Podcasts about jack cardiff

“There's something in the atmosphere that makes everything seem exaggerated.”Talking About Powell & Pressburger's 1947 film Black Narcissus with our guest, screenwriter James HandelIn this episode of Movies We Like, screenwriter James Handel joins hosts Andy Nelson and Pete Wright to discuss Michael Powell and Emeric Pressburger's 1947 masterpiece Black Narcissus, along with Handel's fascinating career writing genre-bending films like The Last Horror Movie, The Hoarder, and his latest psychological dramedy The Trouble with Jessica.From Philosophy to FilmBefore diving into Black Narcissus, Handel shares candid insights about his journey from philosophy student to screenwriter, starting with an unproduced vampire script and eventually leading to successful collaborations with directors Julian Richards and Matt Winn. He discusses how his background in philosophy influences his approach to moral dilemmas and character psychology in his screenplays, particularly evident in The Trouble with Jessica's darkly comic exploration of ethics and human nature.A Masterpiece of Psychological DramaThe conversation then turns to Black Narcissus, examining how Powell and Pressburger crafted this visually stunning psychological drama about Anglican nuns attempting to establish a convent in the Himalayas. The group discusses the film's groundbreaking technical achievements, with Jack Cardiff's Oscar-winning Technicolor cinematography bringing the entirely studio-shot production to vivid life. They explore how the film masterfully depicts the psychological deterioration of the nuns as they struggle with repressed desires, loss of faith, and the overwhelming power of their environment, all while maintaining a remarkable balance between expressionism and restraint.Black Narcissus remains a masterclass in psychological storytelling and visual craftsmanship, demonstrating how thoughtful restraint and artistic innovation can create an unforgettable cinematic experience. We thoroughly enjoyed diving deep into this classic with James Handel, whose own work carries forward the tradition of examining complex moral questions through compelling drama.Film SundriesWatch our conversation on YouTube!Watch this on Apple or Amazon, or find other places at LetterboxdScript OptionsTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Hosts Josh and Jamie and special returning guest Andrew Law (of Boonta Vista) discuss ultraviolent men-on-a-mission films with a double feature of Hong Kong martial arts legend Sammo Hung's Heroic Bloodshed/kung fu version of maximalist RAMBO-esque Vietnam War action spectacle EASTERN CONDORS (1987) and classy Powell & Pressburger cinematographer Jack Cardiff's surprisingly nasty and gruesome DIRTY DOZEN inspired Congo Crisis adventure pulp actioner DARK OF THE SUN (1968). Next week's episode is a patron-exclusive bonus episode on 90s submarine thrillers: THE HUNT FOR RED OCTOBER (1990) + CRIMSON TIDE (1995), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-12:03 EASTERN CONDORS // 12:03-1:23:20 DARK OF THE SUN // 1:23:20-2:32:50 Outro // 2:32:50-2:34:40 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Lee and Paul finish up their bonus shows for October by covering the somewhat forgotten sci-fi horror, and semi-remake of Tod Browning's "Freaks", "The Freakmaker" (1974), directed by Jack Cardiff and starring Donald Pleasence and Tom Baker. Don't forget to water your plant people, kids! "The Freakmaker" IMDB  Paul's YouTube Beer Reviews  PA Outdoors Couple  Featured Music: "Beware of the Flowers" by John Otway & "Dandelion" by The Rolling Stones.

This week we jump ahead to Under Capricorn, which practically feels modern after having spentabout14 weeks in the 20s and 30s. This 1949 period drama stars Joseph Cotton and Ingrid Bergman as a married couple in 19th Century Australia. An Irishman comes Down Under and begins unravelling the mysteries of their relationship. Details: A Transatlantic Picture, produced by Hitchcock and Sidney Bernstein. Screenplay by James Birdie, with adaption by Hume Cronyn based on the novel by Helen Simpson, via the play by John Colton and Margaret Linden. It stars Joseph Cotton, Ingrid Bergman, Michael Wilding and Margaret Leighton. Cinematography by Jack Cardiff. Ranking: 39 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines Under Capricorn got 799 ranking points.

What do you live for? For art, or for love? Join us as we break down the electrifying technicolor miracle that is The Red Shoes, with special guest Ciara Lally.Intro/outro music: 'Bolero' by Maurice RavelTHE RED SHOES (1948), United Kingdom, written and directed by Michael Powell and Emeric Pressburger, cinematography by Jack Cardiff, featuring Moira Shearer, Anton Walbrook, and Marcus Goring.

Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 2️⃣✖2️⃣7️⃣ | LA REINA DE ÁFRICA Dirigida por John Huston, escrita a cuatro manos junto con James Agee, cuenta la historia , Charlie Allnut, un rudo capitán de barco con tendencia a la bebida, y Rose Sayer, una estirada y puritana misionera, quienes al estallar la Primera Guerra Mundial huyen de las tropas alemanas en una ruinosa embarcación, con la que deben descender un peligroso río. Protagonizada por Humphrey Bogart, quien ganó el Oscar a mejor actor y Katharine Hepburn, conformando una pareja de estrellas que hicieron de esta película una de los clásicos del cine de aventuras. Musicalizada por Allan Gray y fotografiada por Jack Cardiff, esta cinta que adapta la novela de C. S. Forester, fue descartada por las grandes productoras de Hollywood hasta que finalmente Horizon Pictures se hizo con los derechos para su realización. ¿Conoces la historia de la pre-producción y adaptación de la película, que supuso un gran reto?. ¿Qué sabes sobre las condiciones que convirtieron el rodaje en un infierno? ¿Sabías que una mítica atracción de Disney está inspirada en La Reina de África?. Y debatimos, ¿Es convincente el romance de los protagonistas? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a La Reina de África. SECCIONES ▪️ Contexto ▪️ Reto y adaptación (pre-producción y adaptación) ▪️ Innovador y arduo rodaje ▪️ Jungle Cruise y La Reina de África (atracción y película) ▪️ ¿Es convincente el romance entre los protagonistas? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/2x27-podcastwood-la-reina-de-africa/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga @Juanlu_Uno INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY (PODCASTWOOD JUKEBOX): https://open.spotify.com/playlist/3Pm8vswdhuBW6FeobnQH3F?si=FwqJBIAiSsKO-_aLfqF9FQ&pi=e-kdoptmnIRoSO ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2024

Director and writer Harrison Atkins (Lace Crater) joins for a discussion of Michael Powell and Emeric Pressburger's rhapsodic 1947 drama, BLACK NARCISSUS starring Deborah Kerr, Kathleen Byron, David Farrar and Sabu. Based on Rumer Godden's novel, BLACK NARCISSUS tells the story of Anglican nuns establishing a convent on a Himalayan mountaintop. Overwhelmed by the region's natural beauty and their own natural urges, the sisters begin to question their lives as nuns. Shot in stunning Technicolor by cinematographer Jack Cardiff, BLACK NARCISSUS is one of Powell and Pressburger's defining films, a thorny, surprisingly modern work on female devotion, repression, lust and madness. Join Mama Needs a Movie as it gazes into BLACK NARCISSUS, with some diversions into Annihilation, Paris Is Burning, declining horniness, Madeline, Silence, haircuts, Sister Wendy and much, much more! BLACK NARCISSUS is available to stream with subscription to The Criterion Channel or Max, and can be streamed for free on Freevee, Tubi, and The Roku Channel. 

Life, death, the great beyond. All this and more is explored in Michael Powell and Emeric Pressburger's innovative Technicolor dreamworld: A MATTER OF LIFE AND DEATH. Charlie and Antonio are joined by special guest and friend Leila to dive headfirst into this feast of visual splendor and dry British humor. Let's go! Intro/outro music: 'Lick You (Let You Die)' by Pulgas A MATTER OF LIFE AND DEATH (1946), United Kingdom, written and directed by Michael Powell and Emeric Pressburger, cinematography by Jack Cardiff, featuring David Niven, Kim Hunter, Roger Livesey, Marius Goring, and Raymond Massey.

