Podcasts about media archaeology

Jussi Parikka ( https://jussiparikka.net/ ) is a writer and media theorist. He is Professor of Digital Aesthetics and Culture at Aarhus University and Visiting Professor at the Film and TV School of the Academy of Performing Arts in Prague as well as the Winchester School of Art. He is the author of Insect Media, A Geology of Media, What is Media Archaeology?, and Operational Images. Abelardo Gil-Fournier ( https://abelardogfournier.org/ ) is an artist and researcher. Originally trained in Physics, he holds a PhD in Arts from the Winchester School of Art (UK). His practice addresses the entwining of image surfaces with the living crust of the planet. His work encompasses different techniques, spanning from sound and video installations to computational processes such as machine learning, including assemblages where the living conflates with the animate.Together they have collaborated extensively, and their new book Living Surfaces: Images, Plants, and Environments of Media (can be found here) will be launching on 25th June. In this conversation they break down some of their thinking around the materiality of media being inherently connected to the sites they come from.. they talk about plants and living surfaces, of 'dynamic formations'. And how this book related to their practices as individuals.Link to the full text read at the beginning by Jussi Parikka, on Mater.digital: https://mater.digital/jussi-parikka/ On Abelardo Gil-Fournier's recent solo show at the Fundacion Cerezales- https://www.artforum.com/events/juan-jose-santos-mateo-abelardo-gil-fournier-fundacion-cerezales-2024-549901/ Operational Images book- https://www.upress.umn.edu/book-division/books/operational-images Seed, Image, Ground video essay- https://www.fotomuseum.ch/en/situations-post/seed-image-ground/They talk about Elemental Media through an example of: how the emergence of photography introduced the question among botonists: What if plants are somehow living photographs on their own? Other people referenced throughout the conversationsEsther Leslie, Synthetic Worlds Nicole Starosielski - https://filmmedia.berkeley.edu/people/nicole-starosielski/Giuliana Bruno - https://afvs.fas.harvard.edu/people/giuliana-brunoAnna Tsing - Patchy Anthropocene - https://www.youtube.com/watch?v=Efmf77F2oNMHarun Farocki - https://www.harunfarocki.de/home.htmlAnna Munster and Adriene Mackenzie On Their InvisualitiesJ R Carpenter - https://luckysoap.com/criticalwriting.html Hosted on Acast. See acast.com/privacy for more information.

Johann George Schrepfer's life story is clouded by his embellished and falsified tales of his necromancy and spiritualism. And both his followers and detractors also gave biased and incorrect accounts of their interactions with him. Research: Britannica, The Editors of Encyclopaedia. "Seven Years' War". Encyclopedia Britannica, 29 Aug. 2022, https://www.britannica.com/event/Seven-Years-War Andriopoulos, Stefan. “Kant's Magic Lantern: Historical Epistemology and Media Archaeology.” Representations, vol. 115, no. 1, 2011, pp. 42–70. JSTOR, https://doi.org/10.1525/rep.2011.115.1.42 Britannica, The Editors of Encyclopaedia. "necromancy". Encyclopedia Britannica, 2 May. 2011, https://www.britannica.com/topic/necromancy Britannica, The Editors of Encyclopaedia. "Freemasonry". Encyclopedia Britannica, 13 Aug. 2022, https://www.britannica.com/topic/Freemasonry Geffarth, Renko. “The Masonic Necromancer: Shifting Identities In The Lives Of Johann Georg Schrepfer.” Brill. 2007. https://doi.org/10.1163/ej.9789004162570.i-326.49 Museum - Naturalienkabinett Waldenburg. "Laterna magica" last modified 2021-11-26. https://global.museum-digital.org/object/1876368 Wustmann, Gustav, "Schrepfer, Johann Georg" in: Allgemeine Deutsche Biographie 32 (1891), pp. 490-491 [online version]; URL: https://www.deutsche-biographie.de/pnd120914042 Museum - Naturalienkabinett Waldenburg. "Geisterkasten" last modified 2021-11-26. https://global.museum-digital.org/object/1876367 Rossel, Deac. “The Magic Lantern.” Ich Sehe was, was du nicht siehst! Sehmaschinen und Bilderwelten. 2002. https://www.academia.edu/345943 See omnystudio.com/listener for privacy information.

