Podcasts about Nam June Paik

Social Discipline is incredibly excited to present the adventurous life of Jeff Perkins, a hidden gem of the American underground. This massive five-hour podcast, recorded in Berlin in June 2024, explores his fascinating journey—no one else can claim to have performed for Yoko Ono and John Cage, created legendary light shows with The Velvet Underground, Sly and the Family Stone, and The Germs, programmed the first Kenneth Anger retrospective in L.A., and encountered both Charles Manson and members of the satanic cult The Process. Jeff joined the military in the 1960s and was stationed in Tokyo, where he met Yoko Ono in the early '60s. He began performing some of her pieces there and later in New York. Perkins also filmed Ono's classic Film No. 4 (Bottoms), a Fluxus work. His first independent contribution to the Fluxfilm Anthology was Shout. He was at the heart of the 1960s New York avant-garde scene, surrounded by figures like La Monte Young, Jack Smith, and Angus MacLise. In January 1967, Perkins moved to Los Angeles, where he worked as a programmer at Cinematheque 16. Influenced by Tony Conrad's The Flicker, he began producing powerful light shows and collaborated with bands throughout the '60s and '70s—ranging from The Jimi Hendrix Experience and The Grateful Dead to the punk scene with X and The Germs. He even refused to do a show for the Sex Pistols due to a disagreement with the promoter. Perkins was a close friend of Terry Jennings and, in fact, entrusted his archive to La Monte Young. While in L.A., he was neighbors with the artist James Turrell. In 1980, Perkins moved back to New York and started a loft project just a block away from Ground Zero, reminiscent of George Maciunas' artist loft spaces. To finance it, he worked as a cab driver. He remained deeply connected to cinema, particularly through Anthology Film Archives, where he proposed a John Cassavetes retrospective to Jonas Mekas and later became a manager. In 1994, Nam June Paik—who coined the term “The Fluxus cab driver” for Perkins—invited him to perform at Anthology Film Archives in a homage to Yoko Ono. His performance, Butthead, was a great success. His legendary loft became a hub where one could easily encounter visiting filmmakers like Pedro Costa and Albert Serra. In 1989, Perkins organized a series of lectures at Anthology Film Archives with Henry Flynt and Tony Conrad, reuniting the two after years of estrangement. Flynt would become a lifelong friend. In 2008, during the financial crisis, when I lived with Jeff, we organized a series of four-hour lectures by Flynt in the loft's kitchen, focusing on the crisis and communist economics. I vividly remember Tony Conrad attending one of them in his elegant pajamas. Perkins has directed two critically acclaimed films—one on abstract painter Sam Francis and another on the legendary Fluxus figure George Maciunas. He is currently finishing editing a film about Henry Flynt in Berlin. This podcast concludes with an excerpt from his piece Movies for the Blind, which features recordings of conversations with passengers from his time as a New York cab driver.

Today we explore the mythology around John Cage's visit to the anechoic chamber. The chamber was designed to completely eliminate echoes. Ironically, the tale of Cage's experience in that space has echoed through history, affecting our understanding of silence, sound, and the self. But what do we really know about what happened there? And what could we ever know about such an event? In this audio essay, based on a piece that first appeared in the Australian Humanities Review, Mack Hagood explores the relationship between sound, self, and meaning-making. To use a term Cage loved, the truth is indeterminate.  For our Patreon members we have bonus content: Mack's “What's Good” segment. Join at patreon.com/phantompower.  Writing and media content featured in this episode:  Mack's essay “Cage's Echoes of the Anechoic,” in AHR Issue 70 (2022).  Nam June Paik's 1973 video Global Groove  John Cage's 1959 album with David Tudor, Indeterminacy  John Cage's book Silence (Wesleyan, 1961). The video Can Silence Actually Drive you Crazy by Veritasium  Terry Gross's 2014 Fresh Air interview with Trevor Cox  The album Naxi Live by Jang San and the Dayan Naxi orchestra  Shani Diluka's performance of “Glassworks: Opening” by Philip Glass  Amit Pinchevsky's book Echo (MIT, 2022) Helen Rees' book Echoes of History: Naxi Music in Modern China (Oxford, 2011) Today's show was written and edited by Mack Hagood.  Original music and sound design by Mack Hagood.  Special thanks to Monique Rooney and Australian Humanities Review Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Today we explore the mythology around John Cage's visit to the anechoic chamber. The chamber was designed to completely eliminate echoes. Ironically, the tale of Cage's experience in that space has echoed through history, affecting our understanding of silence, sound, and the self. But what do we really know about what happened there? And what could we ever know about such an event? In this audio essay, based on a piece that first appeared in the Australian Humanities Review, Mack Hagood explores the relationship between sound, self, and meaning-making. To use a term Cage loved, the truth is indeterminate.  For our Patreon members we have bonus content: Mack's “What's Good” segment. Join at patreon.com/phantompower.  Writing and media content featured in this episode:  Mack's essay “Cage's Echoes of the Anechoic,” in AHR Issue 70 (2022).  Nam June Paik's 1973 video Global Groove  John Cage's 1959 album with David Tudor, Indeterminacy  John Cage's book Silence (Wesleyan, 1961). The video Can Silence Actually Drive you Crazy by Veritasium  Terry Gross's 2014 Fresh Air interview with Trevor Cox  The album Naxi Live by Jang San and the Dayan Naxi orchestra  Shani Diluka's performance of “Glassworks: Opening” by Philip Glass  Amit Pinchevsky's book Echo (MIT, 2022) Helen Rees' book Echoes of History: Naxi Music in Modern China (Oxford, 2011) Today's show was written and edited by Mack Hagood.  Original music and sound design by Mack Hagood.  Special thanks to Monique Rooney and Australian Humanities Review Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Våra tv-apparater har gått från att vara tjocka och tunga till att bli platta och enkla att hänga på väggen. Men deras utseenden och storlekar verkar fortfarande ställa till det för många. Lyssna på alla avsnitt i Sveriges Radio Play. ”Låt inte tv:n vara den svarta, fula klossen som förstör ett vackert inrett rum” skrev ett stort inredningsmagasin när de tog upp några vanliga missar som många gör med sina tv-apparater när de inreder hemma. ”En tv – oavsett hur tekniskt fantastisk den än må vara – är inte alltid den mest stilmässiga detaljen” fortsatte artikeln.Vad man än tycker om tv:ns eventuella estetiska brister, så är det ofrånkomligt att den påverkar hur vi väljer att möblera rummet där den står. Om man nu väljer att ha någon tv överhuvudtaget. Men om man bestämmer sig för att ta in en tv i sitt hem, så finns det en del beslut att ta ställning till, inte minst: hur stor eller liten ska tv:n egentligen få vara? Frågan är – spelar storleken någon roll?I veckans program undersöker vi varför storleken på tv:n kan vara en källa till konflikter i parrelationer. Vi tittar närmare på tv-apparater som på olika sätt försöker att smälta in i heminredningen, genom att till exempel efterlikna en tavla. Och så berättar vi om konstnären Nam June Paik som gjorde konst av tv-apparater och tar en titt på trenden med tv-serier om kända modeskapare.

