POPULARITY
4 episodes with Peter Watkins
4 episodes with Peter Watkins
4 episodes with Peter Watkins
2 episodes with Peter Watkins
2 episodes with Peter Watkins
2 episodes with Peter Watkins
4 episodes with Peter Watkins
3 episodes with Peter Watkins
2 episodes with Peter Watkins
Ep. 288: Mark Asch on David Lynch RIP, Best of Spectacle, Wicked, La Commune (Paris, 1871) Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. In memory of David Lynch (1946-2025), I rang up critic Mark Asch to commiserate and reflect on his work, both movies and other art. We were also originally going to talk about the world of noted Brooklyn microcinema Spectacle Theater, where Asch volunteers, so we do that as well, covering rarely shown works from Logistics to Hamburger Dad. We also address Wicked, which revisits the world of The Wizard of Oz in rather different ways from Lynch. Finally, Asch shares his experience of watching Peter Watkins's La Commune (Paris, 1871) at Anthology Film Archives. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
Two enigmatic icons with enduring holds on the Western imagination are currently lighting up multiplex screens: fearsome Transylvanian vampire Dracula and Nobel Prize–winning American treasure Bob Dylan. Both released on Christmas Day, Robert Eggers's Nosferatu and James Mangold's A Complete Unknown are ambitious efforts at crafting new and absorbing tales out of these two mainstays of pop culture. Nosferatu stars Bill Skarsgård, Lily Rose-Depp, and Nicholas Hoult in the latest adaptation of Bram Stoker's novel, joining a cinematic canon established by filmmakers like F.W. Murnau, Francis Ford Coppola, and Werner Herzog. A Complete Unknown features Timothée Chalamet as the young Dylan, tracing his arrival in New York in 1961 to his set at the 1965 Newport Folk Festival, where he famously decided to “go electric.” On this week's Podcast, Film Comment editors Devika Girish and Clinton Krute invited Lovia Gyarkye, film critic at The Hollywood Reporter, and FC's very own Michael Blair (a Dylan aficionado) to debate the successes and failures of the two films—for both loyalists and neophytes of Dylan & Dracula. The group also discussed a few other Christmas Week releases, including Barry Jenkins's Mufasa and Rachel Morrison's The Fire Inside—and if you stay till the very end, you can also listen to their thoughts on Peter Watkins's monumental La Commune (Paris, 1871) (2000), which the Film Comment team viewed this past weekend at Anthology Film Archives. Sections: A Complete Unknown (7:25) Nosferatu (31:20) Mufasa (48:00) The Fire Inside (52:16) La Commune (Paris, 1871) (55:56)
En nuestra centésimo séptima entrega abordamos el interesante encuentro entre la música y la C-F. Dada la amplitud del tema nos centramos en la música pop-rock de los años 60, en la que nos encontramos con grandes nombres como Jimi Hendrix, los Byrds, Pink Floyd o David Bowie. Como complemento comentamos también el origen del Theremin junto a una película y dos libros relacionados con la temática. 0:06:00 - El Theremin. 0:30:00 - Música y C-F en los 60 (1). 1:20:30 - "Privilegio" de Peter Watkins (1967). 2:01:00 - Música y C-F en los 60 (2). 2:47:00 - "En Alas de la Canción" de Thomas M. Disch (1979). 3:46:00 - "El Maestro Cantor" de Orson Scott Card (1980). 4:22:15 - Comentarios de los oyentes y despedida. Hemos preparado dos listas, en YouTube y Spotify, con las canciones que comentamos en el programa. Youtube: https://t.ly/qz6sz Spotify: https://t.ly/R7lqy Síguenos y contacta con nosotros a través de Facebook (www.facebook.com/retronautas), Twitter (@losretronautas), Bluesky (@losretronautas.bsky.social) o escríbenos a nuestro correo electrónico: losretronautas@gmx.com Puedes también unirte a nuestro canal de Telegram. Contacta con nosotros para facilitarte el enlace. Si te ha gustado este programa y quieres invitarnos a un café, puedes hacerlo a través de: https://ko-fi.com/retronautas Y si estás comprometido con la C-F viejuna puedes unirte a la infantería móvil retronaútica en: https://www.patreon.com/losretronautas o aquí mismo, en Ivoox. Como patrocinador, serás informado de nuestros planes de vuelo, y tendrás acceso anticipado a los podcast "Micronautas". Saludos desde los días del futuro pasado.
In their most leftist film podcast yet, Rosa and Joku discuss "Punishment Park", a 1971 indie film directed by new-left communist filmmaker Peter Watkins - also known for "La Commune (Paris, 1871)" (2001), "Edvard Munch" (1974), and "The War Game" (1966). They were blown away and shocked by the film's outstanding quality and relevant message.Then, they talked about this year's "Love Lies Bleeding", before talking about the current state of the show.Funny Peter Griffin Doodle: https://imgur.com/a/TdygFMSFD Signifier on Farrakhan: https://youtu.be/Vx6tseoM_u0?si=4lhUgpajdaj__LAtSupport us on Patreon: https://www.patreon.com/CumpostingPodcastFollow Rosa: https://linktr.ee/reddestrosaFollow Joku: https://www.youtube.com/channel/UC6MqDAGSrKEVBzHtgBBbT0wOur Podcast Artist is the incredibly talented Vero (she/they) of Praxisstvdio who you should check out here: https://linktr.ee/praxisstvdioThe Cumposting Power Ranking: https://letterboxd.com/cumposting/list/cumposting-all-movies-watched-ranked/Reddit (Cringe): https://www.reddit.com/r/cumpostingpod/Music Used that wasn't made by Rosa:Prelude in E minor | Trio Peter Beets - Chopin meets the Blues @ Goois Jazzfestival 2015: https://www.youtube.com/watch?v=Pc2Z5__DgOM My Favorite Things | ELEW Trio Live at Smalls Jazz Club NYC: https://www.youtube.com/watch?v=9gmdt4yCzrUSovietwave The Internationale by Forte Republic: https://youtu.be/7_UtzIYwCXo?si=pJGqCPVoWhdNfzv7
Peter Watkins's challenging biopic about the Norwegian artist
In 2024, Scotland marks two big anniversaries: David I ascended the throne nine centuries ago and James I of Scotland began his reign 600 years ago. Both Kings played a role in shaping Scotland's ideas about its monarchy. How did David shape Scotland, and what relevance does the Stone of Destiny have - then, and now, as it returns to its native Perthshire? We look at the Scottish dream-vision, initiated by James I in writing Scotland's first love poem, sparking a new tradition lasting through the Renaissance and beyond. Anne McElvoy hears about distinctly Scottish ideas of Kingship.Kylie Murray is the author of The Making of the Scottish Dream Vision and a BBC Radio 3 AHRC New Generation ThinkerAlexandra Sanmark is Professor of Medieval Archaeology at the University of the Highlands and IslandsDonna Heddle is Professor of Northern Heritage and Director of the UHI Institute for Northern Studies at the University of the Highlands and IslandsWilliam Murray is Viscount Stormont and owner of Scone PalaceProducer: Ruth WattsYou might be interested in other Free Thinking episodes exploring Scottish history and writing including programmes about The Declaration of Abroath; John McGrath's Scottish drama, Tales of Scotland: A Nation and its literature with Janice Galloway, Peter Mackay, Murray Pittock and Kathleen Jamie; The Battle of Culloden - Outlander and Peter Watkins; crime writer Ian Rankin talks to Tahmima Anam.
In this episode, Ralph and Owen journey into the spectral wastes of British film, asking: what went wrong, and what is to be done? Through kitchen sink realism, folk-horror spooks, socially-engaged documentarians, materially-inclined avant-gardism, and more than a handful of oddballs, the situation seems as underwhelming as it was in 1927, when Kenneth Macpherson opined that “it is no good pretending one has any feeling of hope about it”. Ninety-seven years later, is the landscape still as dispiriting – and why did ‘we' never get our own New Wave – and why are we still stuck in the kitchen sink? Through cash, ‘character', class, and capital, there's a lot to unpick. Regardless, the boys do their best to keep the aspidistra flying. Who do they discuss? Who don't they! Anderson, Macpherson, Grierson, Hogg, Keillor, Reisz, Clark, Watkins, Jarman, Brook, Greenaway, Powell & Pressburger, Reed, Lean, Hitchcock, Loach, Leigh. The lot. 00:00:00:00 Intro 00:04:20:04 Early Silent British film 00:05:27:03 Talent leaving Britain for America 00:06:52:14 British documentaries and municipal filmmaking 00:09:09:17 The Studios of the interwar years 00:12:01:16 Powell and Pressburger 00:15:22:14 Class and politics in film 00:17:56:16 Free Cinema movement 00:24:30:13 Woodfall 00:28:15:05 The Third Man 00:30:37:10 60s-70s studio films/Merchant Ivory 00:31:54:13 60s counterculture 00:35:12:00 Folk horror 00:37:04:09 London Filmmakers Coop 00:48:04:15 Playwrights 00:55:27:00 The Paternalism of Social Realism 01:00:11:03 Pedro Costa as a counterpoint to social realism 01:04:16:13 Peter Watkins 01:09:47:05 Lindsay Anderson making an arse of himself 01:10:55:10 Peter Wollen's 1963 essay on the British New Wave 01:13:10:09 Kenneth MacPherson's 1927 article about British film 01:19:02:16 TV's influence in the 70s-80s 01:19:16:09 Alan Clarke 01:23:05:18 Sally Potter 01:30:10:24 Peter Brook 01:31:47:19 90s 01:32:34:21 British art film/essay films 01:37:09:20 00s and 10s 01:40:06:10 Joanna Hogg 01:43:08:18 Borderline (Kenneth Macpherson) 01:48:13:19 Peter Greenaway 01:55:09:09 Top 5 worst tendencies 01:57:31:14 Alternative Top 5 British films 01:59:59:23 Conclusion Listen on Spotify: https://open.spotify.com/show/6hdAjXtGPpeQTCcuJ3KNmH?si=Ud_f__90TOSa28tzYPA5GQ Listen on Apple: https://podcasts.apple.com/gb/podcast/muub-tube/id1515030490 Watch on Youtube: https://www.youtube.com/@returntoformpod
Vos questions, l'annonce de la prochaine filmo intégrale post Nicolas Cage, des chiffres, le bilan moral et les perspectives. Avec Anouck. Pourquoi faire des épisodes solo : 2'07 Pourquoi les selfies de salle de bain : 6'00 Le cinéma comme survie : 7'10 Bergman, quid : 14'00 Twitter-shaming : 14'55 Question dodo : 19'35 Indexer les épisodes, le budget : 20'30 Shah Rukh Khan, quid : 23'33 Le projet autour de Mad Movies, la censure, le complot : 26'25 Ridley Scott, quid : 28'34 Question organisation : 29'22 Le cinéma de genre japonais, la censure : 31'01 Christophe Gans, quid : 32'06 Christophe Lemaire, pro quo : 32'55 Quel genre désuet manque aujourd'hui : 33'43 Ridley Scott, vraiment, quid : 39'17 Guillaume Canet, quid : 40'12 Comment ça va : 41'20 Question musc : 41'24 En attendant Godard vs Le Cinéma est mort : 41'47 Jean-Patrick Manchette, quid : 42'06 Ayn Rand, quid : 42'45 Didier Bourdon vs Franck Dubosc : 44'24 Pires souvenirs d'enregistrement : 45'34 L'intégrale interdite : 47'19 Question prépa : 50'09 Les sujets des émissions / Peter Watkins : 51'17 L'arbre de la vie chapitre 3 et l'esprit d'escalier : 53'38 Présentation des intervenants réguliers : 55'41 Les génériques : 1'01'20 Anouck, la censure, la brisure : 1'02'25 Tsui Hark, quid : 1'04'40 Audience, bilan moral, perspective : 1'08'24
