Podcast appearances and mentions of Peter Watkins

Vizyon filmleri Die, My Love ve Eleanor the Great'in yanı sıra, Sinematek Sinemaevi'ndeki Alfred Hitchcock ve Peter Watkins gösterimlerini ve açıklanan Oscar adaylıklarını konuşuyoruz. 

Eric is back so it's time for him and Jason to dig into obscure masterpieces. Today the guys take on two brilliantly intense fils by British master Peter Watkins: Edvard Munch and The War Game. Eric fills Jason in on Watkins's long and well documented history of making avant-garde films, then the guys dig deep into two of the most highly serious but emotionally satisfying movies of their experience. The Munch film in particular has so much complexity and integrity to it that the film sets a standard for biopics that may never be reached again.

In Episode 85: Baskets of Wrong, Ariel is away, starring in her own spinoff adventure, but Kelvin and Pat are joined by special guest Melissa Kaercher to enthusiastically discuss the epic conclusion to the Second Doctor’s run, The War Games! Join us for facial hair and another phantom Master! Regeneration and glasses-fashion! A digression about tabletop wargames, and a shout-out to the late Peter Watkins, director of the non-Doctor Who 1966 TV drama The War Game, who recently died at the age of 90. All this and Devo HQ!

In this bonus episode of Cold War Cinema, Jason Christian is joined by the independent filmmakers Eric Marsh and Christopher Jason Bell, to discuss the films and legacy of the British filmmaker and media theorist Peter Watkins, who died on October 30, 2025, one day after his nintieth birthday. Watkins stands apart in film history for his bold cinematic vision, his innovations of the pseudo-documentary, and for his unflinching cinematic attacks on the mass media and authoritarian states. For these reasons and others, he has never been given his due in the academy or in popular culture. We discuss why this radical filmmaker is so important to us personally, and why his legacy should—and probably will—continue to grow.  _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Eric recommends the film Bisbee '17 (2018, Robert Greene). Christopher recommends the film Revolution Selfie (2017, Steven de Castro). Jason recommends the book Future Revolutions: New Perspectives on Peter Watkins (2018, various authors). _____________________ Find Eric Marsh's films here.  Find Christopher Jason Bell's work here. Find our previous interview with Christopher Jason Bell here.  Jason's essay on Punishment Park (1971) is found here. And his short piece on Privilege (1967) is here. (Scroll down.) _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.  And for more from your hosts: Follow Jason on Bluesky at @JasonChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic.  Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas. Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

On today's episode, Josh and Josiah discuss Peter Watkin's 1971 film, Punishment Park, a mockumentary about the United States arresting political radicals and draft dodgers to use for police training.Become a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work: https://linktr.ee/josiahwsuttonFollow Josiah on Twitter @josiahwsuttonAudio creditsYesterday - bloom.Audio from Punishment Park (1971)The Price of Living By Delinquent Ideals - Magrudergrind ★ Support this podcast on Patreon ★

On today's podcast, we talked about the games of genre and ideology in the late Peter Watkins' Punishment Park. We also sentence a handful of criminal filmmakers to our own version of the carceral experiment. Then, an e-mail about Chicago. peepeepoopooman.com Get an extra episode every week at patreon.com/extended_clip I'm offering 20% off paid subs on my blog through the end of the year! https://vintageviolence.substack.com/subscribe?coupon=7334edad Email us at extendedclippodcast@gmail.com

Matthew Bannister onDick Cheney, the Republican politician who was Vice President under George W Bush and played key roles in both Gulf Wars.Yvonne Brewster, the Jamaican-born director and actor who founded the Black British Theatre Company Talawa.Mary ‘May' McGee, the Irish woman who brought s successful legal challenge against the country's ban on contraception.Peter Watkins, the film maker whose powerful depiction of a nuclear attack on the UK was banned by the BBCProducer: Gareth Nelson-Davies Assistant Producer: Catherine Powell Researcher: Jesse Edwards Editor: Glyn TansleyArchive used: Dick Cheney interview, Oral Histories, C-Span, 19/12/2007; Dick Cheney, PBS, 04/11/2025; Dick Cheney, Operation Desert Storm press Conference, 17/01/1991; George W Bush names Vice President candidate and running mate, CNN, 25/07/2000; Yvonne, Brewster interview, Fighting Talk, BBC Two, 22/02/1991; Mary McGee interview, No Country For Women documentary series, directed by Anne Roper, RTE ONE, 19/06/2020; May McGee interview, Misneach, May & Séamus McGee, TG4 YouTube Channel, uploaded 20/09/2023; The World This Weekend, BBC Radio 4, 23/05/1971; Yvonne Brewster, Desert Island Discs, Radio 4, 01/04/2005; Peter Watkins interview, The Lively Arts, BBC Radio 3, 22/05/1966; The War Game, BBC, 1966, Dir: Peter Watkins; Culloden, 1964 trailer , director: Peter Watkins;

#Episodio resubido#Hoy recibimos a Luis López Carrasco, director del año de El descubrimiento y de El futuro, y también es el ganador del premio Herradle de novela 2023 con el desierto blanco. Con él hablamos de falso documental, Peter Watkins, las películas que tanto los padres de Luís como los de Carlo Padial veían cuando eran niños, y el encontrar formas personalesde hacer cine que tengan sentido. Además, en este episodio, Carlo habla también de fenómenos extraños en whatsapp, comprar grandes cantidades de papel higienico, y de la época en la que todo el mundo intentaba copiar Carpool Karaoke.MEDIA OFFLINE es un podcast presentado por Carlo Padial y producido por Pioneros del s. XXI donde el escritor, humorista y director de cine comparte su peculiar visión del mundo y recibe a invitados, algunos famosos y otros desconocidos, para hablar de cosas que le resultan interesantes. Desde cine, música, hasta insectos, enfermedades, ciencia, café con hielo y economía, todo ello sin restricciones de ningún tipo. A partir de hoy, Carlo Padial será tu mejor amigo en Internet. Online. Y Offline. En Media Offline. Entra en LA MOVIDE.Un programa esponsorizado por BRACAFÉ, Blanc Pescador, Lanzat Psicólogo y C.R.E.M.A. Barber. Consigue el código de 10% de descuento en tu corte CREMA diciendo al entrar: "LA MOVIDE CREMA"Visita la web de C.R.E.M.A. Barber: https://cremabarber.es/LANZAT PSICÓLOGO está enCalle de O'Donnell, 32, 1E
Retiro, MadridVisita https://lanzatpsicologo.es/

