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Send us a textArguably, one of the worst places for prisoners to work during the Holocaust was the Sonderkommando—the group of prisoners forced to work in and around the gas chambers, disposing of corpses. Yet they also managed to create a number of texts that survived the Holocaust even if they did not. In this episode, I talk with Dominic Williams about the Auschwitz Sonderkommando, its place in the Holocaust, and the documents it left behind.Dominic Williams is an assistant professor of history at Northumbria University.Williams, Dominic and Nicholas, Chare. The Auschwitz Sonderkommando: Testimonies, Histories, Representations(2019)Williams, Dominic and Nicholas, Chare. Testimonies of Resistance: Representations of the Auschwitz-Birkenau Sonderkommando (2019)Williams, Dominic and Nicholas, Chare. Matters of Testimony: Interpreting the Scrolls of Auschwitz(2015)Follow on Twitter @holocaustpod.Email the podcast at holocausthistorypod@gmail.comThe Holocaust History Podcast homepage is hereYou can find a complete reading list with books by our guests and also their suggestions here.
In this episode, host Amy-Jane Humphries interviews Natalee Garrett, Sarah Betts and Rosalind Freeborn to discuss (fictional) representations of regency royalty.Guest Bios:Sarah Betts is a PhD candidate at the University of York working on a thesis exploring cultural memory and public histories of the English Civil Wars from the Seventeenth Century to the present day. She has wider interests in the history of monarchy and public history and heritage, and historical fictions, and is a section editor for early modern and modern monarchy for Royal Studies Journal. She has published numerous articles and book chapters on early modern and modern monarchy in Britain, memory of the English Civil Wars, and the portrayal of history on screen. Her most recent publications include Royal Biography Between the Lines: Georgette Heyer's Regency Romances and the Life of Princess Charlotte of Wales (1796-1817) RSJ 11.2 (2024) Latest publications - 'Roundhead Reputations Twenty Years On: Cultural Memory Studies and the English Civil Wars',English Historical Review, 138:593, (2023) 'By The Sword Divided: The English Civil War as Sunday-night Television Drama', British Journal of Military History, 10:3, (2024) Natalee Garrett graduated with a PhD in Modern History from the University of St Andrews in 2022 for a thesis titled “Those Scandalous Prints: Caricatures of the Elite in France and Britain c.1740-1795”. She began teaching at the Open University in 2021. Her first monograph, a biography of Queen Charlotte, was published by Routledge in 2024. She is currently working on a second monograph which examines the public images of the four queens of Georgian Britain and which will be published by Palgrave Macmillan.Rosalind Freeborn started her career as a book publicist and moved into the world of music handling the publicity for the London Philharmonic Orchestra. Later she ran her own PR consultancy working with creative clients in the fields of art, design, retail and architecture. She is also an artist who exhibits and sells her work regularly. In 2022 Rosalind appeared on a Channel 4 life drawing programme demonstrating her unique collage technique using fragments of paper. She was prompted to write Prince George & Master Frederick after investigating her grandmother's story that her family might, in some way, be connected to King George III. Her research uncovered the real-life history of Frederick Blomberg and she found his story so fascinating that she wrote this novel which is her first published work.
Globally, the liberal international order has been under pressure for quite some time, but we often tend to discuss this in relation to big international players such as the United States and China. But how do small states like Singapore navigate and shape this increasingly contested space? Join Petra Alderman as she talks to Dylan Loh about Singapore's understanding of the liberal international order, its position on liberal democratic values and human rights, its relations with big international players, and the ways in which this small city state seeks to uphold and modify the liberal international order, so it better aligns with its own interests. Read Dylan's article ‘Singapore's conception of the liberal international order as a small state' in International Affairs. *** This episode was originally recorded in November 2024. *** Dylan Loh is an Assistant Professor at the Public Policy and Global Affairs programme, at Nanyang Technological University in Singapore. He studies China's foreign policy, international diplomacy, and ASEAN regionalism. He is the author of a recently published book ‘China's Rising Foreign Ministry: Practices and Representations of Assertive Diplomacy' which was published by Stanford University Press (2024). Petra Alderman is a researcher, CEDAR affiliate, and a manager of the LSE Saw Swee Hock Southeast Asia Centre. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Globally, the liberal international order has been under pressure for quite some time, but we often tend to discuss this in relation to big international players such as the United States and China. But how do small states like Singapore navigate and shape this increasingly contested space? Join Petra Alderman as she talks to Dylan Loh about Singapore's understanding of the liberal international order, its position on liberal democratic values and human rights, its relations with big international players, and the ways in which this small city state seeks to uphold and modify the liberal international order, so it better aligns with its own interests. Read Dylan's article ‘Singapore's conception of the liberal international order as a small state' in International Affairs. *** This episode was originally recorded in November 2024. *** Dylan Loh is an Assistant Professor at the Public Policy and Global Affairs programme, at Nanyang Technological University in Singapore. He studies China's foreign policy, international diplomacy, and ASEAN regionalism. He is the author of a recently published book ‘China's Rising Foreign Ministry: Practices and Representations of Assertive Diplomacy' which was published by Stanford University Press (2024). Petra Alderman is a researcher, CEDAR affiliate, and a manager of the LSE Saw Swee Hock Southeast Asia Centre. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies
Globally, the liberal international order has been under pressure for quite some time, but we often tend to discuss this in relation to big international players such as the United States and China. But how do small states like Singapore navigate and shape this increasingly contested space? Join Petra Alderman as she talks to Dylan Loh about Singapore's understanding of the liberal international order, its position on liberal democratic values and human rights, its relations with big international players, and the ways in which this small city state seeks to uphold and modify the liberal international order, so it better aligns with its own interests. Read Dylan's article ‘Singapore's conception of the liberal international order as a small state' in International Affairs. *** This episode was originally recorded in November 2024. *** Dylan Loh is an Assistant Professor at the Public Policy and Global Affairs programme, at Nanyang Technological University in Singapore. He studies China's foreign policy, international diplomacy, and ASEAN regionalism. He is the author of a recently published book ‘China's Rising Foreign Ministry: Practices and Representations of Assertive Diplomacy' which was published by Stanford University Press (2024). Petra Alderman is a researcher, CEDAR affiliate, and a manager of the LSE Saw Swee Hock Southeast Asia Centre. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Globally, the liberal international order has been under pressure for quite some time, but we often tend to discuss this in relation to big international players such as the United States and China. But how do small states like Singapore navigate and shape this increasingly contested space? Join Petra Alderman as she talks to Dylan Loh about Singapore's understanding of the liberal international order, its position on liberal democratic values and human rights, its relations with big international players, and the ways in which this small city state seeks to uphold and modify the liberal international order, so it better aligns with its own interests. Read Dylan's article ‘Singapore's conception of the liberal international order as a small state' in International Affairs. *** This episode was originally recorded in November 2024. *** Dylan Loh is an Assistant Professor at the Public Policy and Global Affairs programme, at Nanyang Technological University in Singapore. He studies China's foreign policy, international diplomacy, and ASEAN regionalism. He is the author of a recently published book ‘China's Rising Foreign Ministry: Practices and Representations of Assertive Diplomacy' which was published by Stanford University Press (2024). Petra Alderman is a researcher, CEDAR affiliate, and a manager of the LSE Saw Swee Hock Southeast Asia Centre. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