Oggi attraversiamo con Matteo Arcamone i temi cardine della carriera di Peter Watkins esplorandone ambiguità, unicità e contraddizioni Testi citati: John R. Cook, “Exile from the Mainstream: ‘Peter Watkins' Work for Scandinavian TV in the 1970s” John R. Cook, “‘Don't forget to look into the camera!': Peter Watkins' approach to acting with facts” Mark Poindexter, “Art Objects: The Works of Michael Moore and Peter Watkins” Cristina Formenti, “Il mockumentary” Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatari Partecipanti: Marco Grifò Matteo Arcamone (Ospite) Anchor: https://anchor.fm/salotto-monogatari Spotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cw Apple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw== Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti / Simone Malaspina Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo
"Vivement la VIe République" entend-on depuis le début de la contestation contre la réforme des retraites... Alors que l'on parle régulièrement de la crise que traverse la démocratie française aujourd'hui, l'Histoire a peut-être des choses à nous apprendre. Comment sommes-nous passés d'une République à une autre depuis plus de deux siècles ? Quelles crises ont conduit à la fin de chacun de ces régimes ? Peut-on en tirer des enseignements pour réfléchir à la fin de la Ve ? Réponses dans cette série de podcasts avec Nicolas Roussellier, historien, auteur du livre devenu un classique La force de gouverner. Le pouvoir exécutif en France, XIXe-XXIe siècles (Gallimard). Dans ce troisième épisode, on analyse la longévité de la IIIe République.Cet épisode a été diffusé pour la première fois le 26 juillet 2023Retrouvez tous les détails de notre série de podcasts ici et inscrivez-vous à notre newsletter.Episode 1 : La Ière République : naissance d'un régime à la françaiseEpisode 2 : La IIème République : le spectre du pouvoir personnelL'équipe :Écriture et présentation : Charlotte BarisMontage : Ambre RosalaRéalisation : Jules KrotRédaction en chef : Xavier YvonAlternante : Marion GalardCrédits : La commune, Peter Watkins, J'accuse, Roman Polanski, Archive JT France 2, Echoes of France (La marseillaise), Django Reinhardt, Un peuple et son roi, de Pierre Schoeller, télévision Suisse Romande, INA, L'aventure c'est l'aventure, Claude Lelouch, Les Inconnus, Public SénatMusique et habillage : Emmanuel Herschon / Studio TorrentCrédits image : Keith Lance / Nastasic / iStockphoto / L'ExpressLogo : Anne-Laure Chapelain / Thibaut ZschieschePour nous écrire : laloupe@lexpress.fr Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
La seconde moitié de carrière du réalisateur, partagée entre trois oeuvres expérimentales repoussant les limites de la Monoforme, et trois oeuvres monumentales dans tous les sens du terme : Le Voyage, Le Libre-penseur et La Commune
La première moitié de carrière d'un des plus grands cinéastes du XXe siècle, de ses courts-métrages amateurs jusqu'au somptueux Edvard Munch
"Vivement la VIe République" entend-on depuis le début de la contestation contre la réforme des retraites... Alors que l'on parle régulièrement de la crise que traverse la démocratie française aujourd'hui, l'Histoire a peut-être des choses à nous apprendre. Comment sommes-nous passés d'une République à une autre depuis plus de deux siècles ? Quelles crises ont conduit à la fin de chacun de ces régimes ? Peut-on en tirer des enseignements pour réfléchir à la fin de la Ve ? Réponses dans cette série de podcasts avec Nicolas Roussellier, historien, auteur du livre devenu un classique La force de gouverner. Le pouvoir exécutif en France, XIXe-XXIe siècles (Gallimard). Dans ce troisième épisode, on analyse la longévité de la IIIe République.Retrouvez tous les détails de notre série de podcasts ici et inscrivez-vous à notre newsletter.Episode 1 : La Ière République : naissance d'un régime à la françaiseEpisode 2 : La IIème République : le spectre du pouvoir personnelL'équipe :Écriture et présentation : Charlotte BarisMontage : Ambre RosalaRéalisation : Jules KrotRédaction en chef : Xavier YvonAlternante : Marion GalardCrédits : La commune, Peter Watkins, J'accuse, Roman Polanski, Archive JT France 2, Echoes of France (La marseillaise), Django Reinhardt, Un peuple et son roi, de Pierre Schoeller, télévision Suisse Romande, INA, L'aventure c'est l'aventure, Claude Lelouch, Les Inconnus, Public SénatMusique et habillage : Emmanuel Herschon / Studio TorrentCrédits image : Keith Lance / Nastasic / iStockphoto / L'ExpressLogo : Anne-Laure Chapelain / Thibaut ZschieschePour nous écrire : laloupe@lexpress.fr Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Listening for Clues is pleased to present our new series, "Good News!" featuring weekly conversations with people who are making a difference, large or small. We want everyone to know what they are doing, why they are doing it, and how. So, our listeners and viewers can experience the good news and go out and make a difference themselves. Spiritual Direction with Peter Watkins We are honored to have Peter Watkins as our guest for this episode. Peter Watkins, M.Div. is a spiritual director, retreat leader, and faculty member at Sacred Ground Center for Spirituality, a school for the formation of aspiring spiritual directors. He has taught graduate level classes in Old Testament theology and adolescent psychology and spirituality, and has co-authored a high school textbook, Guarding the Fire: A Spiritual Guide for Young Men through Good Ground Press. He is also certified to give the Ignatian Spiritual Exercises. As a former high school philosophy and theology teacher of thirty years he especially loved leading student justice trips to Guatemala and pilgrimages on the Camino de Santiago in Spain. Peter is a life-long runner, father of three sons, and loves playing the guitar and banjo. In this episode, our guest Peter Watkins talks about a "best-kept secret," Spiritual Direction: what it is, and what it is not. He covers the practical matters from finding a Spiritual Director/Companion to what a session might include. He also provides special insight into the Ignatian way of doing Spiritual Direction.Highlights:[00:00:00] Introduction [00:01:43] What is Spiritual Direction? [00:04:04] How Did You Get Started as a Spiritual Director? [00:06:16] Being a Spiritual Director is a Call from God [00:07:45] Surprises in Spiritual Direction [00:09:58] Ignatian Spiritual Direction: One Way [00:13:25] Finding a Spiritual Director [00:15:01] How Often to Meet Your Spiritual Director [00:15:44] What Happens in Spiritual Direction? [00:18:47] Formation for Spiritual Directors [00:21:12] What People Talk About in Spiritual Direction [00:25:45] Contact Information and ThanksResources mentioned in this episode:CLICK --> Peter's Website ADDITIONAL LINKS:SDI - The Home of Spiritual Direction and Spiritual CompanionshipSacred Ground Center for SpiritualityPeter's Book: Guarding the Fire: A Spiritual Guide for Young MenListening for Clues | On the Journey with Jon and Lauren© 2023 Listening for Clues
Pour ce nouvel épisode, nous accueillons l'enseignante-chercheuse, critique et programmatrice Alice Leroy, dont la plume est présente sur internet et dans les kiosques, notamment dans les pages des Cahiers du cinéma ou de Panthere Premiere. Du cinéma le plus expérimental de Stan Brakhage, Daïchi Saïto ou Barbara Rubin, aux séries les plus cultes (« The twilight Zone »), Alice Leroy nous emmène au coeur des films qui ont formé sa cinéphilie, avec précision et passion. Elle évoque la filmographie trop méconnue de la cinéaste Angela Schanelec, celle tous azimuts de Peter Watkins, ou encore celle, refuge, de Jonas Mekas - et ce faisant, elle dresse le portrait d'un cinéma en quête d'utopies. Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 4'55 Des corps au cinéma : Fantomas (Louis Feuillade, 1913) Une foule au cinéma : celle de communards dans La commune (Peter Watkins,2000 ) - 9'47 Des territoires de cinéma : Earth Earth Earth (Daïchi Saito, 2021), Dog Star Man (Stan Brakhage, 1961-1964) - 15'41 II. CIRCONSTANCES & CONDITIONS DE VISIONNAGE - 19'24 Des films longtemps fantasmés : Candy Mountain (R. Frank, R. Wurlitzer, 1987), Running on empty (S. Lumet, 1988) III. MEMOIRE & SOMMEIL - 27'22 Un fantôme de cinéma qui hante Alice : Etienne Gaspard Robertson et ses fantasmagorie au 18è siècle CARTE BLANCHE - 32'50Des places dans des villes (Angela Schanelec, 1997) TRANSMISSION - 41'57 Un film à montrer aux Aliens : La série « La quatrième dimension » (Rod Serling, 1959-64) - 41'57 Un film pour « faire corps ensemble » : Christmas on earth (Barbara Rubin, 1963) - 47'50 REFUGES - 54'01Lost lost lost (1976) et Walden (1968) de Jonas Mekas EXTRAITS Candy Mountain (R. Frank, R. Wurlitzer, 1987) California, Joni Mitchell ; WMG (au nom de Warner Rhino Off Roster-Audio) The Twilight Zone : générique Walden (J. Mekas, 1976); éditions Re:voir CRÉDITSPatreons : un grand merci à Paul, Corentin, Irène, Dominique, Bernard et Clara pour leur soutien !Musique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux
We discuss the work of filmmaker/documentarian Peter Watkins and focus on THE WAR GAME, PUNISHMENT PARK and EDVARD MUNCH. Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as well as Will's other podcast MICHAEL AND US (@michael-and-us)
Join us for this episode as we delve into the multiverse and discuss Daniel Kwan and Daniel Scheinert's genre-defying 'Everything Everywhere All At Once', starring Michelle Yeoh and Jamie Lee Curtis. It's a thoroughly mad film and we've got lots to say about it. We discuss the sad recent departures of several Hollywood legends such as James Caan and David Warner, as well as Martin Scorsese's new project 'The Wager'. Continuing the multiverse theme, Bill reviews the latest MCU blockbuster 'Dr. Strange in the Multiverse of Madness' from director Sam Raimi. Michael revisits an American dystopia double-bill of Peter Watkins' 1971 pseudo-documentary 'Punishment Park' and the 1982 grindhouse documentary 'The Killing of America'. Sam talks about the 1979 musical/drama 'All That Jazz' from director Bob Fosse, starring Roy Scheider.
The vehement secularism all around us is no secret. I have seen its pointed perseverance in at least three settings recently, and most powerfully at my 50th Harvard College class reunion. In all three settings, 'God' was sedulously left out of the discourse, and, it felt to me, conscientiously. Nothing new in that, to be sure; but it made me reflect on the Christian Church, at least in its traditional manifestation, and what is it that "triggers" the sharp antagonism. But I came up with a slightly different answer. Had recently read John Weaver's book Evangelicals and the Arts in Fiction from McFarland Books, that wonderful publishing house which specializes in sincerest monographs on subjects such as the history of wax-museum horror films or 1940s Mummy movies. Weaver's book is counter-intuitive in the extreme, and contributes an insight that I have read nowhere else. So maybe we can learn from contemporary secularism, albeit from a different direction. The cast concludes with one of the most unusual Christian pop songs ever recorded, and filmed, from Peter Watkins' 1967 "anti-Establishment" movie Privilege, starring Paul Jones, the lead singer of Manfred Mann (i.e., "Doo Wah Diddy"). In brief, you can learn something about yourself by studying what others dislike about you. LUV U.