Punishment Park (1971) de Peter Watkins, (disponible en DVD, BluRay et sur certaines plateformes.) Tourné comme un faux documentaire, le film sʹinspire de l'application du McCarren Act, une loi d'exception votée en 1970 à la faveur d'une aggravation du conflit au Nord-Vietnam, autorisant à placer en détention "toute personne susceptible de porter atteinte à la sécurité intérieure". Dans une zone désertique du sud de la Californie, un groupe de condamnés est amené, contre la promesse de leur libération, à traverser le désert à pied, sans eau ni nourriture, pour atteindre le drapeau américain sans être capturés par les forces spéciales armées et motorisées lancées à leur poursuite. Le film le plus connu de Peter Watkins, décédé ce week-end à lʹâge de 90 ans. https://www.youtube.com/watch?v=LLsNO8cQpaU Illusions perdues (2021) de Xavier Giannoli, avec Benjamin Voisin, Cécile de France, Vincent Lacoste, (en DVD, BluRay et sur certaines plateformes.) Jeune poète inconnu dans la France du XIXème siècle, Julien a de grandes espérances. Il quitte lʹimprimerie familiale de sa province natale pour tenter sa chance à Paris. Bientôt livré à lui-même, le jeune homme va découvrir les coulisses dʹun monde voué à la loi du profit et des faux-semblants. Une comédie humaine où tout sʹachète et se vend, la littérature comme la presse, la politique comme les sentiments, les réputations comme les âmes. Adapté de Balzac. https://www.youtube.com/watch?v=umiWu_sjRhg

Accidentally relevant as always, the boys kick off November discussing Punishment Park directed by the late Peter Watkins. We break down the many socio-political themes, how the film was banned, and the found footage elements it pioneered. You made us say crap!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard

Zadie Smith talks about the art of the essay, as she publishes a non-fiction collection, Dead and Alive. Brenda Blethyn discusses her new film Dragonfly, for which she's just been nominated for Best Joint Performance at the British Independent Film Awards along with her co-star Andrea Riseborough. In the last of Front Row's interviews with the authors shortlisted for the Booker Prize, Samira talks to Andrew Miller about his novel The Land in Winter, set in the Big Freeze of I962-3. Film scholar Ian Christie discusses the work of the experimental British documentary filmmaker Peter Watkins, who has died at the age of 90. Presenter: Samira Ahmed Producer: Harry Graham

Hoy recibimos a Luis López Carrasco, director del año de El descubrimiento y de El futuro, y también es el ganador del premio Herradle de novela 2023 con el desierto blanco. Con él hablamos de falso documental, Peter Watkins, las películas que tanto los padres de Luís como los de Carlo Padial veían cuando eran niños, y el encontrar formas personalesde hacer cine que tengan sentido. Además, en este episodio, Carlo habla también de fenómenos extraños en whatsapp, comprar grandes cantidades de papel higienico, y de la época en la que todo el mundo intentaba copiar Carpool Karaoke.MEDIA OFFLINE es un podcast presentado por Carlo Padial y producido por Pioneros del s. XXI donde el escritor, humorista y director de cine comparte su peculiar visión del mundo y recibe a invitados, algunos famosos y otros desconocidos, para hablar de cosas que le resultan interesantes. Desde cine, música, hasta insectos, enfermedades, ciencia, café con hielo y economía, todo ello sin restricciones de ningún tipo. A partir de hoy, Carlo Padial será tu mejor amigo en Internet. Online. Y Offline. En Media Offline. Entra en LA MOVIDE.Un programa esponsorizado por BRACAFÉ, Blanc Pescador, Lanzat Psicólogo y C.R.E.M.A. Barber. Consigue el código de 10% de descuento en tu corte CREMA diciendo al entrar: "LA MOVIDE CREMA"Visita la web de C.R.E.M.A. Barber: https://cremabarber.es/LANZAT PSICÓLOGO está enCalle de O'Donnell, 32, 1E
Retiro, MadridVisita https://lanzatpsicologo.es/

Gay homosexuals Nick and Joseph review ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Action Jackson - a 1988 American blaxploitation action comedy film directed by Craig R. Baxley, starring Carl Weathers, Vanity, Sharon Stone and Craig T. Nelson.Additional topics include:Taraji P. Henson's Halloween tribute to Janet JacksonJulia Fox's bloody Jackie Kennedy costumeRobert Englund's star on the Hollywood Walk of FameMTV's Ridiculousness being canceledThe deaths of Maria Riva, Prunella Scales, Björn Andrésen, June Lockhart, Peter Watkins, and Tchéky KaryoJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

Julian, Madeline, and Emilio continue their episode cycle on Audience Interrogation with a "Two-Shot" on Dan Gilroy's "Nightcrawler" (2014) and Alex Garland's "Civil War" (2024), and are joined for the conversation by Michael Cramer, professor of Film History at Julian's alma mater, Sarah Lawrence College. Looking at this surprisingly fitting pair of movies, the group begin by zooming in on "Nightcrawler" and discussing how Jake Gyllenhaal's unforgettable portrayal of a wide-eyed sociopath cements the film's parable about the ethics of procuring and propagating "newsworthy" footage. Then, jumping forward a decade, the group consider the similar questions posed by "Civil War" in its depiction of war photographers navigating the ruins of the United States in a fictional future conflict, along with the polarized reception of its narrative ambiguities. Michael Cramer is on the Film History faculty at Sarah Lawrence College and is the author of "Utopian Television: Roberto Rossellini, Peter Watkins, and Jean-Luc Godard Beyond Cinema," along with numerous scholarly articles on European Cinema and television. If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

EPISODE #464 On today's episode we talk about the pseudo-documentary/alternate history thriller/discursive essay/grad-student lecture PUNISHMENT PARK (1971). It's a rough, weird movie that really feels like a prompt to get us to talk about our favorite dirtbag president, Richard Milhouse Nixon. We also talk about James Gunn's SUPERMAN (2025), Akira Kurosawa's SEVEN SAMURAI (1954), THUNDERBOLTS* (2025), the Courtney Barnett documentary ANONYMOUS CLUB (2022), and the Jackie Chan flick ARMOR OF GOD (1986). LINKS Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

The Strategic Defence Review described international alliances and partnerships as the bedrock of global stability becoming even more important to the UK in the context of growing risk and uncertainty. It referred to the Global Combat Air Programme as an example of capability collaboration and a powerful signal of the UK's ambition to bring partners from different geographic regions closer together in support of collective security. To discuss the importance of global relationships with the UK's future combat air system, including GCAP, host Zevi Watmough is joined by: Peter Watkins, Associate Fellow Chatham House International Security programme Retired Air Commodore Jonny Morton BAE Systems, FCAS, Director Capability Portfolio Dave Morris, Leonardo, Head of Campaigns for Future Combat, GCAP   Find out more about Team Tempest Follow us on X for the latest news on Team Tempest Learn more about the opportunities for #GenerationTempest on Instagram Catch up our story so far on YouTube   Hear more from Chatham House by listening to their podcast series available online or wherever you listen to podcasts.   

