Podcasts about polish literature

Tamara Trojanowska gave a lecture on “Cryptotheology, Psychobiography: Transgression in Polish 20th-Century Theatre” on Thursday, December 7, 2023 at 4:00 pm in 206 Ingraham Hall, 1155 Observatory Drive. About the Lecture: Tamara Trojanowska will present on her current research, which focuses on the intersections of 20th and 21st-century drama and theatre with history and religious thought, highlighting identity, subversion, and transgression issues. Her latest research project, co-edited with Joanna Niżyńska and Przemysław Czapliński and entitled A History of Polish Literature and Culture: New Perspectives on 20th and 21st Centuries, includes her extensive analysis of the transgressive practices in Polish drama and theatre (“Delectatio furiosa, or the modes of cultural transgression”) among over sixty essays by colleagues from all over the world. She has also contributed a chapter on this subject to Theatermachine: Tadeusz Kantor in Context (eds. Magda Romanska and Cathleen Cioffi, 2020), with her investigations of the dramatic and the sacred resulting in a new selection of and an extensive introduction to the plays of Roman Brandstaetter (Dzień gniewu. Dramaty, 2016). About the Lecturer: A graduate of the Drama Centre at the University of Toronto (Ph.D.) and of Theatre Studies at the Jagiellonian University in Kraków (MA), Tamara Trojanowska has also formerly held an Oxford University scholarship and an internship at the Royal Dramatic Theatre in Stockholm. She has taught at universities in Poland, Canada, and the United States, returning to the University of Toronto as a faculty member in 1998. Since then, she has directed the Polish Language and Literature Program at the Slavic Department, strengthening its profile and presence in North America, the University College Drama Program (2008-2012), and the Center for Drama, Theatre and Performance Studies (2017-2021). She now serves as Vice-Dean Faculty and Academic Life in the Faculty of Arts and Science.

Bar Talk (our recommendations):Jessica is reading Left Hand of Darkness by Ursula K. LeGuin; drinking a Burnside Oregon Oaked Bourbon.Damien is reading Looking Glass Sound by Catriona Ward; drinking a Ardbeg Islay Single Malt.Ryan is reading Brainwyrms by Alison Rumfitt; drinking a Fistful of Bourbon.If you liked this week's story, watch the entirety of the Final Destination franchise.Up next: "Poor Lucy Rivers" by Bernard Capes.Special thank you to Dr Blake Brandes for our Whiskey and the Weird music! Like, rate, and follow! Check us out @whiskeyandtheweird on Instagram, Threads & Facebook, and at whiskeyandtheweird.com

Wisława Szymborska, a Polish poet who was awarded the Nobel Prize for literature in 1996, would have been celebrating her 100th birthday in 2023. The poet died in 2012, but her legacy continues thanks to the Szymborska Foundation. The organisation is run by the poet's former secretary, Michał Rusinek, himself a writer. In this episode of The Debrief, Michał Rusinek is in the studio with host John Beauchamp to go through what's in store for the Szymborska Year – as it is officially known. More on the Szymborska Foundation can be found here. More on the Audionomia Foundation's Szymborska Audio Competition can be found here. [PL] Michał Rusinek (L) with host John Beauchamp at the studio in Warsaw

B04-E02 | This week, we create a small crisis when we taunt a wyvern dressed as a basilisk, run for our lives from ghost riders in the sky, and reunite our estranged parents as we recap Chapter Two of Time of Contempt. Along the way, we'll follow our hearts and advice from our drunk aunts. Just remember: Don't grieve for the cabbage when the forest is burning. [Wine talk and tangents begin at 01:13:42. Skip ahead to the analysis at 01:28:42]Subscribe on Apple Podcasts, Spotify, and Stitcher so you never miss an episode. And if you really like us, review us on Apple Podcasts! Support our podcast by donating to us at buymeacoffee.com/midnightpod.Read along with us by picking up Time of Contempt, by Andrzej Sapkowski at a book store near you.Theme song for Midnight Book Club is Everyone is Happy Here by Meavy Boy. Additional music is Ladies of the Woods by Percival & Marcin Przybyłowicz. 