For our penultimate episode of the series we're going recommendation-heavy and spoiler-free, with our top picks of festive films, hitting every point on the Grinch-to-Elf Christmas spirit scale.  ReferencesThe Powell and Pressburger season from Oct-Dec 2023 - catch the last few screenings now.The Red Shoes: Beyond the Mirror exhibitionPiece for ASC on Jack Cardiff from 1994, The Red Shoe's cinematographer Why The Red Shoes looks so good by The Royal Ocean Film Society on YouTubeThe cinematography of The Dark Knight by V Renee for nofilmschool.comThe Philosophy of Groundhog Day by Sebastian Martinez Diaz for film-cred.comCarol by it's Cinematographer Ed Lachman for ASC-----------If you love what we do, please like, subscribe and leave a review!Produced and edited by Lily AustinMusic and sound by James BrailsfordLogo design by Abby-Jo SheldonFollow usEmail us

https://notesonfilm1.com/2023/10/31/in-conversation-with-pamela-hutchinson-on-the-red-shoes/ There is a major retrospective of the films of Powell & Pressburger currently underway in London at the BFI Southbank – the most extensive celebration of their work ever undertaken -- selections of which will tour the country. As part of the celebrations, the BFI has published a short monograph by Pamela Hutchinson on THE RED SHOES -- one of their greatest films -- under its ‘BFI Film Classics' imprint. I found it fun to read and very informative, with an impressive range of sources, intelligently organised. The book is beautifully written in a way that seems personal but is so impressively argued it becomes very difficult to argue against; and with a delightful mode of narrating: ‘but perhaps you disagree with my take.' It's both impressive and entertaining and it made me want to talk to Pam some more about the film and the book. In the accompanying podcast, we discuss the following: Who are Michael Powell and Emeric Pressburger and what is their significance to a history of cinema in general, and British cinema in particular? What is the enduring appeal of THE RED SHOES. Why does the film feel so distinctly British but also so different from the British Cinema then being produced. What is the context for the film's theme of ‘dying for art'. How did the filmmakers and cinematographer Jack Cardiff achieve a style of colour so different than that normally produced by Technicolour productions under the direction of Natalie Kalmus? What is a composed film? What is the relationship of a ‘composed film' to the concept of Gesuntkunstwerk? What was the status of ballet then and how does the film deploy the form? Was the film an influence on MGM Freed Unit Productions such as AN AMERICAN IN PARIS? What did Anton Walbrook and Moira Shearer bring to the film and what happened to the after? And much more. I have spoken to Pam previously on her other brilliant BFI classic on PANDORA'S BOX; listeners might want to have a look at the Silent London website on all aspects of Silent Cinema that she directs and writes in. Pam will be talking on THE RED SHOES at the Midlands Arts Centre on the 16th of December to accompany a screening of the film. The MAC cinema has arguably the best projection system in the Midlands, a perfect place to see such a great and sumptuous film. Do I need to say that the book is a perfect stocking filler for Christmas?

Con un ritmo atronador como la embestida de un elefante, los primeros 45 minutos del Último tren a Katanga (Dark of the Sun) nos adentran en el corazón del continente negro, esquilmado por las grandes potencias desde el periodo colonial. Bajamos del avión con los dos mercenarios (Rod Taylor y Jim Brown), en un aeropuerto con olor a muerte y miedo, todos quieren huir de allí menos ellos, traspasando los controles de las naciones unidas, armados, así se lo hará saber Curry a los cascos azules que les quieren retener. Tienen órdenes firmadas directamente por el nuevo presidente del país, trasunto del joven dictador Mobutu. En la reunión con el mandatario y un orondo empresario occidental les dejan clara su misión; rescatar un cargamento de diamantes en medio de las revueltas simbas es el objetivo prioritario, de paso también salvar todas las vidas posibles. Jack Cardiff adaptó con solvencia la novela del africano Wilbur Smith, “El lado oscuro del sol”, en pleno siglo XX tras la independencia del Congo Belga en 1960. El peso del film cae en la relación entre los dos colegas, con un personaje femenino bastante plano (Yvenne Mimieux), cuyo marido ha sido asesinado por los simbas. Los insulsos diálogos entre la chica y el capitán sugieren que algunas partes del film han sido suprimidas en el montaje. Los rebeldes nativos en contra del gobierno apoyado por la CIA, son retratados poco menos que como caníbales sádicos, similares a los zombies de los films de Romero o Lucio Fulci. La matanza no solo la perpetran ellos, todos tienen las manos manchadas de sangre. Las fuerzas de las naciones unidas. Aparte de para “pacificar”, están ahí para facilitar el saqueo de los recursos naturales de la zona. Como dice Curry tras reconocer el rifle del médico entre los masacrados del poblado donde decidió quedarse. Al médico -Kenneth More-, alcoholizado. le da igual quedarse a merced de los rebeldes, quizá ha visto ya demasiado. Entre los reclutas de Curry para su complicada misión también destaca un nazi infanticida -Peter Carsten-, inspirado en el militar Siegfried Müller, que se desempeñó como oficial del Comando 5 durante la Crisis del Congo, y portaba con orgullo su cruz de hierro. Toda la película se conduce con un paso trepidante, y rezuma una violencia poco usual para la época, con un final desfasado y apocalíptico con violaciones y asesinatos en una orgía de sangre. Cardiff contestó a las críticas afirmando que lo que mostró era muy liviano comparado con los documentos que había leído sobre las revueltas reales. Esta noche asistimos atónitos al infierno de Katanga… Zacarías Cotán. Salvador Limón y Raúl Gallego

Tom and Jenny discuss a lesser-known British scifi horror from 1974, directed by Jack Cardiff and starring Donald Pleasence and Tom Baker. It’s a mad scientist tale partially inspired by Tod Browning’s Freaks. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Twitter and Instagram. … Continue reading Movie Time: The Mutations (aka The Freakmaker) (1974)

00:00 - 45:33 - Nocturama 45:33 - 1:02:25 - Malcolm in the Middle 1:02:25 - 1:11:02 - e-mails this week, we're joined by the managing editor of The Film Stage and the greatest interviewer in the biz, Nick Newman ( @nick_newman ), to talk about Bertrand Bonello's stylish and strange terrorist thriller, Nocturama. we get into Nick's work with Bonello, Nocturama's postmodern touches, a killer soundtrack and the best mise-en-scene a department store has seen this century. then, on MiTM (45:33), Malcolm checks out Shattered Glass for a dose of that Billy Ray Feeling. Nick praises the star-studded conspiracy film Winter Kills, JT checks out the freaks in Jack Cardiff's The Mutations, and Eddie talks about the prescient, psychotic, and evil comedy Observe and Report. lastly, some quick cameos by a couple returning champions in the e-mail segment… sign up at https://www.patreon.com/extended_clip for a weekly bonus episode. it's good for you.

In the 1970s, someone thought it'd be a cool idea to mix the ideas of Tod Browning's Freaks with a Frankenstein story genetically modified with DNA. This horror movie trades in the objectification of people that are different, women tits getting a breath of fresh air, and really cool fast-motion plant footage. We tried to be careful with our language and ableism discourse. Maybe we didn't nail it, but we tried our darndest and are always striving to get better. Speaking of getting better… uh… keep listening to Loathsome Things: the best place to get horror movie summaries without having the watch the horror movies yourself because you're too scared and we aren't, so there! If you would like to recommend a movie, tell us which pod people movie we should have watched instead, or ask us horror movie-related questions, you can do so by reaching out to us on Twitter: @LoathsomePod Instagram: @LoathsomePod Facebook: @LoathsomePodcast Email: LoathsomeThings@gmail.com The Loathsome Things Official Top 10 Greatest Horror Movies of All Time List (of those we've reviewed for an episode of Loathsome Things: A Horror Movie Podcast) (1) Andrzej Żuławski's Possession (1981) (2) Brian De Palma's Carrie (1976) (3) Rose Glass' Saint Maud (2019) (4) Bob Clark's Black Christmas (1974) (5) George A Romero's Night of the Living Dead (1968) (6) Alex Garland's Men (2022) (7) Miike Takashi's Audition (1999) (8) Ti West's X (2022) (9) Jeremy Gillespie and Steven Kostanski's The Void (2016) (10) Bob Clark's Deathdream (1974)   Honorable Mentions: Beyond the Door III (1989) – Not a great horror movie, but so much fun to watch! The Pit (1981) – Watch this coming-of-age story about seeing boobs and feeding beasts!

durée : 00:49:36 - Certains l'aiment Fip - L'ex-muse des Rolling Stones fut aussi celle de cinéastes comme Godard, Jack Cardiff, Sam Garbarski.