Hoy me acompaña Óscar Hormigos, Chief Creative Officer (CCO) de Colección SOLO. Colección SOLO es un proyecto artístico internacional con sede en el Espacio SOLO de Madrid. Tiene como objetivo promover, apoyar y divulgar la creación artística contemporánea. La colección reúne más de 1200 obras de artistas referentes en arte con inteligencia artificial como Mario Klingemann hasta reconocidos artistas new media como Wu Tien-Chang o Nam June Paik. También está representada la pintura figurativa con artistas como Neo Rauch y el post-pop con KAWS O Keiichi Tanaami, entre otros. En la conversación hablamos de la singularidad del proyecto SOLO y de sus diferentes aristas. Óscar nos explica los inicios de la colección y el concepto "semillero" que aplican al apoyar y lanzar nuevas inicitativas con artistas. Por último, hablamos sobre el papel de la tecnología y la inteligencia artificial en el arte y de cómo acercan el arte contemporáneo al gran público. *Tuvimos algún problema con la grabación y el audio no es de la calidad que me gustaría...espero que aún así disfrutéis de la conversación. Este episodio cuenta con la colaboración de Turismo de Flandes. Puedes consultar toda la información en: https://visit.antwerpen.be/en/ensor-in-antwerp

La artista y performer de Little Rock (Arkansas) asocia su nombre a Fluxus, al video artista Nam June Paik y a la creatividad más libre. El conservadurismo de la época la condena por tocar semidesnuda su violonchelo; la Historia de la Música y del Arte reconocen su audacia._____Has escuchado“AVANT GARDE MUSIC-SOUND” : [26 Minutes, one point, 1,499 seconds for a string player de John Cage interpretada por Charlotte Moorman]. YouTube Vídeo. Publicado por British Movietone, 21 de julio de 2015: https://www.youtube.com/watch?v=pq0a317mk30“Charlotte Moorman performs with Paik's ‘TV cello'”: [Art Gallery of New South Wales, 1976]. YouTube Vídeo. Publicado por PERFORMANCELOGIA, 4 de mayo de 2011: https://www.youtube.com/watch?v=-9lnbIGHzUM“Charlotte Moorman: ‘TV-Bra for Living Sculpture' (1969) y ‘Chamber Music' (1969)”: [grabación en vivo de la “Muestra de Video del Festival de Caracas de 1969 con las obras de Nam June Paik y de Takehisa Kosugi interpretadas por Moorman]. YouTube Vídeo. Publicado por PERFORMANCELOGIA, 3 de junio de 2012: https://www.youtube.com/watch?v=_5WSoK5_Qao“‘The Originale' Charlotte Moorman and Nam June Paik by Fred Stern”. YouTube Vídeo. Publicado por fred stern, 19 de octubre de 2009: https://www.youtube.com/watch?v=-yzzAopn9TE“Sky Kiss - Linz”: [interpretada por Charlotte Moorman en Linz, Austria, en 1982]. YouTube Vídeo. Publicado por Alex Mirutziu, 4 de junio de 2012: https://www.youtube.com/watch?v=OsSdxlw0c8Y“Variations on a Theme by Saint-Saens, by Nam Juke Paik”: [interpretada por Charlotte Moorman con ocasión del Sky Art Conference/Ars Electronica en 1982]. YouTube Vídeo. Publicado por Alex Mirutziu, 4 de junio de 2012: https://www.youtube.com/watch?v=1gwUXLcRxHs_____Selección bibliográficaHANHARDT, John G., “Nam June Paik (1932–2006): Video Art Pioneer”. American Art, vol. 20, n.º 2 (2006), pp. 148-53*LANDRES, Sophie, “Indecent and Uncanny: The Case against Charlotte Moorman”. Art Journal, vol. 76, n.º 1 (2017), pp. 48-69*—, “The First Non-Human Action Artist: Charlotte Moorman and Nam June Paik in Robot Opera”. PAJ: A Journal of Performance and Art, vol.40, n.º 1 (2018), pp. 11-25 O'DELL, Kathy, “Fluxus Feminus”. TDR (1988-), vol. 41, n.º 1 (1997), pp. 43-60*OREN, Michel, “Anti-Art as the End of Cultural History”. Performing Arts Journal, vol. 15, n.º 2 (1993), pp. 1-30*PIEKUT, Benjamin, "Murder by Cello: Charlotte Moorman Meets John Cage". En: Experimentalism Otherwise: The New York Avant-Garde and Its Limits. University of California Press, 2011ROBERTS, Eleanor, “Charlotte Moorman and ‘Avant-Garde Music': A Feminist History of Performance Experimentation”. En: Performance, Subjectivity, and Experimentation. Editado por Catherine Laws. Leuven University Press, 2020ROTHFUSS, Joan, Topless Cellist: The Improbable Life of Charlotte Moorman. The MIT Press, 2017SCHMID, Caitlin, “Ice(d) Music/Cello/Bodies: Re-Staging Charlotte Moorman's Ice Music (1972–2018)”. Twentieth-Century Music vol. 17, n.º 2 (2020), pp. 213-245WOODS, Nicole L., “‘A Lunatic of the Sacred': The Life and Work of Charlotte Moorman”. Art Journal vol. 76, n.º 3/4 (2018), pp. 129-133 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Join our poetry Salon and Open Mic: https://parallax-media-network.mn.co/share/5hSLvQW7bNszFGEo?utm_source=manual About David Herz: Hello. My names are David Salzmann Herz. I was born in Boston 70 years ago when McCarthy was getting his comeuppance. I lived with my family somewhere in Massachusetts before moving to Belo Horizonte, Brazil , as part of the Department of the Interior's Punto Quatro program where my father was instrumental in mapping the geology and training a generation of Brazilian geologists. I began writing aged ten at the American school of Sao Paolo which had scorpions in the sandbox. I won a turtle for my prose. Then we lived in Chevy Chase, Maryland before moving to Athens, Ga. Where I met the poet Colman Barks and other luminaries. I moved to Chicago and studied briefly under Del Close at Second City and David Mamet who was then directing the Goodman Theater. As well as Richard McKeon at the University of Chicago who taught Susan Sontag among others. Then I returned home and drove a car from Selma, Alabama to Warminster Pennsylvania, possibly damaging the transmission while accelerating against the snow and ice. The next three years in a bankrupt New York City were richness incarnate. I worked at the Oh Ho So restaurant in SoHo and as a busboy served Harry Belafonte, one of the reasons God created humans, a glass of water. I had Alice Notley, poetess supreme, for a teacher and read my prose work at the Saint Marks in the Bowery Poetry Project. Those were wild times, buildings burning, trash uncollected, rapes a'plenty, and great generosity from compassionate lawyers, doctors and dentists for the impoverished lot we were. You could easily meet people such as John Cage, Merce Cunningham, John Giorno, Ted Berrigan, David Byrne, Patti Smith, Fred Sherry, Nam June Paik, Allen Ginsberg, Gregory Corso, Charles Bernstein, Tony Towle, Bill Berkson, Eileen Myles, Ted Greenwald, John Cale, Lydia Lunch, Alan Vega, and avoid others such as Valerie Solanas. And then just as I was about to join a rock and roll band I moved to Paris. It's been 45 years. Odd jobs subtitling movies and Sipa Photopress Agency photographs. Doing journalism for English language papers, interviewing the B- 52's, Peter Brook, Zouc, Herbert Achternbusch, Paul Lederman, Boris Bergman and then working for Bull and Alcatel two fine French corporations employing hundreds of thousands who equally vanished into the capitalist sunset. Thanks to a flutist friend in Ircam I got to meet Karlheinz Stockhausen and Pierre Boulez but I don't think they remember me. I did a translation for Sophie Calle before she became Sophie Calle. Also some work for the Royal family of Afghanistan. Back when there was one. At Paris VIII University still in the Bois de Vincennes with the whores whom we did not try to lead to culture I got to attend classes by Lyotard & Deleuze and the Miller Brothers, Lacan's son in laws? Noam Chosmky spoke. I thought to become a consultant in a moment of delusion and ended up teaching for the last 24 years: Polytechnique, SciencesPo, ENST, INT, Supelec, Ecole Centrale, ENPC, ENSTA, Paris V, ICP, ESIEE, ECE, Ecole du Louvre. Before that I was a technical translator, a field I am happy to report that has been almost entirely taken over by machines, bless their soulless bodies. I also got married and my wife and I had two children. But we hadn't really grown up much to the needless suffering of the children and so that marriage went painfully bust...Then I married again and we had a daughter. She's on the phone right now, de rigueur for all 16 year olds. I am a loving observer of the human experiment of which I am inextricably a part, how so ever much I would like to be apart. As we advance, not necessarily progress, into the numbing, memory erasing age of AI, already sinking its canines deep into our pranic jugulars, lose ourselves in our beloved electronic devices, we must look to our hands, our analog writing devices such as pencils and pens and give them a try. Along with all the rest.