Ep. 288: Mark Asch on David Lynch RIP, Best of Spectacle, Wicked, La Commune (Paris, 1871) Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. In memory of David Lynch (1946-2025), I rang up critic Mark Asch to commiserate and reflect on his work, both movies and other art. We were also originally going to talk about the world of noted Brooklyn microcinema Spectacle Theater, where Asch volunteers, so we do that as well, covering rarely shown works from Logistics to Hamburger Dad. We also address Wicked, which revisits the world of The Wizard of Oz in rather different ways from Lynch. Finally, Asch shares his experience of watching Peter Watkins's La Commune (Paris, 1871) at Anthology Film Archives. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Two enigmatic icons with enduring holds on the Western imagination are currently lighting up multiplex screens: fearsome Transylvanian vampire Dracula and Nobel Prize–winning American treasure Bob Dylan. Both released on Christmas Day, Robert Eggers's Nosferatu and James Mangold's A Complete Unknown are ambitious efforts at crafting new and absorbing tales out of these two mainstays of pop culture. Nosferatu stars Bill Skarsgård, Lily Rose-Depp, and Nicholas Hoult in the latest adaptation of Bram Stoker's novel, joining a cinematic canon established by filmmakers like F.W. Murnau, Francis Ford Coppola, and Werner Herzog. A Complete Unknown features Timothée Chalamet as the young Dylan, tracing his arrival in New York in 1961 to his set at the 1965 Newport Folk Festival, where he famously decided to “go electric.” On this week's Podcast, Film Comment editors Devika Girish and Clinton Krute invited Lovia Gyarkye, film critic at The Hollywood Reporter, and FC's very own Michael Blair (a Dylan aficionado) to debate the successes and failures of the two films—for both loyalists and neophytes of Dylan & Dracula. The group also discussed a few other Christmas Week releases, including Barry Jenkins's Mufasa and Rachel Morrison's The Fire Inside—and if you stay till the very end, you can also listen to their thoughts on Peter Watkins's monumental La Commune (Paris, 1871) (2000), which the Film Comment team viewed this past weekend at Anthology Film Archives. Sections: A Complete Unknown (7:25) Nosferatu (31:20) Mufasa (48:00) The Fire Inside (52:16) La Commune (Paris, 1871) (55:56)

En nuestra centésimo séptima entrega abordamos el interesante encuentro entre la música y la C-F. Dada la amplitud del tema nos centramos en la música pop-rock de los años 60, en la que nos encontramos con grandes nombres como Jimi Hendrix, los Byrds, Pink Floyd o David Bowie. Como complemento comentamos también el origen del Theremin junto a una película y dos libros relacionados con la temática. 0:06:00 - El Theremin. 0:30:00 - Música y C-F en los 60 (1). 1:20:30 - "Privilegio" de Peter Watkins (1967). 2:01:00 - Música y C-F en los 60 (2). 2:47:00 - "En Alas de la Canción" de Thomas M. Disch (1979). 3:46:00 - "El Maestro Cantor" de Orson Scott Card (1980). 4:22:15 - Comentarios de los oyentes y despedida. Hemos preparado dos listas, en YouTube y Spotify, con las canciones que comentamos en el programa. Youtube: https://t.ly/qz6sz Spotify: https://t.ly/R7lqy Síguenos y contacta con nosotros a través de Facebook (www.facebook.com/retronautas), Twitter (@losretronautas), Bluesky (@losretronautas.bsky.social) o escríbenos a nuestro correo electrónico: losretronautas@gmx.com Puedes también unirte a nuestro canal de Telegram. Contacta con nosotros para facilitarte el enlace. Si te ha gustado este programa y quieres invitarnos a un café, puedes hacerlo a través de: https://ko-fi.com/retronautas Y si estás comprometido con la C-F viejuna puedes unirte a la infantería móvil retronaútica en: https://www.patreon.com/losretronautas o aquí mismo, en Ivoox. Como patrocinador, serás informado de nuestros planes de vuelo, y tendrás acceso anticipado a los podcast "Micronautas". Saludos desde los días del futuro pasado.

In their most leftist film podcast yet, Rosa and Joku discuss "Punishment Park", a 1971 indie film directed by new-left communist filmmaker Peter Watkins - also known for "La Commune (Paris, 1871)" (2001), "Edvard Munch" (1974), and "The War Game" (1966). They were blown away and shocked by the film's outstanding quality and relevant message.Then, they talked about this year's "Love Lies Bleeding", before talking about the current state of the show.Funny Peter Griffin Doodle: https://imgur.com/a/TdygFMSFD Signifier on Farrakhan: https://youtu.be/Vx6tseoM_u0?si=4lhUgpajdaj__LAtSupport us on Patreon: https://www.patreon.com/CumpostingPodcastFollow Rosa: https://linktr.ee/reddestrosaFollow Joku: https://www.youtube.com/channel/UC6MqDAGSrKEVBzHtgBBbT0wOur Podcast Artist is the incredibly talented Vero (she/they) of Praxisstvdio who you should check out here: https://linktr.ee/praxisstvdioThe Cumposting Power Ranking: https://letterboxd.com/cumposting/list/cumposting-all-movies-watched-ranked/Reddit (Cringe): https://www.reddit.com/r/cumpostingpod/Music Used that wasn't made by Rosa:Prelude in E minor | Trio Peter Beets - Chopin meets the Blues @ Goois Jazzfestival 2015: https://www.youtube.com/watch?v=Pc2Z5__DgOM My Favorite Things | ELEW Trio Live at Smalls Jazz Club NYC: https://www.youtube.com/watch?v=9gmdt4yCzrUSovietwave The Internationale by Forte Republic: https://youtu.be/7_UtzIYwCXo?si=pJGqCPVoWhdNfzv7

Peter Watkins's challenging biopic about the Norwegian artist

In 2024, Scotland marks two big anniversaries: David I ascended the throne nine centuries ago and James I of Scotland began his reign 600 years ago. Both Kings played a role in shaping Scotland's ideas about its monarchy. How did David shape Scotland, and what relevance does the Stone of Destiny have - then, and now, as it returns to its native Perthshire? We look at the Scottish dream-vision, initiated by James I in writing Scotland's first love poem, sparking a new tradition lasting through the Renaissance and beyond. Anne McElvoy hears about distinctly Scottish ideas of Kingship.Kylie Murray is the author of The Making of the Scottish Dream Vision and a BBC Radio 3 AHRC New Generation ThinkerAlexandra Sanmark is Professor of Medieval Archaeology at the University of the Highlands and IslandsDonna Heddle is Professor of Northern Heritage and Director of the UHI Institute for Northern Studies at the University of the Highlands and IslandsWilliam Murray is Viscount Stormont and owner of Scone PalaceProducer: Ruth WattsYou might be interested in other Free Thinking episodes exploring Scottish history and writing including programmes about The Declaration of Abroath; John McGrath's Scottish drama, Tales of Scotland: A Nation and its literature with Janice Galloway, Peter Mackay, Murray Pittock and Kathleen Jamie; The Battle of Culloden - Outlander and Peter Watkins; crime writer Ian Rankin talks to Tahmima Anam.