Listen to this PREVIEW of the 58th episode of On Second Thought, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! On Second Thought is a series in which Kevin is joined by a special guest in breaking down another Best Picture nominee not reviewed on the regular show that could have still been the runner-up. In this episode, Kevin speaks with Andrew Carden about Jack Cardiff's "Sons and Lovers," the possible runner-up that lost Best Picture to "The Apartment" in 1960. This episode includes a review of the film itself and a discussion of its awards run! You can listen to the full episode of On Second Thought by going to patreon.com/andtherunnerupis and contributing at the $3 per month tier. Follow Kevin Jacobsen on Twitter:     @Kevin_Jacobsen Follow Andrew Carden on Twitter: @AwardsConnect Follow And the Runner-Up Is on Twitter:      @OscarRunnerUp Music featured in this episode: "Main Titles" - Mario Nascimbene

This is the third part of an eight-part series about American movie ratings. Part 1 focused on Prano Baily-Bond's "Censor". Part 2 focused on Mike Nichols's "Who's Afraid of Virginia Woolf?".Future episodes will focus on Gordon Flemyng's "The Split" (1968), Steven Spielberg's "Indiana Jones and the Temple of Doom" (1984), Garry Marshall's "The Flamingo Kid" (1984), John McNaughton's "Henry: Portrait of a Serial Killer" (1986), and Philip Kaufmans's "Henry & June" (1990).***Referenced media:"Who's Afraid of Virgina Woolf?" (Mike Nichols, 1966)"Red Dawn" (John Milius, 1984)"This Savage Land" (Vincent McEveety, 1969)"Assignment to Kill" (Sheldon Reynolds, 1968)"Payment in Blood" (Enzo G. Castellari, 1968)"Birds in Peru" (Romain Gary, 1968)"Planet of the Apes" (Franklin J. Schaffner, 1968)"2001: A Space Odyssey" (Stanley Kubrick, 1968)"Night of the Living Dead" (George A. Romero, 1968)"Barbarella" (Roger Vadim, 1968)"The Girl on a Motorcycle" (Jack Cardiff, 1968)"Head" (Bob Rafelson, 1968)"Yellow Submarine" (George Dunning, 1968)"Faces" (John Cassavetes, 1968)"The Great Silence" (Sergio Corbucci, 1968)"Sympathy for the Devil" (Jean-Luc Godard, 1968)"Candy" (Christian Marquand, 1968)"The Night They Raided Minsky's" (William Friedkin, 1968)"The Wrecking Crew" (Phil Karlson, 1968)"Once Upon a Time in Hollywood" (Quentin Tarantino, 2019)"Three in the Attic" (Richard Wilson, 1968)"Pumping Iron" (George Butler and Robert Fiore, 1977)"Blowup" (Michelangelo Antonioni, 1966)"Mean Streets" (Martin Scorsese, 1973)"Hi, Mom!" (Brian DePalma, 1970)"C.H.U.D. II: Bud the C.H.U.D." (David Irving, 1989)"Phantom of the Paradise" (Brian DePalma, 1974)"Shadows" (John Cassavetes, 1959)"Fritz the Cat" (Ralph Bakshi, 1972)"Beverly Hills Cop II" (Tony Scott, 1987)"Breathless" (Jean-Luc Godard, 1960)"Laugh-In" (George Schlatter, 1968-1973)"Saturday Night Live" (Lorne Michaels, 1975-now)"Deep Throat" (Gerard Damiano, 1972)"Behind the Green Door" (Artie Mitchell and Jim Mitchell, 1972)"Midnight Cowboy" (John Schlesinger, 1969)"Superfly" (Gordon Parks, Jr., 1972)"Across 110th Street" (Barry Shear, 1972)"Sweet Sweetback's Baadasssss Song" (Melvin Van Peebles, 1971)

Jackie and Greg return to the realm of the Archers to discuss another of Michael Powell and Emeric Pressburger's biggest hits, A MATTER OF LIFE AND DEATH from 1946. Topics include the use of Technicolor, Jack Cardiff's legendary photography, the film's contrarian stylistic choices, the British-American relations at the origin of the film, and how it's basically the British version of IT'S A WONDERFUL LIFE. Join them as they try to put into words that magic touch that permeates all of Powell and Pressburger's best work.#90 on Sight & Sound's "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew Cox

Do you smell that? We're not saying its you! It's Smell-O-Vision! That's right, Smell-O-Vision! When you were looking for a movie with a gimmick, and 3-D has ran it's course, then Smell-O-Vision just may be for you! Invented by Hans Laube in 1939 and brought to a wider audience by Mike Todd Jr. in 1960, Smell-O-Vision certainly left a smell with audiences and critics alike. It's not like Mike Todd Jr. was a nobody… his father helped create the Cinerama Dome, he produced films like “Michael Todd's Around The World In 80 Days.”, AND married Elizabeth Taylor! This week Ray teaches Rob how scents have been shown with film for over 115 years, about the film “Scent of Mystery”, whether audiences were excited about getting to smell the scent of bread during a movie, and how director Jack Cardiff had a nose for film. If you like what we are doing, please support us on Patreon     TEAM: Ray Hebel Robert W Schneider Mark Schroeder Billy Recce Daniel Schwartzberg Gabe Crawford Natalie DeSavia   WEBSITES AFI Catalog   IMDb    Rotten Tomatoes   BOOKS Inventing The Movies   ARTICLES BBC   Groovy History   History Of Information   Medium   Wired   The New York Times - October 1959   The New York Times - December 1959    The New York Times - February 1960   The Los Angeles Times - February 2006     AUDIO/VISUAL Scent Of Mystery Trailer Ladies and Gentlemen, This is Cinerama Around The World In 80 Days Trailer The Sea Hawk Trailer To Tell The Truth with Charles Weiss Polyester Trailer It's Tough to be a Bug Full Show - Animal Kingdom Weird Al explains "Smell-O-Vision" Learn more about your ad choices. Visit megaphone.fm/adchoices

Agents Scott and Cam, along with guest operative Michael Richardson, author of "Guns, Girls and Gadgets: Sixties Spy Films Uncovered," land an aircraft with the mere punch of a button while decoding the 1965 Rod Taylor vehicle The Liquidator. Directed by Jack Cardiff. Starring Rod Taylor, Trevor Howard, Jill St. John, Wilfried Hyde-White, David Tomlinson, Akim Tamiroff, Eric Sykes and Gabriella Licudi. Michael's book, "Guns, Girls and Gadgets: Sixties Spy Films Uncovered," is available on Amazon or through Quoit Media Limited. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Pick up exclusive SpyHards merch, including the "What Does Vargas Do?" t-shirt by @shaylayy, available only at Redbubble Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.  

Even super-heroes sometimes need a little break ... This week we are reposting our discussion from about a year ago of John Lewis Curthoys' 1941 film ‘Border Weave', produced by the British Council about the production of woollen textiles in the Scottish Borders, but also about empire, national identity and tradition versus modernity. See links below. Merel on Etsy: https://www.etsy.com/uk/shop/mereltreasures MoMu Antwerp: https://www.momu.be/en/ British Council Film Archive: https://film.britishcouncil.org/resources/film-archive John Lewis Curthoys (director), Border Weave (1941): https://film.britishcouncil.org/resources/film-archive/border-weave John Lewis Curthoys and George Wynn (directors), Their Great Adventure (1948): http://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150057853 George Wynn: https://www.imdb.com/name/nm0943964/ Jack Cardiff: https://www.imdb.com/name/nm0002153/bio Joseph Todd Gordon Macleod: https://www.poetryfoundation.org/poets/joseph-gordon-macleod London Cloth Company: http://www.londoncloth.com/ David Parkinson, ‘Where to begin with Humphrey Jennings', BFI (19 August 2019): https://www2.bfi.org.uk/news-opinion/news-bfi/features/where-begin-humphrey-jennings

Tim & frequent guest Graeme discuss the film adaptation of John Gardner's spy comedy. jbchpod@gmail.com Twitter: @007CocktailHr IG: @jbchpod Track Name: "Spy And Die" Music By: Jay Man @ https://ourmusicbox.com/ Official "OurMusicBox" YouTube Channel: http://www.youtube.com/c/ourmusicbox License for commercial use: Creative Commons Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/... Music promoted by NCM https://goo.gl/fh3rEJ

Simon Astbury is one of the most sought after film colorists. He honed his skills in the UK film industry working on iconic movies like "Notting Hill" and "Sense and Sensibility". His extensive body of work also includes iconic horror films such as "Event Horizon" and "The Human Centipede". During his career he has worked with leading industry figures like Paul WS Anderson, Ang Lee, Jack Cardiff, Roger Pratt, Tony Kaye, Andre Stringer, Baz Luhrman and many others. He is the only British colorist in Shanghai.Join us on WeChat: THD_OfficialInstagram: thehonestdrink_Email: thehonestdrink@gmail.comFind us on: Apple, Spotify, 小宇宙, 网易云音乐, 喜马拉雅, Bilibili, YouTube...