A dupla brasileira Angela Detanico e Rafael Lain está entre os quatro finalistas da 24ª edição do prestigioso prêmio Marcel Duchamp de arte contemporânea. Essa é a primeira vez que brasileiros são selecionados para a mais importante recompensa de artes plásticas e visuais da França. Os artistas brasileiros, radicados em Paris há mais de 20 anos, concorrem com os artistas franceses Gaëlle Choisne, Noémie Goudal e Abdelkader Benchamma.O prêmio Marcel Duchamp foi criado em 2000, numa parceria da Association pour la diffusion internationale de l'art français (Associação para a Difusão Internacional da Arte Francesa) e o Centro Pompidou. Ele visa promover as artes plásticas e visuais francesas e dar maior visibilidade internacional aos artistas escolhidos por sua inovação, incentivando novas formas de criação.Os finalistas, franceses ou radicados na França, realizaram especialmente para esta edição do prêmio Marcel Duchamp obras que estão expostas no Centro Pompidou de Paris a partir desta quarta-feira (2). São vídeos, desenhos, esculturas e instalações monumentais. Cada finalista ocupa uma sala de uma das galerias do Beaubourg.“O Florescimento da Luz”Para a ocasião, o coletivo Detanico & Lain montou a instalação “Flowering of Light”, ou “O Florescimento da Luz”. Três partes compõem o universo poético criado pela dupla para essa exposição, que levou quase um ano para ficar pronta.A primeira delas coloca em relação “dois tempos muito distintos, que são o começo do universo, campos de galáxias muito antigas de 13 bilhões de anos atrás, em relação com campos de flor, que são fotos que nós fizemos na primavera passada”, descreve Rafael Lain. Segundo Angela Detanico, eles trabalham “naquilo que constitui a imagem, que é a luz".A segunda peça “é uma constelação de estrelas, constelação do Rio Eridanus, com os nomes das estrelas codificados no sistema de círculos concêntricos de metal espelhado”. E na última, “os nomes dos mares da lua projetados em um disco de pedras brancas, como num Jardim zen”, completa Rafael.  “Esse imaginário celestial é uma tentativa de compreensão do mundo que muitas vezes é maior do que nós”, sintetiza Angela.Radicados em ParisAngela Detanico é formada em linguística e Rafael Lain é tipógrafo. A linguagem com suas várias representações está no centro da obra artística da dupla que se inscreve na tradição da poesia e da arte concreta brasileira.A obra do coletivo Detanico & Lain tem espaço na cena contemporânea internacional. Em 2004, eles receberam o prêmio Nam June Paik, um dos mais prestigiosos de mídia-arte do mundo. Em 2007, representaram o Brasil na Bienal de Veneza, e muitas instalações da dupla estão expostas em diversos países.A nomeação para o Marcel Duchamp foi uma surpresa e “uma alegria”. Independentemente da premiação, Rafael Lain diz que “o mais importante realmente é fazer a exposição, mostrar o trabalho, a pesquisa”.Gaúchos de Caxias do Sul, o casal veio a Paris em 2002 para uma residência artística no Palais de Tokyo e decidiu se estabelecer na cidade, lançando uma ponte entre o Brasil e a França. “Trabalhar cada vez mais, ter projetos na França e no Brasil também. É sempre muito importante para a gente manter esses dois pés, um em cada lado do Oceano Atlântico”, afirma Angela Detanico.O prêmio Marcel Duchamp distribui € 90 mil (cerca de R$ 540 mil), sendo € 35 mil para o vitorioso, escolhido por um júri internacional formado por artistas, colecionadores e diretores de grandes instituições culturais. O vencedor da 24ª edição será conhecido no dia 14 de outubro, mas os trabalhos dos quatro finalistas podem ser vistos no Centro Pompidou de Paris até 6 de janeiro de 2025.

In episode 26 of Locust Radio, Adam Turl is joined by Omnia Sol – a comic, video, and sound artist in Chicago. This episode is part of a series of interviews of current and former Locust Collective members and contributors. This series is being conducted as research for a future book by Adam Turl on the conceptual and aesthetic strategies of the collective in the context of a cybernetic Anthropocene. The featured closing music / sound art, “Overview” and “Wilhelmina,” are from Omnia Sol's forthcoming vs. Megalon. Check out their bandcamp. Locust Radio hosts include Adam Turl, Laura Fair-Schulz, and Tish Turl. Producers include Alexander Billet, Omnia Sol, and Adam Turl. Related texts and topics: Arte Povera; Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (1936); Michael Betancourt, Glitch Art in Theory and Practice (2017); William Blake; Claire Bishop, Disordered Attention: How We Look at Art and Performance Today (2024); Stan Brakhage ; Bertolt Brecht - see also Brecht, “A Short Organum for the Theater” (1948);  Cybernetic Culture Research Unit; Mark Fisher, “Acid Communism (Unfinished Introduction)”; Ben Davis, Art in the After-Culture: Capitalist Crisis and Cultural Strategy (2022); Scott Dikkers, Jim's Journal (comic by the co-founder of the Onion); Dollar Art House; Mark Fisher, Capitalist Realism: Is There No Alternative? (2009); Mark Fisher, Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures (2014); Mark Fisher, K-Punk: The Collected and Unpublished Writings of Mark Fisher (2019); Flicker Films; Fully Automated Luxury (Gay) Space Communism; Glitch Art; Jean-Luc Godard; Grand Upright Music, Ltd. vs. Warner Brothers Records (Biz Markie) (1991); William Hogarth; Tamara Kneese, Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond (2023); Holly Lewis, “Toward AI Realism,” Spectre (2024); Karl Marx, The Communist Manifesto (1848); Nam June Paik and TV Buddha; Harvey Pekar (comic artist); Gregory Sholette, Dark Matter: Art and Politics in the Age of Enterprise Culture (2010); Grafton Tanner, Babbling Corpse: Vaporwave and the Commodification of Ghosts (2016); TOSAS (The Omnia Sol Art Show); Nat Turner; Wildstyle and Style Wars (1983 film); YOVOZAL, “My Thoughts about AI and art,” YouTube video (2024)