Pop Screen is going a bit off the beaten track this week, but rewardingly so. Peter Watkins is a maverick British director whose previous film The War Game was banned on the instruction of then-Prime Minister Harold Wilson, so when he was hired by Universal to make a teen-focused rock and roll film they probably expected something insurrectionary. What they might not have expected is for Watkins to train his satirical weapons on the pop world they were hoping to tap into, in this documentary-style tale of a singer whose popularity is exploited by a totalitarian government. The singer is played by Manfred Mann's Paul Jones, and the tunes are good enough for one of them to be covered by Patti Smith. That's just one of the many discoveries Graham and Mark make on this week's show, and they still have time for generous digressions about the voiceover in The Hateful Eight, the career of screenwriter Johnny Speight and what Volodymyr Zelenskyy might have learned from network censors. If you'd like some more of that - whatever the hell "that" means - we have a Patreon, which offers a monthly bonus episode of this very show as well as Graham's Doctor Who reviews, advance access to our other film podcast Directors Uncut, and more. Follow us on Twitter, Instagram and Facebook for more. #moviereviews #popscreen #privilege #peterwatkins #pauljones #manfredmann #1960s #pattismith #johnnyspeight #jeanshrimpton
It's SEMcast's seventh anniversary, and filmmaker Igor Drljača -- whose new drama The White Fortress screens at TIFF Bell Lightbox as part of Canada's Top Ten tomorrow night, Wednesday March 16th, before hitting TIFF's streaming platform March 25th -- is here to take us on a trip to Punishment Park, Peter Watkins' distressingly perceptive 1971 thriller about America's slide towards fascism. Your genial host Norm Wilner wants you to know that the first year of this podcast is now available to own for just $20 at payhip.com/semcast . That's 52 episodes of SEMcast goodness, 46 of them no longer available to stream, with guests like Aaron Abrams, Katie Boland, Kristian Bruun, Ennis Esmer, Nelson George, John Maclean, Natalie Merchant, Scott Thompson, Justin Benson and Aaron Moorhead and many, many more. Full track listing at payhip.com/semcast. Support the podcast! Get hours and hours of entertainment! Everybody wins!
Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie. Ce podcast a été auto-produit. Pour nous soutenir : https://visionspodcast.fr/nous-soutenir/ La première fois que je rencontre Laura Henno, c'est à l'occasion de la visite de presse de sa nouvelle exposition, fin 2021, intitulée Radical Devotion, à la galerie Nathalie Obadia. J'arrive l'un des premiers. Je suis directement frappé par ces tirages de diverses formes, certains sont très grands, d'autres sont assemblés comme des polyptiques. Et ces photographies, la plupart du temps mises en scène, dégagent une certaine tension, notamment par le regard souvent frontal des sujets. Le temps semble s'être arrêté. L'artiste expose ici sa série encore en cours sur Slab City, « la dernière ville libre des États-Unis ». Je m'interroge sur le titre. Une dévotion, c'est déjà un fort attachement et un geste radical. Pourquoi y ajouter ce qualificatif ? Et une dévotion à quoi ? À qui ? Une dévotion, c'est un moment d'amour inconditionnel, presque une transe. On se livre, on donne de sa personne, de son intimité. On aime aussi de manière sincère, on vénère parfois un dieu ou une figure, qu'elle soit religieuse ou non. Entre images fixes et en mouvement, Laura Henno s'attarde à montrer des personnes en lisière, à la marge, ou que l'on place à la marge. Des vies invisibles en somme. Des migrants comoriens, des adolescents fragiles, en passant par des mineurs isolés ou bien, plus récemment, par une communauté souvent « blessée », en autarcie. Ces sujets photographiés par l'artiste vouent une dévotion certes, mais à une certaine liberté. Au fait de vivre pleinement. Ou de vivre tout simplement. À la suite d'études de photographie à l'ENSAV de La Cambre, Laura Henno s'initie au cinéma au Fresnoy. Lauréate du Prix Découverte des Rencontres Internationales de la Photographie d'Arles en 2007, l'artiste multiplie depuis les expositions en France et à l'étranger, à l'instar de son exposition à l'Institut pour la Photographie de Lille 2019, au Ryerson Image Center de Toronto, Redemption aux Rencontres de la photographie d'Arles en 2018, M'Tsamboro au BBB Centre d'Art à Toulouse en 2017, Summer Crossing au Centre Photographique Ile-de-France ou de son exposition au Finnish Museum of Photography à Helsinki en 2011. Lauréate du Prix SAM pour l'art contemporain 2019, Laura Henno bénéficiera également d'une exposition au Palais de Tokyo du 15 avril au 4 septembre 2022. Dans ce grand entretien, l'artiste évoque tout d'abord son parcours, ses références. Beaucoup sont américaines. On comprend que les maîtres de la peinture et du cinéma, souvent documentaire, ne sont jamais loin de son travail initial. Il est évoqué son rapport singulier à la mise en scène et à la fiction. On parle également de son approche, qui a évolué au fil des ans. Une photographie, qui, comme elle le souligne dans le podcast, « s'est rapprochée au fil du temps de l'humain, de situations de vie existentielles ». Malgré une esthétique documentaire bien présente dans son travail, Laura Henno cherche toujours le pas de côté. En observant avec attention ses photographies, nous devinons que l'artiste cherche avant tout à dévoiler la part d'humanité, souvent imperceptible au premier abord, de ses sujets. Puis, nous entrons doucement dans son univers en commençant par deux séries intimement liées : Summer Crossing et La Cinquième Ile. Suite à sa recherche aux Comores, qui explore la géopolitique complexe de l'archipel au travers de portraits de vie d'adolescents clandestins, de passeurs, Laura Henno tourne son regard vers Slab City, campement hors du temps, perdu dans le désert californien. Montrée pour la première fois à Paris, la série Outremonde, initiée en 2017 est remarquée par la critique aux Rencontres d'Arles en 2018, ainsi qu'à l'Institut de la Photographie en 2019 et au Bleu du Ciel en 2020, sous le commissariat de Michel Poivert. Le résultat final ? Un podcast aux couleurs musicales : nous naviguons entre différents projets, descriptions de photographies, pistes de réflexion… L'artiste se plonge à corps perdu dans ses séries, aux côtés de ses sujets… De manière littérale parfois, comme à Slab City, où elle vit en immersion plusieurs semaines par an, demeurant dans sa caravane. Finalement, ne serait-ce pas Laura Henno qui voue une dévotion « radicale » aux arts visuels qu'elle pratique ? Nous ressentons en tout cas une passion communicative qui fait plaisir à entendre. Il ne reste plus qu'à vous souhaiter une agréable écoute. Pour aller plus loin Walker Evans, Robert Frank, Dorothea Lange, Diane Arbus, Stephen Shore, William Eggleston, Jeff Wall, Don DeLillo, Jim Harrison, Russel Banks, Toni Morrison, James Baldwin, Philip Roth, Édouard Glissant, Patrick Chamoiseau, John Akomfrah, Francis Alÿs, Steve McQueen, Mohamed Bourouissa, Wang Bing, Roberto Minervini, Peter Watkins, Gianfranco Rosi, FSA Liens https://www.instagram.com/hennolaura/ https://laurahenno.com/ https://www.instagram.com/podcastvisions/ https://www.visionspodcast.fr/
In the sixteenth episode of Season 5 (Dystopia Myopia) Kyle is joined by fellow podcaster Ben Thelen (of the Dead Reckoner podcast) and screenwriter David Gutierrez to discuss Peter Watkins' visceral docu-realist encapsulation of emerging 70s revolutionary ire and frustration in the eerily prescient Punishment Park
À l'occasion des 150 ans de la Commune de Paris, dernière révolution en date de l'histoire de France, on part sur les traces de ces évènements qui ont marqué les esprits, la capitale et son peuple parisien. Car du 18 mars au 28 mai 1871, pendant 72 jours, s'est jouée une tentative inédite de République démocratique et sociale, réprimée finalement dans un bain de sang, de siège en barricades, du centre de Paris à ses faubourgs, entre Versaillais et Communards. 150 ans plus tard, la mémoire de cette insurrection populaire et ouvrière divise encore et ravive les clivages politiques. Largement absente du récit républicain, des grandes commémorations nationales ou des manuels scolaires, il faut donc aller chercher cette histoire, à même le pavé parisien, afin d'en saisir les enjeux, les idéaux dont elle était porteuse et la répression dont elle a fait l'objet. C'est ce qu'a fait Sarah Lefèvre, de la Butte aux Cailles à la Butte Montmartre, des Tuileries au Père Lachaise, à la rencontre de celles et ceux qui entretiennent la mémoire de la Commune de Paris et cherchent à la conjuguer au temps présent. «La Commune de Paris n'est pas morte» : une série en deux épisodes de Sarah Lefèvre, initialement diffusés en mai 2021. Pour aller plus loin : - À lire : - « La Commune de 1871 expliquée en images », de Laure Godineau, Éditions Seuil (2021) - « La Semaine sanglante », de Michèle Audin, Éditions Libertalia (2021) - « Paris 1871, l'histoire en marche, 21 circuits pédestres sur les traces de la Commune », de Josef Ulla, aux Éditions libertaires (2020) - « La Commune, Histoire et souvenirs », de Louise Michel, Éditions La Découverte-Poche (2015) - « Souvenirs d'une morte vivante, une femme dans la Commune de 1871 », de Victorine Brocher, Éditions Libertalia (2017) - « L'Insurgé », de Jules Vallès, éditions Livre de Poche (1972). - À voir : - Le film référence « La Commune (Paris, 1871) », de Peter Watkins, 2000. À visionner sur le site de la plateforme documentaire Tënk - Le film « Les Damnés de la commune », documentaire de Raphaël Meyssan, 2019.
À l'occasion des 150 ans de la Commune de Paris, dernière révolution en date de l'histoire de France, on part sur les traces de ces évènements qui ont marqué les esprits, la capitale et son peuple parisien. Car du 18 mars au 28 mai 1871, pendant 72 jours, s'est jouée une tentative inédite de République démocratique et sociale, réprimée finalement dans un bain de sang, de siège en barricades, du centre de Paris à ses faubourgs, entre Versaillais et Communards. 150 ans plus tard, la mémoire de cette insurrection populaire et ouvrière divise encore et ravive les clivages politiques. Largement absente du récit républicain, des grandes commémorations nationales ou des manuels scolaires, il faut donc aller chercher cette histoire, à même le pavé parisien, afin d'en saisir les enjeux, les idéaux dont elle était porteuse et la répression dont elle a fait l'objet. C'est ce qu'a fait Sarah Lefèvre, de la Butte aux Cailles à la Butte Montmartre, des Tuileries au Père Lachaise, à la rencontre de celles et ceux qui entretiennent la mémoire de la Commune de Paris et cherchent à la conjuguer au temps présent. «La Commune de Paris n'est pas morte» : une série en deux épisodes de Sarah Lefèvre, initialement diffusée en mai 2021. Pour aller plus loin : ►À lire et à écouter : - Le blog de Michèle Audin, écrivaine française passionnée par la Commune de Paris - Le journal illustré de la Commune du collectif Raspouteam et les émissions thématiques diffusées sur Fréquence Paris Plurielle - «Paris 1871, l'histoire en marche, 21 circuits pédestres sur les traces de la Commune» de Josef Ulla, aux Éditions libertaires (2020) - «La Commune au présent, Une correspondance par-delà le temps» de Ludivine Bantigny, aux éditions La Découverte (2021) - «La Commune n'est pas morte, Les usages politiques du passé de 1871 à nos jours» d'Éric Fournier, aux éditions Libertalia (2013) - «Le Cri du Peuple», une bande dessinée de Tardi et Vautrin, aux éditions Casterman (réédité en 2021). ►À voir : - Le film référence «La Commune (Paris, 1871)» de Peter Watkins, 2000. À visionner sur le site de la plateforme documentaire Tënk - Le film « Les Damnés de la commune», documentaire de Raphaël Meyssan, 2019.