Pour cette double émission estivale, l'équipe du Pifffcast a décidé de cartographier l'enfer nippon à travers une selection muy caliente des oeuvres extrêmes du pays des chrysanthèmes. Un menu riche et relevé qui saura satisfaire les amateurs des plats les plus épicés. Itadakimasu ! Avec Véronique Davidson, Cyril Despontin, Xavier Colon et Laurent Lopéré. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Sur Youtube : https://youtu.be/hayji_5Ek9o ► La liste des films abordés dans les précédentes émissions : bit.ly/PIFFFcast-List ► Venir discuter avec nous du PIFFFcast : bit.ly/ForumPIFFFcast Références du dossier : - Jigoku de Nobuo Nakagawa (1960) - Le Manoir du chat fantôme de Nobuo Nakagawa (1958) - Histoires de fantômes japonais de Nobuo Nakagawa (1959) - Quand l'embryon part braconner de Koji Wakamatsu (1966) - Les anges violés de Koji Wakamatsu (1967) - La vierge violente de Koji Wakamatsu (1969) - Le violeur diabolique et cruel / Serial rapist de Koji Wakamatsu (1978) - La piscine sans eau / a pool without water de Koji Wakamatsu (1982) - Caterpillar de Koji Wakamatsu (2010) - Joy of torture de Teruo Ishii (1968) - Horrors of Malformed men de Teruo Ishii (1968) - Mutations de Jack Cardiff (1974) - Okasu! (Rape!) de Yasuharu Hasebe (1976) - Assault Jack The Ripper de Yasuharu Hasebe (1976) - Le violeur à la rose de Yasuharu Hasebe (1977) - Angel Guts: High School Co-Ed de Chūsei Sone (1978) - Angel Guts: Red Room de Chūsei Sone (1979) - Angel Guts : Nami de Noboru Tanaka (1979) - Angel Guts: Red Porno de Toshiharu Ikeda (1981) - Angel Guts: Red Vertigo de Takashi Ishii (1988) - Angel Guts: Red Lightning de Takashi Ishii (1994) - Guinea Pig : Devil's Experiment de Satoru Ogura (1985) - Guinea Pig : Flower of flesh and blood de Hideshi Hino (1986) - Guinea Pig : He never dies de Masayuki Kusumi (1986) - Guinea Pig : Devil Doctor Woman de Hajime Tabe (1986) - Guinea Pig : Memaid in a manhole de Hideshi Hino (1988) - Guinea Pig : Androïd of Notre Dame de Kazuhito Kuramoto (1989)

We continue Mercenary Month with a classic, 'Dark of the Sun'. Jack Cardiff's 1968 action movie that follows a band of Congolese commandos attempting to retrieve a huge diamond haul before the Simbas arrive. An artistic but visceral film staring Rod Taylor, Yvette Mimieux, Jim Brown, Peter Carsten and Kenneth More. Skilfully shot, lots of impressive action and some good performances combine to create a compelling film. Don't forget to leave a comment/review/rating and let us know what you thought of the film via twitter @FightingOnFilm

Cinematography is the highlight in this week's movie. We tackle Sons and Lovers, directed by Jack Cardiff. A film built more on themes than plot, we meander along Paul and the frustrations of being a young adult. Spoiler alert, it's pretty frustrating. Up Next: The Alamo (1960) directed by John Wayne You can find more info on the show as well as the full film list and watch order on our website: www.outaopodcast.com Or use our Letterboxd list! Support for Once Upon a Time at the Oscars is provided by our Patreon backers. For as little as $2 a month you can help support our show as well as receive fun benefits, including the chance to vote for what film you think deserves to win Best Picture every year! Subscribe to the show – Apple, Google, Spotify, Feed (Copy the url into the podcast app of your choice) If you like the show, please consider leaving a rating or review on iTunes or your podcast player of choice! Help us reach more listeners! You can stay up to date with the show by following us at: facebook.com/outaopodcast twitter.com/outaopodcast instagram.com/onceuponatimeattheoscars Once Upon a Time at the Oscars is the weekly podcast where we take on the gauntlet of watching every single film that was nominated for Best Picture at the Academy Awards! Starting with the films of 1927, Kyle and Marilee break down these movies every week. Each episode is part review, part trivia, and part critique. This podcast is intended for anybody that loves movies. We have zero background in the film industry, we’re just a film-loving couple that thought it’d be fun to go on this odyssey together, with all of you! Let us know what you thought of the film! You can send your thoughts and we’ll read them on an upcoming ceremony episode: outaopodcast@gmail.com Thanks for tuning in! See you at the movies, Kyle and Marilee

We talk about John Lewis Curthoys' 1941 film ‘Border Weave’, produced by the British Council about the production of woollen textiles in the Scottish Borders, but also about empire, national identity and tradition versus modernity. See links below. Merel on Etsy: https://www.etsy.com/uk/shop/mereltreasures MoMu Antwerp: https://www.momu.be/en/ British Council Film Archive: https://film.britishcouncil.org/resources/film-archive John Lewis Curthoys (director), Border Weave (1941): https://film.britishcouncil.org/resources/film-archive/border-weave John Lewis Curthoys and George Wynn (directors), Their Great Adventure (1948): http://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150057853 George Wynn: https://www.imdb.com/name/nm0943964/ Jack Cardiff: https://www.imdb.com/name/nm0002153/bio Joseph Todd Gordon Macleod: https://www.poetryfoundation.org/poets/joseph-gordon-macleod London Cloth Company: http://www.londoncloth.com/ David Parkinson, ‘Where to begin with Humphrey Jennings’, BFI (19 August 2019): https://www2.bfi.org.uk/news-opinion/news-bfi/features/where-begin-humphrey-jennings