Pittsburgh-based art historian and curator, Kilolo Luckett joins the Studio Noize fam today! Its always exciting to have dynamic, interesting women on the show because they have so much to offer. Kilolo has created an experimental, contemporary art platform with Alma Lewis and still works as an independent curator with artists like Stephen Towns, Amani Lewis and Thaddeus Mosley. She talks about building connections with artists that she curates, the importance or reading for artists and creating Alma Lewis as a place where artists can grow in their practice. Kilolo shares what she sees as the job of a curator and how to created a culture that supports artists in every way. Listen, subscribe, and share!Episode 190 topics include:building a connection to artistswhat an artist readsadvocating for artistswhat a curator doesthe importance of narratives in artcreating Alma Lewis art culture supporting artists during a residencyKilolo Luckett bio:Kilolo Luckett is a Pittsburgh-based art historian and curator. With more than twenty-five years of experience in arts administration and cultural production, she is committed to elevating the voices of underrepresented visual artists, especially women, and Black and Brown artists.Luckett is Founding Executive Director and Chief Curator of ALMA | LEWIS (named after abstract artists Alma Thomas and Norman Lewis), an experimental, contemporary art platform for critical thinking, constructive dialogue, and creative expression dedicated to Black culture.Among the many exhibitions to her credit are Familiar Boundaries. Infinite Possibilities (2018), Resurgence – Rise Again: The Art of Ben Jones (2019), I Came by Boat So Meet Me at the Beach by Ayana Evans and Tsedaye Makonnen (2020), Vanishing Black Bars & Lounges: Photographs by L. Kasimu Harris (2020), and Dominic Chambers: Like the Shapes of Clouds on Water (2020) at the August Wilson African American Cultural Center; Amani Lewis: Reimagining Care (2021) and Lizania Cruz: Performing Inquiry (2022) at ALMA | LEWIS; Stephen Towns: Declaration & Resistance (2022), which premiered at the Westmoreland Museum of American Art and travels to Boise Art Museum in Boise, Idaho, and Reynolda House Museum of American Art in Winston-Salem, North Carolina (2023); and Luckett co-curated SLAY: Artemisia Gentileschi & Kehinde Wiley (2022) at The Frick Pittsburgh.She has curated exhibitions by national and international artists such as Peju Alatise, Martha Jackson Jarvis, Thaddeus Mosley, Tajh Rust, Devan Shimoyama, and Shikeith. She served as an Art Commissioner for the City of Pittsburgh's Art Commission for twelve years. Luckett has held positions as Curator of Meta Pittsburgh's Open Arts, Consulting Curator of Visual Arts at the August Wilson African American Cultural Center, Director of Development at The Andy Warhol Museum, and Curatorial Assistant at Wood Street Galleries, where she helped organize shows that included Xu Bing, Louise Bourgeois, Larry Bell, Catherine Opie, Nam June Paik, and Tim Rollins + K.O.S.See more: Alma Lewis website + Kilolo Luckett's IG @kilololuckettFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Episode Notes Kim, H. K., & Nam June Paik Art Center. (2008). Nam June Paik. Nam June Paik Art Center. https://njpac-en.ggcf.kr/exhibition/nam-june-paik/ Electronic Arts Intermix. (n.d.). Nam June Paik: Bakelite Robot. Electronic Arts Intermix. https://www.eai.org/titles/bakelite-robot Tate. (n.d.). Nam June Paik: Bakelite Robot (2002) – Artwork details. Tate. https://www.tate.org.uk/art/artworks/paik-bakelite-robot-t12764 Solomon R. Guggenheim Museum. (n.d.). Nam June Paik: Bakelite Robot (2002) – Exhibition Overview. Solomon R. Guggenheim Museum. https://www.guggenheim.org/exhibition/nam-june-paik Nam June Paik Estate. (n.d.). Bakelite Robot. Nam June Paik Estate. http://www.paikstudios.com/pages/bakelite-robot The Museum of Modern Art. (n.d.). Nam June Paik. The Museum of Modern Art. https://www.moma.org/artists/4471 Harvard Art Museums. (n.d.). Paik, Nam June. Harvard Art Museums. https://www.harvardartmuseums.org/collections/person/28226?person=28226 Centre Pompidou. (n.d.). Nam June Paik. Centre Pompidou. https://www.centrepompidou.fr/en/ressources/personne/c8Gyjk MoMA PS1. (n.d.). Nam June Paik: Becoming Robot. MoMA PS1. https://www.moma.org/calendar/exhibitions/4099 Smithsonian American Art Museum. (n.d.). Paik, Nam June. Smithsonian American Art Museum. https://americanart.si.edu/artist/nam-june-paik-3737 Find out more at https://three-minute-modernist.pinecast.co

Dieter Roth Verlag: Music, Friends and Family This radio program digs into the musical work of artist Dieter Roth and the people surounding him throughout his life in Iceland and Switzerland. Though Roths practice is well established in the history of western art institutions, his musical works and imprint, “Dieter Roth Verlag”, remain lesser known chapters in the stories of his practice. Throughout an hour, the program showcases work from artists such as André Thomkins, Vera Roth, Hermann Nitsch, Colette Roper, Nam June Paik and more. The Program is produced by artist, Frederik Heidemann during a residency at Skaftfell Art Center in Seyðisfjörður, and co-broadcast by Seyðisfjörður Community Radio and The Lake Radio.