In this episode, Ralph and Owen journey into the spectral wastes of British film, asking: what went wrong, and what is to be done? Through kitchen sink realism, folk-horror spooks, socially-engaged documentarians, materially-inclined avant-gardism, and more than a handful of oddballs, the situation seems as underwhelming as it was in 1927, when Kenneth Macpherson opined that “it is no good pretending one has any feeling of hope about it”. Ninety-seven years later, is the landscape still as dispiriting – and why did ‘we' never get our own New Wave – and why are we still stuck in the kitchen sink? Through cash, ‘character', class, and capital, there's a lot to unpick. Regardless, the boys do their best to keep the aspidistra flying. Who do they discuss? Who don't they! Anderson, Macpherson, Grierson, Hogg, Keillor, Reisz, Clark, Watkins, Jarman, Brook, Greenaway, Powell & Pressburger, Reed, Lean, Hitchcock, Loach, Leigh. The lot. 00:00:00:00 Intro 00:04:20:04 Early Silent British film 00:05:27:03 Talent leaving Britain for America 00:06:52:14 British documentaries and municipal filmmaking 00:09:09:17 The Studios of the interwar years 00:12:01:16 Powell and Pressburger 00:15:22:14 Class and politics in film 00:17:56:16 Free Cinema movement 00:24:30:13 Woodfall 00:28:15:05 The Third Man 00:30:37:10 60s-70s studio films/Merchant Ivory 00:31:54:13 60s counterculture 00:35:12:00 Folk horror 00:37:04:09 London Filmmakers Coop 00:48:04:15 Playwrights 00:55:27:00 The Paternalism of Social Realism 01:00:11:03 Pedro Costa as a counterpoint to social realism 01:04:16:13 Peter Watkins 01:09:47:05 Lindsay Anderson making an arse of himself 01:10:55:10 Peter Wollen's 1963 essay on the British New Wave 01:13:10:09 Kenneth MacPherson's 1927 article about British film 01:19:02:16 TV's influence in the 70s-80s 01:19:16:09 Alan Clarke 01:23:05:18 Sally Potter 01:30:10:24 Peter Brook 01:31:47:19 90s 01:32:34:21 British art film/essay films 01:37:09:20 00s and 10s 01:40:06:10 Joanna Hogg 01:43:08:18 Borderline (Kenneth Macpherson) 01:48:13:19 Peter Greenaway 01:55:09:09 Top 5 worst tendencies 01:57:31:14 Alternative Top 5 British films 01:59:59:23 Conclusion Listen on Spotify: https://open.spotify.com/show/6hdAjXtGPpeQTCcuJ3KNmH?si=Ud_f__90TOSa28tzYPA5GQ Listen on Apple: https://podcasts.apple.com/gb/podcast/muub-tube/id1515030490 Watch on Youtube: https://www.youtube.com/@returntoformpod

Vos questions, l'annonce de la prochaine filmo intégrale post Nicolas Cage, des chiffres, le bilan moral et les perspectives. Avec Anouck. Pourquoi faire des épisodes solo : 2'07 Pourquoi les selfies de salle de bain : 6'00 Le cinéma comme survie : 7'10 Bergman, quid : 14'00 Twitter-shaming : 14'55 Question dodo : 19'35 Indexer les épisodes, le budget : 20'30 Shah Rukh Khan, quid : 23'33 Le projet autour de Mad Movies, la censure, le complot : 26'25 Ridley Scott, quid : 28'34 Question organisation : 29'22 Le cinéma de genre japonais, la censure : 31'01 Christophe Gans, quid : 32'06 Christophe Lemaire, pro quo : 32'55 Quel genre désuet manque aujourd'hui : 33'43 Ridley Scott, vraiment, quid : 39'17 Guillaume Canet, quid : 40'12 Comment ça va : 41'20 Question musc : 41'24 En attendant Godard vs Le Cinéma est mort : 41'47 Jean-Patrick Manchette, quid : 42'06 Ayn Rand, quid : 42'45 Didier Bourdon vs Franck Dubosc : 44'24 Pires souvenirs d'enregistrement : 45'34 L'intégrale interdite : 47'19 Question prépa : 50'09 Les sujets des émissions / Peter Watkins : 51'17 L'arbre de la vie chapitre 3 et l'esprit d'escalier : 53'38 Présentation des intervenants réguliers : 55'41 Les génériques : 1'01'20 Anouck, la censure, la brisure : 1'02'25 Tsui Hark, quid : 1'04'40 Audience, bilan moral, perspective : 1'08'24

Oggi attraversiamo con Matteo Arcamone i temi cardine della carriera di Peter Watkins esplorandone ambiguità, unicità e contraddizioni Testi citati: John R. Cook, “Exile from the Mainstream: ‘Peter Watkins' Work for Scandinavian TV in the 1970s” John R. Cook, “‘Don't forget to look into the camera!': Peter Watkins' approach to acting with facts” Mark Poindexter, “Art Objects: The Works of Michael Moore and Peter Watkins” Cristina Formenti, “Il mockumentary” Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatari Partecipanti: Marco Grifò Matteo Arcamone (Ospite) Anchor: https://anchor.fm/salotto-monogatari Spotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cw Apple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw== Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti / Simone Malaspina Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo

"Vivement la VIe République" entend-on depuis le début de la contestation contre la réforme des retraites... Alors que l'on parle régulièrement de la crise que traverse la démocratie française aujourd'hui, l'Histoire a peut-être des choses à nous apprendre. Comment sommes-nous passés d'une République à une autre depuis plus de deux siècles ? Quelles crises ont conduit à la fin de chacun de ces régimes ? Peut-on en tirer des enseignements pour réfléchir à la fin de la Ve ? Réponses dans cette série de podcasts avec Nicolas Roussellier, historien, auteur du livre devenu un classique La force de gouverner. Le pouvoir exécutif en France, XIXe-XXIe siècles (Gallimard). Dans ce troisième épisode, on analyse la longévité de la IIIe République.Cet épisode a été diffusé pour la première fois le 26 juillet 2023Retrouvez tous les détails de notre série de podcasts ici et inscrivez-vous à notre newsletter.Episode 1 : La Ière République : naissance d'un régime à la françaiseEpisode 2 : La IIème République : le spectre du pouvoir personnelL'équipe :Écriture et présentation : Charlotte BarisMontage : Ambre RosalaRéalisation : Jules KrotRédaction en chef : Xavier YvonAlternante : Marion GalardCrédits : La commune, Peter Watkins, J'accuse, Roman Polanski, Archive JT France 2, Echoes of France (La marseillaise), Django Reinhardt, Un peuple et son roi, de Pierre Schoeller, télévision Suisse Romande, INA, L'aventure c'est l'aventure, Claude Lelouch, Les Inconnus, Public SénatMusique et habillage : Emmanuel Herschon / Studio TorrentCrédits image : Keith Lance / Nastasic / iStockphoto / L'ExpressLogo : Anne-Laure Chapelain / Thibaut ZschieschePour nous écrire : laloupe@lexpress.fr Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