In light of the Integrated Review this year, what other military reviews have there been and what was their impact? Peter Watkins (former Director General in the UK MoD) looks back at previous military reviews and discusses continuing themes. Peter Watkins became an associate fellow for Chatham House in June 2019. Before that, from 2014 to 2018, he was Director General (DG) in the UK Ministry of Defence (MoD) responsible for strategic defence policy, including key multilateral and bilateral relationships (such as NATO), nuclear, cyber, space and prosperity (latterly this post was known as the DG Strategy and International). Previously he served as DG of the Defence Academy, Director of Operational Policy, Director responsible for the UK share of the multinational Typhoon combat aircraft programme and as Defence Counsellor in the UK Embassy in Berlin. He is a frequent participant in conferences on defence and security in the UK and overseas. He was awarded the CB (2019) and CBE (2004) for services to defence. He has an MA from Cambridge University.
Miscarriage of justice doesn't begin to describe the wrongs that have been done to the six men at the heart of Robert Greene's (“Bisbee '17”, “Kate Plays Christine”) pathbreaking, searing, and, ultimately, immensely healing, new documentary “Procession”. As boys, Joe, Mike, Ed, Dan, Michael and Tom each suffered sexual abuse, including rape, at the hands of Catholic Church clergy. As men, their cases have been dismissed or ignored. Partnering with Greene, they have now taken matters into their own hands, co-creating staged scenes in order to reclaim the spaces where the abuse took place and to confront the trauma that has plagued them into adulthood. Speaking to Mike and Ken from his home base in Columbia, Missouri, Robert describes how the practice of drama therapy inspired him to push his filmmaking in a bold new direction. He goes deep into the unique collaborative process that forged a powerful bond between the men and the film crew. And, as one might expect with a film as powerful as this, the conversation turns personal, with Mike sharing his own experiences as an altar boy in Burlington, Vermont. No doubt, the reverberations of “Procession” will be felt far and wide, like the church bell that Ed rings midway through the film. After years of living with trauma, it's finally his turn to be heard loud and clear. Now streaming on Netflix. Follow Robert on twitter @prewarcinema Follow us on twitter @topdocspod Hidden Gems: The films of Peter Watkins. The War Game Edvar Munch
Aaaand, for Halloween itself, here's yet another spooktobery new episode of It IS The Same Log (because these days we are *all* Heather in the woods sobbing "It's not the same log!" over and over again but... I gotta tell ya... it *is*) and once again I (Jack) am joined by Elliot Chapman and George Daniel Lea. My (Jack's) October odyssey through the Media Hauntological with erudite and enthusiastic pod-mates Elliot Chapman and George Daniel Lea continues and culminates with a consideration of the source text of this show's title, 1999's terrifying, ominous, ineffable, and intensely freighted 'Found Footage' classic The Blair Witch Project, taking in digressions on The Terror, Stalker, Come and See, Salò, Cannibal Holocaust, Doctor Who, Peter Watkins, David Bowie, Baudrillard, Frederic Jameson, Lovecraft, and LeGuin. We had some technical problems at the start and poor old George was a bit runny of nose with a nasty cold (rather appropriate given that BWP features some of the most celebrated snot-shots in cinematic history) but I've worked my usual folk magic - I am to podcasts what Mary Brown (maybe?) is to threatening corn dollies and stick sculptures - and made it so listenable your ears will cancel their plan to overthrow you and run your body themselves (yes, I was in on it). As ever, my Patreon backers got advance access to this, so consider chucking me a dollar a month. I have such sights to show you... slightly earlier than I show other people. There's a substantial off-cut from the end of this conversation which you'll get as a separate extra, early next month. https://en.wikipedia.org/wiki/The_Blair_Witch_Project Content warnings abound. @_Jack_Graham_ @E11iotChapman @EnigmaticElegy / http://www.strangeplaygrounds.com/ / https://www.youtube.com/user/ExaggeratedElegy
EPISODE 156 - PETER SUSCHITZKY- Cinematographer Team Deakins sits down with cinematographer Peter Suschitzky (THE ROCKY HORROR PICTURE SHOW, THE EMPIRE STRIKES BACK, DEAD RINGERS) for a great conversation. We learn that Peter started shooting at a very young age and was printing images in the darkroom at the age of 6! Peter tells us stories from working with the great directors John Boorman, Peter Watkins and David Cronenberg. Peter tells us about interviewing with George Lucas for Star Wars, why he hadn't seen a single one of Cronenberg's films before his interview for Dead Ringers, and his collaborations with Peter Watkins. Peter believes it is easy to fall into formulaic filmmaking if you work too much, and to him that is the enemy of creativity. We discuss still photography as it is a huge part of Peter's life, and how to Peter, capturing a good still is very difficult (perhaps more so than cinematography), though satisfying when it works well.
President of the Yeppoon Swans, Peter Watkins, joined Sporting Goss to chat about the clubs' historic 100 wins in a row
It's been a while since we released a new episode and, for one reason and another, it's going to be a little while before we release another (though we still hope to make our monthly quota of two new public episodes and one new backer-only bonus) so, to tide you over, and make sure you don't forget about us, here's the first of our bonus episodes - on Peter Watkins' Punishment Park (1971) - originally released exclusively for our patrons back in January. If you wish you'd been able to hear this six months ago, consider bunging us some cash. Daniel's Patreon: https://www.patreon.com/danielharper/posts Jack's Patreon: https://www.patreon.com/user?u=4196618&fan_landing=true
OLL OBOUT OVID!, the podcast dedicated to Ovid.tv, is back again! This week, Witney and B, once again recording virtually, discuss SO PRETTY (2019), a queer exploration of love and literature from Jessie Jefferey Dunn Rovinelli, LA COMMUNE (PARIS, 1871), a 2000 documentary in which Peter Watkins recreates a historical movement with the use of live theater, and four films from queer legend Marlon Riggs, those being ETHNIC NOTIONS (1986), AFFIRMATIONS (1990), ANTHEM (1991), and NO REGRETS (1992). We hope you enjoy, and thank you for your time. Twitter: twitter.com/ScreensMargins Patreon: www.patreon.com/ScreensMargins
À l’occasion des 150 ans de la Commune de Paris, dernière révolution en date de l’histoire de France, on part sur les traces de ces évènements qui ont marqué les esprits, la capitale et son peuple parisien. Car du 18 mars au 28 mai 1871, pendant 72 jours, s’est jouée une tentative inédite de République démocratique et sociale, réprimée finalement dans un bain de sang, de siège en barricades, du centre de Paris à ses faubourgs, entre Versaillais et Communards. 150 ans plus tard, la mémoire de cette insurrection populaire et ouvrière divise encore et ravive les clivages politiques. Largement absente du récit républicain, des grandes commémorations nationales ou des manuels scolaires, il faut donc aller chercher cette histoire, à même le pavé parisien, afin d’en saisir les enjeux, les idéaux dont elle était porteuse et la répression dont elle a fait l’objet. C’est ce qu’a fait Sarah Lefèvre, de la Butte aux Cailles à la Butte Montmartre, des Tuileries au Père Lachaise, à la rencontre de celles et ceux qui entretiennent la mémoire de la Commune de Paris et cherchent à la conjuguer au temps présent. «La Commune de Paris n’est pas morte» : une série en deux épisodes de Sarah Lefèvre. Pour aller plus loin : - À lire : - « La Commune de 1871 expliquée en images », de Laure Godineau, Éditions Seuil (2021) - « La Semaine sanglante », de Michèle Audin, Éditions Libertalia (2021) - « Paris 1871, l’histoire en marche, 21 circuits pédestres sur les traces de la Commune », de Josef Ulla, aux Éditions libertaires (2020) - « La Commune, Histoire et souvenirs », de Louise Michel, Éditions La Découverte-Poche (2015) - « Souvenirs d’une morte vivante, une femme dans la Commune de 1871 », de Victorine Brocher, Éditions Libertalia (2017) - « L'Insurgé », de Jules Vallès, éditions Livre de Poche (1972). - À voir : - Le film référence « La Commune (Paris, 1871) », de Peter Watkins, 2000. À visionner sur le site de la plateforme documentaire Tënk - Le film « Les Damnés de la commune », documentaire de Raphaël Meyssan, 2019.
À l’occasion des 150 ans de la Commune de Paris, dernière révolution en date de l’histoire de France, on part sur les traces de ces évènements qui ont marqué les esprits, la capitale et son peuple parisien. Car du 18 mars au 28 mai 1871, pendant 72 jours, s’est jouée une tentative inédite de République démocratique et sociale, réprimée finalement dans un bain de sang, de siège en barricades, du centre de Paris à ses faubourgs, entre Versaillais et Communards. 150 ans plus tard, la mémoire de cette insurrection populaire et ouvrière divise encore et ravive les clivages politiques. Largement absente du récit républicain, des grandes commémorations nationales ou des manuels scolaires, il faut donc aller chercher cette histoire, à même le pavé parisien, afin d’en saisir les enjeux, les idéaux dont elle était porteuse et la répression dont elle a fait l’objet. C’est ce qu’a fait Sarah Lefèvre, de la Butte aux Cailles à la Butte Montmartre, des Tuileries au Père Lachaise, à la rencontre de celles et ceux qui entretiennent la mémoire de la Commune de Paris et cherchent à la conjuguer au temps présent. «La Commune de Paris n’est pas morte» : une série en deux épisodes de Sarah Lefèvre. Pour aller plus loin : - À lire et à écouter : - Le blog de Michèle Audin, écrivaine française passionnée par la Commune de Paris - Le journal illustré de la Commune du collectif Raspouteam et les émissions thématiques diffusées sur Fréquence Paris Plurielle - «Paris 1871, l’histoire en marche, 21 circuits pédestres sur les traces de la Commune» de Josef Ulla, aux Éditions libertaires (2020) - «La Commune au présent, Une correspondance par-delà le temps» de Ludivine Bantigny, aux éditions La Découverte (2021) - «La Commune n'est pas morte, Les usages politiques du passé de 1871 à nos jours» d'Éric Fournier, aux éditions Libertalia (2013) - «Le Cri du Peuple», une bande dessinée de Tardi et Vautrin, aux éditions Casterman (réédité en 2021). - À voir : - Le film référence «La Commune (Paris, 1871)» de Peter Watkins, 2000. À visionner sur le site de la plateforme documentaire Tënk - Le film « Les Damnés de la commune», documentaire de Raphaël Meyssan, 2019.
This week we tackle a truly harrowing film. Arguably director Peter Watkins' finest work, 1966's 'The War Game'. An anti-nuclear war film that takes Watkins' pseudo-documentary style to its pinnacle to tell the story of what a Britain during a nuclear war might look like. Suppressed by the BBC and government the film still won an Oscar. We are joined by author and host of the Atomic Hobo podcast, Julie McDowall to discuss this very important film. Be sure to follow us on Twitter @FightingOnFilm and check out our new website www.fightingonfilm.com Thanks for listening!
The boyo's discuss Peter Watkins' horrible, amazing, nasty, important, too-real pseudo-documentary about the effects of a nuclear attack on Britain.