Episode 115 Radio Spirits in the Night Introduction Track Start Times Onda, “Part 1”  10:06 Onda, “Part 2” 28:22 Onda, "Seoul" 47:26 Onda, “Köln” 1:08:03 Onda, Lewisburg” 1:11:35 Onda, “Wroclaw" 1:19:47 Holmes. “3 Open Windows, 1 Small Antenna” 1:27:36 Playlist Aki Onda, “Part 1” (18:16) and “Part 2” (19:04) from “Transmissions From The Radio Midnight (2023 Dinzu Artefacts). Limited Edition 12" Black Vinyl. Limited to 200 copies. “for this album, I selected some of my favorite segments from the recordings made in ten-or-so countries over the span of roughly a decade, beginning in 2008. All of the fragments are presented just as they were captured. Since frequency behavior is often unpredictable, and since the act of catching waves was done manually, the recordings capture all sorts of incidental sounds, including various kinds of static noise and radio interference.” (Aki Onda). Aki Onda, “Seoul” (2010, 20:37), “Köln” (2012, 3:32), “Lewisburg” (2014, 8:12), “Wroclaw” (2013, 7:49) from “Nam June's Spirit Was Speaking To Me” (2020 Recital). Includes 20-page art booklet including rare photographs of Nam June Paik from the set of Michael Snow's film Rameau's Nephew (1974), two essays on radio-wave phenomenon (by Onda and Marcus Gammel), and a remembrance of Paik by Yuji Agematsu from an interview conducted by Aki Onda. Thom Holmes. “3 Open Windows, 1 Small Antenna” (1973 Private recording). I realized this piece in the electronic music studios of Temple University in 1972-73. I recorded various shortwave radio sounds at my apartment in Philadelphia, then edited and embellished it with synthesis and modulation using the Moog Modular III synthesizer at in the Temple Music School. I was a student of Paul Epstein at the time, and he asked several of us to join him for a performance on the WBAI Free Music Store, a program radio in NYC. I developed and sketched-out some vocal parts to sing along to the tape and Paul and my friend Ed Cohen joined me for the performance in NY. The lights were dim, the mood was quiet, and we soared along on the sounds on this piece over the airwaves. A recording of that radio broadcast exists somewhere in my storage but for this instance I present the tape piece alone. 24:53. Opening background music: Thom Holmes, “Signatures Revisited” (2023), an extended version of a piece from my album Intervals (2017), based on the experience of listening to shortwave radio. 01:07:40. Listen to the complete work on my Soundcloud channel.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

Em jeito de antevisão doclisboa, hoje deixamo-nos levar pelos movimentos (que seguem, seguem, seguem, nessa dança que não o é) de uma das obras de Nam June Paik.

Vitiello, a New York native, is an internationally recognized sound artist and mainstay of the New York scene since his early days as a punk guitarist.  He has been influenced by Nam June Paik, has collaborated with Scanner, Pauline Oliveros and Frances-Marie Utti. He is also an electronic musician and visual artist. And, according to Morrow, “an absolute Geiger Counter for places.” In 1999 he did a residency at the World Trade Center managing to capture the Towers's swaying in the wind and recorded the creaking and cracking of the building's skeleton. He has produced countless recordings on various labels such as Sub Rosa and has had many solo exhibitions that combine sound,  installations, photos and drawings at museums and galleries and has been part of many Group shows including Soundings: Contemporary Score at MOMA, the Whitney and the Sydney Biennale. Vitiello serves as a professor at Virginia Commonwealth University in the Kinetic Imaging department. I met Stephen in the 1980s. We worked together on Nam Jun Paik's Zapping for Swatch watch. Then on some of Paik's soundtracks, including "Did George Sand Kill Chopin." Stephen curated the show,  New Sounds New York, for the Kitchen in New York. It included the New York unveiling of my patended 3D soundcube with series of commissioned works including his most evocative, “Cinematic, With Crashing Roof,” one of 12 designed for the cube by an array of artists. Samples Playlist Question Of Temperature • Balloon Farm  Electrinocellia • MEM1 + Stephen Vitiello  Train to the Plane • Charlie Morrow  Brood IX • Stephen Vitiello  Breath Chant • Charlie Morrow  Bell Bell Horn Horn • Charlie Morrow  Mental Radio • Stephen Vitiello  Cascoplecia • MEM1 + Stephen Vitiello  Genesis Song • Charlie Morrow  Iron Oxide • Stephen Vitiello  Thinking In, Thinking Out • Stephen Vitiello Trainslation • Steve Roden  Spring Helsinki • Charlie Morrow  Humming • Charlie Morrow 

In Season 2 of Getty's podcast series Recording Artists, titled Intimate Addresses, each episode unpacks one letter from one artist, including Marcel Duchamp, Frida Kahlo, M. C. Richards, Benjamin Patterson, Nam June Paik, and Meret Oppenheim. Anna Deavere Smith reads the letters while our host, poet Tess Taylor, speaks with modern-day creators and historians to explore the artists' lives. The season launches September 26, 2023. Subscribe on your favorite podcast app or learn more on our website here.

Did “Arabness” die in 1973? How meaningful is the word Arab now anyway? And what role does the internet play in visual culture and civic imagination? In this multifaceted conversation with Dr Omar Kholeif, we explore many strands of thought, venturing from Arab culture as a “creole culture” to looking at the internet as a “pesky medium”. We share afikra's core tenets and philosophy and reflect on key players in the production of Arab pop culture now in 2023. Dr Omar Kholeif is an Egyptian-born artist, author, broadcaster, edit and curator (among other things). They are currently director of collections and senior curator at the Sharjah Art Foundation. Kholeif started their career as a music writer, researcher and documentary producer, going on to found the UK's first Arab Film Festival (now called the Safar Film festival). They have since worked across film, media, fine art and visual culture. They have taught at many institutions including the University of Chicago and University of Oxford. About their most recent publication “Art_Internet: From the Birth of the Web to the Rise of NFTs”:“A leading figure in the world of networked culture explores the artists and events that defined the mass medium of our time.”Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices of the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the internet, tells the story of this mass medium and how it has fostered new possibilities for artists, both analog and digital.The book showcases work spanning a range of media from legendary artists including Lawrence Abu Hamdan, Lynn Hershman Leeson, Nam June Paik, Heather Phillipson, and Wu Tsang. Tracing the key artists and innovators from the emergence of browser-based art to the dawn of NFTs, this is a tale for the present and the future.****** ABOUT THE SERIES ****** afikra Conversations is our flagship program featuring long-form interviews with experts from academia, art, ‎and media who are helping document and/or shape the histories and cultures of the Arab world through their ‎work. Our hope is that by having the guest share their expertise and story, the community still walks away with new ‎found curiosity - and maybe some good recommendations about new nerdy rabbit holes to dive into head first. ‎Following the interview there is a moderated town-hall style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp Watch all afikra Conversations: https://www.youtube.com/playlist?list... ****** ABOUT AFIKRA ******‎ afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. 

A number of cities and towns in the East and North East United States are under air quality warnings Wednesday because of wildfires in Canada. Dr. Neela Tummala talks about the health risks associated with poor air quality. And, who will pay to clean dangerous PFAS chemicals out of our water supplies? One settlement and one pending case might provide some clues. Grist reporter Zoya Teirstein explains. Then, Nam June Paik's been called the "father of video art." And he was — but he was so much more. Sixteen years after his death, a new documentary, "Moon is the Oldest TV," examines his life through newsreels, interviews, video clips and recordings. Filmmaker Amanda Kim joins us.

Well well well, what do we have here? Why, it's a brand new long episode of News & Reviews with seven(!?!) films to discuss!We have the latest in the long running action franchise 'Fast X', whistleblower verbatim cinema in 'Reality', 'Junk Head' an almost one man mission into Japanese stop motion sci-fi, art documentary 'Nam June Paik: Moon Is The Oldest TV', footwear rights deal drama 'Air', a donkey on an adventure through the best and worst of humanity in 'EO' & Shudder horror 'Influencer'.Technical glitches aside, not a bad ep for you!