La seconde moitié de carrière du réalisateur, partagée entre trois oeuvres expérimentales repoussant les limites de la Monoforme, et trois oeuvres monumentales dans tous les sens du terme : Le Voyage, Le Libre-penseur et La Commune

La première moitié de carrière d'un des plus grands cinéastes du XXe siècle, de ses courts-métrages amateurs jusqu'au somptueux Edvard Munch

"Vivement la VIe République" entend-on depuis le début de la contestation contre la réforme des retraites... Alors que l'on parle régulièrement de la crise que traverse la démocratie française aujourd'hui, l'Histoire a peut-être des choses à nous apprendre. Comment sommes-nous passés d'une République à une autre depuis plus de deux siècles ? Quelles crises ont conduit à la fin de chacun de ces régimes ? Peut-on en tirer des enseignements pour réfléchir à la fin de la Ve ? Réponses dans cette série de podcasts avec Nicolas Roussellier, historien, auteur du livre devenu un classique La force de gouverner. Le pouvoir exécutif en France, XIXe-XXIe siècles (Gallimard). Dans ce troisième épisode, on analyse la longévité de la IIIe République.Retrouvez tous les détails de notre série de podcasts ici et inscrivez-vous à notre newsletter.Episode 1 : La Ière République : naissance d'un régime à la françaiseEpisode 2 : La IIème République : le spectre du pouvoir personnelL'équipe :Écriture et présentation : Charlotte BarisMontage : Ambre RosalaRéalisation : Jules KrotRédaction en chef : Xavier YvonAlternante : Marion GalardCrédits : La commune, Peter Watkins, J'accuse, Roman Polanski, Archive JT France 2, Echoes of France (La marseillaise), Django Reinhardt, Un peuple et son roi, de Pierre Schoeller, télévision Suisse Romande, INA, L'aventure c'est l'aventure, Claude Lelouch, Les Inconnus, Public SénatMusique et habillage : Emmanuel Herschon / Studio TorrentCrédits image : Keith Lance / Nastasic / iStockphoto / L'ExpressLogo : Anne-Laure Chapelain / Thibaut ZschieschePour nous écrire : laloupe@lexpress.fr Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Listening for Clues is pleased to present our new series, "Good News!" featuring weekly conversations with people who are making a difference, large or small. We want everyone to know what they are doing, why they are doing it, and how. So, our listeners and viewers can experience the good news and go out and make a difference themselves. Spiritual Direction with Peter Watkins We are honored to have Peter Watkins as our guest for this episode. Peter Watkins, M.Div. is a spiritual director, retreat leader, and faculty member at Sacred Ground Center for Spirituality, a school for the formation of aspiring spiritual directors. He has taught graduate level classes in Old Testament theology and adolescent psychology and spirituality, and has co-authored a high school textbook, Guarding the Fire: A Spiritual Guide for Young Men through Good Ground Press. He is also certified to give the Ignatian Spiritual Exercises. As a former high school philosophy and theology teacher of thirty years he especially loved leading student justice trips to Guatemala and pilgrimages on the Camino de Santiago in Spain. Peter is a life-long runner, father of three sons, and loves playing the guitar and banjo. In this episode, our guest Peter Watkins talks about a "best-kept secret," Spiritual Direction: what it is, and what it is not. He covers the practical matters from finding a Spiritual Director/Companion to what a session might include. He also provides special insight into the Ignatian way of doing Spiritual Direction.Highlights:[00:00:00] Introduction [00:01:43] What is Spiritual Direction? [00:04:04] How Did You Get Started as a Spiritual Director? [00:06:16] Being a Spiritual Director is a Call from God [00:07:45] Surprises in Spiritual Direction [00:09:58] Ignatian Spiritual Direction: One Way [00:13:25] Finding a Spiritual Director [00:15:01] How Often to Meet Your Spiritual Director [00:15:44] What Happens in Spiritual Direction? [00:18:47] Formation for Spiritual Directors [00:21:12] What People Talk About in Spiritual Direction [00:25:45] Contact Information and ThanksResources mentioned in this episode:CLICK --> Peter's Website ADDITIONAL LINKS:SDI - The Home of Spiritual Direction and Spiritual CompanionshipSacred Ground Center for SpiritualityPeter's Book: Guarding the Fire: A Spiritual Guide for Young MenListening for Clues | On the Journey with Jon and Lauren© 2023 Listening for Clues

Pour ce nouvel épisode, nous accueillons l'enseignante-chercheuse, critique et programmatrice Alice Leroy, dont la plume est présente sur internet et dans les kiosques, notamment dans les pages des Cahiers du cinéma ou de Panthere Premiere. Du cinéma le plus expérimental de Stan Brakhage, Daïchi Saïto ou Barbara Rubin, aux séries les plus cultes (« The twilight Zone »), Alice Leroy nous emmène au coeur des films qui ont formé sa cinéphilie, avec précision et passion. Elle évoque la filmographie trop méconnue de la cinéaste Angela Schanelec, celle tous azimuts de Peter Watkins, ou encore celle, refuge, de Jonas Mekas - et ce faisant, elle dresse le portrait d'un cinéma en quête d'utopies. Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 4'55 Des corps au cinéma : Fantomas (Louis Feuillade, 1913) Une foule au cinéma : celle de communards dans La commune (Peter Watkins,2000 ) - 9'47 Des territoires de cinéma : Earth Earth Earth (Daïchi Saito, 2021), Dog Star Man (Stan Brakhage, 1961-1964) - 15'41 II. CIRCONSTANCES & CONDITIONS DE VISIONNAGE - 19'24 Des films longtemps fantasmés : Candy Mountain (R. Frank, R. Wurlitzer, 1987), Running on empty (S. Lumet, 1988) III. MEMOIRE & SOMMEIL - 27'22 Un fantôme de cinéma qui hante Alice : Etienne Gaspard Robertson et ses fantasmagorie au 18è siècle CARTE BLANCHE - 32'50Des places dans des villes (Angela Schanelec, 1997) TRANSMISSION - 41'57 Un film à montrer aux Aliens : La série « La quatrième dimension » (Rod Serling, 1959-64) - 41'57 Un film pour « faire corps ensemble » : Christmas on earth (Barbara Rubin, 1963) - 47'50 REFUGES - 54'01Lost lost lost (1976) et Walden (1968) de Jonas Mekas EXTRAITS Candy Mountain (R. Frank, R. Wurlitzer, 1987) California, Joni Mitchell ; WMG (au nom de Warner Rhino Off Roster-Audio) The Twilight Zone : générique Walden (J. Mekas, 1976); éditions Re:voir CRÉDITSPatreons : un grand merci à Paul, Corentin, Irène, Dominique, Bernard et Clara pour leur soutien !Musique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

We discuss the work of filmmaker/documentarian Peter Watkins and focus on THE WAR GAME, PUNISHMENT PARK and EDVARD MUNCH. Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as well as Will's other podcast MICHAEL AND US (@michael-and-us)

Join us for this episode as we delve into the multiverse and discuss Daniel Kwan and Daniel Scheinert's genre-defying 'Everything Everywhere All At Once', starring Michelle Yeoh and Jamie Lee Curtis. It's a thoroughly mad film and we've got lots to say about it. We discuss the sad recent departures of several Hollywood legends such as James Caan and David Warner, as well as Martin Scorsese's new project 'The Wager'. Continuing the multiverse theme, Bill reviews the latest MCU blockbuster 'Dr. Strange in the Multiverse of Madness' from director Sam Raimi. Michael revisits an American dystopia double-bill of Peter Watkins' 1971 pseudo-documentary 'Punishment Park' and the 1982 grindhouse documentary 'The Killing of America'. Sam talks about the 1979 musical/drama 'All That Jazz' from director Bob Fosse, starring Roy Scheider.