The Radio Survivors return with a new episode! For this edition, recorded in July, 2022, our guest is Lori Emerson, Founding Director of the Media Archaeology Lab (the MAL). She’s also an Associate Professor in the English Department and Director of the Intermedia Arts, Writing, and Performance Program at University of Colorado at Boulder. Lori […] The post Podcast #328: Media Archaeology and Other Networks appeared first on Radio Survivor.

Müziğin uyumsuzlukların ve uyumların güçlü diyalektiği olduğuna inanan ve seslerin, makinelerin, düşüncelerin çok sesli bir korosu olan eser üzerine Media Archaeology'nin kurucularından, yazar, küratör ve eserin sanatçılarından Siegfried Zielinski yapıt hakkındaki düşüncelerini paylaşıyor. F.M. Einheit ve Siegfried Zielinski (arkadaşlık network'leriyle), şef Teodor Currentzis'in St. Petersburg'daki akustik platformu Music Aeterna için kurdukları bir programdan çarpıcı bir kolaj sunacaklar. Ses materyali, internetin konumsuzluğundan belirli bir alana, İstanbul'da Distopya'nın gerçekleştiği yere dönüşür. Siegfried Zielinski is one of the inventors of Media Archaeology, a writer and curator and artist who believes that music is a powerful dialectic of dissonances and harmonies. F.M. Einheit & Siegfried Zielinski (with their network of friendship) present a wild collage from a program they established for Music Aeterna, the acoustical platform of conductor Teodor Currentzis in St. Petersburg. The sound material will be transformed from the non-location of the internet into the specific place, where Dystopia takes place in Istanbul.

This is the first of a series of four episodes focused on sound, media, and art, in which Caitlin Woolsey (Manton Postdoctoral Fellow in the Research and Academic Program at the Clark Art Institute) speaks with Brian Michael Murphy, a writer and media archaeologist who is a faculty member in media studies at Bennington College. Brian explores intersections between race and the materiality of media, and examines how media technologies—from taxidermy to photography archives and the preservation of big data infrastructure—represent and reshape human experience.

Patreon: https://www.patreon.com/theoryandphilosophyIn this episode, I turn my attention to a seminal text in the fields of new materialism and media studies. Here Parikka argues that Media Archaeology serves the function of revealing forgotten and yet-to-be-realized media that disturb the assumed teleological progression of our gadgets.

Haroon Mirza is an artist based in London. His work combines light, sound and video to produce kinetic sculptures, performances and immersive installations. Collaboration is at the very core of Mirza’s approach, questioning the conditions under which art is produced, with his exhibitions deconstructing ideas of singular authorship. Jussi Parikka is a Finnish media theorist and writer. He is the author of various books on media archaeology, digital culture and technical media, including Insect Media: An Archaeology of Animals and Technology (2010) and What is Media Archaeology?(2011). He lives in Southampton. Inspired by Conversations Before The End Of Time by Suzi Gablik. Conversations In Time is recorded and distributed as part of European Capital of Culture Aarhus 2017.

The urban database documentary is a mode of media art practice that uses structural systems as generative processes and organizational frameworks to explore the lived experience of place. The genre emerges in the early 20th century, and can be read as symptomatic of panoramic perception, sensory estrangement and networked participation, cultural utopias which respond to modernity’s underlying paradoxes. As such, the invention of the computer did not give rise to the urban database documentary, it only enabled new forms of its realization. The hope is to shift the conversation from a fetishization of ever-­new technological possibilities to a discussion of the underlying cultural aims/assumptions of media art practice and the specific forms through which works address modernity’s cultural tensions. Jesse Shapins is a media theorist, documentary artist, and social entrepreneur whose work has been featured in The New York Times, Metropolis, PRAXIS and Wired, cited in books such as The Sentient City and Networked Locality, and been exhibited at MoMA, Deutsches Architektur Zentrum and the Carpenter Center for Visual Arts, among other venues. He is Co-Founder/Chief Strategy Architect of Zeega, Co-Founder/Associate Director of metaLAB (at) Harvard, and on the faculty of architecture at the Harvard Graduate School of Design, where he has invented courses such as The Mixed-Reality City and Media Archaeology of Place.