Welcome to the fantastic episode 117! We are kicking of Asian American and Pacific Islander month with a look at two moments in Asian American history. Kat kicks us off with the story of Golden Spike Day, a moment that would have not been possible without Asian immigrants. Kaleigh then covers the life and times of Nam June Paik, one of the leading artists of the 21st century.Let's Chat! Twitter: @TINAHLpodcastEmail: thisisnotahistorylecture@gmail.comRemember to rate us wherever you can!

Ross Wightman performs and teaches and builds and makes/creates/composes. A classical double bassist who came to Connecticut through a program at Yale, Ross now finds himself traveling in the tri-state area weekly for work between NY, NJ and CT and seems to enjoy it! The Water Feature and Fiddle Henge are two instruments Ross has put together from scratch! We talk about all that and what led to it and we talk about what we're listening to as well!    From New Brunswick basement shows to playing in a tuxedo, Ross has had an academic and DIY varied background in music and life in general (skateboarding/punk intro etc.). Good talk here! Check it out!  Links: https://www.rosswightman.net/ https://linktr.ee/rosswightman Just Intonation (mentioned around the 30 minute mark) Nam June Paik (mentioned around the 45 minute mark) Plectrum Banjo  (~50 minute mark) Music on this episode: Opening: Ross Wightman / Waterfeature OMEI "Turned away at the Gates" Paradise, Purgatory, Inferno (Ninth Circle Music / Redscroll Records) Rick: MC Yallah "Sikwebela" Yallah Biebe (Hakuna Kulala) Juan Cristobal Tapia De Veer "Drugs" The White Lotus (Soundtrack From The HBO® Original Limited Series) (We Release Whatever The Fuck We Want) Swans "A Screw" Public Castration is a Good Idea (Young God Records) Tolerance "Sacrifice" Divin (Mesh-Key) Darkspace "Dark 3.13" III (Season of Mist) Josh: Chat Pile "Cut" Brothers in Christ (Split with Nerver)(Reptilian) Scowl "Opening Night" Psychic Dance Routine (Flatspot Records) Dorthia (Cottrell) "Family Annihilator" Death Folk Country (Relapse) Tim Hecker "Lotus Light" No Highs (Kranky) Ross: Tinariwen "Kek Alghalm" Amatssou (Wedge) Closing: Gravepact Live in Salem MA The Redscroll Podcast is a monthly show (new episodes on the first of the month) that works as a companion to what we do at Redscroll Records in Wallingford, CT USA. We are a record store that has a heavy emphasis on the left of center / underground music of the world. Whether it be underappreciated or just has a niche audience, marginalized or just off the radar it's all of interest to us. With the show we'll generally have a localized focus. We'll discuss what is in our personal rotation at the moment. We'll talk to guests who have to do with all of the above. And we'll talk about specific dealings with the store. If you have input you're welcome to contact us through email (redscroll@gmail.com). Oh, and please do subscribe! New episodes on the first of every month! (Subscribe on Android)(Subscribe elsewhere just by searching for us please!

In today's episode, we bring you a Q&A with filmmaker Amanda Kim following a screening of her debut feature NAM JUN PAIK: MOON IS THE OLDEST TV on March 27, 2023. Kim's acclaimed documentary weaves together rare archival material, interviews with art world luminaries, and mesmerizing footage of Nam June Paik's work to create an engrossing portrait of the artist known as the “Father of Video Art.” The event was co-presented by the Korea Society and the Asian American Artists' Workshop, with author Mary H.K. Choi serving as moderator. NAM JUNE PAIK: MOON IS THE OLDEST TV is now playing at Film Forum. Thanks for listening to today's episode of Film Forum Presents. Special thanks to Amanda Kim, Mary H.K. Choi, Greenwich Entertainment, Cinetic Marketing, the Korea Society, and Asian American Writers' Workshop for making this event possible.  Photo by Dora Nano.

When filmmaker Amanda Kim discovered the artist Nam June Paik, she knew she wanted to make a documentary about him. Five years later, Amanda's debut film Nam June Paik: Moon is the Oldest TV premiered at the Sundance Film Festival. Amanda came on the pod to talk about what she learned as a first time filmmaker — from bringing on producers, to fundraising, to navigating the edit. Moon is the Oldest TV is currently screening at Film Forum in NYC.Find Amanda Kim on Instagram.Host Jennie Butler on InstagramExecutive Producer Sky Dylan-RobbinsProducer Amy DiGiacomo on Instagram and TwitterProducer Caley Fox Shannon on InstagramProducer Abhishyant KidangoorEditor Audrey Horowitz on InstagramGot an idea for an episode? Email podcast@videoconsortium.orgClick here to support the Video Consortium

In Fluxus Forms: Scores, Multiples, and the Eternal Network (U Chicago Press, 2020), Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective's unique intermedia works—including event scores and Fluxbox multiples—that irreversibly expanded the boundaries of contemporary art. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Fluxus Forms: Scores, Multiples, and the Eternal Network (U Chicago Press, 2020), Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective's unique intermedia works—including event scores and Fluxbox multiples—that irreversibly expanded the boundaries of contemporary art. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Fluxus Forms: Scores, Multiples, and the Eternal Network (U Chicago Press, 2020), Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective's unique intermedia works—including event scores and Fluxbox multiples—that irreversibly expanded the boundaries of contemporary art. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In Fluxus Forms: Scores, Multiples, and the Eternal Network (U Chicago Press, 2020), Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective's unique intermedia works—including event scores and Fluxbox multiples—that irreversibly expanded the boundaries of contemporary art. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Fluxus Forms: Scores, Multiples, and the Eternal Network (U Chicago Press, 2020), Natilee Harren captures the magnetic energy of Fluxus activities and collaborations that emerged at the intersections of art, music, performance, and literature. Reacting against an elitist art world enthralled by modernist aesthetics, Fluxus encouraged playfulness, chance, irreverence, and viewer participation. The diverse collective—including George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, George Maciunas, Yoko Ono, Nam June Paik, Benjamin Patterson, Takako Saito, Mieko Shiomi, Ben Vautier, and Robert Watts—embraced humble objects and everyday gestures as critical means of finding freedom and excitement beyond traditional forms of art-making. While today the Fluxus collective is recognized for its radical neo-avant-garde works of performance, publishing, and relational art and its experimental, interdisciplinary approach, it was not taken seriously in its own time. The book offers insight into the nature of art in the 1960s as it traces the international development of the collective's unique intermedia works—including event scores and Fluxbox multiples—that irreversibly expanded the boundaries of contemporary art. Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

"Nam June Paik: Moon is the Oldest TV" profiles the ground-breaking video artist whose work in the 1970s and 80s anticipated numerous artistic and technological innovations that came afterward. Filmmaker Amanda Kim interviews Paik's friends and admirers who put his legacy in perspective.  