The vehement secularism all around us is no secret. I have seen its pointed perseverance in at least three settings recently, and most powerfully at my 50th Harvard College class reunion. In all three settings, 'God' was sedulously left out of the discourse, and, it felt to me, conscientiously. Nothing new in that, to be sure; but it made me reflect on the Christian Church, at least in its traditional manifestation, and what is it that "triggers" the sharp antagonism. But I came up with a slightly different answer. Had recently read John Weaver's book Evangelicals and the Arts in Fiction from McFarland Books, that wonderful publishing house which specializes in sincerest monographs on subjects such as the history of wax-museum horror films or 1940s Mummy movies. Weaver's book is counter-intuitive in the extreme, and contributes an insight that I have read nowhere else. So maybe we can learn from contemporary secularism, albeit from a different direction. The cast concludes with one of the most unusual Christian pop songs ever recorded, and filmed, from Peter Watkins' 1967 "anti-Establishment" movie Privilege, starring Paul Jones, the lead singer of Manfred Mann (i.e., "Doo Wah Diddy"). In brief, you can learn something about yourself by studying what others dislike about you. LUV U.

Pop Screen is going a bit off the beaten track this week, but rewardingly so. Peter Watkins is a maverick British director whose previous film The War Game was banned on the instruction of then-Prime Minister Harold Wilson, so when he was hired by Universal to make a teen-focused rock and roll film they probably expected something insurrectionary. What they might not have expected is for Watkins to train his satirical weapons on the pop world they were hoping to tap into, in this documentary-style tale of a singer whose popularity is exploited by a totalitarian government. The singer is played by Manfred Mann's Paul Jones, and the tunes are good enough for one of them to be covered by Patti Smith. That's just one of the many discoveries Graham and Mark make on this week's show, and they still have time for generous digressions about the voiceover in The Hateful Eight, the career of screenwriter Johnny Speight and what Volodymyr Zelenskyy might have learned from network censors. If you'd like some more of that - whatever the hell "that" means - we have a Patreon, which offers a monthly bonus episode of this very show as well as Graham's Doctor Who reviews, advance access to our other film podcast Directors Uncut, and more. Follow us on Twitter, Instagram and Facebook for more. #moviereviews #popscreen #privilege #peterwatkins #pauljones #manfredmann #1960s #pattismith #johnnyspeight #jeanshrimpton

It's SEMcast's seventh anniversary, and filmmaker Igor Drljača -- whose new drama The White Fortress screens at TIFF Bell Lightbox as part of Canada's Top Ten tomorrow night, Wednesday March 16th, before hitting TIFF's streaming platform March 25th -- is here to take us on a trip to Punishment Park, Peter Watkins' distressingly perceptive 1971 thriller about America's slide towards fascism. Your genial host Norm Wilner wants you to know that the first year of this podcast is now available to own for just $20 at payhip.com/semcast . That's 52 episodes of SEMcast goodness, 46 of them no longer available to stream, with guests like Aaron Abrams, Katie Boland, Kristian Bruun, Ennis Esmer, Nelson George, John Maclean, Natalie Merchant, Scott Thompson, Justin Benson and Aaron Moorhead and many, many more. Full track listing at payhip.com/semcast. Support the podcast! Get hours and hours of entertainment! Everybody wins!

Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie. Ce podcast a été auto-produit.  Pour nous soutenir : https://visionspodcast.fr/nous-soutenir/    La première fois que je rencontre Laura Henno, c'est à l'occasion de la visite de presse de sa nouvelle exposition, fin 2021, intitulée Radical Devotion, à la galerie Nathalie Obadia. J'arrive l'un des premiers. Je suis directement frappé par ces tirages de diverses formes, certains sont très grands, d'autres sont assemblés comme des polyptiques. Et ces photographies, la plupart du temps mises en scène, dégagent une certaine tension, notamment par le regard souvent frontal des sujets. Le temps semble s'être arrêté. L'artiste expose ici sa série encore en cours sur Slab City, « la dernière ville libre des États-Unis ».  Je m'interroge sur le titre. Une dévotion, c'est déjà un fort attachement et un geste radical. Pourquoi y ajouter ce qualificatif ? Et une dévotion à quoi ? À qui ? Une dévotion, c'est un moment d'amour inconditionnel, presque une transe. On se livre, on donne de sa personne, de son intimité. On aime aussi de manière sincère, on vénère parfois un dieu ou une figure, qu'elle soit religieuse ou non. Entre images fixes et en mouvement, Laura Henno s'attarde à montrer des personnes en lisière, à la marge, ou que l'on place à la marge. Des vies invisibles en somme. Des migrants comoriens, des adolescents fragiles, en passant par des mineurs isolés ou bien, plus récemment, par une communauté souvent « blessée », en autarcie. Ces sujets photographiés par l'artiste vouent une dévotion certes, mais à une certaine liberté. Au fait de vivre pleinement. Ou de vivre tout simplement.      À la suite d'études de photographie à l'ENSAV de La Cambre, Laura Henno s'initie au cinéma au Fresnoy. Lauréate du Prix Découverte des Rencontres Internationales de la Photographie d'Arles en 2007, l'artiste multiplie depuis les expositions en France et à l'étranger, à l'instar de son exposition à l'Institut pour la Photographie de Lille 2019, au Ryerson Image Center de Toronto, Redemption aux Rencontres de la photographie d'Arles en 2018, M'Tsamboro au BBB Centre d'Art à Toulouse en 2017, Summer Crossing au Centre Photographique Ile-de-France ou de son exposition au Finnish Museum of Photography à Helsinki en 2011. Lauréate du Prix SAM pour l'art contemporain 2019, Laura Henno bénéficiera également d'une exposition au Palais de Tokyo du 15 avril au 4 septembre 2022.     Dans ce grand entretien, l'artiste évoque tout d'abord son parcours, ses références. Beaucoup sont américaines. On comprend que les maîtres de la peinture et du cinéma, souvent documentaire, ne sont jamais loin de son travail initial. Il est évoqué son rapport singulier à la mise en scène et à la fiction. On parle également de son approche, qui a évolué au fil des ans. Une photographie, qui, comme elle le souligne dans le podcast, « s'est rapprochée au fil du temps de l'humain, de situations de vie existentielles ». Malgré une esthétique documentaire bien présente dans son travail, Laura Henno cherche toujours le pas de côté. En observant avec attention ses photographies, nous devinons que l'artiste cherche avant tout à dévoiler la part d'humanité, souvent imperceptible au premier abord, de ses sujets.     Puis, nous entrons doucement dans son univers en commençant par deux séries intimement liées : Summer Crossing et La Cinquième Ile. Suite à sa recherche aux Comores, qui explore la géopolitique complexe de l'archipel au travers de portraits de vie d'adolescents clandestins, de passeurs, Laura Henno tourne son regard vers Slab City, campement hors du temps, perdu dans le désert californien. Montrée pour la première fois à Paris, la série Outremonde, initiée en 2017 est remarquée par la critique aux Rencontres d'Arles en 2018, ainsi qu'à l'Institut de la Photographie en 2019 et au Bleu du Ciel en 2020, sous le commissariat de Michel Poivert.      Le résultat final ? Un podcast aux couleurs musicales : nous naviguons entre différents projets, descriptions de photographies, pistes de réflexion… L'artiste se plonge à corps perdu dans ses séries, aux côtés de ses sujets… De manière littérale parfois, comme à Slab City, où elle vit en immersion plusieurs semaines par an, demeurant dans sa caravane. Finalement, ne serait-ce pas Laura Henno qui voue une dévotion « radicale » aux arts visuels qu'elle pratique ? Nous ressentons en tout cas une passion communicative qui fait plaisir à entendre. Il ne reste plus qu'à vous souhaiter une agréable écoute.   Pour aller plus loin  Walker Evans, Robert Frank, Dorothea Lange, Diane Arbus, Stephen Shore, William Eggleston, Jeff Wall, Don DeLillo, Jim Harrison, Russel Banks, Toni Morrison, James Baldwin, Philip Roth, Édouard Glissant, Patrick Chamoiseau, John Akomfrah, Francis Alÿs, Steve McQueen, Mohamed Bourouissa, Wang Bing, Roberto Minervini, Peter Watkins, Gianfranco Rosi, FSA   Liens  https://www.instagram.com/hennolaura/  https://laurahenno.com/  https://www.instagram.com/podcastvisions/    https://www.visionspodcast.fr/   