16 April 1746, the Jacobite rising was quelled by the Duke of Cumberland's army at the Battle of Culloden. Marking this anniversary here's a chance to hear Matthew Sweet discussing portrayals of Scotland's Highlands in the Peter Watkins' film Culloden and in the Outlander series of books which have become a successful TV series. His guests in a conversation recorded at the Edinburgh Festival in 2014 are Outlander author Diana Gabaldon, historian Tom Devine and media expert John Cook. They explore how Watkins's film Culloden was received in 1964 and the way it gave birth to the television form of docudrama and shaped the early development of Dr Who. They also ask why the emotional imagining of Culloden continues to be so strong - the TV series of Outlander is now in its seventh series and you can find a series of online events marking Culloden 275. Producer: Jacqueline Smith
This week we look at two of acclaimed British director Peter Watkins' formative amateur films: The Diary of an Unknown Soldier (1959) & The Forgotten Faces (1960). Perhaps best known for his later 1964 film Culloden and 1965's ground-breaking nuclear war film The War Game. These two early films are especially fascinating as you can see Watkin's distinct style develop through them. Don't forget to leave a comment/review/rating and let us know what you thought of the film via twitter @FightingOnFilm
PortraitCette semaine, Jeanne Lacaille nous raconte le parcours de Pap Ndiaye, historien spécialiste de droits civiques et de la question de noirs américains et français, et nouveau directeur du Palais de la Porte Dorée, qui abrite le Musée national d’histoire de l’immigration.Né d’un père sénégalais et d'une mère française, normalien, doctorant à l’École des hautes études en sciences sociales, Pap Ndiaye a longtemps été professeur à Sciences Po Paris. Après un passage aux Etats-Unis et en réaction aux émeutes de 2005 dans les banlieues, il publie en 2008 La Condition noire. Essai sur une minorité française en réaction aux émeutes de 2005. Il n’a pas lâché le sujet depuis.Beaucoup voient sa nomination comme un symbole : celui d’un homme métis à la tête d'une grande institution culturelle française, chargée, qui plus est, des questions d'immigration et de mémoire coloniale.En image ci dessous, le Palais de la Porte Dorée qui abrite aujourd’hui le Musée National d’Histoire de l’Immigration.MusikactuLe 21 mars était le dernier jour de la "Semaine de la Francophonie". A cette occasion, Bintou Simporé s’entretien avec Serge Hureau, directeur de le Hall de la chanson, Centre national du patrimoine de la chanson, pour nous présenter l’initiative “un petit air de francophonie”, un site éphémère qui présentait chaque jour de cette semaine spéciale (du 13 au 21 mars) une chanson francophone autour du thème de l'air et son histoire — comme une carte postale musicale.De Manu Dibango à Gäel Faye en passant par Lous and The Yakuza, un site à découvrir ici.D’ici et d’ailleursD’ici et d’ailleurs, d’ici et avant ! Pour l’anniversaire des 150 ans de la Commune de Paris, Néo Géo Nova vous plonge dans les événements de la Commune de Paris, ses avancées sociales, ses clubs de femmes, ses échecs mais aussi son héritage. Au programme : des reportages au Père-Lachaise près du Mur des Fédérés et sur la butte de Montmartre. Une interview avec Danièle Premel, adjointe à la Mairie du XVIIIème arrondissement en charge de l'éducation populaire, de la mémoire et du monde combattant, et Sylvie Bulcourt, coordinatrice des activités liées à l’anniversaire de la Commune dans les “Paris Anim” (Centres Rachid Taha et Binet), pour nous parler des commémorations et événements organisés autour de ce cent-cinquantenaire, où le rôle des femmes communardes est tout particulièrement mis en avant cette année.Discours, extraits du film “La Commune, Paris 1871” de Peter Watkins et musiques... See acast.com/privacy for privacy and opt-out information.
Du variant breton au temps des cerises Cette semaine, pour fuir le variant breton, Livo retourne en 1871. Il fête les 150 ans de la Commune de Paris, dernière vraie révolution française qui a posé les bases d'une république sociale avant d'être réprimée dans le sang. Pour cela, Livo se balade avec Simone, sa communiste préférée (rencontrée dans la Dépêche n°95). Elle lui raconte la Semaine sanglante, l'emmène dans le local de l'Association des Ami.e.s de la Commune fondée par des vétérans communards, où on se souvient que la Commune a même inventé le soutien-gorge. Et puis Simone lui offre des gâteaux et des mandarines comme le ferait une grand-mère. Pendant ce temps, à Lyon, un tiers lieu à la mode a récupéré le nom de Commune...Avec des extraits des films "Les Damnés de la Commune" de Raphaël Meissan, à voir en replay sur ARTE, et du mythique "La Commune" de Peter Watkins. "Dépêche", le podcast de la résistance, est à retrouver chaque mercredi sur ARTE Radio. Abonnez-vous sur notre site, Apple Podcasts, SoundCloud ou Deezer. Enregistrements : 18 février, 15 et 16 mars 21 - Texte, voix, réalisation : Olivier Minot - Mix : Charlie Marcelet - Production : ARTE Radio
durée : 00:05:08 - L'Idée culture - par : Mattéo Caranta - "Edvard Munch", Peter Watkins
A special episode in which Daniel and Jack are joined by guest Shannon Foley Martinez. A friendly chat with an insightful, humane, moving speaker. Owing to technical difficulties the sound quality is not quite up to our recent standard, so apologies for that. But it's quite listenable. Content Warnings. Please consider donating to help us make the show and stay independent. From Jan 2021 onwards, patrons get exclusive access to one extra episode a week. Our first bonus episode is on the 1971 Peter Watkins movie Punishment Park. Our February bonus ep will be on Carol Reed's The Third Man (1949). Daniel's Patreon: https://www.patreon.com/danielharper Jack's Patreon: https://www.patreon.com/user?u=4196618 IDSG Twitter: https://twitter.com/idsgpod IDSG on Apple Podcasts: https://podcasts.apple.com/us/podcast/i-dont-speak-german/id1449848509?ls=1 Links / Notes: Shannon's Patreon: https://www.patreon.com/shannonfoleymartinez Shannon's Twitter: https://twitter.com/_Shan_Martinez_ Shannon's website: https://www.shannonmartinezspeaks.com/ Shannon's YouTube: https://www.youtube.com/channel/UC1c5KJi9BNS5idiXwqijbwA
Howard Headlee and Peter Watkins discuss what they foresee coming in the new year. From PPP loans, to COVID vaccinations, to new banks in Utah and the economy.
This week, we finally get to the conclusion of our coverage of Tom Metzger (Part 1 here), which takes us on a journey through the early history of hate online. Content Warnings. * Please consider donating to help us make the show and stay independent. From Jan 2021 onwards, patrons get exclusive access to one extra episode a week. Our first bonus episode is on the 1971 Peter Watkins movie Punishment Park. Our February bonus ep will be on Carol Reed's The Third Man (1949). Daniel's Patreon: https://www.patreon.com/danielharper/posts Jack's Patreon: https://www.patreon.com/user?u=4196618&fan_landing=true IDSG Twitter: https://twitter.com/idsgpod IDSG on Apple Podcasts: https://podcasts.apple.com/us/podcast/i-dont-speak-german/id1449848509?ls=1 * Intro links: This Podcast Has Been Declared a Riot: https://this-podcast-has-been-declared-a-riot.simplecast.com/ Even More News, "Reddit and Robinhood for Rubes." https://evenmorenews.libsyn.com/reddit-and-robinhood-for-rubes-ep-132 Computer/Hacker History: Livescience, "History of Computers, a Brief Timeline." https://www.livescience.com/20718-computer-history.html Hackers: History of the Computer Revolutin, by Steven Levy. https://www.oreilly.com/library/view/hackers/9781449390259/ Hacker Crackdown: Law and Disorder on the Electronic Frontier, by Bruce Sterling (full text at Project Gutenberg). http://www.gutenberg.org/ebooks/101 Main Podcast Links: 1985.Cyberhate PDF: simson.net/ref/leaderles/1985.CyberHate.pdf Chip Berlet, "When Hate Went Online," adapted from a talk given in 2001, Revised 7/4/2008. https://www.researchforprogress.us/topic/when-hate-went-online/ "While investigating the assassination of Denver radio talk show host Alan Berg by neonazi White supremacists, the FBI began to unravel hate group telecommunications by tapping the modem telephone line of Robert Miles. [...] "The three earliest race hate BBS systems were: Info. International Network, Aryan Liberty Net, and White Aryan Resistance (W.A.R.) Net. [...] "Next to come online (in late 1984 or early 1985) was the White Aryan Resistance BBS in Fallbrook, California, under the auspices of Tom Metzger. Metzger announced the “W.A.R. Computer Terminal” in War ‘85, the newspaper of his White Aryan Resistance (Metzger, 1985). It originally ran on a Commodore 64 with a 300 bps modem (Sills, 1989). Today, most modems run at 56,000 bps, but back then, 300 bps was cutting-edge technology. According to Metzger, “Already White Aryan comrades of the North have destroyed the free speech blackout to our Canadian comrades” (Metzger, 1985). One of the first messages sent out by Metzger was directed at “any Aryan patriot in America who so desires” to arrange for local cable access channel broadcast of Metzger’s new cable TV program “The World as We See It,” later renamed “Race and Reason.” During this same period, there were over one dozen call-in telephone hot lines with recorded messages containing racist and antisemitic material." Overthrow, April/May 1985. "One of our correspondents made an interesting discovery last month. She found the telephone number for one of the bulletin board systems operated by American Nazis. With this number she was able to log on and get the information that the media has lately been all bugeyed about. Now we are prepared to talk intelligently on the matter. [...] "Our point here is simply this: you computer hackers and phone phreaks that are reading this have the ability to uncover and analyze circumstances in ways that most people can't. Some of you have the ability to recognize touch tones by ear. A few can tell where their calls are going by the sounds they hear. And still others are able to get into more than a few major systems and find the interesting stuff almost immediately. There is a very definite need in this world for such intelligence. Every authority figure in existence would like to get a piece of your abilities but very few are deserving of them. Besides, who really enjoys selling out?" Dark Contagion: "Bigotry and Violence Online." PC Computing, December 1989. (see PDF for text) Modern day: Willamette Week, "Kyle Brewster, Convicted in 1988 Killing of Mulugeta Seraw, Fought at Jan. 6 Pro-Trump Rally in Salem" https://www.wweek.com/news/2021/01/17/kyle-brewster-convicted-in-1988-killing-of-mulugeta-seraw-fought-at-jan-6-pro-trump-rally-in-salem/ "Kyle Brewster, 51, was one of three racist skinheads who attacked a group of Ethiopian immigrants in Southeast Portland on Nov. 13, 1988. While Brewster fought with a 28-year-old airport bus driver named Mulugeta Seraw, his fellow white supremacist Ken Mieske repeatedly swung a baseball bat into Seraw's skull. Mieske kept hitting Seraw while Brewster, then 19, kicked him with steel-toed boots. Mieske was convicted of murder and Brewster was convicted of first-degree manslaughter in Seraw's death. Released from prison in 2002, Brewster went back behind bars in 2008 for violating his parole by associating with members of the white supremacist group Volksfront. While finishing his term, Brewster was convicted of assaulting a prison guard. [...] "A WW correspondent says he observed Brewster brawling with leftist counterprotesters in a melee on the Capitol lawn. Brewster was also photographed donning a respirator mask and carrying a can of hornet- and wasp-killing pesticide, which he sprayed at left-wingers during the clash. Amid the fighting, Brewster and at least three other right-wing brawlers allegedly tackled a single counterprotester and briefly beat that person."