Support the show to get full episodes, full archive, and join the Discord community. The Transmitter is an online publication that aims to deliver useful information, insights and tools to build bridges across neuroscience and advance research. Visit thetransmitter.org to explore the latest neuroscience news and perspectives, written by journalists and scientists. Read more about our partnership. Check out this series of essays about representations: What are we talking about? Clarifying the fuzzy concept of representation in neuroscience and beyond Sign up for Brain Inspired email alerts to be notified every time a new Brain Inspired episode is released. To explore more neuroscience news and perspectives, visit thetransmitter.org. What do neuroscientists mean when they use the term representation? That's part of what Luis Favela and Edouard Machery set out to answer a couple years ago by surveying lots of folks in the cognitive sciences, and they concluded that as a field the term is used in a confused and unclear way. Confused and unclear are technical terms here, and Luis and Edouard explain what they mean in the episode. More recently Luis and Edouard wrote a follow-up piece arguing that maybe it's okay for everyone to use the term in slightly different ways, maybe it helps communication across disciplines, perhaps. My three other guests today, Frances Egan, Rosa Cao, and John Krakauer wrote responses to that argument, and on today's episode all those folks are here to further discuss that issue and why it matters. Luis is a part philosopher, part cognitive scientists at Indiana University Bloomington, Edouard is a philosopher and Director of the Center for Philosophy of Science at the University of Pittsburgh, Frances is a philosopher from Rutgers University, Rosa is a neuroscientist-turned philosopher at Stanford University, and John is a neuroscientist among other things, and co-runs the Brain, Learning, Animation, and Movement Lab at Johns Hopkins. Luis Favela. Favela's book: The Ecological Brain: Unifying the Sciences of Brain, Body, and Environment Edouard Machery. Machery's book: Doing without Concepts Frances Egan. Egan's book: Deflating Mental Representation. John Krakauer. Rosa Cao. Paper mentioned: Putting representations to use. The exchange, in order, discussed on this episode: Investigating the concept of representation in the neural and psychological sciences. The concept of representation in the brain sciences: The current status and ways forward. Commentaries: Assessing the landscape of representational concepts: Commentary on Favela and Machery. Comments on Favela and Machery's The concept of representation in the brain sciences: The current status and ways forward. Where did real representations go? Commentary on: The concept of representation in the brain sciences: The current status and ways forward by Favela and Machery. Reply to commentaries: Contextualizing, eliminating, or glossing: What to do with unclear scientific concepts like representation. 0:00 - Intro 3:55 - What is a representation to a neuroscientist? 14:44 - How to deal with the dilemma 21:20 - Opposing views 31:00 - What's at stake? 51:10 - Neural-only representation 1:01:11 - When "representation" is playing a useful role 1:12:56 - The role of a neuroscientist 1:39:35 - The purpose of "representational talk" 1:53:03 - Non-representational mental phenomenon 1:55:53 - Final thoughts
这是继《E.25 超级英雄政治学 Superhero Politics(2018.8.4)》与《E.32 回顾金斯伯格大法官 Revisiting JusticeGinsburg (2020.9.19)》之后的又一期《小声喧哗》节目回放，录制于2020年12月13日。其时2020年的美国大选刚刚结束一个月，时任总统特朗普一方正在大肆造谣，指控对手拜登的胜利是通过投票舞弊而获得的。一晃四年多过去了，特朗普再度入主白宫，所作所为比第一任期更甚。重听当时的讨论，令人无限感慨。 【以下是《小声喧哗》原节目的文案】大选在即，国难当头，人民走上街头示威，抗议国家暴力机构制造的无辜血案，而总统眼里只有党争和权斗——我们该如何讲述这样的政治现实？2020年，两个导演给出了两份截然不同的答卷：艾伦·索尔金（Aaron Sorkin）借史讽今的《芝加哥七君子审判》（The Trial of the Chicago 7），与萨沙·拜伦·科恩（Sacha Baron Cohen）荒诞黑色的《波拉特II》（BoratSubsequent Moviefilm: Delivery Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan）。这一期节目里，我们和老朋友林三土（林垚）、新朋友Huey Li一起聊了聊这两部电影。4:36 提到Sorkin的影视作品，你第一个想到的是什么？11:38 芝加哥七君子审判的历史背景，对比影片中所呈现的左翼路线冲突26:06 六十年代芝加哥示威冲突在2020年Black Lives Matter（BLM）运动中的重演40:16 在2020年，Borat似乎比Sorkin更写实47:36 我们都爱Tutar53:06 在后真相时代，我们该如何看Borat？我们还需要Borat吗？【附】《空谈》E.35 特朗普时代的美国：左翼篇 Trump's America,Part 1: The Left (2025.1.24)E.36 特朗普时代的美国：右翼篇 Trump's America,Part 2: The Right (2025.3.22)E.31 进步主义破产了吗 Is ProgressivismFalling Apart? (2025.1.3)E.30 信息茧房时代的公共说理 Public Reasoning inthe Age of Information Cocoon (2024.12.7)
Amy & series regulars, Payton Hogan and Justina Ashman, are joined by (soon-to-be) Dr. Georgia Nicholls to discuss sex in the rom com novel, where we ask questions like: What is smut? Does smut offer positive sex education? Are male modes of sexual pleasure being privileged in the rom com novel? And why are romance heroes so Big and heroines so smol?! LINKS Find Aya de Léon here: ayadeleon.com Watch the Live Bookclub on YouTube: @AmyAndPodcast Follow the Amy & Podcast on IG: @amyandpodcast Join the Amy & Bookclub: Amy & Bookclub Follow Amy Matthews on IG: @amymatthewsauthor Follow Amy Barry on IG: @amybarryauthor Our theme music is by Mass Wisteria. Stream their single "Same Old" here. See omnystudio.com/listener for privacy information.
MagaMama with Kimberly Ann Johnson: Sex, Birth and Motherhood
In this episode, Kimberly Ann Johnson and filmmaker/producer Jackson Kroopf reflect on their respective experiences watching Best Picture Winner Anora. They discuss their contrasting experiences of seeing the films in theaters, what role sex and violence played in the film, and unpack some of what they were drawn to and troubled by in the film. And while they both found the hedonism in the film uncomfortable, the film's ending landed, particularly in its portrayal of power dynamics, intimate rapport, and the broken fantasies that emerge in pursuit of the American dream. Along the way, they consider to what extent the film's success hinged on a desensitized audience and what that might say about where we find ourselves culturally when it comes to the female body, our nervous systems, and sexuality. If you'd like to dive deeper into these topics, consider signing up for Kimberly's upcoming course Activate Your Inner Jaguar: Movement, Meditation & The Female Nervous System. What You'll Hear Why Kimberly walked out the first time she saw it. A consideration of how sex and violence functioned in the film. What commentary is the film making about the nature of sex work? The erotic vs. the pornographic What is the moral center of the film? What role does comedy play in the film? Sadness around desensitization in our culture The desire for representations of sexuality that are connected, off-script, non-generic Representations of sexuality on a woman's own terms The fantasy of the American Dream falling apart Old world vs. new world when it comes to 1st and 2nd generation immigrants Is there any worth in bearing witness to extreme hedonism Can cinema re-sensitize us? Does violence in films reflect what's in the collective or determine what's in the collective? What happens when couples more openly discuss their sexual preferences? Can repair happen if a negative sexual experience takes place with a partner? Longing for seeing representations of moral men outside of "hero" roles Links Sign up for the course Activate Your Inner Jaguar: Movement, Meditation & The Female Nervous System here.
Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices
Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Weird History: The Unexpected and Untold Chronicles of History
Television adaptations of historical events often lack complete accuracy, which can be especially frustrating for the real-life individuals depicted. Some people have expressed dissatisfaction with their portrayals, even deeming the shows about them as entirely false. In extreme cases, individuals have taken legal action, while others simply choose not to watch—arguably the worst outcome for a TV series. For more insights on shows that have upset their subjects, visit this article. #TVportrayals #real-lifepeople #history #lawsuits #TVadaptations See show notes: https://inlet.fm/weird-history/episodes/680b95a9afa2035252b55689 Learn more about your ad choices. Visit podcastchoices.com/adchoices
Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Randall Balestriero joins the show to discuss some counterintuitive findings in AI. He shares research showing that huge language models, even when started from scratch (randomly initialized) without massive pre-training, can learn specific tasks like sentiment analysis surprisingly well, train stably, and avoid severe overfitting, sometimes matching the performance of costly pre-trained models. This raises questions about when giant pre-training efforts are truly worth it.He also talks about how self-supervised learning (where models learn from data structure itself) and traditional supervised learning (using labeled data) are fundamentally similar, allowing researchers to apply decades of supervised learning theory to improve newer self-supervised methods.Finally, Randall touches on fairness in AI models used for Earth data (like climate prediction), revealing that these models can be biased, performing poorly in specific locations like islands or coastlines even if they seem accurate overall, which has important implications for policy decisions based on this data.SPONSOR MESSAGES:***Tufa AI Labs is a brand new research lab in Zurich started by Benjamin Crouzier focussed on o-series style reasoning and AGI. They are hiring a Chief Engineer and ML engineers. Events in Zurich. Goto https://tufalabs.ai/***TRANSCRIPT + SHOWNOTES:https://www.dropbox.com/scl/fi/n7yev71nsjso71jyjz1fy/RANDALLNEURIPS.pdf?rlkey=0dn4injp1sc4ts8njwf3wfmxv&dl=0TOC:1. Model Training Efficiency and Scale [00:00:00] 1.1 Training Stability of Large Models on Small Datasets [00:04:09] 1.2 Pre-training vs Random Initialization Performance Comparison [00:07:58] 1.3 Task-Specific Models vs General LLMs Efficiency2. Learning Paradigms and Data Distribution [00:10:35] 2.1 Fair Language Model Paradox and Token Frequency Issues [00:12:02] 2.2 Pre-training vs Single-task Learning Spectrum [00:16:04] 2.3 Theoretical Equivalence of Supervised and Self-supervised Learning [00:19:40] 2.4 Self-Supervised Learning and Supervised Learning Relationships [00:21:25] 2.5 SSL Objectives and Heavy-tailed Data Distribution Challenges3. Geographic Representation in ML Systems [00:25:20] 3.1 Geographic Bias in Earth Data Models and Neural Representations [00:28:10] 3.2 Mathematical Limitations and Model Improvements [00:30:24] 3.3 Data Quality and Geographic Bias in ML DatasetsREFS:[00:01:40] Research on training large language models from scratch on small datasets, Randall Balestriero et al.https://openreview.net/forum?id=wYGBWOjq1Q[00:10:35] The Fair Language Model Paradox (2024), Andrea Pinto, Tomer Galanti, Randall Balestrierohttps://arxiv.org/abs/2410.11985[00:12:20] Muppet: Massive Multi-task Representations with Pre-Finetuning (2021), Armen Aghajanyan et al.https://arxiv.org/abs/2101.11038[00:14:30] Dissociating language and thought in large language models (2023), Kyle Mahowald et al.https://arxiv.org/abs/2301.06627[00:16:05] The Birth of Self-Supervised Learning: A Supervised Theory, Randall Balestriero et al.https://openreview.net/forum?id=NhYAjAAdQT[00:21:25] VICReg: Variance-Invariance-Covariance Regularization for Self-Supervised Learning, Adrien Bardes, Jean Ponce, Yann LeCunhttps://arxiv.org/abs/2105.04906[00:25:20] No Location Left Behind: Measuring and Improving the Fairness of Implicit Representations for Earth Data (2025), Daniel Cai, Randall Balestriero, et al.https://arxiv.org/abs/2502.06831[00:33:45] Mark Ibrahim et al.'s work on geographic bias in computer vision datasets, Mark Ibrahimhttps://arxiv.org/pdf/2304.12210