In the sixteenth episode of Season 5 (Dystopia Myopia) Kyle is joined by fellow podcaster Ben Thelen (of the Dead Reckoner podcast) and screenwriter David Gutierrez to discuss Peter Watkins' visceral docu-realist encapsulation of emerging 70s revolutionary ire and frustration in the eerily prescient Punishment Park

À l'occasion des 150 ans de la Commune de Paris, dernière révolution en date de l'histoire de France, on part sur les traces de ces évènements qui ont marqué les esprits, la capitale et son peuple parisien. Car du 18 mars au 28 mai 1871, pendant 72 jours, s'est jouée une tentative inédite de République démocratique et sociale, réprimée finalement dans un bain de sang, de siège en barricades, du centre de Paris à ses faubourgs, entre Versaillais et Communards.    150 ans plus tard, la mémoire de cette insurrection populaire et ouvrière divise encore et ravive les clivages politiques. Largement absente du récit républicain, des grandes commémorations nationales ou des manuels scolaires, il faut donc aller chercher cette histoire, à même le pavé parisien, afin d'en saisir les enjeux, les idéaux dont elle était porteuse et la répression dont elle a fait l'objet. C'est ce qu'a fait Sarah Lefèvre, de la Butte aux Cailles à la Butte Montmartre, des Tuileries au Père Lachaise, à la rencontre de celles et ceux qui entretiennent la mémoire de la Commune de Paris et cherchent à la conjuguer au temps présent. «La Commune de Paris n'est pas morte» : une série en deux épisodes de Sarah Lefèvre, initialement diffusés en mai 2021.   Pour aller plus loin : - À lire : - « La Commune de 1871 expliquée en images », de Laure Godineau, Éditions Seuil (2021) - « La Semaine sanglante », de Michèle Audin, Éditions Libertalia (2021) - « Paris 1871, l'histoire en marche, 21 circuits pédestres sur les traces de la Commune », de Josef Ulla, aux Éditions libertaires (2020)   - « La Commune, Histoire et souvenirs », de Louise Michel, Éditions La Découverte-Poche (2015) - « Souvenirs d'une morte vivante, une femme dans la Commune de 1871 », de Victorine Brocher, Éditions Libertalia (2017) - « L'Insurgé », de Jules Vallès, éditions Livre de Poche (1972).   - À voir : - Le film référence « La Commune (Paris, 1871) », de Peter Watkins, 2000. À visionner sur le site de la plateforme documentaire Tënk - Le film « Les Damnés de la commune », documentaire de Raphaël Meyssan, 2019.

À l'occasion des 150 ans de la Commune de Paris, dernière révolution en date de l'histoire de France, on part sur les traces de ces évènements qui ont marqué les esprits, la capitale et son peuple parisien. Car du 18 mars au 28 mai 1871, pendant 72 jours, s'est jouée une tentative inédite de République démocratique et sociale, réprimée finalement dans un bain de sang, de siège en barricades, du centre de Paris à ses faubourgs, entre Versaillais et Communards. 150 ans plus tard, la mémoire de cette insurrection populaire et ouvrière divise encore et ravive les clivages politiques. Largement absente du récit républicain, des grandes commémorations nationales ou des manuels scolaires, il faut donc aller chercher cette histoire, à même le pavé parisien, afin d'en saisir les enjeux, les idéaux dont elle était porteuse et la répression dont elle a fait l'objet. C'est ce qu'a fait Sarah Lefèvre, de la Butte aux Cailles à la Butte Montmartre, des Tuileries au Père Lachaise, à la rencontre de celles et ceux qui entretiennent la mémoire de la Commune de Paris et cherchent à la conjuguer au temps présent. «La Commune de Paris n'est pas morte» : une série en deux épisodes de Sarah Lefèvre, initialement diffusée en mai 2021.     Pour aller plus loin : ►À lire et à écouter : - Le blog de Michèle Audin, écrivaine française passionnée par la Commune de Paris - Le journal illustré de la Commune du collectif Raspouteam et les émissions thématiques diffusées sur Fréquence Paris Plurielle - «Paris 1871, l'histoire en marche, 21 circuits pédestres sur les traces de la Commune» de Josef Ulla, aux Éditions libertaires (2020) - «La Commune au présent, Une correspondance par-delà le temps» de Ludivine Bantigny, aux éditions La Découverte (2021) - «La Commune n'est pas morte, Les usages politiques du passé de 1871 à nos jours» d'Éric Fournier, aux éditions Libertalia (2013) - «Le Cri du Peuple», une bande dessinée de Tardi et Vautrin, aux éditions Casterman (réédité en 2021).   ►À voir : - Le film référence «La Commune (Paris, 1871)» de Peter Watkins, 2000. À visionner sur le site de la plateforme documentaire Tënk - Le film « Les Damnés de la commune», documentaire de Raphaël Meyssan, 2019.

