV469 - Last Breath (2025) & Riff Raff (2025)  

This week, Brent Leuthold joins me to review the new MCU movie Captain America: Brave New World in a feature review and then, in this week's secondary review, I share my thoughts on One of Them Days, which is now available on PVOD. We also talk a bit about the passing of character actor Biff Wiff, big James Bond franchise news, and more. Timestamps Show Start - 00:28 Introducing Brent - 02:17 Playing in Indianapolis - 06:57 News Before the Reviews - 09:51 Feature Review Captain America: Brave New World (2025) - 31:10 Spoiler - 58:34 Secondary Review One of Them Days (2025) - 1:46:27 Potpourri Brent: Magpie (2024) - 2:02:48 Matt: Taking Lives (2004) - 2:08:06  Closing the Ep - 2:11:31 Patreon Clip - 2:12:44   Related Links The Waiting Game - Black History Month Screening at Newfields Biff Wiff, ‘I Think You Should Leave' Actor, Dies James Bond Shocker: Amazon MGM Gains Creative Control of 007 Franchise as Producers Barbara Broccoli and Michael G. Wilson Step Back Good News and Bad News, AMC Stubs A-List Members  My 2025 Podcast and Writing Archive Immediate Reaction - Captain America: Brave New World (2025) - Feb 17, 2025 Patreon Companion Episodes Collection Companion Ep - OV466 - The Day the Earth Stood Still (2008) & Scare Me (2020) - Feb 16-17, 2025 Patreon - Severance Episode Reviews  Brent's Letterboxd Awake in the Dark Brent's Notes on the 2025 Oscars Brent's Review of Companion (2025) Brent's Review of Heart Eyes (2025) Brent's Top 10 Films of 2024  Indianapolis Theaters Alamo Drafthouse Indy Kan-Kan  Living Room Theaters Keystone Art  Flix Brewhouse  Ways to Support Us Support Us on Patreon for Exclusive Content Official OV Merch Buy Me A Coffee Obsessive Viewer Obsessive Viewer Presents: Anthology Obsessive Viewer Presents: Tower Junkies As Good As It Gets - Linktree Start Your Podcast with Libsyn Using Promo Code OBSESS  Follow Us on Social Media My Letterboxd | YouTube | Facebook | Twitter Instagram | Threads | Bluesky | TikTok | Tiny's Letterboxd   Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II (Firmware: 1.5.0) Brent: Earthworks ICON Pro in Google Meet Episode Homepage: ObsessiveViewer.com/OV467   Next Week on the Podcast OV468 - The Monkey (2025) & Grand Theft Hamlet (2025)  

⭐The Thing from Another World (1951) - The Chilling Sci-Fi Horror Classic You Need to See!⭐

#AI: Data Centers and natural gas generated electricity demand. Henry Sokolski, NPEC 1951 The Day the Earth Stood Still

Trudy, Blake, Kelsey and Francis zip through thousands of years of Bigfoot history with JENKINS, their new best bud in the whole wide world!!This episode contains Violence, Profanity, and Sexual Content.Support the show on Patreon!Get merch and more at our website!Follow us on Twitter @dungeonsanddads!Check out the subreddit!DM is Will Campos (@willbcampos)Kelsey Grammar is Matt Arnold (@mattlarnold)Francis Farnsworth is Anthony Burch (@anthony_burch)Trudy Trout is Beth May (@heybethmay)Blake Lively is Freddie Wong (@fwong)Theme song is by Maxton WallerBrian Fernandes is our Content ProducerAshley Nicollette is our Community ManagerKortney Terry is our Community CoordinatorCindy Denton is our Merch ManagerEster Ellis is our Lead EditorTravis Reaves provides Additional EditingCover art and episode art by Alex Moore (@notanotheralex)Send us stuff and get in contact: https://www.dungeonsanddaddies.com/contactThe story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred. Hosted on Acast. See acast.com/privacy for more information.