Juliette, créatrice de contenu militant avec le compte @macho.boulot.dodo, produit depuis plusieurs années, des vidéos et visuels féministes, intersectionnels, comme elle l'affiche : "convergence des luttes baby ✊
- Attorney General Pam Bondi Press Conference with Actions Against Maine over Transgender Policy - Border Czar Tom Homan speaks to reporters at the White House (4.15) - ICYMI: President Trump Participates in a Commander-in-Chief Trophy Presentation to the Navy Midshipmen (4.15) - Marjorie Taylor Greene Town Hall Meeting (4.15) - ICYMI: Joe Biden's speech in Chicago (4.15) - HHS Secretary RFK Jr's Press Conference on Autism Rates - Chuck Grassley Town Hall Meeting (4.15) - Opening Statements: Oversight of Meta's Foreign Relations and Representations to Congress (4.9) - Federal Reserve Chair Jerome Powell Delivers Economic Outlook - Secretaries of State Testify on 2024 Election Security & Integrity (4.8) - Badlands Commentary from Ashe and Rapid Response X Clips - National Transportation Safety Bureau (NTSB) Officials Hold Briefing on Upstate New York Plane Crash (4.14) - White House Press Conference with Special Guest, Patty Morin
“You are mine—body and soul!” – The Cheat (1915)This week, we're traveling back to 1915 with returning guests Amanda Rush and Jae Kim for a deep dive into Cecil B. DeMille's The Cheat. A landmark of early American cinema, The Cheat helped shape visual storytelling through its pioneering use of lighting, editing, and narrative tension. But alongside its technical innovation lies a deeply troubling legacy—particularly in its portrayal of race and power.Amanda and Jae help us unpack the film's lasting influence, Sessue Hayakawa's complex role in Hollywood history, and how The Cheat fits into the broader conversation about preserving films that reflect both the artistry and the prejudices of their time.• The Cheat (1915) was directed by Cecil B. DeMille and stars Fannie Ward and Sessue Hayakawa• Selected to the National Film Registry in 1993• Celebrated for its dramatic lighting, narrative structure, and early use of cross-cutting• Discussion topics include:• The visual legacy of The Cheat• Sessue Hayakawa's breakthrough role and its cultural implications• Representations of race and gender in early Hollywood• The importance of preserving films that capture both cinematic milestones and historical biases Follow the Show:TwitterInstagramWebsite Music by Mike Natale
What's the episode about?In this episode, hear Claire Nally on literature, Goth, Steampunk, death memoirs, representations of dead women, death positive libraries & working in academiaWho is Claire? Claire Nally is Professor of Modern and Contemporary Literature at Northumbria University, UK, where sheresearches Irish Studies, Neo-Victorianism, Gender and Subcultures. She published her first monograph, Envisioning Ireland: W. B. Yeats's Occult Nationalism, in 2009, followed by her secondbook, Selling Ireland: Advertising, Literature and Irish Print Culture 1891–1922 (written with John Strachan). She has co-edited a volume on Yeats, and two volumes on gender, as well as the international library series ‘Gender and Popular Culture' for Bloomsbury (with Angela Smith). She has written widely on a number of modern and contemporary topics, and her most recent monograph is Steampunk: Gender, Subculture and the Neo-Victorian, published by Bloomsbury in 2019. She was co-I (with Stacey Pitsillides) on the Death Positive Library Project. Her next book is entitled The Death Memoir in ContemporaryCulture.How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation: Nally, C. (2025) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 April 2025. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.28704131What next?Check out more episodes or find out more about the hosts! Gota question? Get in touch.
Lesbians and Sex Work The Lesbian Historic Motif Podcast - Episode 309 with Heather Rose Jones In this episode we talk about: Four motifs that connect women loving women and sex work in historic sources Sources used Bennett, Judith and Shannon McSheffrey. 2014. “Early, Erotic and Alien: Women Dressed as Men in Late Medieval London” in History Workshop Journal. 77 (1): 1-25. Beynon, John C. 2010. “Unaccountable Women” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Blackmore, Josiah. 1999. “The Poets of Sodom” in Queer Iberia: Sexualities, Cultures, and Crossings from the Middle Ages to the Renaissance ed. Josiah Blackmore and Gregory S. Hutcheson. Duke University Press, Durham. ISBN 9780822323495 Boehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Burford, E.J. 1986. Wits, Wenchers and Wantons - London's Low Life: Covent Garden in the Eighteenth Century. Robert Hale, London. ISBN 0-7090-2629-3 Cheek, Pamela. 1998. "The 'Mémoires secrets' and the Actress: Tribadism, Performance, and Property", in Jeremy D. Popkin and Bernadette Fort (eds), The "Mémoires secrets" and the Culture of Publicity in Eighteenth-Century France, Oxford: Voltaire Foundation. Choquette, Leslie. 2001. “'Homosexuals in the City: Representations of Lesbian and Gay Space in Nineteenth-Century Paris” in Merrick, Jeffrey & Michael Sibalis, eds. Homosexuality in French History and Culture. Harrington Park Press, New York. ISBN 1-56023-263-3 Craft-Fairchild, Catherine. 2006. “Sexual and Textual Indeterminacy: Eighteenth-Century English Representations of Sapphism” in Journal of the History of Sexuality 15:3 DeJean, Joan. 1989. Fictions of Sappho, 1546-1937. Chicago: University of Chicago Press. ISBN 0-226-14136-5 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Engelstein, Laura. 1990. "Lesbian Vignettes: A Russian Triptych from the 1890s" in Signs vol. 15, no. 4 813-831. Garber, Marjorie. 1992. Vested Interests: Cross-Dressing and Cultural Anxiety. Routledge, New York. ISBN 0-415-91951-7 Faderman, Lillian. 1981. Surpassing the Love of Men. William Morrow and Company, Inc., New York. ISBN 0-688-00396-6 Gilhuly, Kate. 2015. “Lesbians are Not from Lesbos” in Blondell, Ruby & Kirk Ormand (eds). Ancient Sex: New Essays. The Ohio State University Press, Columbus. ISBN 978-0-8142-1283-7 Habib, Samar. 2007. Female Homosexuality in the Middle East: Histories and Representations. Routledge, New York. ISBN 78-0-415-80603-9 Haley, Shelley P. “Lucian's ‘Leaena and Clonarium': Voyeurism or a Challenge to Assumptions?” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Ingrassia, Catherine. 2003. “Eliza Haywood, Sapphic Desire, and the Practice of Reading” in: Kittredge, Katharine (ed). Lewd & Notorious: Female Transgression in the Eighteenth Century. The University of Michigan Press, Ann Arbor. ISBN 0-472-11090-X Jones, Ann Rosalind & Peter Stallybrass. 1991. “Fetishizing gender: constructing the Hermaphrodite in Renaissance Europe” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Jones, Heather Rose. 2021. “Researching the Origins of Lesbian Myths, Legends, and Symbols” (podcast). https://alpennia.com/blog/lesbian-historic-motif-podcast-episode-201-researching-origins-lesbian-myths-legends-and Katritzky, M.A. 2005. “Reading the Actress in Commedia Imagery” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Klein, Ula Lukszo. 2021. Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature. University of Virginia Press, Charlottesville. ISBN 978-0-8139-4551-4 Kranz, Susan E. 1995. The Sexual Identities of Moll Cutpurse in Dekker and Middleton's The Roaring Girl and in London in Renaissance and Reformation 19: 5-20. Merrick, Jeffrey. 1990. “Sexual Politics and Public Order in Late Eighteenth-Century France: the Mémoires secrets and the Correspondance secrète” in Journal of the History of Sexuality 1, 68-84. Merrick, Jeffrey & Bryant T. Ragan, Jr. 2001. Homosexuality in Early Modern France: A Documentary Collection. Oxford University Press, New York. ISBN 0-19-510257-6 Rizzo, Betty. 1994. Companions without Vows: Relationships among Eighteenth-Century British Women. Athens: University of Georgia Press. ISBN 978-0-8203-3218-5 Sears, Clare. 2015. Arresting Dress: Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco. Durham: Duke University Press. ISBN 978-0-8223-5758-2 Shapiro, Michael. 1994. Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages. Ann Arbor. Van der Meer, Theo. 1991. “Tribades on Trial: Female Same-Sex Offenders in Late Eighteenth-Century Amsterdam” in Journal of the History of Sexuality 1:3 424-445. Vanita, Ruth and Saleem Kidwai, eds. 2000. Same-Sex Love in India: Readings from Literature and History. St. Martin's, New York. ISBN 0-312-22169-X Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)
In this episode of Room to Grow, Joanie and Curtis continue the season 5 series on the Mathematics Teaching Practices from NCTM's Principles to Actions, celebrating it's 10th anniversary. This month's practice is “Use and connect mathematical representations.” Our hosts describe the five representations outlined in Principles to Actions, which include visual, symbolic, verbal, contextual, and physical descriptions of mathematics, but emphasize that the representations are not meant to be a check list to be covered during instruction. Rather, the different representations provide a framework for explore important mathematical concepts through different lenses, allowing students to build and deepen their understanding as they consider these ways of engaging. In addition to deep understanding, teachers' attending to different representations will allow different students in the class to be elevated, as their unique strengths and preferences will have the opportunity to come out and be showcased. Additional referenced content includes:· NCTM's Principles to Actions· NCTM's Taking Action series for grades K-5, grades 6-8, and grades 9-12· Making Connections Explicit (NCTM requires subscription)· Supporting Understanding Using Representations (NCTM requires subscription)· Three Ways to Enhance Tasks for Multilingual Learners (NCTM requires subscription)· Interpreting Distance-Time Graphs – lesson referred to in this episode Did you enjoy this episode of Room to Grow? Please leave a review and share the episode with others. Share your feedback, comments, and suggestions for future episode topics by emailing roomtogrowmath@gmail.com . Be sure to connect with your hosts on X and Instagram: @JoanieFun and @cbmathguy.