Back in 2019, we got the chance to interview Anastasija Gulej. She was 95 at the time, living a happy life in one of Kyiv's suburbs. If you didn’t know her, you’d never tell be able to tell that she wakes up every day with the horrors of her past. Her past as an Auschwitz-Birkenau inmate.  Anastasija was already 18 years old when she was taken there, which makes her memories especially valuable. She remembers things perfectly clearly, she understood what was going around her, she knew what it was.  We strongly believe that keeping the memories of such events in mind is our duty, even more so now, when most of the people who could remember it are gone. Time stamps [01:29] Beginning of the war [05:22] The first time Anastasija was afraid [07:31] Auschwitz-Birkenau [15:56] The Death March [20:17] Liberation. Bergen-Belsen Camp [22:25] Post scriptum [24:19] Credits Further reading There Was Love in the Ghetto: A Conversation with Paula Sawicka // on Culture.pl The Holocaust in Polish Literature: 7 Key Books // on Culture.pl You Never Know How Fate Will Play Out: An Interview With Józef Hen // on Culture.pl Further watching Zofia Posmysz: Memory That Will Save Us // on Culture.pl Preserving Memory: The Conservation of Auschwitz-Birkenau // on Culture.pl Preserving Memory: The Barracks of Auschwitz-Birkenau // on Culture.pl Preserving Memory: The Art of Auschwitz-Birkenau // on Culture.pl Credits Written and produced by Wojciech Oleksiak & Żenia Klimakin Edited by Wojciech Oleksiak & Adam Zulawski Hosted by Nitzan Reisner & Adam Zulawski Scoring & sound design by Wojciech Oleksiak

In the first episode of the Notes from Poland podcast, Stanley Bill talks to Jennifer Croft, the award-winning American translator of Poland's new Nobel laureate, Olga Tokarczuk.In an in-depth interview with Jennifer Croft, Stanley Bill asks about Olga Tokarczuk's Nobel triumph; the masterpiece The Books of Jacob, which Jennifer is currently translating into English; the earlier novel Flights, for which Jennifer and Tokarczuk won the International Booker Prize in 2018; Jennifer's own writing, including her recently published memoir Homesick; the relation between writing and translation; and Jennifer's path into Polish culture. Producer: Sebastian LeśniewskiSupport the show (https://notesfrompoland.com/donations/support-us/)

Dr Kasia Szymanska gives a highlight overview of Polish literature from the Middle Ages to the present. Dr Kasia Szymanska gives a highlight overview of Polish literature from the Middle Ages to the present. After mentioning the Nobel prize winners and other twentieth-century writers such as Olga Tokarczuk, she goes back in time to discuss the following: the first major medieval and Renaissance texts which featured female characters, the issue of literary bilingualism, the international fame of the Romantic poet Adam Mickiewicz, and the realist prose of the late nineteenth century.

Being Poland: A New History of Polish Literature and Culture since 1918 (University of Toronto Press, 2018) consists of sixty essays written by authors from all over the world who specialize in Polish literature and culture. They write from a unique place: from the place of the individual who is connected with their culture; and at the same time they go beyond geographical and cultural boundaries. Thus, the present volume provides an overview of Polish culture and literature that absorbs local and global experiences. This feature constitutes a peculiar uniqueness of Being Poland that welcomes and invites dialogues across boundaries in terms of cultural and academic interactions. As the introduction aptly puts it, the book attempts to surpass some “monological” interpretations of cultural events and phenomena and to initiate a conversation that will allow space for multiple diverse voices. In this regard, the editors of the volume collect essays that highlight moments crucial for Polish literature and culture; at the same time, they aspire to broaden their exploration of local developments by locating them in the context of global interactions, which include, but are not limited to, culture, literature, and history. The result of this endeavor is a polyphonic narrative that appeals to the reader’s imagination, surpassing the concreteness and monolith of a singular culture. Being Poland, edited by Tamara Trojanowska, Joanna Niżyńska, and Przemysław Czapliński, with the assistance of Agnieszka Polakowska provides space for the reconsideration of literature and culture within the globalized context. Learn more about your ad choices. Visit megaphone.fm/adchoices

Being Poland: A New History of Polish Literature and Culture since 1918 (University of Toronto Press, 2018) consists of sixty essays written by authors from all over the world who specialize in Polish literature and culture. They write from a unique place: from the place of the individual who is connected with their culture; and at the same time they go beyond geographical and cultural boundaries. Thus, the present volume provides an overview of Polish culture and literature that absorbs local and global experiences. This feature constitutes a peculiar uniqueness of Being Poland that welcomes and invites dialogues across boundaries in terms of cultural and academic interactions. As the introduction aptly puts it, the book attempts to surpass some “monological” interpretations of cultural events and phenomena and to initiate a conversation that will allow space for multiple diverse voices. In this regard, the editors of the volume collect essays that highlight moments crucial for Polish literature and culture; at the same time, they aspire to broaden their exploration of local developments by locating them in the context of global interactions, which include, but are not limited to, culture, literature, and history. The result of this endeavor is a polyphonic narrative that appeals to the reader’s imagination, surpassing the concreteness and monolith of a singular culture. Being Poland, edited by Tamara Trojanowska, Joanna Niżyńska, and Przemysław Czapliński, with the assistance of Agnieszka Polakowska provides space for the reconsideration of literature and culture within the globalized context. Learn more about your ad choices. Visit megaphone.fm/adchoices