In “Nam June Paik: Moon is the Oldest TV” director Amanda Kim tells the story of the visual art pioneer.  Kim traces Arnold Schoenberg and John Cage influence not only Paik's musical art, but his visual work as well.  She shows how the poor reception by German critics to his early experiments with televisions drove him to NYC, where he found himself working with some of the luminaries of downtown Manhattan's best of the 1960s:  not only Cage, but Merce Cunningham and Allen Ginsberg among many others..  And she traces his ultimate success both in the art world and beyond, notably on public television.  The Paik who emerges seeks to show how the media that seemed bound to lead to corporate control and division could ultimately bring the world's inhabitants together.   “Nam June Paik: Moon is the Oldest TV” is distributed by Greenwich Entertainment and will open at the Film Forum in New York on March 24th.   Hidden Gem:  Town Bloody Hall   Follow: @topdocspod on Instagram and twitter   The Presenting Sponsor of “Top Docs” is Netflix.

Today's episode features a conversation with Amanda Kim, director of the new documentary Nam June Paik: Moon Is the Oldest TV. We discuss Paik's life and work, how Kim approached the project, archival documentary practice, the role of community in Paik's life and in the creation of this film, Paik's shaping of video art and today's internet culture, and more. Nam June Paik: Moon is the Oldest TV debuts at Film Form in New York City on March 24, 2023. Learn more here. And learn more about the Museum of Modern Art's new exhibition, Signals: How Video Transformed the World, which includes a selection of works streaming online, here. Stream works by Nam June Paik via Internet Archive, here. Support the podcast on Patreon. Follow the show on Twitter. Learn more at the pod's website. Get the free newsletter. Will DiGravio is the host and producer of The Video Essay Podcast, and the editor of this episode. Emily Su Bin Ko is the show's associate producer. Music via Free Music Archive: "Won't Be Stoppin" by Ketsa. And Nam June Paik's Global Groove (1973).

Ep. 157: Sundance 2023 Two with Amy Taubin Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The Sundance Film Festival is back in action, returning to in-person screenings and events after two virtual years. I sat down with Last Thing I Saw regular and veteran of Sundance, critic Amy Taubin, about some of the highlights (and otherwise) at the festival, including Past Lives, Polite Society, and a Nam June Paik documentary. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Beth Orton performs two songs from her new album, Weather Alive, and discusses creative partnerships as well as life after being dropped by her record label. American author Jodi Picoult has turned Markus Zusak's best-selling novel The Book Thief into a musical, which has just had its world premiere at the Bolton Octagon. She discusses adapting a novel for the stage and explains why she feels the UK is a more fertile landscape for launching musicals. Jordan Erica Webber, arts and culture broadcaster and video games expert, reviews Hallyu! The Korean Wave, the V&A's new exhibition exploring the South Korean art, music, TV, cinema and fashion that's spreading its influence around the world: from Gangnam Style to Squid Game, Parasite to Nam June Paik. Samira speaks to Vanessa Onwuemezi, who's the latest of the authors shortlisted for this year's BBC National Short Story Award for her story, Green Afternoon. Presenter: Samira Ahmed Producer: Eliane Glaser Main Image Credit: Eliot Lee Hazel

Korea24 – 2022.09.20 (Tuesday) News Briefing: President Yoon Suk Yeol has arrived in New York ahead of the United Nations General Assembly, as well as talks with U.S. President Joe Biden and Japanese Prime Minister Fumio Kishida. (Eunice Kim) In-Depth News Analysis: Record downpours hit Seoul and the surrounding areas last month, causing deadly floods of homes. That was followed by another extreme weather event, Typhoon Hinnamnor, which left eleven dead in its wake earlier this month. And then just this week, Typhoon Nanmadol, brushed past the southeastern parts of the country. To learn more about these recent weather events, and whether they are becoming more common, Professor Christian Franzke of the IBS Center for Climate Physics joins us on the line. Korea Trending with Jenny Suh: 1. A 7.6 magnitude earthquake hit Mexico killing at least two people on Monday, which was the anniversary of two previous deadly earthquakes. (멕시코서 규모 7.6 강진, 주민 사망·건물파손 피해 속출) 2. Hikers at Bukhansan National Park have been warned not to harvest acorns due to concerns over food supply for squirrels and other wildlife. (다람쥐도 좀 먹고 삽시다... 북한산 도토리 전쟁) 3. Netflix is looking for participants to appear on the reality survival show "Squid Game: The Challenge," inspired by the hit series “Squid Game”. (우승자는 456만 달러…진짜 ‘오징어게임’ 초대하는 넷플릭스) Touch Base In Seoul: Composer and conductor Henry Cheng caught the attention of K-pop fans recently for his classical composition “Suite for ARMY”, which was inspired by the classical music influences he found in BTS’s discography. He stopped by the studio to tell us about how he came to write the piece and the response from ARMY as well as the classical music world. Morning Edition Preview with Richard Larkin: - In tomorrow’s Korea Herald, Park Ga-young reports on 76-year-old Pianist Paik Kun-woo’s upcoming tour in Korea and new album. - Tomorrow’s Korea Times features Park Han-sol’s article on the return of Nam June Paik's video tower installation after a three-year restoration project at the MMCA.

This week's guest Jochen Saueracker had some incredible stories to tell – the early decades of his career were spent as a sort of engineer and/or video art roadie for Nam June Paik, traveling all over the world installing complex towers of CRT monitors. Today, in addition to working closely with Shigeko Kubota's estate to steward her legacy and archive, Jochen works as part of an incredible workshop called Colorvac. Not only is Colorvac one of really just a handful of workshops still capable of maintaining old Cathode Ray Tube televisions, but Colorvac has refined some incredible unique methods and tools for “refreshing” CRT monitors – actually cracking open the tube, giving it a little tidy-up inside, replacing the electron gun, and resealing the vacuum tube. Mind blowing stuff. On top of all of this, Jochen is an artist in and of his own right. Tune in to hear Jochen's story, as well as some breaking news about the future of Colorvac!Links from the conversation with Jochen> See Colorvac in action: https://youtu.be/jQrbzapU0dU> Colorvac website: http://colorvac.de/> Jochen's art: http://jochensaueracker.de/Get access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

Refik Anadol'la Gaudi, Nam June Paik ve diğer kahramanlarını, veri bilimi ve yapay zeka araçlarıyla ürettiği işlerinin kamusal vasıflarını, metavers bağlamında şeffaflık ve çeşitlenen ifade olanaklarını konuşuyoruz.  Sanat eleştirmeni, yazar ve Açık Radyo programcısı sevgili dostumuz Evrim Altuğ'un sunumuyla.

This lovely little episode is a veritable carousel of creepy crawlies. Brian and Leighton talk bugs, food trucks, cryptids, Weird Al, Nam June Paik, John Cage, creepy internet images, SCPs, high-octane spider encounters, and getting your crunch on. It's a good one. Follow us on Twitter at @leightonnight and on Instagram at @leighton_night. You can find Brian on Twitter/Instagram at @bwecht, and Leighton at @graylish (Twitter)/@buttchamps (Instagram).