In this episode, composer, lyricist, music director, and educator Katya Stanislavskaya discusses representations of Russia/the USSR in musical theater from Fiddler on the Roof to Anastasia to off-Broadway's Iron Curtain and many in between. We also talk about the song "The Beauty Is" from Adam Guettel and Craig Lucas's 2005 musical The Light in the Piazza. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald. Music played in this episode: "To Life" from Fiddler on the Roof "Prologue" from Natasha, Pierre, & The Great Comet of 1812 "No One Else" from Natasha, Pierre, & The Great Comet of 1812 "Crossing a Bridge" from Anastasia "Two Worlds" from Doctor Zhivago "That's Capital" from Iron Curtain "Our Time" from Lempicka "The Beauty Is" from The Light in the Piazza
In this episode of the VIFF Podcast, Year Round Programmer Tom Charity sits down with iconic Canadian filmmaker and (sometimes) opera director Atom Egoyan to discuss his latest film, Seven Veils, starring Amanda Seyfried. The film premiered during VIFF 2023 and was inspired by his remount of the opera Salome. Touching on trauma, abuse, and the artistic interpretation thereof, Adam talks about his experience directing opera and the controversies surrounding the original production.This episode was recorded during the 2023 Vancouver International Film Festival. This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.
What's the episode about?In this episode, get an overview of the 2025 Edited Collection Death and Institutions: Processes, Places and the Past What is the Book About?Institutions play a crucial role in shaping experiences of end-of-life care, dying, death, body disposal and bereavement. However, there has been little holistic or multidisciplinary research in this area, with studies typically focusing on individual settings such as hospitals and cemeteries, or being confined to specific disciplines.This interdisciplinary collection combines chapters on process, place and the past to examine the relationships both within and between institutions, institutionalization and death in international contexts. Of broad appeal to students and academics in areas including social policy, health sciences, sociology, psychology, anthropology, cultural studies, history and the wider humanities, this collection spans multiple disciplines to offer crucial insights into the end of life, body disposal, bereavement and mourning. Introduction - Kate Woodthorpe, Helen Frisby and Bethan Michael-Fox 1. Culture as an Institution: Assessing Quality of Death in China - Chao Fang 2. The Market for Human Body Parts: Institutions,Intermediaries and Regulation - Lee Moerman and Sandra van der Laan 3. Secrecy, Judgement and Stigma: Assisted Dying inAotearoa New Zealand - Rhona Winnington 4. Institutional Thoughtlessness: Prison as a Place forDying - Renske Visser 5. Out of the Ashes in New York City: Body StorageBottleneck in COVID-19's First Wave - Sally Raudon 6. Governing the Dead's Territory - Hajar Ghorbani 7. 'The Bluecoat Boys to Walk and Sing an Anthem before the Corpse': The Children of Christ's Hospital in London Funerals of the 18th Century - Dan O'Brien 8. Inside-Out and Outside-In: Learned Institutions andGarden Cemeteries in 19th-Century Britain - Lindsay Udall9. ‘They Attached No Blame to the Staff in Charge': TheRole of Dublin Workhouse Administration in Preventing and Contributing to Institutional Mortality, 1872–1913 - Shelby Zimmerman 10. Tenets and Tensions: A Critical Exploration of the Death Positive Movement - Anna Wilde11. Representations of Immortality and Institutions in 21st-Century Popular Culture - Devaleena Kundu and Bethan Michael-Fox 12. ‘I Was So Lost … and Who Brought You Back? Me.' - Deathstyle Gurus and the New Institutional Logics ofMourning on Instagram - Johanna Sumiala and Linda PentikäinenAfterword - Kate Woodthorpe, Helen Frisby and Bethan Michael-FoxWant to publish with Bristol University Press and the Death and Culture series? Find out more.How do I cite the episode in my research and reading lists? To cite this episode, you can use the following citation: Woodthorpe, K., Frisby, H. and Michael-Fox, B. (2025) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R.Published 11 March 2025. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.28572215What next?Check out more episodes or find out more about the hosts! Got a question? Get in touch.
W 2025 Wrocławski Dom Literatury oraz Kino Nowe Horyzonty ponownie łączą siły, w efekcie czego wraca cykl Dom w Kinie, w którym to film spotyka się z literaturą, a pokazom towarzyszą chwytające za gardło dyskusje. Tym razem może nawet wpijające się w gardło, jako że najpierw oglądaliśmy „Nosferatu” Roberta Eggersa, by zaraz po pokazie zasiąść do dyskusji i film porównać między innymi z nieoficjalnym pierwowzorem literackim, czyli „Draculą” Brama Stokera.A rozmawialiśmy w gronie wampiryczno-eksperckim, czyli były z nami Nina Anna Trzaska, Patrycja Pichnicka-Trivedi i Łukasz Kozak. Udanego słuchania! O osobach dyskutujących:
The Adventures of Sam Spade, a popular crime drama, aired from 1946 to 1951. Howard Duff portrayed Sam Spade, a hardboiled San Francisco detective. The show featured intricate cases and compelling storytelling. William Spier, a renowned radio producer, assembled a talented writing team. Duff's distinctive voice and acting prowess brought the character to life. The show's success led to Duff's national fame. Duff eventually left the show for film opportunities, and Stephen Dunne replaced him. However, the change in voice and style affected the show's popularity, leading to its cancellation in 1951. Despite its relatively short run, The Adventures of Sam Spade left a lasting impression on the radio detective genre and is cherished by old-time radio enthusiasts.