Episode 7 Strange Sounds from the Movies 1931-1972     Title, Director, composer Country Year Track Instrument Story Alone (Odna), Grigori Kozintsev and Leonid Trauberg, music by Dmitry Shostakovich Russia 1931 “The Snowstorm” Theremin Perhaps the film sound film to incorporate a Theremin in its score. The audio for this part of the film has been lost but we have this reconstruction by Mark Fitz-Gerald based on Shostakovich's score. The work was recorded in 2006 and features Barbara Buchholz playing both tracks of Theremin. Le Roman D'un Tricheur (leh-ROH-mah deh TREE-shure)(The Story of a Cheater) by Sacha Guitry (GIE-tree), music by Adolphe Borchard France 1936 Short sequence while traveling on a train. Ondes Martenot Played by Ginette Martenot, sister of Maurice Martenot. Spellbound, Alfred Hitchcock, music by Miklós Rózsa (MICK-los ROSE-ah) US 1945 The dream sequence from the Spellbound suite. Theremin This recording was by Al Goodman and his orchestra and featured Hoffman, who was in the original soundtrack a year earlier. Note that there is a vocalist doubling the Theremin but at a higher octave. Spellbound, Alfred Hitchcock, Miklós Rózsa US 1945 The dream sequence from the Spellbound suite. Theremin For comparison, a recording from 1958 by Raymond John Heindorf and his orchestra. The fidelity is a little better on this track and the theremin is played without the added vocalist. The Day the Earth Stood Still, Robert Wise, music by Bernard Hermann US 1951 Gort / The Visor / The Telescope Theremin Samuel Hoffman again, on Theremin and a wonderful orchestral score by Hermann. The Day the Earth Stood Still, Robert Wise, music by Bernard Hermann US 1951 The Captive, Terror Theremin Here is Hermann again, with Hoffman on Theremin and a Hammond Novachord in the ending part. Forbidden Planet, Fred McLeod Wilcox, music by Louis and Bebe Barron US 1956 Main Title Handmade circuits The Barrons had their own private studio for making electronic sounds and music for television, commercials, and motion pictures. Forbidden Planet, Fred McLeod Wilcox, music by Louis and Bebe Barron US 1956 Battle with the Invisible Monster Handmade circuits See above Forbidden Planet, Fred McLeod Wilcox, music by Louis and Bebe Barron US 1956 Ancient Krell Music Handmade circuits See above Music from One Step Beyond, music by Harry Lubin US 1960 Fear Trautonium The instrument had ribbon controllers to make the gliding notes entirely possible and measure against notes of the scale so that the musician could hit his notes accurately. Raumpatrouille - Space Patrol – The Fantastic Adventures of the Spaceship Orion, Theo Mezger and Michael Braun, music by Peter Thomas Germany 1966 Outside Atmosphere Siemens "ThoWiephon" Thomas created a musical instrument called "ThoWiephon.” It was a small, upright device with 12 oscillators and a three-octave keyboard. Girl on a Motorcycle, Jack Cardiff, music by Les Reed UK 1968 Dream Tape composition Electronic music composition for this film starring Marianne Faithful was credited as being made at Shepperton and Putney. Girl on a Motorcycle, Jack Cardiff, music by Les Reed   UK 1968 Surrender to a Stranger Tape composition, oscillators As above. Sebastian, David Greene, music by Jerry Goldsmith and Tristram Cary. UK 1968 Sputnick Code Tape composition The only contribution to this soundtrack not credited to Jerry Goldsmith was this number by Tristram Cary, a British composer with his own electronic music studio.   Lawrence of Arabia, David Lead, music by Maurice Jarre UK 1962 That is the Desert Ondes Martenot Here we have two of Jarre's uses of the Ondes Martenot, the first to provide atmosphere for a desert scene and the second a rendering of the title theme on the electronic instrument. Lawrence of Arabia, David Lead, music by Maurice Jarre UK 1962 Lawrence and the Bodyguard Ondes Martenot As above. Billion Dollar Brain, Ken Russell, music by Richard Rodney Bennett US 1967 Anya 2 Ondes Martenot Richard Rodney Bennett composed the music that included passages played on the Ondes Martenot. The Heart is a Lonely Hunter, Robert Ellis Miller, music by Dave Grusin US 1968 Married People Ondioline Dave Grusin arranged this tune for the Ondioline, a monophonic electronic organ invented in 1948. The Name of the Game is Kill, Gunnar Hellström, music by Stu Phillips US 1968 Main Title Moog Modular Synthesizer Stu Phillips employed Paul Beaver to overdub tracks of the Moog Modular synthesizer onto music recorded with other instruments. On Her Majesty's Secret Service US 1969 James Bond Theme Moog Modular Synthesizer Working with composer John Barry, Phil Ramone produced this part for the Moog and played the synthesizer in real-time with the orchestra. Follow Me, Gene McCabe, music by Stu Phillips US 1969 Hawaii—Waimea-Straight Down Tape composition, multi-instrumental mix Another track by Stu Phillips for this surfing movie. Andromeda Strain, The, Robert Wise, music by Gil Melle., US 1971 The Piedmont Elegy Percussotron and tape composition Gil Melle and his Percussotron. There is a delightful promotional video of him demonstrating the Percussotron on YouTube. Andromeda Strain, The, Robert Wise, music by Gil Melle. US 1971 Strobe Crystal Green Percussotron and tape composition As above. Sacco and Vanzetti, Giuliano Montaldo, music by Ennio Morricone Italy 1971 La Sedia Elettrica Synket Music by Ennio Morricone using the Synket, a small tabletop synthesizer.   Solaris, Andrey Tarkovsky, music by Eduard Artemiev US 1972 Movement 2 ANS photoelectronic synthesizer Eduard Artemiev used the ANS synthesizer, a photoelectronic musical instrument created by Russian engineer Evgeny Murzin from 1937 to 1957. Solaris, Andrey Tarkovsky, music by Eduard Artemiev US 1972 Movement 14 ANS photoelectronic synthesizer As above.     This episode's Archive Mix in which I play two tracks at the same time to see what happens:   Track 1: Sim Gets Hit from The Name of the Game is Kill, by Stu Phillips. Track 2: The Summer House from Girl on a Motorcycle, electronic sound effects created at the Putney studios in London.  

A través de la bruma del destino nos llega una leyenda de Amor Inmortal, una elegía romántica llevada al extremo: Pandora y el Holandés Errante. Una historia que te atrapa, como los ojos de Ava Gardner (Pandora), como el dolor sordo de James Mason (El Holandés), como los versos eternos de Omar Khayyam. El mar arroja dos cuerpos a una playa catalana, unas manos entrelazadas que cuentan, desde la muerte, una historia de culpa y castigo, una afrenta a Dios y a los hombres… una maldición. Albert Lewin dirigió en 1951 esta obra oculta y misteriosa, con la portentosa fotografía de Jack Cardiff, que consigue una atmósfera realmente extraordinaria, hipnótica. Dos espíritus atormentados a merced del destino, acompañados por la sangre y la muerte, que irremediablemente llevamos incrustadas en nuestra historia, dos seres sitiados por la culpa y la tragedia. Pandora y Ava Gardner se fusionan, la realidad y el mito se confunden. La crueldad y el desdén existencial de una mujer, tan bella como infeliz….Una Diosa Pagana, con su cohorte de admiradores, totalmente entregados a su belleza, víctimas de sus deseos y su voluptuosidad. Un poeta, Reggie Demarest, que no podrá soportar el amor no correspondido; un piloto de carreras, Stephen Cameron, al que Pandora obligará a arrojar su coche, su trabajo, su vida….. por un acantilado; un torero, Montalvo, que asesinará y será asesinado…… Los ojos de Pandora esconden una tristeza infinita, detrás de esa belleza tan intensa y perturbadora, Geoffrey, un viejo historiador, nos contará su leyenda, por entre la niebla del recuerdo y la fábula. Albert Lewin fue uno de los hombres clave de la Metro, asesor y mano derecha de Irving Thalberg. Un tipo extremadamente culto, amante de la pintura y la literatura, que se encargaba de dar el toque final a los guiones del Estudio. Solo tiene media docena de películas como director, pero son todas excepcionales y sumamente desconcertantes, autenticas rarezas, donde se ahonda en la corrupción moral de los hombres y en la búsqueda de una redención imposible. El Retrato de Dorian Gray, adaptando a Oscar Wilde, La Luna y 6 peniques con guión de Somerset Maugham o Los asuntos privados de Bel Ami, de Maupassant. Pandora es una obra fascinante y compleja, nada accesible, con multitud de referencias literarias, la propia leyenda del siglo XVI, la opera de Wagner, la mitología griega, incluso la historia del vampiro que busca el amor a través de océanos de tiempo… Una visión del amor verdadero, preñada con los versos del Rubaiyat de Khayyam… “Pero el dedo implacable sigue y sigue escribiendo. Seducirlo no podrás con tu piedad o tu ingenio para lo escrito tachar o con tus lágrimas borrar ni una coma ni un acento”.   La fatalidad y el imparable curso del destino replican esta noche en el campanario de Radiopolis, dos cuerpos sin vida yacen con las manos y las almas entrelazadas…. la gente se aproxima a la playa, entre los curiosos nos encontramos Zacarias Cotán, Salvador Limón, Raúl Gallego y Gervi Navío… Una historia que comienza por el final, un circulo infinito a recorrer… en un pueblo llamado Esperanza….la Eternidad se estremece. Gervasio Navío. La Gran Evasión