Being Poland: A New History of Polish Literature and Culture since 1918 (University of Toronto Press, 2018) consists of sixty essays written by authors from all over the world who specialize in Polish literature and culture. They write from a unique place: from the place of the individual who is connected with their culture; and at the same time they go beyond geographical and cultural boundaries. Thus, the present volume provides an overview of Polish culture and literature that absorbs local and global experiences. This feature constitutes a peculiar uniqueness of Being Poland that welcomes and invites dialogues across boundaries in terms of cultural and academic interactions. As the introduction aptly puts it, the book attempts to surpass some “monological” interpretations of cultural events and phenomena and to initiate a conversation that will allow space for multiple diverse voices. In this regard, the editors of the volume collect essays that highlight moments crucial for Polish literature and culture; at the same time, they aspire to broaden their exploration of local developments by locating them in the context of global interactions, which include, but are not limited to, culture, literature, and history. The result of this endeavor is a polyphonic narrative that appeals to the reader’s imagination, surpassing the concreteness and monolith of a singular culture. Being Poland, edited by Tamara Trojanowska, Joanna Niżyńska, and Przemysław Czapliński, with the assistance of Agnieszka Polakowska provides space for the reconsideration of literature and culture within the globalized context. Learn more about your ad choices. Visit megaphone.fm/adchoices

Being Poland: A New History of Polish Literature and Culture since 1918 (University of Toronto Press, 2018) consists of sixty essays written by authors from all over the world who specialize in Polish literature and culture. They write from a unique place: from the place of the individual who is connected with their culture; and at the same time they go beyond geographical and cultural boundaries. Thus, the present volume provides an overview of Polish culture and literature that absorbs local and global experiences. This feature constitutes a peculiar uniqueness of Being Poland that welcomes and invites dialogues across boundaries in terms of cultural and academic interactions. As the introduction aptly puts it, the book attempts to surpass some “monological” interpretations of cultural events and phenomena and to initiate a conversation that will allow space for multiple diverse voices. In this regard, the editors of the volume collect essays that highlight moments crucial for Polish literature and culture; at the same time, they aspire to broaden their exploration of local developments by locating them in the context of global interactions, which include, but are not limited to, culture, literature, and history. The result of this endeavor is a polyphonic narrative that appeals to the reader’s imagination, surpassing the concreteness and monolith of a singular culture. Being Poland, edited by Tamara Trojanowska, Joanna Niżyńska, and Przemysław Czapliński, with the assistance of Agnieszka Polakowska provides space for the reconsideration of literature and culture within the globalized context. Learn more about your ad choices. Visit megaphone.fm/adchoices

Being Poland: A New History of Polish Literature and Culture since 1918 (University of Toronto Press, 2018) consists of sixty essays written by authors from all over the world who specialize in Polish literature and culture. They write from a unique place: from the place of the individual who is connected with their culture; and at the same time they go beyond geographical and cultural boundaries. Thus, the present volume provides an overview of Polish culture and literature that absorbs local and global experiences. This feature constitutes a peculiar uniqueness of Being Poland that welcomes and invites dialogues across boundaries in terms of cultural and academic interactions. As the introduction aptly puts it, the book attempts to surpass some “monological” interpretations of cultural events and phenomena and to initiate a conversation that will allow space for multiple diverse voices. In this regard, the editors of the volume collect essays that highlight moments crucial for Polish literature and culture; at the same time, they aspire to broaden their exploration of local developments by locating them in the context of global interactions, which include, but are not limited to, culture, literature, and history. The result of this endeavor is a polyphonic narrative that appeals to the reader's imagination, surpassing the concreteness and monolith of a singular culture. Being Poland, edited by Tamara Trojanowska, Joanna Niżyńska, and Przemysław Czapliński, with the assistance of Agnieszka Polakowska provides space for the reconsideration of literature and culture within the globalized context. Learn more about your ad choices. Visit megaphone.fm/adchoices