In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Our 196th episode with a summary and discussion of last week's* big AI news! *and sometimes last last week's Recorded on 01/10/2024 Join our brand new Discord here! https://discord.gg/wDQkratW Hosted by Andrey Kurenkov and Jeremie Harris. Feel free to email us your questions and feedback at contact@lastweekinai.com and/or hello@gladstone.ai Read out our text newsletter and comment on the podcast at https://lastweekin.ai/. Sponsors: The Generator - An interdisciplinary AI lab empowering innovators from all fields to bring visionary ideas to life by harnessing the capabilities of artificial intelligence. In this episode: - Nvidia announced a $3,000 personal AI supercomputer called Digits, featuring the GB10 Grace Blackwell Superchip, aiming to lower the barrier for developers working on large models. - The U.S. Department of Justice finalizes a rule restricting the transmission of specific data types to countries of concern, including China and Russia, under executive order 14117. - Meta allegedly trained Llama on pirated content from LibGen, with internal concerns about the legality confirmed through court filings. - Microsoft paused construction on a section of a large data center project in Wisconsin to reassess based on new technological changes. If you would like to become a sponsor for the newsletter, podcast, or both, please fill out this form. Timestamps + Links: (00:00:00) Intro / Banter (00:04:52) Sponsor Break Tools & Apps (00:05:55) Nvidia announces $3,000 personal AI supercomputer called Digits (00:10:23) Meta removes AI character accounts after users criticize them as ‘creepy and unnecessary' Applications & Business (00:16:16) NVIDIA Is Reportedly Focused Towards “Custom Chip” Manufacturing, Recruiting Top Taiwanese Talent (00:21:54) AI start-up Anthropic closes in on $60bn valuation (00:25:38) Why OpenAI is Taking So Long to Launch Agents (00:30:08) TSMC Set to Expand CoWoS Capacity to Record 75,000 Wafers in 2025, Doubling 2024 Output (00:33:10) Microsoft 'pauses construction' on part of data center site in Mount Pleasant, Wisconsin (00:37:23) Google folds more AI teams into DeepMind to ‘accelerate the research to developer pipeline' Projects & Open Source (00:41:59) Cosmos World Foundation Model Platform for Physical AI (00:48:21) Microsoft releases Phi-4 language model on Hugging Face Research & Advancements (00:50:16) PRIME: Online Reinforcement Learning with Process Rewards (00:58:29) ICLR: In-Context Learning of Representations (01:07:38) Do NOT Think That Much for 2+3=? On the Overthinking of o1-Like LLMs (01:11:44) METAGENE-1: Metagenomic Foundation Model for Pandemic Monitoring (01:15:45) TransPixar: Advancing Text-to-Video Generation with Transparency (01:18:03) The amount of compute used to train frontier models has been growing at a breakneck pace of over 4x per year since 2018, resulting in an overall scale-up of more than 10,000x! But what factors are enabling this rapid growth? Policy & Safety (01:23:45) InfAlign: Inference-aware language model alignment (01:28:44) Mark Zuckerberg gave Meta's Llama team the OK to train on copyrighted works, filing claims (01:33:19) Anthropic gives court authority to intervene if chatbot spits out song lyrics (01:35:57) US government says companies are no longer allowed to send bulk data to these nations (01:39:10) Trump announces $20B plan to build new data centers in the US
Steven Swarbrick and Jean-Thomas Tremblay talk about negative life, which names the misalignment of individual and species survival, as a condition of thought and film. In developing this concept, they shed light on the gaps within the rhetoric of entanglement, and push against ethics and politics that insist on the values of human and nonhuman relations. Negative life already inheres in existing social relationships because the world is already broken. Steven and Jean-Thomas critique much of ecocriticism's romantic attachment to contingencies and solutions that would have us ignore this truth. Steven Swarbrick is Associate Professor of English at Baruch College, City University of New York. He is the author of two books: The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and The Earth Is Evil (forthcoming from the University of Nebraska Press, “Provocations” series, 2025). He is a coauthor, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). He has been a guest at High Theory in the past, and his previous episode on ‘The Environmental Unconscious' can be found here. Jean-Thomas Tremblay is Associate Professor of Environmental Humanities and Director of the Graduate Program in Social and Political Thought at York University, in Toronto. He is the author of Breathing Aesthetics (Duke University Press, 2022) and, with Steven Swarbrick, a coauthor of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). Excerpts from a book-in-progress on climate action, liberal sensemaking, and the "world" concept have appeared in Critical Inquiry and are forthcoming in Representations. Image: © 2025 Saronik Bosu. The silhouette of a forest and that of a cow floating above it, against an orange sky, and a general atmosphere of smoke and haze. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis
Steven Swarbrick and Jean-Thomas Tremblay talk about negative life, which names the misalignment of individual and species survival, as a condition of thought and film. In developing this concept, they shed light on the gaps within the rhetoric of entanglement, and push against ethics and politics that insist on the values of human and nonhuman relations. Negative life already inheres in existing social relationships because the world is already broken. Steven and Jean-Thomas critique much of ecocriticism's romantic attachment to contingencies and solutions that would have us ignore this truth. Steven Swarbrick is Associate Professor of English at Baruch College, City University of New York. He is the author of two books: The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and The Earth Is Evil (forthcoming from the University of Nebraska Press, “Provocations” series, 2025). He is a coauthor, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). He has been a guest at High Theory in the past, and his previous episode on ‘The Environmental Unconscious' can be found here. Jean-Thomas Tremblay is Associate Professor of Environmental Humanities and Director of the Graduate Program in Social and Political Thought at York University, in Toronto. He is the author of Breathing Aesthetics (Duke University Press, 2022) and, with Steven Swarbrick, a coauthor of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). Excerpts from a book-in-progress on climate action, liberal sensemaking, and the "world" concept have appeared in Critical Inquiry and are forthcoming in Representations. Image: © 2025 Saronik Bosu. The silhouette of a forest and that of a cow floating above it, against an orange sky, and a general atmosphere of smoke and haze. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Steven Swarbrick and Jean-Thomas Tremblay talk about negative life, which names the misalignment of individual and species survival, as a condition of thought and film. In developing this concept, they shed light on the gaps within the rhetoric of entanglement, and push against ethics and politics that insist on the values of human and nonhuman relations. Negative life already inheres in existing social relationships because the world is already broken. Steven and Jean-Thomas critique much of ecocriticism's romantic attachment to contingencies and solutions that would have us ignore this truth. Steven Swarbrick is Associate Professor of English at Baruch College, City University of New York. He is the author of two books: The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and The Earth Is Evil (forthcoming from the University of Nebraska Press, “Provocations” series, 2025). He is a coauthor, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). He has been a guest at High Theory in the past, and his previous episode on ‘The Environmental Unconscious' can be found here. Jean-Thomas Tremblay is Associate Professor of Environmental Humanities and Director of the Graduate Program in Social and Political Thought at York University, in Toronto. He is the author of Breathing Aesthetics (Duke University Press, 2022) and, with Steven Swarbrick, a coauthor of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). Excerpts from a book-in-progress on climate action, liberal sensemaking, and the "world" concept have appeared in Critical Inquiry and are forthcoming in Representations. Image: © 2025 Saronik Bosu. The silhouette of a forest and that of a cow floating above it, against an orange sky, and a general atmosphere of smoke and haze. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies
Steven Swarbrick and Jean-Thomas Tremblay talk about negative life, which names the misalignment of individual and species survival, as a condition of thought and film. In developing this concept, they shed light on the gaps within the rhetoric of entanglement, and push against ethics and politics that insist on the values of human and nonhuman relations. Negative life already inheres in existing social relationships because the world is already broken. Steven and Jean-Thomas critique much of ecocriticism's romantic attachment to contingencies and solutions that would have us ignore this truth. Steven Swarbrick is Associate Professor of English at Baruch College, City University of New York. He is the author of two books: The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and The Earth Is Evil (forthcoming from the University of Nebraska Press, “Provocations” series, 2025). He is a coauthor, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). He has been a guest at High Theory in the past, and his previous episode on ‘The Environmental Unconscious' can be found here. Jean-Thomas Tremblay is Associate Professor of Environmental Humanities and Director of the Graduate Program in Social and Political Thought at York University, in Toronto. He is the author of Breathing Aesthetics (Duke University Press, 2022) and, with Steven Swarbrick, a coauthor of Negative Life: The Cinema of Extinction (Northwestern University Press, 2024). Excerpts from a book-in-progress on climate action, liberal sensemaking, and the "world" concept have appeared in Critical Inquiry and are forthcoming in Representations. Image: © 2025 Saronik Bosu. The silhouette of a forest and that of a cow floating above it, against an orange sky, and a general atmosphere of smoke and haze. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices
Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Aaaand we're baaaaack!!To recognize the end of a year of realiTV--Dr.s Kay & Ray bring their award show to the ANNUAL level–doling out the annual version of many of their bi-weekly awards, combined with new awards that relate to the whole year!The Annual Awards include,“best/worst representation of therapy”; “housewife of the year”; “which houseguest understood the assignment (of being a houseguest) the best”; and “prediction we're most proud of”. And the awards went to moments & castmates from a LONG list of reality television shows, including Traitors, Bachelor franchise shows, Bravo shows (e.g., Housewives franchises, Summer House, etc.), and Netflix Reality Universe shows (e.g., Perfect Match, Ultimatum, Love is Blind, etc.).To whom & what moments would you give these annual awards for 2024??—----------------------------------------------------------Reality testing is when we check an emotion or thought we're having against objective reality. So, here in Reality Test, we're going to be testing the thoughts, emotions, interactions, and producer antics of reality television against what we know, as licensed psychologists, about objective reality. Come Reality Test with us!Support the showGet access to our full archive of episodes by subscribing: https://www.buzzsprout.com/2336794/subscribeHosts: Dr. Kay & Dr. RayThank you to our sound extraordinaire, Connor!Instagram: @drkaypods @drraypodsTikTok: @dr.realitvFacebook Page: Reality Test Pod YouTube Channel: @RealityTestPodEmail: realitycheckpodding@gmail.com
A brief take on how authors like Ishmael Reed, Charles Johnson, James McBride, and Paul Beatty use humor and playfulness in neo-slave narratives to offer fresh, creative perspectives on slavery.Script by Howard Rambsy II Read by Kassandra Timm
What is ‘Solomonic exceptionalism'? How was grimoire magic set apart from witchcraft, fairy magic and prophecy in the time of Shakespeare? What grimoires were available when early modern dramatists like William Shakespeare, Christopher Marlowe, Ben Johnson and many others were portraying magicians, evocatory procedures and magical implements on stage? Dr. Rebekah King - scholar and award-winning playwright - takes us behind the curtain to discuss her thesis ‘Solomon on Stage, Representations of Magic and the Occult in Early Modern English Drama'. She also answers your Glitch Bottle Patreon listener questions and more! ⇓ ⇓ ⇓✅►Support Dr. King on her excellent Substack! - https://rebekahkingwriter.substack.com/ ✅►Dr. King's thesis on Solomonic Exceptionalism on Stage - https://www.repository.cam.ac.uk/items/d3ee0c37-dabc-4310-bcd1-ea6f2198455a✅►Dr. King's website - https://www.rebekahkingwriter.com/ ✅►Follow Dr. King - https://x.com/RebekahAnnKing ✦
What is ‘Solomonic exceptionalism'? How was grimoire magic set apart from witchcraft, fairy magic and prophecy in the time of Shakespeare? What grimoires were available when early modern dramatists like William Shakespeare, Christopher Marlowe, Ben Johnson and many others were portraying magicians, evocatory procedures and magical implements on stage? Dr. Rebekah King - scholar and award-winning playwright - takes us behind the curtain to discuss her thesis ‘Solomon on Stage, Representations of Magic and the Occult in Early Modern English Drama'. She also answers your Glitch Bottle Patreon listener questions and more! ⇓ ⇓ ⇓✅►Support Dr. King on her excellent Substack! - https://rebekahkingwriter.substack.com/ ✅►Dr. King's thesis on Solomonic Exceptionalism on Stage - https://www.repository.cam.ac.uk/items/d3ee0c37-dabc-4310-bcd1-ea6f2198455a✅►Dr. King's website - https://www.rebekahkingwriter.com/ ✅►Follow Dr. King - https://x.com/RebekahAnnKing ✦
Send us a textHero's and Villains typically have the same origin story, a trauma occurs and the subsequent choices create a positive or a negative figure. In light of our final Halloween season installment we are going to focus on the villain. Join Dave and Greg as they discuss mental health representation in modern horror figures. Support the showFollow The Unconventional Therapist's Guide to Nothing on social media:Instagram: @unconventionaltherapistsguidetonothingTwitter: @UTGN_PodcastIntro and Outro music by 13th Ward Social ClubFollow on Instagram at @13thwardsocialclub and visit https://www.13thwardsocialclub.com/
The second part of this installment of Unearthed! gets into the listener-favorite subject of shipwrecks, plus animals, art, edibles and potables, and the catch-all potpourri category. Research: 19 News Investigative Team. “Exhumation of Cleveland Torso Killer's unidentified victims now underway.” https://www.cleveland19.com/2024/08/09/exhumation-cleveland-torso-killers-unidentified-victims-now-underway/ Abdallah, Hanna. “Hydraulic lift technology may have helped build Egypt's iconic Pyramid of Djoser.” EurekAlert. 8/5/2024. https://www.eurekalert.org/news-releases/1051645 Addley, Esther. “Dorset ‘Stonehenge' under Thomas Hardy's home given protected status.” The Guardian. 9/24/2024. https://www.theguardian.com/uk-news/2024/sep/24/dorset-stonehenge-discovered-under-thomas-hardy-home-dorchester Adhi Agus Oktaviana et al, Narrative cave art in Indonesia by 51,200 years ago, Nature (2024). DOI: 10.1038/s41586-024-07541-7 Agence France-Presse. “‘Virtually intact' wreck off Scotland believed to be Royal Navy warship torpedoed in first world war.” The Guardian. 8/17/2024. https://www.theguardian.com/uk-news/article/2024/aug/17/virtually-intact-wreck-off-scotland-believed-to-be-royal-navy-warship-torpedoed-in-wwi Anderson, Sonja. “A Statue of a 12-Year-Old Hiroshima Victim Has Been Stolen.” Smithsonian. 7/16/2024. https://www.smithsonianmag.com/smart-news/statue-of-a-child-killed-by-the-bombing-of-hiroshima-has-been-stolen-180984710/ Anderson, Sonja. “An 11-Year-Old Boy Rescued a Mysterious Artwork From the Dump. It Turned Out to Be a 500-Year-Old Renaissance Print.” Smithsonian. 9/17/2024 https://www.smithsonianmag.com/smart-news/this-11-year-old-boy-rescued-a-mysterious-artwork-from-the-dump-it-turned-out-to-be-a-500-year-old-renaissance-print-180985074/ Anderson, Sonja. “Archaeologists Uncover Ancient Warship's Bronze Battering Ram, Sunk During an Epic Battle Between Rome and Carthage.” Smithsonian. 8/28/2024. https://www.smithsonianmag.com/smart-news/archaeologists-uncover-ancient-warships-bronze-battering-ram-sunk-during-epic-battle-between-rome-and-carthage-180984983/ ANderson, Sonja. “Someone Anonymously Mailed Two Bronze Age Axes to a Museum in Ireland.” Smithsonian. 7/15/2024. https://www.smithsonianmag.com/smart-news/two-anonymously-sent-bronze-age-axes-arrive-at-an-irish-museum-in-a-pancake-box-180984704/ Anderson, Sonja. “These Signed Salvador Dalí Prints Were Forgotten in a Garage for Half a Century.” Smithsonian. 8/29/2024. https://www.smithsonianmag.com/smart-news/these-signed-salvador-dali-prints-were-forgotten-in-a-garage-for-half-a-century-180984994/ Anderson, Sonja. “What Is the Secret Ingredient Behind Rembrandt's Golden Glow?.” Smithsonian. 8/1/2024. https://www.smithsonianmag.com/smart-news/what-secret-ingredient-behind-rembrandt-golden-glow-180984816/ “Jamestown DNA helps solve a 400-year-old mystery and unexpectedly reveals a family secret.” Phys.org. 8/13/2024. https://phys.org/news/2024-08-jamestown-dna-year-mystery-unexpectedly.html#google_vignette Ariane E. Thomas et al, The Dogs of Tsenacomoco: Ancient DNA Reveals the Presence of Local Dogs at Jamestown Colony in the Early Seventeenth Century, American Antiquity (2024). DOI: 10.1017/aaq.2024.25 Artnet “Previously Unknown Mozart Composition Turns Up in a German Library.” 9/20/2024. https://news.artnet.com/art-world/unheard-mozart-composition-manuscript-found-leipzig-2540432 ArtNet News. “Conservation of a Rubens Masterpiece Turns Up Hidden Alterations.” Artnet. 6/20/2024. https://news.artnet.com/art-world/rubens-judgement-of-paris-conservation-national-gallery-2501839 Artnet News. “Gardner Museum Is Renovating the Room That Witnessed a Notorious Heist.” 