Become a backer of Daniel or Jack to get exclusive access to a new, forthcoming episode about Peter Watkins' Punishment Park (1971). Daniel's Patreon: https://www.patreon.com/danielharper/posts Jack's Patreon: https://www.patreon.com/user?u=4196618&fan_landing=true
En 1999, el director británico Peter Watkins filmó una película que recrea de manera bastante particular la insurrección parisina de 1871. Para ello, reclutó como parte del elenco a personas comunes y corrientes, a quienes pidió un intenso trabajo de investigación previa. “La Comuna” de Watkins derivó en un debate frente a las cámaras, respecto a los hechos de 1871 y las visiones políticas de la Francia contemporánea. Una cinta de casi seis horas que explora el efecto generado por la recreación del pasado entre los actores.
Vanishing Point #4 - Hydrate or die Vanishing Point est un podcast itinérant qui vous invite à voyager sur les routes imaginaires du Cinéma, sans gps ni direction assistée, avec comme seule boussole : notre passion, nos échanges et nos envies. Piloté par Mad, Ben et Franck. Les films abordés dans cet épisode : Wake in fright, Ted Kotcheff (1971) : 00:04:18 Punishmen Park, Peter Watkins (1971) : 00:52:52 [Cassette-Blindtest : Summer in the City, The Lovin' Spoonful] : 01:24:55 Twelve angry men, Sidney Lumet (1957) : 01:29:26 Rejoignez-nous sur les réseaux sociaux : TWITTER : https://twitter.com/vpoint_podcast FACEBOOK : https://www.facebook.com/podcast.vanishingpoint PODCASTICS : https://www.podcastics.com/podcast/vanishing-point/ Et sur votre plateforme de podcasts préférée ! Abonnez-vous
Filmmaker Christopher Jason Bell brings on two of the deepest crust choices yet on the podcast, Drive Like Jehu's landmark "Yank Crime" and Peter Watkins' "The Gladiators". Enjoy!!!! :) Means TV: https://means.tv/pages/about Chris Bell on Vimeo: https://vimeo.com/christopherjasonbell Noah on Everything Now: https://www.youtube.com/watch?v=B5kY31kUXoU&ab_channel=Everything%2CNow%21 Join us on: Twitter: twitter.com/itsonthelistpod instagram: www.instagram.com/itson_thelist/ facebook: https://www.facebook.com/everybodywants2getonthelist/ email the show: everybodywants2getonthelist@gmail.com Mason's other podcast, The Barn: @thebarnpodcast Noah’s Other Podcast, My Favorite Podcast: https://www.instagram.com/myfavorite_podcast/ Noah’s writing: https://noahmarger.wordpress.com/ Noah's Letterboxd: letterboxd.com/moahnarger/ Mason's Letterboxd: letterboxd.com/MasonMaguire/ Noah's Instagrams: www.instagram.com/noahdotmarger/ www.instagram.com/ylg.world/ Mason's Instagrams: www.instagram.com/hotdogdebicki/ www.instagram.com/goodskytonite/ It's on the (Play)List: open.spotify.com/playlist/4MO0fkK…1YTemtnQfOTzNQiw
This week Chris and Rob chat about the cheap Sony rumour spare body, Hasselblad, virtual galleries, Peter Watkins, the Nearest Truth, Yafan Lu and Adobe's cloud crash.
Peter Watkins joins guest host Kirk Jowers to discuss and break down the 1st congressional district race. See omnystudio.com/policies/listener for privacy information.
Réalisé par Peter Watkins (1971) Retrouve-nous sur INSTAGRAM : https://www.instagram.com/1filmpourcesoir/ See acast.com/privacy for privacy and opt-out information.
We’re back, after a short absence, to discuss three recent digital releases: EUROVISION: THE STORY OF FIRESAGA, FANNY LYE DELIVER’D and - the main feature - Spike Lee's DA 5 BLOODS. There's also a round-up of our lockdown film club viewings, including Apitchatpong Weerasethakul’s beautiful CEMETERY OF SPLENDOR, Peter Watkins’ staggering docudrama EDVARD MUNCH, freaky Soviet horror VIY and more! Including Marvin Gaye, Chambers Brothers and 'Eurovision: The Story of Firesaga OST' covers. twitter.com/FilmGraze letterboxd.com/Film_Graze/ Co-produced by Emmett Cruddas and Sam Storey.
In the wake of the coronavirus epidemic and shutting down of much of the UK's cultural life, we have decided to bring you a series of interviews with contemporary artists, writers, filmmakers and other cultural figures, conducted via Skype (so apologies for the diminished audio quality), about their practices, the political issues that inspire them and the socio-economic conditions that have shaped their work. In the twelfth of these Sessions, Juliet talks to artist and filmmaker Deimantas Narkevičius about how the Covid-19 crisis has played out in his native Lithuania, its effect on his teaching work and artistic practice, his forthcoming feature film on stereoscopic photography and his previous works dealing with Soviet monuments and cultural memory. Then they discussed several of Narkevičius’ films in detail: The Role of a Lifetime (2003), made with English filmmaker Peter Watkins; Once in the XX Century (2004); Revisiting Solaris (2007), in which Narkevičius filmed the final chapter of Stanisław Lem’s science fiction novel, which was left out of Andrei Tarkovsky’s 1972 adaptation; and Restricted Sensation (2011), dealing with the treatment of gay men in the Soviet Union in the 1970s. A full list of references for the programme, with links, can be found via our Patreon at www.patreon.com/suite212, and are available to $3 subscribers.
Originally published in June of 2014, Zach Betonte and Andrew Swope discuss Peter Watkins’ political drama, “Punishment Park” originally released in 1971.
Join us for our fifth episode of Prompted - the show where we take one original prompt and run with it! This week's prompt is: "We were speaking Dutch, but we don't even know Dutch". We play with the genres mystery, sea story, science fiction and manifesto. Unlock writing secrets, such as how to conquer writer's block. This week, your writers Izzy, Bella and Erin will be joined by special guest Peter Watkins. Happy listening!
Socrates Podcasts ve FilmLoverss işbirliğiyle hazırlanan Sinema Var'ın sezon finalini Esen Tan, Güvenç Atsüren ve Sezen Sayınalp'in özel bir saygı duruşunda bulunmayı gerekli gördükleri yönetmenlerle yapıyoruz. İkinci sezonda görüşmek üzere… --- spoiler --- Listede yer alan yönetmenler: Susan Seidelman, Hiroshi Teshigahara, Ettore Scola, Hollis Frampton, Peter Watkins, Maurice Pialat, Stanley Kramer, Jacques Becker, Tarsem Singh.
Socrates Podcasts ve FilmLoverss işbirliğiyle hazırlanan Sinema Var'ın sezon finalini Esen Tan, Güvenç Atsüren ve Sezen Sayınalp'in özel bir saygı duruşunda bulunmayı gerekli gördükleri yönetmenlerle yapıyoruz. İkinci sezonda görüşmek üzere… --- spoiler --- Listede yer alan yönetmenler: Susan Seidelman, Hiroshi Teshigahara, Ettore Scola, Hollis Frampton, Peter Watkins, Maurice Pialat, Stanley Kramer, Jacques Becker, Tarsem Singh.
Socrates Podcasts ve FilmLoverss işbirliğiyle hazırlanan Sinema Var’ın sezon finalini Esen Tan, Güvenç Atsüren ve Sezen Sayınalp’in özel bir saygı duruşunda bulunmayı gerekli gördükleri yönetmenlerle yapıyoruz. İkinci sezonda görüşmek üzere… --- spoiler --- Listede yer alan yönetmenler: Susan Seidelman, Hiroshi Teshigahara, Ettore Scola, Hollis Frampton, Peter Watkins, Maurice Pialat, Stanley Kramer, Jacques Becker, Tarsem Singh.
A Nice Meander With Mike Leander Knock knock. Who's there? Yes, that's right - but in the second half of the show. First, Sarah, Graham and Aidan review show favourite Mia Wasikowska's new film "Judy & Punch". Medieval puppeteer revenge black comedy is, of course, a tough genre to pull off, so is this the way to do it? Aidan kicks off the second half of the show with the reissue of "Tommy" - the legendary collaboration between Ken Russell and The Who. After that it's Graham's turn to get polemical with Peter Watkins's dystopian "Privilege", before Sarah rounds things off with a brand new BFI Blu-Ray of the late Milos Forman's "Hair". The film he made called "Hair", not an actual lock of his hair. Although we'd probably review that too. If you like the podcast, send some support by visiting our PATREON (http://www%2Cpatreon.com/thegeekshow) . Alternatively, Give us a 5-star rating and/or review wherever you get your podcasts from, it helps other people find our podcast. The more feedback we have, the more people can enjoy our movie chatter. http://thegeekshow.co.uk #Eclectica #Podcast #TheGeekShow #CinemaEclectica #Reviews #News #Movies #Films #MovieReviews #TGS #Tommy #Hair #JudyAndPunch #Privilege #TheWho #KenRussell #Musicals #RockOperas #EltonJohn #RogerDaltry
this week's films covered include james gray's AD ASTRA and THE LOST CITY OF Z, classic spoof THE RUTLES: ALL YOU NEED IS CASH (screening at the BFI Southbank as part of their monty python retrospective) and several by peter watkins (CULLODEN, THE WAR GAME, PUNISHMENT PARK and LA COMMUNE) soundtrack features Phil Graves arrangements of Rutles tunes twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey
Jeff Nuttall's Bomb Culture (1968) was an unforgettably idiosyncratic document of Sixties counter-culture, looking at how the nuclear threat that followed World War II had shaped the mass consciousness. This week, Tom Overton talks to Douglas Field (author of All Those Strangers: The Art and Lives of James Baldwin) and Jamie Sutcliffe about Strange Attractor Press' recent reissue of Bomb Culture (http://strangeattractor.co.uk/shoppe/bomb-culture-50th-anniversary-edition/), and Nuttall's place within various Sixties art scenes. SELECTED REFERENCES a-or-ist - https://cargocollective.com/aorist Antonin Artaud Antony Balch - https://transmediale.de/content/antony-balch James Baldwin The Beatles Charles Bukowski William S. Burroughs - http://www.thewhitereview.org/feature/burroughs-in-london/ John Cage Robert Carlyle Centre 42 (Arnold Wesker) - http://www.roundhouse.org.uk/about-us/history-of-the-roundhouse/1960-1970-an-arts-centre-emerges/ Bob Cobbing - http://ubu.com/film/cobbing.html Gregory Corso - https://www.litkicks.com/BOMB Robert Creeley - https://www.poetryfoundation.org/poets/robert-creeley The Doors Lawrence Ferlinghetti Maria Fusco - http://mariafusco.net/ William Gibson Allen Ginsberg Maurice Girodias - https://bookblast.com/blog/spotlight-maurice-girodias-olympia-press-indie-publishers-remembered/ The Goon Show Jimi Hendrix Adrian Henri - https://www.poetryarchive.org/poet/adrian-henri Michael Horovitz - https://en.wikipedia.org/wiki/Michael_Horovitz The International Times B. S. Johnson - https://www.3ammagazine.com/3am/youre-human-like-the-rest-of-them-the-films-of-b-s-johnson/ Jay Jeff Jones - https://twitter.com/jayjeffjones Asger Jorn - http://www.museumjorn.dk/en/collections/about-asger-jorn/ Jack Kerouac R. D. Laing John Latham - https://www.tate.org.uk/art/artists/john-latham-1470 DORIS LESSING, The Golden Notebook (1962) DORIS LESSING, The Good Terrorist (1985) - https://www.theguardian.com/books/2005/dec/03/fiction.dorislessing NORMAN MAILER, Advertisements for Myself (1959) NORMAN MAILER, The White Negro (1957) - https://www.dissentmagazine.org/online_articles/the-white-negro-fall-1957 André Masson - https://en.wikipedia.org/wiki/Andr%C3%A9_Masson Barry Miles - http://barrymiles.co.uk Eric Mottram - https://www.independent.co.uk/news/people/obituaries-professor-eric-mottram-1568685.html My Own Mag (Reality Studio website) - https://realitystudio.org/bibliographic-bunker/my-own-mag/ Moving Times A. D. Nuttall - https://www.independent.co.uk/news/obituaries/professor-a-d-nuttall-435468.html JEFF NUTTALL, Snipe’s Spinster (1975) The People’s Show Project Sigma - http://realitysandwich.com/128311/alexander_trocchi_project_sigma/ John Rowan - https://en.wikipedia.org/wiki/John_Rowan_(psychologist) VALERIE SOLANAS, SCUM Manifesto (1967) - http://kunsthallezurich.ch/sites/default/files/scum_manifesto.pdf Iain Sinclair ALEXANDER TROCCHI, 'A Revolutionary Proposal' - http://www.notbored.org/invisible.html FRED TURNER, From Counterculture to Cyberculture (2006) - https://www.nytimes.com/2006/09/25/arts/25conn.html The War Game (dir. Peter Watkins, 1965) - https://www.bbc.co.uk/programmes/p02zy7nt McKENZIE WARK, The Beach Beneath the Street (2013) - https://www.newstatesman.com/culture/2013/05/spectacle-disintegration Arnold Wesker Carl Weissner - https://en.wikipedia.org/wiki/Carl_Weissner Wholly Communion (dir. Peter Whitehead, 1965) - http://www.screenonline.org.uk/film/id/1379899/index.html The World is Not Enough (dir. Michael Apted, 1999)