La période 70s de la Hammer Film est le chant du cygne de la maison des horreurs. Redécouvrez avec nous cette période mal-aimée et pourtant passionnante où, dans un flamboyant bouquet final, le studio a fait exploser les barrières de l'excentricité dans ses films les plus fous. Avec Véronique Davidson, Xavier Colon, Talal Selhami, Laurent Lopéré, Laurent Duroche et Cyril Despontin. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Sur Youtube : https://youtu.be/I_g9QZSV6Ec ► La liste des films abordés dans les précédentes émissions : https://bit.ly/PIFFFcast-List ► Venir discuter avec nous du PIFFFcast : https://bit.ly/ForumPIFFFcast Références des films cités : - La trilogie Karnstein : The Vampire Lovers de Roy Ward Baker (1970), Lust for a vampire / La soif du Vampire de Jimmy Sangster (1971), Twins of evil / Les sévices de Dracula de John Hough (1971) - Le Cirque des vampires de Robert William Young (1972) - La Horde Sauvage de Sam Peckinpah (1969) - Dracula 73 d'Alan Gibson (1972) - Les Cicatrices de Dracula de Roy Ward Baker (1970) - Dracula (série TV 2020), PIFFFcast 78 : https://soundcloud.com/pifffcast/pifffcast-78-dessine-moi-un-film - Gorge Profonde de Gérard Damiano (1972) - Straight on till morning de Peter Collinson (1972), PIFFFcast 45 : https://soundcloud.com/pifffcast/pifffcast-45-anarchy-in-the-uk - Fear in the night / Sueur froide dans la nuit de Jimmy Sangster (1972) - Dracula vit toujours à Londres de Alan Gibson (1973) - L'exorciste de William Friedkin (1973) - Massacre à la tronçonneuse de Tobe Hooper (1974) - Capitaine Kronos : tueur de vampires de Brian Clemens (1974) - Docteur Jekyll et Sister Hyde de Roy Ward Baker (1971) - And soon the darkness de Robert Fuest (1970) - Vampire Hunter D de Hideyuki Kikuchi (Romans - 1985) - Castelvania (jeu vidéo) - Le Pacte des loups de Christophe Gans  - Les sept vampires d'or de Roy Ward Baker, Chang Cheh (1974) - Shatter de Michael Carreras (1975) - Top Secret de David Zucker, Jerry Zucker, Jim Abrahams (1985) - The Mutation de Jack Cardiff (1974) - La révolte des morts vivants de Amando de Ossorio (1972), PIFFFcast 79 : https://soundcloud.com/pifffcast/pifffcast-79-les-soldats-de-libere - Capcom VS SNK (jeu vidéo) - L’exorciste chinois de Sammo Hung (1980), PIFFFcast 41 : https://soundcloud.com/pifffcast/pifffcast-41-made-in-hong-kong - Une fille... pour le diable de Peter Sykes (1976) - Les démons de l'esprit de Peter Sykes (1972) - La sentinelle des maudits de Michael Winner (1977) - Le cercle infernal de Richard Loncraine (1978) - Hammer House of Horror (serie TV 1980) - Hammer House of Mystery & suspense (serie TV 1984) - Night Gallery (serie TV 1969) - Kolchak the night stalker (serie TV 1974) - Thriller / Angoisses (serie TV 1973) - Flesh and Blood: The Hammer Heritage of Horror de Ted Newsom (1994) - Let me in de Matt Reeves (2010) - La Dame en noir de James Watkins (2012) - The Lodge de Severin Fiala, Veronika Franz (2019) - Eden Lake de James Watkins (2008), PIFFFcast 40 : https://soundcloud.com/pifffcast/pifffcast-40-des-vacances-denfer - Guns Akimbo de Jason Lei Howden (2019) - Sleepy Hollow, la légende du cavalier sans tête de Tim Burton (1999) - Sweeney Todd, le diabolique barbier de Fleet Street de Tim Burton (2007)

Robert Lindsay is a stage and TV actor, best known for his role as Ben Harper in My Family, a role he played for over a decade.After leaving school, Lindsey studied drama at Clarendon College in Nottingham, intending to become a drama teacher, however friends encouraged him to apply to RADA, which he did and was accepted.He rose to prominence as Jakey Smith in ITV comedy series Get Some In! (1975-1977), followed by the role of Wolfie Smith in BBC Sitcom Citizen Smith (1977-1980). Lindsey also played several roles in the BBC Shakespeare series in the early 1980s, including Fabian in Twelfth Night and Benedick in Much Ado About Nothing, and went on to make several appearances with the Royal Shakespeare Company.Lindsay went on to be successful in the West End and on Broadway; his role as Bill Snibson in the 1984 revival of Me and My Girls won him an Olivier Award and a Tony Award. He starred in several Channel 4 comedies throughout the 1990s, including Nightingales withDavid Thelfall and James Ellis, and Jakes Progress with Julie Walters.His longest running role is that of Ben Harper in the BBC sitcom my family, which he played from 2000 to 2011, opposite Zoe Wanamaker. Lindsay went on to star in British sitcom Spy (2011-2012), and many theatre credits including; the UK premiere of Dirty Rotten Scoundrelsat the Savoy Theatre (2014), The Lion in Winter at the Theatre Royal opposite Joanna Lumley (2011), and the role of late cinematographer Jack Cardiff in Terry Johnson’s play Prism (2017).In 2019, Lindsay starred as King John in Disney’s Maleficent: Mistress of Evil, opposite Angelina Jolie, Michelle Pfeiffer and Chiwetel Ejifor.The music for the podcast is Twiggy's version of "Waterloo Sunset" by the Kinks and can be found on Apple Music at this link https://music.apple.com/gb/album/romantically-yours/693460953If you’ve enjoyed listening to “Tea With Twiggy” please give take a moment to give us a lovely 5 STAR rating on Apple Podcasts. It really helps other people to find the show.If you haven’t done so already please subscribe to this podcast so you auto-magically get the next episodes for free and do tell all your friends and family about it too. If you want to connect with me I’d love to hear from you.You can find me on Twitter @TwiggyOr you can find me on Instagram @Twiggy LawsonMy thanks go to all the people that have helped this podcast happen:● Many thanks to James Carrol and all the team at Northbank Talent Management● Thanks to all the team at Stripped Media including Ben Williams, who edits the show, my producer Kobi Omenaka and Executive Producers Tom Whalley and Dave CorkeryIf you want to know more about this podcast and other produced by Stripped Media please visit www.Stripped.media to find out! See acast.com/privacy for privacy and opt-out information.

With Francine Stock. Award winning cinematographer Seamus McGarvey talks about the film that is a continuing influence on his work, A Matter Of Life And Death, and about his friendship with the movie's legendary director of photography, Jack Cardiff, who became his mentor.

Au sommaire de cette spéciale sorties BR & DVD : -Deux films de Billy Wilder sortis chez RIMINI, LE POISON (1945) & UN, DEUX, TROIS (1961) ;-Quelques œuvres singulières éditées par CARLOTTA telles SCHLOCK (1973), premier long de John Landis, FILM (1965) & NOT FILM (2015), un court métrage et un documentaire qui voient se croiser Samuel Beckett et Buster Keaton ;-Toujours chez CARLOTTA, les cultissimes VAMPIRE VOUS AVEZ DIT VAMPIRE (1985) de Tom Holland et LES FUNERAILLES DES ROSES (1969) de Toshio Matsumoto ;-Des films fantastiques et d'aventures chez RIMINI avec L'ENFER DES TROPIQUES (1957) de Robert Parrish, LE CONTINENT OUBLIE (1977) de Kevin Connor et MUTATIONS (1973) œuvre ultime de Jack Cardiff ;-Chez ARTUS FILMS, la version mythique de GUILLAUME TELL cosignée en 1960 par Michel Dickoff et Karl Hartl ;-De l'exotisme et du western chez ELEPHANT FILMS avec BAGDAD (1949) & LES FRERES BARBEROUSSE (1951) de Charles Lamont, LE FILS D'ALI BABA (1952) de Kurt Neumann, LES EXPLOITS D'ALI BABA (1965) de Virgil W. Vogel, LE RETOUR DES TEXAS RANGERS (1940) de James Patrick Hogan, LA BELLE ROUSSE DU WYOMING (1953) de Lee Sholem, LE MUSTANG NOIR (1949) & SUR LE TERRITOIRE DES COMANCHES (1950) de George Sherman, IL ETAIT UNE FOIS DEUX SALOPARDS (1967) de Samuel Fuller & Charles Dubin et VENGEANCE MEXICAINE (1982) de Fred Schepisi. Bonne écoute à toutes et à tous.

This Week in Mal’s World, Mal Vincent previews “The Red Shoes” from 1948. It’s next week’s featured film for Mal’s Movies 2019 at the Naro Expanded Cinema in Norfolk. This very rare screening proves that “The Red Shoes” is one of the most beautiful color movies of all time, with great photography by the legendary Jack Cardiff. Starring the fiery red-headed ballerina, Moria Shearer, it is about obsessive love, as the heroine’s dance career clashes with her personal life. She, fatefully, is appearing in a ballet in which the red shoes have been cursed and she must dance until she dies. Martin Scorsese and Steven Spielberg headed an effort to restore the film to its original glory and, as a result, it was again premiered at the Cannes Film Festival, in 2009. Nominated for five Academy Awards, it won for its score and for its art direction, receiving other nominations for Best Picture, Script, and Editing. See this classic British drama Monday evening, August 5th, at 7:00 at the Naro Expanded Cinema. For more information, visit https://narocinema.com/mals-movies/

Bill speaks to BLUE VELVET makeup supervisor Jeff Goodwin about creating the ear, Jack Cardiff, consulting with brain surgeons, Dean Stockwell’s makeup, a surprising connection between BLUE VELVET and Oliver Stone’s JFK, Dennis Hopper and having the smallest ears in the world.