9/18/2024. https://news.artnet.com/art-world/gardner-museum-renovate-dutch-room-2538856 Benzine, Vittoria. “Turkish Archaeologists Uncover Millefiori Glass Panels for the First Time.” Artnet. 9/12/2024. https://news.artnet.com/art-world/millefiori-glass-panels-turkey-2535407 Binswanger, Julia. “A Thief Replaced This Iconic Churchill Portrait With a Fake. Two Years Later, the Original Has Been Recovered.” Smithsonian. 9/16/2024. https://www.smithsonianmag.com/smart-news/a-thief-replaced-this-iconic-churchill-portrait-with-a-fake-two-years-later-the-original-has-been-recovered-180985075/ Binswanger, Julia. “A Viking-Era Vessel Found in Scotland a Decade Ago Turns Out to Be From Asia.” Smithsonian. 9/4/2024. https://www.smithsonianmag.com/smart-news/a-viking-era-vessel-found-in-scotland-a-decade-ago-turns-out-to-be-from-asia-180985021/ Binswanger, Julia. “Hidden Self-Portrait by Norman Cornish Discovered Behind Another Painting .” Smithsonian. 7/24/2024. https://www.smithsonianmag.com/smart-news/a-hidden-norman-cornish-self-portrait-is-discovered-on-the-back-of-a-painting-180984741/ Binswanger, Julia. “Students Stumble Upon a Message in a Bottle Written by a French Archaeologist 200 Years Ago.” Smithsonian. 9/25/2024. https://www.smithsonianmag.com/smart-news/students-discover-french-archaeologists-200-year-old-message-in-a-bottle-just-in-time-on-an-eroding-coast-180985129/ Brinkhof, Tim. “Amateur Sleuths Are Convinced They Have Found Copernicus's Famous Compass.” Artnet. 8/7/2024. https://news.artnet.com/art-world/copernicus-compass-poland-2521967 Brinkhof, Tim. “The U.K. Bars Export of Alan Turing's Wartime Notebooks.” Artnet. 8/19/2024. https://news.artnet.com/art-world/turing-notebooks-uk-export-bar-2525678 Brown, DeNeen L. “Navy exonerates Black sailors charged in Port Chicago disaster 80 years ago.” Washington Post. 7/17/2024. https://www.washingtonpost.com/history/2024/07/17/port-chicago-disaster-navy-exonerates-black-sailors/ Bryant, Chris. “Second World War codebreaker Alan Turing's ‘Delilah' project papers at risk of leaving the UK.” Gov.UK. https://www.gov.uk/government/news/second-world-war-codebreaker-alan-turings-delilah-project-papers-at-risk-of-leaving-the-uk Byram, Scott et al. “Clovis points and foreshafts under braced weapon compression: Modeling Pleistocene megafauna encounters with a lithic pike.” PLOS One. 8/21/2024. https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0307996#sec013 Cascone, Sarah. “Long-Lost Artemisia Gentileschi Masterpiece Goes on View After Centuries of Obscurity.” Artnet. 9/9/2024. https://news.artnet.com/art-world/kimbell-art-museum-artemisia-gentileschi-2533554 Cascone, Sarah. “Mythical French ‘Excalibur' Sword Goes Missing.” Artnet. 7/10/2024. https://news.artnet.com/art-world/durandal-sword-in-the-stone-gone-missing-2510560 Casey, Michael. “Discovery of musket balls brings alive one of the first battles in the American Revolution.” Associated Press. 7/17/2024. https://apnews.com/article/revolutionary-war-musket-balls-national-park-service-33dc4a91c00626ad0d27696458f09900 David, B., Mullett, R., Wright, N. et al. Archaeological evidence of an ethnographically documented Australian Aboriginal ritual dated to the last ice age. Nat Hum Behav 8, 1481–1492 (2024). https://doi.org/10.1038/s41562-024-01912-w Davis, Lisa Fagan. “Multispectral Imaging and the Voynich Manuscript.” Manuscript Road Trip. 9/8/2024. https://manuscriptroadtrip.wordpress.com/2024/09/08/multispectral-imaging-and-the-voynich-manuscript/ Deliso, Meredith. “Witness gets emotional recounting doomed Titan dive during Coast Guard hearing on submersible implosion.” ABC News. 9/19/2024. https://abcnews.go.com/US/oceangate-titan-coast-guard-hearing-mission-specialist/story?id=113843817 Feldman, Ella. “Painting Attributed to Rembrandt Found Tucked Away Inside an Attic in Maine.” 9/6/2024. https://www.smithsonianmag.com/smart-news/painting-attributed-to-rembrandt-found-tucked-away-inside-an-attic-in-maine-180985036/ Fox, Jeremy C. “A French ship that sank after a collision in fog in 1856 off the Mass. coast has been found.” Boston Globe. 9/7/2024.. https://www.bostonglobe.com/2024/09/07/metro/ship-sank-1856-found-massachusetts/?event=event12 com News Staff. “Bullet found with remains during excavation at Oaklawn Cemetery, marks 3rd confirmed gunshot victim.” 8/2/2024. https://www.fox23.com/news/bullet-found-with-remains-during-excavation-at-oaklawn-cemetery-marks-3rd-confirmed-gunshot-victim/article_bf2eb2c8-5122-11ef-b13a-7f883d394aae.html Giordano, Gaia et al. “Forensic toxicology backdates the use of coca plant (Erythroxylum spp.) in Europe to the early 1600s.” Journal of Archaeological Science. Volume 170, 2024, 106040, ISSN 0305-4403, https://doi.org/10.1016/j.jas.2024.106040. Gouevia, Flavia. “Donegal farmer uncovers 22kg slab of ancient bog butter.” The Irish News. 9/13/2024. https://www.irishnews.com/news/ireland/donegal-farmer-uncovers-22kg-slab-of-ancient-bog-butter-YUJKZVXG6NH43G3SBZ3DAUDCHI/ Hawkins, Grant. “Texas A&M's Quest To Save An Alamo Cannon.” Texas A&M Today. 7/31/2024. https://today.tamu.edu/2024/07/31/texas-ams-quest-to-save-an-alamo-cannon/ Howe, Craig and Lukas Rieppel. “Why museums should repatriate fossils.” Nature. 6/18/2024. https://www.nature.com/articles/d41586-024-02027-y Ian G. Barber et al, American sweet potato and Asia-Pacific crop experimentation during early colonisation of temperate-climate Aotearoa/New Zealand, Antiquity (2024). DOI: 10.15184/aqy.2024.143 Imai, Kunihiko. “Researchers identify mystery artifact from ancient capital.” The Ashai Shimbun. 9/5/2024. https://www.asahi.com/ajw/articles/15415562 Kael, Sascha. “The plague may have caused the downfall of the Stone Age farmers.” EurekAlert. 7/10/2024. https://www.eurekalert.org/news-releases/1050694 Kokkinidis, Tasos. “Second Ancient Shipwreck Discovered at Antikythera, Greece.” Greek Reporter. 7/1/2024. https://greekreporter.com/2024/07/01/second-ancient-shipwreck-discovered-antikythera-greece/ Kovac, Adam. “17th-Century Mummified Brains Test Positive for Cocaine.” 8/27/2024. https://gizmodo.com/17th-century-mummified-brains-test-positive-for-cocaine-2000491460 Kuta, Sarah. “Divers Can Now Explore Historic Shipwrecks in Lake Michigan More Easily.” Smithsonian. 8/23/2024. https://www.smithsonianmag.com/smart-news/divers-can-now-explore-historic-shipwrecks-in-lake-michigan-more-easily-180984959/ Kuta, Sarah. “Divers Find Crates of Unopened Champagne in 19th-Century Shipwreck.” Smithsonian. 7/31/2024. https://www.smithsonianmag.com/smart-news/divers-find-shipwreck-loaded-with-champagne-near-sweden-180984784/ Kuta, Sarah. “DNA Reveals Identity of Officer on the Lost Franklin Expedition—and His Remains Show Signs of Cannibalism.” Smithsonian. 9/26/2024. https://www.smithsonianmag.com/smart-news/dna-reveals-identity-of-officer-on-the-lost-franklin-expedition-and-his-remains-show-signs-of-cannibalism-180985154/ Kuta, Sarah. “Shipwreck Found in Lake Michigan 130 Years After Sinking With Captain's ‘Intelligent and Faithful' Dog Onboard.” Smithsonian. 7/25/2024. https://www.smithsonianmag.com/smart-news/shipwreck-found-in-lake-michigan-130-years-after-sinking-with-captains-intelligent-and-faithful-dog-onboard-180984766/ Larson, Christina. “Stonehenge's 'altar stone' originally came from Scotland and not Wales, new research shows.” Phys.org. 8/17/2024. https://phys.org/news/2024-08-stonehenge-altar-stone-scotland-wales.html Lawson-Tancred, Jo. “A Marble God Is Found in an Ancient Roman Sewer.” Artnet. 7/9/2024. https://news.artnet.com/art-world/marble-hermes-ancient-roman-sewer-2509628 Lawson-Tancred, Jo. “Legal Battle Intensifies Over Tunnel That May ‘Irreversibly Harm' Stonehenge.” Artnet. 7/24/2024. https://news.artnet.com/art-world/legal-battle-stonehenge-tunnel-2515809 Martin B. Sweatman, Representations of calendars and time at Göbekli Tepe and Karahan Tepe support an astronomical interpretation of their symbolism, Time and Mind (2024). DOI: 10.1080/1751696X.2024.2373876 Merrington, Andrew. “Archaeological scanners offer 2,000-year window into the world of Roman medicine.” Phys.org. 7/16/2024. https://phys.org/news/2024-07-archaeological-scanners-year-window-world.html#google_vignette Metcalfe, Tom. “3 shipwrecks from 'forgotten battle' of World War II discovered off remote Alaskan island.” LiveScience. 8/18/2024. https://www.livescience.com/archaeology/3-shipwrecks-from-forgotten-battle-of-world-war-ii-discovered-off-remote-alaskan-island Moreno-Mayar, J.V., Sousa da Mota, B., Higham, T. et al. Ancient Rapanui genomes reveal resilience and pre-European contact with the Americas. Nature 633, 389–397 (2024). https://doi.org/10.1038/s41586-024-07881-4 National Museum of Ireland. “Appeal for information about Bronze Age axeheads found in Westmeath.” https://www.museum.ie/en-IE/News/Appeal-for-information-about-Bronze-Age-Axeheads-F Nichols, Kaila. “A history buff bought a piece of a tent from Goodwill for $1,700. It really did belong to George Washington.” CNN. 7/21/2024. https://www.cnn.com/2024/07/21/us/george-washington-tent-fragment-goodwill/index.html Ogliore, Talia. “Archaeologists report earliest evidence for plant farming in east Africa.” EurekAlert. 