In light of the Integrated Review this year, what other military reviews have there been and what was their impact? Peter Watkins (former Director General in the UK MoD) looks back at previous military reviews and discusses continuing themes. Peter Watkins became an associate fellow for Chatham House in June 2019. Before that, from 2014 to 2018, he was Director General (DG) in the UK Ministry of Defence (MoD) responsible for strategic defence policy, including key multilateral and bilateral relationships (such as NATO), nuclear, cyber, space and prosperity (latterly this post was known as the DG Strategy and International). Previously he served as DG of the Defence Academy, Director of Operational Policy, Director responsible for the UK share of the multinational Typhoon combat aircraft programme and as Defence Counsellor in the UK Embassy in Berlin. He is a frequent participant in conferences on defence and security in the UK and overseas. He was awarded the CB (2019) and CBE (2004) for services to defence. He has an MA from Cambridge University.

Miscarriage of justice doesn't begin to describe the wrongs that have been done to the six men at the heart of Robert Greene's (“Bisbee '17”, “Kate Plays Christine”) pathbreaking, searing, and, ultimately, immensely healing, new documentary “Procession”. As boys, Joe, Mike, Ed, Dan, Michael and Tom each suffered sexual abuse, including rape, at the hands of Catholic Church clergy. As men, their cases have been dismissed or ignored. Partnering with Greene, they have now taken matters into their own hands, co-creating staged scenes in order to reclaim the spaces where the abuse took place and to confront the trauma that has plagued them into adulthood. Speaking to Mike and Ken from his home base in Columbia, Missouri, Robert describes how the practice of drama therapy inspired him to push his filmmaking in a bold new direction. He goes deep into the unique collaborative process that forged a powerful bond between the men and the film crew. And, as one might expect with a film as powerful as this, the conversation turns personal, with Mike sharing his own experiences as an altar boy in Burlington, Vermont. No doubt, the reverberations of “Procession” will be felt far and wide, like the church bell that Ed rings midway through the film. After years of living with trauma, it's finally his turn to be heard loud and clear. Now streaming on Netflix.   Follow Robert on twitter @prewarcinema Follow us on twitter @topdocspod   Hidden Gems: The films of Peter Watkins. The War Game Edvar Munch

OLL OBOUT OVID!, the podcast dedicated to Ovid.tv, is back again! This week, Witney and B, once again recording virtually, discuss SO PRETTY (2019), a queer exploration of love and literature from Jessie Jefferey Dunn Rovinelli, LA COMMUNE (PARIS, 1871), a 2000 documentary in which Peter Watkins recreates a historical movement with the use of live theater, and four films from queer legend Marlon Riggs, those being ETHNIC NOTIONS (1986), AFFIRMATIONS (1990), ANTHEM (1991), and NO REGRETS (1992). We hope you enjoy, and thank you for your time. Twitter: twitter.com/ScreensMargins Patreon: www.patreon.com/ScreensMargins

En 1999, el director británico Peter Watkins filmó una película que recrea de manera bastante particular la insurrección parisina de 1871. Para ello, reclutó como parte del elenco a personas comunes y corrientes, a quienes pidió un intenso trabajo de investigación previa. “La Comuna” de Watkins derivó en un debate frente a las cámaras, respecto a los hechos de 1871 y las visiones políticas de la Francia contemporánea. Una cinta de casi seis horas que explora el efecto generado por la recreación del pasado entre los actores.

Vanishing Point #4 - Hydrate or die Vanishing Point est un podcast itinérant qui vous invite à voyager sur les routes imaginaires du Cinéma, sans gps ni direction assistée, avec comme seule boussole : notre passion, nos échanges et nos envies. Piloté par Mad, Ben et Franck. Les films abordés dans cet épisode : Wake in fright, Ted Kotcheff (1971) : 00:04:18 Punishmen Park, Peter Watkins (1971) : 00:52:52 [Cassette-Blindtest : Summer in the City, The Lovin' Spoonful] : 01:24:55 Twelve angry men, Sidney Lumet (1957) : 01:29:26 Rejoignez-nous sur les réseaux sociaux : TWITTER : https://twitter.com/vpoint_podcast FACEBOOK : https://www.facebook.com/podcast.vanishingpoint PODCASTICS : https://www.podcastics.com/podcast/vanishing-point/   Et sur votre plateforme de podcasts préférée ! Abonnez-vous

Socrates Podcasts ve FilmLoverss işbirliğiyle hazırlanan Sinema Var'ın sezon finalini Esen Tan, Güvenç Atsüren ve Sezen Sayınalp'in özel bir saygı duruşunda bulunmayı gerekli gördükleri yönetmenlerle yapıyoruz. İkinci sezonda görüşmek üzere…  --- spoiler --- Listede yer alan yönetmenler: Susan Seidelman, Hiroshi Teshigahara, Ettore Scola, Hollis Frampton, Peter Watkins, Maurice Pialat, Stanley Kramer, Jacques Becker, Tarsem Singh.

Anne McElvoy evaluates the first major English edition of short fiction by the great German critic and essayist, Walter Benjamin with the translator and scholar Esther Leslie and the critic, Kevin Jackson. Also in the programme a guide to the Soviet Superwoman courtesy of curator Elena Sudokova and Dolya Gavanski -- the moving forces behind the GRAD gallery show devoted to women in the Soviet Union from 1917 to 1991.And as Peter Watkins' critically acclaimed film based on the life of Edvard Munch is re-released New Generation Thinker Leah Broad considers the Norwegian painter's achievement and the art of biography.Fay Bound Alberti's cultural history of the body completes the programme - why do we talk of the heart as the seat of our emotions and where would you expect to find someone's "mind" ? This Mortal Coil by Fay Bound Alberti is published by Oxford University Press.The Storyteller by Walter Benjamin is published by Verso on 23rd June.Superwoman: Work, Build and Don't Whine is on at GRAD in Little Portland Street in London from 18 June -17 SeptemberEdvard Munch - a 1974 biographical film about the Norwegian Expressionist painter Edvard Munch, written and directed by Peter Watkins, has been re-released on DVD by Eureka.Leah Broad's research at the University of Oxford is focused on Nordic modernism. She is editor of The Oxford Culture Review and winner of the Observer/Anthony Burgess prize for the best arts journalism essay in 2015 for her reappraisal of the Finnish composer Sibelius.Producer: Zahid Warley

The Movie Forums Podcast - Punishment Park

Peter Watkins' film Culloden is 50, and in front of an audience at the Edinburgh Festival, Matthew Sweet discusses its influence on portrayals of Scotland's Highland identity in book and film with Diana Gabaldon, author of the best-selling Outlander series, historian Tom Devine and media expert John Cook.

In this special #Occupy edition of the Projection Booth, we look at Peter Watkins's seminal faux documentary film Punishment Park and discuss what it means forty years later.Learn more about your ad choices. Visit megaphone.fm/adchoices