Writer / director Darren Aronofsky's Mother! is a horror film starring Jennifer Lawrence and Javier Bardem. A young woman is single handedly restoring her husband's country home which has been destroyed by fire, when their seemingly tranquil life is disrupted by the arrival of a mysterious couple played by Michelle Pfeiffer and Ed Harris. Booker prize winning Irish writer Roddy Doyle frequently returns in his novels to a childhood in the 1960s and 1970s on a housing estate in north Dublin. His new novel Smile returns to the trauma of school days when 54-year-old Victor Forde, separated from his television presenter wife, is confronted by memories of his experiences at the Christian Brothers school he attended as a child. Kathe Kollwitz was one of the leading artists of the late 19th and early 20th centuries, notable for the emotional power of her drawing, printmaking and later sculpture. Portrait of the Artist: Kathe Kollwitz at Birmingham's Ikon Gallery includes around forty works from the British Museum's remarkable print collection. Known for painting, printmaking and sculpture, her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Hampstead Theatre presents the world premiere of Terry Johnson's new play Prism, based on the extraordinary life of double Oscar-winning cinematic master Jack Cardiff. Cardiff is played by Olivier award winning actor Robert Lindsay and Prism also stars Claire Skinner. And a look the art of the opening title sequences with reference to a number of recent dramas as well as classic favourites. How much has the aesthetic of the opening title sequence changed and what is the future for the form? Image: Left to right: Javier Bardem and Jennifer Lawrence in mother!. Credit: Paramount Pictures.

The comedian and writer Sara Pascoe explains to Kirsty Lang why Pride and Prejudice, great as the book is, was in need of a comic stage adaptation. Her play based on Jane Austen's novel is about to open at the Nottingham Playhouse. It includes scenes with modern commentary, original music from Emmy the Great, and jokes. The Man Booker Prize shortlist, announced today, includes some surprises - omissions as well as inclusions. Critics Alex Clark and Toby Lichtig deliver their verdicts and nominate their favourite to win. Actor Robert Lindsay talks to Kirsty about playing Jack Cardiff in Prism, a play about the cinematographer's life. Prism looks back at Cardiff's career which includes working on the film sets of The Red Shoes, The African Queen and Sons and Lovers.Presenter: Kirsty Lang Producer: Kate Bullivant.

In Episode 2, Chris and Rob take a look at low budget 1974 British-American sci-fi horror "freaksploitation" film THE MUTATIONS (aka THE FREAKMAKER). Is this the least enthusiastic Donald Pleasence performance ever? Is this really directed by Jack Cardiff - one of the best cinematographers of all time? Is this just a feature-length episode of Dr. Who with some boobs in it? Is it okay that Rob first saw this when he was 8 years old - with his mum? Is it... Still any good?

Edición nº 127 de La gran Evasión. El fastuoso desfile exalta el patriotismo en la gran Rusia de principios del siglo XIX, la joven Natasha observa las tropas marciales del imperio zarista y no se deja impresionar, ella quisiera ser uno más de esos hombres que pueden tomar decisiones y blandir la espada, o rendirla. El apocado Pedro Bezhukov no se ha alistado para la guerra que Napoleón siembra en Europa, su espíritu noble admira al comienzo al invasor corso y sus aires de ilustración, el terror del combate, la sangría de Borodinó le abrirá los ojos. El Conde Bezhukov se siente cansado de la vida mundana, de los fastos, quiere descubrir el verdadero sentido de la vida y para eso debe conocer el sufrimiento, el calvario. Pedro comparte con Natasha la pureza de espíritu, en esto sobresalen sobre la pléyade de personajes creados por León Tolstoi. King Vidor se aventuró en 1956 con esta obra universal, y contó con varias cartas ganadoras, la gran producción de Dino de Laurentiis y Carlo Ponti, Audrey Hepburn para dar vida a la joven princesa, Henry Fonda en el protagonista masculino, la partitura de Nino Rota, y las pictóricas tomas rodadas por el operador Jack Cardiff, el duelo entre Pierre y Dolokhov, las batallas, el último adiós al padre agonizante...A pesar de tanto baile, combate, y humanismo, no quedó redonda, le falta poso, personajes secundarios como Anatoly Kuraguin (Vittorio Gassman) o el campesino abatido por los franceses (John Mills) quedan algo desdibujados, y parecen pedir más desarrollo a gritos. Por fortuna, quedan para la eternidad Audrey y su vestido amarillo, Audrey bailando un vals ante los ojos de un Andrei Bolkonsky resucitado de amor, y los principios del idealista Conde Bezukhov, de ademán torpe y corazón puro. Raúl Gallego Esta noche defendemos la torre de Radiopolis sin recurrir a la táctica de la tierra quemada... José Miguel Moreno a la dirección, debaten Rodrigo Ruiz de Villegas, Gervi Navío y Raúl Gallego.

Welcome to a special cross promotion with the Feminine Critique podcast!!! This week we joined forces to bring you coverage on two different feeds. On this feed you get coverage of They Shoot Horses...Don't They? (1969) directed by Sydney Pollack and starring Jane Fonda, Michael Sarrazin and Gig Young.  On the Feminine Critique feed you get coverage of the second part. or first part depending on who you listen to first, of our coverage of Dark of the Sun (1968) directed by Jack Cardiff and starring Rod Taylor and Jim Brown. We hope you enjoy this little venture and get out and support great podcasts like The Feminine Critique!!! Emails to midnitecinema@gmail.com Vociemails to 206-666-5207 Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

"What a time we had, Rosie. What a time we had." This week on Rash Pixel's "Movies We Like," we're finishing up our far-too-short series on cinematographer Jack Cardiff with the wonderful 1951 film, "The African Queen". John Huston co-wrote and directed it, choosing to shoot as much as he possibly could in Africa. While many said it couldn't be done -- shooting a story on location about two characters typically considered much too old for a love story -- John Huston proved them wrong. His choice of Jack Cardiff as cinematographer goes a long way in showing all of the reasons why shooting in Africa was right for the story, and his decision to cast Humphrey Bogart and Katharine Hepburn as Charlie Allnut and Rose Sayer allowed the story to be played authentically by actors who knew what they were doing and made it real. The film went on to earn buckets of money, critical praise, and award recognition. It's truly a film that has stood the test of time as well, and we -- Pete Wright and Andy Nelson -- have a great time talking about it. Join us as we talk about Jack Cardiff's role in making cinematography what it is today. We chat about the rough time everyone had on the production, not to mention the pre-production. We discuss the story and the wonderful actors in it, and we talk about why it still works so well. It's a fantastic film and we love talking about it. Listen in!

"What a time we had, Rosie. What a time we had." This week on Rash Pixel's "Movies We Like," we're finishing up our far-too-short series on cinematographer Jack Cardiff with the wonderful 1951 film, "The African Queen". John Huston co-wrote and directed it, choosing to shoot as much as he possibly could in Africa. While many said it couldn't be done -- shooting a story on location about two characters typically considered much too old for a love story -- John Huston proved them wrong. His choice of Jack Cardiff as cinematographer goes a long way in showing all of the reasons why shooting in Africa was right for the story, and his decision to cast Humphrey Bogart and Katharine Hepburn as Charlie Allnut and Rose Sayer allowed the story to be played authentically by actors who knew what they were doing and made it real. The film went on to earn buckets of money, critical praise, and award recognition. It's truly a film that has stood the test of time as well, and we -- Pete Wright and Andy Nelson -- have a great time talking about it. Join us as we talk about Jack Cardiff's role in making cinematography what it is today. We chat about the rough time everyone had on the production, not to mention the pre-production. We discuss the story and the wonderful actors in it, and we talk about why it still works so well. It's a fantastic film and we love talking about it. Listen in!