Why make a political arts programme? In this episode of Suite (212) Extra, hosts Juliet Jacques and Tom Overton discuss today's arts broadcasting and left-wing podcast scenes, and the place of Suite (212) and Resonance 104.4fm within it; how British modernist writers worked with TV and radio; how mainstream media leftists fought to establish a tradition of radical but popular cultural criticism; and plans for future shows, including a call for Gunnersaurus to come on Suite (212). SELECTED REFERENCES Larry Achiampong - http://www.larryachiampong.co.uk Battleship Potemkin (dir. Sergei Eisenstein, 1925) Walter Benjamin Anya Berger - https://frieze.com/article/life-margins John Berger Joseph Beuys Ernst Bloch Café Calcio - https://www.mixcloud.com/Resonance/playlists/cafe-calcio/ Hélène Cixous Jean Cocteau JONATHAN COE, Like a Fiery Elephant: The Story of B.S. Johnson (2004) - https://www.theguardian.com/books/2005/jul/10/biography.jonathancoe CYRIL CONNOLLY, Enemies of Promise (1938) Adam Curtis - http://www.bbc.co.uk/blogs/adamcurtis Douglas Davis - https://www.moma.org/artists/40384 The Fall (group) Good Morning Mr Orwell (dir. Nam June Paik, 1984) - https://www.youtube.com/watch?v=SIQLhyDIjtI Rayner Heppenstall - https://www.3ammagazine.com/3am/the-connecting-door/ Sheila Heti The Hooting Yard on the Air - https://www.mixcloud.com/Resonance/playlists/hooting-yard/ Hour of the Furnaces (dir. Fernando Solanas, 1968) - https://www.bfi.org.uk/news-opinion/sight-sound-magazine/features/greatest-films-all-time-essays/light-my-fire-hour-furnaces Ignota Press In Our Time (BBC radio) Influx Press B. S. Johnson on Samuel Johnson (ITV, 1972) JAMES JOYCE, Ulysses (1922) JULIET JACQUES, Trans: A Memoir (2015) JOE KENNEDY, Authentocrats (2018) - http://review31.co.uk/essay/view/64/the-great-northern-morlock-hunt Chris Kraus Kusama’s Self-Obliteration (dir. Jud Yalkut, 1967) - https://www.youtube.com/watch?v=n6wnhLqJqVE Deborah Levy - https://www.newstatesman.com/culture/2013/07/things-i-dont-want-know-powerful-feminist-response-orwells-why-i-write Christopher Logue - https://en.wikipedia.org/wiki/Christopher_Logue London Film-Makers’ Co-op Manufacturing Consent: Noam Chomsky and the Media (dir. Mark Achbar & Pete Wintonick, 1992) - https://www.youtube.com/watch?v=AnrBQEAM3rE So Mayer Jonathan Meades - https://vimeo.com/meadesshrine Media Democracy - https://soundcloud.com/media-democracy-pod Bill Morrison Oli Mould Simon Munnery’s Experimental Half Hour (Resonance FM show) The New Babylon (dir. Grigori Kozintsev & Leonid Trauberg, 1929) - https://www.youtube.com/watch?v=cyOhcTuFYe0 New Socialist - https://newsocialist.org.uk/people-are-intelligent-and-we-shouldnt-assume-otherwise/ Novara Media Clive Nwonka Oasis Oberhausen festival - http://www.thewhitereview.org/feature/oberhausen-film-festival/ Only Artists (BBC radio) - https://www.youtube.com/watch?v=n6wnhLqJqVE GEORGE ORWELL, Animal Farm (1945) Jordan Peterson - https://soundcloud.com/chapo-trap-house/episode-194-fck-12-feat-shuja-haider-and-elon-musk-31818 Politics Theory Other - https://soundcloud.com/poltheoryother Jacques Prévert Project O. Ann Quin Reel Politik - https://soundcloud.com/reelpolitikpodcast JEAN-JACQUES ROUSSEAU, The Social Contract (1762) MARC SAPORTA, Composition No. 1 (1962) - https://www.3ammagazine.com/3am/maybe-you-should-start-again/ WILLIAM SHAKESPEARE, Richard III (c.1593) So Solid Crew The Spice Girls David Stubbs Suite (212) (dir. Nam June Paik, 1975) - https://www.eai.org/titles/suite-212 JEAN-PHILIPPE TOUSSAINT, Football (2018) - https://www.ft.com/content/a65b540c-1767-11e6-b197-a4af20d5575e JEAN-PHILIPPE TOUSSAINT, Zidane’s Melancholy (2007) - http://unrealisedfutures.tumblr.com/post/133790326925/zidanes-melancholy-by-jean-philippe-toussaint Turn! Turn! Turn! (dir. Jud Yalkut, 1966) - https://www.youtube.com/watch?v=hXB-DlrQub0 The War Game (dir. Peter Watkins, 1965) Ways of Seeing (dir. Mike Dibb, 1972) Rosie Wilby - https://www.rosiewilby.com/radio
Despite decades of censorship and neglect, Peter Watkins (http://pwatkins.mnsi.net/) has created a body of work that marks him out as one of the UK’s greatest filmmakers. Born in Surrey in 1935, Watkins began his career pioneering the ‘docu-drama’ in two works for the BBC: historical drama Culloden (1964) about the final battle in the Jacobite rebellion, and The War Game (1965), speculating about a nuclear attack on the UK. The BBC refused to broadcast the latter, and after his feature film Privilege (1968) had a poor commercial and critical reception, Watkins spent the rest of his career in exile. In his theoretical writing, teaching and filmmaking, Watkins has challenged the ‘monoform’ – a standardisation of Mass Audio-Visual Media that barrages its audience with a rapid flow of changing images and sounds, with the intention of preventing any real contemplation. Joining Juliet to discuss Watkins' work is Gareth Evans, former editor of Vertigo magazine and adjunct Moving Image Curator at Whitechapel Gallery. Watkins on the monoform and the global media crisis: https://www.closeupfilmcentre.com/library/documents/the-dark-side-of-the-moon-the-global-media-crisis/ SELECTED REFERENCES FILMS BY PETER WATKINS The Forgotten Faces (1960) - https://player.bfi.org.uk/subscription/film/watch-the-forgotten-faces-1961-online Culloden (1964) - https://www.youtube.com/watch?v=mkxW-nB0nNU The War Game (1965) - https://www.bbc.co.uk/iplayer/episode/p02zy7nt/the-war-game Privilege (1966) - https://player.bfi.org.uk/rentals/film/watch-privilege-1967-online The Gladiators (1969) - https://www.slantmagazine.com/film/review/the-gladiators Punishment Park (1971) - https://www.theguardian.com/theguardian/2005/jul/08/4 Edvard Munch (1974) - https://www.filmcomment.com/blog/art-of-the-real-edvard-munch-by-peter-watkins/ The Journey (1987) - https://www.youtube.com/watch?v=xsYLt9bSRbw The Freethinker (1992-94) - http://seul-le-cinema.blogspot.com/2012/01/freethinker.html La Commune (2000) - https://www.youtube.com/watch?v=LZ1S18jsyyw WILLIAM BLAKE, ‘Jerusalem’ Blowup (dir. Michelangelo Antonioni, 1966) BERTOLT BRECHT, The Days of the Commune (1955) - http://daysofthecommune.com/pages/play.html A Clockwork Orange (dir. Stanley Kubrick, 1971) GUY DEBORD, ATTILA KOTÁNYI & RAOUL VANEIGEM, ‘Thesis on the Paris Commune’ (1962) – http://www.bopsecrets.org/SI/Pariscommune.htm End of Days (dir. Peter Hyams, 1999) Future Revolutions: New Perspectives on Peter Watkins (2018) - https://wolfberlin.org/en/wolf-shop/book-new-perspective-on-peter-watkins-future-revolutions If … (dir. Lindsay Anderson, 1968) It Happened Here (dir. Kevin Brownlow & Andrew Mollo, 1965) - https://www.bfi.org.uk/news-opinion/news-bfi/interviews/it-happened-here-kevin-brownlow Jubilee (dir. Derek Jarman, 1978) V. I. LENIN, ‘Lessons of the Commune’ (1911) – https://www.marxists.org/archive/lenin/works/1908/mar/23.htm The Living Dead (dir. Adam Curtis, 1995) - https://www.youtube.com/watch?v=4xoM6-1SWl4 Manfred Mann KARL MARX, ‘The Civil War in France’ (1871) – https://www.marxists.org/archive/marx/works/1871/civil-war-france/index.htm Ralph Miliband - https://www.marxists.org/archive/miliband/index.htm The New Babylon (dir. Grigori Kozintsev & Leonid Trauberg, 1929) - https://www.youtube.com/watch?v=cyOhcTuFYe0 O Lucky Man! (dir. Lindsay Anderson, 1973) Stanisław Przybyszewski - https://en.wikipedia.org/wiki/Stanisław_Przybyszewski Role of a Lifetime (dir. Deimantas Narkevičius, 2003) - https://www.youtube.com/watch?v=69EREtDfYoM August Strindberg Threads (dir. Mick Jackson, 1984) West of the Tracks (dir. Wang Bing, 2002) - https://theartsofslowcinema.com/2017/05/16/west-of-the-tracks-wang-bing-2003/ Who is America? (TV series, 2018) ÉMILE ZOLA, La Débâcle (1892) - https://readingzola.wordpress.com/2014/01/14/la-debacle-the-downfall/
Capítulo 194 - Torneos y competencias Conducción: Diego Cirulo Invitado: Nicolás Aponte El juego, como elemento central en las sociedades, posee diversas aristas que pueden pasar desde lo sencillamente lúdico y recreativo, hasta la consolidación de complejas construcciones relacionadas con estadísticas, sistemas y poder. Es así como seleccionamos cuatro películas: "A league of their own" (Penny Marshal, 1992), "The gladiators" (Gladiatorerna, Peter Watkins, 1969), "Computer chess" (Andrew Bujalski, 2013), y "Moneyball" (Bennett Miller, 2011). A jugar. Producción general: Diego Cirulo, Fabio Villalba. Locución: Daniela Jorquera Música original: Bahía Blanca
Capítulo 194 - Torneos y competencias Conducción: Diego Cirulo Invitado: Nicolás Aponte El juego, como elemento central en las sociedades, posee diversas aristas que pueden pasar desde lo sencillamente lúdico y recreativo, hasta la consolidación de complejas construcciones relacionadas con estadísticas, sistemas y poder. Es así como seleccionamos cuatro películas: "A league of their own" (Penny Marshal, 1992), "The gladiators" (Gladiatorerna, Peter Watkins, 1969), "Computer chess" (Andrew Bujalski, 2013), y "Moneyball" (Bennett Miller, 2011). A jugar. Producción general: Diego Cirulo, Fabio Villalba. Locución: Daniela Jorquera Música original: Bahía Blanca
Errol Morris discusses his new documentary, THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY, along with the film's subject Elsa Dorfman after a screening earlier this week. The film officially opens here at the Film Society this weekend. Also, Chuck Klosterman discusses his book "But What if We're Wrong" after a 35mm screening of Peter Watkins’s 1967 black comedy PRIVILEGE last summer. The conversation was part of our ongoing Print Screen series, which continues this Thursday with a 35mm screening of THE LONG GOODBYE presented by author Yuri Herrera. This podcast is brought to you by the Film Society of Lincoln Center. Film Lives Here. www.filmlinc.org
Guest co-host Kim Hansen, CEO of Signl.fm joins us to discuss speech to text, machine learning, meetups around town, and interview Peter Watkins, cofounder of the BC Developer's Exchange, on topics from agile teams in government to the BC housing data visualization project.