Hommage · "Das Fernsehen hat uns ein Leben lang attackiert, jetzt schlagen wir zurück." Nam June Paik (1932 - 2006) gilt als Begründer der Video- und Medienkunst und war lebenslang so fasziniert wie abgestoßen vom Bildschirm - am schönsten realisiert in seiner Skulptur eines fernsehenden Buddhas. Der Hörspiel-Titel bezieht sich auf seine Installation "Schallplatten-Schaschlik". // Mit Nam June Paik / Komposition und Regie: Ulrich Bassenge / BR 2007 // Exklusive Hörspiel- und Kultur-Tipps unter br.de/kultur-newsletter

RCS Editor-in-Chief Alex Estorick hosts a conversation between Christiane Paul, Adjunct Curator of Digital Art at the Whitney Museum of American Art, and Jason Bailey, CEO of ClubNFT. They discuss the consequences of NFTs for digital art as well the new Lumen Prize NFT Award, sponsored by RCS.

Welcome to ArtBoxDMV! In this episode Jason talks to Bard Ionson. Bard Is a digital artist who's work is inspired by Nam June Paik and John Cage, as well as many others. His work is a blend of tangible, sensory, electronic and spiritual worlds with a dose of Artificial Intelligence.They talk about Bard's most recent series as well as themes that can be found in the work, along with the impact of A.I. To learn more about Bard's work, go to bardionson.com as well as twitter and Instagram @bardionson. Thank to Bard for taking time to talk with Jason. And thank you for listening and enjoy the interview.

Nam June Paik's "Something Pacific" at UC San Diego relates specifically to its site, which includes outdoors, where the work features several ruined televisions embedded in the landscape. In striking contrast to this video graveyard, the lobby of the UCSD Media Center houses Paik's lively interactive bank of TV monitors. Viewers are able to manipulate sequences of Paik's own tapes and broadcast TV. "Something Pacific's" outdoor and indoor sections use the video medium to contrast two very different experiences of time -- one involving extended contemplation and the other instantaneous reaction. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 37808]

白南准（Nam June Paik，1932－2006年），韩裔美国艺术家。他运用多种不同媒介，并被认为是视频艺术的开创者。白南准也被认为是第一个用“电子高速公路”（"electronic super highway"）一词，来描述电子通信的未来的人。可能你现在还一头雾水，白楠准这名字听着或许耳熟，但真不知道他到底做了哪些有名的艺术品？或者说他做的艺术品大概是啥样的？今天的《纽约艺术圈》就跟大家唠唠艺术家白楠准的故事。我是天楚，我在纽约。欢迎大家订阅《纽约艺术圈》，如果你有任何想法和建议，也欢迎留言告诉我哦！ 图片来源于网络，版权归原作者所有

Nam June Paik used Ommah, Korean for “mother,” as the title of his final video sculpture. For composer and multi-instrumentalist Bora Yoon, this evokes the mother tongue and the motherland. Through the concept of cultural blood memory, Yoon explores whether we carry the sounds and memories of our people within us. She responds to Paik's work by bringing together traditional Korean instruments and her own eclectic electronic music. Find full transcripts and more information about this episode at www.nga.gov/music-programs/podc…yoon-and-ommah.html. Subscribe directly to Sound Thoughts on Art from the National Gallery of Art on Apple Podcasts, Google Podcasts, Spotify, Stitcher, or your favorite podcast app https://feeds.megaphone.fm/NGAT6207729686.  Still haven't subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art | Talks ►►https://www.youtube.com/NationalGalleryofArtTalks ABOUT THE NATIONAL GALLERY OF ART The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. More National Gallery of Art Content: Facebook: https://www.facebook.com/nationalgalleryofart Twitter: https://twitter.com/ngadc Instagram: https://www.instagram.com/ngadc/ Pinterest: https://www.pinterest.com/ngadc/_created/ E-News: https://nga.us4.list-manage.com/subscribe/post?u=e894a1837aca4526f7e8a11b3&id=2085ff9475

 Lynne Sachs is a Memphis born, Brooklyn based filmmaker. Since the 1980s, Sachs has created cinematic works that defy genre through the use of hybrid forms and collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. Her films explore the intricate relationship between personal observations and broader historical experiences. With each project, she investigates the implicit connection between the body, the camera, and the materiality of film itself.Over her career, Sachs has been awarded support from the Guggenheim Foundation, the NYFA, and Jerome Foundation. Sachs has made 40 films (including Tip of My Tongue, Your Day is My Night, Investigation of a Flame, and Which Way is East). Her films have screened at the Museum of Modern Art, Wexner Center, the Walker, the Getty, New York Film Festival, and Sundance. In 2021, Edison Film Festival and Prismatic Ground Film Festival at Maysles Documentary Center awarded Sachs for her body of work.Sachs is also deeply engaged with poetry. In 2019, Tender Buttons Press published her first book Year by Year Poems. In 2020 and 2021, she taught film and poetry workshops at Beyond Baroque, Flowchart Foundation, San Francisco Public Library, and Hunter.  Lynne's films are now available on the Criterion Channel. STEPHEN VITIELLO (MUSIC):Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment. He has composed music for independent films, experimental video projects and art installations, collaborating with such artists as Nam June Paik, Tony Oursler and Dara Birnbaum. Solo and group exhibitions include MASS MoCA, The High Line, NYC, and Museum of Modern Art.  ALEX WATERS (PRODUCER):Alex Waters is a media and music producer. He  has written and produced music for podcasts such as The Faith and Chai Podcast and Con Confianza, as well as for other independent artists. Alex lives in Brooklyn with his wife and two cats and enjoys creating and writing music independently and in collaboration with others. You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.

Episode Notes You should make every effort to head over to SFMoMA in San Francisco before October 3rd to experience this amazing exhibition of Nam June Paik's work. Find out more at https://three-minute-modernist.pinecast.co

Episode Notes You must visit the Nam June Paik exhibition at SFMoMA! Find out more at https://three-minute-modernist.pinecast.co

Composer and multi-instrumentalist Bora Yoon considers whether we carry the sounds and memories of our people within us. In her response to Nam June Paik's video sculpture, she brings together both traditional Korean instruments and eclectic electronic music. Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts/bora-yoon-and-ommah.html.

We discuss: what a museum technician does, younger artists are using older technology, the importance of being a problem solver, renting vs owning the newest technology, virtual tours, information is the easiest thing to give and the easiest thing to forget to give, hand held projectors, Museum maintenance and upkeep   People + Places mentioned: Studio Drift collective - https://www.studiodrift.com/ Nam June Paik - https://americanart.si.edu/research/paik/biography Fisher-Price PXL2000 - https://www.indiewire.com/2018/08/pixelvision-pxl-2000-fisher-price-toy-experimental-film-camera-lincoln-center-series-1201991348/ Raspberry Pi - https://www.raspberrypi.org/   https://amosrex.fi   Hosted by Matthew Dols http://www.matthewdols.com   Transcript available: https://wisefoolpod.com/transcript-for-episode-145-museum-technician-at-amos-rex-fredrik-willberg-helsinki-finland/