"What a time we had, Rosie. What a time we had." This week on Rash Pixel's "Movies We Like," we're finishing up our far-too-short series on cinematographer Jack Cardiff with the wonderful 1951 film, "The African Queen". John Huston co-wrote and directed it, choosing to shoot as much as he possibly could in Africa. While many said it couldn't be done -- shooting a story on location about two characters typically considered much too old for a love story -- John Huston proved them wrong. His choice of Jack Cardiff as cinematographer goes a long way in showing all of the reasons why shooting in Africa was right for the story, and his decision to cast Humphrey Bogart and Katharine Hepburn as Charlie Allnut and Rose Sayer allowed the story to be played authentically by actors who knew what they were doing and made it real. The film went on to earn buckets of money, critical praise, and award recognition. It's truly a film that has stood the test of time as well, and we -- Pete Wright and Andy Nelson -- have a great time talking about it. Join us as we talk about Jack Cardiff's role in making cinematography what it is today. We chat about the rough time everyone had on the production, not to mention the pre-production. We discuss the story and the wonderful actors in it, and we talk about why it still works so well. It's a fantastic film and we love talking about it. Listen in!

"What a time we had, Rosie. What a time we had." This week on Rash Pixel's "Movies We Like," we're finishing up our far-too-short series on cinematographer Jack Cardiff with the wonderful 1951 film, "The African Queen". John Huston co-wrote and directed it, choosing to shoot as much as he possibly could in Africa. While many said it couldn't be done -- shooting a story on location about two characters typically considered much too old for a love story -- John Huston proved them wrong. His choice of Jack Cardiff as cinematographer goes a long way in showing all of the reasons why shooting in Africa was right for the story, and his decision to cast Humphrey Bogart and Katharine Hepburn as Charlie Allnut and Rose Sayer allowed the story to be played authentically by actors who knew what they were doing and made it real. The film went on to earn buckets of money, critical praise, and award recognition. It's truly a film that has stood the test of time as well, and we -- Pete Wright and Andy Nelson -- have a great time talking about it. Join us as we talk about Jack Cardiff's role in making cinematography what it is today. We chat about the rough time everyone had on the production, not to mention the pre-production. We discuss the story and the wonderful actors in it, and we talk about why it still works so well. It's a fantastic film and we love talking about it. Listen in!

"You cannot have it both ways. A dancer who relies upon the doubtful comforts of human love can never be a great dancer. Never." And thus sums up the battle within Michael Powell's and Emeric Pressburger's 1948 film, "The Red Shoes" -- the battle between love and art. Can the two exist together? Or will one always win out and destroy the other? It's a fascinating question posed in a beautiful and sumptuous film that we -- Pete Wright and Andy Nelson -- talk about this week on Rash Pixel's "Movies We Like." Join us as we talk about the movie and what it's come to mean in the world of film. We talk about the fans of this film, particularly Martin Scorsese, and how they came together to restore this film into the mindbogglingly gorgeous version we have today. We chat about the amazing performances led by Anton Walbrook as the dark and controlling ballet impresario and Moira Shearer as the prima ballerina torn between love and dance. We discuss the amazing look of the film, focusing primarily on Jack Cardiff's stunning 3-strip technicolor cinematography. We talk about the realism and how it turns almost magical after the ballet of the Red Shoes midway through the film leading us to the inevitable and heartbreaking conclusion. And we talk about the nature of Hans Christian Andersen's original fairy tale and how it enhances and defines this film. It's an amazing film to watch. Join us this week as we catch up on this classic!

"You cannot have it both ways. A dancer who relies upon the doubtful comforts of human love can never be a great dancer. Never." And thus sums up the battle within Michael Powell's and Emeric Pressburger's 1948 film, "The Red Shoes" -- the battle between love and art. Can the two exist together? Or will one always win out and destroy the other? It's a fascinating question posed in a beautiful and sumptuous film that we -- Pete Wright and Andy Nelson -- talk about this week on Rash Pixel's "Movies We Like." Join us as we talk about the movie and what it's come to mean in the world of film. We talk about the fans of this film, particularly Martin Scorsese, and how they came together to restore this film into the mindbogglingly gorgeous version we have today. We chat about the amazing performances led by Anton Walbrook as the dark and controlling ballet impresario and Moira Shearer as the prima ballerina torn between love and dance. We discuss the amazing look of the film, focusing primarily on Jack Cardiff's stunning 3-strip technicolor cinematography. We talk about the realism and how it turns almost magical after the ballet of the Red Shoes midway through the film leading us to the inevitable and heartbreaking conclusion. And we talk about the nature of Hans Christian Andersen's original fairy tale and how it enhances and defines this film. It's an amazing film to watch. Join us this week as we catch up on this classic!

"You cannot have it both ways. A dancer who relies upon the doubtful comforts of human love can never be a great dancer. Never." And thus sums up the battle within Michael Powell's and Emeric Pressburger's 1948 film, "The Red Shoes" -- the battle between love and art. Can the two exist together? Or will one always win out and destroy the other? It's a fascinating question posed in a beautiful and sumptuous film that we -- Pete Wright and Andy Nelson -- talk about this week on Rash Pixel's "Movies We Like." Join us as we talk about the movie and what it's come to mean in the world of film. We talk about the fans of this film, particularly Martin Scorsese, and how they came together to restore this film into the mindbogglingly gorgeous version we have today. We chat about the amazing performances led by Anton Walbrook as the dark and controlling ballet impresario and Moira Shearer as the prima ballerina torn between love and dance. We discuss the amazing look of the film, focusing primarily on Jack Cardiff's stunning 3-strip technicolor cinematography. We talk about the realism and how it turns almost magical after the ballet of the Red Shoes midway through the film leading us to the inevitable and heartbreaking conclusion. And we talk about the nature of Hans Christian Andersen's original fairy tale and how it enhances and defines this film. It's an amazing film to watch. Join us this week as we catch up on this classic!

"You cannot have it both ways. A dancer who relies upon the doubtful comforts of human love can never be a great dancer. Never." And thus sums up the battle within Michael Powell's and Emeric Pressburger's 1948 film, "The Red Shoes" -- the battle between love and art. Can the two exist together? Or will one always win out and destroy the other? It's a fascinating question posed in a beautiful and sumptuous film that we -- Pete Wright and Andy Nelson -- talk about this week on Rash Pixel's "Movies We Like." Join us as we talk about the movie and what it's come to mean in the world of film. We talk about the fans of this film, particularly Martin Scorsese, and how they came together to restore this film into the mindbogglingly gorgeous version we have today. We chat about the amazing performances led by Anton Walbrook as the dark and controlling ballet impresario and Moira Shearer as the prima ballerina torn between love and dance. We discuss the amazing look of the film, focusing primarily on Jack Cardiff's stunning 3-strip technicolor cinematography. We talk about the realism and how it turns almost magical after the ballet of the Red Shoes midway through the film leading us to the inevitable and heartbreaking conclusion. And we talk about the nature of Hans Christian Andersen's original fairy tale and how it enhances and defines this film. It's an amazing film to watch. Join us this week as we catch up on this classic!

This month's episode features an interview with Craig McCall, an award winning director and documentary filmmaker whose most recent film: Cameraman: The Life and Work of Jack Cardiff, chronicles the long and illustrious career of the late British cinematographer. Jack Cardiff shot some of cinema's most valued treasures, including films like Black Narcissus, The Red Shoes and The African Queen, in a career in movies that spanned over 80 years. Craig McCall had the good fortune of knowing Jack in his later years and after meeting Jack and forming a sincere admiration for him, Craig took on what would become a 13 year effort to chronicle Jack's professional life on film. For more information on our show or news about upcoming guests, please search for Waterfoot Films on facebook and "like" us to see updates. Or visit our website at www.waterfootfilms.com.

Cameraman: The Life and Work of Jack Cardiff is a new documentary from director Craig McCall that explores the career of one of Britain’s most famous cinematographers. With a career that spanned the development of cinema, taking in silent film and the advent of Technicolor he worked with luminaries such as Michael Powell, John Huston, Alfred Hitchcock, Marilyn Monroe, John Wayne, Humphrey Bogart and Audrey Hepburn. On films such as A Matter of Life and Death (1946), Black Narcissus (1947), The Red Shoes (1948) and The African Queen (1951) he established himself as a world class cinematographer and in 2001 he became the first cinematographer to receive an honorary, Lifetime Achievement Oscar® for: “Exceptional contributions to the state of motion picture arts and sciences; and for outstanding services to the Academy.” Director Craig McCall has been working on this documentary for several years, interviewing Jack himself (who passed away last year( and various admirers including Martin Scorsese, Thelma Schoonmaker, Kathleen Byron, Kim Hunter, Moira Shearer, John Mills, Lauren Bacall, Charlton Heston and Kirk Douglas.File Download (0:00 min / 18 MB)

Mark Cosgrove discusses Jack Cardiff, A Matter of Life Death, Pierrot le Feu and La Roue.