Anne McElvoy evaluates the first major English edition of short fiction by the great German critic and essayist, Walter Benjamin with the translator and scholar Esther Leslie and the critic, Kevin Jackson. Also in the programme a guide to the Soviet Superwoman courtesy of curator Elena Sudokova and Dolya Gavanski -- the moving forces behind the GRAD gallery show devoted to women in the Soviet Union from 1917 to 1991.And as Peter Watkins' critically acclaimed film based on the life of Edvard Munch is re-released New Generation Thinker Leah Broad considers the Norwegian painter's achievement and the art of biography.Fay Bound Alberti's cultural history of the body completes the programme - why do we talk of the heart as the seat of our emotions and where would you expect to find someone's "mind" ? This Mortal Coil by Fay Bound Alberti is published by Oxford University Press.The Storyteller by Walter Benjamin is published by Verso on 23rd June.Superwoman: Work, Build and Don't Whine is on at GRAD in Little Portland Street in London from 18 June -17 SeptemberEdvard Munch - a 1974 biographical film about the Norwegian Expressionist painter Edvard Munch, written and directed by Peter Watkins, has been re-released on DVD by Eureka.Leah Broad's research at the University of Oxford is focused on Nordic modernism. She is editor of The Oxford Culture Review and winner of the Observer/Anthony Burgess prize for the best arts journalism essay in 2015 for her reappraisal of the Finnish composer Sibelius.Producer: Zahid Warley
This week, we finish out Spencer month by going mostly insane. Also, we watched the 1969 movie directed by Oscar award winning director Peter Watkins, The Gladiators, aka Gladiatorerna. Peter Watkins has a style all his own, crafting docu-dramas that deliver a socially conscience message that strikes true even today. So naturally we talked about Goldfish brand crackers. We'd like to thank Spencer Seams for his contribution to this podcast. He has helped boost our profile and given us excellent movie to chew on, and we will never forgive him. You can follow his work on twitter at @Matt_Seams. EMail: pleasedontpodcast@gmail.com Facebook: facebook.com/pdsmios Notes will updated later on our Facebook page
The Movie Forums Podcast - Punishment Park
Themes and Roundabouts Another go on the merry-go-round of trailers and films that never fully joined club Eclectica. Off the Shelf featured Italian neo-realism with Rocco and his Brothers, forgotten David Lean in The Sound Barrier, lesser Ealing in Pink String and Sealing Wax before closing out with the controversial Peter Watkins documentary The War Game. We also revisit some Second Run titles, Batman and an Apocalypse bunker.
On this new episode of the Talkhouse Film podcast, two highly original and idiosyncratic British writer-directors are in conversation: Ben Wheatley and Alex Cox. In addition to their new projects (the current festival hit High-Rise and the multi-perspective Western Tombstone Rashomon, respectively), the two email friends discuss numerous movie-related topics, from their favorite portmanteau films and the difference between Charlie Kaufman and Charlton Heston, to the forgotten genius of Peter Watkins and how Repo Man invented supermarket generic brands. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.
Y seguimos con la guerra fría y el terror atómico con un documento histórico. El juego de la guerra fue el primer documental falso o mockumentary en ganar un óscar pese a su condición ficticia.La BBC ideó un escalofriante worst case scenario que explicaba como quedaría Reino Unido tras un ataque nuclear. Víctor nos habla de estos 46 minutos llenos de datos malrolleros presentados de la manera más fría posible.
Peter Watkins' film Culloden is 50, and in front of an audience at the Edinburgh Festival, Matthew Sweet discusses its influence on portrayals of Scotland's Highland identity in book and film with Diana Gabaldon, author of the best-selling Outlander series, historian Tom Devine and media expert John Cook.
En este podcast solemos tratar de una película o de muchas películas, si es que son de un mismo realizador. Por primera vez hablaremos de dos obras de directores distintos, pero hay una buena razón para ello. Son dos cintas británicas estrenadas en la misma época y que se enfrentan con los fantasmas de las guerras pasadas, presentes y futuras, como en el cuento de Dickens. Flirteando visualmente con el periodismo y con el documental, estas películas de Peter Watkins y de Kevin Brownlow (con Andrew Mollo) producen extrañeza, inquietud, horror y no poca desconfianza hacia toda forma de autoridad. De esto y más hablamos en el podcast.
PETER WATKINS, de la radicalité comme vertu. Cinéaste en marge de l'industrie cinématographique, suivant une démarche très particulière, exigeant la participation personnelle des acteurs non professionnels dans l'écriture du film, provoquant chocs et débats autour de ses films et ayant assurément laissé des traces sur d'autres cinéastes après lui.
PETER WATKINS, de la radicalité comme vertu. Cinéaste en marge de l’industrie cinématographique, suivant une démarche très particulière, exigeant la participation personnelle des acteurs non professionnels dans l’écriture du film, provoquant chocs et débats autour de ses films et ayant assurément laissé des traces sur d’autres cinéastes après lui.
Robert Greene jokes that he badgered Peter into finally watching his two documentaries, Kati With An I and Fake It So Real. But he certainly didn't badger Peter's opinion of recognizing a true non-fiction talent, someone who is taking the form in new directions through both theory and practice. Robert joins Peter on the show to talk about how he went from a lover of 2001 and Star Wars to a man obsessed with non-fiction cinema, and discusses how he thinks filmmakers can approach their subjects with both approaches to form and content that can compete with the best fiction films. Peter then engages Robert to talk about his own practice to making films, and why limiting his options ultimately freed him in the form. Finally, Robert brings in Peter Watkins's Edvard Munch, a bafflingly brilliant film that the two find plenty to discuss in terms of making a non-fiction approach to a film to encompasses the shift from the 19th century to the 20th at both the cosmic and the micro level. 0:00-1:02 Opening2:40-8:20 Establishing Shots - Frankenheimer's Seconds / Trivia Round / Donations9:05-46:20 Deep Focus - Robert Greene47:47-1:20:31 Kati With An I and Fake It So Real1:21:28-1:44:04 Double Exposure - Edvard Munch (Peter Watkins)1:44:06-1:46:01 Close / Outtake
Meet local Peter Watkins from the AUSTRALIAN CENTRE FOR SUSTAINABILITY...sharing the GOOD NEWS about Living Sustainably & Profitably in the City...How you and your family can save money and foster a bright business future off the grid and out of the system!
Episode One of the MoC Cast is here with a look at Peter Watkins 1971 film Punishment Park.
In this special #Occupy edition of the Projection Booth, we look at Peter Watkins's seminal faux documentary film Punishment Park and discuss what it means forty years later.Learn more about your ad choices. Visit megaphone.fm/adchoices
In this special #Occupy edition of the Projection Booth, we look at Peter Watkins's seminal faux documentary film Punishment Park and discuss what it means forty years later.
Yes, it IS possible to have a post-apocalypse without zombies, and this is the first monthly episode of MOZ's Post-Apocalyptic Summer. Brother D reviews the movie Steel Dawn (dir. Lance Hool) and he's joined by Miss Bren to talk about the movies The War Game (dir. Peter Watkins) and Panic in Year Zero! (dir. Ray Milland). We have a question for the PAQ, or Post-Apocalyptic Quiz, post-apocalyptic news, post-apocalyptic movie trailers . . . and the Feedback Discussion (and even the briefest of mentions of post-apocalyptic porn).Email us at MailOrderZombie@gmail.com or call us at 206-202-2505!Palavr.com Forums - http://palavr.com/forum.php/Phase 7 at Bloody-Disgusting.com - http://www.bloody-disgusting.com/selects/releases/phase7/Day of the Dead Convention - http://www.daysofthedead.net/Cinema Fromage - http://www.cinemafromage.com/Disney, Indiana - http://www.disneyindiana.comThe BoneBat Show - http://bonehand.com/BoneBat.htmlThe Wasteland Radio Podcast - http://www.facebook.com/pages/The-Wasteland-Radio-Podcast/228370393844694The Revenant presented by Midnight Movie Central's Shocking Saturday Nights - http://tinyurl.com/mozrevenantPseudopod 233: Association - http://pseudopod.org/2011/06/10/pseudopod-233-association/Oren Peli's untitled post-apocalyptic film? - http://www.quietearth.us/articles/2011/06/22/Oren-Pelis-got-a-postapocalyptic-horror-flick-in-the-worksApocalyptic strangers descend on French village - http://af.reuters.com/article/oddlyEnoughNews/idAFTRE75Q1AO20110627Trent Reznor's Year Zero finds writer - http://www.hollywoodreporter.com/live-feed/fight-club-writer-pen-trent- 205500Rage videogame coming soon - http://abcnews.go.com/Entertainment/wireStory?id=13947197Rage comic book - http://content.usatoday.com/communities/gamehunters/post/2011/06/rage-comic-book-based-on-id-softwares-video-game-hits-stores/1Rage - http://www.rage.com/ Rage comic page progress - http://www.darkhorse.com/Blog/455/rage-page-process(Various production music produced by Kevin MacLeod.)
This week Maria speaks with Donna Maria Coles Johnson, author of The Lifestyle CEO, and her magazine, The Handmade Beauty Business. Next, Peter Watkins, talks about Child safety on the Internet – Peter is an IT security expert and CEO at Webroot Software. Then, Dr. Jerry Wilde, author of Hot Stuff to Help Kids Cheer Up: The Depression and Self-Esteem Workbook. And, Nick Dubin, author of Asperger Syndrome and Bullying: Strategies and Solutions.
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