7/9/2024. https://www.eurekalert.org/news-releases/1050678 Orie, Amarachi. “New Titanic photos show major decay to legendary wreck.” CNN. 9/2/2024. https://www.cnn.com/2024/09/02/science/titanic-photos-show-major-decay-intl-scli/index.html Owsley DW, Bruwelheide KS, Harney É, et al. Historical and archaeogenomic identification of high-status Englishmen at Jamestown, Virginia. Antiquity. 2024;98(400):1040-1054. doi:10.15184/aqy.2024.75 org . “New finds in treasure-laden shipwreck off Colombia.” 8/9/2024. https://phys.org/news/2024-08-treasure-laden-shipwreck-colombia.html#google_vignette Pirchner, Deborah. “Pompeii skeleton discovery shows another natural disaster may have made Vesuvius eruption even more deadly.” EurekAlert. 7/18/2024. https://www.eurekalert.org/news-releases/1050523 Qiblawi, Adnan. “A Metal Tube in a Polish Museum Turns Out to Be a 150-Year-Old Time Capsule.” Artnet. 7/5/2024. https://news.artnet.com/art-world/polish-museum-time-capsule-2508303 Cooley et al, Rainforest response to glacial terminations before and after human arrival in Lutruwita (Tasmania), Quaternary Science Reviews (2024). DOI: 10.1016/j.quascirev.2024.108572 Schrader, Adam. “Historian Identifies Lost Henry VIII Portrait in Background of Social Media Photo.” Artnet. 7/26/2024. https://news.artnet.com/art-world/historian-identifies-henry-viii-portrait-social-media-photo-2517144 Seaton, Jamie. “Did Prehistoric Children Make Figurines Out of Clay?” Smithsonian. 7/2/2024. https://www.smithsonianmag.com/science-nature/did-prehistoric-children-make-figurines-out-of-clay-180984534/ Solly, Melian. “Archaeologists Say They've Solved the Mystery of a Lead Coffin Discovered Beneath Notre-Dame.” Smithsonian. 9/18/2024. https://www.smithsonianmag.com/smart-news/archaeologists-say-theyve-solved-the-mystery-of-a-lead-coffin-discovered-beneath-notre-dame-180985103/ Stockholm University. "Study reveals isolation, endogamy and pathogens in early medieval Spanish community." ScienceDaily. ScienceDaily, 28 August 2024. www.sciencedaily.com/releases/2024/08/240828154921.htm. Strickland, Ashley. “Archaeologists unearth tiny 3,500-year-old clay tablet following an earthquake.” CNN. 8/16/2024. https://www.cnn.com/2024/08/16/science/ancient-cuneiform-tablet-turkey-earthquake/index.html Svennevig, Birgitte. “Chemical analyses find hidden elements from renaissance astronomer Tycho Brahe's alchemy laboratory.” EurekAlert. 7/24/2024. https://www.eurekalert.org/news-releases/1052085 The History Blog. “Animal figurine found in early Viking settlement in Iceland.” 8/27/2024. http://www.thehistoryblog.com/archives/70960 The History Blog. “Bronze Age axe found off Norwegian coast.” 7/14/2024. http://www.thehistoryblog.com/archives/70697 The History Blog. “Tomb of military leader in Augustus' wars in Spain found in Pompeii.” 7/17/2024. http://www.thehistoryblog.com/archives/70715 The History Blog. “Wolf teeth found in ancient Venetii cremation burial.” 9/25/2024. http://www.thehistoryblog.com/archives/71171 Thomas AE, Hill ME, Stricker L, et al. The Dogs of Tsenacomoco: Ancient DNA Reveals the Presence of Local Dogs at Jamestown Colony in the Early Seventeenth Century. American Antiquity. 2024;89(3):341-359. doi:10.1017/aaq.2024.25 Thorsberg, Christian. “Sticks Discovered in Australian Cave Shed New Light on an Aboriginal Ritual Passed Down for 12,000 Years.” Smithsonian. 7/9/2024. https://www.smithsonianmag.com/smart-news/sticks-discovered-in-australian-cave-shed-new-light-on-an-aboriginal-ritual-passed-down-for-12000-years-180984642/ Whiddington, Richard. “Van Gogh's ‘Irises' Appear Blue Today, But Were Once More Violet, New Research Finds.” Artnet. 7/24/2024. https://news.artnet.com/art-world/van-gogh-irises-getty-2515593 Whiddington, Richard. “Was Venice's Famed Winged Lion Statue Actually Made in China?.” Artnet. 9/17/2024. https://news.artnet.com/art-world/bronze-venice-lion-from-china-2537486 Wizevich, Eli. “Newly Deciphered, 4,000-Year-Old Cuneiform Tablets Used Lunar Eclipses to Predict Major Events.” Smithsonian. 8/9/2024. https://www.smithsonianmag.com/smart-news/newly-deciphered-4000-year-old-cuneiform-tablets-used-lunar-eclipses-to-predict-major-events-180984871/ Woolston, Chris. “New study challenges drought theory for Cahokia exodus.” Phys.org. 7/3/2024. https://phys.org/news/2024-07-drought-theory-cahokia-exodus.html Potter, Lisa. “Genetics reveal ancient trade routes and path to domestication of the Four Corners potato Genetic analysis shows that ancient.” EurekAlert. 7/24/2024. https://www.eurekalert.org/news-releases/1052517 Cell Press. "World's oldest cheese reveals origins of kefir." ScienceDaily. ScienceDaily, 25 September 2024. www.sciencedaily.com/releases/2024/09/240925122859.htm See omnystudio.com/listener for privacy information.
Part one of this edition of Unearthed! is mostly updates - about two-thirds of the episode. The rest is weapons, medicine, and books and letters. Research: 19 News Investigative Team. “Exhumation of Cleveland Torso Killer's unidentified victims now underway.” https://www.cleveland19.com/2024/08/09/exhumation-cleveland-torso-killers-unidentified-victims-now-underway/ Abdallah, Hanna. “Hydraulic lift technology may have helped build Egypt's iconic Pyramid of Djoser.” EurekAlert. 8/5/2024. https://www.eurekalert.org/news-releases/1051645 Addley, Esther. “Dorset ‘Stonehenge' under Thomas Hardy's home given protected status.” The Guardian. 9/24/2024. https://www.theguardian.com/uk-news/2024/sep/24/dorset-stonehenge-discovered-under-thomas-hardy-home-dorchester Adhi Agus Oktaviana et al, Narrative cave art in Indonesia by 51,200 years ago, Nature (2024). DOI: 10.1038/s41586-024-07541-7 Agence France-Presse. “‘Virtually intact' wreck off Scotland believed to be Royal Navy warship torpedoed in first world war.” The Guardian. 8/17/2024. https://www.theguardian.com/uk-news/article/2024/aug/17/virtually-intact-wreck-off-scotland-believed-to-be-royal-navy-warship-torpedoed-in-wwi Anderson, Sonja. “A Statue of a 12-Year-Old Hiroshima Victim Has Been Stolen.” Smithsonian. 7/16/2024. https://www.smithsonianmag.com/smart-news/statue-of-a-child-killed-by-the-bombing-of-hiroshima-has-been-stolen-180984710/ Anderson, Sonja. “An 11-Year-Old Boy Rescued a Mysterious Artwork From the Dump. It Turned Out to Be a 500-Year-Old Renaissance Print.” Smithsonian. 9/17/2024 https://www.smithsonianmag.com/smart-news/this-11-year-old-boy-rescued-a-mysterious-artwork-from-the-dump-it-turned-out-to-be-a-500-year-old-renaissance-print-180985074/ Anderson, Sonja. “Archaeologists Uncover Ancient Warship's Bronze Battering Ram, Sunk During an Epic Battle Between Rome and Carthage.” Smithsonian. 8/28/2024. https://www.smithsonianmag.com/smart-news/archaeologists-uncover-ancient-warships-bronze-battering-ram-sunk-during-epic-battle-between-rome-and-carthage-180984983/ ANderson, Sonja. “Someone Anonymously Mailed Two Bronze Age Axes to a Museum in Ireland.” Smithsonian. 7/15/2024. https://www.smithsonianmag.com/smart-news/two-anonymously-sent-bronze-age-axes-arrive-at-an-irish-museum-in-a-pancake-box-180984704/ Anderson, Sonja. “These Signed Salvador Dalí Prints Were Forgotten in a Garage for Half a Century.” Smithsonian. 8/29/2024. https://www.smithsonianmag.com/smart-news/these-signed-salvador-dali-prints-were-forgotten-in-a-garage-for-half-a-century-180984994/ Anderson, Sonja. “What Is the Secret Ingredient Behind Rembrandt's Golden Glow?.” Smithsonian. 8/1/2024. https://www.smithsonianmag.com/smart-news/what-secret-ingredient-behind-rembrandt-golden-glow-180984816/ “Jamestown DNA helps solve a 400-year-old mystery and unexpectedly reveals a family secret.” Phys.org. 8/13/2024. https://phys.org/news/2024-08-jamestown-dna-year-mystery-unexpectedly.html#google_vignette Ariane E. Thomas et al, The Dogs of Tsenacomoco: Ancient DNA Reveals the Presence of Local Dogs at Jamestown Colony in the Early Seventeenth Century, American Antiquity (2024). 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Godfrey, Richard, and Alex preview Week 5, a schedule led by Georgia-Alabama but with dozens of other interesting games beyond. Plus: What should we make of undefeated UNLV's QB leaving the program amid a payment dispute? There hasn't been anything quite like this in the history of the sport. Let's also talk more about Mack Brown's bizarre week at UNC heading into a rivalry game. Producer: Anthony VitoTHE NOKIAN TYRES ROAD TRIP OF THE WEEK: Every week all season, head to NokianTyres.com/SZD and enter your pick for the most enticing CFB road trip of that week. When you do, you'll be entered into a monthly drawing for free tires. This week's Trip of the Week? Heck yeah, it's unbeaten Wazzu at Boise State. SPLIT ZONE DUO SHIRTS FOR A CAUSE NEAR AND DEAR TO OUR HEARTS: One of our great friends is Wes Boling, the man responsible for our Nokian partnership. This season, 100 percent of the profits from SZD shirt sales at Homefield will go toward a fund to help Wes and his family deal with an extremely difficult and expensive medical situation. More details are here, and our collection of shirts is at homefieldapparel.com/szd. And if you've never ordered from Homefield before and are shopping around the whole catalog, use our code SZD20 for 20 percent off your first order. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.splitzoneduo.com/subscribe
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